CONTENTS
CONTENTS
PLACE SITE ANALYSIS
The Math Lawn are situated among the six buildings ,as transition area of northside and south side of the campus . The lawn is used for the main outdoor event and activities frequently. As the site diagram show that , Math lawn have the seven entries , the access to the chosen site is across the front of the Bar Smith Library and the two side roads are flanked by the lawn .
ENTRY .3 BRAGGS BUILDING /MAWSON BUILDING OF EARTH SCIENCE
ENTRY .4 GATE OF CAMPUS
ENTRY .5 PETROLEUM ENGINEERING / ENGINEERING NORTH /SCHOOL OF THE MACHANICAL ENGINEERING
ENTRY .2 BRAGGS BUIILDING /BENHAM BUILDING
ENTRY .6 ENGINEERING &MATHS SCIENCES / ENGINEERING NORTH / SOUTH STUDENTS OF ENGINNERING
ENTRY .1 UNION HOUSE /LADY SYMONSTUDENTS /VISITORS
ENTRY .7 INGKARNI WARDLI BUIDING EBGNEERING SOUTH/BAR SMITH LIBARARY
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PLACE shadow
MID SUMMER 9:00
MID WINTER 9:00
MID SUMMER 12:00:00AM
MID WINTER 12:00
MID SUMMER 15:00
MID WINTER 15:00
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PLACE sunpath & intensity
Sun path, sometimes also called day arc, refers to the daily and seasonal arc-like path that the Sun appears to follow across the sky as the Earth rotates and orbits the Sun. Also,Sun paths at any latitude and any time of the year can be determined from basic geometry.The Earth’s axis of rotation tilts about 23.5 degrees, relative to the plane of Earth’s orbit around the Sun. As the Earth orbits the Sun, this creates the 47° declination difference between the solstice sun paths, as well as the hemisphere-specific difference between summer and winter. The diagram show that the trajectory of the the sun in summer and winter embodied the chosen aiteis party shaded during the summer and winter . The trajectory of the sun of the site is in both smmer and winter id embodied shaded by the surroungding buidings.
1 The intensity od the people is demonstrate through the gradient of the cycle , which have the darker yellow means mor pwople go through this area .Overall, as the main primary pedestrain flow are in the area front of the libarary ,and the gate as well , which is the mainrntry way of the site .
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PLACE path&buildings
“In architecture, the concept of circulation isn’t so different - it refers to the way people, the blood of our buildings, move through space. In particular, circulation routes are the pathways people take through and around buildings or urban places.”For this site ,which is the big gap between the six buildings , the main access is across the front of the Bar Smith libarary and two roads are flanked by the lawn
The shaded area is using as the activity area frequently , and the also as the main area of the site . For the lawn ,it is use te the acititvity such as oreientation week , open day bbq and so on .
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PLACE 3D MODEL
ARIEL DISPLAY GROUND DISPLAY
ARIEL DISPLAY GROUND DISPLAY 5
PLACE PHOTOGRAPHY The site ,Maths Lawn is located in the north campus of the uni. in general , the Math lawn could received the adequate sunlight ,especially in the summer. The sunlight as the dominant source illuminates the entire place .in the evening , the reflective façade of the Braggs becomes transparent , therefore , the light resource of the lawn is offered by the internal light of the Braggs through the reflection and also the street lamps of the outdoor area.
DAY VIEW
NIGHTVIEW BAR SMITH LIBARARY
The Barr Smith Library is the main library of the University of Adelaide, situated in the centre of the North Terrace campus. The library was named in honour of Robert Barr Smith who donated £9,000 to buy books. In 1920 his family gave an extra £11,000 in the form of an endowment and in 1928 his son, Tom Elder Barr Smith, gave £30,000 for the Barr Smith library building. The Barr Smith Library was opened 4th March 1932, with later additions to the main building being built from the 1950s onwards.[1] The present entrance was constructed in 1984.
DAY VIEW
NIGHT VIEW 6
CASE STUDY LUMINOSITY Identification In the linguistic way ,the identification of the “luminosity” means the “total energy emitted per unit of time by a star Galaxy, or other astronomical object .As a term for energy emitted per unit time ,luminosity is synonymous with power “.
CASE STUDY
The Nordpark Railroad Station The Nordpark Railroad Station started another time of light and smoothness in Hadid’s oeuvre. Here, light isn’t consumed by concrete however is rather reflected by glass. Propelled by nearby icy moraines and ice arrangements, Hadid has essentially expanded the reflectance of her surfaces for dazzling identical representations. In this way the structure doesn’t stand confined in the scene however has highlights of the neighborhood scene installed in it. While advancing toward and around the station, complex identical representations invigorate the watcher’s recognition. Lit up around evening time, the station emanates a lively gleam. A long time later, the gleaming surfaces at the Serpentine Sackler Exhibition (London, 2013) are suggestive of the skimming ice structure in Innsbruck. The Vitra Fire Station The Vitra Fire Station (Weil am Rhein, 1993)—a lucid expression of tensions with in-situ concrete walls. Light lines in the ceiling, or between wall and ground or between the wall and the flying roof reinforce the linear architecture with sharp edges. In the interior, the light gaps between the wall and ceiling deconstruct conventional building structures as well. Even the design of the distinctive sun blinds intensifies the linear pattern language. The precise light lines emerge as-built manifestations of her suprematist paintings. Although the edges of the interior luminaires echo the sharp concrete lines, the soft, diffuse inside and outside illumination in a way counteracts the energy of the building’s forms.
CASE STUDY LUMINOSITY CASE STUDY
Y T I S O N I M U L
REFERENCE: https://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid
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Vitra Fire Station, 1993, Weil am Rhein
CASE STUDY LUMINOSITY
CASE STUDY LUMINOSITY
Phaeno Science Center, 2005, Wolfsburg / Germany.
The Nordpark Railroad Station,ZAHAHADID,2004 The phaeno Science Centre The phaeno Science Centre was an unequivocal defining moment in Hadid’s lighting creative mind. The windows and luminaires in the structure’s surface offer a similar structure, making an all encompassing plan approach and hence proceeding onward from Hadid’s prior time of lines and sharp corners. The raised solid structure creates a huge concealed region, with the view to sunlight on one side escalates the impression of a dead emptiness. As an antithesis, diffuse roof luminaires intercede in the diminish environment. The inclin-
The Nordpark Railroad Station,ZAHAHADID,2004 ing building structure has been converted into rhombus-formed windows for the façade. Rather than prior tasks with sharp edges, Hadid’s structures here took on bended shapes, denoting a change to liquid plans. So as to frame a sound outside surface, the rhombus shape has additionally been applied to the underside of the raised gallery. In this way the guests see a comprehensive conventional methodology enveloping both sunshine and counterfeit lighting.
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IDEA METAPHOR & PRECEDENT RESEARCH
SEEKING LIGHT IS DISCONVE In modern design, the use of light is increasingly divorced from the traditional lighting requirements, and more attention is paid to the creation of spatial artistic conception and artistic expression. The relationship between light and architecture is also increasingly considered in the design itself. Through the application of new light technology, architecture can form a unique visual language, making architecture more artistic expression. Since the light is shapeless, as the light go through variaty of object which created the shadow .the shadow do not the reflect shape of the obejct itself but the expansion of shape . The more flexible the light, the stronger the shock and imagination. By contrast of light and shade, the building can be divided into different Spaces, so that each area can be differentiated and integrated at the same time, which increases the sense of hierarchy and interest of the space.
Allegory of the Cave draft
EXPANSION
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REFLECTION
TRANSFOMATION
IDEA DESIGN 1
The initial concept of “light”of human civiliazation is come fron the sun , which is “the star at the center of the Solar System. It is a nearly perfect sphere of hot plasma, with internal convective motion that generates a magnetic field via a dynamo process.”The
sun is the huge round shape atmodphere . due to the Polato’s story , Allegory of the Cave, people in the cave believe that the shadow is real, as if the people did not realize that light is existing . and every this is visible because of the reflection of
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IDEA DESIGN 2
Then people disvovered the reflection of the light is an trangle circulation , And the refractive index, which is a measure of refraction, is the sine of the Angle of incidence over the sine of the Angle of refraction, is the inverse ratio of the speed of
If the incident light and the normal form a incident right triangle, the sine with normal incident light Angle, it should be the right triangle than on edge and bevel edge, and the law of refraction and no content in this respect, apparently normal is not as the hypotenuse triangle, normal as the hy11
light incident to the speed of light refracted, and that’s the refraction law.The sine is the ratio of the opposite to the hypotenuse of the Angle of the right triangle.
potenuse, sine than will has nothing to do with the incident light, and therefore can only choose incident light as the hypotenuse of a right triangle, the choice is perpendicular to the normal line of incident Angle on the edge, so the incident Angle of sine is hanging the normal and the ratio of 12
IDEA DESIGN 3
Though the disconvery of the light , human using the electricity to manage the light , the straight circulation of the light can twisted in to any shape which is apply for the diffirent situation .For the concept 3 , simulation the twisted light , that the disconvery of the light from the shape the sun to the triangle reflection index of the light path , and finally , twisted light path can be managed based on the disconvery of the shape of the light .
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CASE STUDY
REFLECTION
CASE STUDY QWW The refraction of light, like the reflection of light, occurs at the junction of two media, except that the reflected light returns to the original medium, while the refracted light enters the other medium. Because light travels at different speeds in two different materials, it changes direction at the junction of the two media, which is the refraction of light
PILOSOPHICAL DEFINNITION Reflection is a word that can only the be presented as a theoretical way. ‘reflection” as a metaphor can be explained through the philosophical definition . for the aspects of the architecture, the “reflection” involves both side of the reflected material and the consideration of what the form and function wants to convey to the user of the space .
CASE STUDY Guggenheim Museum Bilbao In 1997, the American designer Frank Gehry moved the orgy of fashion from glass to metal, using the titanium cladding of the Guggenheim Gallery Bilbao.The numerous hopeful city expectation auxiliary structure is the key result factor of “bilbao impact”.In any case, the understatement Gehry used the luminous properties of the titanium plate and its ever-changing appearance not only to bring a unique structure to bilbao, but also to reinforce his plans with a clear and powerful picture that fluctuated with every cloud and sunbeam. Although they are not much of a millimeter thick, titanium sheet has brought an interesting, almost dressed as ridged material -- -- -- -- -- - the New York times critic Herbert belongs Muschamp and Marilyn Monroe: “Frank Gehry’s new guggenheim history center is sparkling, bugs bunny, post - mechanical, release all of us hope coated titanium (...).This building is the resurrection of Marilyn Monroe.” The hall of Walt Disney.
N O I T C E L F E R
https://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture https://electronicintifada.net/blogs/riri-hylton/berlin-jewish-museum-director-forced-out-israel-lobby
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CASE STUDY REFLECTION
Berlin Jewish Museum Though ,the Berlin Jewish Museum do not using the reflection material, still, the design of the arch, reflecting the inner world of the designer , Daniel Libeskind. Design plane winding molded, the pattern is exceptionally touchy, divider body tilt, similar to the “star” three-dimensional break again after the example for as the sufferings of the jews in Berlin, wanders aimlessly, after the exhibition in the hexagonal star of David cutting, deconstruction and afterward the aftereffect of the rebuilding, appear on the structure, the structure twisting shows up amazingly hardened, and the volume v of the line. However, there are as yet two veins identified with musings and association in the engineering, in particular, the direct veins brimming with innumerable broken pieces and the vast constant winding veins. Building collapsed a few times, reasonable crisscross plane line was hindered by a gathering of void area masterminded in a straight line, avionics disregarding the photograph let individuals see obviously serrated structure plane and with the crossing point, the clear space of straight line, the clear space in the interest of the vacuum, similitude isn’t just in the holocaust vanish an endless number of Jewish life, likewise implies the Jewish individuals and the way of life in Germany and Europe are left clear, will never die. The display of Jewish chronicles spreads along with with the barbed structure and through it the unfilled, solid essential hues Space has no beautification, just a dim light from the broke Windows and bay windows. Divider outside the exhibition hall to stirred sheet structure unpredictable shape, with sharp edges and pervious to light, and its fantastic all line, plane, and space is broken and sporadic, individuals stroll into, is engaged with disdain of a contortion of the existence, the historical center nearly can not locate any flat and vertical structure, all channels, dividers, Windows with a specific Edge, can say nobody is straight. The architect utilized it as an allegory for the uncommon history and enduring of jews in Germany. Although there is no immediate display or scene of jews being oppressed, the convoluted entry, overwhelming tone and light all give individuals otherworldly stun and profound effect.
Berlin Jewish Museum,1978
WALT DISNEY CONCERT CENTRE ,2003,LA
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FORM 3D MODEL
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FORM 3D MODEL
The final design is based on the first idea. Comparison with other two concept ,the first idea can create more sense of layer than the two others,.AS Tadao Ando explains, architecture design is to “intercept the ubiquitous light ,”and express the existence of light on a specific occasion .”architecture condense light into its simplest existence. The creation of architectural space is the purification and concentration of the power of light. It is enough to see the role of space light in architectural design. The use of light to shape space mainly considers the following three aspects: Adjust and guide dimensional order, model dimensional atmosphere; Shaping spatial hierarchy; Adjust the sense of spatial scale.
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FORM PERSPECTIVE
The final desisign of the light pavilion is formend by three parts, due to the perspective diagram. There is two big entrance in the opposite direction on the ground floor , cause the whole building is an half -underground paviolion , as consideration of the application of the underground floor , the mid central floor area of the ground floor is seted as glass roof of the underground exhibition area which is the main space og the light pavilion . For the function of the light pavilion, the office area is anrranged on the undergrouond floor ,and the public area ,include , libary, relaxing area etc. area onthe ground floor, which can atractive more people in tothe space enven they don’t use the main function on the ground floor .
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ROOF PERSPECTIVE
SECOND FLOOR PERSPECTIVE
GROUND FLOOR PERSPECTIVE
FORM PLAN
a disabled tiolet
f
b small seminar room c exhibition area d female/male tiolet
b c
a
e exhibition entrance 1 f south side elevator
h
g exhibition entrance 2 h north side elevator
SECOND FLOOR PLAN 1:150
a north side elevator h
b relaxing area f
g
c north side entrance d small libarary
e
e reading area b i
f south side elevator d
a c
GROUND FLOOR PLAN 1:150
g reception area h exhibition entrance 2 i storage area 18
FORM SITE PLAN &SECTION
SITE PLAN 1:600
SECTION B-B 1:200 19
FORM ELEVATION
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CASE STUDY OPACITY CASE STUDY IDENTIFICATION “Opacity is the measure of impenetrability to electromagnetic or other kinds of radiation, especially visible light. And we can also explained it as the tense of lack of the transparency . For an opaque object is not transparent and translucent as well .In nan more general way the reflection of the light from the other obeject is diffused ,and this phenomenon is defined as “opacity”
PILOSOPHICAL DEFINNITION Opacity in a more metaphorical way can be explained as the abstract things in architecture ,still The meaning of “opacity”is obsecured that can only express the difficulty of light to go though the opaque object.
CASE STUDY Dybkaer Church -Regnbuen Arkiteker The Scandinavian countries have created incredible buildings that reflect rare sunlight in both winter and long summer. Henry Plummer’s sunshine perspective looks at the real environment of the past, using intelligent white space to encourage brilliant rooms; The passionate photographer is more influenced by the light, the magnificent nature around and the contact with the human soul. Unusual changes in climate and sunlight have helped create a mild light environment in Scandinavia, where planners balance long, dark winters with white surfaces. The sun’s low position in the northern region creates a long shadow, followed by more light entering the building from the side than from above. Instead, summer nights diffuse light.
Y T I C I A P O
REFERENCE: https://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid
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Dybkær Church, Silkeborg, Denmark. Architecture: Regnbuen Arkitekter.
CASE STUDY OPACITY
Nordyjllands Art Museum, Aalborg, Denmark. Architecture: Alvar Aalto, Jean-Jacques Baruël Nordyjllands Art Museum, Alvar Aalto The museum slopes up like a zigzag building, designed in a square layout with exhibitions arranged around the ground level of the focal exhibition area. Despite the access, lobby, and workplace, the structure includes a model exhibition, several open-air exhibitions, and seven small exhibition halls. The roof is set above the focal hall, which rises into a pyramid and gives a bay window as a crown-shaped lamp. The focus hall is flanked by an anteroom or exhibition that is bright enough in normal light, while the back can be divided into smaller rooms by an adjustable divider. A deliberate mix of lookout Windows and diffuse lighting succeeded in “con
trolling the Nordic light”, illuminating the display with a series of mirrors and shading materials. The “double-sided extension bay window” on the south side limits daylight to a limited 56 degrees, while the north side is fully open to 90 degrees. The roof is suspended by two layers of lights with allegorical reflective surfaces, away from any shadows. The music classroom is equipped with a crystal skylight in the basic structure.[5] light, as it moves away from screens, dividers, and sheets, drives the diffuse lighting of the open spaces in the historical center, gaining the name “light machine.”The nature of light ADAPTS to the needs of day and night. Nordyjllands Art Museum OUTDOR
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MATERIAL EXTERIOR &ACCESS
ARIEL VIEW 2 GROUND VIEW 1
ARIEL VIEW 1
GROUND VIEW 1
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GROUND VIEW 2
MATERIAL EXTERIOR &ACCESS
GROUND FLOOR
SECOND FLOOR
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MATERIAL INTERIOR VIEW
EXHIBITION AREA
RELAXING AREA
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SAMLL SSEMINAR ROOM
MATERIAL INTERIOR VIEW
SMALL LIBARARY
TOILET
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MATERIAL STURCTURE
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MATERIAL STRUCTURE
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CASE STUDY FILTRATION CASE STUDY INDENTIFICATION The shape of the light is not stable ,and fixed , as the light sources emit a range of the wavelengths .it will cover the entire spectrum .With another explanation ,it is an physical process to filter something. CASE STUDY FIRMINY CHURCH, Le Corbusier Recognizing the small congregation of the city, the architect wanted to embrace and celebrate the miners and steel workers that produced most of the goods of the area, which explains his use of concrete. He hoped that this material would also give him control over the volume and spaces in his overall goal of giving light a true meaning. He wanted to create a setting that established a place for spiritual enrichment on a modest scale. About this, Le Corbusier stated that the space must be “vast so that the heart may feel at ease, and high so that prayers may breathe in it.” Natural light floods in through light boxes and through a series of organized openings that are a direct reference to the constellation Orion. The light boxes are designed in a way that will bring light to the alter on specific religious holidays, like Good Friday and Easter Sunday. Corbusier uses the spirituality of geometry to create the overall form; a square base that projects upwards to a circle depicts the metamorphosis and transition from earthly to spiritual realm, and the cosmological basis is revealed in the constellation windows and angle of the roof towards the sun.
REFERENCE: https://www.archdaily.com/597598/light-matters-le-corbusier-and-the-trinity-of-light
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N O I T A R T L I F
View looking south to “upwardly springing” waves of light. Church of Saint-Pierre, Firminy, France
CASE STUDY FILTRATION
La Chapelle de Ronchamp, Le Corbusier The design of La Chapelle de Ronchamp church has exerted an important influence on the development of modern architecture and is regarded as the most shocking and expressive building in the 20th century. A white vision of the church of Longchamp hovers over the village of Notre Dame, a place of pilgrimage since the 13th century. The size of the church is small, with a capacity of only 200 people. In front of the church, there is a space with a capacity of 10,000 people, which is used by worshippers who come to worship in religious festivals. The most interesting part of the plan is the scattered Windows on the divider line.Corbusier accepted the strategy of penetrating the exterior, improving the light in the prayer room by inserting reduced Windows between the dividers.Each divider is inspired by square Windows of different sizes, which together with the plain white and white divider give the divider a gorgeous quality, but are hindered by a gradual increase in unusual direct light.The frequency divider behind the podium of the house of prayer, the influence of light provides an example of design, similar to a starry night sky, and the slender Windows are flattering light from a huge open on the cross, making for a marvelous strict photograph as well as a transformative encounter.
Upward view into scoop at sunrise. Chapel of Notre Dame du Haut, Ronchamp, France
Corridor to atrium cadenced with sunshine in late morning. Monastery of Sainte Marie de la Tourette,
Upward view of fissure and brise-soleil, on overcast day. Chapel of Notre Dame du Haut, Ronchamp, France.
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