Portfolio 2015

Page 1

Jil Raleigh S t u d e n t Po r t f o l i o


Gift to the City IV I am a Sick Man... I am a Wicked Man P r o j e c t : To o M u c h i s To o M u c h , o r The Ecology of the Spectacle APBL90115 Master of Architecture (Studio 8), Semester 1, 2015. Studio Leader: Scott Woods. Reaching beyond the “white cube” gallery/museum, STUDIO 8 seeks experimental and speculative propositions that ‘disrupt museum typology and signal museum futures.’ Gift to the City IV is based on Fyodor Dostoevsky’s “Notes from Underground” (1864). [Panels, postcards.]

solar PV: 10kW capacity

pollutant abatement/ air filtration system

air-conditioner: maintain 18-20°C

dehumidifyer: maintain 40-50% relative humidity

ISRU systems





Too Much is Too Much or An Ecology of Spectacle GIFT TO THE CITY IV Jillian Raleigh _______________________________ Obviously a museum is very structured… a beast that has these layers and this hierarchy that you have to work with, but also because… it’s not necessarily about the consumption. Although obviously we are consuming. We’re taking the information in and we’re, you know, engaging with it, you know, we’re buying the entry ticket to the museum, whatever. -

Libby Sellers, Commercial Gallerist, London.

The Cultural Omnivore dwells in the hyperreality of the Image. The Cultural Omnivore consumes all Art in its path, indiscriminately and conspicuously. Tweets and Hashtags contaminate the ether, symptoms of freshly accumulated Cultural Capital that feed the monumentally bureaucratic Art Beast. Omnivore and Beast exist in a glorious symbiosis of Cultural Commodity; an Ecology of Spectacle. The Art Beast is a conglomeration of museums and galleries, colonised by the Culture Bureau. Art is rationalised and processed by the Bureau proletariat, in preparation for consumption and regurgitation and reconsumption. Archetypal hierarchy, the Culture Bureau is controlled by the Supreme Curator, clandestine sovereign of the Ecology. And yet the true potentate of this hyperreality is Art as Image.

protagonists: VIP guests, artists, critics.

annual reports private bequests

corporate sponsorship

exhibition catalogues marketing/ advertising

government grants

acquisitions travelling exhibitions

art media hype stable renewal

tweets, hashtags, instapics. cultural omnivore IN

merchandise

ART BEAST

cultural omnivore OUT

dpt. rejuvenation

MOLOCH stable purge dpt. restoration

proletariat

employees, volunteers.

CULTURE BUREAU dpt. recreation

dpt. cultural strategy

bureaucrat

dpt. cultural communications

SUPREME CURATOR

autocrat

board of trustees

plebs: general admission.

Weaving together threads from the works of Pierre Bourdieu, Michel Foucault and Jean Baudrillard, Too Much is Too Much speculates on the existence of a heterotopia in which the triumph of the transaesthetic is complete. #toomuchisactuallynotenough #TLDR #artconspiracy #instaporn #hetertopia #bureaucraticcollectivism #imnotbitter #seriouslyimjusttired _______________________________ Foucault, M. “Of Other Spaces.” In Rethinking Architecture: A Reader in Cultural Theory, edited by N. Leach, New York: Routledge, 1997. Baudrillard, J. “The Conspiracy of Art.” In The Conspiracy of Art: Manifestos, Texts, Interviews, edited by S. Lotringer, Cambridge, Mass.; London: Semiotext(e), 2005. Bourdieu, Pierre, and Passeron, Jean-Claude. Reproduction in Education, Society and Culture. London; Beverly Hills: Sage Publications 1977.




details of 1.2 x 2.4m panel


Future Now I I Visions of possible futures Project: Mars Nuc lear

APBL90143 Master of Architecture (Studio 22), Semester 2, 2014. Studio Leaders: Mond Qu and Jannette Le. Future Now II focuses on generating design speculations that aim to ‘question the role of the architect and explore the potential of the architectural project to instigate debate and discussion.’ [Video.]

CIRT

SUBTERRANEAN NUCLEAR STOARGE FACILITY

TELECOMMUNICATIONS TOWERS

SOLAR P.V. ARRAY 2

BIOMASS PRODUCTION UNITS

DRILL STRUCTURE/ MAIN BASE

SOLAR P.V. ARRAY 1

WIND TURBINE ARRAY


84,600 DIA. 15,800 MAX. HT.

EXPOSURE TO EXTERIOR CONDITIONS (RADIATION, EXTREME TEMP. + WIND HAZARD: 4% MISSION DURATION) SKYLIGHT: U.V. FILTRATION -4023m M.H.D. STRUCTURAL SHELL (D.M.L.S. BASALT): RADIATION EXPOSURE LOW-TO-MODERATE

DRILLING OPERATION, I.S.R.U. PROCESSING + PRIMARY MANUFACUTRING (PREDOMINANTLY AUTOMATED TO MINIMISE RISK TO HUMAN CREW).: 12% MISSION DURATION

VAULTED ARCHES SUPPORTING FLOOR PLATES (D.M.L.S. BASALT) PLANNING + LABORATORY HABS, SECONDARY MANUFACTURING: 45% MISSION DURATION -4043m M.H.D.

RECREATION, SLEEPING + HYGIENE HABS: 39% MISSION DURATION

-4059m M.H.D.

WASTE TREATMENT PLANT -4078m M.H.D.

HELIO TUBE/RADIATION FILTER: FIBRE OPTIC CONDUIT DELIVERS SUFFICIENT LIGHT TO BASE INTERIOR FOR VITAMIN D ABSORPTION/PHOTOSYNTHESIS


THERMAL DRILLING CONCEPT

SUPERINSULATED ELECTRICITY + DRILL FLUID SUPPLY CABLES

STRUCTURAL SHELL

GLASS-FORMING SECTION

KERF MELTER

THERMAL PENETRATOR

8000 NOM.


EXTRA-HABITAT ACTIVITY (EH.A.) SUIT

SUIT-DOCK SYSTEM: DIRECT REAR ACCESS TO STERILE INTERIOR. MITIGATE CONTACT WITH SOIL PERCHLORATES.

HIGH PERFORMANCE POLYCARBONATE HELMET

BATTERY PACK: GRAPHENE SUPERCAPACITOR RIGID FIBREGLASS TORSO: INTEGRATED ELECTROLUMINESCENT WIRE. NYLON TRICOT/SPANDEX (INNER LAYER). URETHANE-COATED NYLON (PRESSURISATION LAYER). DACRON, NEOPRENE, ALUMINIZED MYLAR, GORTEX, KEVLAR, AND NOMEX (PRESSURE-RETENTION LAYER). LITHIUM HYDROXIDE CO2 + VAPOUR FILTER

AV. HUMAN RESOURCE CONSUMPTION: ENERGY 9000KJ/DAY. WATER 3L/DAY. OXYGEN 550L/DAY (AIR 11000L/DAY). TOTAL SUIT MASS: 4.7N (EQ. 17.9KG MARS SURFACE ENVIRONMENT)




Crowd-funding Architecture Civic engagement and cultural exchange P r o j e c t : R e -To w e r. APBL90143 Master of Architecture (Studio 31), Semester 1, 2014. Studio Leaders: Kirilly Barnett and Rivkah Stanton. STUDIO 31 interrogates the architectural opportunities and limitations of this new economic model, creating public, civic or social projects that facilitate cultural exchange. [Panels.]

ADI CYCLING ENTHUSIAST EQUITY + PLEDGE PARTICPANT

IRYANA EMERGING DESIGNER EQUITY PARTICPANT

THELMA GRANDMOTHER + URBAN GARDENER PLEDGE PARTICPANT

RE-SKIN TYPOLOGIES 0

0.5

1.0

2.0m


DESIGN BASE

DEMONSTRATION RE-BUILD

CAFE/COMMUNITY MEETING SPACE

PROJECT HUB 0

1

2

5m


RE-SKIN

PROJECT EVOLUTION

RE-TOWER

RE-SCALE

RE-ASSESS


COST STRUCTURE

CROWD: PLEDGE + EQUITY GOVERNMENT CORPORATE

PLEDGE REWARDS 4% 30% NAME

66% EXISTING

FORM-MAKING

RE-VEAL

$375,000,000

TOTAL

$50

RE-TOWER TOTE OR TEE

$100

INSCRIBED RE-TOWER PANEL

$250

PROTO CAFE LUNCH/DINNER (10 TO CLAIM)

$1,000

DESIGN INTERNSHIP (2 TO CLAIM)

$30,000

EQUITY



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