Principle:
DOMINANCE The word ‘dominance’ comes from the Latin word ‘dominatus’ and means ‘to master’
Principle:
DOMINANCE Dominance (emphasis) means the parts are unequal Dominance, or emphasis, creates a relationship of unequals that entices a viewer to focus on one part more than another part. This principle helps create some sense of order within a variety of objects, that might otherwise appear as a static field. Sometimes this area of interest is called the ‘focal point,’ and the less noticeable areas are sometimes called ‘rest areas’ or ‘quiet areas.’ Ironically, it’s often the lesser things, when compared to the larger ones, that become the focal point. When you work, think of the relationship of parts of the drawing/painting and how one can help emphasize the qualities of another. Capitalize on this difference. What the artist emphasizes may be subtle or it may be abrupt, depending on intent. The degree of dominance is up to the artist, as is the focus of the imagery she is creating.
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Tip: Decide what you wish to emphasize in a work. Keep this in mind as you work, and allow this focus to ‘speak.’tablish distance or space. For example, force the viewer to be close or far away. By manipulating this factor, you can set the stage.
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The ‘rule of thirds’ The Rule of Thirds is a design device that was created in the 1700’s, and it’s sort of a ‘lite’ version of the Golden Mean (see page 53). The rule of thirds’ premise is that you divide the picture plane into thirds and then use those proportions as guidelines. This prevents a composition form being divided in half by setting up an unequal 2/3 against 1/3 scenario. Using this as a guide, dynamic compositions are the result. 1/3
OR
2/3
2/3
1/3 The idea is the same in either direction: vertical or horizontal.
2/3
1/3
OR
2/3
1/3
It also suggests placing critical objects, or focal points, in one of the four ‘sweet spots”:
