PORTFOLIO
Extended works 2013-2018
Jing Zhi Tan Oxford School of Architecture MArchD Applied Design in Architecture RIBA Part II
TABLE OF CONTENTS
CV
ACADEMIC WORK
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01 A Pause In Time Breathing Space
02 Building Stronger Connection Gateway to Industry
03 Resuscitating the past and the future An Exhibition and Visitor Centre for Cowbit
04 Redesigning Arboretum Park Sustainable Design Project: Masterplan
05 Introducing New Perspectives Sustainable Design Project: Small Building
WORK EXPERIENCE
DRAWINGS
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Ideapod
A Chaotic Linear
A miniature city within a city
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Zaozuo Showroom
The Imperceptible
Shopfront and Interior Design
The heart, the brain and the internal clock
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13
Miao Er Shi Exhibition Center
Collection of sketches
Boiler Room Renovation Project
09 ConXrete Coffee Cafe Refurbishment Project
10 Dashilar: Thick Wall Beijing Design Week: Exhibition
CV
jingz.tan05@gmail.com issuu.com/jing0705 linkedin.com/in/jztan05/
JING ZHI TAN
EDUCATION MArchD ARCHITECTURE (RIBA PART II) Oxford Brookes University September 2016 - June 2018 BA (Hons) ARCHITECTURE (RIBA PART I) University of Lincoln September 2011 - July 2014 Upper Second Class Honours
SKILLS DESIGN STUDIO 5
2D
SPECIALISATION International Architectural Regeneration and Development
AutoCAD Revit (Primary)
3D
ACHIEVEMENT Top 5 Selected Year 2 Sustainable Project
Sketchup Rhinoceros Maya 2018 (Primary)
AWARD Gold Award for Volunteering
ADOBE
WORK EXPERIENCE PROJECT MANAGER | DAMU DESIGN Beijing
May 2016 - July 2016
3D VISUALISATION
+ Oversee a refurbishment project from stage 3 to 7, organised the handover in stage 7 + Lead and manage all contacts between contractors, consultants, in house team, and clients (Stage 1 to 6) + Manage and prepare full project proposal portfolio for construction bidding (Stage 0) + Review construction drawings before and during stage 5 + Prepare all presentations needed for client meetings (Stage 1, 2 & 3) + Guide and mentor interns, report to creative director all progress ARCHITECTURAL ASSISTANT | DAMU DESIGN Beijing
September 2015 - April 2016
+ Prepare plans, sections, elevations, and 3D models of various projects (Stage 2 & 3) + Work on-site as assistant ensuring construction goes according to drawings and schedule + Prepare presentations for client meetings, construction bidding (Stage 0) + Participating mostly in stages 1 to 5 in accordance to the RIBA plan of work + Assist in design of the practice website + Material review, prepare and collaborate in interior decoration design ARCHITECTURAL ASSISTANT | TAMOUH Abu Dhabi
January 2015 - August 2015
+ Self conduct smaller projects run by the company (Stage 1 & 2) + Communicate with engineering department and clients + Prepare architectural drawings, renders and construction drawings (Stage 1) ARCHITECTURAL INTERN | WENZEL + WENZEL Stuttgart
Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe After Effects Adobe Premiere Pro
June 2013
+ Produce 3D construction details for Frankfurt Airport Extension + Assist in preparation of architectural and engineering drawings for contractor and general client viewing + Learn Rhino
Vray
ANIMATION (Primary) Cinema 4D Unreal Engine
MODELLING Laser Cut 3D Print (Primary)
LANGUAGES English Mandarin Spanish | AB Initio Arabic | AB Initio
ACTIVITIES POSTGRADUATE
EXHIBITIONS EDITOR IN CHIEF Oxford School of Architecture Magazine (OSA) June 2017 - May 2018, Oxford
BEIJING DESIGN WEEK October 2015, Beijing Exhibitor Assistant
FIRST YEAR GUEST TUTOR Oxford School of Architecture October, November 2017, Oxford
CITYSCAPE April 2015, Abu Dhabi Exhibitor Assistant
EDITOR Oxford School of Architecture Magazine (OSA) September 2016 - May 2017, Oxford
UNDERGRADUATE
INTERESTS Dancing | Reading | Travelling | Writing | Sketching | Stamp Carving | Singing
VICE PRESIDENT Lincoln Architecture Society June 2013 - May 2014, Lincoln STUDENT TUTOR ArchiSchool Workshop March 2014, Lincoln STUDENT TUTOR
Applicant Open Day April 2013, Lincoln
REFERENCES JULIA WEDEL Senior Lecturer/ Subject Coordinator MA International Architectural Regeneration and Development Oxford Brookes University j.wedel@brookes.ac.uk
WORK EXPERIENCE
KAI LIU Partner/ Creative Director DAMU Design kliu@damu-design.com
JING ZHI TAN
JING ZHI TAN
POSTGRADUATE
2012-2016
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2012-2016
MArchD I Regeneration Project
ARCHITECTURE PORTFOLIO
06 On-site Assistance
Top 5 Year 2 Selected Project 12
ACADEMIC WORK
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
A Pause in Time BREATHING SPACE ACADEMIC YEAR: MArchD Year 2 TUTORS: Toby Shew, Owen Pearce PROJECT SCOPE: Architecture, Virtual, Landscape
The awareness of mental health issues has been on the rise over the past 80 years. It has seeped into our minds gradually, growing into weeds we can’t seem to get rid of. Discussions have taken place shedding light on the issue, with frequent news stories covering how it has come to impact workplace productivity, but ultimately, is it enough to just talk about mental illness? Generation Y and Technology
Generation Y and Mental Wellbeing
Generation Y has grown up with the progression of the internet, making us more comfortable and accustomed than previous generations to immersing ourselves in the online world. With the growth of the internet, the outreach and exposure of each individual to the rest of the world has increased, making generation Y the first global generation in how we communicate, think and interact.
There is also the matter of the stigma surrounding mental illnesses. This stigma comes in two forms: public stigma, which is the reaction of the general population to people experiencing mental illness; and self-stigma, whereby people experiencing mental illness turn against themselves. As the world moves online and Generation Y is exposed to a bigger audience, these issues create fear of seeking out help, including medical attention. This creates a vicious cycle that will only worsen in time if preventions are not taken. Millennials are known nowadays as the “anxious generation”, accentuating the importance of addressing this issue now more than ever.
In contrast to technological advancements, human evolution is a far slower process. We, as human beings, still require physical interaction and tangible connections. The unequal pace of development between humanity and technology, has led to a reliance on technology within Generation Y. Their pattern of using social media, makes them more prone to feeling lonely, anxious and detached from physical reality, which in turn can lead to anxiety and depression. Research shows that this complication stems from the control of social media over the generation, showing clearly that this is not simply a social and psychological issue, but a matter involving the hierarchy between human and technology.
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Low
Moderate
Existing Facilities Mental Healthcare Research conducted has shown that most existing mental healthcare facilities only serve to help severe situations where the illness has already affect the individual to the point of requiring assistance in each part of their daily lives. When critical, they treat patients in a utilitarian way, with medication or electroconvulsive treatment. However, when it comes to less debilitating experiences ranging from occasional to recurring episodes, it is almost regarded as the responsibility of the individual to cope on their own. In the world of mental healthcare, there is still a lack of aspiration to prevent mental illness at an early stage, thus the aim of this proposal is to fill in this gap.
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ARCHITECTURE PORTFOLIO
?????
Hal
EXTENDED WORK 2013 - 2018
High
Very High
Extreme
Critical
Psychiatric Hospital Psychiatric Ward Secure Unit
Crisis Stabilisation Juvenile Ward
lfway Houses Medium Term Open Unit Long term care facilities
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Mental Wellbeing
Extrovert
High Noise Level
Wellbeing Centre Reception Lounge
Kitchen Large Scale (Social) Small Scale (Dry)
Therapy
Dining
One to one Natural Social Interaction VR Interaction Sea/ Water
Reading
Activity Space Retreat Garden
Dance Choir/ Sing along Cooking Class Exercise Class (Eg. Swimming) Gardening Projects
Introvert
Low Noise Level
Yoga Taichi Pilates Meditation Talk
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ARCHITECTURE PORTFOLIO
Natural Pool Soothing Garden Dry Landscape Vegetation Seascape
EXTENDED WORK 2013 - 2018
Mental Wellbeing and Architecture “Architecture cannot change society, but it can underwrite and enhance the basic activities of those who work in it.”1 Looking at how architecture can contribute to issues concerning mental health, it should be taken into account that these issues cannot be solved by buildings alone. However, physicians and nurses are well aware that a patient’s interest in their surroundings is an early sign of healing. Therefore a wellbeing centre, with similar aspiration to Maggie’s Centres, should be established; with strong dedication to help users help themselves, to inspire carers, and to increase societal awareness. Taking a step back and creating a space almost opposing neoliberalism, the design ought to restore the relationship we once had with nature. “The column is like the shaft, the trunk of a tree; the roof is like a mountain with its ridge and slopes; the vault is the cave of parabolic section; the more resistant terraces of the mountain cliff form lintels and corbels over places where the weaker strata have eroded away.”2
In addition, to alleviate the stigma surrounding mental illness, a parallel dimension consisting of a direct overlay of a virtual environment on the centre should be considered. The reason the stigma surrounding mental health exists in the first place is because people tend to empathise with patients more when they are able to perceive clearly where discomfort is coming from. Hence people respond more to a physical injury or affliction than a mental one, since they cannot comprehend how exactly mental illness is affecting the individual. Thus, reflecting on a need to bring about a better understanding and a way for people affected to provide better explanation, a virtual environment with professional assistance should be created where users can visualise their pain and are able to share the experience with their friends and family. By metaphor, the building programme is also meant to signify the alliance and bridge between human and technology, focusing on the humane aspects. Such an approach is lacking in existing medical facilities, where a reliance on and awe of medical technology has increased since the mid-twentieth century. The comfort of patients has been pushed aside and their surroundings ignored. Thus, taking this as one of the first steps of architecture’s contribution to mental wellbeing, I sincerely hope that by designing a space that allows provision of social and psychological support to take place, we can begin to slow the increase in cases of mental illness in the population and eventually decrease its wider impact.
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
JING ZHI TAN
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RECEIV
LOUNG
E ARE
ING ARE
A
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STORAG
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DRY KIT
CHEN
READIN
G SPA
COOK
CE
ING SPA
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STORAG
E DINING
Landscape Nature Therapy Shinrin Yoku
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ARCHITECTURE PORTFOLIO
Man made Interactive Therapy
AREA
+0.100
ACTIVIT
Y SPA
CE (QU
IET)
EXTENDED WORK 2013 - 2018
- 0.500
Seascape Thalassotherapy
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Aromatic circulation The walls of the building are not completely sealed. To accentuate the connection between nature and architecture, ventilation gaps allow the smell of the flora planted throughout the site to travel into the building, taking away an invisible barrier between external and internal. Stronger aromatic plants such as pine trees lavender, rosemary and more are planted near the centre to ensure the effect is carried out. They are also medicinal plants with characteristics to lower anxiety and provide stress relief, carrying out the aim of the proposal as favoured.
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Top coat - cementitious waterstop sealer to top of parapet
Puddled earth top lift
Prefinished metal flashing Saw kerf reglet for cont. membrane flashing Top of Wall Top Plate
Landscaped roof
Radiant piping in slab
Reveal HSS frame in wall beyond Top of Beam Puddled earth Clear finish solid ash WD window (top and bottom) Recessed halogen light Double glazed frameless window - silicone in place
Finished floor Floor slab Reinforcement mesh Negative reinforcement Hollow blocks Weld Steel joist Steel shape Light fixture
Solid ash window stop and trim Continuous ‘trex’ wood blocking (top and bottom) Puddled earth Rammed earth wall Caulk Finished Floor Recessed in-slab light Sloping continuous water trough
Bottom of Footing
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
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Physical Reality Visual Data
Physical World data from Sensor
Video In
Infrastructure Tracker Unit
Positioning and orientation data Visual Unit
Processing Unit (Mix the realities)
Virtual Reality Context Data
Captured video for computer vision and image processing Mixed Reality
Video Out
Augmented Reality Projection Mapping
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
JING ZHI TAN
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
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Building Stronger Connections
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GATEWAY TO INDUSTRY
THIS PAGE Building Entrance
RIGHT TOP Workspace with view into workshop area RIGHT BOTTOM Textile exhibiting and bleacher seatings
ACADEMIC YEAR: MArchD Year 1 TUTORS: Julia Wedel, Aylin Orbasli, Matt Gaskin PROJECT SCOPE: Architecture, Regeneration, Refurbishment LOCATION: Zagreb, Croatia Within Croatia, the textile industry was recognised to be one of the strongest industry with a long history within the proximity of the site, whereas the ICT industry has been identified as a leading industry with growing importance. Both industries have strong links to the university and employment strategies, in Zagreb. Hence, the scheme aimed to continue advancing the existing industries by establishing a platform that links the two industries, thus the title building stronger connections. The project also has focus on the technical details, importance in showing our understanding of how old materials work with new materials.
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
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SECTION CUT (EXISTING) EXISTING
TRIPLE GLAZING WINDOW BIFOLD SHUTTERS
LED WALL WASHER AND FLOOR TREATMENT
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Raised Terrazzo Floor Finishing
LED Wall Washer
With regards to the floor treatment, the newly proposed floor is raised to a min of 350mm with 5 meter long ramp at the entrance in order to accommodate for servicing such as toilet downpipe and kitchen hot and cold water facilities. The terrazzo is chosen due to the fact that it is good for experimenting and when using the right amount of mixer of tones of gravel and sizes, the right texture which compliments the existing texture of the building can be achieved.
Since the decision is made to retain the existing wall, it is proposed that LED strips will run along the inner wall to highlight the distinct contrast in the existing wall and the newly proposed floor. This would then accentuate the honesty in the conservation of the building.
ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Brass Inlay Strips Reduce possibility of cracking Terrazzo Mix Tiles
Concrete Under-bed Damp proof membrane (DPM) Rockwool Insulation 2x2 blocking at 200mm center Servicing pipe (i.e.. water) Existing Floor
LED Wall washers Existing Wall Soft Putty Ensuring little (subtle) to no interruption to existing wall Timber Blocks Damp Proof Membrane (DPM)
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Existing Roof Howe Trusses
New beams Added to existing trusses Sub-beams
Hanging Fabric Pulley System Supported by sub-beams attached to the new beams Partition Curtains Soft partitions for the cafe seating’s flexibility
Partition Panels Hard partitioning for the bleacher seating Hanging Carpet/ Curtain Accentuating building height and adding to user experience as the first sight within the building
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Textile Fabric Non-Flammable Properties Antistatic Treatment
Hanging Fabric In order to ensure and avoid unneeded situations in relation to fire and cleaning of the fabric, the fabrics hung will have to always be treated with antistatic, so it creates a neutral state whereby no dust will attach on the fabric, and tentatively nonflammable fabrics are to be hung but if unlike silk and such do they have non flammable properties the fabric will be treated. The pulley system allows for frequent change of the fabric, and update on the technology they are researching on.
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03
THIS PAGE Axonometric showing technical elements
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Resuscitating the past and the future COMPREHENSIVE DESIGN PROJECT: DETAILED DESIGN
ACADEMIC YEAR: BA (Hons) Final Year TUTORS: Simone Medio, James Dale, Behzad Sodagar, John Napier PROJECT SCOPE: Architecture - Medium Scale Building LOCATION: Cowbit, Spalding, United Kingdom The Exhibition and Visitor Centre explores the symbolism of "observation" through observing the site's past, present, and future. It allows visitors to understand the history of the site, raise awareness of the social and economical issues it has brought upon the present, and probe them to think about the future.
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TOP RIGHT Plan layouts with highlights indicating where the visualisation takes place.
BOTTOM RIGHT Visualisations illustrating the featured space of each floor 1 Visitor center reception area 2 Screens showing present situation of the grassland, signifying the idea of present. 3 Glazed wall representing the idea of future being unknown, allowing visitors to draw what they believe could be the future of this land
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ARCHITECTURE PORTFOLIO
1
EXTENDED WORK 2013 - 2018
2
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04
THIS PAGE Exploded diagram showing different programs introduced to the masterplan.
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Redesigning Arboretum Park SUSTAINABLE DESIGN PROJECT: MASTERPLAN ACADEMIC YEAR: BA (Hons) Year 2 TUTORS: Amira Elnokaly, Andy Earl PROJECT SCOPE: Masterplanning LOCATION: Lincoln, United Kingdom The sustainable design project involved working on the project in different scales, in specific being a masterplan and a small project. The project takes place in the Arboretum park of Lincoln. A group of 8 of us redesigned what used to be a vast, passive green space into a more vibrant area for families to spend time in. The masterplan consists of eight small structures, which are proposed to activate the park and provide interesting aspects to attract visitors. We also strived to provide ease of access, giving special attention to our design, making sure it is user friendly, even for disabled users.
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KEY STRATEGIES: + Improve visibility of the park during the night + Improve accessibility + Bring back social, cultural events to the park
The site is in summary a steep slope facing south. The gradient is approximately 1:5, which is not suitable for disabled to access. The routes proposed are mainly of zig zag shape, mainly in the direction of east - weat to ease the problem of steepness. Despite the disadvantages, the slope also provides opportunities. Some function such as the amphitheatre requires a sloping site. In addition, the view towards the Lincoln city is stunning thanks to the slope.
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
TOP A longitudinal section through the site to illustrate the water collecting system proposed (Collaborative Work) THIS PAGE Images illustrating strategies proposed, significant one being increasing accessibility for disabled users. (All illustrated are collaborative work)
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ARCHITECTURE PORTFOLIO
EXTENDED WORK 2013 - 2018
Introducing New Perspectives SUSTAINABLE DESIGN PROJECT: SMALL BUILDING
ACADEMIC YEAR: BA (Hons) Year 2 TUTORS: Amira Elnokaly, Andy Earl PROJECT SCOPE: Small Scale Building LOCATION: Lincoln, United Kingdom Utilising the slope of the site, the concept was driven by the different viewpoint best proposed for visitors so to be able to have the best experience with the wonderous scenery. The exploration of the concept started with each perspective plotted as a point in a 2D graph, then by "connecting the dots" three dimensional triangles are produced, inducing the shape of the sculpture. Key Design Strategies Utilising the structures, similar to the function of a gutter by collecting rainwater. It is then integrated with the underground rainwater harvesting system developed during the masterplan stage underneath the pathways.
TOP LEFT Technical Details TOP RIGHT Concept Development BOTTOM Section showing rain harvesting system in conjunction with the system underneath the pathways.
The structure is designed to be lightweight and sculpture-like in order to ensure minimum amount of impact to the nature as possible, whilst strong enough to handle the weight of the viewing platforms. The sculpture hugs and surrounds the staircases which leads up to the platforms in different levels. There is still potential yet to be discovered and implemented on this tower in terms of a lift for disabled visitors. JING ZHI TAN
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WORK EXPERIENCE
DAMU DESIGN
NO. 11 HEPINGDONGJIE BLDG 37 ROOM 213 DONGCHENG DISTRICT, BEIJING, PRC
T : +86 18201191909 E : INFO@DAMU-DESIGN.COM WWW.DAMU-DESIGN.COM
April 4, 2016
Dear Admissions Officer,
It’s my great pleasure to write to you on behalf my employee, Jingzhi Tan, to express my sincere recommendation of her abilities and character. Jingzhi was a key contributor to our office as an architectural designer starting in September 2015. Over the course of the past year, Jingzhi participated in different aspects of our office’s design projects, including concept design, 3D modelling, drawing, representation and research. I believe Jingzhi is an ideal candidate for graduate study at the School of Architecture at Oxford Brookes University, as she possesses the drive, talent, and abilities to make the most of your curriculum to grow to be a future leader in this profession. In our office she stood out for her work ethic, strong team work attitude, and innovative problem solving. More importantly, her enthusiasm and passion for the profession drives her to out-perform her peers in design concept execution and representation. She has proven to be especially adept in verbally and visually communicating her ideas. As Jingzhi continues her educational path, my expectation is that she will improve on her technical knowledge and further expand her worldview toward design and her role in an ever-evolving discipline. Jingzhi Tan has been a wonderful addition to our team. Her bright, cheerful personality was very well received and I would hire her again if I had the chance. I fully support her decision to continue her studies and recommend her for admission to the Master of Architecture Program at Oxford Brookes University. Please feel free to contact me for additional information.
Sincerely,
Kai Liu Partner / Creative Director DAMU Design
Ideapod A MINIATURE CITY WITHIN A CITY
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DATE: March 2016 SUPERVISOR: Kai Liu PROJECT SCOPE: Interior Architecture, Workspace LOCATION: Beijing, China 2
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This was one of the projects I participated in back in DAMU Office. On this spread is a showcase on some of the drawings I produced for the project. To make it more easier to visualise, I have placed the image of the built design for comparison to the CAD drawings. I have picked the DAMU Design. cafe specifically because it was a learning experience when I met the coffee maker, Design. andDAMU he himself explained how he wants to space to be, including what coffee machine he would be using on top of providing me with the dimensions of each machine. It was then understood how many plug sockets would be provided and these drawings were created. 项目名称 Project:
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项目名称 Project:
甲方 Client：
高线科技（北京）有限责任公司
甲方 Client：
设计单位 DESIGN ARCHITECT:
高线科技（北京）有限责任公司
北京大木佰禾建筑设计咨询有限公司
NO.11 HEPINGLIDONGJIE BLDG NO.37 ROOM213 DONGCHENG DISTRICT,BEIJING
设计单位 DESIGN ARCHITECT:
索引图 Key Plan: 北京大木佰禾建筑设计咨询有限公司
NO.11 HEPINGLIDONGJIE BLDG NO.37 ROOM213 DONGCHENG DISTRICT,BEIJING
吧台储藏
索引图 Key Plan:
智能化 TELECOM
CAFE PANTRY 4.6 sqm
吧台储藏
版本 / Revision
CAFE PANTRY 4.6 sqm
版本号 Rev.
接待台后勤
版本 / Revision
RECEPTION OFFICE
版本号 Rev.
接待台后勤 RECEPTION OFFICE
给排水 PLUMBING
储藏室 STORAGE 30 sqm
储藏室 STORAGE 30 sqm
日期 Date
日期 Date
注释 / Notes 备注 图中所有尺寸均以标注为准；除注明者外，图中标高以米( m) Remark 为单位，其余均以为毫米(mm)为单位；施工前必须仔细阅读 所有专业图纸，防止碰缺；施工前必须核对尺寸，无误差后 方可施工；所有设计变更须征求设计师同意。
All dimensions are as shown; All levels are indicated in meter, and the other dimensions are in millimeter unless noted otherwise; All drawings shall be read carefully prior to construction; All dimensions shall be checked prior to construction; Any change to the design shall be agreed in 图中所有尺寸均以标注为准；除注明者外，图中标高以米( m) prior to construction. writing by design engineer 为单位，其余均以为毫米(mm)为单位；施工前必须仔细阅读 所有专业图纸，防止碰缺；施工前必须核对尺寸，无误差后 方可施工；所有设计变更须征求设计师同意。
注释 / Notes
All dimensions are as shown; All levels are indicated郎园联合办公室内设计 in meter, and the other dimensions are in millimeter unless noted otherwise; All drawings shall be read carefully prior to construction; All dimensions shall be checked prior to construction; Any change to the design shall be agreed in writing by design engineer prior to construction.
LEFT 郎园联合办公室内设计 Cafe Bar Floor Plan TOP RIGHT Section showing cafe bar in relation to the 吧台放大平面 Scale: 1 : 5 0 bleachers and its surrounding BOTTOM RIGHT 吧台放大平面 吧台放大平面 the dimensions Scale: 1 : 5 0 Detailed section showing D T- 02 and assigned materials (in code) of the bar, 吧台放大平面 with components such as fridge, cabinets, D T- 02 sockets, coffee and ice making machine. 项目建筑师
G
Proj. Architect
洗杯机 磨粉机
审定
Approved
审核
Examined
咖啡机
专业负责人 Chief
项目建筑师
制图
Proj. Architect
洗杯机 磨粉机 H
Drawn
审定
Approved
审核
W D0 2
咖啡机
老榆木吧台台面
施工图
Examined
专业负责人 Chief
制图
Drawn
施工图
W D0 2
老榆木吧台台面
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ARCHITECTURE PORTFOLIO
备注 Remark
EXTENDED WORK 2013 - 2018
M T0 2
W D0 2
M T0 1
W D0 1
G L0 1
立面图 Scale: 1
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项目名称 Project: 2
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甲方 Client：
前台背景墙
柜门
背木材挡水
M T0 1
W D0 2
W D0 2
前台背景墙
背木材挡水
M T0 1
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签
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W D0 2
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业 SPECIALTY
图 SITE PLAN
气 GAS
专
总
燃
高线科技（北京）有限责任公司
B
设计单位 DESIGN ARCHITECT:
北京大木佰禾建筑设计咨询有限公司
DAMU Design.
5 0
索引图 Key Plan:
日
吧台立面图 1 :
Scale:
C
名 SIGNATURE
2
期 DATE
NO.11 HEPINGLIDONGJIE BLDG NO.37 ROOM213 DONGCHENG DISTRICT,BEIJING
智能化 TELECOM
业 SPECIALTY
通 MECHANICAL
气 ELECTRICAL
专
暖
电
签
消毒
D
版本 / Revision 日期 Date
版本号 Rev.
备注 Remark
咖啡吧台A 立面 1 : 3 0
咖啡吧台B 立面 Scale: 1 : 3 0
Scale: 期 DATE
注释 / Notes
日
5 0
图中所有尺寸均以标注为准；除注明者外，图中标高以米(m) 为单位，其余均以为毫米(mm)为单位；施工前必须仔细阅读 所有专业图纸，防止碰缺；施工前必须核对尺寸，无误差后 方可施工；所有设计变更须征求设计师同意。 E
背墙面木板
All dimensions are as shown; All levels are indicated W D 0in 2meter, and the other dimensions are in millimeter unless noted otherwise; All drawings shall be read carefully prior to construction; All dimensions shall be checked prior to construction; Any change to the design shall be agreed in writing by design engineer prior to construction.
背木材挡水 W D0 2
老榆木吧台台面 W D0 2
踢脚线 M T0 1
磨粉机
咖啡机
签
名 SIGNATURE
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吧台立面图 Scale: 1 :
构 STRUCTURE
给排水 PLUMBING
业 SPECIALTY
筑 ARCHITECTURE
专
5 0
结
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吧台立面图 Scale: 1 :
建
郎园联合办公室内设计 / Sub-Proj. Name F
冰箱冷冻
项目建筑师
冰箱冷藏
制冷器
Proj. Architect
审定
Approved
审核 Examined
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专业负责人 Chief
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Drawn
咖啡吧台C 立面 Scale: 1 : 3 0
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吧台立面图 Scale: 1 :
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Copyright © 2016 DAMU DESIGN. All Rights Reserved
施工图
吧台立面图 H
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EXTENDED WORK 2013 - 2018
LEFT Built and Prepping images RIGHT Isometric showing the amount of space we worked with, both in ground and first floor.
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ZaoZuo Showroom SHOPFRONT AND INTERIOR DESIGN
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DATE: January - July 2016 SUPERVISOR: Kai Liu PROJECT SCOPE: Interior, Furniture LOCATION: Beijing, China
In this project I participated in realising the design, reviewing construction drawings and managing communication between the contractor and the clients. The client consists of the Chinese design brand Zaozuo, with Luca Nichetto as principal designer. Luca did not speak Mandarin, thus communication needs to exist on two layers, Mandarin and English. The project thus required me to communicate both in Mandarin and in English, including preparing documents and meeting minutes in both languages.
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The two layers also exist when it comes to handling the drawings. Luca's design team uses Rhino, where they have all of the furniture 3D models to work with. Thus at design phase we used Rhino in order to use these models to work out the ideal dimension to fit different types of furniture. To realise the design, we then had to produce the drawings in CAD because the contractor and consultants do not use Rhino.
EXTENDED WORK 2013 - 2018
THIS PAGE Plans in both Rhino and CAD drawing, these show how we communicate and act the mediator between the contractor and the clients through their different medium of drawings, and taking the concept to completion.
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BOTH PAGES Images of the finished space
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Miao Er Shi Exhibition Center BOILER ROOM RENOVATION PROJECT
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DATE: December 2015 SUPERVISOR: Kai Liu PROJECT SCOPE: Architecture, Interior Architecture LOCATION: Chongqing, China During the process of Miao Er Shi Exhibition Center, I was in charge of developing a concept and producing the final presentation. This project deals with the renovation of an old boiler building from back in the late 80s. Within the project, the multipurpose space is the main design feature, providing a space for the client to hold different types of events. Simply by using four different diagrams, I illustrated the possible situations so the client could quickly understand the program we are proposing. Moreover, with the existing boiler room, there were the leftover functional elements such as the funnels; and instead of demolishing it, I proposed to reuse it as a unique way to exhibit paintings, and when not in used, it could be used as a light tunnel to capture daylight.
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EXTENDED WORK 2013 - 2018
Fashion Show
Art Gallery
Band Performance
Reception
Within the project, the multipurpose space is one of the main design feature, providing a space for the client to hold different types of events. Simply by using four different diagrams, I illustrated the possible situations so the client could quickly understand the program we are proposing.
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Painting
Potential reuse of existing building element
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EXTENDED WORK 2013 - 2018
Schematic Massing Study
Daylight Painting
Another design feature I have proposed is the reuse of the funnels left from the old boiler room. Utilising the concept of the telescope, I was interested to proposing to integrate the funnels with the exhibitions that would take place in the multipurpose space. When in use, paintings could be viewed from under the funnel, or placed so people can look into the funnel. When not in use, mirrors can take the place of the paintings to direct daylight into the space.
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COLUMN 1 Construction progress of the curtain wall.
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COLUMN 2 Built in furnitures being constructed on site. Basic method of building a mould for the concrete to settle into.
COLUMN 3 Concrete floor in preperation for the kitchen
EXTENDED WORK 2013 - 2018
ConXrete Coffee CAFE REFURBISHMENT PROJECT
DATE: September - November 2015 SUPERVISOR: Kai Liu, Xia Jin PROJECT SCOPE: Architecture, Interior, Landscape LOCATION: Taiyuan, China These are photos taken during the period I was the on-site assistant. I had to document the progress of the site daily, and compile them in a report to be sent to my directors and the client. In addition, I survey the areas against the construction drawing to ensure that the construction scheduled each day is done accordingly. Description of Project: ConXrete Coffee is a newly introduced western cuisine coffeehouse and restaurant in Taiyuan, Shanxi in an eclectic industrial environment. Renovated form an 80's era plastic factor y building, our design scope spans on multiple scales spanning from masterplan and landscape, to architecture, interior, furniture design and lighting fixture.
COLUMN 4 One of the main attractions of this project is the contrasting use of materials. The building facade was treated with a double skin method, using grey bricks to accentuate the strong industrial loft character
COLUMN 5 The landscape south of the restaurant is arranged in a crossing X pattern, forming spaces for various shipping containers to be placed on faceted green berms.
The project's concrete industrial aesthetic and the concept of X are derived from the existing building's concrete structure as well as the new concrete casting as the main design element tying the disparate space together. The letter X is not only the main feature in the project's brand identity, but also the overall conceptual underpinning as an unknown quantity, and as part of the english prefix "ex" to inspire adjectives such as "exciting", "exquisite", "extreme" in the spatial design.
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10 Dashilar: Thick Wall BEIJING DESIGN WEEK EXHIBITION DATE: October 2015 SUPERVISOR: Kai Liu PROJECT SCOPE: Interior Architecture, Exhibition LOCATION: Beijing, China I participated in this project through taking care of the exhibition site and documenting the interaction that happens and interview residences for their feedback on the concept of the thick wall. I also put up the exhibition and created several of the diagrams which explains the construction of the wall simply. Description of Project: The development of Dashilar hutongs has been an episodic process, with a small gathering of architectural and programmatic invention along Yangmeizhu Street. We propose a series of detail oriented interventions to improve the aesthetic quality of existing architecture and streets, while integrating new functional components to improve the quality of life in the interior domestic realm as well as strengthen the community spirit on the exterior.
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Most residential facades in the Dashilar area have a very clear division between the public and the private domain. The private life takes place behind blind walls with only small window openings closed off with screens completely invisible from the street. We are interested in revitalising this space by organizing the space and introduce new elements that connect the private life in the house to the public life on the street. The in-between space becomes a transition from interior to exterior space instead of a disconnecting element.
EXTENDED WORK 2013 - 2018
TOP Model Illustrating the Thick Wall BOTTOM On the left, surrounding residents visiting and discovering the thick wall, and children interacting with the space. On the right two kids using the thick wall element to play chinese chess.
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DRAWINGS
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Chaotic Linear DRAWING ACADEMIC YEAR: MArchD Year 2 TUTORS: Toby Shew, Owen Pearce PROJECT SCOPE: Architecture, Drawing, Sketching This is a conceptual ‘section’ that I have drawn during the first semester of MArchD final year. It was one of the studio weekly task, and the practice I set for myself was to draw without the use of ruler, and practice hatching whilst experimenting with different line weights, from 1.0 to mechanical pencil as the lightest.
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Pacemaker, Switch, Accumulator
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Changing Perception
Coding Time Neurons
The Imperceptible THE HEART, THE BRAIN, THE INTERNAL CLOCK
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Collection of sketches
CONCEPT ILLUSTRATION Elements of landscape proposal
CONCEPT SKETCH Physical Manifestation: Anxiety
CONCEPT DIAGRAM Two worlds: Physical and Virtual
13 CONCEPT DIAGRAM The Imperceptible: Healing Process
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TECHNICAL CONCEPT Physical Manifestation: Anxiety
TECHNICAL Load bearing
SECTION SKETCH Visualising key elements section needs to show
DRAWING Drawing negative space - Coral 1
DRAWING Drawing negative space - Coral 2
DRAWING Transfer of information: Micro level
DRAWING Exploration - Spinal section
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Thank you for reading
Jing Zhi Tan jingz.tan05@gmail.com issuu.com/jing0705 linkedin.com/in/jztan05/