Portfolio

PORTFOLIO _ JINHYOK EUM dean0325@utexas.edu / 512-799-0937

CONTENTS

4-5

INTRODUCTION DAN & TYLER HOUSE REMODEL IN AUSTIN _ 2013

180 IN SOUTH KOREA _ 2006

Professional work _ Interior Design Assistant Designer at Architeriors in Austin

Cemetry Park Design Undergraduate Studio Work At Myong-Ji University in South Korea

6-9

54-57

TEXAS CONTEMPORARY ART FAIR IN HOUSTON - 2012 Advanced Interior Design Master of Interior Design, Post Professional At School of Architecture, UT, Austin

GURO DIGITAL COMPLEX _ 2006 10-15

Undergraduate Studio Work At Myong-Ji University in South Korea

58-63

TRINITY UNIVERSITY IN SAN ANTONIO _2012

FURNITURE & PRODUCT DESIGN

Historic Preservation & Interior Design Master of Interior Design, Post Professional At School of Architecture, UT, Austin

Master of Interior Design, Post Professional At School of Architecture, UT, Austin

64-65

HAND DRAWINGS & RENDERINGS

66-69

16-33

STATLER HILTON IN DALLAS _ 2011 Historic Preservation & Interior Design Master of Interior Design, Post Professional At School of Architecture, UT, Austin

CONSTRUCTION DOCUMENTS Interior Design Practice 34-43

HANOK DESIGN IN SOUTH KOREA _ 2008 Korean Traditional House Design Researcher At the Institute of Kerean Architectural Culture

44-47

RESTAURANT DESIGN IN SOUTH KOREA _ 2008 Architectural & Interior Design Work Freelance Work

48-53

FOR RESIDENTIAL

70-81

6

PREVIOUS BUILDING

DIAGRAM _ PASSIVE ENERGY DESIGN

SCOPE OF WORK Front, Side & Back Faรงade Including Windows and Doorss

d

c Front Porch & Back Patio b

Front, Side & Back Landscaping I ncluding a new Fence Pool & Pool Surround Living Room

a

Kitchen Laundry Room Powder Room Master Suite Hallways

a b c d

HOUSE POOL SPA COTTAGEE

SITE PLAN SOLAR ACCESS ANALYSIS & SHADOW RANGE

7 The clerestory at a living room optimizes for solar orientation.

Rising hot air is vented from operable clerestory which also brings daylighting to the living room.

Cool air is brought in from below, folding doors.

BUILDING SECTION

h

i

l

k

j

a b c d E F G H I J K L

MASTER BED MASTER CLOSET MASTER BATH FAMILY ROOM LIVING ROOM KITCHEN GARAGE GROOMING ROOM GUEST BATH SAFE ROOM GUEST CLOSET GUEST BED

FLOOR PLAN

RESIDENTIAL PROJECT_DAN & TYLER HOUSE IN AUSTIN, 2013

f

8 Windows at Frontt side are screened from neighbors while operable slats provide shading for the each rooms.

Dan & Tyler House incorporates natural lighting and ventilation strategies in conjunction with a new openness.

Slat wall covering the main entrance follows the image of horizontal wooden fence while providing shading and privacy.

At the clerestory house, a passive stack vents warm air through an operable clerestory and brings daylight into the deep living room. The natural flow of air eliminates the need for mechanical air conditioning.

The folding doors which surrounding rear and left side of a house extends views through the public areas of the house and to the yard beyond.

FRONT ELEVATION

The back side of the house became a series of glass folding door walls to celebrate the outward views and to bring the outside in.

REAR ELEVATION

BACKYARD

POOL

9

LIVING ROOM & KITCHEN

10

The contemporary artworld consists of a complex system of people and institutions, participants and containers, that together function to continually "define, validate, and maintain the cultural category of art," as well as to maintain their own authority in society to do so.

The artworld provides the "structure of symbolic capital" in the form of value, prestige, and other intangible factors from which the art market may derive a monetary value.

This symbol indicates the flow of art in exchange for money.

A dashed line indicates flow of art with either no expected or immediate monetary return or an expected return of some other symbolic capital, such as social status and prestige.

CONTAINERS

PARTICIPANTS TALENT

INTERMEDIARIES

PATRONS

artists

dealers/gallerists

collector/dealers

Jean-Michel Basquiat Fanzhi Zeng Jeff Koons Xiaogang Zhang Yifei Chaen Richard Prince Yidong Wang Damien Hirst Chunya Zhou

Larry Gagosian Jay Jopling Susanna Yang Victoria Miro Leen Theunyck Bruno Simpelaere Ingo Luthjens Zhao Jianping Harry Blain Jack Tilton Mary Boone

Charles Saatchi

collectors Steve Cohen Henry Clay Frick Andrew Mellon Michael Ovitz

auction houses Christie's Sotheby's Pillips de Pury Lucien Ise Art Co. Bonhams curators

Red text indicates a branded entity

Klaus Biesenbach Ann Temkin Sheena Wagstaff Catherine Wood Jessica Morgan

"Never underestimate how insecure buyers are about contemporary art, and how much they always need reassurance." -Howard Rutkowski of Bonhams Auction House, London

critics Robert Hughes Carol Vogel Waldemar Januszczak

museums Museum of Modern Art Tate Modern Guggenhein

g museum-goers Brian Anderson Angelo Gomez Chris Bennett Sana Sabharwel

COMMERCIAL

INSTITUTIONAL

MEDIA

museums

magazines

private galleries

Museum of Modern Art Tate Modern Guggenheim

Artforum Frame Elephant Art Monthly

biennials

publications

Venice Biennale Sao Paulo Biennial documenta The Biennale of Sydney Berlin Biennial

Cream Fresh Cream Art Now Art & Today

public exhibits/galleries

blogs

Royal Academy of Arts Rice Gallery

artforum.com contemporaryartdaily.com we-make-money-not-art.com hyperallergic.com dailyserving.com galleryhopper.org artreview.com

Gagosian Triumph Saatchi Yang ArtChina ChinaToday Almine Rech Yibo Shanghart White Cube Spruth Magers Pace Hadrien de Montferrand Gladstone Haunch of Venison

art fairs Freize London Art Basel Art Basel Miami The Armory New York

ART 42 BASEL

TEXAS CONTEMPORARY

GEORGE R. BROWN CONVENTION CENTER 1001 AVENIDA DE LAS AMERICAS, HOUSTON, TX

CIRCULATION

EXHIBITION SPACE : 82 % SERVICE SPACE : 18 % VIP

INFO DESK REGISTRATION RESTROOMS CLOSET BUS SHUTTLE LOUNGE VIP LOUNGE

A

RESTAURANT DISCUSSION AUDITORIUM

APP

BOOK STORE TOUR ART STORE APP

$

FIRST AID CASH DESK

TEXAS CONTEMPORARY ART FIAR IN HOUSTON, 2012

Hall 1.0: 193,000 SQ FT. Hall 2.0: 144,000 SQ FT. Hall 2.1: 166,000 SQ FT.

35,000 SQ FT.

SCOPE NY

133,000 SQ FT.

THE ARMORY

135,000 SQ FT.

ART EXPO NY

150,000 SQ FT.

TEXAS CONTEMPORARY ART FAIR

200,000 SQ FT.

FRIEZE ART FAIR

ART BRUSSELS 232,000 SQ FT.

500,000 SQ FT.

ART BASIL MIAMI

656,000 SQ FT.

ARCO MADRID

VENUES SIZE COMPARATION & TYPOLOGIES OF TCAF 11

12

SPACE PLANNING & PROGRAMS

CIRCULATION DIAGRAM

C

EACH POD HAS MANY OPENINGS FOR CONVENIENCE OF VISITOR. THEREFOR VISITORS DON'T NEED TO LOOK AROUND ALL THE WAY OF GALLERY. VISITORS ARE ABLE TO DECIDE THEIR OWN CIRCULATION. OF COURSE, OPENINGS DON'T MAKE STRONG SOLID BOUNDARY BETWEEN GALLERY(POD) AND EXTERNAL ACTIVITY SPACE. IN OTHER WORD, VISITOR CAN EXPERIENCE TWO DIFFERENT ACTIVITIES SIMULTANEOUSTLY.

FLOOR PLAN

PROGRAMS & ACTIVITIES LESEND BOOKSTORE + GIFT SHOP

FOUNTAIN

CONFERENCE

INFORMATION

BAR SLOPE

COLLECTOR'S LOUNGE

LOCKERS

MUSIC BOOTHS

VIP LOUNGE

PLAYGROUND

NAP

THEATER

VIDEO DRAWING

RELAX

RESTAURANT CAFE

32 = 1’0” SECTION: 1/16”

P S 1 1 1 1

13

CONSTRUCTION DETAIL OF PANEL

PANELS ARE DESIGNED TO BE DELIVERED BY A CONTAINER TRUCK. STANDARD PANEL SIZE 12'-0" X 5'-3" 12'-0" X 8'-0" 12'-0" X 5'-6" 12'-0" X 2'-6"

12'-0" x 5'-3"

12'-0" x 8'-0"

12'-0" x 5'-6"

12'-0" x 2'-6"

EXTERNAL SPACE PLAN

14

Watching

lying

Researching Standing

Listening

Running

Playing

Walking

Drawing

climbing

Drinking

Sitting

Rest & Nap Hanging

D

30%

External space plan

70% %

After Party Boarder of In_Out of CAF C

Drawing Performance_2

C

50% Fun

B

Video & Game

Before & After Party in CAF

50% %

Boarder

B A

Information Lounge Computers, Tech Chairs

Entrance Locker A

Behaviors at a Newly Designed Comtemporary Art Fair

15

H

Nap_2

H

Nap_1 H Music G Slope_Rest Bar

D

F

Before/After Party

Playground

H

E F

Fountain

E

Performance_1

E

16

Mid-century Modernism Ford's buildings at Trinity, together with the landscape, convey a strong sense of place. his distinctive design elements as an innovative and cost-efficient lift-slab construction system, landscaping filled with hearty native plants, and repeated patterns, elements, materials, and forms that create a coherent campus deeply connected to the city and land.

Trinity needs to renobate residentials halls, such as South, North, Isabel, Sussana, Myrtle and Heidi. They want to use residential halls as a gallery, art historical preservation labs, archive, and library.

They would like to interact with nearby communities and also increase their revenue taking more students and offering higher educations, especially focused on art and historic preservation.

TRINITY UNIV. COMMUNITY PROJECT SITE

SITE ANALYSIS

17

CIRCULATION ANALYSIS A: SOUTH B: NORTH

D: ISABEL

G

E: SUSANNA F: HEIDI

F

E

G: MYRTLE

B

C

D

FREQUENCY OF USE USUALLY SOMETIMES RARELY NEVER

A

1. PREVIOUS EXTERIOR CIRCULATION

2. PROPOSED EXTERIOR CIRCULATION

A: SOUTH _ HISTORIC PRESERVATION LAB B: NORTH _ GALLERY 2 C: INTEGRATED Bldg. _ MAIN ENTRANCE D: ISABEL _ GALLERY 1 E: SUSANNA _ ARCHIVE F: HEIDI _ LIBRARY & CAFE G: MYRTLE _ OFFICES & CLASS ROOMS

STAFFS, STUDENTS VISITORS

3. PROPOSED INTERIOR CIRCULATION _ SEPERATED

4. SITE PLAN

HISTORRIC PRESERVATION PROJECT_TRINITY UNIV. IN SAN ANSTONIO, 2012

C: INTEGRATED Bldg.

18

g

f e

b

c

a

d

a b c d e f g

SOUTH NORTH FOYER ISABEL SUSANNA HEIDI MYRTLE

19

1. Harmony_Topology A rock escarpment, irregularly divided the campus from east to west in to upper and lower levels; abandoned stone quarry formed a hillside; a good overlooking downtown San Antonio; Strategy_to keep O’Neil Ford’s design, the building should be in harmony with the site to preserve its beauty and utilize its unique topology, make the buildings accommodate to the natural surfaces.

2. Modern_Building O’Neil Ford showed how modernism itself could be in a campus that keeps the surroundings integrated with the buildings as a whole. The lift-slab method was the first major building in the country to be erected by this method.

Strategy _ to make the museum buildings as a modern complex in the campus, as well as in San Antonio.

3. Material_brick Trinity is reflected by textured elements in the brick wall surfaces, segmentally arched windows, corbelled arches, and occasionally by projecting cornices that complete a more formal and a more traditional presentation.

Strategy_to use the red bricks in the museum construction, add more materials such as steel, concrete or stone to interpret the buildings as one of the most significant part in the campus.

4. Lift-Slab_Construction structure In 1952, this construction method is an innovative technique enabled workers to build concrete slabs at ground level and lift them into place. The big advantage of erecting concrete buildings using lift slab construction is elimination of most form work.

Strategy_to make use of this dominant construction structures, create different using spaces. This allows us to do alteration, adjacency, addition and rehabilitation.

20

MASS DEVELOPMENT

2

1

EXTRUSION EXTRUSION OF A FOYER MAKES MORE SPACES TO CONNECT EACH BUILDINGS THAT WERE CUT CIRCULATION OFF BY A FOYER. IT HAS TWO DIFFERENT CIRCULATIONS, ONE FOR STAFFS AND THE OHTER FOR VISITORS.

EXISTING BUILDINGS CONDITION

3

CIRCULATION OF EXISTING BUILDINGS (RESIDENTIAL HALLS) IS SEPARATED BY A FOYER, CENTRAL BUILDING. THERE ARE GREEN SPACES, GOOD FOR GATHERING AND RECREATIONAL ACTIVITIES, BUT NOW THERE ARE NO ACTIVITIES BECAUSE OF DEFICENCY OF CIRCULATION BETWEEN EAST AND WEST.

OPEN UP OPENING A FOYER UP NOT ONLY CONNECTS BEWTEEN EAST AND WEST GREEN SPACE, BUT ALSO DRAW ACTIVITIES INTO CENTRAL SPACES.

21

4

6

SYMBOLIZATION & SHADING STEEL COLUMN SURROUNDED BY WOOD SYMBOLIZES A STRONG CONNECTION AMONG BUILDINGS AS IF STAPLE HOLDS PAPERS TIGHTLY. FURTHERMORE IT PROVIDES SHADE TO A CENTRAL BUILDING.

5 SAN ANTONIO DOWNTOWN TRANSPARENCY

EXTENSION FRONT EXTENSION PROVIDES BETTER VIEW TOWARD DOWNTOWN. IT FUNCTIONS AS OBSERVATION FLATFORM FOR VISTIORS AND STAFFS.

CURTAIN WALL GETS NATURAL LIGHTS INTO DEEP AREA OF A CENTRAL BUILDING AND LIGHTENS UP DARK IMAGE OF A EXISTING BUILDING COVERED BY RED BRICKS. AT NIGHT, LIGHTS BEAMED THROUGH BETWEEN SLATS BRIGHTEN UP A CENTRAL BUILDING SO IT STANDS OUT FROM DISTANCES.

22

COMPONENTS

+

=

PRECAST CON'C SCREEN TO BLOCK THE DIRECT NATURAL LIGHTS

STEEL COLUMNS ENVELOPED BY WOOD

STADIUM BENCH FOR GATHERING & ENTERTAINMENT

CURTAIN WALL BRIGHTEN UP & MORE NUTURAL LIGHTS

INSPIRATIONS

23

BUILDING PROGRAMS

r

s

South

a b c d e

conservation lab conservator office veiwing center classrooms loading dock

North

f g h

gallery lobby shop cafe

i j

Temp. Exhibition corridor office

Isabel

k l m

archive storage adminitrative office

Susanna

n o

gallery work space

Myrtle

p q r s

office storage classrooms work space

Heidi

t u v

reception space cafĂŠ library

m f

j n q

d

p l k

f

h

i

f

v

n

i a

e

t

o

c

g

u

Foyer

b

24

25

26 B

g

A

A

e

b c

f a b c d e f g

a d

SITE PLAN

SOUTH _ CONSERVATION LAB NORTH _ GALLERY FOYER _ INTEGRATED Bldg.

ISABEL _ GALLERY SUSANNA _ ARCHIVE HEIDI _ LIBRARY & CAFE MYRTLE _ OFFICES & CLASS

B

OPEN VIEW TO DOWNTOWN SAN ANTONIO

c LATERAL SECTION _ A

LONGITUDINAL SECTION _ B

c e b

27 c INTEGRATED Bldg. MAIN ENTRANCE & RECREATION AREA

c INTEGRATED Bldg. MAIN ENTRANCE _ SECOND LEVEL BRIDGE FOR STAFFS & STUDENTS

f

g

28

29

30

LIBRARY MULTI FUNCTION SHADE : EXSTING GATHERING SPACE IS PLANNED TO BE A LIBRARY AND CAFE. IT IS SURROUNDED BY GLASS WINDOWS, SO THE PLACE NEEDS A SECURITY SYSTEM TO PROTECT INNER OBJECTS OF A LIBRARY. SUGGESTED MULTI FUNCTION SHADE OFFERS TWO DIFFERENT FUNCTIONS SIMULTANEOUSLY, DURING DAY IT BECOMES A SHADE FOR PEOPLE WHO ARE SITTING AT A PATIO AND AT NIGHT IT TURNS TO BE A SECURITY GRILLE TO PROTECT INNER OBJECTS.

HEIDI _ LIBRARY SHADE & A SECURITY GRILLE

31

HEIDI _ LIBRARY INTERIOR

HEIDI _ CAFE INTERIOR

32

PASSIVE SOLAR TECHNIQUES : THE MEZZANINE ARER CREATED BY CUTTING OFF OF 2ND FLOOR (LIFT SLAB) ALLOWS NATURAL LIGHT IS BROUGHT INTO A SPACE THAT WAS ORIGINALLY DARK AND REQUIRED ARTIFICIAL LIGHTING EVEN DURING DAY, NOW IT IS BRIGHT ENOUGH TO DISPLAY LOTS OF SCULPTURAL ARTWORK WITHOUT ANY HELP OF ARTIFICIAL LIGHTING DURINF DAY.

EXISTING COLUMNS

CUT LIFT SLAB

REINFORCED H-BEAM

PASSIVE SOLAR TECHNIQUES DIAGRAM & STRUCTURAL WAY TO REINFORCE CUT LIFT SLAB 2ND FLOOR)

33

ISABEL _ SCNERY PLATFORM

ISABEL _ GALLERY

34

STATLER_HILTON CONTEXT The Renovation and Reuse of the Historic Statler-Hilton needs to support a rigurous street life, particularly on the Hardwood Street and Commerce Street fronts, if not all the way around the block, in order to sucessfully connect to the future activity corridors.

Nearby colleges and univesities : The largest colleges and universities around downtown are SMU to the north, Texas Woman’s University to the northwest, and the EI Centro campus of Dallas Comunity College in the downtown core. The UNT-Law School will open soon next door to the historic Statler-hilton.

Nearby museums and cultural centers : The museums and cultural centers of Dallas are largely clustered in three main districts (West End, Arts, and Fair Park, leaving the center core of downtown around the east end of Main Street and Hardwood without any such attraction.

URBAN POSITION OF HISTIORC STATLER-HILTON BUILDING DISPERSION AT DOWNTOWN, DALLAS

RESIDENCE RETAIL OFFICE EDUCATION HOTEL GOVERNMENT CULTURAL

35

MASS STUDY Vitalize Main Street District LIGHTIN NG

Connection & Continuity with - Garden Park OPEN UP

COVER UP

Green Design - Increase Green Landmark of Main Street District - Sculpture = Building

FUNCTIONAL CATEGORIZATION

PARK TREE WATER

GREEN DISPERSION

PEDESTRIAN NETWORK PARK TRAIL SYSTEM BUS ROUTES

TRAFFIC

HISTORRIC PRESERVATION PROJECT_STATLER HILTON HOTEL_2011

AERIAL VIEW

36

AIR PURIFICATION TOWER

RESIDENTIAL TOWER

ROOFTOP GARDEN GARAGE RETAILL SHOPS RETAI LONGITUDINAL SECTION OF RESIDENCE

37

BACK STREET VIEW

38

INTERIOR OF RESIDENCE, OPEN SPACE

39

NATURAL AIR FLOW

LATERAL SECTION, RESIDENCE

40

LIGHTING ANALYSIS _ SCULPTURAL SOLAR WINDOW SCREEN FOR OPEN SPACE OF MULTI FAMILY HOUSE

PASSIVE SOLAR TECHNIQUES Solar window screen is designed to deflect the majority of the sun's UV rays before they reach the glass of your windows.

Heat Reduction Solar window screens keep heat outside the building, where it is released back to the outside air. These screens can block up to 90 percent of these rays, and reduce inside temperatures up to 60 degrees Fahrenheit. This can create a significant energy saving in achieving a comfortable interior climate.

Damage Prevention UV rays are also responsible for damage created by sun fading. By blocking these rays, furniture and other valuables are protecting from these damaging effects. This allows items to maintain their look for a much longer time.

Glare Reduction Glare from the sun is often a problem inside the house as well. Solar screens block the glare that appears on TV screens, mirrors and other things in the room.

41

HOUSING UNIT PATTERN DEVELOPMENT

MULTI FAMILY HOUSE _ LATERAL SECTION

EXISTING EXTERIOR

STUDIO FOR A SINGLE PERSON IS A SMALL ENOUGH TO BE AFFORDABLE, BUT IT IS HYPER EFFICIENT, WHICH IS A BEGNNING CONCEPT OF STATLER HILTON HOTEL FOR A ROOM.

CONTOURS DESIGN DEVELOPMENT TYPE A.

TYPE B.

TYPE C.

284 ft 2 MULTI FAMILY HOUSE _ LONGITUDINAL SECTION WALL PATTERNS ARE REFLECTING ON ORIGINAL CURTAIN WALL, GRID PATTERNS OF STATLER HILTON HOTEL. FINISH COLORS APPEAL TO A YOUNG FAMILY AND A SINGLE PERSON WHO NEEDS & WANTS TO LIVE IN DOWNTOWN DALLAS TAKING LOTS OF ADVANTAGES.

TWO-STORIED UNIT

560 ft 2

284 ft 2

42

TWO-STORIED UNIT

REHABILITATION PLAN TO DEVELOP A NEW HOUSING MODEL FOR THE CITY'S GROWING SMALL-HOUSEHOLD POPULATION. CUTTING EDGED-CONTEMPORARY & HYPER EFFICEINCY DESIGN FOR FUTURE POTENTIAL YOURNG RESIDENTS.

VOID AREAS TO GET NATURAL LIGHT INTO DEEP SPACES & TO HELP AIR CIRCULATION THROUGHT FROM 1ST TO 2ND FLOOR

43

ONE-STORIED UNIT

560 ft

284 ft

2

2

HYPER-EFFICIENCY UNIT HIDE KITCHEN WALL-BED

44

KOREAN TRADITIONAL HOUSE DESIGN_HANOK_2008

45

46

HANOK The name hanok refers to a building with traditional Korean wood-frame construction. These traditional buldings took the form of palaces, temples, and houses. The hanok is walled courtyard-based structure that allows views into the house from the garden.

Hanok, traditional Korean houses, are environment-friendly establishments as they are built with materials readily available in nature, such as wood, earth, stone, straw, clay (for ceramic roof tiles), and paper.

SOUTH ELEVATION

FLOOR PLAN

EAST ELEVATION

47

HANOK WOODEN STRUCTURE COMPOSITION

SOUTH VIEW

48

FREELANCE WORK_RESTAURANT DESIGN IN SOUTH KOREA_2008

49

50

51

52

BREAK ROOM 'STOP FOR SHORT TIME' + 'SPACE A SPACE,, WHICH MAKES PEOPLE RELAXED

BY DRINKING A BOTTLE OF BEER...

A SPACE, WHICH IS HAVING A COMFORT CONVERSATION C A SPACE, WHICH IS SOMETIMES ABLE TO BE AN OFFICE FOR LIGHT WORKS DRINKING A MILD ALCHOHOL...

'BREAK ROOM' IS PURSUEING THE CULTURE OF A COFFEE SHOP TO BE TRANSFERED INTO BEERHOUSE...

BREAK (RELAXING) ROOM (SPACE IS ABLE TO DRINK)

COFFEE SHOP BECAME SUCCESSFUL TO BE POPULAR IN PUBLIC BY STAR BUCKS & COFFEE BEAN. THUS, THEY HAVE BEEN SELLING THEIR CULTURE TO US. IN OTHER WORDS, NEW CULTURE COMBINED WITH WESTERN WAS CREATED BY THE MEDIUM OF COFFEE. IT MEANS THE PLACE, COFFEESHOP IS NOT ONLY FOR DRINKING A CUP OF COFFEE BUT ALSO BEING INTERACTED WITH THE NEW WESTERN CULTURE. iN SHORT, OUR CULTURE OF DRINKING SHOULD BE CHANGED FROM GETTING DEAD DRUNK TO SHARING ADVANCED CULTURE AS A BREAK ROOM.

53

NOTE

INSPIRATIONS

MATERIALS

54

UNDERGRADUATE WORK_SHIFT 180’ : THE IDEA FOR NEXT GENERATION_2006

55

56

57

58

UNDERGRADUATE WORK_GU-RO DIGITAL COMPLEX IN SOUTH KOREA_2006

59

60

61

62

63

64

J FAMILY COFFEE TABLE COFFEE TABLE, 2012 POPLAR VARNISH 20" X35" X 15"

LOGGIA DININIG CHAIR DINING CHAIR, 2011 SALVAGE MATERIALS FROM SURPLUS AT UT, AUSTIN COLLAGE, STITCH, PAINT, VARNISH 14" X14" X 18"

PROTOTYPE: SOLAR PANEL LIGHTING

FLOATING LIGHTING

MULTI FUNCTIONAL LIGHTING, 2011 PLASTIC, SOLAR PANEL 4" X 6"

LIGHTING FIXTURE, 2011 WHITE WOOD, FABRIC, CANDLE LIGHTS VARNISH, STITCH

FURNITUR & PRODUCT DESIGN_TABLE & LIGHTING FIXTURE_2011, 12

65

66

HAND DRAWING & RENDERING

67

68

69