Jin Young Jung Portfolio

ARCHITECTURE PORTFOLIO J I N

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2 0 1 6 - 2 0 1 8

TABLE OF CONTENTS

PEEL

05 - 17

LAKOTA CULTURAL HERITAGE CENTER

18 - 27

MUSEO DI MORTE

28 - 37

TAKE-OFF

38 - 47

4

PEEL

Fall 2017 STUDIO: LOCATION: TEAM: RECOGNITION:

ARCH 573- Highrise and Habitat Chicago Spire, Chicago, IL 60661 Minsu Chung, Nicholas Tegge Graduate Studio Design Excellence Awards 3rd Place

The original Chicago Spire, designed by Santiago Calatrava, was to become the tallest skyscraper upon completion in the city of Chicago. Nevertheless, the project was canceled and only the foundation was excavated. For this project, we re-imagined as a group a new Chicago Spire that could be standing in the heart of the city in present day. We named our project after the elegant peeling motion we initially envisioned. Peel is a mixed used super tall building that combines residential, hotel, retail space and public amenities. The whole design heavily focuses on the initial rotating motion that Calatrava had used for the Chicago Spire. For instance, the site is designed to show a swirling motion that absorbs visitors into the winter garden at the other side of the bridge. In addition to this, the spiral motion is also shown in the secondary facade of the double skin layer through the mullions.

The project is composed of various structural systems. For instance, we used a circular core with the number of elevators calculated by the density of people which elevates up to 2000 feet. The core is reinforced with perimeter columns of the floors. The secondary facade is connected to the core after the last hotel floor and a arch system is used for bridge and wintergarden.

Our main focus was to popularize this part of the city . Thus, we decided on making this pace a destination for the community by creating retail space and a winter garden that would be open for the public.

5

LANDSCAPE

6

PLAZA

AMPITHEATER

ACCESS

EXTRUDE

WRAP

CUT

BRIDGE

PEEL

PUBLIC PLAZA 7

SKY GARDEN

EXHAUST AIR

CURTAIN WALL VENTILATION DIAGRAM

FRESH AIR

PODIUM VENTILATION DIAGRAM

8

PROGRAM

LVL B8- B1 PARKING MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK

ELEVATOR

MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK

CORE

MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK

GROUND FLOOR 9

FLOOR 10: HOTEL FLOOR PLAN 1'

20' 5'

50'

FLOOR 9: AMENITY FLOOR PLAN

FLOOR 6: SKY GARDEN FLOOR PLAN 1'

20' 5'

10

50'

FLOOR 163: OBESERVATION DECK FLOOR PLAN 1'

TYPICAL 1 BEDROOM FLOOR PLAN

20' 5'

50'

FLOOR 134: RESIDENTIAL FLOOR PLAN 1'

20'

5'

50'

TYPICAL 2 BEDROOM FLOOR PLAN

FLOOR 101: RESIDENTIAL FLOOR PLAN TYPICAL 3 BEDROOM FLOOR PLAN

FLOOR 34: RESIDENTIAL FLOOR PLAN

FLOOR B1: PARKING FLOOR PLAN

11

CURTAIN WALL DETAIL

NORTH ELEVATION

12

DOUBLE SKIN MULLION SYSTEM

DOUBLE SKIN MULLION STRUCTURE

INNER MULLION SYSTEM

COLUMN+CORE+BELT TRUSS+SKY GAREN STRUCTURE

FLOOR SLAB

NORTH SECTION

13

FACADE RENDERING

14

LAKEVIEW DR. PERSPECTIVE

NIGHT-TIME RENDEIRNG

15

AMPHITHEATER

16

WINTER GARDEN

17

18

LAKOTA CULTURAL HERITAGE CENTER Summer 2017

STUDIO: ARCH 576- Highrise and Habitat LOCATION: Allen Dam, Allen, SD 57714 TEAM: Individual

The Native Americans have a very extensive and interesting history. I had the fortune of learning about the Native Americans during a US history class in high school. The first thing that came up to my mind when we were introduced about the Lakota were two major event that were strongly emphasized during this class: the Battle of Little Bighorn and the Massacre of Wounded Knee. These two events mark the biggest victory that the Native Americans had against the conquerors and the most devastating massacre the Native Americans suffered. For this design, two main axis were used in relation to the site of building and created metaphors through the design to create a unique experience for those who visit it. For instance, the galleries point towards these two main axis while they overlap each other. Nevertheless, the gallery pointing towards Battle of Little Bighorn stands above the gallery that points towards the Massacre of Wounded Knee to symbolize victory over loss. For this project, the main goal was to design a place for the Lakota to gather and remember what they went through to be what they are today.

Public spaces are placed in both interior and exterior of the building for these gatherings and ceremonies.

19

VICTORY M a ssacre

BATTLE OF LITTLE BIGHORN

WOUNDED KNEE

ENTRANCE RENDERING 20

SITE RELIEF

BATTLE OF LITTLE BIGHORN

DEVIL’S TOWER

WOUNDED KNEE

ROOF SYSTEM

FACADE

FLOOR PLATES

21

FLOOR 1: LIBRARY & OFFICES

FLOOR B1: WOUNDED KNEE GALLERY

22

FLOOR 2: BATTLE OF LITTLE BIGHORN EXHIBITION

FLOOR 3: CULTURAL EDUCATION

23

SECTION A1

SECTION B2

24

25

CENTER RENDERING

EAST ELEVATION

26

SITE PLAN

NORTH ELEVATION

27

28

MUSEO DI MORTE Spring 2016

STUDIO: LOCATION: TEAM: RECOGNITION:

ARCH 574- ACSA Competition Studio Piazzale del Verano, 00185 Roma RM, Italy Michal Najder Chicago Award Nominee

Death is a contemporary and relatable issue which is perceived and interpreted differently by individuals. Regardless of beliefs, there is a universal consensus that death is marked by the time when a person’s mind and body no longer function.

The site is crucial to the creation of such an experience; therefore, the museum is located outside the city walls of Rome, Italy. Situated between the border of a metropolis and necropolis, the site mirrors and contrasts many of the same characteristics found in both cities. Most significantly, the site is poised next to a boundary, a wall, a clear outline which separates the living and the dead.

The design provides an environment for visitors to confront the issue of death either individually or collectively through the interactive and conceptual exhibits. Visitors may use the museum to find comfort in the remembrance of those who have past as well as learn how different groups approach the topic of death through their cultural beliefs. A simple circulation highlights the juxtaposition between life and death with a gradual ascension to the universal experience contrasted by a sharp descent into the individual experience.

With these ideas in mind, the goal is to create a thought provoking experience for the individual by using principles of phenomenology in a way that can be best achieved through steel. Rough corten steel creates the retaining walls that echo the sounds of footsteps as one weaves through and gets lost to their own thoughts in the underground interactive exhibition. This gloomy environment encourages people to remember their loved ones by writing their names on the steel plates as they journey towards the light at the end of the tunnel; signifying the unknown. This environment is contrasted above with the light infused, rich atmosphere created using stainless steel gradually guiding the person to a lookout into the city of the dead. This universal path exposes the inner bones of the building’s structure as all visitors are led up to the same ultimate conclusion.

29

30

METROPOLIS VS NECROPOLIS

31

SKIN

STRUCTURE

FLOORS

CIRCULATION

32

DRAINAGE CHANNEL STEEL ANCHORS

CONCRETE FLOORING

CORTEN STEEL RETAINING WALL

33

CANTILEVER RENDERING

34

STEEL TRUSS STAINLESS STEEL CLADDING

STAINLESS STEEL CLADDING STAINLESS STEEL CLADDING

CANTILEVER INTERIOR + DETAIL SECTION

35

LOBBY

36

EXHIBITION AREA

37

38

TAKING FLIGHT Fall 2016

STUDIO: ARCH 573- Institute of LOCATION: Willard Airport, Champaign, IL 61820 TEAM: Ivana Rakshit The purpose of this project was to design an aviation maintenance institute near Willard Airport which promoted educational growth for Parkland College. The elegant curve that the space follows was created from the motion of a plane when it runs for take-off, elevates and reaches its proper altitude.The facility required an airplane hangers and a paint booth. Due to the elegant shape, it was necessary to create a hydraulic hangar door that could fit the circular shape on top. Because the main focus of this design was towards promoting educational growth, new technologies that are currently available were used. For instance, Glass x was incorporated in the envelope of the building. This phase changing material adapts according to the temperature outside. Thus, this reduces the need of HVAC loads by 30-50%.

39

ENVELOPE

LATTICE FRAME

SECOND FLOOR

FIRST FLOOR

FORM DIAGRAM

40

NIGHT-TIME RENDERING

PROGRAM DIAGRAM

41

ENTRANCE

42

FLOOR 1: LOBBY+WORKSHOPS+HANGAR

FLOOR 2: CLASSROOMS+ OFFICES

43

DETAIL SECTION

GLASS -X

SUMMER

WINTER

GLASS X IS A PHASE CHANGING MATERIAL THAT REACTS TO THE CHANGES IN TEMPERATURE ON THE EXTERIOR. IT CAN REDUCE HEATING AND COOLING LOADS BY 30-50%

44

HANGAR DOOR

45

WORKSHOPS

46

LOBBY

HANGAR

47

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