ARCHITECTURE PORTFOLIO J I N
Y O U N G
S E L E C T E D
J U N G
W O R K S
2 0 1 6 - 2 0 1 8
TABLE OF CONTENTS
PEEL
05 - 17
LAKOTA CULTURAL HERITAGE CENTER
18 - 27
MUSEO DI MORTE
28 - 37
TAKE-OFF
38 - 47
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PEEL
Fall 2017 STUDIO: LOCATION: TEAM: RECOGNITION:
ARCH 573- Highrise and Habitat Chicago Spire, Chicago, IL 60661 Minsu Chung, Nicholas Tegge Graduate Studio Design Excellence Awards 3rd Place
The original Chicago Spire, designed by Santiago Calatrava, was to become the tallest skyscraper upon completion in the city of Chicago. Nevertheless, the project was canceled and only the foundation was excavated. For this project, we re-imagined as a group a new Chicago Spire that could be standing in the heart of the city in present day. We named our project after the elegant peeling motion we initially envisioned. Peel is a mixed used super tall building that combines residential, hotel, retail space and public amenities. The whole design heavily focuses on the initial rotating motion that Calatrava had used for the Chicago Spire. For instance, the site is designed to show a swirling motion that absorbs visitors into the winter garden at the other side of the bridge. In addition to this, the spiral motion is also shown in the secondary facade of the double skin layer through the mullions. The project is composed of various structural systems. For instance, we used a circular core with the number of elevators calculated by the density of people which elevates up to 2000 feet. The core is reinforced with perimeter columns of the floors. The secondary facade is connected to the core after the last hotel floor and a arch system is used for bridge and wintergarden. Our main focus was to popularize this part of the city . Thus, we decided on making this pace a destination for the community by creating retail space and a winter garden that would be open for the public.
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LANDSCAPE
6
PLAZA
AMPITHEATER
ACCESS
EXTRUDE
WRAP
CUT
BRIDGE
PEEL
PUBLIC PLAZA 7
SKY GARDEN
EXHAUST AIR
CURTAIN WALL VENTILATION DIAGRAM
FRESH AIR
PODIUM VENTILATION DIAGRAM
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PROGRAM
LVL B8- B1 PARKING MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK
ELEVATOR
MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK
CORE
MECHANICAL LVL 1 - 10 LEASE SPACE LVL 10 - 33 HOTEL LVL 34 - 162 RESIDENTIAL LVL 163 OBSERVATORY DECK
GROUND FLOOR 9
FLOOR 10: HOTEL FLOOR PLAN 1'
20' 5'
50'
FLOOR 9: AMENITY FLOOR PLAN
FLOOR 6: SKY GARDEN FLOOR PLAN 1'
20' 5'
10
50'
FLOOR 163: OBESERVATION DECK FLOOR PLAN 1'
TYPICAL 1 BEDROOM FLOOR PLAN
20' 5'
50'
FLOOR 134: RESIDENTIAL FLOOR PLAN 1'
20'
5'
50'
TYPICAL 2 BEDROOM FLOOR PLAN
FLOOR 101: RESIDENTIAL FLOOR PLAN TYPICAL 3 BEDROOM FLOOR PLAN
FLOOR 34: RESIDENTIAL FLOOR PLAN
FLOOR B1: PARKING FLOOR PLAN
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CURTAIN WALL DETAIL
NORTH ELEVATION
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DOUBLE SKIN MULLION SYSTEM
DOUBLE SKIN MULLION STRUCTURE
INNER MULLION SYSTEM
COLUMN+CORE+BELT TRUSS+SKY GAREN STRUCTURE
FLOOR SLAB
NORTH SECTION
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FACADE RENDERING
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LAKEVIEW DR. PERSPECTIVE
NIGHT-TIME RENDEIRNG
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AMPHITHEATER
16
WINTER GARDEN
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LAKOTA CULTURAL HERITAGE CENTER Summer 2017
STUDIO: ARCH 576- Highrise and Habitat LOCATION: Allen Dam, Allen, SD 57714 TEAM: Individual The Native Americans have a very extensive and interesting history. I had the fortune of learning about the Native Americans during a US history class in high school. The first thing that came up to my mind when we were introduced about the Lakota were two major event that were strongly emphasized during this class: the Battle of Little Bighorn and the Massacre of Wounded Knee. These two events mark the biggest victory that the Native Americans had against the conquerors and the most devastating massacre the Native Americans suffered. For this design, two main axis were used in relation to the site of building and created metaphors through the design to create a unique experience for those who visit it. For instance, the galleries point towards these two main axis while they overlap each other. Nevertheless, the gallery pointing towards Battle of Little Bighorn stands above the gallery that points towards the Massacre of Wounded Knee to symbolize victory over loss. For this project, the main goal was to design a place for the Lakota to gather and remember what they went through to be what they are today. Public spaces are placed in both interior and exterior of the building for these gatherings and ceremonies.
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VICTORY M a ssacre
BATTLE OF LITTLE BIGHORN
WOUNDED KNEE
ENTRANCE RENDERING 20
SITE RELIEF
BATTLE OF LITTLE BIGHORN
DEVIL’S TOWER
WOUNDED KNEE
ROOF SYSTEM
FACADE
FLOOR PLATES
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FLOOR 1: LIBRARY & OFFICES
FLOOR B1: WOUNDED KNEE GALLERY
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FLOOR 2: BATTLE OF LITTLE BIGHORN EXHIBITION
FLOOR 3: CULTURAL EDUCATION
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SECTION A1
SECTION B2
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25
CENTER RENDERING
EAST ELEVATION
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SITE PLAN
NORTH ELEVATION
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MUSEO DI MORTE Spring 2016
STUDIO: LOCATION: TEAM: RECOGNITION:
ARCH 574- ACSA Competition Studio Piazzale del Verano, 00185 Roma RM, Italy Michal Najder Chicago Award Nominee
Death is a contemporary and relatable issue which is perceived and interpreted differently by individuals. Regardless of beliefs, there is a universal consensus that death is marked by the time when a person’s mind and body no longer function. The site is crucial to the creation of such an experience; therefore, the museum is located outside the city walls of Rome, Italy. Situated between the border of a metropolis and necropolis, the site mirrors and contrasts many of the same characteristics found in both cities. Most significantly, the site is poised next to a boundary, a wall, a clear outline which separates the living and the dead. The design provides an environment for visitors to confront the issue of death either individually or collectively through the interactive and conceptual exhibits. Visitors may use the museum to find comfort in the remembrance of those who have past as well as learn how different groups approach the topic of death through their cultural beliefs. A simple circulation highlights the juxtaposition between life and death with a gradual ascension to the universal experience contrasted by a sharp descent into the individual experience. With these ideas in mind, the goal is to create a thought provoking experience for the individual by using principles of phenomenology in a way that can be best achieved through steel. Rough corten steel creates the retaining walls that echo the sounds of footsteps as one weaves through and gets lost to their own thoughts in the underground interactive exhibition. This gloomy environment encourages people to remember their loved ones by writing their names on the steel plates as they journey towards the light at the end of the tunnel; signifying the unknown. This environment is contrasted above with the light infused, rich atmosphere created using stainless steel gradually guiding the person to a lookout into the city of the dead. This universal path exposes the inner bones of the building’s structure as all visitors are led up to the same ultimate conclusion.
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30
METROPOLIS VS NECROPOLIS
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SKIN
STRUCTURE
FLOORS
CIRCULATION
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DRAINAGE CHANNEL STEEL ANCHORS
CONCRETE FLOORING
CORTEN STEEL RETAINING WALL
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CANTILEVER RENDERING
34
STEEL TRUSS STAINLESS STEEL CLADDING
STAINLESS STEEL CLADDING STAINLESS STEEL CLADDING
CANTILEVER INTERIOR + DETAIL SECTION
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LOBBY
36
EXHIBITION AREA
37
38
TAKING FLIGHT Fall 2016
STUDIO: ARCH 573- Institute of LOCATION: Willard Airport, Champaign, IL 61820 TEAM: Ivana Rakshit The purpose of this project was to design an aviation maintenance institute near Willard Airport which promoted educational growth for Parkland College. The elegant curve that the space follows was created from the motion of a plane when it runs for take-off, elevates and reaches its proper altitude.The facility required an airplane hangers and a paint booth. Due to the elegant shape, it was necessary to create a hydraulic hangar door that could fit the circular shape on top. Because the main focus of this design was towards promoting educational growth, new technologies that are currently available were used. For instance, Glass x was incorporated in the envelope of the building. This phase changing material adapts according to the temperature outside. Thus, this reduces the need of HVAC loads by 30-50%.
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ENVELOPE
LATTICE FRAME
SECOND FLOOR
FIRST FLOOR
FORM DIAGRAM
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NIGHT-TIME RENDERING
PROGRAM DIAGRAM
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ENTRANCE
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FLOOR 1: LOBBY+WORKSHOPS+HANGAR
FLOOR 2: CLASSROOMS+ OFFICES
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DETAIL SECTION
GLASS -X
SUMMER
WINTER
GLASS X IS A PHASE CHANGING MATERIAL THAT REACTS TO THE CHANGES IN TEMPERATURE ON THE EXTERIOR. IT CAN REDUCE HEATING AND COOLING LOADS BY 30-50%
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HANGAR DOOR
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WORKSHOPS
46
LOBBY
HANGAR
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