NEW YORK UNIVERSITY
INTELLECTUAL PROPERTY AND ENTERTAINMENT LAW LEDGER VOLUME 2
SPRING 2011
NUMBER 2
SUBSTANTIAL DISPARITY: COPYRIGHT CHAOS IN THE SECOND CIRCUIT GRAHAM BALLOU *
The test for substantial similarity is a doctrinal mess. In response, recent commentators have called for the inclusion of expert testimony at this stage of an infringement analysis. Graham Ballou, however, argues that judicial latitude in the framing of the inquiry is more responsible for jury confusion than a lack of expert witnesses. After surveying three years of summary judgment opinions on substantial similarity from district courts in the Second Circuit, Ballou concludes that copyright law should discourage summary judgment on and de novo review of substantial similarity, therefore re-empowering the jury on the inherently subjective question of improper appropriation.
In Our Bizarre System of Copyright Infringement, Mark Lemley argues that copyright law is exactly backwards: we should allow the jury to decide whether a defendant has copied the plaintiff’s work as a factual matter, and leave the question of improper appropriation to experts.1 Expert testimony on substantial similarity would, at the least, clear judicial fog at this stage of a copyright infringement analysis: courts could abandon the fiction of an objective, “ordinary observer” perspective – the controlling test for substantial similarity – and allow specialists to conduct what is in fact a highly technical analysis. But Lemley overlooks two
*
J.D. candidate, NYU School of Law, 2011; B.A., University of Chicago, 2006. Graham will join the Corporate Department at Proskauer Rose, LLP in the fall of 2011. 1 Mark Lemley, Our Bizarre System of Copyright Infringement, Stanford Public Law Working Paper No. 1661434, 3 Intellectual Prop. L. eJournal 105 (2010). 45