VEGETATION
OVERALL FORM
winter
spring
summer
JH JENNIFER HOHOL PORTFOLIO
JH DEGREES M . A RCHI T ECT U RE WAS H I N GTON UN IV ERSITY IN ST. LOUIS Sept . 20 17 - Dec . 20 1 9 B . S. A RCHI T ECT U RA L ST U DI ES A RT HI STO RY & CRI T I CI SM B ROA D M A JO R - DOUBLE M AJOR U N I V E RS ITY OF W ISCON SIN - M ILWAUK EE S C H O O L O F A RC HITECTURE & URBAN PLAN N IN G 20 1 2-20 1 6 D E A N ’ S HIGH HON ORS - SALUTATORIAN SUM M A C UM LAUDE
ACAD E M I C 02
TH E ST RAI N E R
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FRES H WAT E R S C E N A RI O S
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URBAN R ES I DEN C ES
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GA L L E RY O N A H I L L
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AM ARAN T H AL L E Y:
PROFESSIONAL 9 0 BOYS & GIRLS C LUB:
BUC K S TEEN C EN TER
9 4 M CW/ STATE C RIM E LAB 9 8 ST. C HARLES HARTLAN D 1 00 OLD REPUBLIC EX PAN SION
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AM ARAN T H ART S Q UA RE
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ECO -D: DE T R O I T ECO D I STRI CT
1 04 GLEN N RIEDER 1 1 0 TUTW ILER RESIDEN C E HALL 1 1 4 N OTRE DAM E RESIDEN C E HALL
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SUSTAI N AB L E C LO S E D - LO O P S :
1 1 6 M ISSOURI S&T: DIN IN G HALL
P U B L I C I N TE REST D ES I G N
UR BAN D ES I G N
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BRADY ST R E E T M A RK E TP L AC E
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ZER O MUS E UM : STU D I O
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ZER O MUS E UM :
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ADV. B U I L D I N G SYSTE M S
IN T E R GE N E RAT I O N A L E D U CATI O N CE N T E R
PERSO N A L 1 0 6 ILLUSTRATION 1 26 PHOTOGRA P HY 1 3 6 RESUM E
ACADE M I C
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THE STRAINER As a result from transforming the forms found from images of water, the water strainer integrates the physical boundaries between architectural design and fabrication. This tectonic system of parts assemble to form a natural purification system that can be adjusted to fit a vast array of climatic, regional, and water conditions to be utilized at its full potential. Suspended from a roof, and connecting a barrier ideally between an indoor/outdoor site, the structure of waves are presented as floating curvilinear beams. Together with aquatic vegetation, the wall naturally filtrates the water as it flows through, and allows for maximized human interaction within all 360°.
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| B.S. ARCH | The Strainer
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WATER FLOW WATER ENTRY FROM ROOF/GUTTER SYSTEM
“TROUGH” TIERS LAYERS OF FILTRATING MATERIALS
PERFORATED ZONE WATER FLOWS FROM THE TOP DOWN
EXCESS WATER POOLS AT END BEFORE TRAVELING INTO AN UNDERGROUND TANK
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| B.S. ARCH | The Strainer
Model Photo
The Strainer | B.S. ARCH |
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FRESHWATER SCENARIOS MILWAUKEE, WI This site is crucial and has great potential to extend the social and cultural factors already seen in the nearby Third Ward, by turning this site into a “destination.” Knitting the urban fabric with that of water fabric, this zone can be reactivated. The programming is flexible for multi-use, so that every individual of all ages and cultures can feel welcome to use it at their leisure as an urban park. Users may occupy the site and discover new ways to suit their needs. The waterfront edge presents many unbridled opportunities. Influences are rooted from old historical lot lines that were utilized to knit this side of the river to the site directly across from it. Some of these original lines can direct the path and boundaries of the curved arches on the site that “sew-in” to the landscape. A central hub can house a main stage/arena that can be used as an ice rink in the winter, a roller-blade rink during the others seasons, or it can be used to house different types of venues or concerts for the community.
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| B.S. ARCH | Freshwater Scenarios
Freshwater Scenarios | B.S. ARCH |
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PHOTOGRAPHIC DOCUMENTATION - FORM FINDING Form Finding at Site P.03 The Gold Coast Atlas Jen Hohol
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| B.S. ARCH | Freshwater Scenarios
Freshwater Scenarios | B.S. ARCH |
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Lighting Concept Models
10 | B.S. ARCH | Freshwater Scenarios
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SEASONS THROUGHOUT THE URBAN PARK
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URBAN RESIDENCES BERLIN, GERMANY This project focuses on using geometries to create shapes implemented by a set list of rules. The rules applied to the towers were this: coupled, parallel couples, one tall and one short, coupled towers are offset, the tall tower provides the common shared core between couples, and shared terraces between sets of towers. Overall these towers shift to align parallel with either the existing towers or the street edge. This creates a shifting faรงade when viewed from the street or surrounding buildings. The footprint of the new towers are nearly the same, the width of the taller towers are larger to allow space for the service core. Along this core, the private function of the units (bedrooms and bathrooms) radiate out, while the main living space including kitchen, dining, and living room are furthest away from this core, and extend from the outer street faรงade to the internal courtyard faรงade.
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| M. ARCH | Urban Residences
CURRENT SITE
HISTORIC BLOCK
GAPS BETWEEN BUILDINGS:TERRACES
COUPLED TOWERS
STAIRS
Model Photos
16 | M. ARCH | Urban Residences
PRIVATE TO PUBLIC SPACES
DESIGN
MAIN LIVING SPACES EXTENDS LENGTH
EXISTING BUILDING
EXISTING BUILDING
Plan: Ground Level
FACADE DESIGN The faรงade is controlled by a grid of windows that varies in sizing and use of mullions that differentiates the tall and short towers. The towers are wrapped by shifting sets or horizontal bands that extrude at the floor plates. These bands or are voided in locations from tower to tower to create variation and unification of the buildings as a whole. Some zones are emphasized as double height spaces by this method, and the ground floor is treated differently between the short and tall towers. Material qualities differ between the towers as well. The shorter towers consist of a stone or concrete material, while the taller towers are made up of a brick faรงade. Shifting the direction of the brick to run vertically on the vertical elements of this structures helps to create depth. Depth and variation is further implemented in placing some windows flush with the faรงade, while windows on the internal private zones of the units (bedrooms and bathrooms) are recessed back. Ultimately, the rules construct a controlled set of forms that introduce variety yet are read as a whole.
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| M. ARCH | Urban Residences
TOWER COUPLES [SAME INITIAL FOOTPRINT]
1 TALL TOWER 1 SHORT TOWER
TALL TOWER EXPANDS TO FIT SERVICE CORE
x
INTRODUCE SHIFT
Render: Interiors
20 | M. ARCH | Urban Residences
EXISTING BUILDING
EXISTING BUILDING
Plan: Level 2-6 UNIT PLANS TYPICAL FLOORS 2-6 1/8” = 1’-0”
Urban Residences | M. ARCH | 21
GALLERY ON A HILL RESERVOIR PARK MILWAUKEE, WI On a small, multi-purpose gallery on a hillside in Milwaukee, the Gallery on a Hill will elegant in structure. It is primarily for sculpture and installation art, in addition to housing related social events. There will be outdoor spaces, including galleries/gardens, and roof terraces. Basic shapes extruded into masses are combined with the idea of a jointed spine turning a radial curve. These two primary rules define the main concepts of the gallery. Five masses cascade down the hill, burying the structure and gallery spaces into the ground. Implied voids and planes are produced by the glazing on entire expanses of facades, allowing natural light to filter down into every room throughout the galleries below.
22 | B.S. ARCH | Gallery on a Hill
Plan
24 | B.S. ARCH | Gallery on a Hill
Concept + Diagrams
Section
Gallery on a Hill | B.S. ARCH | 25
AMARANTH ALLEY: PUBLIC INTEREST DESIGN WASHINGTON PARK, MILWAUKEE, WI GROUP PROJECT The goal of this project is to redesign an alley, an infrastructural and often void territory, into an occupiable area or a Third Space. The first steps in this process were not architectural but rather installations and interventions that drew public awareness, and set us up for future inter ventions. These interventions were provisional, and designed to enhance interaction and engagement. These experimental strategies, includ ed Balloon Dreams, Alley Painting, and Prototyping. It is from these interventions that we learned about the site and community and then proceeded with our individual projects to create architectural solutions.
26 | B.S. ARCH | Amaranth Alley: Group Project
Engaging the Alley
Balloon Dreams
Alley Painting
Amaranth Alley: Group Project | B.S. ARCH | 27
AMARANTH ART SQUARE: PUBLIC INTEREST DESIGN WASHINGTON PARK, MILWAUKEE, WI INDIVIDUAL PROJECT Following our Group Project interventions, each individual developed independent programs based on specific interests they had. I chose to stay with the area near the alleyway intervention location. The area had a sense of disconnection, with lack of safe public areas, insecure economies, and a main transit road that separated the north and the south due to heavy flow and speed of traffic. Following is a break down of three stages or phases that were analyzed by different scales: Urban, Landscape, and Architecture.
STAGES 1
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28 | B.S. ARCH | Amaranth Art Square: Individual Project
Render: Fall
| 29 Render: Winter
URBAN SCALE This project, located on Lisbon Avenue, proposes a new building dedicated to the arts. The objective of this proposal is provide the community a space where dreams become reality, where experiences and making of art promote shared authorship, social life, and community build ing. Amaranth Art Square hopes to revitalize the underutilized spaces currently within the neighborhood. The neighborhood is filled with nearby artist studios and art institutions. The development of an “art square” will address, expand and connect the current art networks already established within this area. Using the vacant lots located on the intersection of Lisbon Avenue and 33rd Street, the Amaranth Art Square proposal hopes to transform this site into a destination point for the city.
STAGES 1
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30 | B.S. ARCH | Amaranth Art Square: Individual Project
| 31 Plan: Urban Scale
LANDSCAPE SCALE The seasonal highlights of varying plants (including perennials and bulbs, shrubs, grasses, and trees) ensure a perpetual point of interest throughout the year. The life cycle of plants provides an educational opportunity, as well as filling the “art square� with color and experiential spaces. A rain garden collects water from the butterfly roof, streaming down a rock face. The rain runoff is stored in a cistern while the excess drains off into the rain garden. The rooms, hallway, and transitional pathways break down the landscape into a sequence of spaces with assorted experiential moments. The juxtaposition of the meadow, perennials, and trees encourages this choreographed experience.
STAGES 1
2
3
32 | B.S. ARCH | Amaranth Art Square: Individual Project
| 33 Plan: Landscape Scale
ARCHITECTURAL SCALE The development is split between two major elements: a new building that acts as the core and an existing green space. The existing green space is landscaped and retrofitted to develop an “outdoor square� that spans across Lisbon Avenue into the area around Amaranth Cafe. As a core element, the new building will draw attention to the redevelopment of the street edge and landscape. The structure is designed to house arts organizations present in this neighborhood - potentially as a new building for Express Yourself Milwaukee or an extension of Our Next Generation Inc. (to serve youth through the arts), or as a new center for the arts to connect all cultures and ages of the community. The building is capable altering into new forms to house any needs of the community throughout the decades.
STAGES 1
2
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34 | B.S. ARCH | Amaranth Art Square: Individual Project
Render: Community Multi-Use Building
Amaranth Art Square: Individual Project | B.S. ARCH | 35
ECO-D: DETROIT ECO DISTRICT DETROIT, MI M. URBAN DESIGN STUDIO GROUP PROJECT TEAM: YAOYAO CHEN, JENNIFER HOHOL, RACHEL REINHARD, NATHAN SEVERIANO, BIXIAO YUAN Here at this melting pot area are many zones with varying economies, program types, and varying key players. However, most of these areas seem to stay bisected, the lines not blurring across physical boundaries. It is within the Milwaukee Junction quadrant indicated that offers the best environment to create connections between all of these groups, including the North End residents, Wayne State University, Midtown development, Detroit Energy (DTE), Henry Ford Health, Tech Town, and more. This is achieved through careful consideration of each "Key Player's" wants and needs moving into the future. Detroit 2118 | The Model Eco District: Eco-D provides opportunity to not only prevent the future displacement of locals but to restructure economic, mobility, and renewable resource systems to create an equitably and environmentally sustainable urban metabolism.
36 | M. ARCH | Urban Design | ECO-D: Group Project
Existing Systems
ECO-D: Group Project | Urban Design | M. ARCH | 37
ECO-D
DESIGN DISTRICT DETROIT
Concept Diagram
38 | M. ARCH | Urban Design | ECO-D: Group Project
Proposed System Intervention
ECO-D: Group Project | Urban Design | M. ARCH | 39
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SUSTAINABLE CLOSED-LOOPS ST LOUIS, MO M. URBAN DESIGN STUDIO ORIGINS Located in South St. Louis infrastructural crossroads, many historic ties (i.e. Lemp and Anheuser-Busch Breweries) shaped this area into a Company Town in the past. The industry and commercial trades would have been all interconnected creating a symbiotic relationship between the inhabitants of the neighborhood, employment, and everyday life. TODAY In the present day, this symbiotic relationship has been broken apart by various physical and non-physical boundaries. The historic symbiotic relationships of this South City St. Louis old Company Town can be leveraged into new and improved sustainable systems. Using NGA soon to be vacant site and using Anheuser-Busch vast industrial ecology network, among other site-specific historic buildings and neighborhood connections, a closed loop ecosystem can be formulated. A symbiotic relationship can once again be restored to this area, through the systems including Industrial Ecology, Mobility & ClosedLoops, and Water & Environment.
42 | M. ARCH | Urban Design | Sustainable Closed-Loops
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Existing Infrastructural Systems
MUD: Leveraging Ecologies into Sustainable Closed-Loops | M. ARCH | 07 45
Leverage Closed Loop Systems at Anheuser-Busch for Further Sustainable Systems
46 | M. ARCH | Urban Design | Sustainable Closed-Loops
Global Network of Anheuser-Busch
Sustainable Closed-Loops | Urban Design
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Proposed Infrastructural Conditions
48 | M. ARCH | Urban Design | Sustainable Closed-Loops
Proposed Infrastructural Conditions
Sustainable Closed-Loops | Urban Design
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PUBLIC MARKETPLACE BRADY STREET MILWAUKEE, WI Located north of Brady and east of Holton Street Bridge, the site is considered ideal for a public market. Composed of three segments, the Marketplace mimics the sloping topography through it’s tectonic plated roofs that drop down between segments. All exterior elements and landscaping reinforce the split centralized courtyard between the site’s elevation change. The rusticated masonry structure is complimented by natural lighting from windows including those of the clerestory that illuminates the double height interiors that rise to the visible trusses. The outdoor spaces allow for temporary market spaces, gathering space, and entertainment. The layout allows for circulation in the round the stage can be seen from all sides which allows for optimum utilization. Collectively, the building mass imitating shifting plates such as the topography, along with the interior and outdoor spaces allows for maximum utilization in the public realm.
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Render
Public Marketplace | B.S. ARCH | 53
ZERO MUSEUM MENIL COLLECTION CAMPUS HOUSTON, TX The Zero Museum is a proposal that serves as a permanent house for works by the Zero/ Azimuth Group. The Zero group were mainly artists and architects, interested in installations and architectural spaces. The artwork itself is to counter typical expectation of artworks, and to encounter various relationships between art and architecture, “spatial art,� and the opportunity to design and develop spaces that privilege experience over appearance. They believed their approach to art making using light, common materials, and motion opened up new forms of perception. The proposed Zero Museum appears as two overlapping volumes - a white, glossy gallery box which is supplemented by matte black back-of-house volume. The overall building is organized on a 20x20 grid with its gallery spaces designed in a 10x10 dimension. Galleries are rendered in white with linear fin structures supporting a glass ceiling. A thin layer of scrim obscures the glass ceiling and diffuses natural light which is also spread evenly by the fin structures below. Bright viewing corridors bookend the galleries and provide space for sculpture display. The back of house volume provides spaces for education, conservation, and maintenance - separate from the main gallery areas. Basement level houses mechanical equipment, HVAC, and art storage.
54 | M. ARCH | Zero Museum: Individual Project
Model Photo
Ground Floor Plan
56 | M. ARCH | Zero Museum: Individual Project
Zero Museum: Individual Project | M. ARCH | 57
Zero Group: Curated Artworks for Exhibition Layout & Design
58 | M. ARCH | Zero Museum: Individual Project
Exhibition Axonometric
Zero Museum: Individual Project | M. ARCH | 59
60 | M. ARCH | Zero Museum: Individual Project
Zero Museum: Individual Project | M. ARCH | 61
ZERO MUSEUM: [REVISITED] ADVANCED BUILDING SYSTEMS GROUP PROJECT TEAM: JENNIFER HOHOL, WENDY STRADLEY, MASON RADFORD, JOHN HAMPTON, JAIRO LAVERDE, RACHEL MADRYGA In the capstone course for building technology curriculum, my Zero Museum design was chosen to provide a comprehensive experience in translating design intent through a rigorous process. In a group, we pushed the development beyond schematic design phase. Through identifying appropriate systems of structure, enclosure, climate control (active and passive) and light (natural and artificial), we advanced the architectural proposition. In addition to extensive system integration, a technical precedent was chosen by each group to inform design decisions. The Zero Museum was compared to the Clyfford Still Museum. MY CONTRIBUTIONS: Project manager of team; Various drawings & diagrams; Research on detail drawings, material choices, climate control; Participated in all discussions; Made informed decisions to translate original design intent with group.
62 | M. ARCH | Zero Museum: Advanced Building Systems
Adjusted Ground Floor Plans
CLASSIFICATION Construction Type: 3B Group Classification A:3 Total Number or Stories: 1 + basement Total Building Area (GSF): 52,560 SF Largest Floor Area (GSF): 34,804 SF
64 | M. ARCH | Zero Museum: Advanced Building Systems
Zero Museum: Advanced Building Systems
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Detailed Wall Section
66 | M. ARCH | Zero Museum: Advanced Building Systems
Render: Exterior Envelope. Fins on West and East facades for shading.
Zero Museum: Advanced Building Systems
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Detailed Wall Section
68 | M. ARCH | Zero Museum: Advanced Building Systems
Skylight Detail
Zero Museum: Advanced Building Systems
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INTEGRATED HEATING ELEMENT
HVAC RETURN INTEGRATED INTO WALL
UNDERFLOOR AIR DISTRIBUTION SYSTEM
SINGLE SOURCE AIR VENTS WITH FLEXIBLE ARRANGEMENT
Heating & Cooling Diagram
HVAC RETURN INTEGRATED INTO WALL
ELECTRICAL SERVICES EMBEDDED IN WALL
SINGLE SOURCE AIR VENTS WITH FLEXIBLE ARRANGEMENT
Air Source & Return
70 | M. ARCH | Zero Museum: Advanced Building Systems
Air Supply & Return
Supply Return
Supply Return
Zero Museum: Advanced Building Systems
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Lighting Strategies
72 | M. ARCH | Zero Museum: Advanced Building Systems
Render: Sculpture Gallery at End of Wing
Zero Museum: Advanced Building Systems
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NUTRITION & GARDEN BIOSCIENCE | HEALTH EDUCATION CENTER ST LOUIS, MO COMPREHENSIVE STUDIO: INTERGENERATIONAL LIVING This Garden Bioscience Center presents opportunities for children and elder persons to connect through the lens of nutrition. This will be done through gardening activities, education, teaching kitchens, a greenhouse, and science lab. Destinations are throughout the building, spreading out the programmatic categories and encouraging circulation throughout the whole complex. The sense of sight is amplified, through viewing corridors and connections between three main atriumS that boost interaction between all age groups and all destination points. The teaching kitchen is at the heart of the building and will provide nutrition courses as well as meal prep from produce in the gardens. Flexible leisure areas line the main destination zones, providing seating and garden walls within the poche-d block walls, that continue through both floors. Additionally, any bakery and garden produce are available by shop access to the public street. Both seniors and children alike can learn and grow from experiencing gardening, bioscience, and nutritional education.
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| M. ARCH | Comprehensive | Intergenerational Education Center
Render: Middle Atirum + Teaching Ktichen
RESEARCH: INTERGENERATIONAL MATRIX Text Bold Text Following early design exercises, an intensive week of research, journal entries, and lectures resulted in the production of research posters that provide insight on the unique possibilities for intergenerational design. I chose to focus on phycological aspects including Theory of Multiple Intelligences (Howard Gardner), Maslow’ Hierarchy of Needs, and Erikson’s Psychosocial Development Theory. This matrix outlines and connects the distinct components of these theories in hopes to uncover types of programmatic design that can fulfill the most needs of individuals as they age over time. It is from this body of research that students independently chose the program for their intergenerational building.
76 | M. ARCH | Comprehensive | Intergenerational Education Center
Intergenerational Education Center | Comprehensive | M. ARCH | 77
Development Models
Fitting into Neighborhood Scale
78 | M. ARCH | Comprehensive | Intergenerational Education Center
Ground Floor
Render: North Facade
80 | M. ARCH | Comprehensive | Intergenerational Education Center
Render: Middle Atirum + Teaching Kitchen
Intergenerational Education Center | Comprehensive | M. ARCH | 81
Render: Rooftop Greenhouse
82 | M. ARCH | Comprehensive | Intergenerational Education Center
2nd Floor
84 | M. ARCH | Comprehensive | Intergenerational Education Center
Intergenerational Education Center | Comprehensive | M. ARCH | 85
Render: Street View
86 | M. ARCH | Comprehensive | Intergenerational Education Center
Aeroponics
Growing Gallery
Aquaponics + Terrace Access
Intergenerational Education Center | Comprehensive | M. ARCH | 87
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PROFESS I ON A L
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BOYS & GIRLS CLUB: BUCKS TEEN CENTER [CONCEPTUAL] MILWAUKEE, WI ZIMMERMAN ARCH. STUDIOS TEAM: BRIAN HATZUNG, LISA JANSEN, JENNIFER HOHOL, STEVEN SCHNEIDER, Working with the Boys and Girls Club of the Greater Milwaukee area, a concept was designed to appeal to the Milwaukee Bucks Basketball corporation in hopes of making a partnership between both parties by creating a space tying both together on the new Milwaukee Bucks campus in downtown Milwaukee WI. The Bucks Teen Center is designed to provide educational, career related, musical, and study spaces for local teens. MY CONTRIBUTIONS: Interior Design Concepts VR/Renderings Client Meetings
90 | CAREER | Boys & Girls Club: Bucks Teen Center
Render
Plan
92 | CAREER | Boys & Girls Club: Bucks Teen Center
Render: Study & Career Lounge
Render: Music Multi-Purpose Room
Boys & Girls Club: Bucks Teen Center | CAREER | 93
MEDICAL COLLEGE OF WI STATE CRIME LABS [CONCEPTUAL] MILWAUKEE, WI ZIMMERMAN ARCH. STUDIOS, MEDICAL COLLEGE OF WI, MWL ARCHITECTS, CONCORD GROUP, ALLIED ENGINEERS TEAM: JOHN SABINASH, KURT ZIMMERMAN, KEVIN O’DONNELL, JENNIFER HOHOL, STEVEN SCHNEIDER, In the first building type of it’s kind, our vast team has brought together a proposal for the State Crime Lab of Wisconsin to be paired up in a collaborative effort with the Medical College of Wisconsin in the development of a new State Crime Lab to be placed on the MCW campus. The proposal will dedicate one wing of a massive building to the needs of the State Crime Labs for a newly innovated facility. MY CONTRIBUTIONS: Developed entire Digital Model & Renderings Overall Concept and Massing w/Lead Architect Fly-Through Videos & Final Interview VR
94 | CAREER | Medical College of WI State Crime Labs
Render
Render
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| CAREER | Medical College of WI State Crime Labs
Render: Conference/Lecture Spaces
Render
Medical College of WI State Crime Labs | CAREER | 97
ST. CHARLES CHURCH HARTLAND, WI ZIMMERMAN ARCH. STUDIOS TEAM: KURT ZIMMERMAN, JENNIFER HOHOL, TAHA SHAWAR The new addition to the existing St. Charles Parish and School draws on some classical themes do develop a modern day church with cathedral characteristics. A blend of a hammer beam vaulted arch system is showcased in glued laminated wood truss-work in high ceilings and clerestories. It is crucial to the church members to achieve two major outcomes - house their original bell in a tower topped by the church’s steeple cross from original building. The imagery shown is being used for fundraising purposes at this time. MY CONTRIBUTIONS: Large portion of Digital Modeling Develop Massing & Concepts w/Lead Architect Interaction with Clients Truss work Design Developed Half of Final Imagery
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| CAREER | St. Charles Church
Render
OLD REPUBLIC: EXPANSION & RENOVATION, 2018 MILWAUKEE, WI ZIMMERMAN ARCH. STUDIOS TEAM: LISA JANSEN, WENDY SCHULTZ, TANIA AVELLO, JENNIFER HOHOL Interior build-out project consisting of interior design and expansion of a tenant within the same office building. The space incorporates the color and design themes in the exisiting Old Republic office spaces. This existing design work done by our firm setup a framework to build upon for the creation of a new and refreshed lunch and work lounge space for the employees. Additionally, a new HR department and executive conference rooms adjoin this work cafe. It is broken down into smaller intimate zones through the use of subtle circulation curves reflected from floor to ceiling. MY CONTRIBUTIONS: Interior Design Concepts Construction Documents VR/Renderings VR Fly Through Video On Project from Start to End Client Meetings
100 | CAREER | Old Republic
101 Render
Photo: Executive Conference Room
102 | CAREER | Old Republic
Photo: Lobby
Rendered Concept: Work Cafe Lounge
Old Republic | CAREER | 103
GLENN RIEDER, 2018 WEST ALLIS, WI ZIMMERMAN ARCH. STUDIOS TEAM: MARK WERSHAY, KURT ZIMMERMAN, JENNIFER HOHOL, LISA JANSEN, DOUG BARNES New headquarters facility at 120,000sqft, for architectural fine mill-work company Glenn Rieder. The facility will host their main manufacturing space, and the corporate offices. Precast concrete with a set column grid defines the facility boundaries. MY CONTRIBUTIONS: Majority of Contribution for Final Renderings Attended Interview and Helped Win Project Attend all client meetings Assist in Concept/Design Entryway Development Client Meetings
104 | CAREER | GlennRieder
Render
Concept Sketch
106 | CAREER | GlennRieder
Photo: Lobby
GlennRieder | CAREER | 107
UNIVERSITY OF ALABAMA TUTWILER RESIDENCE HALL TUSCALOOSA, AL MACKEY MITCHELL ARCHITECTS & TURNER BATSON A 350,000SF women's residence hall complex set at six stories tall. Collegiate brick facades and shell were designed by Turner Batson, while the Mackey Mitchell team built out the interiors. This includes dining areas, apartments (pictured to right), common rooms, and student dorm rooms. MY CONTRIBUTIONS: Detailed Construction Documents: Dorm Rooms and Apartments Sheet Layouts Refining Design of Room Layouts Created renders based on standards given
110 | CAREER | University of Alabama: Tutwiler Residence Hall
Render: Shared Kitchen
112 | CAREER | University of Alabama: Tutwiler Residence Hall
Render: Common Room Kitchen
University of Alabama: Tutwiler Residence Hall | CAREER | 113
UNIVERSITY OF NOTRE DAME: WOMEN'S RESIDENCE HALL NOTRE DAME, INDIANA MACKEY MITCHELL ARCHITECTS Residence Hall for the University of Notre Dame. Designed to fit into materiality and architectural style of the existing campus. MY CONTRIBUTIONS: Roof & Wall Section Detail Drawings
114 | CAREER | Notre Dame: Women's Residence Hall
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MISSOURI S&T: WAREHOUSE TO DINING HALL CONVERSION [CONCEPTUAL] ROLLA, MO MACKEY MITCHELL ARCHITECTS TEAM: JORDAN GATEWOOD, JENNIFER WILKENS, JENNIFER HOHOL Study on renovating the MO Enterprise building on campus to fulfill dinning hall and office demands. Imagined is first floor dining and other public campus rooms, while offices and conference rooms are located on the second floor. This concept was presented as an option compared to another that was entirely new build. MY CONTRIBUTIONS: Concept of Interior Design & Layout based on Space Planning Diagrams Entire Digital Model Renders
116 | CAREER | Missouri S&T
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PERSO N A L
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ILLUSTRATION & PHOTOGRAPHY Experience in hand sketches through a series of mediums. Photography exposure through a variety of locations, subjects, and camera techniques.
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PERSONAL | 123
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Power Plant Plumes | St Louis, Missouri 2018
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Antiquated Charms | Amberg, Wisconsin. 2014
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Contour Couture | Chicago, Illinois. 2016
Black Vessel | Minneapolis, MN, 2018
130 | PERSONAL
Dark Crescent | Minneapolis, MN, 2018
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Flooded Light | New Johnsonville, Tennessee. 2015
Aquatic Monoliths | Milwaukee, Wisconsin. 2014
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JH SKILLS DIGITAL REVIT AUTOCAD RHINOCEROS GOOGLE SKETCHUP V-RAY SOFTWARE LUMION ADOBE SUITE MICROSOFT SUITE ENSCAPE ANALOG MODEL MAKING HAND DRAFTING SKETCHING STRENGTHS COMMUNICATION TEAMWORK CRAFTSMANSHIP LEADERSHIP DETERMINED CONCENTRATIONS CONSTRUCTION MANAGEMENT HISTORIC PRESERVATION BIOPHILIC DESIGN SUSTAINABILITY
LANGUAGES ENGLISH FRENCH (LIMITED WORKING PROFICIENCY)
JENNIFER HOHOL 715 . 573 . 9380 jhohol@wustl.edu | jenhohol@gmail.com 308 Clara Ave Apt 33 St. Louis, MO 63112 Portfolio: https://issuu.com/jmhohol Linkedin: https://www.linkedin.com/in/jennifer-hohol-173143124
EDUCATION 2017-Dec 2019
MASTER of ARCHITECTURE WASHINGTON UNIVERSITY IN ST. LOUIS, MISSOURI, 3.82 GPA 2012-2016
B.S. ARCHITECTURAL STUDIES + ART HISTORY & CRITICISM, DOUBLE MAJOR UNIVERSITY OF WISCONSIN - MILWAUKEE, 3.87 GPA Summa Cum Laude. Dean’s High Honors. Salutatorian (ranked 2nd in class)
EXPERIENCE Summer 2018, Winter 2018-19
ARCHITECTURE SUMMER INTERN LAMAR JOHNSON COLLABORATIVE, a CLAYCO company (formerly BATES FORUM) | st louis, mo Marketing, Visualization, Cost Estimation, Documentation, Client Coordination, Master Planning Summer 2018, Winter 2018-19
ARCHITECTURE SUMMER INTERN MACKEY MITCHELL ARCHITECTS | st louis, mo Experience working on all phases of work. Assisted the firm in visualization, CD’s, marketing, etc. Fall 2018, Spring 2019
TEACHING ASSISTANT: STRUCTURES I & II WASHINGTON UNIVERSITY IN ST. LOUIS 2016-2017
ARCHITECTURAL DESIGN INTERN ZIMMERMAN ARCHITECTURAL STUDIOS, INC. | milwaukee, wi Assist lead architects with a range of duties including physical & digital models, marketing material, preparing and participating in presentation/interviews with clients. March 2016
SARUP EXTERN PROGRAM HGA ARCHITECTS & ENGINEERS 2015-2016
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AIAS TREASURER at UW-MILWAUKEE
AWARDS 2018-’19, 2019
THE MARY PIPKIN JOHNSON SCHOLARSHIP WASHU Scholarship Fund. Academic Merit.
2013, 2014, 2017, 2018
ROYAL NEIGHBORS OF AMERICA NEW HORIZONS SCHOLARSHIP Academic Merit.
2012-2019
DEAN’S LIST
ALL semesters for UNDERGRADUATE & GRADUATE studies
2016
DEAN’S HIGH HONORS - SALUTATORIAN UW-Milwaukee. Awarded to two students with the highest cumulative GPAs in graduating class. 2015
ROYAL NEIGHBORS OF AMERICA FOUNDATION SCHOLARSHIP Academic Merit.
2014
CHRISTOPHER KIDD & ASSOCIATES SCHOLARSHIP
VOLUNTEERING & ACTIVITIES GRADUATE ARCHITECTURE APPLICANT REVIEWER Selected to review student applications to WashU M.Arch program
AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS (AIAS) Treasurer Duties, filling out grants, Approx 5 office hours per week, planning/organizing fundraising. Attended two national Forum Conferences, and one Midwest Quad Conference
SHIH TZU RESCUE OF CENTRAL WI Dog transport, taking dogs to vet, etc.
LIFETIME MEMBERSHIP OF THE GIRL SCOUTS OF AMERICA UNIVERSITY COMMUNITY ORCHESTRA OF MILWAUKEE SOFTBALL Summer leagues, including STL architects/engineers league.
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JH JENNIFER HOHOL 715 . 573 . 9380 jhohol@wustl.edu