joan adriana undergraduate portfolio selected works 2014-2016
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1 88 mlk jr. way 212, erkeley, ca 4 04 1 ( 25) 1-4432 joan.adriana hotmail.com www.linkedin.com/in/joanadriana
ADDITIONAL
education
UNIVERSITY OF CALIFORNIA, BERKELEY Bachelor of Arts in Architecture (3.5/4.0) Honors: Berkeley International Office Award (Fall 2015), Dean’s honor (spring 2016)
Berkeley, CA August 2014 - August 2016
anguage:
nglish and Indonesian ( ati e) Acti ities:
Berkeley Indonesian tudent Association: Creati e Management (2014 Present), D C Indonesian tudent Association: Mem ers
DIABLO VALLEY COLLEGE Architecture major to transfer to UC Berkeley (3.8/4.0 Honors: Graduation Honors
Pleasant Hill, CA August 2012 - May 2014
(Fall 2012
pring 2014)
Interest: Hand-Made crap ook, ennis, Photography, Piano
experience
MA CA AG OA Architectural intern
OCIA
an Francisco, CA une 2016 Aug 2016
P . UMMA CO AGU G architectural Intern
akarta,Indonesia une 2015 Aug 2016
extracurricular activities HABI A FO HUMA I
an Francisco, CA
olunteer for re uilding low cost residential I
A IO A
UD
AD I O
Project eader for ocial Media A CHI
C U
, CO
COMI
(I AC)
we site founder
UC IO A D
e Designer, Marketing Manager
August 2013 May 2016
GI
I G (AC ) C UB
UC Berkeley, CA anuary 2016 - May 2016 Dia lo alley College, CA August 2013 May 2014
echnical kills: Autocad III hinoceros III ray III 3d Ma well III e it III ketchup III Microsoft Office III Ado e Creati e uites III 3D printing III ood Fa rication III Digital Fa rication III metal elding III
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table of content the library
1
good food
5
urban beachq
10
healthy fast food
16
weil commons
20
01
THE LIBRARY
NOB HILL, SAN FRANCISCO
100a I fall 2014 I yeung ho man
This project investigates the nature of contemporary library in the urban context. We are supposed to focus on interior social and individual space, vertical circulation, negative and poche program space. not to forget, the form and envelope in a constrained site. Initially, The negative volumes are an angular linearvoids that intersect at the edge of every circulation. This intersection produces third conditions, that will be the special charactheristic of the building
NEGATIVE VS BOOKSHELVES NEGATIVE VS FLOOR SLABS
negative vs massing NEGATIVE VS POCHE
surface vs circulation
FLOOR SLABS AND CIRCULATION
voids vs floor slabs
poche vs negative
INDIVIDUAL VS COLLECTIVE
building mass vs poche POCHE VS BUILDING MASS
volume vs intersection NEGATIVE VS INTERSECTION
circulation vs bookshelves
READING AND NON-READING
reading vs non-reading
O’FARREL STREET
+12’
+12’
+36”
+39” +60”
+12’
+25’
+39”
+28’
0’
+25’
+17’
GROUND FLOOR
FIRST FLOOR
SECOND FLOOR
OLIVE STREET
The method of carving in this library is generated from a series of switchbacks that go from one edge to another edge of every sides of the building. With a meticulous angle of the linear voids, each voids will intersect at the edge and creates an intersection. This intersection is the third condition that developed into a volumetric prisms and become the bookshelves of rare books. Moreover, every volumetric prisms will suggest another poche that can be accessed through an opening in the stairr
+51”
+15’
THIRD FLOOR
FOURTH FLOOR
FIFTH FLOOR
SCALE 1/8”=1’--0
The premises of this project is to consider the stair as more than circulation but also as an occupiable public space within the urban environment. a stair and public space that provides program and experience in between two main street Olive st and Ofarrel st ill become a bookshelves for rare books that can be accessed through both level. The main circulation will be along the stairs, which become the public space. On the other hand, the room between bookshelves are used as an individual space
A1
A2 +72’
FIFTH FLOOR
+60’
FOURTH FLOOR +51’
+39’
THIRD FLOOR
+36’
+31’
SECOND FLOOR +26”
+18”
FISRT FLOOW
GROUND FLOOR
SECTION B1
SECTION B2
+15”
+0’
SCALE 1/8”=1’--0
axonometry: cutting longitudinal section between 3d model to show the relation of circulation and how the intersection creates a triangular third condition
AXONOMETRIC DRAWING
02
GOO D FOOD
HOWARD ST, SAN FRANCISCO
100b I spring 2015 I rudabeh pakravan
The GOOD FOOD project started with the precedent study of the diana cente, a campus in new york designed by weiss manfredi. This building emphasizes the dynamic layers of program while also having a visual connection between the campus and the city through the transparent facade. using layers of acrylic glass, the sectional model of The Diana Center is an abstraction that represents how light travels inside the building.
axonometric exposure of light casted to the floor plan in relation to the use of space
ST ST HYDE
LARKIN ST
In response to the precedent, i explore the city as layers. This perceives a city as layers-- to me this means city’s formal language such as layers of streets, side walks, building heights. In site context, i show the layers by contouring lines along the street and constructing pla7T nar surface vertically parallel to each building length
KE
T
H
ST
ST
8T
R
H
ST
To explore this idea in the project, I produced an aggregation of N
rectangular boxes within the site context, which direction are
ST
arranged acording to the vertical and horizontal circulation.
9T
O SI
H
IS
M
ST
BU
H
AS W
Later, extrusion of rectangular voids are introduced to gives more
N
R
depth. this model explores the spatial organization of the building
ST
AC
R
G
and the possibility of circulation flow.
E ST
10
TH
ST
D
O
H
ST
AR W
11 T
H
ST
M
ST
O
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FO
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O
IS
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AR
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ST
3
2
2
4
1
SECTION A
7
5 6
8 0 FLOOR 1 SECTION B1
SECTION B2
FLOOR 2
FLOOR 4
floor plan In plans, layers of rectangular boxes are the programs while the gap between the layers are the circulation. In some spaces where the 9TH ST
WASHBURN ST
GRACE ST
10TH ST
programs align, the circulation started to open as a light well and give more exposure to the spaces within. in the exterior, layers are shown as a repetition of shades that control the sunlight.
HOWARD ST
DORE ST SECTION B1
SECTION A
1/8”=1’-0”
0 1 2 3 4 5 6 7 8
entrance dining area kitchen loading area4 classroom research Lab indoor garden auditorium gallery
FLOOR 3
model: section cut scale 1'- 1/8"
The facade represent density and spatial use inside the building. Public place such as food hall would have bigger gap between the shades to allow more lights and transparency. However, in semi-private space such as research lab or classroom, the shades will get denser to give a sense of privacy.The way layers are organized allow users to experience the transparency inside the building
03
URBAN BEACH
ISLAIS CREEK, SAN FRANCISCO
100b I fall 2015 I rene davids
The project is a transition from the industrial language, to the tidal marshland and the two different types of waterbodies between the canal and the San Francisco Bay. It allows users to witness the industrial waterfronts of cranes, ships, piers and dry docks. To see the natural environment of marshland that doesn’t only act as a landfill but also beautifying the shores of San Francisco Bay and allowing immediate connection to the water bodies. The project exists to bring people together for
exploration,
companionship,
to
experience
the
rich culture and witness the beautiful wildlife of san francisco
As one of the largest bays in the world, San Francisco offers remarkable possibilities for voyagers who want to explore its water bodies. The study of map shows plenty facilities that allow travelling through water on the North of San Francisco yet only a very few launch areas on the South and East side. The proposal for the urban beach is to provide landscape architecture that allows an intimate accessibility between human and water bodies at the South East of SF, Islais Creek site 2).
Structure System
Provided with three different sites, we are to explore the Limitless possibilities of restructure our system, so that it will fit into the designated context.
Site 1
Site 2
Site 3
Site 2, islais Creek
floor plan 0 1 2 3 4 5 6 7 8
entrance changing room seating stairs pool jacuzi outdoor patio bar dining area common stage
With the calm tIdal currents and relatively low wind velocity of islais creek, this site is the perfect place to begin a kayak journey towards the bay or along the shoreline. It is suitable for the family but never limiting the experts. The project will not only be a launching pad but also a destination to the locals and visitors.
Section I
Section II
Section III
Section IV
Scale: 1/32� Material: Museum Board, Basswood Sheet
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H E A LT H Y FA S T F O O D OAKLAND, EAST BAY
100d I spring 2016 I keith plymale Oakland as a site is an area with high rate of crime, therefore it is lacking of safe public spaces that is accessible for the people especially for the family. In response to this problem, I am exploring the project through transparency. The idea is to allow greater visibility between the street to the building, so that it will give more sense of security. Thus, the facade utilizes plenty of glass as material that allows high level of transparency to its user.
floor plan 0 entrance 1 dining area 2 kitchen 3 ordering line 4 condiments bar 5 grow bed 6 grow tower 7 driving lane 8 classroom 9 staff room 10 p l a y g r o u n d
7 10
9
8
6 2
4 1
5 3
1 0
The premises of the project is to separate spaces in between solid extrusion while also connecting one program to another. The idea of continuity is executed by creating a circular rotation through the building, which further affects the spatial organization and quality of the building.
The basic modular form have different angle of slopes which started to create an aperture and bring natural light inside the building. There are 4 different skylight which connects in the cross section, allowing connection to the sky and defining the grid that has been the initial rule of the geometry.
In terms of experience, the building creates transparency between the producers and customers, allowing them to experience farm to table; encourage clealiness of the kitchen, allowing visibility of the kitchen behind the ordering line, with seatings surrounded with grow beds and grow towers, cooking class exposed to the storage room. Whether in the building or outside from the drive thru, the restaurant continuiously gives visual connection through its spatial organization.
05
W EIL COM MO N S sonoma state university
mark cavagnero associates I summer 2016- aerial view of an amphitheatre