Portfolio and CV

JOANNE YAMMINE

Masters in Architecure Specialized Masters Lighting Design

[PORTFOLIO]

2011-2019

Joanne Yammine M.Arch, Masters in Lighting design & LED TEchnology 2019

TABLE OF CONTENT

01| POLIMI

02| POLIMI

03| POLIMI

REGENERATION OF VIA BRUNETTI_ ITALY

IN BETWEEN STONE AND AIR. A PROMOTING CENTER OF MACAEL MARBLE _SPAIN

A SKI DOME IN SCALO FARINI_ ITALY

TOWN PLANNING DESIGN

ARCHITECTURAL DESIGN

ARCHITECTURAL DESIGN

04| POLIMI

05| POLIDESIGN

06| POLIDESIGN

07| POLIDESIGN

HERITAGE PRESERVATION IN POST WAR SCENARIOS. THE CASE OF “THE EGG”_BEIRUT

ALP & WELLNESS HOTEL MOTA_ITALY

METALLICA’S CONCERT_ NOTHING ELSE MATTERS

PIAZZA DEL NETTUNO_ITALY

ARCHITECTURAL PRESERVATION

INTERIOR LIGHTING DESIGN

CONCERTS LIGHTING DESIGN

EXTERIOR LIGHTING DESIGN

CURRICULUM VITAE

YAMMINE JOANNE Architect & Lighting Designer Curriculum Vitae

Joanne _yammine@hotmail.com +961 71 842121 Zgharta, Lebanon www.linkedin.com/in/joanne-yammine live:joanne_yammine

EDUCATION 2019

Polidesign - Politecnico di Milano | Milan, Italy

Specializing Master in Lighting Design & LED Technology 2017

Politecnico di Milano | Milan, Italy Masters in Architecture

2015

Académie Libanaise des Beaux-Arts ALBA - University of Balamand | Koura, Lebanon Bachelor of Sciences in Architectural Studies

2011

COMPETENCE Software Skills AutoCad Sketchup Revit 3ds Max Adobe Illustrator Adobe Photoshop Adobe InDesign DIALux Evo DIALux 4.13 Vray render Ecotect Analysis Best Energy Microsoft Office

One year of mathemtical studies

EXPERIENCE 2018

Performance In Lighting Spa. Internship

Lighting Projects Design and Calculations (Indoor, Outdoor and Roads projects) Verona, Italy

2018

Studio Fakhri Alame Part time Job

3D Modelling and Rendering Works Milan, Italy

2018

Politecnico di Milano Guest Lecturer

for bachelors course "Heritage Preservation Fundamentals", regarding my masters' thesis "Heritage Preservation in Post War Scenarios" Milan, Italy

2017

SYarchitects - Architecture, Interior Design, & Urban Planning

Internship (In Coordination with AAA) Site and Office works Zgharta and Beirut, Lebanon

Modeling Skills Research Potential

American University of Beirut | Beirut, Lebanon

2017

AUIC - Politecnico di Milano

Workshop: The Future Entertainment Hall for Urban Regeneration (in Collaboration with ACEC La Salla Della communità)

Writing Abilities

Regeneration of Teatro San Rocco, Mariano Comense Como, Italy

LANGUAGES

http://www.saledellacomunita.it/la-sala-del-futuro-al-centro-della-collaborazione-acec-polimi/

2017

AUIC - Politecnico Di Milano Workshop: Earth Service

Landscape Design and hand work Milan and Sardegna, Italy

2015

Sukru Uzun - Civil Engineer and contractor

Internship (Under the consultancy of LACECO – architects & engineers) As built and shop drawings with site coordination Tripoli, Lebanon 2014

ALBA - Balamand

Workshops (In Collaboration with Lebanese Municipalities) Restoration and Urban Planning Studies Tripoli, Amioun & Anfeh, Lebanon

2012

ALBA - Balamand

University Academic Trip

Study and Report about the Architectural Heritage Budapest, Vienna, Prague

ACCOMPLISHMENTS

ADDITIONAL INFORMATION Interested in Cooking, Cinema, Reading and Travelling.

Punctual & Well Organized Confident Able to work under Pressure Positive attitude Good Learning Capacity Able to work individually and in groups Hard worker High sense of Responsability Do not get discouraged by Obstacles

2014

ALBA - Balamand | Koura, Lebanon Dean’s Honor List

2013

ALBA - Balamand | Koura, Lebanon Dean’s Honor List

2007

Lebanese American University | Byblos, Lebanon

Global Classroom Model United Nations Program for high school students

RESEARCH & PUBLICATIONS 2017

Available for traveling and reallocation.

Politecnico di Milano

Thesis Work - Heritage Preservation in Post War Scenarios Milan, Italy

https://www.researchgate.net/publication/325083576_Heritage_Preservation_in_Post_War_Scenarios

EXTRA CURRICULAR ACTIVITIES 2014

Member in “My Club”

2013

Volunteer at North Autism Center - NAC Fundraising Events and Awarness Campaigns

2013

Member in “My Club”

2012

Member in “My Club”

Student Club at University of Balamand

Student Club at University of Balamand

Student Club at University of Balamand

References upon request I hereby authorize the treatment of my personal data (Law 196/03 , Italy).

“ARCHITECTURE should speak of its time and place, but yearn for timelessness.”

–frank Gehry

[Architecture Portfolio] 2011-2017

REGENERATION OF VIA BRUNETTI_ITALY Location: Milan, Italy

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Town Planning Design

The Project was a work for Ri-Formare Milano; an initiative of the School of Architecture Urban Planning Construction Engineering AUIC at Politecnico di Milano. It intends to develop research and projects on the disadvantaged areas in the suburbs of the Metropolitain city Milan.

The given of this project was to develop a plan to rehabilitate via brunetti’s neighborhood located in the industrial district of milan. Even though this neighborhood is located in the suburbs of the city, its location in between th EXPO site and Polimi Bovisa Campus gives the site a big importance. Starting from this, we decided that our site should be an extention of the Polihub; the Startup District & Incubator of Politecnico di Milano (5th in the world) whose goal is to share expertise and provide access to the network of one of the best European technical universities in order to relaunch the new entrepreneurship.

Our main goal was to lower the amount of traffic that is now oppressing this area, therefore we decided to close the entrance to the highway at the end of via Brunetti, in order to re-direct the flows. The logic for the overall circulation was to facilitate the life of the pedestrians and bike users, in a way to reduce car dependency in the area.

In addition, the aim was to have a new green public space that is clearly defined by our new axis. This green area comprehend a sport facility building with some outdoor fields and is characterized by a row of trees guiding the eye of the people while moving through this space. The green has also a big importance at the western border of the project since it creates a huge barrier from the highway along the way, ameliorating the quality of the space next to it.

Masterplan showing the intervention to the neighborhood.

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Map showing the location of Via Brunetti neighborhood with respect to the Former Expo site, Polimi Bovisa Campus and the railway system.

JOANNE YAMMINE

JOINED WORK

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The Upper three maps show the study of the area in terms of accessibility and density; the site is close to Certosa Railway station and has a big empty space.

The maps below show the strategic guidelines of our concept: -new node with the eastern side.

- new tram line coming inside our site - a barrier from the highway at the western side.

- a connection between the two sites.

- new fronts.

- a big green space in the center of the site.

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07

Below, a section of Via Brunetti

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A 3D view showing the new program of Via Bruetti neighborhood.

JOANNE YAMMINE

JOINED WORK

“IN BETWEEN STONE AND AIR” - A PROMOTING CENTER OF MACAEL MARBLE IN COBDAR_ SPAIN

02

Location: Andalusia, Spain Architectural Design Spring 2016

The objective of this project was to create a center for promoting Macael marble in Cobdar, Spain. The authorities in the area wanted the world to know about the region’s importance in terms of history, landscape, and economics, and specifically in terms of its marble mining activity. Therefore they wished to build this center for sculptors, on grants from institutions, to work, live, and display their works in.

The Program was to have an information area and a facility for artistic research. The former will create awareness of the importance that marble quarries have had for centuries (they

have been exploited since Roman times). The latter is to accommodate six sculptors, on grants for the purpose, who will live in, work, and display their studies having to do with the manipulation of marble.

A masterplan showing the intervention done to the site.

01 | 02 | 03 | 04 | 05 | 06 | 07

The first map below shows the first floor of the Appartment block and the groundplan of the Workshop block.

The second map shows the second floor of the Appartment block and the ceiling plan of the Workshop block.

The third map shows plan of the Exhibition block.

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07

The drawings to the left are respectively: - Wrokshop’s Elevation and Section.

- Appartments’ Elevation and Section.

- Concept Section of the three blocks Exhibition, Workshops, and Appartments respectively.

The drawings the right are respectively: - Exhibition’s Transversal and Longitudinal Sections.

- Workshop’s Transversal and Longitudinal Sections.

- Appartments’ Transversal and Longitudinal Sections.

- East Elevation.

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07

The perspectives to the left are respectively: - a South East Overall Perspective.

- a walking through view between the Workshop and Exhibition blocks (inside direction).

The perspectives to the right are respectively: - a walking through view between the Workshop and Exhibition blocks (outside direction).

- a view inside the Workshops.

- a View inside the Exhibition space

JOANNE YAMMINE

JOINED WORK

SKI DOME IN SCALO FARINI_ ITALY Location: Milan, Italy

03

Architectural Design Fall 2016-2017

The aim of this project was to create a ski dome in Milan. As we all know, Milan has a flat land with its highest point being at 122 m above sea level and its climae being a Subtropical one. Therefore Skiing was never possible in this city at all. The scope of this project was to allow people practicing skiing all over the seasons.

In addition to the ski slope, the complex included also other functions such as hotel, resort, offices, sports complex‌ The site area of this project was critical because it was located in Scalo Farini zone, north west Milan , next to garibaldi railway station, one of the biggest in its the area.

01 | 02 | 03 | 04 | 05 | 06 | 07

Concept Sketchs

Definition of the buildings’ shape following the Site’s axis

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07 Concept: The idea of a valley with a mountain was to be able to give an authentic skiing experience and one which could have the same complexity and ambiance. The ability to attract athletes to train in our center was in a way associated with this.

The design as a whole is influenced taking a section of the mountain trying to replicate an actual ski slope so as to give it the same look and feel. In terms of the design/shape it is defined by Movement of the built mass from the lower scale of the city to the higher scale into more recently developed areas like porta nuova.

The idea of Permeability is derived from the idea of mountain passrs which in some way help the movement of people in the hills. This reflects a generosity in design and which allows vehicles to move whithin the ambit of the site. An added advantage of our profile was that it allowed the passage of vehicles but at the same time was able to align itself with certain key axial lines whivh criss-crossed the site thereby allowing more than one avenue of connectivity.

JOANNE YAMMINE

Context Within the City: The aim of the project in context with the city was to try to bring a link between the two parts of the city which now have a slight disparity in terms of character and height. In essence we were trying to connect the 2 sides of Milan. Scalo Farini is one of the last large tracts of land in Milan which can be developed. Hence, we would also like it to be a green footprint which could influence the future growth of Milano.

STRUCTURE

JOINED WORK

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The drawings below are respectively: - Section of the Building showing the Ski slope on top and the Hotel at the bottom.

- Section of the Building showing the Ski slope on top and the Office Center at the bottom.

- Section of the Shopping Center

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07

Renders to the left are internal views of the atrium, a hotel room, the ski slope, the shopping atrium, and the representative office.

Renders to the right are outside nights views of the building with the piazza and the pool in front of it.

JOANNE YAMMINE

JOINED WORK

HERITAGE PRESERVATION IN POST WAR SCENARIOS THE CASE OF “THE EGG_BEIRUT” Location: Beirut, Lebanon

04

Architectural Preservation Spring 2017_Thesis Work

This Project was the second part (case study) of my Master’s Thesis at Politecnico di Milano.

The thesis entitled “ Heritage Preservation in Post War scenarios - The case of the Egg, Beirut” was a research work of 340 pages that addressed the topic of heritage preservation post disasters and crises.

Post crises, people usually loose part of their history as a result of the damage which affects their heritage, monuments, and urban fabrics. The main dilemma in this situation is “Demolition Vs Renovation”.

In the first part of the thesis we analyzed several post disaster case studies from different parts of the world going through main focuses such as psychology, Identity, culture and memory.

In addition, the role of social media in such situations was strongly highlighted through the description and comparison of case studies of different periods.

Beirut City Center, also known as “the Egg”, was the case study of the thesis. It is located in Beirut, the capital of Lebanon. One of the biggest tragedies that Lebanon suffered from in the 20th century is the Civil war that lasted for 15 years from 1975 till 1990. From the first part of this thesis we came to a conclusion that guided us towards a conservation and reuse proposal regarding “the Egg”. As a first step, “the Egg” was studied in details starting from its context, its history, its design reaching the interventions it has undergone through time as well as its importance today as a monument for the Lebanese people.

All these factors led to saving this complex from being demolished.

The table of Contents of the thesis will give a clear idea about the work’s sequence. Afterwards, the focus will be on the Conservation Proposal we did for the case study building “the Egg” .

Transversal Section AA

Perspective View of the Ramp

Perspective view of the Rooftop Terrace

01 | 02 | 03 | 04 | 05 | 06 | 07 The picture below was the cover photo on the first page of the research.

The idea was to create a photo that combines the two parts of the thesis so we chose to have the outline of our case study “the Egg” and to cover it with a war textures. We chose one photo representing of each of the disasters’ case studies that we used in the first part of the thesis. Such as photos from world war I, World War II, Fukushima Daiichi nucleardisaster, l’Aquila earthquake and so on.

To the right, the table of contents of the thesis.

JOANNE YAMMINE

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07 Below are respectively: -Southe Elevation showing the material Survey.

-North Elevation showing the Decay Survey.

Both are accompanied by legends To the Right, a recent photo of the building showing its present conditions.

Since we were developing a conservation proposal for the Complex, a study of the materials concerned was necessary in order to understand how it behaved over time.

Then, an on-site investigation which started with the description of the variation manifestations of deterioration was done as well.

Many materials and decays have been detected and were shaped by Sections, elevations

JOANNE YAMMINE

and forms .

- The Material forms consisted of its photo, location in the complex as well as a detailed description of its definition, function, origin, position and composition.

- The Decay forms consisted of its photo, location in the complex as well as a detailed description of its definition, visible effects, possible causes, decay mechanism and type investigation.

JOINED WORK

Concept: - Materiality: In the case of “the Egg�, its material is considered as monumental as its structure. It is part of the Lebanese Modernist era and it is influenced by the Brutalism movement where concrete was extensively used. For this reason, the material was kept visible. The skin of the building, with its patina and historic layers, were preserved. As far as interventions are concerned, only severe decay and structural damage were fixed, leaving the rest of the structure untouched.

The skin of the building, with all its previous bullet holes and war scars, were left intact.

- Functionality: In the case of the Egg, the building has undergone drastic change over time; it lost its role as a space and it was affected greatly by the changes in its context. Therefore, the project requirement was to revive the building and extend its life. As far as the functionality is concerned, the project was transformed into a Cinema Museum accompanied by a Movie Production Center. The flourishing Lebanese film industry has greatly influenced this choice of function.

The full capacity of the complex is 4000 people occupying the space at the same time. This capacity is split on different spaces such as exhibition halls, auditorium, roof top restaurant, movie production area and a piazza. In addition to the latter spaces, the complex consists of three basement levels of parking able to hold 150 cars.

Circulation: The place is not necessarily used all at the same time, its functions are independent of each other. This is to say that spaces are created flexibly according to the event taking place; many promenade scenarios can be anticipated within the complex. Further clarification can be found through the diagrams.

Basically we have 2 access: Parking (6,5,4 basements) OR Ground floor which is at the same level of the street.

The main circulation box goes from basement 6 till Basement 2 (piazza level) Then, the other box goes from basement 2 till the Rooftop.

In addition, we added a ramp linking the first floor to the auditorium and then to the terrace.

This ramp is done for handicapped and is integrated into the project as a kind of PROMENADE.

The circulation box during the night will be closed to prevent people from going up or down for security reasons.

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View from Basement 1 overlooking the piazza

External view of the North Elevation

View from the entrance a the Ground floor

JOANNE YAMMINE

A Transversal section BB

A longitudinal section CC

JOINED WORK

01 | 02 | 03 | 04 | 05 | 06 | 07 Night view of the complex showing 3d light shows projected at the East façade of the Complex.

This is how we made our project an exhibition to the whole city even if we don’t enter inside

JOANNE YAMMINE

JOINED WORK

“Darkness cannot drive out darkness: only LIGHT can do that.�

-Martin Luther King

[Lighting Design Portfolio] 2018-2019

ALP & WELLNESS HOTEL MOTA_ ITALY Location: Livigno, Italy

05

Interior Lighting Design for Hospitaliy Spring 2018

The Project’s given was to renovate the Wellness and Spa section at “Alp & Wellness Hotel Mota” in terms of material, color and Lighting.

The section included a Pool, a Treatment area, a Relax area, a Sauna and a corridor.

After studying and defining the spaces we have in terms of function, users and the spirit they should have, we decided to have two ambiances in the space; cold and warm ones. Cold ambiance for the pool, the shower and the Jacuzzi and warm ambiance for the relax and treatment areas because the functions of these spaces requires coziness and calmness.

One of the problems we found in the existing design is that the colors and the materials were not coherent between all the spaces and were not also suitable for our concept and the ambiance we wanted to create so we decided to make major interventions with the materials and colors.

- For the cold areas we chose light grey stone for the floor and the walls and white painting for the ceiling. In addition, we chose white LED with 4000k

temperature.

- As for the warm areas, we chose wood parquet for the floor, white painting for the ceiling. Some of the walls are in wood and some others are painting in white depending on the space. In addition, we chose LED luminaires with 2700k temperature.

It is true that we divided the spaces as cold and warm, but we unified the effect of lights in all the spaces in order to have coherence and coordination all over the place. In addition, we have a center of attraction element (task area) for each space.

Our main illumination methods are: - Wallwashers - Squared spotlights - Strip lights - Cove lighting Each space has the necessary lumens needed supplied by thee functional light in addition to some decorative elements that help to improve the quality of the space such as the floor lamps in relax and treatment areas and the recessed lamp in the reception of the treatment area.

Below are the Before & After Rendersof a chosen cold and warm area of the spa; the pool and the Relax Area.

Pool Area _Before

Relax Area _Before

Pool Area _After

Relax Area _After

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JOANNE YAMMINE

Concept Plan with the desirable light effect for each area. we can clearly notice the cold and warm zones.

JOINED WORK

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Pool Area

JOANNE YAMMINE

In this slide, the concept sketches of the Pool Area, the Dialux normal and False color Render and two ceiling details.

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JOINED WORK

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Treatment Area

Corridor

Relax Area

Sauna Area

JOANNE YAMMINE

To the left, the concept sketches of the Treatment Area, the Corridor, the Relax Area and the Sauna.

To the right, he technical Plan of the treatment Area with the code of all the luminaires and its information (photo, company, dimension...)

JOINED WORK

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To the left, a render of the Reception Area.

To the right, a render of the Treatment Area.

JOANNE YAMMINE

JOINED WORK

06

METALLICA’S CONCERT_ NOTHING ELSE MATTERS Concert Lighting Design Spring 2018

Cue 4 4:55 --> 5:23 Instrumental Bridge (Guitar + Bass + Drums + Vocalist) 5:23 --> 5:43 Verse 3 Cue 5 5:43 --> 6:36 Outro (Guitar Solo)

The given of the project was to choose a song for a certain band or singer and to prepare a light plan suggestion (including the equipement used) for its performance at a live show concert.

We chose to work on one of the songs of the heavy metal band; Metallica, and we chose one of their best known song “Nothing else Matters” that was released in 1992 and is considered as Metallica’s masterpiece and has been covered nearly 100 times.

After listening carefully over and over to the song, we succeeded to find its cue list that we needed to base our lighting effect plan on: Cue 1 0:00 --> 0:29 Intro I (Acoustic Guitar solo) 0:30 --> 1:00 Intro II (Acoustic Guitar solo) Cue 2 1:00 --> 1:20 Verse 1 1:21 --> 2:22 Chorus 2:23 --> 2:43 Verse 2 2:44 --> 3:01 Chorus Cue 3 3:02 --> 3:43 Instrumental Bridge (Guitar + Bass + Drums + Vocalist) 3:44 --> 4:54 Chorus

Concept: - First of all, concerning the stadium, we placed our structre and lighting fixtures on a stage of 20*15 m considered as a big stage since the band is composed by five members and we wanted to give them the sufficient space they need for their performance.

- Secondly, regarding the structure, we used two linear trusses structure L-1 and L-2 and we placed at the back of the stage three boxes structures L-3, L-4, and L-5.

- Lastly, about the luminaires, we created three different effects; for the guitar solo, for the instrumental bridges, and for the singing parts. However, the mixing of colors is changing constantly iduring the song using only red, white and blue light beams and smoke effect in the background.

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JOANNE YAMMINE

JOINED WORK

PIZZA DEL NETTUNO_ITALY Location: Bologna, Italy Exterior Lighting Design for Cultural Heritage

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Fall 2018 - 2019_Thesis Work

The exercise was to elaborate a lighting design project for the complex of Piazza del Nettuno in Bologna.

The area of intervention included the Nettuno Monumentel complex (Statue on a fountain base), the nettuno pedestrain square, the Palazzo di Re Enzo and the Palazzo d’Accursio.

The scope was to create a convivial lighting atmosphere to this touristic hub during day and night hours. It was also requested to provide RGB solution for some events during the year such as World Diabetes Day, World Autism Awarness...

The concept was to use accent light and close offset floodlight to emphasize the architectural details that char-

acterize the two palaces and the fountain complex.

The intention I had beside emphasizing the details of the buildings was to respect the Lighiting normatives of the Region on the task areas defined. Following these normatives was very important to me because it helped me to reduce the existing lighting problems of the site to the minimum; it helped me to reduce the glare and to protect the material (brick) from the deterioration that was supposed to happen due to the excess of light that the bricks were exposed to. In addition, i was able to provide enough lighting for pedestrians and bike and to assure a safe environment to gather in during the nights.

Above and Below are the final renders of the lighting project during normal days. To the left are the RGB solution renders for events.

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Here are some of the Concept sketchs that were done at the begining of the design process.

To the Left Palazzo d’Accursio, to the right Palazzo Re Enzo and a zoom of both Palace’s towers (white and RGB solutions).

JOANNE YAMMINE

INDIVIDUAL WORK

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JOANNE YAMMINE

This slide represents the technical sheet of palazzo d’Accursio. Itc contains the main elevation and a section showing all the luminaires used with its exact position.

INDIVIDUAL WORK

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JOANNE YAMMINE

This slide represents the technical sheet of the Nettuno complex .

Itc contains the technical plan, the transversal and longitudinal sections, the original concept sketch, and the render and false color render of the complex.

The plan and sections show the luminaires used with its exact position and inclination angle.

INDIVIDUAL WORK

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Above are respectively the false color renders of: -Palazzo Re Enzo.

-the Entrance to the Piazza with Palazzo Re Enzo to the left, the Nettuno statue in the middle and Palzzo d’Accursio to the left.

-Nettuno statue and Palazzo d’Accursio.

The scale below the renders shows the amount of lux we have on each and every element of the Complex, the piazza and the Palaces. All the elements are respecting the Normatives of Bologna for accent and diffused lights.

JOANNE YAMMINE

Diffused Light

Accent Light

INDIVIDUAL WORK