UNIVERSITY OF WESTERN ONTARIO
APRIL- VOL. 45, NO.
JOURNAL
THE DANCE OF DEATH
(Matthaus Merian, 1593-1650) is shown with a urinal case dangling from his left arm. At that time, such urinals were as much the hallmark of as stethescopes are today. Since he completed this engraving shortly before his death, one wonders whether portrayed a profound respect for disease, or an even profounde~ disdain for physicians.