interior design work sample
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ADAPTIVE REUSE interior design studio vii fall 2014
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ACTIVITY BASED WORKPLACE interior design studio vi spring 2014
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LIVING BUILDING CHALLENGE ecological literacy in design fall 2014
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EVIDENCE BASED DESIGN: EMERGENCY PATIENT ROOM interior design studio iii spring 2013
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MUSEOGRAPHIE atelier architecture 4ème année fall 2013
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ADAPTIVE REUSE interior design studio vii I professor rhonda gilmore I fall 2014
WILSON BUILDING 300 SOUTH SALINA STREET SYRACUSE, NEW YORK
This project was an adaptive reuse of the historic Wilson Building in downtown Syracuse, New York. The basement and first floor were re-imagined to bring new life and purpose to the site and surrounding downtown area. The existing space was adapted to house a hydroponic restaurant/lounge and a hydroponic retail store. The new design includes sustainable features such as geothermal energy, rainwater collection, modular walls, and recycled materials to prolong the life of the existing and to give the adaptive reuse flexibility to shape to future uses and user groups. ELEVATION OF WILSON BUILDING
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PROGRAMMING DIAGRAMS
BUBBLE DIAGRAM
STACKING DIAGRAM
APARTMENTS
7TH FLOOR
APARTMENTS
6TH FLOOR
APARTMENTS
5TH FLOOR
APARTMENTS
4TH FLOOR
APARTMENTS
3RD FLOOR
APARTMENTS
2ND FLOOR
BOH
RETAIL RESTAURANT
NIGHT CLUB
UTILITY
1ST FLOOR
BASEMENT
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FIRST FLOOR BLOCKING DIAGRAM LEGEND
utility hospitality support retail learn primary circulation egress
The first floor was zoned to house Trellis, a hydroponic retail store that will serve as a place for the community to learn about home gardening through different micro hydroponic systems and weekly seminars. The restaurant and lounge Vine is located in the second portion of the first floor. Cozy alcoves are bracketed by modular hydroponic green walls, giving people access to nature, even in the colder seasons.
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HYDROPONIC RETAIL ELEVATION
VINE RESTAURANT & LOUNGE
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BASEMENT LEVEL REFLECTED CEILING PLAN LUMINAIRE LEGEND
LEED
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FURNITURE, FIXTURES & EQUIPMENT
BREATHE WALL SYSTEM BY DIRTT
TORCH WALL SCONCE BY BACCARAT
WASHINGTON SKELETON CHAIR BY DAVID ADJAYE
WOOD VENEER IN MIDNIGHT ASH BY SHIINNOKI
TOPS CLUSTER BY YELLOW GOAT
POETEN SOFA BY FINN JUHL
SAARINEN SIDE TABLE BY EERO SAARINEN
GLOBO DI LUCE PENDANT BY ROBERT MENGHI
Connected to the basement below through an existing staircase, Vine offers a lounge and live music in the basement. The adaptive reuse will help bring vitality to Salina street around the clock and help foster a community amongst the downtown residents.
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ACTIVITY BASED WORKPLACE interior design studio vi I professor kathleen gibson I spring 2013
999 NORTH CAPITOL ST NE WASHINGTON, DC 20002
Inspired by Andrew Ellicott’s topographical map of Washington DC, Tactile Terrain focuses on creating an activity based workplace for a law office with different zones based on different modes of work.
ADJACENCY MATRIX
ZONE DIAGRAM
The open office allows for collaborative work along a central curved table and individual work at separate desks along the perimeter of the space. A lounge area facilitates more informal group discussions. The private offices separated by a sliding glass panel system are shared by all on need based terms for more isolated, acoustically private tasks.
RENDERING OF SITE MODEL 07
RECEPTION
FLOOR PLAN OF OFFICE
OPEN OFFICE SPACE
CENTRAL SPINE WORKSTATION MODULE
SECTION OF OFFICE LANDSCAPE 08
CUSTOM CEILING PLAN
CUSTOM CEILING ALONG OPEN OFFICE SPACE REFLECTED CEILING PLAN
CUSTOM CEILING IN COLLABORATIVE KITCHEN
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CUSTOM WORKSTATION
A custom workstation was designed to complement individual work. It includes an acoustic and visual barrier, a sleek glass desktop, and a hidden drawer for a keyboard and a power/data port. To support a range of users it has adjustable legs and deep storage drawers.
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LIVING BUILDING CHALLENGE ecological literacy in design I professor jack elliott I fall 2014
4H CENTER LIVING BUILDING CHALLENGE MATERIAL PETAL GROUP ORANGE COUNTY, NY
PROGRAMMATIC GOALS
This was a collaborative project between the Cornell Cooperative Extension and a 4H Center and Park located in Orange County, New York to make a comprehensive plan for achieving this certification. The class was split into teams based on the petals: place, water, health & happiness, materials, equity, and beauty. As the leader of the material petal team, it was my goal to create a new plan for the site and analyze local, ecological material selections that meet the social and ecological Living Building Challenge criteria.
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INVESTIGATIVE PROCESS
SITE PLAN My revision of the site plan reorganized the buildings to better suit the solar and wind patterns of the site. I created a pedestrian bridge through the natural wetlands, a separate road for cars, and moved the parking lot over to the left, to accommodate for a farmer’s market. This will give the 4H Center a better street presence and help brand it within the community.
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MATERIAL PROPOSAL DIAGRAM This diagram shows material categories with red list criteria of chemicals to avoid and possible substitutions. Local manufacturers that meet the social equity and non-toxicity standards are detailed to aid designers in the material sourcing process.
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LIVING ECONOMY SOURCING Infographic created by my group to display the LBC material origin requirements in order to support a non-toxic, transparent, and socially-equitable materials economy.
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EVIDENCE BASED DESIGN: EMERGENCY PATIENT ROOM interior design studio iv I professor rhonda gilmore I spring 2013
INNOVATION 2013 EMERGENCY ROOM SPACE PLANNING
This studio project was a collaboration with graduate evidence based designers and HOAG, a California healthcare provider. As the emergency patient room team, we were tasked with coming up with the ideal space plan for an individual patient room. We based our design on recent hospital case studies, human factors, and ergonomics to ensure that spaces promoted good health, accomplished functional requirements, and had an efficient layout with economic benefits of providing the lowest square footage. My contributions included gathering space planning research and creating 3D renderings of the design solutions. Right: research findings for ambient features 15
Research findings led to two potential layouts for patient rooms. The first, a 120 square foot exam room provides privacy and basic care set up. The second, a 140 square foot exam room gives patients the option of bringing family into the room. Research indicates that this decreases patient stress levels and leads to a more positive patient experience. 16
The non-urgent patient room saves hospitals square footage in that it allows “fast tracking�. Fast tracking low acuity patients has been shown to increase efficiency and decrease length of stay. This will allow the hospital to treat more patients and have an overall higher patient satisfaction rating.
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Our most innovative design suggestion was the non-urgent patient lounge. In this open space plan, low-acuity patients receive an alcove as an intermediate waiting area. Nurses have visual access and can tend to the needs of patients through the lens-shaped layout of the alcoves. This area also serves as a low-acuity treatment area. If acoustic privacy is needed for treatment, patients receive a non-urgent patient room. 18
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MUSEOGRAPHIE
atélier architecture 4ème année I professor laurent ungerer I fall 2013
MUSEE D’ART ET D’HISTOIRE DE LA JUDAISME 77 RUE DU TEMPLE PARIS, FRANCE La Vitrine was the driving concept behind the redesign for the circulation of the Musée d’art et d’histoire du Judaïsme, a Jewish art and history museum in le Marais district of Paris. This project was a complex exercise in space planning and story telling. The challenge was to enhance museum visibility and branding from the street level, to create a logical, direct approach to the exhibition, and to curate the sequence of a vast collection of objects that were connected by the over arching theme of Judaism. INTERIOR COURTYARD VIEW
FIRST FLOOR PLAN New Entry/Ticket Sales Information/ Coat Check Book Shop Bistro Temporary Exhibition
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Old Entry Area
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
The new plan for the museography is a sequence of enclosure and opening to keep visibility and natural lighting prominent. To help visitors adjust naturally to the darker exhibition spaces, daylighting reduces gradually as you progress into the depths of the space. A glass covered atrium serves as the acceuil, or entry area, of the museum, filtering visitors towards the temporary exhibition, cafĂŠ, and book shop. 20
The original street access was transformed to brand the museum’s street presence. It was filled by a series of glass vitrines showcasing Jewish treasures that light up with LEDs at night to enhance legibility of the museum and to make it an attraction on Rue du Temple. Top: Elevation of La Vitrine street view Right: LED Window Display By Night 21
The new plan for the museography is a sequence of enclosures and openings to keep visibility and natural lighting prominent. A glass covered atrium serves as the acceuil, or entry area, of the museum, filtering visitors towards the temporary exhibition, cafĂŠ, and book shop. To help visitors adjust naturally to the darker exhibition spaces, daylighting reduces gradually as you progress into the depths of the space. 22
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joelle.jahn@gmail.com I 727.515.2737
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