RMIT ARCHITECTURE & URBAN DESIGN - SEMESTER 2 2014 BALLOTING POSTERS

Page 1

THIS STUDIO IS CONCERNED WITH ARCHITECTURE THAT DEALS WITH UN-EASY ADJACENCIES, IMPROBABLE COMBINATIONS, AND THE DIFFICULT WHOLE. RECENT BUDGET CUTS HAVE LEFT A LIST OF GOVERNMENT BODIES AND FACILITIES DEFUNDED, DOWNSIZED, RATIONALISED, ABOLISHED.

IN AN ATTEMPT TO RESCUE THEM FROM EXTINCTION, WE ARE PROPOSING A RADICAL CONSOLIDATION IN A COMBINED FACILITY THAT WILL BE A NEW HOME FOR A COLLECTION OF THESE REJECTS. APPROPRIATELY SITED AT VICTORIAN PARLIAMENT HOUSE, WE WILL EXPLORE THE POTENTIAL IN THESE CAST-OFFS TO CREATE A MARVELLOUS MONGREL, A PLENTIFUL PLURALITY, A MANIACAL MUTAGEN.

WEDNESDAYS 6PM-9PM @ ARM ARCHITECTURE OFFICE www.armarchitecture.com.au



VICTOR TENEZ YBERN

SPRING SEMESTER 2014 BALLOT AT THE START OF SEMESTER 2 UPPER POOL STUDIO: ARCH 1330-33-35

PROFESSOR OF THEORY AND LANDSCAPE ARCHITECTURE, UNIVERSITAT POLITECNICA DE CATALUNYA (UPC)

MARTI FRANCH

DIRECTOR ESTUDI EMF, ARCHITECTURE AND LANDSCAPE, GIRONA

MARIA BUHIGAS

ARCHITECT AND HEAD OF STRATEGIC URBAN STUDIES AT BARCELONA REGIONAL, ADJUNCT PROFESSOR, BARCELONA INSTITUTE OF ARCHITECTURE

FERRAN SAGARRA

ARCHITECT, DIRECTOR ETSAB UNIVERSITAT POLITECNICA DE CATALUNYA (UPC) VISITING PROFESSOR, SCHOOL OF ARCHITECTURE AND DESIGN, RMIT

GRETCHEN WILKINS

Barcelona’s coastline reveals its urban history. For any city around the world, waterfronts have been associated with ways to recreate the image of the city, to recapture economic investment and to recover deserted downtowns or cities. In the particular case of Barcelona, the waterfront renovation has taken over 40 years of different projects along the coast based on the replacement of former activities considered at that time obsolete. But what does it mean to talk about obsolete spaces? For whom are they obsolete? At the present moment and as a result of the world-wide economic crisis, it’s time to discuss new approaches and to rethink the use of resources and to reconsider some of the ideas that lead the waterfront redevelopments.

PROGRAM DIRECTOR, MASTER OF URBAN DESIGN, RMIT

°

This studio will develop an urban scale project along the southern area of Barcelona's waterfront, near the industrial port. It will connect with local Barcelona practitioners, metropolitan government representatives and students of architecture, landscape and urban design. The studio is open to Master of Architecture and Master of Urban Design students.

DATES: COMMENCES

OCTOBER 21(WEEK 13) WORKSHOP BARCELONA NOVEMBER 17-29

NO MEETINGS IN DECEMBER STUDIO RECONVENES FOR WEEKLY MEETINGS

JANUARY 6 - FEBRUARY 3

TRAVEL COSTS (approximate) Airfare $1,000- 1,500 Accommodation $500-1,000 depending on hotel/apt/rooming QUESTIONS: Please email gretchen.wilkins@rmit.edu.au CHECK FOR MOBILITY GRANTS THROUGH RMIT EDUCATION ABROAD



Visit mvsarchitects.com.au for more information.

Jan van Schaik is a director of MvS Architects, an award winning architecture practice based in Melbourne.

JAN.VANSCHAIK@RMIT.EDU.AU

TOP FLOOR, 181 SWANSTON STREET

MVS ARCHITECTS

WHERE:

CONTACT:

WEDNESDAYS 6:30 > 10:30

WHEN:

We will focus on a redesign of the Muzium Negara as a vehicle for connecting the highly developed KL Sentral the Tasik Perdana lake gardens while living up to its role as cultural caretaker of the city.

This studio will unpack the design processes used in the day to day practices of MvS Architects.

Today it sits stranded on a traffic island a bedraggled reminder of Kuala Lumpur’s proud cultural history - while the city develops enthusiastically around it

Muzium Negara was openend in 1963, a proud architectural and cultural monument to Malaysia’s then recently adopted independence.

MvS Architects - Muzium Negara

RETHINKING MALAYSIA NATIONAL MUSEUM FROM THE MVS STUDIO

MvS Architects - Muzium Negara

1.01


TRANSVERSE// Weft in the Urban Warp*

FERRAN SAGARRA / IAN NAZARETH Cubist Study, Pablo Picasso, National Gallery of Autralia

Polycentric, polysemous, polymorphic and heterarchic, the City is both a place where all sorts of arrangements are possible, and the apparatus for harmonising autonomy and propinquity _ Michael Sorkin, Local Code

The site is located in Melbourne’s west, an area stretching between Brooklyn and Altona, tethering the city’s multi-nodal infrastructure and linking major airports and logistical terminals, with regional networks extending to Geelong, Bendigo and Ballarat. The studio will propose a transverse link across the complex geometry of the city’s infrastructure, framed as activity centre. The linear site can integrate and connect an array of development typologies, constituted by a new thoroughfare, and an ecological corridor (Kororoit Creek). As a product of the shifting models of urban growth, consolidation and sprawl, (characteristic of the fluctuations between manufacturing and service economies), ‘Transverse’ should operate as both, a connector and a landscape extending across the urban fabric. The studio will work across the ebbs and flows of industrial activity and post-industrial dross, responding to sensitive ecologies, while proposing

residential areas and service employment clusters. To do so, students will engage with the documentary process of analysis, investigating the area, its metropolitan systems and infrastructure, as well as precedent architectural projects. Proposed conceptual and speculative works will identify key instruments and strategies and its relationship with the form of the city.

:KDW SRWHQWLDO GR WKH GHIXQFW EURZQͧHOG stretches of land hold for the future of the city? How can they enrich the metropolitan structure? What will the nature of its urban form be? Will it strike a balance between environmental urgency and urban intensity? What will it look like?

Projects can be opportunistic, while contending with urgency. Set out against the radial structure of the metropolis, projects for this site will weave the urban system at a scale that is critical to confront spatial questions of the entire metropolis. The proposition for new sequences and networks necessitates a new vocabulary and aesthetic. ‘Transverse’ will explore critical questions of urbanity, stressing the form and character of the public realm and new social spaces.

Landscape Architecture Upper Pool Design Research Studio + Upper Pool Architecture Studio

*Warp and weft are terms used in weaving. Weft refers to the thread which is drawn through the warp yarns to create cloth.

Studio Format: Week 1 - Week 12 Date / Time: Tuesdays, 9.30 - 13.30 Location: tbc


The studio will explore the relationship between three strategies in the design of a major cultural building. A procedural design process [SWARM] will be developed where the interaction of local design decisions generate emergent order at larger scales. This strategy draws from the logic of Swarm Intelligence, where the interaction of individual agents give rise to the emergence of collective behavior. Composite assemblies [CHUNKS] treat competing architectonic roles as inuences on a synthetic whole, rather than separating these into discrete elements. Architectural forms [OBJECTS] will be interrogated for their affects, poise, and strangeness. A constant interaction between these three strategies will be encouraged within the studio, so rather than a linear or sequential relationship between various aspects of the design process - these will be explored simultaneously, the three interacting within a continuous feedback. The ambition of the studio is not to privilege either process or the architectural outcome, but instead to interrogate the relationship of the two.

RELATIONSHIP TO FIBROUS ASSEMBLAGES ELECTIVE The studio will be linked to the Fibrous Assemblages elective which will introduce the necessary scripting skills and multi-agent algorithmic techniques that will be used in the studio. It is recommended that you take the elective if you are taking this studio.

TUESDAY 1PM - 5PM, DESIGN HUB LEVEL 8

UPPER POOL DESIGN STUDIO ROLAND SNOOKS

SWARM/CHUNK/OBJECT


Victims OF Inc Taking inspiration from the television programme ‘Tattoo Nightmare’, this studio will similarly focus on the tools and techniques of resolving regret. A series of test cases will be worked through over the semester that will use architecture as the expressive and exploratory medium. Tattoos can be technically distinguished as one of the following; Traumatic, Amateur & professional, Identification, Cosmetic or Medical. Perhaps even a combination. Wednesday evenings 6pm+. Tutor Simon Drysdale.



The ASS, The FOX & The LION The Ass, The Fox and The Lion design studio will embrace practicing ‘Noble’ Architecture in the Pacific following ‘Machiavellian Principles’. We will look at developing business offshore; building in the Pacific region; establishing relationships between private enterprise, local government & international funding bodies. We will look outside the realm of architecture into native title, encouraging local industry, skill acquisition, and self maintenance whilst at the same time, grapple with the future of architecture as a Practice and a worth-while Profession and our role as responsible ‘custodians for the planet’. In 1992 the then Australian Prime Minister, Paul Keating in his memorable Redfern Park Speech, captured the harsh truths about Australia’s history. It used those truths as a basis for building trust with Indigenous Australians; and it marked a turning-point for non-Indigenous understandings about Aboriginal reconciliation. What can we learn from his words when embarking on business negotiations with our off shore neighbours and how can we remain ‘Noble’ within the profession. The Keating family have been involved in developing a large plot of land on the southern beaches of the island of Efate, Vanuatu. The Ass, The Fox and The Lion design studio will use this site as the basis of discussion, design and ‘proposition making’ around how we best develop a resort project that encourages shared wealth, self sustaining communities and contributes to enhancement of the built environment, whilst dealing with the inevitability of investment demands, capital growth and expansion.

KRISTIN GREEN UPPER POOL DESIGN STUDIO RMIT SEM-2/2014 TUESDAY EVENINGS


AMAZONS

An influx of global retailers into Australia continues. Companies such as Aldi and Costco are seeking to expand their markets. Amazon is now making its first tentative steps in Australia.

7KH XELTXLW\ RI ¶ELJ ER[· UHWDLOLQJ LV NQRZQ KRZHYHU ZKDW DUH WKH XUEDQ FRQVHTXHQFHV IRU ;/ IDFWRU GLVWULEXWLRQ FHQWUHV ZKLFK DUH EHFRPLQJ increasingly apparent along outer suburban (read: new surburbia) highways and freeways? The shift from billboard as sign to EXLOGLQJ DV VLJQ and VLJQLILHU KDV EHFRPH D QHZ W\SRORJ\ LQ XQWR LWVHOI

. 0DUW·V VTP 1/$ GLVWULEXWLRQ FHQWUH LQ 7UXJDQLQD UHSUHVHQWV WKH ODUJHVW IORRU SODWH LQ WKH 6RXWKHUQ +HPLVSKHUH ODUJHU WKDQ WKH VXEXUEDQ 0RORFK RI &KDGVWRQH \HW $PD]RQ KDV QR SXEOLF LQWHUIDFH RQO\ ORJLVWLFV DQG WKH SUHVV RI D EXWWRQ

7KH VWXGLR ZLOO HQWHUWDLQ WKHVH QHZ W\SRORJLHV \HW attempt WR FRPH WR WHUPV ZLWK WKHLU VFDODU DWWULEXWHV +RZ ZLOO IXQFWLRQ RIIHU D JOLPSVH RI WKH poetic? What will its urban interface be? At what point does scale become nothing more than a module of an acoustic barrier? Fine print: Time: Tuesdays 6pm (TBC) Room: TBC 7XWRU 1LFKRODV +XELFNL


RMIT Architecture Intensive Travelling Studio

STUDIO HONG KONG Sand Helsel + Alan Lau (RMIT) + /DXUHQW *XWLHUUH] 9DOHULH 3RUWHIDL[ +.3RO\8 0DS 2IĂ€FH

Hong Kong is the second densest city in the world (6500/km2). We will develop strategies to understand this phenomenon and further densify it. A growing number of contemporary urbanists are now looking to Asian cities for models that can be applied to western cities: how to deal with rapid change, urban sprawl, congestion, the public and private realms, street life – and as models of social and environmental sustainability. We anticipate that through our studies and interventions in density in Hong Kong, we will be developing valuable strategies that can be applied later in Melbourne. The studio will be site-oriented. We will avoid the clichÊs about the Asian city – ad hoc, chaotic, unplanned – by looking carefully at Hong Kong to discover the multiple systems and QHWZRUNV WKDW H[LVW DQG E\ UHSUHVHQWLQJ WKHP FULWLFDOO\ VR ZH FDQ UHVSRQG ZLWK DSSURSULDWH GHVLJQ VWUDWHJLHV 7KH VWXGLR LV VLWXDWHG ZLWKLQ WKH ¾H[SDQGHG ¿HOGœ DQG ZLOO UHO\ RQ engagement with the site and use representation techniques borrowed from other disciplines including art practice. The urbanism will be from the bottom-up, and there is no preconceived idea about the scale or form of the design interventions. Studio Hong Kong focusses on a 6-day collaborative workshop between RMIT University students and Hong Kong Polytechnic University students. The intensive workshop will include a thorough investigation of the site, and design development with associated lectures, seminars, and crit sessions. We will have 24-hour access to studio space and workshop facilities in the recently opened Jockey Innovation Tower designed by Zaha Hadid; the accommodation is located near the site. The Site: Chai Wan typhoon shelter and the surrounding district with a variety of urban conditions and multiple programs to investigate: laneways, rooftops, warehouse interiors, the quayside and the harbour. The Brief: To apply design strategies to produce interventions / outcomes to increase the density of the Chai Wan site: additions, insertions, reorganisations, infrastructures, 24/7 and seasonal usage, programmatic hybridisation, mobility, temporary and permanent, etc.

Timetable and Studio Structure: :HHNV 0HOERXUQH

0RQ DQG 7KXUV HYHQLQJV SP -Two preliminary exercises + associated workshops to prepare for the intensive workshop in Hong Kong Âľ6LWH $QDO\VLV DQG 0DSSLQJ 7HFKQLTXHVÂś RQ VLWH H[HUFLVHV LQ 0HOERXUQHÂśV &KLQDWRZQ Âľ'HQVLÂżFDWLRQ 6WUDWHJLHVÂś SUHSDUDWLRQ RI D UHVHDUFK DQG SUHFHGHQW GULYHQ UHVRXUFH FDWDORJXH -Representation, diagramming and modelling workshops

30 Aug- 6 Sept Semester Break (Hong Kong) Intensive Studio Workshop (Compulsory) :HHNV 0HOERXUQH

7XWRULDOV E\ DSSRLQWPHQW WKHUH PD\ EH DQ LQWHULP FULW

:HHN 0HOERXUQH

)LQDO 3UHVHQWDWLRQ

&RVW $SSUR[ $8' DOO LQFOXVLYH Contact Alan Lau for more information @ Alan.Lau@rmit.edu.au


Upper Pool Studio in the Expanded Field Tutors: Louisa Macleod & Nicola Garrod (antarctica) 6pm Tuesday This studio will look at the centre of Footscray and consider opportunities for development and density Maribyrnong City’s Structure Plan for Footscray proposes development in the town centre of up to 25 stories.

Rejuvenation vs. Transformation We will be proposing two projects: a small-scale, shop-top development (max. 3 stories) - rejuvenation; and a large-scale ‘tower’ development (max. 25 stories) - transformation. We will explore the specific character of these project types, and what possibilities each can offer. Consider: What is good about Footscray and how do we keep it that way; what’s missing; what’s needed; what makes a town centre; what makes a city; what can a tower contain; what does it take to create significant civic projects?

FOOTSCRAY TOWN


Retreat RMIT Upper Pool Studio S2 2014 JEROME FRUMAR Tuesdays 11am-3pm

Studio Overview The pressures of contemporary urban living, coupled with an increasing focus on health and well-being, has meant rising demand for wellness-related holidays and getaways. This Masters design studio provides an opportunity to develop architectural concepts and ideas for a new retreat centre to be located in the Gold Coast hinterland, Queensland. Retreat invites you to conceive a nurturing and tranquil built environment that harmoniously engages with its stunning natural setting. The departure point for this studio is a real-world project consisting of a health and well-being centre initially aiming to cater for forty guests. You will be required to undertake precedent and background research before developing an overall master plan for the chosen site. Subsequently, you will be asked to focus on and detail one particular building type (ranging from short-stay cabins to therapy rooms, pools & spa, multi-purpose spaces and kitchen/dining/social areas. A series of digital and materially based form finding methods will be introduced to support the organisation of space and the generation of buildable form.

Aims & Outcomes This studio aims to give you an opportunity to gain expertise in designing complexes that promote health and well-being. Architectural outcomes will entail a master plan for the complex and a highly developed and refined building design answering the client brief. It is envisaged that design proposals will incorporate environmentally sensitive design, complex structural forms and appropriate use of materials. There will be a strong emphasis on physical modelling and corresponding digital simulation as a means to rationalise design ideas.


EDENHOPE WEST WIMMERA UPPER POOL STUDIO – LANDSCAPE + ARCHITECTURE CDPR/CENTRE OF DESIGN PRACTICE RESEARCH UAL/URBAN ARCHITECTURE LABORATORY, LANDSCAPE LABORATORY

RUN BY MAURO BARACCO AND JONATHAN WARE FRIDAYS, 10.30 AM – 02.30 PM, ROOM TBC

This studio will investigate the role and effects of ‘urban renewal’ applied to the rural town of Edenhope, in West Wimmera, Victoria. One of the relevant premises of this studio is represented by the large scale revegetation project Habitat 141 that is currently managed by Greening Australia and other environmental organizations for the restoration of green connectivity along the 141th meridian of longitude between Victoria and 6outh Australia. The design of new and redeÀned urban, landscape and architectural spaces integrated with built environments in the rural town of Edenhope will be investigated as an effective strategy to rehabilitate urban, economic and social conditions that are currently in decline. The studio will explore integration of indoor and outdoor space, as well as combinations of integrated interventions in response to the ecological signiÀcance and linNs to natural systems that are provided by existing open spaces. 4uestioning conventional urban planning modes, the design approach encouraged through this studio will seeN close interaction with the existing natural environment, with particular focus towards combinations of sustainable landscape, architectural, economic and environmental solutions. Through the redeÀnition and re infrastructuring of existing open and built spaces rather than construction of new landscapes and buildings), the notion of urban sustainability will be tested through various correlated design strategies, including the following among others: minimizing built footprint encouraging reuse of existing buildings and infrastructures re landscaping and activation of open spaces spreading out of ‘urban bush’ and regeneration of land linNed to surrounding natural environments redeÀnition and integration of urban open and built spaces to accommodate community and public programs, as well as activities engaged with alternative commercial enterprises, and the integrated Àelds of education, culture, entertainment, art, ecotourism and sport among others. 6ome design projects for the open and landscape areas of Edenhope will be undertaNen, including analytical studies of the existing areas, investigation of analogous case study examples, and consultative phases with council administrators and local community/ies. These projects will investigate plan and spatial resolutions which will be delivered in the form of plans and ' representations, focused on some urban blocNs along the town’s main street and urban surroundings, including existing public facilities, the existing ofÀce building of the West Wimmera 6hire &ouncil, the bacN swamp area and /aNe Wallace. An exhibition of the projects and related public presentation will be organized in partnership with the West Wimmera 6hire &ouncil as a conclusive consolidation of ² an event for reÁecting on ² the research. This event will taNe place in Edenhope, so as to relevantly disseminate research outcomes through ² and directly engage with ² the community/ies that experience day by day the sites of the research project. This studio and associated investigative research sits in between urban and landscape architecture territories. Encouraging an approach through which design interventions at micro and macro scales are complementary to each others, this studio bridges between the design research activities that are undertaNen within the 8A//8rban Architecture /aboratory and /andscape /aboratory that are part of the 6chool ‘s &entre of 'esign 3ractice 5esearch.


^ƚƵĚŝŽ KƵƚůŝŶĞ hƉƉĞƌ WŽŽů dƵƚŽƌƐ W d Z Z t ^/DKE <K , ^ĞŵĞƐƚĞƌ Ϯ ϮϬϭϰ WZK: d ʹ &KZ WIDGETΎ& dKZz ZK D Kt^Ύ tŝĚŐĞƚ ;ĞĐŽŶŽŵŝĐƐͿ͕ Ă ƉůĂĐĞŚŽůĚĞƌ ŶĂŵĞ ĨŽƌ Ă ŵĂŶƵĨĂĐƚƵƌĞĚ ĚĞǀŝĐĞ dŚĞ ĂŶŶŽƵŶĐĞŵĞŶƚ ƚŚĂƚ &KZ ǁŝůů ĐĞĂƐĞ ŽƉĞƌĂƚŝŽŶƐ Ăƚ ŝƚƐ ƌŽĂĚŵĞĂĚŽǁƐ ƐŝƚĞ ŝŶ ϮϬϭϱ ǁĂƐ ƐĞĞŶ ĂƐ ĨƵƌƚŚĞƌ ƐŝŐŶ ŽĨ ƚŚĞ ůŽŶŐ ƚĞƌŵ ƚƌĞŶĚ ŝŶ ƚŚĞ ĚĞŵŝƐĞ ŽĨ ůŽĐĂů ŵĂŶƵĨĂĐƚƵƌŝŶŐ ŝŶ ƚŚĞ ŐůŽďĂů ŵĂƌŬĞƚ͘ ʹ ƌŐƵĂďůLJ ƵƐƚƌĂůŝĂ͛Ɛ ŚŝŐŚ ŝŶƉƵƚ ĐŽƐƚ ŵĂŬĞƐ ƵƐ ͞ŶŽŶ ĐŽŵƉĞƚŝƚŝǀĞ͟ ĂŐĂŝŶƐƚ ƚŚĞ ŶĞǁ ǁŽƌůĚ ͚ ŵĞƌŐŝŶŐ͟ ĞĐŽŶŽŵŝĞƐ tĞ ĂƌĞ ŝŶƚĞƌĞƐƚĞĚ ŝŶ ƚŚĞ ĨůŝƉ ƐŝĚĞ ŽĨ ƚŚŝƐ͕ ǁŚŝĐŚ ŝƐ ƚŽ ŝĚĞŶƚŝĨLJ ĂŶĚ ĂĐĐŽŵŵŽĚĂƚĞ ŽŶ ƚŚĞ ƐŽŽŶ ƚŽ ďĞ ǀĂĐĂŶƚ ƌŽĂĚŵĞĂĚŽǁƐ ƐŝƚĞ ǁŝƚŚ ƚŚĞ ŶĞǁ ĂŶĚ ĞŵĞƌŐŝŶŐ ŝŶĚƵƐƚƌŝĞƐ ƚŚĂƚ ĂƌĞ ĚƌŝǀŝŶŐ ƚŚŽƐĞ ŝŶƉƵƚ ĐŽƐƚƐ ͘Ͳ dŚŝƐ ĐĂŶ ďĞ ĂƐƐƵŵĞĚ ƚŽ ďĞ t/ ' d^ ƚŚĂƚ ŝƐ ƚŽ ƐĂLJ ƐŽŵĞƚŚŝŶŐ ƚŚĂƚ ŝƐ ĂƐ LJĞƚ ƵŶŬŶŽǁŶ ĂŶĚ ǁŝůů ďĞĐŽŵĞ ƚŚĞ ďĂƐŝƐ ĨŽƌ ƐŽŵĞ ƐƉĞĐƵůĂƚŝŽŶ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ ƐĞŵĞƐƚĞƌ͘ EŽƚĞ ͗dŚŝƐ ŝƐ ƚŚĞ dŚŝƌĚ ŽĨ dŚƌĞĞ ƐƚƵĚŝŽƐ ŽŶ ƚŚŝƐ ƐŝƚĞ͘ KǀĞƌ ƚŚĞ ůĂƐƚ ƚǁŽ ƐƚƵĚŝŽƐ ǁĞ ŚĂǀĞ ďĞĞŶ ŝŶƐƉŝƌĞĚ ďLJ ƚŚĞ ƉŽƐƐŝďŝůŝƚLJ͕ ƉƌĞƐĞŶƚĞĚ ďLJ ƚŚĞ ƐƚƵĚĞŶƚƐ ƚŚĂƚ ƚŚĞ ĂƌĐŚŝƚĞĐƚƵƌĂů ƉƌŽũĞĐƚ ŶĞĐĞƐƐĂƌŝůLJ ŝŵĂŐŝŶĞƐ ŝƚƐ ŽǁŶ ĐŽŶƚĞdžƚ͘ ŶĚ ƚŚĂƚ ŝŶ ƌĞĐŽŐŶŝƐŝŶŐ ƚŚŝƐ ƚŚĞ ƌĂƚŝŽŶĂů ƉƌŽĐĞƐƐ ŽĨ ƉůĂŶŶŝŶŐ ŝƐ ŵĂĚĞ ŽďƐŽůĞƚĞ͘ KƵƌ ƋƵĞƐƚ ƚŚŝƐ ƐĞŵĞƐƚĞƌ ŝƐ ĨŝŶĚ ƚŚĞ ĞdžƚĞŶƚ; ŝĨ ƚŚĞƌĞ ŝƐ ŽŶĞͿ ƚŚĂƚ ƚŚĞ ĂƌĐŚŝƚĞĐƚƵƌĂů ƉƌŽũĞĐƚ ĐŽƵůĚ ďĞ ŵĂƐƚĞƌ ƉůĂŶ͘ ^ > ^ƚƵĚĞŶƚƐ ǁŝůů ďĞ ƉƌŽǀŝĚĞĚ ƚŽ ƉƌŽƉŽƐĞ ƉƌŽũĞĐƚ ĨŽƌ ƚŚĞ ĞŶƚŝƌĞ ƐŝƚĞ Ăƚ ƚŚĞ ĨŽůůŽǁŝŶŐ ƐĐĂůĞƐ ϭ͗ ϭϬϬ͕ϬϬϬ ;ŵĞƚƌŽƉŽůŝƚĂŶͿ ZĞǀŝĞǁ ĂŶĚ ŵĂŬĞ ƉƌŽƉŽƐĂů ĨŽƌ ƚŚĞ ƌĞŶĞǁĂů ŽĨ ĞdžŝƐƚŝŶŐ ƵƌďĂŶ ĐŽŶƚĞdžƚ ŝŶĨƌĂƐƚƌƵĐƚƵƌĞ ĂŶĚ ĞŶǀŝƌŽŶŵĞŶƚ ; ŝĞ DĞƚƌŽƉŽůŝƚĂŶ ĐŽŶƚĞdžƚͿ ϭ͗ ϭϬ͕ϬϬϬ ; ŝĞ ŝƐƚƌŝĐƚͬ EĞŝŐŚďŽƵƌŚŽŽĚ ĐŽŶƚĞdžƚͿ ϭ͗ ϭ͕ϬϬϬ ;^ŝƚĞ ĐŽŶƚĞdžƚͿ ZĞǀŝĞǁ ĂŶĚ ŵĂŬĞ ƉƌŽƉŽƐĂů ĨŽƌ ƚŚĞ ^ƵďĚŝǀŝƐŝŽŶ ĂŶĚ ƌĞŶĞǁĂů ŽĨ ĞdžŝƐƚŝŶŐ ŝŶĨƌĂƐƚƌƵĐƚƵƌĞ ĂŶĚ ĞŶǀŝƌŽŶŵĞŶƚ dŚĞ ƐƚƵĚŝŽ ĂƐƐƵŵĞƐ ƚŚĂƚ Ă ƌĂŶŐĞ ŽĨ ŶĞǁ ŝŶĚƵƐƚƌŝĞƐ ǁŝůů ĐŽŵĞ ƚŽ ŽĐĐƵƉLJ ƚŚĞ ǀĂĐĂŶƚ ĨĂĐƚŽƌLJ ĨŽůůŽǁŝŶŐ ^/d D ^d Z W> E ĂŶĚ ǁĞ ǁŝůů ďĞ ĚĞƐŝŐŶŝŶŐ Ă ŶĞǁ ŶĞŝŐŚďŽƵƌŚŽŽĚ ƉƌĞĐŝŶĐƚ ƚŽ ƐƵƉƉŽƌƚ ƚŚŽƐĞ ŝŶĚƵƐƚƌŝĞƐ ϭ͗ϭϬϬ ;ďƵŝůĚŝŶŐͿ ^/'EͲ & dKZz K&&/ ^,KtZKKD &KZ t/ ' dϭ͗ϭϬ d /> ^/'EͲ ƵŝůĚŝŶŐ


C A R / PA R K / P O O L i tan a C “ or... es to go rn” u b e igi Cra

This studio will engage gag ge with the current trend for public authorities rities to hand h over the focus and GHoQLWLRQ RI QHZ WRZQ FHQWUHV LQ WKH oYH JURZWK FRUULGRUV WR FRPPHUFLDO GHYHORSHUV $OWKRXJK WKLV Q FH HQWUHV LQ WKH oYH JURZWK FRUULGR HQWUHV LQ WKH o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q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

AS

S IO

T OF THE

SO

R PA

CIAT

ED ST

UD




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¶FKXUFK·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² 2VFDU 1LHPH\HU 5LROD 3DULVK ² $OYDU $DOWR 6W 3HWHU·V &KXUFK 6LJXUG /HZHUHQW] 6DLQW 3LHUUH )LUPLQ\ ² /H &RUEXVLHU 8SSHU 3RRO 'HVLJQ 6WXGLR 6 :HGQHVGD\ SP

8UEDQ (QYLURQPHQW ² 0HGLXP 6FDOH $P\ 0XLU

/(66&+85&+


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.