JOHN GARRISON University of Cincinnati Master of Architecture
CONTENTS ABOUT
04
ACADEMIC WORK
#HELSINKI CALL
06
RIVERSIDE
16
ATHENAEUM
28
HOLZ UND STEIN
28
THESIS - Preview
48
PROFESSIONAL WORK
RAW MKT
52
FIRCREST C. CENTER
58
AQUATICS CENTER
64
JOHN GARRISON EDUCATION
EXPERIENCE
513-673-6305 Phone http://tiny.cc/JGarrison Portfolio garrisjj@mail.uc.edu Email https://johngarrison.design/ Website
Master of Architecture University of Cincinnati | DAAP School of Architecture and Interior Design, Class of 2021 Bachelor of Science in Architecture University of Cincinnati | DAAP School of Architecture and Interior design, Class of 2018 Minor in Asian Studies University of Cincinnati | College of Arts and Sciences
2018-2021
Gary Lee Partners | Architecture and Interiors Internship High-end residential units, building lobbies, and workplace interiors. Developed concept packages, schematic office arrangements, and assisted with construction administration documents. ARC Architects | Architecture Internship Community centers and other public projects typically in schematic and design development phases. Produced renderings and preliminary drawings for client and community meetings. CR Architecture+Design | Architecture Internship Retail and dept. stores to mid-level hotels and offices. Assisted multiple teams with both design and construction development packages. Jackson Liles Architecture | Architecture Internship Industrial building remodel, corporate office and private residence renovations, and large scale industrial center design. Supported the design team with various documentation and government permit tasks. The Lawrence Group Architects | Architecture Internship Residential, retail, and restaurant projects in multiple phases. Created drawing packages for review as well as renderings for client meetings. Tillotson Design Associates | Architectural Lighting Internship Lighting design for high-end offices, skyscrapers, and private residences. Constructed lighting mock-ups for client meetings and developed RCP plans.
CHICAGO, IL Fall 2019
SKILLS
Digital Revit, AutoCAD, Rhino3D, Lumion, SketchUp, Photoshop, Illustrator, Indesign, BlueBeam, Microsoft Office, Grasshopper, 3D Print, Laser Cut. Manual Sketching, Acetone collages, Ink, Graphite, Watercolor, Woodwork, Model making.
ACTIVITIES
Competitions #Helsinki Call | STaRT for Talents Organization | 2020 Extracurricular AIAS, University of Cincinnati Chapter Japanese American Student Society Volunteer Service Freestore Food Bank, Angel’s Rest Animal Sanctuary, Madisonville Weed & Seed
HONORS
University of Cincinnati Graduate Assistant Scholarship | 2018 - 2021 1975 Architecture Class Scholarship | 2020 Huston-McDermed Architecture Scholarship | 2019
2013-2018 2013-2018
SEATTLE, WA Spring 2019
CINCINNATI, OH Summer 2018 SAN FRANCISCO, CA Summer 2017
NEW YORK, NY Fall 2016 NEW YORK, NY Spring 2016
1984 Architecture Class Scholarship | 2015 Cincinnatus Founders Scholarship | 2013-2015 Myrna J. Lazarow Scholarship | 2014
NOTE The following is a brief collection of my work as I complete a Master in Architecture. I am driven by my passion to travel and explore new cultures and cities. Each new experience enables me to learn, grow, and improve my ideas on designing the built environment and for the people that inhabit them.
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#HelsinkiCall INDEPENDENT COMPETITION PROJECT SUMMER 2020 HELSINKI, FINLAND
Mixed-use residential building for wood artisans and craftsman to work, exhibit, and live.
Nested within the dense Urban fabric of Helsinki, This modest mixed-use building is designed to be a unique residential and workspace for wood artisans to collaborate from across the city. It stands out from the traditional buildings of the Töölö neighborhood by employing an innovative curved wood façade that encases the building, creating a contemporary architectural node within the urban fabric.
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FORM DIAGRAMS EXHIBITION
RESIDENTIAL
WORK AREAS
RECREATION
Building form originates from the initial extrusion of the site. Lower than the surrounding context, its should feel like an open area of relief from the dense urban fabric.
Edges of the form are smoothed to feel more fluid and give a contemporary feel. A modest gesture of fluid movement wrapping around the building.
The form becomes wrapped within a facade of wood slats bringing continuity between the various parts of program within.
The interior program is divided and stacked. Whereas work areas are sunken into lower site levels, living spaces are elevated, and recreation is privately heightened.
A space of circulation divides the form between more private work areas in the back and public exhibition areas on the front. This Divide is carried throughout the building’s other levels.
The Layers are then tapered back as they rise, follow the precedent of natural rock formation adjacent to the site and to create exterior areas of congregation.
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08
09
FLOOR 3 50 mq
LOBBY
50 mq
1-BED APARTMENT x10
150 mq
SEMI-PUBLIC TERRACE
FLOOR 2 STORAGE
120 mq
en
Op
120 mq en
Op
LIBRARY
en
Op
160 mq
EXHIBITION - PERMANENT
en
Op
FLOOR 1 80 mq
200 mq
UTILITIES
RESTORATION LAB
90 mq 70 mq 180 mq
160 mq
CAFE
RECEPTION
WOOD SHOP LAB 1
EXHIBITION - TEMPORARY 200 mq
WOOD SHOP LAB 2
FLOOR 5 70 mq
180 mq
120 mq
SAUNA
RECREATION
PRIVATE TERRACE
FLOOR 4 50 mq
50 mq
LOBBY
1-BED APARTMENT x10
Irregular topography and asymmetrical site boundaries act as a difficult challenge in designing a building that would be a focal point for wood artisans across the city. Additionally, an adjacent park of natural rock formations stands out as a relief from the tall buildings that surround the area. These challenges however create a unique opportunity to design a building that works in with the environment through form and contrasts in material. The dynamic will create an enticing place of work and living. Like similar contemporary buildings nearby, the goal here was to design a building that acted like a vista and area of relief from the dense urban fabric. Having soft edges and a low building height, the design is meant to work in tandem with the neighboring park and natural ground cover to be a destination of reprieve from the other structures. Using predominately wood as a shell and structure, the building is meant to employ the historic connection that Finnish design has with these materials and be welcoming to the community; Enticing them to engage with the artisans that live there and collaborate with one another through multiple spaces of interaction. By creating these opportunities of interaction between the public and the wood artisans, a dialogue for the future of Finnish wood design can be considered. One where wood can begin to take on various different forms and conditions.
WOOD SHOP LAB
12
EXHIBITION
13
TERRACE
ENTRANCE
LOBBY
RIVERSIDE MASTER PLAN STUDIO DIRECTORS ANDREW TETRAULT & EDWARD MITCHELL SUMMER 2019 CINCINNATI, OH
Mixed-Use development along a challenging waterfront.
Situated between the Ohio river and Central Parkway, the goal of this project was to develop a comprehensive site and building plan that addresses the many difficult site conditions of a historic industrial park. Water erosion, uneven topography, and irregular site boundaries were just a few of the challenges to overcome while creating an engaging mixed-used development that links the downtown area to a thriving east side community.
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N
1.
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THROUGH CONTINUOUSLY MAKING SKETCH MODELS, DIFFERENT TYPOLOGIES OF CAPTURING SPACE ARE DIAGRAMMED WHILE FOCUSING ON PUBLIC VS. PRIVATE SPACE AS WELL AS THEIR CONNECTIONS TO THE RIVER.
2.
A U-BLOCK BUILDING FORM TO ORIENT THE SITE AND L RIVERFRONT AND MAXIMIZ ALSO BEGINS TO INTERAC THAT ENCOMPASS THE SIT
M IS ULTIMATELY UTILIZED LANDSCAPE TOWARDS THE ZE VIEWS. THIS ARRANGEMENT CT WITH THE SLOPING HILLSIDES TE.
3.
BUILDING FORMS ARE THEN SHIFTED AND WARPED ACCORDING TO INDIVIDUAL PROGRAM TO CREATE UNIQUE LANDSCAPED SPACES. THESE AREAS BECOME PUBLIC ENVIRONMENTS THAT ARE LINKED TOGETHER ALONG THE WATERFRONT.
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4.
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BUILDINGS ARE THEN FRAGMENTED, RAISED, OR LOWERED TO PROGRAM INTERSTITIAL SPACES AND TO ADD PERFORATION TO THE COLLECTION OF TYPOLOGIES. THIS FURTHER ALLOWS FOR MORE CIRCULATION BETWEEN THE RIVER SIDE AND THE STREET SIDE.
5.
THE FINAL SITE DESIGN PORTRAYS A COLLECTION OF CAPTURED SPACES. ONES THAT ARE INTRICATELY PROGRAMMED ACCORDING TO SITE DESIGN. THEY ARE INTENDED TO DRAW PEOPLE IN AS THEY CIRCULATE ALONG AN ENJOYABLE RIVERFRONT.
21
COMMERCIAL / TRAIN STATION
RECREATION / PARKS
OFFICE
GATEWAY / COMMERCIAL
GATEWAY / COMMERCIAL
RIVER PARK / BOARDWALK
COMMERCIAL / OFFICE
THEATER
RECREATION / AQUATICS
COMMERCIAL / TRAIN STATION
23
LONGITUDINAL SECTION
24 TRANSVERSE SECTION
25
A
B A
B
N
ATHENAEUM PROFESSOR WILLIAM WILLIAMS FALL 2018 COLUMBUS, IN
Multi-purpose community space with galleries, offices and auditorium.
The main goal of this studio was to further delve into the architectural significance of detail and to fully explore how such intricate details and connections of the smaller scale can influence the overarching design of a building. Starting with model and joinery studies, a complex wooden rib structure emerges to raise the tectonics of the narrow site into a 3D ribbon-like form. WOOD JOINERY STUDIES
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MASSING MODEL
29
THE ABNORMALLY LONG SITE IS FIRST DIAGRAMMATICALLY CUT INTO THIN STRIPS. THESE ARE THEN WARPED TO CREATE A MULTI-HEIGHT RIBBON.
THIS RIBBON ACTS AS AN ORGANIZATIONAL FORM TO PROGRAMMATIC SPACES. IT UNDULATES ABOVE AND BELOW THE GROUND PLANE IN A CONTINUOUS DIRECTION.
A WOODEN RIB STRUCTURAL SYSTEM IS EMPLOYED TO RETAIN THE RIBBON-LIKE SHAPE OF THE BUILDING.
30
THESE PROGRAMMATIC FORMS HELP TO FURTHER FLESH OUT THE OVERALL BUILDING AND BEGIN TO CONSIDER THE DIFFERENT TYPES OF PROGRAM THAT EACH WILL HOLD.
FURTHER LOOKING INTO WOOD CONSTRUCTION, A MORTISE/TENON STRUCTURAL SYSTEM IS EMPLOYED TO UPHOLD THE ORTHOGONAL FORMS.
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1
1
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2
2
3
N
3
35
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HOLZ UND STEIN PROFESSOR TERRY BOLING FALL 2017 BOHEMIA, CROATIA, ITALY, SWITZERLAND
International Travel Studio and Exhibition
A group of 18 students and three professors travel across four regions in Europe to explore the design concepts and architecture native to the areas. The group engages with the local customs and cultures while also learning the historical importance of buildings and art styles. Sketching as well as a focus on the materials wood and stone are important elements to the trip. Once they return home, the group designs an exhibition that accurately displays their experiences and learned designed concepts.
38
REGION COLLAGES
V I E N N A
B R N O
B R T N I C E C E S K Y
V I C E N Z A
V A L S
B O L V E R O N A
D O R N B I R N
T A B O R
B U D A P E S T
D U B R O V N I K
P U C I S C A
C H U R
P R A G U E
K R U M L O V
Z A G R E B
T E L C
S P L I T
H V A R M I L A N B R E G E N Z Z U R I C H
39
BOHEMIA DETAIL MACHINES For each region, the group constructs a detail machine that is meant to emulate the ideas and theories absorbed throughout the travel seminar. Each one is made completely from the ground up and through an iterative process, becomes the very essence of design in that region.
This region is recognized for its innovative uses of plaster as a luxurious surface condition and its abstraction from the classical language. The group designs and frames a series of plaster molds using techniques true to the original architectural style.
40
Both the around stone. W techniqu mason s of high stone, th
CROATIA
e trip and this machine are based the region’s most famous material: Wanting to display the stone carving ues each student learned at the stoneschool, the final structure is a stone wall precision that explores linear layering of hick vs. thin, and smooth vs. rough.
ITALY
In considering Northern Italian ways of building and design, students began by creating a bricolage of various available materials such as re-purposed metals and woods. This led to an intense emphasis on joinery and connections. The final product is a series of inter-linked frames, each holding a piece inspired by Italy. 41
SWITZERLAND DETAIL MACHINE Conner Kramer Anna Kendrick John Garrison Srimoyee Sinha Kriti Chaudhry Christine Anneken Swiss building and construction relies heavily on the available materials in the forested areas of the country, namely weathered wood, cross-laminated timber (CLT), and layered wooden screens. Our group constructed a structural armature using Douglas fir reinforced with custom steel turnbuckles, and an exterior cladding of thin walnut strips articulated both as CLT panels and as perforated light screens, which recall the layering and stacking of materials seen in building facades in Switzerland. The dark walnut wood is reminiscent of the weathered wood seen in the country, while the Douglas fir was used to articulate the lighter interior construction.
4 SCREEN DESIGNS • GRADIENT Horizontal | Wood Dowels • GRADIENT Vertical | Metal Straps • COMPOSITE Horizontal | Metal Screws • FIELD Vertical | Glue Joined 4 CROSS LAMINATED PANELS • 2 PLANED SURFACE • 2 NATURAL SURFACE
EARLY MODEL PROTOTYPE
42
CONSTRUCTION PROCESS
43
o
o
o
o
52
Cross laminated timber panels are joined to each side of the structure and emphasis the materials and construction techniques of the region.
A frame of contrasting lighter wood is used to give overall form and be reminiscent of the interior of Swiss houses.
Four wooden screens are assembled to display the varied material usage in Swiss design as well as presenting different ways of connection.
A concrete poured base with a well-crafted surface is used as a rigid foundation for which the wooden structure rests into.
45
THESIS In Progress
The Contemporary
PROFESSOR ELIZABETH RIORDEN & MICHAEL MCINTURF
For a Digital Funerary Architecture
SPRING 2021
Uncanny
CINCINNATI, OH
The future data center becomes the contemporary cemetery.
Through researching the theory of the uncanny, this thesis extracts design elements commonly used in artwork, architecture, and even horror movies that are unsettling, yet promote interaction and demand confrontation. The architectural language generated can then be used to confront an emerging typology, The Data Center. The resting place of our digitally cloned selves, our digital afterlife.
48
ABSTRACT The architecture of today has consistently followed the treatise of aesthetic, a dogmatic pursuit of the comfortable, attractive, and beautiful for the masses. Thus, architecture has been most complicit in the concealment of undesirable aspects of our world. In doing so, we are left disassociated away from entire portions and aspects of our lives. This subconscious effort of deterrence therefore leaves us blinded to critical effects of social, political, and environmental issues that physically shape our world. It is the duty of architects to manifest theory in built form in order for society to begin to address the underlying issues that affect it, otherwise we fall from these forces that have been alienated away to our periphery vision. An estrangement to our conscience leaving us unable to interact with past or future memory. By employing the theory of the Uncanny, we may begin to reveal the grotesque and undesirable aspects of the world and address their implications. Contemporary and future technologies are continuously developing and cataloging our digital lives as a counterpart to our physical ones. The relatively new typology of the data center now serves a greater purpose and meaning in this dissociative world. Housing a digital duplicate of ourselves, it persists after our death; an impression of our memory that will live on even if we physically perish. By employing the Uncanny, we can begin to reveal the implications of the data center in the contemporary world. As a funeralistic monument integrated within our built environment rather than hidden away.
49
PROFESSIONAL WORK
RAW MKT
06
FIRCREST C. CENTER
18
AQUATICS CENTER
30
RAW MKT LAWRENCE GROUP ARCHITECTS FALL 2016 NEW YORK CITY, NY
Small scale dining restaurant serving Hawaiian and Japanese inspired dishes.
Designed to offer both causal dining and quick bites on the go, The RAW MKT provides fresh poke bowls to guests seeking a place to sit down and enjoy high quality raw fish or well crafted vegetarian options. Classic subway tiles and brass fixtures give a rustic, aged look while custom wooden shelves and stone counter tops are reminiscent to a fresh fish market down by the water.
52
RAW MKT 61 E. 8th St. Storefront Options December 6, 2016
53
GENERAL PLAN NOTES 1 2 3 4
ARCHITECT TO APPROVE PARTITION LAY-OUT IN FIELD BEFORE CONTRACTOR MAY COMMENCE WITH FRAMING. CONTRACTOR TO FIELD VERIFY ALL EXISTING CONDITIONS. NOTIFY TM/DESIGNER OF ANY DISCREPANCIES FOUND DURING SITE SURVEY. ALL CHANGES AND REVISIONS MUST BE DIRECTED AND APPROVED BY PM/DESIGNER. CONTRACTOR TO PATCH AND REPAIR TO MATCH EXISTING CONSTRUCTION AND FINISHES ALL AREAS OUTSIDE PROJECT AREA THAT ARE AFFECTED BY NECESSARY MECHANICAL, ELECTRICAL, PLUMBING, AND FIRE ALARM WORK AS DIRECTED BY ENGINEER'S DRAWINGS. ALL DIMENSIONS SHOWN ARE TO FINISH FACE. PROVIDE CONTROL JOINTS IN GYPSUM BOARD PARTITIONS AT 30'-0" OC WHERE NO OTHER OPENINGS OCCUR WITHIN THAT LENGTH. CONTROL JOINT LOCATIONS SHALL BE APPROVED BY ARCHITECT PRIOR TO INSTALLATION. USE USG 200-B CASING BEAD WHERE DRYWALL ABUTS DISSIMILAR CONSTRUCTION SUCH AS WINDOW FRAMES, EXISTING DOOR FRAMES, AND CEILING TRACK. NO SUBSITUTES. WHERE GYPSUM BOARD AND METAL STUD PARTITIONS MEET STRUCTURAL DECK CONSTRUCTION OR VERTICAL STRUCTURAL ELEMENTS, PROVIDE SLIP OR CUSHION TYPE JOINTS BETWEEN METAL FRAMING AND STRUCTURE AS RECOMMENDED BY MANUFACTURER TO PREVENT TRANSFER OF STRUCTURAL LOADS OR MOVEMENTS TO PARTITION. STUD SPACING AND CONNECTION DETAILS TO COMPLY WITH MANUFACTURERS DETAILS AND WARRANTY GUIDE. COMPLY WITH APPLICABLE REQUIREMENTS OF ASTM C 840 AND GA 216 FOR APPLICATION AND FINISHING OF GYPSUM BOARD, UNLESS OTHER, MORE STRINGENT REQUIREMENTS ARE INDICATED. COMPLY WITH APPLICABLE REQUIREMENTS OF ASTM C 754 FOR INSTALLATION OF STEEL FRAMING. USE WATER-RESISTANT GYPSUM BOARD AT ALL PARTITIONS WITH OR ADJACENT TO PLUMBING FIXTURES WHICH RECEIVE A PAINT OR WALL COVERING FINISH. USE CEMENT BOARD AT ALL PARTITIONS WITH OR ADJACENT TO PLUMBING FIXTURES THAT RECEIVE A TILE FINISH. METAL STUD FRAMING IS TO BE SCREWED TO CHANNEL TRACK ON BOTH SIDES, TOP AND BOTTOM. ALL RATED WALLS AND PARTITIONS ARE TO BE STENCILED ABOVE CEILING, INDICATING "RATED WALL - PROTECT ALL OPENINGS." STENCIL SHOULD ALSO INDICATE RATING IF MORE THAN 1 HOUR. STENCILS SHALL BE RED IN COLOR AND SHALL BE AT LEAST 3" HIGH, SPACED NOT MORE THAN 25 FEET APART. ALL PENETRATIONS THROUGH RATED ASSEMBLIES SHALL BE PROPERLY PROTECTED. GC TO MAINTAIN PRE-DEMOLITION WALL RATINGS ALONG PERIMETER OF JOB SITE. ALL DOORS TO BE INCOMBUSTIBLE. ALL WOOD TO BE FIRE RETARDANT.
5 6 7 8 9 10 11 12 13 14 15 16 17 18
CONSTRUCTION PLAN KEYED NOTES 100 101 102 103 104 105
EXISTING CONCRETE LOW WALL TO BE EXPOSED. CLEAN, PATCH & REPAIR AS NEEDED. PROVIDE PLUMBING CHAISE FOR EQUIPMENT. PROVIDE PROPER FIRE-STOPPING AS REQUIRED BY CODE. FLOOR DRAINS TO REQUIRE TRENCHING IN EXISTING SLAB. PATCH AND REPAIR SLAB AS NEEDED. EXISTING STEAM LINES TO BE VERIFIED IF ACTIVE. TO BE REMOVED AND CAPPED IF POSSIBLE. RE-WORK EXISTING LINES FOR CLEARANCE OF EQUIPMENT IF NEEDED. MILLWORK ABOVE STAIR TO BE STRAPPED TO WALL. PROVIDE PROPER BLOCKING IN WALL. EQUIPMENT BY OWNER. VERIFY CLEARANCE IN MILLWORK PER FINAL SPEC. COORDINATE POWER NEEDS WITH MILLWORK OPENING.
Storefront Option A
Option A - Proposed Storefront Elevation December 6, 2016
A
ONE LAYER 5/8" MOISTURE RESISTANT GYP. BD. EACH SIDE
NONCOMBUSTIBLE CONSTRUCTION AVAILABLE FIRE RESISTANCE: 1 HOUR
METAL STUD AT 16" OC ONE LAYER FRP (WHITE)
PLAN
PTN TYPE
PTN WIDTH
STUD WIDTH
3 3/4"
2 1/2"
1 HOUR CONSTRUCTION TESTS UL DES NO U494
A2
NOTES 1 HR REQD 2 1/2" MIN OF INSULATION
GA FILE NO WP1072 A3 4 7/8" 3 5/8" GA FILE NO WP1200 UL DES NO U465 GA FILE NOT WP1072 A4 5 1/4" 4" GA FILE NO WP1200 UL DES NO U465 GA FILE NOT WP1072 A6 6" 7 1/4" GA FILE NO WP1200 UL DES NO U465 GA FILE NOT WP1072 9 1/4" 8" A8 GA FILE NO WP1200 UL DES NO U465 REFER TO PARTITION TYPE SUBSCRIPT LEGEND FOR WALL HEAD AND BASE CONDITIONS. NOTE: SOME PARTITION TYPES DESCRIBED ABOVE MAY NOT BE REQUIRED ON THIS PROJECT.
3 INTERIOR PARTITION TYPE A A101.00
54
1 1/2" = 1'-0"
Storefront Option B
STC W/O W/IN INSUL SUL 40-44
47 EST
40-44
45-49
40-44
45-49
40-44
45-49
40-44
45-49
A
B
Austin Charlotte N Office:
307 W. New Yo p 212.7 f 212.3
Project Team:
1
EP
MEP Engineers
RESTROOM
Kitchen Consultant
Restaurant Consultant
BOH
B
Professional Seal:
4' - 2"
15' - 2 5/8" V.I.F.
A
2
EQUIPMENT BY OTHERS
3' - 10"
A3 42"
AFF
3' - 3 1/2" V.I.F.
3' - 9 5/8"
7' - 11 1/2"
WH
1
Project Title:
A404.00
UTILITY 2' - 11" V.I.F.
3
3
7' - 1" V.I.F. OPENING
8' - 0"
DN
(H 0.75 37.00 nil 140)
104
(H 0.75 37.00 nil 140)
102
hs
105
UP
PROJECT DESCRIPTION
1 A402.00
A2
EQUIPMENT BY OTHERS
101 (N " FURNISH (P 2.00 0.00 PHONE 0.00 120 JACK 1 nil " " nil) " nil nil)
2
4
STORAGE
3' - 0"
J
12' - 0"
STAIRS
MARKET
3' - 0"
1' - 6"
3
A301.00
4
1
4 1' - 8"
102
1 A401.00
3' - 6"
( C 2 0 0 .3 2 1 .1 il) n .0
REFRI GERA TED W STO IC A RGE UNI T
K000155F
S
This drawing and architect and may It shall not be loan part, or for any oth written consent of
3' - 6"
J
The Professional A applies only to the sheet. All drawing exhibiting this sea this architect, and and all responsibi documents not ex
100
1' - 8"
11' - 6"
00
SEATING AREA
No. 1
1' - 8"
103
Issue
3' - 2"
5' - 5 1/2"
J
5
5 3' - 0"
1' - 6" CLR
3 A311.00
Sheet Title:
Constru 2 Cellar - Construction Plan - CONSTRUCTION PLAN CELLAR
A101.00
1/4" = 1'-0"
Project Number:
1 GROUND Ground Floor - Construction Plan FLOOR - CONSTRUCTION PLAN
A101.00
16283 Drawn By:
1/4" = 1'-0"
JK Issue Date:
12.09.16
55
PT-1
WT-1
SIGNAGE/GRAPHICS BY OWNE
3 Interior Elevation - West INTERIOR ELEVATION - EAST A301.00
1/4" = 1'-0"
2
3 PT-1, CEILING
WT-1
3' - 6" V.I.F.
10' - 0"
PT-1
BS-1
1 Interior Elevation INTERIOR ELEVATION - WEST - East A301.00
56
1/4" = 1'-0"
EXISTING CONCRETE
WD-1
Project Title:
ER, TYP.
KIOSK LOCATION
Ground Level 100' - 0" EXISTING ELECTRICAL PANEL
PROJECT DESCRIPTION
EP
RAW MKT
Ceiling Height 112' - 4"
The Professional Architect's seal affixed to this sheet applies only to the material and items shown on this sheet. All drawings, instruments or other documents exhibiting this seal shall not be considered prepared b this architect, and this architect expressly disclaims an and all responsibility for such plans, drawings or documents not exhibiting this seal.
4
5 EXISTING A/C UNIT TO REMAIN, TYP.
PT-1
WD-1
WD-1
PT-1
SIGNAGE BY OWNER
This drawing and details on it are the sole property of architect and may be used for this specific project onl It shall not be loaned, copied or reproduced, in whole part, or for any other purpose or project without the written consent of the architect.
No. 1
Ceiling Height 112' - 4"
SS-1
D 12.
Sheet Title:
Ground Level 100' - 0" EQUIP. BY OWNER
Description Issued for Construction
WD-1
EXISTING CONCRETE
Interior Elevations Project Number:
16283 Drawn By:
JK Issue Date:
12.09.16
Sheet Number:
A301.00 57
FIRCREST COMMUNITY CENTER ARC ARCHITECTS SPRING 2019 SEATTLE, WA
Mid-sized community center and pool house for a local community.
Known for its lush amount of evergreen trees, engaging inhabitants, and a historic culture for swimming, The City of Fircrest required a new Community center and pool house that could live up to its standards. With an aged oak cladding, exposed wood structure and thoughtful use of kalwall windows, the building rests quietly into the side of the community park where it focuses on providing a engaging pool complex for local swim meets.
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59
2 A3.3
A
B
C
D
E
F
G
H
J
A0.2 4' - 0"
2
10' - 0"
17' - 0"
17' - 0"
16' - 0"
16' - 0"
16' - 0"
8' - 0"
10' - 0"
A3.2 19' - 0"
16' - 6"
12' - 6"
1
D.S.
D.S.
D.S.
1
08C
08D
06B
06
9
271 SF 12
A5.2
5 D.S.
8
6
33' - 6"
A5.2
07B
13
18' - 0"
16
4' - 0"
07 268 SF
IT EQUIP. 08A
358 SF 05A
08B
09A
09 14 SF
07A 5' - 8"
D.S.
West Vestibule 01A
01
01B
14' - 1"
8
1
7
3
ADMIN
10A
3
A5.3
11 6
WH
13
305 SF
113 SF
7
FITNESS CLASSROOM
16
A5.2 3
16B
MIRRORS & BALLET BAR
14A
13A
686 SF
2
14 124 SF
17A
4
JAN
VENDING
ADMIN
15A 1
113 SF
11' - 6"
WOMEN'S
5 8
15 96 SF
12A
12 11A
2
D.S.
16A
1351 SF
234 SF
03A
STOR & IT DIST.
02
10
2
03 52 SF
9' - 0"
33' - 6"
A5.3
03B
12' - 0"
6
LOBBY
MEN'S
9' - 2"
10B 4
GAS METER - SEE CIVIL
A5.1
RECEPTION ANNOUNCEMENTS/ DISPLAY
9 A5.3
East Vestibule
5
65 SF
A3.1
AV
KITCHEN
05
04
D.S.
08 1477 SF
YOUTH ACTIVITY
610 SF
MEETING
14
A5.2 15
GATHERING / ART
2
1 A4.1
10
11
7 2 A3.4
11' - 6"
11' - 6"
STORAGE 06A
CUBBIES
D.S. 26' - 0" BLEACHERS APPROX. 39 SEATS
BLEACHERS APPROX. 45 SEATS
30' - 0"
1 4
DIVIDER CURTAIN
2
A5.1 3
GYM
17 6991 SF CRASHPADS
72' - 0"
CRASHPADS
4
84' - 4"
D.S.
17D
9' - 0"
10' - 6"
5
SCOREBOARD
CRASHPADS
FIRE RISER
STOR.
18
19
20
19A
D.S.
264 SF D.S.
1
COMMUNITY CENTER PLAN
20A
ELEC/IT
264 SF
6
18A
A3.1
9' - 7 1/2"
CRASHPADS
10' - 0"
SOLAR PV PANELS ON GYM ROOF
L
STOREFRONT
7' - 5" GYM BEYOND
7' - 5"
GLULAM BEAMS AND AC PLYWD.
OPER. WINDOW AT FITNESS
SIDING #1
DOWNSPOUT
12' - 0"
6' - 5"
MECHANICAL SCREEN SIDING 1 - WITH PARAPET CAP
STOREFRONT
33' - 6"
NORTH ELEVATION
SOLAR PANELS
KALWALL
SHT. METAL FLASHING AT BEAM
STOREFRONT
STOREFRONT SIDING #1
CONCRETE CURB
DOWNSPOUTS
SIDING #1
2
A3.2
33' - 6"
LOW ROOF FLASHING AND GUTTER
SOUTH ELEVATION
CONC. PLANTER SOLAR PV PANELS APPROX. 3' TALL
MECHANICAL SCREEN
6' - 5"
METAL GUTTER & FLASHING TRANSLUCENT FIBERGLASS PANEL
STOREFRONT
WOOD BEAMS - NATURAL FINISH
STOREFRONT
17B
SIDING #1
STOREFRONT
FROSTED TEXT ON GLAZING
24" LETTERS - PAINTED ON PANELS
MATERIAL #1
SIDING #2
CONC. BASE - SACK FINISH STEEL COLUMN
EAST ELEVATION
72' - 0"
D.S.
WALL ASSEMBLY W GLULAM AT EXT. - STAINED
SIGNAGE WITH BACK LIGHTING
SIDING #1 PARAPET CAP, TYP.
6' - 5"
KALWALL STOREFRONT
SIDING #1
D.S.
STOREFRONT
17C
CONC. CURB - SACK FINISH
9' - 0"
WEST ELEVATION
SIDING #2
BIKE RACK AND BENCH PER LANDSCAPE
CONCRETE CURB
CONCRETE CURB
6
5
SOLAR PANELS SELF- BALLASTED COORD. W/ ELEC.
ROOF ASSEMBLY #1 -BUILT-UP ROOF - 2 LAYERS -COVER BOARD -RIGID INSULATION - R-38 MIN. SLOPE TO DRAINS -TEMP. ROOF BARRIER -SHEATHING, PER STRUCTURAL -JOISTS, PER STRUCTURAL
4 PRE-FAB - MFR. SKYLIGHTS
WALL ASSEMBLY 1 - SIDING MATERIAL #1 -RAINSCREEN SYSTEM -WRB OVER SHEATHING -2X6 WD STUD -R-21 BATT INSUL. -GWB -FINISH
24' - 4"
27' - 0"
WALL ASSEMBLY 2 - SIDING MATERIAL #1 -RAINSCREEN SYSTEM -WRB OVER SHEATHING -2X6 WD STUD -R-21 BATT INSUL. -GWB -FINISH
LONGITUDINAL SECTION
A
B
C
D
TOP OF GYM FRAMING 27' - 0"
10' - 0"
TOP OF FRAMING 15' - 0"
LEVEL 1 0' - 0"
TRANSVERSE SECTION
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E
F
3
2
1
SCREEN WALL ASSEMBLY -SIDING MATERIAL #1 -WRB -SHEATHING -FRAMING PER STRUCT. -BATT INSULATION -GWB W/ WRB -V-BEAM METAL SIDING
ROOF ASSEMBLY #1 -BUILT-UP ROOF - 2 LAYERS -COVER BOARD -RIGID INSULATION - R-38 MIN. SLOPE TO DRAINS -TEMP. ROOF BARRIER -SHEATHING, PER STRUCTURAL -JOISTS, PER STRUCTURAL
TOP OF GYM FRAMING 27' - 0"
MECH. WELL
TOP OF FRAMING 15' - 0"
15' - 0"
4" ROUND DOWNSPOUTS, TYP. WALL INFILL BETWEEN JOISTS, TYP.
STOREFRONT
LEVEL 1 0' - 0"
G
H
J
ROOF ASSEMBLY #1 -BUILT-UP ROOF - 2 LAYERS -COVER BOARD -RIGID INSULATION - R-38 MIN. SLOPE TO DRAINS -TEMP. ROOF BARRIER -SHEATHING, PER STRUCTURAL -JOISTS, PER STRUCTURAL
EXT. WALL ASSEMBLY #1 - SIDING MATERIAL #1 -1 1/2" Z-CHANNEL -1" RIGID INSULATION -WRB OVER SHEATHING -R-30 BATT INSULATION -2X6 (5.5") ENG. WD. STUDS -GWB -FINISH
CONC. BASE AS SHOWN ON EXT. ELEVATIONS PROVIDE 2X4 AT INTERIOR WITH R-21 RGID INSULATION AND WOOD CAPS - TYPICAL AT WINDOW WALLS
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AQUATICS CENTER ARC ARCHITECTS SPRING 2019 SEATTLE, WA
Large-scale aquatics center study for a local city near Seattle.
This project focuses on a schematic feasibility study on providing a local city outside Seattle with a brand new aquatics center of massive scale. With fully equipped fitness studios, multiple professional swimming pools, family areas as well as therapy amenities, this complex strives to be a focal point for the entire community. Abundant lighting and open space are design constants to keep it feeling as lively as possible.
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THANK YOU John Garrison Master of Architecture 513-673-6305 garrisjj@mail.uc.edu
Find more projects at: https://johngarrison.design/