LOTS & FOUND
Heads of Department
Jeff Moran President, Auctioneer jeff@johnmoran.com
Katherine Halligan Director, Fine Art katherine@johnmoran.com
Morgana Blackwelder, ISA AM Senior Vice President Director, Trusts & Esates morgana@johnmoran.com
Mariam Whitten Director, Appraisals mariam@johnmoran.com
Maranda Moran Vice President marandam@johnmoran.com
Tom Burstein Director, Jewelry & Watches tom@johnmoran.com
We extend our heartfelt gratitude to all our contributing editors for their invaluable expertise and dedication. Special thanks to Maranda Moran, Katherine Halligan, Morgana Blackwelder, Keith Berson, and Brenda Smith for their exceptional insights and efforts. To every editor, named and unnamed, your collective wisdom elevated this newsletter.
We would like to dedicate this first issue to our incredible, tenacious, and passionate lover of art and deal-making colleague, Jennifer Lynn Wilson (1985-2024).
1969
Notes From The Block
I’ll admit—at one point in my career, I was more fascinated with the property than the people. This may sound blasphemous, but it’s true. John, my father, loved people—especially our customers, and that fondness was reciprocated.
When I was young, the thrill of chasing and landing consignments was allconsuming. There was usually a wide age gap between the clients I met and the deals I closed. People were a means to an end—fill an auction with amazing art, jewelry, and design, then move on to the next.
After decades in the auction business, I came to realize that the real treasure was not the material items, but the clients and relationships built along the way. This may be partly due to the age gap closing and my life experiences, which allowed me to relate better. Nonetheless, I have encountered the most interesting people who, when given the opportunity, are eager to share fascinating details of their life stories.
As I approach my 25th anniversary with my wife, I am reminded of a moment years ago when a client at an auction asked, “Where are you going for your honeymoon?” It was months before the wedding date, and we were undecided on a destination. Sensing our uncertainty, Charlie Sands, who we only knew casually, offered for us to stay at his guesthouse in Wyoming. I relayed this offer to Maranda, and she smiled and replied, “Why not? That sounds delightful!” The day after our wedding, we loaded our vehicle and set out north on an adventurefilled road trip to Jackson Hole. There, we river rafted and camped with Charlie on the Snake River, and afterward, he graciously shared his mountain home with us. Not only did that trip create wonderful memories, but it also forged a long-lasting relationship that we cherish today.
This summer, our daughter Mattox (now 18) and I took a road trip and stayed with our friend once again in Jackson Hole. This time, the pace was slower, allowing us to catch up, go to farmers markets in town, and enjoy our friend’s company and see his amazing ethnographic/Western collection - which remains just as inspiring as it was all those years ago.
Our stay served as a reminder for me and a valuable lesson for our daughter: what truly matters in life are the friendships we have the chance to cultivate, the willingness to say “yes” to an invitation—and, in our case, the appreciation that art and antiques (along with a dash of serendipity) happen to be the blend that brought us all together.
Currently, I am at a stage in my career where the age gap between myself and many of our clients is closing. This reality has better positioned me to understand and strategize around the needs of the people we serve on a fundamentally broader scale. The life changes we experience—whether it’s the loss of a loved one, a divorce, the downsizing of a residence, or other significant events — are constants we help people navigate daily. Fulfillment in my daily work no longer comes from landing the best deal; it now involves working closely with clients, listening to their stories, understanding how they became passionate about their
Jeff Moran President, Auctioneer
collections, and helping them transition to the next chapter in their lives.
The company that John Moran founded in 1969 has grown exponentially; this exciting newsletter is a testament to that. With over 40 employees and more than 30 auctions per year, Moran’s is in growth mode. Each day, I am fortunate to collaborate and work side by side with my colleagues, viewing the business through their eyes, their excitement, and sharing their successes. I cannot help but feel that this is how my father felt watching me on my journey.
My Kids Just Don’t Want It: Navigating the Challenges of Family Heirlooms
In today’s fast-paced world, the sentimental value of family heirlooms often clashes with the practical realities of modern living. Many parents are surprised to find that their cherished possessions may not hold the same appeal for their children. This article explores the top reasons why heirs might decline inherited items and offers guidance on how to ensure your treasured belongings find the right home.
Top 5 Reasons Heirs May Decline Inherited Items
1. Lack of Practical Use: Many inherited items simply don’t fit into the lifestyle or needs of the younger generation.
2. Overwhelmed by Possessions: Heirs often already have their own accumulated belongings and struggle to find space for additional items.
3. Maintenance Costs: Some inherited items, especially larger ones like houses or cars, come with significant upkeep expenses that heirs may not be able to afford.
4. Aesthetic Mismatch: The style or appearance of inherited items might not align with the heir’s personal taste or home decor.
5. Negative Associations: Sometimes, items can evoke unpleasant memories or emotions, making heirs reluctant to keep them.
The Role of Bias in Inheritance
Personal bias plays a significant role in how inherited items are treated. What one generation views as a precious family heirloom, another might see as outdated or burdensome. This disconnect can lead to beloved treasures ending up in garage sales, donation centers, or even landfills.
Ensuring Your Legacy: A Guide to Proper Estate Planning
1. Open Communication: Don’t avoid discussing your estate with your heirs. Clear communication can prevent misunderstandings and conflicts later.
2. Professional Inventory: Create a detailed list of your possessions or hire a qualified appraiser to organize and document your belongings in a way that’s easily understood by your heirs.
3. Valuation: Consider having items valued as of a specific date. While values may change over time, this provides a useful starting point for planning.
4. Family Discussion: Once you have an inventory, discuss the items with your family. Gauge their interest levels and preferences.
5. Alternative Solutions: If your heirs aren’t interested in certain items, consider naming a reputable auction house in your estate plan to handle the sale of these possessions. This can significantly ease the burden on your loved ones during a difficult time.
6. Legal Documentation: Ensure your attorney, fiduciary, or trustee is aware of your plans. This helps guarantee that your wishes are carried out and can potentially save both heartache and money in the long run.
To help your cherished possessions find the right home, consider the following steps: Remember, “Prior Proper Planning Prevents Poor Performance.” By taking these steps, you can help ensure that your legacy is preserved, and your possessions find appreciative new homes, whether with family members or through other means.
Appraisal News: Taking the Show on the Road
2024 was a banner year for John Moran Auctioneers’ appraisal team, with our experts delivering a wealth of educational content and participating in prestigious industry events across the country.
Maranda Moran emerged as a leading voice in silver jewelry education, presenting her comprehensive “Beyond the Shine” series at both the American Society of Appraisers (ASA) and International Society of Appraisers (ISA) conferences. Her deep dive into North American silver jewelry covered Mexican, Native American, and Modernist pieces, offering valuable insights to appraisers nationwide.
In recognition of her expertise, Maranda was invited to join the ISA’s jewelry education committee. In this role, she will focus on bringing expert speakers to educate members on a
broader range of topics beyond fine jewelry, gems, and watches.
Morgana Blackwelder, our lead fine art appraiser, shared her knowledge through a series of quarterly presentations titled “The Art and Science of Personal Property Appraising”. These talks reached diverse audiences, including private wealth bank clients, the Professional Fiduciary Association of California, and attendees of the prestigious Hawaii Tax Institute.
Our commitment to staying at the forefront of the industry was evident in the activities of our entire appraisal team. Appraisal Director Mariam Whitten, Jewelry and Watches Director Tom Burnstein, and Stephen Swan attended various conferences throughout the year. These events provided opportunities to sharpen their knowledge and connect with peers, ensuring that John Moran Auctioneers continues to offer cutting-edge expertise to our clients.
As we reflect on 2024, it’s clear that our team’s dedication to education and professional growth has not only enhanced our services but also contributed significantly to the broader appraisal community. We look forward to continuing this tradition of excellence and knowledge-sharing in the years to come.
Navigating Appraisals:
Protect it Before Its too Late
Appraisal FAQ
1. How often do I need to update my insurance appraisal?
We recommend that you do it every 3-5 years. This will depend on the category of item. Personal property falls in and out of fashion, so the values inherently change.
2. What type of items should be included in a policy?
Anything that may be hard to replace later.
- Fine art and antiques
- Luxury items (handbags, luggage, furs, etc.)
- Collectibles (coins, stamps, trading and sports cards etc.)
- Musical instruments
- High-end electronics
- Firearms
- Jewelry and watches
3. What do I do about everything else that does not fall into one of the specialty categories?
Take as many pictures as you can. You should have some record of the contents of your home and or business. You can store them on the cloud. This helps if there is a partial or total loss or damage of the items that are covered under your umbrella policy.
“The end of the year is a good time to review your insurance coverage to make sure you have adequate coverage for your personal property, and it is also a good time to review your estate plan concerning the valuation of your personal property for equitable distribution to ensure your plan fits your intentions.”
Mariam Whitten Director, Appraisals
John Wayne, 1986 Price Realized: $150,000
Favorite appraisal of 2024:
One of our favorite appraisal assignments this year was an insurance appraisal we prepared for an Andy Warhol screenprint. The print was one of fifty signed Artist’s Proofs from a total print run of 250 making it a fairly rare print. This helped make the research and value determination process interesting and fun. The results revealed that the print’s value had increased nearly 10x the price our client originally paid for it, which validated their decision to have it appraised and added to their insurance policy. Their investment is now well protected. We also advised that they keep an eye on the market for any meaningful shifts in value. If that should occur, we can update the valuation, so they aren’t over or underinsuring the piece.
APPRAISAL SERVICES
Our appraisal services provide formal, well-researched documentation for insurance, tax, and estate distribution and tax filing purposes, with valuations grounded in comparable secondary market prices. Accurate appraisals help clients avoid the risks of undervaluing their collections or overpaying on estate taxes and insurance premiums. To ensure proper coverage, insurance companies typically recommend reappraising property every five years.
Our team of knowledgeable, USPAP-compliant appraisers is skilled in evaluating a wide range of specialty property. We offer comprehensive services for everything from single items to entire collections, even if they span multiple locations. These services include Fair Market Value appraisals for estate tax filings, estate planning, or equitable distribution; Retail Replacement Value appraisals for insurance purposes; and Donation Appraisals for charitable contributions and tax deductions.
For more information on appraisal services or to schedule an appointment, contact Mariam at (626)628-9344 or email mariam@johnmoran.com.
View our Trusts & Estates Brochure
Andy Warhol (1928 - 1987 New York, NY)
Trusts & Estates News & Collections:
Moran’s Trusts & Estates Team Thrives in 2024
John Moran Auctioneers’ Trusts & Estates team had an exciting year in 2024, showcasing their expertise, expanding their reach, and delivering exceptional service to clients across the spectrum of estate planning and management. From prestigious conferences to hands-on client work, the team’s dedication to excellence shone through at every turn.
Summer saw Morgana Blackwelder, ISA AM, Director of Trusts & Estates, captivating audiences with her “G3” talk titled “Gardeners, Gifts, & Garbage,” revealing the hidden treasures that can lurk in unexpected places. These educational sessions proved to be a valuable tool for client engagement and awareness.
As autumn approached, the team made their debut at the 20th Annual Jerry A. Kasner Estate Planning Symposium in Santa Clara, with Director of Appraisal Services, Mariam Whitten, ISA AM, representing Moran’s and forging valuable connections. The team’s journey then took an exotic turn with a trip to Waikiki for the 61st Annual Hawaii Tax Institute. Here, Morgana alongside co-speakers Stephanie Downer of Buchalter Law Firm and David Beeton of Willis Towers Watson delivered an engaging lecture, “Wow, I Inherited a Picasso.” This collaborative presentation offered a comprehensive look at the complexities of inherited art, combining Morgana’s expertise in appraisals with Stephanie’s legal insights and David’s risk management acumen. The trio shared fascinating stories of surprising art discoveries and inheritances, providing attendees with a multi-faceted understanding of this niche area of estate planning.
To conclude the year, Moran’s acquired a remarkable time capsule luxury estate from a Hollywood socialite. This collection showcased decades of premier fashion brands, including Hermès,
Chanel, Karl Lagerfeld, Tom Ford, Prada, and others. The estate stood out as one of the year’s most memorable acquisitions, embodying the glamour and opulence of Hollywood’s golden age. It featured an impressive array of luxury items, encompassing handbags, clothing, accessories, and fine jewelry.
The Collection of Walter and Nesta Spink
John Moran Auctioneers presented The Traditional Collector, a two-day event featuring The Collection of Walter and Nesta Spink. Esteemed art historians and collectors, the Spinks assembled an extraordinary array of Asian art, particularly works connected to Walter’s research on early Buddhist art and the Ajanta Caves in India. Walter Spink’s academic contributions and Nesta Spink’s curatorial expertise made this collection a treasure trove of cultural history, now passed on to new stewards through Moran’s expertly managed auction.
A bronze figure of Chandeshvara
Price Realized: $127,000
William Copley Haut Boy, 1970
Price Realized: $60,325
Chinese carved wood and hardstone panels
Price Realized: $38,100
The Marmor Family Collection
Moran’s California Living sale, featured a vibrant exploration of the California aesthetic, headlined by the Marmor Family Collection. Dr. Judd Marmor and Dr. Katherine Marmor, prominent figures in the Los Angeles art scene, built an impressive collection of 1960s and 1970s modern and pop art prints. Their legacy continued through their son, Dr. Michael Marmor and his wife Jane, who expanded the collection with op art and indigenous pieces. This collection offered a glimpse into the Marmors’ discerning eye and their lasting contribution to contemporary art. The successful sale underscored Moran’s expertise in handling a time capsule of a collection.
John Moran Auctioneers’ Fine Art Department wrapped up 2024 with a spectacular series of sales that showcased both traditional and contemporary art. Spirited international bidding set the stage for Agnes Pelton’s ethereal Sleep to shine in the Modern + Contemporary Art auction. Historic California Plein Air painters like Edgar Payne, Elsie Palmer Payne, Hanson Puthuff, and Elmer Wachtel also made waves, drawing strong prices and demonstrating their enduring appeal among collectors. Meanwhile, contemporary Native artist John Nieto’s dynamic painting in the Art of the American West sale doubled its pre-sale estimate, further highlighting the department’s breadth and market reach.
Latin American Art took center stage in another standout auction, with works by celebrated artists such as Carlos Mérida, Diego Rivera, Rufino Tamayo, José Luis Cuevas, and Rodolfo Opazo smashing expectations and dominating the results. Moran’s dedication to presenting a diverse array of significant works continued to attract a global audience, reinforcing its reputation as a boutique auction house with a knack for compelling storytelling and curatorial excellence.
Adding to the department’s momentum was the exciting return of Katherine “Katie” Halligan, AAA, who rejoined the Moran team as Fine Art Director in October. With over 25 years of experience in the art world, Katie’s career includes roles at international and regional auction houses, galleries, and private appraisal firms.
Rodolfo Opazo
Neighborhood mailboxes
Price Realized: $7,625
Her expertise spans 19th and 20th Century European and American fine art, with a special focus on California and Western art. Notably, she has worked with the estates of artists like Conrad Buff and Arthur Dominique Rozaire and has lectured and published on various California and Western art movements.
Katie’s journey began in New York, where she interned at Christie’s, the Herbert F. Johnson Museum, and David Findlay Jr. Fine Art. After relocating to California, she honed her skills at George Stern Fine Arts and served as Assistant Vice President in the American Paintings Department at Christie’s Los Angeles. From 2006 to 2013, Katie served as Fine Art Director at John Moran Auctioneers before branching out into private appraisal work with Gurr Johns and leading the Western Fine Art department at Bonhams.
Now a Certified Fine Art Appraiser with the Appraisers Association of America
and USPAP compliant, Katie’s return marks an exciting chapter for Moran’s Fine Art Department. Her deep knowledge, leadership, and dedication will be invaluable as the department continues to grow and curate remarkable collections.
With an exceptional year in the books and Katie Halligan’s expertise back on board, Moran’s Fine Art Department is set to reach new heights in 2025 and beyond. The team is primed for even greater success, with high expectations for groundbreaking auctions and record-breaking sales in the year ahead.
Elsie Palmer Payne (1884-1971)
Katie Halligan, AAA, Fine Art Director
Agnes Pelton's Masterpieces Emerge: Moran’s Brings Two Transcendental Works to Light in Landmark Sales
In the world of fine art auctions, 2024 has been a landmark year for John Moran Auctioneers, particularly in their handling of works by Agnes Pelton. Once overshadowed by contemporaries like Georgia O'Keeffe, Pelton's ethereal and spiritually charged paintings have finally stepped into the spotlight, thanks to Moran's expert curation and presentation.
The auction house's August Art + Design sale and November Modern & Contemporary Fine Art sale featured two breathtaking examples of Pelton's ability to merge metaphysical ideas with Modernist abstraction: "Flowering" (1929) and "Sleep" (1928), respectively. Both sales not only proved the enduring significance of Pelton's work but also solidified Moran's reputation as the go-to auction house for California and American Fine Art.
Born in 1881, Agnes Pelton was a trailblazer who sought to express deeper spiritual truths through her art. Her journey from New York's bustling art scene to the serene desert landscapes of Cathedral City, California, in the late 1920s was transformative. The isolation and vast beauty of the desert became central to her practice, inspiring what would become her most sought-after period: the transcendental desert works. Pelton's paintings from this era are defined by their luminous forms, delicate color palettes, and allegorical symbols, serving as visual meditations that balance light and darkness, the known and the unknown.
Learn more about “Sleep” by clicking here
“I’ve been a little bit obsessed with the work of Agnes Pelton after first seeing her original works over 20 years ago at a Palm Springs collector’s home. Since then, there have been at least 3 major exhibitions of her work and her fellow Transcendentalists. I visited Moran’s over the summer to view “Flowering” but it was even more special to be in-house for the sale of “Sleep”. The deeply personal outward depiction of Pelton’s inner feeling of calm and serenity is an important work art historically for the artist, and it was gratifying that the painting was of interest to national and international bidders.”
— Katie Halligan, AAA Fine Art Director
Moran's August 2024 sale saw "Flowering" (1929) achieve a stunning $571,500, far exceeding its estimate of $300,000 to $500,000. This fresh-to-market piece, hidden away for nearly a century, came complete with Pelton's original silver-gray frame – a detail cherished by collectors for its authenticity. The painting's rediscovery during a routine estate consignment walkthrough – where it was nearly donated to a Tijuana charity – made its eventual sale all the more remarkable.
Following this success, Moran's November sale featured "Sleep" (1928), which sold for an impressive $508,000. This serene, dream-like composition, described by Pelton as "a sphere of immunity," came with a rare explanatory note from the artist herself. Both "Flowering" and "Sleep" had rich exhibition histories, having been shown at prestigious venues like the Montross Gallery in New York and the Grace Nicholson Gallery in Pasadena.
Moran's success with these Agnes Pelton sales showcased more than just the growing demand for her
Flowering, 1929
Price Realized: $571,500
Learn more about “Flowering” by clicking here
work. It highlighted their unmatched expertise in uncovering hidden gems and understanding their historical significance. Their careful handling of Pelton's transcendental abstractions – ensuring they retain their original frames and rich documentation – speaks to their dedication to preserving artistic integrity.
Art of the American West: A
Client Favorite
John Moran Auctioneers’ Art of the American West sales stand out as one of their most popular genres, showcasing a diverse array of fine art, textiles, pottery, basketry, and jewelry. These auctions consistently achieve impressive results, routinely selling 90% or more by lot and averaging 105% by value. At the helm of this thriving category is Vice President and Specialist Maranda Moran, whose strategy of conservative pricing to attract interest has proven highly effective, with buyers eagerly outbidding estimates. This success has led to an expansion from two to as many as five sales per year.
Two distinct groups of buyers dominate this category: seasoned collectors and entry-level or trendy collectors. The seasoned collectors, often older and more experienced, may be less active but still jump at rare finds they’ve sought for years. Entry-level and trendy collectors typically start with fine art or jewelry before gradually expanding into decorative items like textiles and baskets. While a small percentage stick with this genre, some adjust their collecting habits and start blending categories.
A Navajo Second Phase chief’s blanket
The Art of the American West sales benefit from collaboration across Moran’s departments. The fine art team strategically consigns top names in western and native art, contributing to world auction records. Notable sales from 2024 include Oscar Howe’s “Grass Dancer (Pezhin wachipi)” (1959), which sold for $114,300, John Nieto’s “Desert Water II” (1984) at $22,440, and Lew Davis’s “Waterhole No. 2” (1975) achieving $13,970. While maintaining consistency in quantity and quality, each sale features eye-catching legacy collections, such as Hupa basketry hats and extensive jewelry collections.
Margaret Tafoya (1904-2001, Santa Clara Pueblo)
Price Realized: $4,620
A Hupa/Yurok/Karuk polychrome basketry hat
Price Realized: $3,300
John Moran Auctioneers’ 2024 Art of the American West auctions have reinforced the company’s commitment to preserving and celebrating the rich artistic traditions of the region. Under Maranda Moran’s expert guidance, these sales continue to attract both seasoned and new collectors, solidifying Moran’s reputation as a trusted destination for institutions and individuals alike. As we reflect on an exciting year, it’s evident that Moran’s continues to set the standard for excellence in the field, bringing history, culture, and artistry to the forefront with every auction.
Oscar Howe’s Legacy and Moran’s Expertise: Elevating
Native American Art
In the ever-evolving landscape of American art, few stories are as compelling as the posthumous rise of Oscar Howe. A Yanktonai Dakota artist who defied conventions, Howe’s legacy is experiencing a remarkable renaissance, captivating collectors and art enthusiasts alike. As we delve into the extraordinary life and work of this pioneering artist, we uncover a tale of perseverance, innovation, and the power of artistic vision to transcend barriers.
Born in 1915 on the Crow Creek Reservation in South Dakota, Oscar Howe’s journey was far from ordinary. Overcoming tuberculosis and the rigid constraints of traditional Native American art education, Howe embarked on a path that would reshape the very definition of Indigenous art.
Howe’s genius lay in his ability to seamlessly blend Sioux cultural heritage with the bold techniques of modernism. His canvases burst with vibrant colors, geometric patterns, and fluid forms, bringing traditional symbols like the Eagle Dancer and the Sacred Dog (horse) to life with a contemporary flair. This unique fusion challenged the art world’s preconceptions and opened new avenues for Native American artists.
Camte waste, no no wa (“Good Heart Forever”) Price Realized: $325,000
“Camte Waste, No No Wa” (Good Heart Forever): A mesmerizing depiction of an Eagle Dancer that soared to $325,000, shattering its estimate and setting a new auction record for Howe’s work.
Perhaps the most pivotal moment in Howe’s career came in 1958 when the Philbrook Art Center rejected his work for being “too modern.” In response, Howe penned a passionate letter that would become a rallying cry for artistic freedom in Native American art. His words, “There is much more to Indian art than pretty, stylized pictures,” still resonate today, underscoring the ongoing struggle for recognition and respect in the art world.
Fast forward to 2022, when the exhibition Dakota Modern: The Art of Oscar Howe hit the road, bringing his visionary work to a whole new generation. The response was electric. With each passing year, more collectors and institutions are scrambling to secure a piece of Howe’s legacy, recognizing its historical weight and timeless appeal.
In 2023-2024, Howe’s art has finally been validated in the marketplace. John Moran Auctioneers, a leader in Native American art, shattered records, setting new
Maranda Moran Vice President Specialist, Western Art & Objects
Grass Dancer (Pezhin wachipi), 1959 Price Realized: $114,,300
sales benchmarks for Howe’s work. These aren’t just record-breaking numbers—they’re a long-overdue acknowledgment of Howe’s genius and the indelible mark he left on Native American art.
As we raise a glass to Howe’s epic comeback, we’re reminded that real artistic genius doesn’t play by the rules. Oscar Howe’s story is a triumph on every level—over adversity, over narrow-mindedness, and, in the end, over time itself. His art, once dismissed as “too modern,” now stands tall as a powerful testament to innovation and cultural pride. Sometimes, the boldest moves aren’t about breaking from the past—they’re about honoring it, while charging at full-speed into the future. Howe’s star continues to rise, a shining reminder that true artistic vision knows no boundaries. The greatest rebellions don’t always shatter tradition; sometimes, they breathe new life into it. Stay true to your vision, no matter how wild the ride gets.
Jewelry News & Highlights
A Dazzling Year for Moran’s Jewelry Department
Cartier: An 18K Gold Snoopy Pendant
Realized: $33,020
2024 has been a year of growth and achievement for the Jewelry & Watches department at John Moran Auctioneers, thanks in part to the exciting addition of Kelly Sitek, G.G., to the team. With over a decade of experience in the auction world, Kelly’s deep passion for fine arts, craftsmanship, and the stories behind each piece has made her a valuable asset to Moran’s jewelry experts.
Kelly’s journey into jewelry began with a BA in Fine Arts from Albion College, where she developed a keen eye for detail. Her passion grew during her 10 years working at an auction house in Los Angeles, where she studied gemstones and minerals, further solidified by her 2016 graduation from the Gemological Institute of America (GIA).
Kelly’s approach goes beyond technical expertise; she focuses on the unique stories behind each piece, whether it’s an Art Deco or Victorian jewel. Her arrival at Moran’s Jewelry & Watches department has brought a fresh perspective, perfectly aligning with the company’s commitment to providing an immersive experience for collectors.
The exhibition “Modern Alchemy” at the Laguna Art Museum this year brought a captivating two-part event that began with an educational lecture and jewelry panel discussion featuring renowned experts, including designer Adam Neeley, curator Tim Adams, and our very own Tom Burstein (Director of Jewelry & Watches), and Maranda Moran (specialist in Native American and Mexican jewelry). The panelists engaged in a fascinating discussion, sharing insights on what makes jewelry exceptional, current market trends—including the growing demand for Native American materials—and the cultural significance of “worn” jewelry.
Price Realized: $69,850
Drawing parallels between the transformative nature of alchemy and the creative process in jewelry making, “Modern Alchemy” provided attendees with a comprehensive understanding of the artistry, craftsmanship, and historical significance embedded in fine jewelry. The experts explored how raw materials are transformed into extraordinary pieces, delved into the symbolic power of jewelry as personal talismans and carriers of cultural narratives, and discussed current market dynamics. By framing the discussion within the context of alchemy, the exhibition highlighted the magical transformation that occurs in jewelry creation, bridging the gap between historical mysticism and contemporary artistry. This unique perspective offered a fresh view on the enduring allure of fine jewelry, enhancing public appreciation for jewelry as an art form and contributing to the celebration of diverse cultural traditions in jewelry-making.
The excitement continued with a special “What’s it Worth?” event, where attendees had the opportunity to bring in their own jewelry for valuations by Moran’s specialists. Tom expressed his enthusiasm for the event, “Being able to connect with collectors is why we love this job. Every piece tells a story and when we get to hear them directly from the owner, it makes the piece that much more special.”
With Tom and Kelly’s expertise and more educational events ahead, Moran’s is set to continue offering exceptional auctions, setting industry standards, and providing unique learning opportunities, ensuring its position as a premier destination for jewelry enthusiasts.
“Cartier has won me over this year with its classic design which turned quite whimsical with our Snoopy offerings. Cartier is known for timeless, polished pieces and the touch of nostalgia that they brought to their archive with the snoopy design for me touched a childlike place in my spirit. I can only image it is the same place the buyers of our September pieces felt when they kept entering in one more bid.”
Kelly Sitek, G.G. Specialist, Jewelry & Watches
An 18K Gold, Colored Diamond and Diamond Ring
From Time Capsule to Auction Block: Luxury
Investments
In the rarefied world of luxury fashion, a remarkable collection has emerged that stands as a testament to one woman’s extraordinary eye for design and prescient understanding of trends. For decades, this discerning collector meticulously curated an assemblage of the most coveted pieces from renowned fashion houses, each item carefully selected for its timeless appeal and cultural significance. What sets this collection apart is not just its breadth and quality, but its pristine condition—virtually every piece remains unworn and untouched, preserved in its original packaging. From Hermès Birkins to Chanel tweed jackets, each item in this vast array comes complete with its original receipt and box, dating back to the golden era of 1990s fashion. This remarkable preservation of luxury goods offers a unique glimpse into the evolution of high-end fashion, frozen in time yet eternally chic. As this collection now comes to auction, it presents an unparalleled opportunity for connoisseurs and investors alike to acquire pieces of fashion history in their most immaculate form.
In the glittering realm of high fashion, second-hand luxury handbags are emerging as not just stylish accessories but savvy investments. The recent Holiday Luxury Sale at John Moran Auctioneers highlighted this growing trend, showcasing the excitement and potential of buying and selling luxury handbags at auction.
Investing in pre-owned luxury handbags combines style, sustainability, and financial savvy. Many of these coveted items retain or even increase in value over time, making them an attractive option for both fashion enthusiasts and investors. As noted in a recent study, “Hermès Birkin handbags have increased in value by 500% since 1981, at an average annual increase of 14.2%” (Chubb).
Hermès once again proved its enduring appeal, with a stunning collection that generated a total of $125,075 in sales. The star of the show was undoubtedly the Navy Blue Ostrich Birkin 30 Bag, which commanded an impressive $31,750, including the buyer’s premium. This piece exemplifies the brand’s commitment to exquisite craftsmanship and rare materials. These results underscore the continued demand for Hermès’ classic designs, with an average sale price of $17,653 per item. The brand’s ability to maintain value across vintage and contemporary pieces speaks volumes about its timeless appeal.
Chanel’s offerings were equally impressive, with total sales reaching $160,550. The auction showcased the enduring influence of the late Karl Lagerfeld, with pieces from his era drawing significant attention. With an average sale price of $6,778.40, Chanel’s performance at the auction demonstrates the brand’s ability to captivate collectors with both its iconic handbags and ready-to-wear pieces.
The sale’s success reinforced the growing market for second-hand luxury items, with not just Hermès and Chanel, but also Prada and Fendi attracting strong bids. This trend is not only about luxury—it’s a shift toward sustainability, with buyers giving these beautifully crafted items a second life while investing in pieces that will continue to hold value.
The results of the 2024 Holiday Luxury Sale at John Moran Auctioneers showed that second-hand luxury handbags have become a lucrative, eco-friendly investment. Whether seeking iconic Hermès Birkins, classic Chanel flap bags, or timeless vintage pieces, the auction demonstrated that in the world of luxury handbags, yesterday’s fashion can become tomorrow’s fortune. So why not consider bidding on a piece of fashion history? Your closet – and your investment portfolio – might thank you. The next opportunity to acquire luxury items from us will be at the Jewelry, Handbags, and Luxury Accessories Online Sale, February 11, 2025.
“From a cataloguer’s perspective, and as someone who has worked with historic textiles and vintage fashion for nearly three decades, our recent sale was a revelation and delight: a real treasure-trove of exquisite handbags with delicate leather finishes and gold-plated hardware, and clothing with high quality fabrics and fine leathers, amazing designs with intricate pattern cuts and seam details, sleeve types, and all types of trim and flourishes, as well as full silk linings!
Much of the clothing and especially the handbags, were presented in superb condition and provided fine examples of late 1990s-early 2000s fashion, carefully chosen and well kept, professionally cleaned and maintained; often new and unworn or barely worn. Potential consignors take note: condition is key!
Buying these collectable pieces at auction, with previews, offers fashion devotees the chance to acquire an unusual or coveted vintage style, created from high quality fabric, and in now-retired colors, even possible examples of early work by designers such as Karl Lagerfeld for Chanel and Martin Margiela for Hermès.”
Sally Andrew Cataloguer, Luxury & Couture
Bridging Centuries:
Latin American Art + Design Timeless Appeal
Latin American Art has gained significant prominence in the collecting world, attracting both US and foreign clients. This growing interest spans a wide breadth of time periods and artistic styles, creating a unique and dynamic market.
The appeal of Latin American art to collectors has been steadily increasing over the years. According to The Art Newspaper, “The influx of Latin American collectors and potential collectors into Madrid has increased in recent years— although it has been happening for some time”. This trend is not limited to Europe; the United States has also seen a surge in interest. One of the top auction houses in the world reported that sales of works by Latin American artists have exceeded $250 million between 2020 and 2023, surging more than 50% above prepandemic levels.
At Moran’s, our Latin American Art and Design sales showcase this diversity, regularly featuring works by contemporary artists alongside colonial pieces. This blend of time periods is key to cross-bidding and allows collectors to create eclectic collections that span centuries. Our recent auctions exemplify this range, with notable sales including Carlos Mérida’s “Espectro en Rojo” (1974), which brought in $22,860, and his “Abstracted Figures” (1952), fetching $11,000. These works showcase Mérida’s signature blend of European modernism and Latin American themes.
Chilean artist Rodolfo Opazo’s striking oil painting “Unicornio Virrey” (1967) was another highlight, selling for $12,700, while his “Figura” (1965) achieved $9,000. The auctions also featured José Luis Cuevas’ provocative oil on canvas “Marquis de Sade, Niño” (1964), which sold for $11,880, and Lola Álvarez Bravo’s emotionally charged “Four Portraits of Frida Kahlo,” from the collection of Dr. Amy Conger, achieving $13,200.
The diversity extends to folk art and decorative design, with a mid-19th century Virgin of Guadalupe painting, attributed to the manner of Juan Manuel de Ávila, selling for $11,430. This reflects the continued interest in Spanish Colonial art, demonstrating how our sales span from the 18th century to contemporary works.
Carlos Mérida “Espectro en Rojo,” 1974
Price Realized: $22,860
Mexican silver jewelry played a crucial role in launching Moran’s Latin American category and continues to be a cornerstone of our sales. The sale of Hector Aguilar’s silver jewelry pieces, each fetching $2,857, further demonstrated the timeless allure of Mexican design. As noted by Jamie L. Shenkman, “The value of vintage Mexican silver jewelry rises and falls like other collectibles with demand as its driving factor”. The enduring appeal of Mexican silver brings both seasoned collectors and newcomers to our auctions, creating a dynamic bidding environment.
The juxtaposition of modern and colonial pieces creates a unique aesthetic that can be seamlessly integrated with other genres, appealing to a wide range of collectors. This blend allows for cross-bidding and encourages collectors to explore different aspects of Latin American art and design. The idea of commingling different time periods and styles not only makes for exciting auctions but also reflects the rich, layered history of Latin American artistic expression.
By offering such a wide range of Latin American art and design, from colonial pieces to contemporary works, and including significant examples of Mexican silver jewelry, Moran’s provides a unique platform for collectors to engage with this rich and diverse artistic tradition. This comprehensive approach appeals to both specialized collectors and those new to the field, ensuring the continued growth and appreciation of Latin American art in the global market.
Master of Brazilian Modern Sculpture:
The Art of
Victor Brecheret
In a thrilling turn of events at our recent Art + Design sale, a masterpiece by one of Brazil’s most influential modernist sculptors, Victor Brecheret, captivated art enthusiasts and collectors alike. The stunning “Tocadora de Guitarra” (The Guitar Player) surpassed all expectations, fetching an impressive $292,100—far exceeding its initial estimate of $20,000 to $30,000.
Victor Brecheret, born in Italy in 1894, emigrated to Brazil at the tender age of 10, where he would eventually leave an indelible mark on the country’s artistic landscape. His journey in the world of art began at the Liceu de Artes e Ofícios in São Paulo, followed by studies in Rome under the tutelage of renowned sculptor Arturo Dazzi. Upon his return to São Paulo in 1919, Brecheret’s talent quickly caught the eye of prominent Brazilian modernists. His work was featured in the groundbreaking Semana de Arte Moderna (Week of Modern Art) in 1922, a pivotal event that shaped the future of Brazilian art.
“Tocadora de Guitarra,” created in the 1920s, stands as a testament to Brecheret’s artistic evolution. This 20-inch high, 14.5-inch wide sculpture represents a female figure playing a guitar, showcasing the artist’s transition towards a more geometric style. The piece brilliantly integrates straight and curved lines, exemplifying Brecheret’s mastery of form and texture. Interestingly, this work exists in both marble and bronze versions. While our sale featured the marble rendition, the bronze version resides in the Memorial de Curitiba, Brazil, further cementing the sculpture’s significance in Brecheret’s oeuvre.
Brecheret’s work is a fascinating blend of modernist techniques, Art Deco elements, and a deep connection to Brazilian cultural heritage. His exploration of Brazilian folk art and drive to create a distinct national aesthetic aligns him with other Latin American modernists who sought to express their national identity through art.
Through his unique artistic voice, Brecheret helped establish Brazil’s presence on the international art stage. His legacy continues to inspire, reminding us of the power of art to bridge cultures and challenge perceptions.
The remarkable sale of “Tocadora de Guitarra” not only highlights the enduring appeal of Brecheret’s work but also underscores the growing appreciation for Latin American modernism in the global art market. As we reflect on this exciting moment, we’re reminded of the transformative power of art and its ability to transcend time and borders.
“Victor Brecheret, is one of Brazil’s most prominent Modernist sculptors. He is a legend throughout the Latin American art world. It was such a pleasure to bring the sculpture to the Art + Design sale and connect with a global audience to find it a new home.
Matthew Grayson Specialist, Furniture & Decorative Art
Brecheret’s work is a fascinating blend of modernist techniques, Art Deco elements, and a deep connection to Brazilian cultural heritage. His exploration of Brazilian folk art and drive to create a distinct national aesthetic aligns him with other Latin American modernists who sought to express their national identity through art.
Tocadora de Guitarra, 1920’s Price Realized: $292,100
Crafting Excellence:
Moran’s 2024 Auction Highlights and Team Expansion
Moran’s Furniture & Decorative Art department celebrated an exceptional 2024, marked by standout sales and a showcase of craftsmanship spanning diverse design periods. From 19th-century American Aesthetic treasures to midcentury modern icons, the auctions offered collectors a rich array of unique and historically significant pieces.
Highlights of the year included a Herter Brothers mantel that soared to $152,400, Hans Wegner’s iconic AP-19 “Papa Bear” chair and ottoman fetching $20,320, and a Doyle Lane tile wall assemblage selling for $32,000. These remarkable results not only underscore the enduring allure of fine design but also reflect the team’s commitment to staying ahead of trends in the ever-evolving world of decorative arts.
Behind these successes is Moran’s expert team, led by specialists Angela Past and Matthew Grayson. Their constant engagement with the design world, through participation in high-profile events like the Palm Springs Modernism Show, the Los Angeles Art Show, and Frieze Los Angeles, allows them to forge vital relationships with top designers, artists, and collectors. Whether attending museum VIP events, private studio tours, or prestigious design fairs such as Design Miami and the Pasadena Showcase House of Design, their commitment to staying informed and engaged has proven invaluable.
A Hans Wegner AP-19 Papa Bear chair and ottoman
Price Realized: $20,320
Adding to this wealth of expertise, Moran’s is thrilled to welcome Jennifer Kurtz to the department. With over 20 years of experience in the auction industry, including roles as Vice President/Senior Specialist at two auction houses, Jennifer brings extensive knowledge and connections to further enhance Moran’s position in the market. Her background in European History and Museum Studies, coupled with her auction experience, promises to significantly boost the team’s ability to offer clients access to the most coveted and historically significant pieces.
This combination of deep industry knowledge, firsthand experiences, and strong connections allows Moran’s team to serve not just as experts in their field, but as trusted advisors for collectors seeking the finest in furniture and decorative art. The impressive results of the 2024 auctions clearly reflect their efforts and expertise, as well as the timeless appeal of unique and historically significant works. As Moran’s continues to strengthen its team and expand its reach, it remains at the cutting edge of the furniture and decorative art market, poised for even greater success in the years to come.
A Swed Masters Workshop sterling silver and plated Seder equipage
Price Realized: $13,970
The Silver Renaissance: Debunking the Myth of Waning Value
In recent years, a misconception has taken root in the antiques world: that silver has lost its luster in the market. However, this notion couldn’t be further from the truth. The reality is that silver, in its myriad forms, continues to captivate collectors and investors alike, with certain niches experiencing a remarkable resurgence.
John Moran Auctioneers has been at the forefront of revitalizing interest in vintage Mexican silver jewelry. Their innovative approach has created a thriving market, inspiring major auction houses to follow suit. This renaissance has spotlighted the works of renowned artists such as William Spratling, Antonio Pineda, and Hector Aguilar, whose bold, modernistic designs incorporating semi-precious stones have seen a surge in demand.
The appeal of vintage Mexican silver jewelry lies not only in its artistic value but also in its cultural significance. The transformation from Colonial silversmithing into a thriving jewelry industry in Taxco during the mid-20th century marked a pivotal moment in Mexican design history. Today, collectors are increasingly drawn to pieces that reflect this rich heritage, appreciating the blend of traditional craftsmanship and innovative design.
While Mexican silver jewelry has experienced a notable resurgence, the broader silver market continues to thrive, driven by factors such as designer reputation, pattern uniqueness, age, and rarity. The enduring allure of fine silver extends far beyond jewelry, encompassing a rich tapestry of designers and styles that continue to captivate collectors.
From the timeless elegance of Tiffany & Co. to the modernist mastery of Georg Jensen, and the regal craftsmanship of Paul Storr, each designer has left an indelible mark on the silver landscape. These iconic names, along with many others, have shaped the industry and continue to command respect and high prices in today’s market.
A Frank Patania sterling silver and turquoise cuff bracelet
Price Realized: $2,857
An Antonio Pineda Mexican silver and amethyst brooch
Price Realized: $4,445
A Tiffany & Co. sterling silver and mixed metal pitcher
Price Realized: $7,500
However, among these notables, Hester Bateman stands out as a pioneer whose legacy continues to inspire. Her success as a female silversmith in the 18th century was unprecedented. Bateman’s shrewd business acumen and innovative production techniques allowed her to produce large quantities of highquality silver at affordable prices. Today, her pieces are prized not only for their craftsmanship but also for their historical significance, representing a triumph over the gender barriers of her time. Bateman’s work serves as a testament to the enduring value of silver, both as an art form and as a reflection of social progress.
The value of antique silver is influenced by various factors, including age, condition, weight, materials, and intended use. The original artistry of a piece can significantly impact its worth, with unique or exceptionally crafted items commanding premium prices. Additionally, the current market value of silver plays a role, though antique pieces often derive much of their value from their historical and artistic significance rather than their metal content alone.
The notion that silver has lost its value in the antiques market is a misconception that fails to account for the nuanced and diverse nature of silver collecting. From the resurgence of interest in Mexican silver jewelry to the enduring appeal of master silversmiths throughout history, silver continues to shine in the eyes of discerning collectors. As with any market, knowledge and appreciation of craftsmanship, history, and rarity are key to understanding the true value of silver in today’s collecting landscape.
Luxury in Detail:
The Masterwork of the Herter Brothers
Gustave and Christian Herter, German-born pioneers, revolutionized interior design and luxury living in America through their company, Herter Brothers (1864-1906). They catered to the nation’s nouveau riche, offering exquisite craftsmanship that symbolized status and refinement.
A prime example of their artistry is an American Aesthetic mantel, circa 1880, which recently sold at Moran’s spring Traditional Collector sale. This carved cherrywood mantel, featuring parcel-gilt, ebonized accents, and Anglo-Japanese floral marquetry inlay, was originally commissioned for the Darius Ogden Mills Residence in Millbrae, California.
The Herter Brothers designed entire interior schemes for prominent figures like Mills, whose estate showcased their evolution from Renaissance Revival to AngloJapanese aesthetics. Their work paralleled other famous commissions, including pieces for the Vanderbilt and Huntington families.
This mantel, exemplifying Herter Brothers’ unparalleled artistry, sold for $152,400, demonstrating the enduring appeal of their creations to collectors and art enthusiasts.
An American Aesthetic mantel, circa 1880
Price Realized: $152,400
Doyle Lane: A Trailblazing African American Ceramicist
Doyle Lane (1923-2002) was a pioneering African American ceramicist who left an indelible mark on mid-century Los Angeles art scene. His mastery of glazes and innovative techniques produced works that continue to captivate collectors and institutions alike, as evidenced by recent auction successes and institutional acquisitions.
John Moran Auctioneers’ February 2024 Art + Design sale showcased Lane’s enduring appeal with two remarkable pieces:
This monumental work, featuring 157 glazed ceramic tiles mounted on plywood, sold for an impressive $41,275. Originally purchased by architect Edward H. Fickett, a frequent collaborator of Lane’s in the 1950s and 1960s, the piece has a rich provenance and exhibition history.
A diminutive yet powerful example of Lane’s iconic “Weed Pots,” this 1.625inch tall ceramic piece commanded $29,700 at auction. Its thick, speckled blue glaze and incised signature exemplify Lane’s mastery of form and color. Lane’s eye-catching colors and gentle forms possess a life and order all their own.
The Huntington Library, Art Collections, and Botanical Gardens in 2015 acquired a monumental ceramic mural by Lane, demonstrating a growing institutional awareness of the need for diverse representation in academic collections. This 17 x 8 foot mural,
commissioned by architect Welton Becket in 1964, showcases Lane’s signature red glaze and innovative tile-laying technique.
Doyle Lane’s work spanned from delicate vases and ceramic sculptures to largescale clay paintings and mosaics. Operating from his studio in the El Sereno district of East Los Angeles, Lane was one of the few African American artists in Los Angeles from the 1960s through 1980s who made a living solely through his artwork.
His glazes were applied in a thick layer to the tile and fired until the edges would burn and blacken, rendering a unique texture and color onto the tiles.
Lane’s unique approach to glazing involved applying thick layers and firing until the edges blackened, creating distinctive textures and colors. His “weed pots,” named for their tiny openings designed to showcase a single stem, became his signature pieces, demonstrating his experimental glazes and precise craftsmanship.
During his lifetime, Lane exhibited at prominent venues such as the Brockman Gallery and Ankrum Gallery, key centers for African American art in mid-20th century Los Angeles. Recent years have seen a resurgence of interest in Lane’s work, with exhibitions at major institutions like the Los Angeles County Museum of Art, the Smithsonian American Art Museum, and the Crystal Bridges Museum of American Art.
“Though known and loved by the collectors and architects who commissioned him during his lifetime, Lane’s work, and the work of other African American ceramicists, has mostly been left out of the narrative of California post-war ceramics.”
The recent auction successes and institutional acquisitions of Doyle Lane’s work reflect a growing recognition of his significant contributions to American ceramics and the importance of including diverse voices in the narrative of postwar California art. As institutions and collectors alike continue to celebrate Lane’s legacy, his place in the canon of 20th-century American art becomes increasingly secure.
A ceramic “Weed Pot” circa 1962-1976 Price Realized: $29,700
Fine Art:
Braniff Airlines’ Golden Age of Design
McKaughan’s collaborations with legendary figures like Alexander Calder, Emilio Pucci, Alexander Girard, and Roy Halston Frowick made Braniff more than just an airline — it became a flying canvas for modern art and fashion. The collection offered a time capsule of this glamorous era, featuring everything from flight attendant uniforms to rare design proofs and fabric samples. But the real standouts were the artworks and memorabilia connected to Calder.
One major highlight was Untitled, a 1976 Alexander Calder piece gifted to McKaughan. Originally estimated at $20,000 to $30,000, the artwork smashed expectations, selling for $38,100, with premium. Another unexpected gem was a Braniff model airplane designed by Calder in the 1970s. Measuring just under three feet wide, this retro masterpiece included sixteen large-format photos of Calder taken by McKaughan himself. The final hammer price soared to $31,750, with premium.
While Calder’s bold art appealed to modern art enthusiasts, Emilio Pucci’s unmistakable flair drew vintage fashion lovers. All 39 lots of Pucci’s airline uniforms dazzled bidders, raking in a total including premium of $51,245. McKaughan’s eye for creativity played a huge role in Braniff’s collaborations. His partnership with Alexander Calder, in particular, was legendary. Calder, known for his kinetic sculptures and bright, whimsical forms, brought his signature style to
A Calder designed Braniff model airplane Price Realized: $31,750
the skies with the Flying Colors campaign in 1973. This project celebrated Braniff’s expansion into South America, with Calder painting a DC-8 jetliner in bold hues inspired by the region’s vibrant landscapes. Calder even added playful “beasties” to the engines, creating designs that later formed a rare set of lithographs.
The Flying Colors campaign’s success led to a second collaboration in 1975, marking the U.S. Bicentennial. This time, Calder decked out a Boeing 727-200 in red, white, and blue ribbon-like designs, producing more lithographs and test works now part of McKaughan’s estate collection. Calder’s contributions to Braniff became a defining moment in his career — a colorful finale before his passing in 1976.
“One of the highlights of my year was working on the John McKaughan Jr. Collection. McKaughan Jr. was the Art Director for Braniff International Airlines and worked closely with Alexander Calder during their Flying Colors Collaboration. He also worked alongside Emilio Pucci since Pucci designed the stewardess outfits for Braniff Airlines starting in 1965. It was also during his time as the Art Director, John McKaughan Jr. traveled extensively to various Latin American countries and built up an incredible collection of Latin American artwork and decorative items.“
Ian Anderson Associate Specialist, Fine Art
Barn Find in the Hollywood Hills
The discovery of a 1974 Porsche 911 Carrera Targa as a “barn find” in the Hollywood Hills has stirred excitement in the classic car community. This automotive time capsule, complete with its original metal sticker reading “Made in Germany / Kunstharzlack / 27-9-2” on the driver’s side door, represents a significant find for collectors and enthusiasts alike.
The Porsche 911 Targa, introduced in 1965 at the Frankfurt International Motor Show, was Porsche’s innovative response to safety concerns surrounding convertibles in the United States. Named after the Targa Florio road race in Sicily, Italy, the Targa design features a removable roof panel and a fixed roll bar, offering a unique blend of open-air driving and structural integrity.
Despite its engine being rolled over, this 1974 model’s otherwise original condition made it an irresistible find. Offered at no reserve through the last auction of the year in December 2024, the car sold for $32,500, reflecting the growing trend of “barn find” vehicles fetching significant prices at auction.
This Porsche’s journey from a forgotten relic in the Hollywood Hills to a prized possession exemplifies the allure of barn finds. It highlights how collectors value the opportunity to acquire and restore hidden gems, always on the lookout for untouched vehicles with intriguing histories.
Behind The Lens
Capturing the Essence of Moran’s 2024 Auctions
Upcoming Auction Schedule
Stitches: Handbags, Couture & Accessories Online
Tuesday, February 11, 2025
10am PST
Art of the American West
Tuesday, March 25, 2025 12pm PDT
Jewelry & Watches
Tuesday, April 22, 2025
12pm PDT
Art + Design
Tuesday, February 25, 2025
12pm PST
The Traditional Collector
Tuesday, April 8, 2025 12pm PDT
Latin American Art + Design
Wednesday, April 23, 2025 12pm PDT
We are currently accepting consignments for all upcoming auctions; Contact us today for your no-obligation auction valuation www.johnmoran.com - info@johnmoran.com - 626.793.1833
