The Traditional Collector—Wednesday, December 11, 2024 | John Moran Auctioneers

The Traditional Collector

December 11, 2024

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3001

Two Chinese polychrome pottery figures

Han Dynasty (206 BCE-220 CE)

Comprising two ceramic attendant figures pigmented in white, orange, and brown, 2 pieces

Larger: 17.75” H x 6” W x 4.25” D; Smaller: 17.5” H x 5.75” W x 4.125” D

$1,000-1,500

3002

A Chinese vase and pottery tomb figures

Han Dynasty (206 BCE-220 CE) and Tang Dynasty-style (618-907) or later

Comprising a Han Dynasty green glazed ceramic vase and four Tang Dynastystyle polychrome ceramic tomb figures, each set on a wood base, 5 pieces

Vase: 11.375” H x 6.875” Dia.; Tallest figure: 14” H x 3.75” W x 3.75” D

$800-1,000

3003

A Chinese Han Dynasty-style pottery horse and rider figure 20th century

The polychrome pottery figures comprising a rider set on a horse, set in an acrylic stand Figures: 9.75” H x 11.5” W x 5.25” D

$700-900

3004

A group of Chinese pottery musician Northern Wei Dynasty (386-534) Comprising six ceramic female figures, crossed and playing an instrument, 6 Each: 10.375” H x 6.75” W x 4.375”

$1,000-1,500

musician figures

figures, each depicted seated with legs

6 pieces

D approximately

3005

A group of Chinese green glazed pottery figures

Tang Dynasty (618-906)

Comprising six ceramic processional figures of attendants, each raised on a pedestal, 6 pieces

Tallest: 9.125” H x 3.375” W x 2.375” D; Shortest: 6.125” H x 1.875” W x 1.5” D

$600-800

3006

A group of Chinese green glazed pottery figures

Tang Dynasty (618-906)

Comprising six ceramic processional figures of attendants, each depicted carrying various items and raised on a pedestal, 6 pieces

Tallest: 9.375” H x 3.5” W x 2.5” D; Shortest: 8.625” H x 4.125” W x 2.125” D

$700-900

3007

A group of Chinese pottery figures of horses and riders

Tang Dynasty (618-907)

Comprising four polychrome ceramic horse figures, each surmounted by a rider, 4 pieces

Each: 11” H x 16” W x 4.5” D approximately

$1,000-1,500

3008

Two Chinese green glazed pottery figures

Tang Dynasty (618-907)

Comprising two ceramic figures of officials, each with detached heads set into shoulder and raised on a pedestal, 2 pieces

Taller: 16” H x 4.75” W x 4” D; Shorter: 15” H x 5” W x 4.125” D

$700-900

3009

A Chinese Yingqing glazed porcelain bowl

Song Dynasty (960-1280)

Unmarked

The six-segment bowl with inverted rim

1” H x 4” Dia.

$500-700

Provenance:

Antiques Pacifica, Honolulu, Hawaii, January 20, 1994

The Collection of David and Holly Davis, Pasadena, CA

3010

A Chinese Yingqing glazed porcelain bowl

Song Dynasty (960-1280)

Unmarked

The five-lobed footed bowl decorated with dancing figures in the reserve 1.5” H x 4” Dia.

$1,500-2,500

Provenance:

Sold: Butterfield and Butterfield, San Francisco, CA, “Fine Asian Works of Art,” June 19, 1991, Lot 2189

The Collection of David and Holly Davis, Pasadena, CA

3011

A Chinese Yingqing glazed porcelain bowl

Song Dynasty (960-1280)

Unmarked

The reserve decorated with a peony blossom within a border of fish swimming and geometric outer border, with a copper mounted rim

1” H x 5.75” Dia.

$1,000-2,000

Provenance: Antiques Pacifica, Honolulu, Hawaii

The Collection of David and Holly Davis, Pasadena, CA

3012

A Chinese Yingqing glazed porcelain bowl

Song Dynasty (960-1280)

Unmarked

The reserve decorated with two fish swimming within a floral and geometric border

1” H x 5.5” Dia.

$1,000-1,500

Provenance: The Collection of David and Holly Davis, Pasadena, CA

3013

A group of Chinese pottery figures and a cart Yuan Dynasty (1279-1368)

The polychrome ceramic group comprising four figures, four horses, and a wheeled cart, 9 pieces

Figures: 12” H approx.; Horses: 9.75 “ H approx.; Cart: 17.5” L

$2,000-3,000

Provenance:

Sold: Christie’s, New York, “Fine Chinese Ceramics & Works of Art,” March 22, 1999, Lot 270

Sold: Christie’s, New York, “Fine Chinese Ceramics & Works of Art,” March 30, 2005, Lot 327 Private Collection

3014

Four Chinese polychrome pottery figures

Ming Dynasty (1368-1644)

Two bearing Kanji characters on chest

Comprising four ceramic attendant figures, each variously robed and pigmented, 4 pieces

Each: 11” H x 3” W x 1.875” D approximately

$600-800

Provenance:

Sold: Bonhams, San Francisco, “Fine Asian Works of Art,” November 17, 2004, Lot 2080 Private Collection

3015

A set of Chinese pottery zodiac figures

Ming Dynasty (1368-1644)

Comprising twelve polychrome ceramic figures, each depicted holding one of the Chinese zodiac animals and raised on a pedestal, the set housed in two custom fabric-lined and cushioned boxes, 12 pieces

Each figure: 7.75” H x 2.75” W x 1.875” D; Each box: 3” H x 19.75” W x 9.5” D

$2,000-3,000

3016

An assembled group of Chinese pottery

Ming Dynasty (1368-1644)

The group of green and yellow glazed pottery, bed, a Luohan bed, a pair of armchairs, a chests, a towel rack, a wash stand with basin, candle stands, and eleven miniature food

Largest: 16.625” H x 15” W x 8” D; Smallest:

$2,000-3,000

Provenance:

Sold: Sotheby’s

The Renaissance Collection

Sold: Bonhams, San Francisco, “Fine Asian Private Collection

pottery tomb models

pottery, comprising a building faÁade, an enclosed pair of multi-drawer cabinets, a pair of storage basin, an altar table, a side table, a censer, a pair of offerings, 28 pieces

Smallest: 1.5” H x 2.25” W x 1.5” D

Asian Works of Art,” November 20, 2006, Lot 6363

3017

A Chinese blue and white porcelain jar

Late Qing Dynasty/early Republic, dated 1912

Bearing Kanji characters in blue glaze to side of jar

With a banded lip above a landscape scene depicting figures in boats, set on a carved openwork raised stand, 2 pieces

With Stand: 11” H x 7.5” Dia.; Vase: 6.25” H x 7” Dia.

$800-1,200

3018

A Chinese porcelain figural brush rest

Qianlong Period (1736-1795) or later

Bearing Qianlong reign mark in red underglaze to underside; stand with sticker for Eymery & Cie

The red-glazed ceramic brush rest with gilt decoration, in the form of a bat with peaches and leaves, set on carved wood stand with bearing a medallion

Ceramic: 1” H x 2” W x 2.5” D; With stand: 1.375” H x 2.25” W x 2.375” D

$800-1,200

3019

A Chinese celadon porcelain vase Qianlong Period (1736-1795)

The underside bearing Qianlong reign mark

The celadon glazed step-footed vase of octagonal outline with attenuated neck issuing a flared rim 12” H x 5.25” W x 3.75” D

$5,000-7,000

3020

A Chinese flambé glazed porcelain moon flask

18th century

Base incised with Qing Qianlong reign mark; also with affixed label: Millicent A. Rogers Collection

The compressed circular body surmounted by a tall cylindrical neck separating shaped openwork handles glazed in a plum red with streaks of lavender and light blues 13” H x 10.125” W x 5.5” D

$15,000-20,000

Provenance:

The Collection of Mary Millicent Abigail Rogers Private Collection, acquired in New York in the mid-1970s

Notes:

Mary Millicent Abigail Rogers (1902-1953) was the granddaughter of Henry Huddleston Rogers, Sr., a founding partner of Standard Oil. Among her many interests, she collected important Chinese works of art.

3021

A Chinese Langyao guanyin zun vase

Kangxi Period (1662-1722)

Underside of base with applied paper label for Nathan Bentz Collection, Los Angeles

The strawberry red glazed baluster-form vase thinning to cream at the neck and mouth, later drilled and mounted with brass lamp conversion fixtures, the base with open scrollwork

18.5” H x 6” Dia.

$2,000-3,000

Notes:

Nathan Bentz was an art dealer specializing in Chinese and Japanese objects. He developed an international reputation as an expert in Asian art and artifacts, especially porcelain, with buyers and contacts in Europe, Asia, and the U.S and had stores in San Francisco, Los Angeles, and Santa Barbara. He lived in a Greene & Green house in Santa Barbara from 1911 until his death in 1943.

3022

A Chinese Guan-type porcelain brush rest 19th century

The pale blue glazed porcelain brush rest modeled as rock work, with brown glazed underside, set in a carved wood stand

Porcelain: 2.375” H x 6” W x 1.75” D; With stand: 2.875” H x 6.25” W x 2” D

$800-1,200

3023

A pair of Chinese flambé porcelain fanghu vases

Qianlong Period (1736-1795) or later

Each incised to the underside bearing a reign mark for Qianlong Period (1736-1795)

Each rectangular potted ceramic vase with all-over streaked transmutation glazing in shades of blue, violet, maroon, and pale green, 2 pieces

Each: 12.5” H x 7.5” W x 7” D

$6,000-8,000

3024

A Chinese faux bois porcelain baluster vase

Late Qing Republic (late 19th/early 20th century)

Bearing blue underglaze seal to underside

Centering reserves of flowering branches and birds on a white ground flanked by gilt lion mask ring handles

7.5” H x 4.75” W x 3.25” D

$800-1,200

3025

A Chinese carved porcelain plaque of guardian lions Republic Period (1912-1949)

In the manner of Wang Bingrong (c. 1820-1875), the apple green glazed plaque depicting three guardian lions set in a silver-toned metal frame with ball feet

Plaque: 5.25” H x 4” W

$300-500

3026

Two Chinese polychrome porcelain 20th Century

Each unmarked

The enameled porcelain rectangular planters, of frolicking horses in a field, 2 pieces

Each: 8.5” H x 6.75” W x 6.75” D

$600-800

porcelain jardinières

planters, each depicting mirrored images

3027

A large Chinese Blanc de Chine porcelain figure of Guanyin 20th century

The figure depicted standing with a downward gaze, holding a vase in her left hand and standing on a lotus and dragon base

35” H x 9.5” W x 8” D

$800-1,200

3028

A Chinese porcelain vase 20th century

Mounted as a lamp, the baluster-form vase gilt-decorated with scholars in a garden setting and lu medallion motifs on a cobalt blue glazed ground, converted to a two-light lamp, raised on a brass base cast and pierced with conforming decorative elements, surmounted by a satin pleated shade, electrified

Lamp: 28.75” H x 8.25” Dia.; Shade: 12.875” H x 18” Dia.

$500-800

3029

Three Chinese polychrome porcelain figures

Late Qing Dynasty (1644-1912) or later

Each bearing an impressed reign mark to underside

Comprising one figure depicted in a floral robe with a walking stick, another figure in a floral robe holding a small child, and another figure in a dragon motif pattern

robe holding a Ruyi scepter, 3 pieces

Tallest : 22.75” H x 8.375” W x 7” D

$800-1,200

3030

A Chinese polychrome porcelain plaque 20th century

The porcelain plaque painted in the style of Mori Sosen, depicting an adult seated monkey with a younger one wearing a brocade shawl and holding a stick over the youngest who is eating red berries, in a lacquered wood frame Sight: 24” H x 35.875” W

$500-800

3031

A Chinese blue and white porcelain plaque 20th century

Bearing Kanji characters at upper left and reign mark to lower right In the style of Wang Bu, the plaque depicting a fisherman scholar and attendant, set in an openwork carved wood frame Sight: 14” H x 9.375” W

$500-700

3032

Three Chinese polychrome porcelain circular plaques

Early 20th century

Two bearing symbolic stamps in red overglaze

One depicting a scene of courtly figures, another depicting a domestic scene, and another depicting a mountain landscape with trees in the foreground, each set in a carved wood frame with brass hanger, 3 pieces

Each framed: 13.875” H x 12.375” W

$700-900

3033

A set of Chinese painted porcelain plaques

Late 20th century

Dated 1995, each inscribed with Chinese characters in black

Each rectangular panel depicting a snowy mountainous scene with buildings, set in a wood frame, 4 pieces

Each sight: 30” H x 9” W

$1,200-1,800

3034

Three Chinese Famille Rose porcelain framed plaques 20th century

One bearing Kanji characters at upper left corner Comprising three polychrome porcelain plaques, one depicting children in a landscape, another depicting children playing with lanterns, and another depicting an amorous couple, 3 pieces

Largest sight: 14.875” H x 9.875” W; Each smaller sight: 14” H x 9.375” W

$600-800

3035

Four Chinese polychrome porcelain plaques 20th century

Each bearing Kanji characters at upper corners

The rectangular plaques, each painted with lotus blossoms, foliage, and birds on a yellow ground, set in wooden frame pierce-carved with bats, scrolls, and medallions, surmounted by a brass hanger, 4 pieces

Each sight: 29” H x 9” W

$700-900

3036

A Set of Four Chinese Qing-Dynasty-style paintings 19th century or later

Pigment on rice paper, depicting interior genre scenes with figures; each unsigned; 4 pieces

Sight of each: 11.75” H x 7” W

$400-600

Provenance: The Estate of Marcia and Stephen J. Cannell

3037

Wang Qingyun (20th century)

“The Eight Immortals,” 1986 Ink and watercolor on speckled paper

Signed in Chinese and with the artist’s seal in ink along the lower edge: Wang Qingyun; dated and inscribed in Chinese characters along the lower edge: 1986 Sheet: 23” H x 78.25” W

$3,000-5,000

Provenance:

Sold: Bonhams, San Francisco, CA, “Asian Decorative Arts,” October 9, 2013, Lot 3449

Notes:

The Chinese inscription translated says that this work was painted by Fan Zeng di Zi, a student of Fan Zeng.

3038

Two Chinese scrolls depicting pandas

Two works:

Wu Zuoren (1908-1997)

Two pandas with bamboo

Ink on paper mounted as a hanging scroll

Stamped with red chop marks in both the upper left and lower right portions of the sheet; further inscribed in the upper left

20th century Chinese school

One panda with a bamboo branch

Ink on paper mounted as a hanging scroll

Stamped with a red chop mark as well as an ink inscription along the upper sheet edge. Image of two pandas: 13” H x 18” W; Image one panda: 26.25” H x 19.625” W

$1,500-2,000

3039

A group of Chinese snuff bottles 20th century

Comprising one porcelain with floral decoration, one black glass, one celadon glazed with pumpkin finial, one yellow Peking glass, one carved jade, one carved mottled agate, one acid cut glass with red tree motif, one enamel decorated metal with figural design, one glass with interior painted landscape, and one dark green carved stone, six set on carved wood stands, 16 pieces

Largest: 3.75” H x 2” W x 1.25” D; Smallest: 2” H x 1.5” W x 0.75” W

$2,000-3,000

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

3040

A group of Chinese glass snuff bottles 19th century

Each bearing Kanji characters recto

Comprising six glass snuff bottles with hardstone caps, each reverse-painted with various figural scenes, 6 pieces

Each: 3.625” H x 1.875” W x 0.875” D

$800-1,200

3041

A Chinese carved white jade boat

Qing Dynasty (1644-1912)

Bearing Kanji characters to applied rice paper

Depicting a figure in a boat above the waves hauling cargo

1.875” H x 4.375” W x 1.25” D

$500-800

3042

A Chinese carved jade figure of Buddha 20th century

Unmarked

The seated figure depicted with a dragon and foliage, set on a carved openwork rosewood stand

Stone: 5.25” H x 5.125” W x 2.375” D; Stand: 1.875” H x 4.75” W x 3.125” D

$800-1,200

Provenance:

Rue de ju, Beijing, China, March 24, 2003

The Collection of David and Holly Davis, Pasadena, CA

This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

3043

A pair of Chinese carved hardstone trees

Early 20th century

Each decorated with carved translucent orange hardstone peony flowers and stone leaves, affixed to woven fabric-encased and pliable branches, stemming from a painted plaster trunk, set in a weighted cloisonné pot, 2 pieces

Each: 24.5” H x 25” W x 19.5” D approximately

$800-1,200

3044

A pair of Chinese carved hardstone iris plants

Late 19th century

Each plant decorated with carved amethyst iris flowers and stone leaves, affixed to woven fabric-encased and pliable branches, and set in a weighted cloisonné footed pot, 2 pieces

Each: 21” H x 20” Dia. approximately

$800-1,200

3045

A pair of large Chinese carved hardstone covered urns 20th century

The ornately carved stone footed urns, each bearing multiple dragon motifs in relief to body, dragon-form handles, and four opposed ring accents, 2 pieces Each overall: 41” H x 21” W x 8.125” D

$1,000-1,500

3046

Y Three Chinese stone-mounted wall panels

20th century

Each unmarked

Each panel featuring carved wood tree trunks and branches issuing nephrite foliage and flowers with hardstone overlay including jasper, soapstone, and bone, framed in rosewood with an openwork cast iron handle, the central panel depicting mother of pearl cranes in a pine tree, another smaller depicting quail, bamboo, and chrysanthemum blossoms, and the last depicting birds in a prunus tree, 3 pieces Largest: 62” H x 28.875” W x 1.25” D; Smaller: 54.25” H x 18.5” W x 1.25” D

$800-1,200

Notes: This lot is accompanied by a purchase receipt from Warren Imports, November 6, 1972

This lot may require a CITES permit if being shipped outside California. Please contact your preferred shipping company for information.

3047

A Chinese carved wood panel 20th century

The wood panel with carved openwork foliate motifs in friezes, at center is depicted two traveler figures, one on horseback, surmounted by a brass openwork hanging handle

With handle: 19.625” H x 15” W x 1.375” D

$500-700

3048

Two Chinese bronze jardinières

18th century

The rectangular bearing a Kanji character to underside

Comprising one rectangular vessel raised on four cloud-form feet, and an octagonal vessel with opposed dragon-head handles and a banded meandering motif at center of body, 2 pieces

Larger: 3.25” H x 8.25” W x 6” D; Smaller: 3” H x 6” W x 4.75” D

$800-1,200

3049

A Chinese archaic-style bronze censer 19th/20th century

The interior bearing Kanji characters centering opposed fish figures

The censer with banded meandering and geometric motifs to exterior, with opposed square medallion handles, raised on four feet issued from taotie masks 4.75” H x 17.5” Dia.

$1,000-2,000

3050

A Chinese bronze and cloisonné enamel vase

20th Century

Marked with Kanji characters in the casting to underside

The vase with banded polychrome motifs of organic and geometric patterns, along with animal forms flanked by figural dragon handles 16.25” H x 14.25” W x 13” D

$700-900

3051

A Chinese six-panel cloisonné-mounted lacquered screen 20th century

The red lacquered wood panels, each featuring four inset cloisonné panels in various shapes, depicting flowers and birds, 6 pieces

Each panel: 73.5” H x 17.25” W x 1.25” D

$1,500-2,000

3052

A Korean figural painting

Late Joseon Dynasty (1392-1910)

“Eye of the Tiger”

Pigment and ink on paper mounted to a fabric-covered board

Unsigned; titled by repute

Sheet: 41” H x 26” W; Sight: 47” H x 31.25” W

$600-800

3053

Shibata Gito (1780-1819)

A pair of six-panel byobu screens, late 18th/early 19th century

Each signed at opposing lower corners

The painted and gilt rice paper screens in later ebonized wood frames, each panel joining to depict scholars and birds, within a silk brocade fabric border

2 pieces

Each panel: 66” H x 24” W x 0.75” D; Each stored: 4” D

$1,500-2,500

3054

A pair of Japanese six-panel narrative byobu screens

Edo Period (1603-1868)

Each signed to rice paper applied to edge of outside panel frame

The painted and gilt rice paper screens in ebonized wood frames, each panel joining to depict scenes from the Tales of Heike, within a silk brocade fabric border, 2 pieces

Each panel: 55.5” H x 23.5” W x 0.75” D; Stored: 4.5” D

$1,500-2,500

A pair of Japanese six-panel byobu screens 18th/19th century with later elements

The painted and gilt rice paper screens in ebonized wood frames, each panel with poetry decoupage above lower depictions of fences with ivy, morning glories, and passion flowers, within a silk brocade fabric border, 2 pieces

Each panel: 54.875” H x 21” W x 0.75” D; Each stored: 4.25” D

$2,000-3,000

3056

Maruyama Oshin (1790-1838)

A Japanese six-panel byobu screen, 19th century

Signed to lower left of leftmost panel

The painted and gilt rice paper screen in a red lacquered wood frame, each panel joining to depict various byobu screens, within a silk fabric border

Each panel: 42.75” H x 18.5” W x 0.75” D; Stored: 4” D

$1,000-2,000

3057

A pair of Japanese six-panel screens

The paintings Edo period, possibly earlier

The screens in ebonized wood frames, each panel mounted with painted rice paper depicting city scenes with warriors and other figures, mounted to fabric, 2 pieces

Each panel: 48.25” H x 17.875” W x 0.75” D; Each stored: 4.25” D

$2,000-3,000

3058

A Japanese six-panel byobu screen 19th/20th century

The painted and gilt rice paper screen in an ebonized wood frame, each panel depicting a city scene with figures against a mountainous backdrop, within a silk brocade fabric border

Each panel: 45” H x 20” W x 0.75” D; Stored: 4.25” D

$800-1,200

3059

A Japanese six-panel narrative byobu screen 19th/20th century

The painted and gilt rice paper screen in a wood frame, each panel joining to depict various scenes from the Tale of Genji, within a silk fabric border Each panel: 54” H x 21” W x 0.625” D; Stored: 4.125” D

$1,500-2,500

3060

A Japanese six-panel byobu screen 19th/20th century

The painted and gilt rice paper low screen in a wood frame, each panel joining to depict a riverside village scene with domestic vignettes, within a silk brocade fabric border

Each panel: 36.25” H x 19” W x 0.75” D; Stored: 4.25” D

$800-1,200

3061

A pair of Japanese six-panel narrative byobu screens 19th/20th century

Each vignette inscribed on gilt paper

The painted rice paper screens in ebonized wood frames, each panel depicting various vignettes from the Tales of Genji, within a gilt paper and silk brocade fabric border, 2 pieces

Each panel: 68” H x 24.875” W x 0.75” D; Each stored: 4.25” D

$2,000-3,000

3062

A pair of Japanese six-panel byobu screens

19th/20th century

Each bearing Kanji characters to applied paper verso; one signed to farthest right panel in a cartouche

The painted and gilt rice paper screens, each in a wood frame with panels joining to depict a riverside village scene with figures, within a silk fabric border, 2 pieces

Each panel: 55” H x 21” W x 0.625” D; Each stored: 4” D

$1,200-1,800

3063

A Japanese six-panel narrative byobu screen 19th/20th century

The painted and gilt rice paper low screen in an red lacquered wood frame, each panel joining to depict various scenes from the Tales of Genji, within a silk brocade fabric border

Each panel: 37.25” H x 17.5” W x 0.75” D; Stored: 4” D

$700-900

3064

A Japanese six-panel decoupage byobu screen 19th/20th century

Each decoupage element bearing Kanji inscriptions

The gilt rice paper screen in an ebonized wood frame, each panel with decoupage elements depicting seated poets, within a silk brocade fabric border

Each panel: 67” H x 25” W x 0.625” D; Stored: 4.25” D

$1,000-1,500

3065

A Japanese six-panel byobu screen 19th/20th century

The painted and gilt rice paper screen in an ebonized wood frame, each panel joining to depict a cherry blossom tree and cranes beside a river, within a silk brocade fabric border

Each panel: 67” H x 24.625” W x 0.75” D; Stored: 4.5” D

$1,500-2,500

3066

A Japanese two-panel festival screen

Taisho period (1912-1926)

The painted fabric screen in an ebonized wood frame, each panel joining to depict a celebrating crowd with banners and lanterns, within a gilt paper border

Each panel: 66.5” H x 33.5” W x 0.75” D; Stored: 1.5” D

$800-1,200

3067

A Japanese two-panel screen

20th century

Signed in the fabric at lower left

The painted fabric screen in a deep red lacquered wood frame, each panel joining to depict the faÁade of modern buildings along an intersection, within a gilt paper border

Each panel: 61.25” H x 37.25” W x 0.75” D; Stored: 1.5” D

$800-1,200

3068

A pair of Chinese embroidered fan-mounted two-panel screens 20th century, with earlier embroidery

Each screen mounted with embroidered silk fan forms with gold brocade frames, on a gold paper ground in an ebonized wood frame, 2 pieces

Each panel: 67” H x 37” W x 0.75” D; Each stored: 1.5” D

$800-1,200

3069

A Japanese two-panel byobu screen 20th century

The painted and gilt rice paper screen in an ebonized wood frame, each panel joining to depict pheasants and peonies underneath a cypress tree, within a gilt paper border

Each panel: 68” H x 34.75” W x 0.75” D; Stored: 1.375” D

$1,500-2,500

3070

An Asian four-panel folding screen 20th century

Each screen marked with a stamp of Kanji characters within an urn

The painted fabric screen in a wood frame, each panel depicting a different bird in nature, all within a gilt-painted paper inner border and gilt black fabric outer border in an elaborate floral motif pattern

Each panel: 51.75” H x 23.75” W x 0.625” D; Stored: 2.5” D

$500-700

3071

A Japanese six-panel byobu screen 20th century

Signed to upper right of rightmost panel

The painted and gilt rice paper screen in an ebonized wood frame, each panel depicting a city scene with figures and mountains in the distance, within a silk brocade fabric border

Each panel: 47.5” H x 21.75” W x 0.75” D; Stored: 4” D

$700-900

3072

A pair of Japanese six-panel decoupage byobu screens 20th century

Some decoupage elements signed

The painted and gilt rice paper low screens, each in an ebonized wood frame, each panel with applied decoupage including poems and figural and landscape paintings, within a silk fabric border, 2 pieces

Each panel: 47.75” H x 18.25” W x 0.75” D; Each stored: 4” D

$1,500-2,000

3073

A Japanese six-panel byobu screen 20th century

The painted and gilt rice paper screen in a wood frame, each panel joining to depict a landscape scene with pheasants, peonies, and a cypress tree, within a silk fabric border

Each panel: 42” H x 18.75” W x 0.75” D; Stored: 4.5” D

$800-1,200

3074

A pair of Japanese six-panel byobu screens 20th century

The painted and gilt rice paper screens in an ebonized wood frame, each panel joining to depict textured flowers and a pond, within a silk brocade fabric border, 2 pieces

Each panel: 68.25” H x 25” W x 0.75” D; Each stored: 4.5” D

$3,000-5,000

3075

A Japanese six-panel byobu screen 20th century

The painted rice paper screen in a wood frame with gilt paper hinges, each panel joining to depict a riverside village with figures, buildings, and a long bridge, all within a gold-toned fabric border with floral pattern

Each panel: 69” H x 23.375” W x 0.75” D; Stored: 4” D

$1,000-1,500

3076

A Japanese six-panel byobu screen 20th century

The painted rice paper screen in a wood frame with gilt paper hinges, each panel joining to depict a rural village scene with figures, buildings, bodies of water, and rolling hills in the distance, all within a gold-toned fabric border Each panel: 69.25” H x 23.375” W x 0.75” D; Stored: 4” D

$1,000-1,500

3077

A pair of Asian decoupage fan-mounted screens Mid-20th century

The Japanese-produced screens, each panel mounted with five applied Chinese paper fan forms painted with calligraphy, landscapes, plants, or animals, on a gilt paper ground in an ebonized wood frame, 2 pieces

Each panel: 69” H x 23.5” W x 0.625” D; Each stored: 3.5” D

$2,000-3,000

3078

A Japanese Satsuma porcelain vase and dish 20th century

Smaller dish bearing Kanji characters for Kinkozan

Each glazed ceramic vessel decorated with gilt enamel highlights, comprising a vase with figures in landscapes and a smaller Kinkozan dish with polychrome floral motifs, 2 pieces

Vase: 9.75” H x 4.5” Dia.; Dish: 1” H x 7.25” Dia.

$800-1,200

3079

A Japanese moriage porcelain charger

Late 19th/early 20th century

Unmarked

The ring-footed plate depicting figures in a landscape centering a textured slip decorated with scrolled foliate motifs

2.75” H x 15” Dia.

$500-700

3080

A Japanese blue and white porcelain plate

20th century

Unmarked

The plate with blue landscape scene centering a floral banded pattern to the rim

2.25” H x 14.5” W x 14.5” D

$700-900

3081

A Japanese glazed stoneware jar converted lamp 18th-19th century with later elements Possibly Tokoname pottery or tamba ware, the earthenware round jar fitted with a wood base and singlelight lamp components, electrified Overall without harp: 23.75” H x 14” Dia.

$400-600

3083

A Japanese okimono of a hawk

Late 19th/early 20th century

Bearing Kanji signature translating to: Kunichika

The cast metal alloy hawk depicted perched on a metal rod

Overall: 13.5” H x 12.5” W x 12” D

$1,200-1,800

3084

Japanese carved hardwood mask group okimono 19th century

The conjoined cluster of theatrical masks, recto including a monkey, a dragon, and a human face, verso including two human faces, mounted to a metal support and housed in a custom acrylic case

Masks: 1.75” H x 1.75” W x 0.875” D; Case: 7.5” H x 4.125” W x 3.75” D

$2,000-3,000

Provenance:

Sold: Sotheby’s, New York, NY, “Fine Japanese Prints and Works of Art,” May 25, 1989, Lot 130

The Collection of David and Holly Davis, Pasadena, CA

3082

A Japanese inlaid bronze vase 19th century

The baluster-form vase with opposed openwork handles, featuring mixed metal inlay and overlay to body depicting foliate and avian motifs, with gilt and silvered flowers

12.625” H x 7.5” W x 5.625” D

$700-900

3085

Utagawa Kunimasa IV (1848-1920)

“Kabuki Actors,” triptych, circa 1890

Each: Woodcut in colors on paper

Each from the edition of unknown size; printed in 1892

With the printed signature in Japanese in the upper left quadrant of the woodcut at left side of the triptych: Kunimasa IV; Sawa Hisajiro, pub.

Sight of each: 13.75” H x 8.75” W

$800-1,200

3086

Hiroshi Yoshida (1876-1950)

“Temple in the Wood,” 1940

Woodcut in colors on Japanese paper

From the edition of unknown size

Stamped with the artist’s name and the title of the work in the lower margin: Hiroshi Yoshida; with the artist’s Japanese “Hiroshi” red ink seal in the image at lower left, and with various Japanese stamps printed in the left margin; dated by repute

Image: 14.625” H x 10” W; Sheet: 15.625” H x 10.625” W

$700-900

3087

A Japanese painting of a procession of insects

Early 20th century

Ink and color on silk

Depicting frogs, crickets, mantis, and hornets in a march beneath Mount Fuji

Sight: 17.75” H x 33.75” W

$500-700

3088

Two Japanese maps of Tokyo and Kyoto 19th/20th century

The ink on paper illustrated maps, comprising a map of 1885 Tokyo and a map of Kyoto, 2 pieces

Each profusely labeled and marked in Kanji characters

Kyoto sight: 28.25” H x 40.5” W; Tokyo sight: 30.75” H x 35.375” W, irregular

$1,500-2,000

3089

An Asian carved wood sculpture of a deity and attendant 20th century

Possibly Indonesian, the polychrome wood sculpture of a fourarmed deity figure kneeling on an animal attendant 18.25” H x 8” W x 7” D

$400-600

3090

An Asian carved wood figure of an attendant 17th century or later

The carved polychromed wood figure dressed in a heavy robe and painted in colorful pigments, mounted to an acrylic base

Wood: 17.375” H x 5” W x 3.5” D; Base: 2” H x 5.5” W x 4.5” D

$600-800

3091

A Buddhist Celestial painting 19th/20th century

Ink and pigment on silk laid to board, depicting a seated male Buddhist celestial wearing a robe and holding a Ruyi scepter, the figure is surrounded by celestial animals below, a decorated canopy above, and the background is of a rocky landscape and white magnolia flowers

Sight: 54.25” H x 27” W

$1,000-1,500

Provenance:

Sold: Bonhams, Los Angeles, CA, “Decorative Asian Works of Art,” December 17, 2021, Lot 375

3092

A Tibetan thangka 19th/20th century

Gouache and gold leaf pigment on fine wove canvas, depicting a central standing deity surrounded by further deities 16.75” H x 14.75” W

$800-1,200

3093

A South Asian bronze figure of Avalokiteshvara 18th/19th century or later

The figure depicted with eleven faces and eight arms, each holding a different item, raised on a double lotus plinth 25” H x 12.5” W x 5.5” D

$1,000-2,000

3094

A Nepalese stele of Chakrasamvara with his consort Vajravarahi 17th century

The couple embracing in alidhasana over prone figures, Chakrasamvara with radiating arms around and holding various implements, with four faces, including one on the reverse, Vajravarahi with her right arm raised holding a vajra and with her left around his neck, her head flung back to look into his face, both within a flaming prabhamandala on a lotus pedestal and set in a custom wood plinth

Stone: 14.25” H x 9” W x 3.75” D; Plinth: 2.75” H x 11.25” W x 5.625” D

$3,000-5,000

Provenance: The collection of Joseph Michael Carrier

3095

A Nepalese stele of Durga slaying the demon Mahishasura 17th century

Durga standing with one foot on her tiger and the other on the buffalo body of Mahishasura, holding various weapons, with her trident aimed at the demonís heart, all within a flaming prabhamandala raised on a lotus pedestal, set in a custom wood plinth

Stone: 13.25” H x 8.5” W x 3.5” D; Plinth: 2.75” H x 10.25” W x 5” D

$4,000-6,000

Provenance: The collection of Joseph Michael Carrier

3096

A Nepalese-style gilt copper repoussé figure of Avalokiteshvara 17th century or later

The repoussé figure of the deity of compassion fitted with two pieces and with right hand in the gesture of no fear, the face with a gentle expression and surmounted by a high crown fitted over the tall chignon, with traces of red pigments throughout 8.5” H x 4.5” W x 2.25” D

$1,000-1,500

Provenance:

Freeman’s / Hindman, , “Asian Works of Art,” September 27, 2023, Lot 298 Private Collection, Los Angeles, CA, acquired from the above

3097

A Thai bronze Buddha figure 19th century

The figure depicted atop a lotus pedestal with openwork base, seated with hands in bhumisparsha mudra, surmounted by an unmounted ushnisha flame 23” H x 14.25” W x 9.5” D

$700-900

3098

A Mughal-style portrait of a lady 19th century or later

Gouache and ink on stiff paper

Unsigned Image/Sheet: 7.875” H x 5.125” W

$600-800

3099

A Rajput-style painting of a nobleman on horseback with two servants 19th century or later Gouache and ink on paper Appears unsigned Sight: 9.75” H x 8.25” W

$400-600

3100

An Indian carving set and stand 20th century

Etched to wood of the sheath: CCCCC

Comprising a gilt and pigment sheath on a wood and brass stand, housing a steal knife and fork, each with conformingly decorated wood handles, 3 pieces

2.5” H x 17” W x 3” D

$400-600

3101

A Greek bronze hand mirror

Circa 100-600 AD or later

Likely assembled, with a figure depicted in relief to one side, above a handle with scrolls at the juncture, set into a later square rouge marble base

Paddle: 8.875” H x 4.125” W; Base: 3.125” H x 3” W x 3” D

$500-700

Provenance:

The Estate of Robert Evans

Sold: Julien’s Auction House, “Property from the Estate of Robert Evans,” October 24, 2020, Lot 526

Private Collection

Notes: This item appears in the film “The Kid Stays in the Picture” (Focus Features, 2002), and in the New York Times Magazine “Domesticities” online video dated October 27, 2010.

3102

An Egyptian bronze figure of Khnum Late Period, circa 600-30 BC

The figure of Khnum, god who molded humans from the clay of the ground and controls the flow of the Nile River, depicted mid-stride with a ram’s head and holding the khepesh-scimitar and wearing a short kilt, mounted to a gilt composite base

Figure: 8.25” H x 2” W x 3.25” D; Overall: 10” H x 2.5” W x 4.125” D

$2,000-3,000

Provenance:

Stendahl Gallery, Los Angeles CA

Private collection, acquired from the above, circa 1950s

Notes: This lot is accompanied by a gallery card from Stendahl Gallery.

3103

A Moroccan fossilized shark teeth specimen

Prehistoric or later

The stone specimen with multiple fossilized shark teeth embedded 4.25” H x 32” W x 23” D

$1,000-1,500

Johannes “Jan” Kip (1652/53-1722)

Four works:

“Nibley, Gloucestershire, the Seat of George Smyth, Esq.” from “Britannia Illustrata,” circa 1715

Engraving with hand-coloring on paper

From the edition of unknown size

With the artist’s name engraved in the plate at lower right: J. Kip Del et Sculp Plate: 13.75” H x 17” W; Sight: 14.25” H x 17.75” W

“Maugersbury Manor, Gloucestershire, the Seat of Edmund Chamberlain, Esq.” from “Britannia Illustrata,” circa 1715

Engraving with hand-coloring on paper

From the edition of unknown size

With the artist’s name engraved in the plate at lower right: J. Kip Del et Sculp Plate: 13.75” H x 17” W; Sight: 14.25” H x 17.5” W

“Coberly, Gloucestershire, the Seat of Jonathan Castleman Esq.” from “Britannia Illustrata,” circa 1715

Engraving with hand-coloring on paper

From the edition of unknown size

With the artist’s name engraved in the plate at lower right: J. Kip Del et Sculp Plate: 13.75” H x 17” W; Sight: 14.25” H x 17.5” W

“Cleeve Hill, Gloucestershire, the Seat of William Player, Esq.” from “Britannia Illustrata,” circa 1715

Engraving with hand-coloring on paper

From the edition of unknown size

With the artist’s name engraved in the plate at lower right: J. Kip Del et Sculp Plate: 13.75” H x 17” W; Sight: 14.25” H x 17.5” W

$800-1,200

3105

Albrecht Durer (1471-1528)

“St. George on Foot,” circa 1502

Engraving on off-white laid paper without watermark

A rich, carefully-inked Meder b (of f) impression, without the additional scratches to the plate described in later impressions

Sheet: 4.375” H x 2.75” W (112 x 71 mm)

$7,000-10,000

Literature: Bartsch 53; Meder 55 b/f; Strauss 36

3106

Rembrandt Van Rijn (1606-1669)

“Self Portrait Drawing at a Window,” 1648

Etching and drypoint on laid paper without watermark

A good, later impression, printed with a delicate veil of plate tone, Biorklund’s fifth (final) state; Usticke’s sixth state (of eight); White and Boon’s fifth (final) state;; the signature and date printed in the plate at upper left: Rembrandt. f 1648

Plate: 6.25” H x 5.125” W (158 x 129 mm); Sheet: 6.25” H x 5.25” W (160 x 134 mm)

$2,000-3,000

Provenance:

Unidentified collector’s paraph, black ink, verso: JB[?] or GB[?] (not in Lugt)

Private European Collection

Sold: Swann Auctions, New York, NY, “Old Master Through Contemporary Prints,” November 7, 2002, Lot 349

Atlas Galleries, Chicago, IL

Private Collection, California, acquired from the above

Literature:

Bartsch 22; Biorklund 48-A; Hollstein (White and Boon) 22

3107

Attributed to Daniel Maclise (1806-1870)

Study of Christopher North, circa 1840 Graphite and gouache on beige paper

Inscribed in ink with the artist’s name, possibly in another hand, on the handpainted, French-style mount: Daniel Maclise, R.A. 1806-1870; inscribed in pencil, also possibly in another hand, in the lower right corner of the sheet: “Burn’s Festival / April 18? / Christopher North;” with this information also on a gallery label affixed to the frame’s backing board, and with an additional notation indicating that the work came from a sketchbook, circa 1840 Sheet: 6.5” H x 4” W

$400-600

Provenance: David Ker Fine Art, London, England

3108

Roman School

17th Century or later

Facial studies of a child and an older male, circa 1680

Graphite on greenish-buff laid paper, watermark crowned fleurs-de-lis

Unsigned; described as Roman School and dated circa 1680 on the frame plaque Sheet: 16.5” H x 11” W

$800-1,200

Provenance:

Joanna Booth Fine Art, London, England, December 1998 (according to notations on the frame’s backing board)

3109

17th century Italian School

“A Female Saint with the Virgin and Child”

Ink on laid paper

Unsigned; inscribed in graphite, presumably in another hand, verso: “7950”; titled on a gallery label affixed to the frame’s backing paper

Sheet: 9” H x 6.25” W (irreg.)

$400-600

Provenance:

Joanna Booth Fine Art, London, England

3110

Frank Brangwyn (1867-1956)

“Unloading bricks at Ghent,” 1906 Graphite and lithographic crayon on paper

Initialed, dated, and inscribed in pencil lower left: FB 1906 / Ghent; titled on a gallery label affixed to the frame’s backing paper

Sight: 12” H x 14” W

$400-600

Provenance:

Campanile Galleries, Inc., Chicago, IL

3111

18th Century Italian School

“Saint Joseph and Christ” Oil on canvas

Unsigned; titled on a gallery label affixed to the frame’s backing board 36” H x 30” W (oval)

$1,000-2,000

Provenance: St. Joseph’s College, Rensselaer, IN Campanile Galleries, Inc., Chicago, IL

3112

A Gothic carved stone Madonna and Child 15th/16th century; France

The marble and limestone figural group of the Madonna and Child, the standing Madonna dressed in a long, swagged cloak and holding the young Christ in her left arm, the child with arm extended in benediction

47” H x 18” W x 10” D

$1,000-2,000

Provenance: Estate of Monique De Wulf

3113

A Charles I bronze mortar

17th century

The cast bronze mortar with flared rim and base, each side bearing the coat of arms for Charles I 6” H x 7.25” Dia.

$600-800

3114

A pair of Renaissance-style brass figural andirons

Late 19th century

Each depicting a partly robed figure of Hercules hoisting a flaming urn, raised on a shaped base featuring a pair of opposed dragons or gryphons centering a figural mask below a crest, raised on paw feet, 2 pieces

Each: 40.5” H x 19” W x 26.5” D

$3,000-5,000

3115

A Continental wrought-iron and marble console table 20th century

The patinated wrought-iron table with single drawer above foliate and bellflower motifs, raised on scrolled legs joined by a lateral stretcher, surmounted by a marble top

Overall: 34.75” H x 68.5” W x 21” D

$700-900

3116

A pair of Baroque-style wall brackets 20th century

The gilt and painted carved wood wall-mounted brackets, each decorated with garlands and acanthus leaves above a pinecone drop finial, 2 pieces

Each: 15” H x 13.5” W x 7” D

$400-600

Provenance: The Estate of Marcia and Stephen J. Cannell

3117

A Baroque-style giltwood table

Late 19th/early 20th century

The floriform tabletop with inset mirrored panels above a tripod base with scrolled acanthus legs raised on paw feet

Base: 28.25” H x 24” W x 25” D; Tabletop: 1.5” H x 40.75” Dia.

$2,000-3,000

3118

A pair of Baroque giltwood altar sticks 19th century

The carved wood foliate-form sticks, each gilt to one of three sides and raised on a scrolled tripod base, 2 pieces

Each: 31.75” H x 7” W x 6.75” D

$400-600

3119

A pair of Baroque-style giltwood and wrought-iron girandoles 19th century

The four-light girandoles, each with a carved giltwood and gesso urn issuing four scrolling floriform candle arms, 2 pieces Each: 23” H x 22” W x 7” D

$800-1,200

3120

A Continental leather-clad trunk 19th century

The wood trunk wrapped in leather with brass tacking and floral medallions arranged in an X-pattern, with opposed handles, the slightly curved lid with locking mechanism, revealing a red felt-lined interior

17.75” H x 37” W x 17” D

$300-500

Provenance: The Estate of Marcia and Stephen J. Cannell

3121

A French provincial fruitwood hutch

Early 19th century

The upper console with tiered cornice above latch-locking cabinet doors with braided wire open panels revealing two shelves; the lower console with three drawers above locking cabinet doors revealing a single shelf, raised on bracket feet joined by a shaped apron

Overall: 75.75” H x 38.5” W x 17.25” D

$600-800

Provenance: The Collection of David and Holly Davis, Pasadena, CA

3122

A Sicilian donkey cart

Early 20th century

The polychrome carved wood “carretto” profusely decorated in friezes to wood panels depicting figures and historical scenes alternating between figural “barruni” posts, the box interior with sun motifs painted in the reds and yellows of the Sicilian flag, mask elements appearing in relief throughout including wheels, the undercarriage decorated with polychrome hand-wrought iron arabesque in the “ferro battuto” style, with an elaborate openwork “pizzu” along the axel depicting St. George slaying a dragon At rest: 50” H x 52” W x 86” L approximately

$1,000-1,500

Notes:

This lot is accompanied byby the paperback book: Marcella Croce and Moira F. Harris, “History on the Road: The Painted Carts of Sicily” (Pogo Press, 1996).

3123

A rustic trestle table

Late 19th/early 20th century

The carved wood table of mortise and tenon construction, raised on trestle legs joined by a lateral stretcher

30” H x 69” W x 23.25” D

$800-1,200

Provenance:

The Estate of Marcia and Stephen J. Cannell

3124

A Rococo-style giltwood bracket

19th century

The bracket carved with seraphim, asymmetrical rockwork, and scrolls, featuring a winged bust of a Native American 35” H x 21” W x 11” D

$500-700

3125

An Italian Rococo walnut marquetry commode 18th century

The three-drawer, serpentine-front dresser with later replaced brass pulls, escutcheons, and locking mechanisms, the top with banded borders centering an inlaid floret, the fronts and sides conformingly inlaid

37.75” H x 55” W x 26” D

$1,000-1,500

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

3126

A pair of Louis XVI-style girandoles

Late 19th/early 20th century

The gilt-bronze six-light candelabra, each with clear cut glass tear drops, swagged beads, and floriform accents, 2 pieces

Each: 32.25” H x 14” Dia.

$1,500-2,000

3127

A Louis XV/XVI transitional-style marquetry commode Early 20th century

The veneered wood commode surmounted by a white marble top, with gilt mixed metal trim, garlands, wreath pulls, and paw feet, featuring two drawers, each with marquetry fronts as well as to the sides of the piece, above a shaped apron with a central gilt-bronze mask flanked by garlands, raised on cabriole legs

33.75” H x 53.25” W x 22” D

$1,000-1,500

3128

A Louis XVI-style canapé Mid-20th century

The cream-painted carved wood casket with rolled arms and foliate and floral accents, featuring a rose garland mounted to crest rail, raised on fluted tapered legs, lushly upholstered in dark peach velvet, with five large cushions and bolsters with tassels and braided trimmings

55.5” H x 82.5” W x 40” D

$1,000-1,500

3129

A Louis XVI-style canapé Mid-20th century

The cream-painted carved wood casket with rolled acanthus-form arms, ribbon trim, and foliate and floral accents, featuring a garland mounted to crest rail centering rose buds, raised on fluted tapered legs, lushly upholstered in dark peach velvet, with five large cushions and bolsters with tassels and braided trimmings 56” H x 96” W x 56” D

$1,000-1,500

3130

A pair of Empire-style parcel gilt bronze candlesticks Early 20th century

Each with a columnar standard issuing a garland below an urn-form boËche, raised on tripod legs with paw feet, draped in leaves, set on an architectural conforming base, 2 pieces

Each: 10.5” H x 4.125” W x 3.75” D

$600-900

3131

A French Empire mahogany dresser 19th century

The wood dresser with mahogany veneer and gilt-bronze mounts, featuring a hinged mirror flanked by columnar supports surmounted by urn finials, above three drawers with gooseneck pulls, the upper drawer revealing opposed sliding door compartments, the lower two with locking mechanisms, all centering mounted lyre and foliate accents, raised on circular bracket feet

73” H x 44.5” W x 23” D

$700-900

3132

Four French Neo-Grecque gilt-bronze appliques 19th century

The three-light wall mounts, backplate cast with an anthemion above a reeded urn over suspended palmette, issuing three scrolling arms terminating in floriform bobèches, 4 pieces Each: 27” H x 31” W x 19.5” D

$1,000-1,500

3133

A French gilt metal chandelier 19th century

The eight-light chandelier with central baluster-form standard above an architectural base with modified egg and dart trim and pinecone drop finial, issuing scrolled foliate arms terminating in floriform bobèches, electrified 44.5” H x 45” Dia.

$1,000-2,000

3135

A Louis XV-style bronze cabinet

Early 20th century

Bronze plaque bearing engraved Linke script signature

The wood gilt-bronze mounted cabinet with parquetry veneer, surmounted by a marble top and raised on curvilinear legs, featuring a hinged locking cabinet door mounted with a gilt-bronze plaque depicting children at play centering ribbon and garland motifs, opening to reveal a later added wood letter filing shelf

59.5” H x 28.75” W x 16.25” D

$1,200-1,800

3134

A Louis XV-style bureau plat

Late 19th/early 20th century with later bronze mounts

The ebonized wood desk with inset black leather top featuring blind-stamped accents and gilt-stamped trim within a brass mounted border, above three drawers to one side and three false drawers to the other, highlighted with later gilt-bronze mounts of various foliate motifs, masks, and paw feet, all raised on curvilinear legs

31.25” H x 72” W x 39” D

$1,000-1,500

3136

A pair of Aubusson tapestry entre fenêtres 19th century; France

Each narrow rectangular panel woven with festooned floral arrangements over a baldaquin over a balustrade, 2 pieces

Each: 82” H x 29” W

$800-1,200

3137

A Baker lacquered wood bureau plat 20th century

Left drawer with metal tags: Baker Furniture / Collector’s Edition by Baker

The ebonized wood desk with gilt-painted chinoiserie figural scenes to apron and foliate accents, featuring an inset green leather gilt-stamped writing surface above three drawers, one locking, each with gilt-bronze hardware and pulls, all raised on cabriole legs

31.25” H x 53” W x 28.25” D

$600-800

Provenance:

The Estate of Marcia and Stephen J. Cannell

3138

A French carnet de bal Mid-19th century

Written in gilt script recto: Souvenir

The gold-plated (tested 12k) case with mother of pearl hinged booklet, with integral pencil on spine, opening to reveal a silk-lined accordion pouch and a booklet containing a printed miniature calendar

3.625” H x 2.625” W x 0.5” D

$1,000-1,500

3139

A Renaissance-style Limoges enamel and bronze clock garniture

Late 19th century; France

Marked to movement: 7836 / 52

The two-movement clock with Limoges enameled porcelain dial bearing Roman numerals, housed in a gilt-bronze case with four painted metal panels, an urn finial, and lion mask accent to front of base, raised on paw feet, together with two conforming five-light candelabra, 3 pieces

$1,000-2,000

Clock: 19.75” H x 1.75” W x 8.75” D; Each candelabrum: 22.75” H x 9.5” W x 9.5” D

3140

A French champlevé enamel and onyx jewelry casket

Late 19th century

Unmarked

The box with inset onyx panels under enameled brass, the hinged lid mounted with a porcelain plaque painted with a scene of Venus and Cupid 4.125” H x 8.25” W x 6.625” D

$600-800

3141

A Continental jeweled and enameled gilt metal box

Late 19th/early 20th century

The hinged scallop shell-form box mounted with faceted citrines and pearls, with gilt sprigs on a cobalt blue enamel ground, the mounts engraved with C-scrolls and foliage, opening to a red velvet-lined interior mounted with a pearl

3.5” H x 6.375” W x 6.625” D

$600-800

3142

A Continental marquetry vanity box 1875

Dated to brass plaque recto

The carved wood lidded box with locking mechanism, revealing a mirrored panel underneath lid, the exterior featuring marquetry inlay throughout in geometric patterns, raised on bun feet

6.75” H x 13” W x 8.875” D

$500-800

3143

A Russian silver liturgical chalice 1787

Marked for Moscow, with assay mark: 1787 / A T; further marked for an unknown maker

The silver alloy chalice mounted with enameled plaques depicting various saint figures to bowl and base, the cup featuring openwork details, the base with repoussé garlands, crosses, and floral motifs

12.125” H x 6.875” Dia.

34.8 oz. troy approximately

$600-800

3144

A pair of green marble holy water fonts 20th century

The fonts with rimmed circular basins over baluster-form standards on spreading circular feet, 2 pieces

Each: 32” H x 15.75” Dia.

$800-1,200

3145

A Levantine inlaid hardwood mirror

Late 20th century

The carved wood frame profusely inlaid with mother-of-pearl and bone trim, surmounted by a conformingly inlaid ornate cornice with openwork turned wood accents and foliate motif inlay

57.25” H x 29.5” W x 3” D

$400-600

Provenance: The Estate of Marcia and Stephen J. Cannell

Thierry Poncelet (b. 1946)

Brussels-born artist and art restorer Thierry Poncelet 19th Century and Old Master portrait paintings. joined the workshop of Max Massot where he continued

Poncelet found success as a restorer and painter, portraits and was an enthusiastic dog lover. Inspired human heads in older portraiture with the heads

The humor and appeal of Ponceletís “Aristochien” with historical portrait settings.

Poncelet is celebrated for his anthropomorphic depictions of dogs using repurposed paintings. Poncelet studied art at the Institut Saint-Luc in Brussels and, after graduation, continued his training in painting and restoration. painter, and also worked as an art dealer in Brussels. He personally collected ancestor Inspired by his own dog and these combined interests, Poncelet began replacing heads of various breeds of dogs, and called these collaborations “Aristochiens.”

“Aristochien” portraits stems from the artist’s ability to astutely match dog breed personalities

3146

Thierry Poncelet

(b. 1946)

Portrait of a Dalmatian in a suit Oil on canvas laid to panel Unsigned

37.25” H x 24.5” W

$3,000-5,000

Provenance:

Sold: Bonhams, San Francisco, CA, “Dogs in Art,” January 25, 2005, Lot 111

Notes:

This lot is sold together with a copy of a book about the artist and his dog portraits: Bruce McCall, “Sit!: Ancestral Dog Portraits” (New York: Workman Publishing Company, Inc., 2001)

In the present painting, a Dalmatian stands stiffly, dressed in a formal men’s suit, his gaze unwaveringly toward the viewer. In the pose and dress, Poncelet captures the breed’s known intelligence, reserve, and dignity.

3147

Thierry Poncelet (b. 1946)

Portrait of a Shih Tzu with lace collar Oil on waxed canvas laid to canvas

Signed lower left: Th. Poncelet

30” H x 25” W

$1,500-2,000

Provenance:

Sold: Bonhams, San Francisco, CA, “Dogs in Art,” January 25, 2005, Lot 113

Notes:

This lot is sold together with a copy of a book about the artist and his dog portraits: Bruce McCall, “Sit!: Ancestral Dog Portraits” (New York: Workman Publishing Company, Inc., 2001)

3148

Elizabeth Strong (1855-1941)

Borzoi beside a garden bench Oil on canvas

Signed lower right: Elizabeth Strong

Sight: 11.5” H x 15.5” W

$1,000-1,500

3149

Elizabeth Strong (1855-1941)

Portrait of a Spaniel Oil on canvas

Signed lower right: E. Strong

16” H x 12” W

$1,000-1,500

3150

Thaddeus Welch (1844-1919)

Beagle, 1886 Oil on canvas

Signed and dated lower right: T. Welch 86 20” H x 15” W

$1,000-2,000

Provenance: Private Collection, Sacramento, CA

3151

Lucy Waller (1856-1908)

“Nero,” 1890 Oil on canvas

Signed, titled, and dated lower right: Lucy Waller 1890 28” H x 36” W

$400-600

Provenance: Sold: Bonhams, San Francisco, CA, “Dogs in Art,” January 25, 2005, Lot 68

3152

Early 20th Century American School

Gordon Setter facing left, 1903

Oil on canvas

Signed partially indistinctly and dated lower left: H.B. [indistinct] / 1903

18” H x 20.25” W

$500-700

3153

Marius Dahlgren (1844-1920)

Nova Scotia Duck Tolling Retriever, 1894

Oil on board

Signed and dated upper right: Marius Dahlgren / 1894

22” H x 17” W

$500-700

3154

Sidney Brackett (1852-1910)

Bernese Mountain Dog, 1896

Oil on canvas

Signed lower left: Sidney Brackett; dated in ink, possibly in another hand on the lower portion of the stretcher: 1896

7” H x 9” W

$500-700

3155

H. Fiorentino (20th century)

“Doggo”

Oil on canvas laid to canvas

Signed lower left: H. Fiorentino; titled by repute 13” H x 15.75” W

$1,000-1,500

3156

George Paterson (1880-1904)

Great Dane Oil on canvas

Signed lower right: Geo. Paterson 14” H x 16” W

$600-800

Provenance: Sold: Bonhams, San Francisco, CA, “Dogs in Art,” January 25, 2005, Lot 73

3157

19th Century English School

Portrait of a Borzoi, “Alix” Oil on canvas

Unsigned; inscribed upper right: “Alix” 20” H x 16” W

3158

Frederick Thomas Daws (1878-1956)

A Boxer puppy, 1911 Oil on canvas laid to canvas

Signed and dated lower right: F.T. Daws / 11 17” H x 13” W

$700-900

Provenance: Sold: Bonhams, San Francisco, CA, “Dogs in Art,” March 30, 2004, Lot 129

3159

Henry Crowther (1905-1939)

Pomeranian, 1916

Oil on canvas laid to canvas

Signed and dated lower left: H. Crowther / 1916 12” H x 15” W

$600-800

Provenance: Sold: Bonhams, San Francisco, CA, “Dogs in Art,” March 30, 2004, Lot 115

3160

Harold Bowman (20th century)

Boston Terrier, 1919

Oil on paperboard

Signed near the center of the right edge: Bowman / 1919

13” H x 11” W

$600-800

3161

20th Century American School

Bloodhounds in a creek

Oil on panel

Signed lower right: Knome 16” H x 12” W

$600-800

3162

Laura Michelle (20th century)

Boxer at a seaside window Oil on canvas

Signed lower right: Laura Michelle 28” H x 21.5” W

$400-600

3163

Attributed to Arthur Hill Gilbert (1894-1970)

English Springer Spaniel Oil on canvas

Bears signature on the upper portion of the stretcher: Arthur Hill Gilbert; indistinctly inscribed lower right: Je**e 24” H x 26” W

$500-700

3164

(20th century)

Signed lower left: Jan Small 16” H x 20” W

$400-600

Jan Small

Doberman Oil on canvas

M. Bateman-Champain

(Late 19th/early 20th century)

“Here They Come” (Hunting dogs scrambling over a fence), circa 1900

Ink and gray wash on off-white paper laid to board, as issued

Signed in the lower right corner: M. Bateman-Champain; titled from a related engraving by another artist; and dated from notations verso

Sheet 25.625” H x 15.625” W; Board mount: 26.125” H x 16.625” W

$600-800

Notes:

The present work appears to be based on the painting “Hounds in Full Cry” by the British artist Thomas Blinks (1860-1912) that served as a model for the engraving “Here They Come,” by Joseph Bishop Pratt (1854-1910), published in 1883 by Arthur Tooth & Sons, London.

According to information affixed to the frame’s backing paper, notations and a date of 1907 were hand-written “on the back” by a previous matter/framer called The Art Shop in London, England. Those notations are not visible as the work is currently matted.

3166

William “Bill” McPherson (1905-1972)

Two works:

“Dot,” 1937

Pastel on cream-colored paper

Signed and dated lower right: Bill McPherson / 1937; titled lower left

Sight: 12.5” H x 9.5” W

Brittany Spaniel, 1971

Pastel on paper

Signed and dated lower left: Bill McPherson / 1971

Sight: 13.75” H x 10.5” W

$300-500

3167

William “Bill” McPherson (1905-1972)

Two works:

Brittany Spaniel, 1959

Pastel on paper

Signed and dated lower left: Bill McPherson / 1959

Sight: 10.5” H x 9.25” W

Brittany Spaniel, 1960

Pastel on paper

Signed and dated lower right: Bill McPherson / 1960

Sight: 10.5” H x 9.25” W

$300-500

3168

Ray Hayden (20th century)

“Point,” 1936

Etching on paper

Edition: 14/100

Signed, titled, dated, numbered, and inscribed “Ed/100” in pencil in the lower margin: Ray Hayden / 36

Plate: 7” H x 5.5” W; Sight: 8” H x 6.25” W

$300-500

3169

Léon Danchin (1887-1938)

Two works:

Cocker Spaniel

Etching on paper

Edition: 220/500

Signed and numbered in pencil on the lower platemark, at Plate: 13” H x 10.25” W; Sight: 18.25” H x 14.25” W

English Springer Spaniel

Etching on paper

Edition: 312/500

Signed and numbered in pencil on the lower platemark, at Danchin

Plate: 13” H x 10.25” W; Sight: 18.25” H x 14.25” W

$300-500

at left: Léon Danchin

at right: Léon

3170

A George II sterling silver chocolate pot

1744; England

Date marked and with hallmarks for sterling and for London; maker’s mark for Gabriel Sleath

The pot with chased floral and scroll decoration, the hinged lid with pineapple finial and shaped wood handle, the spout with scroll decoration, raised on a stepped base

10.125” H x 8.5” W x 4.5” D

30.5 gross oz. troy approximately

$800-1,200

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

Notes:

It is purported that the subject property is one of a pair with the other now in the collection of the Dublin Museum, Ireland.

3171

A George III sterling silver coffee pot

Mid/late 18th century; England

With hallmarks for London and for sterling; maker’s mark for Thomas Whipham: TW [in a cartouche]; date mark obscured by design, likely for 1749 or 1789

Crafted either by Thomas Whipham, Sr. (d. 1985) or his son and successor by the same name, the silver coffee pot with bird-form spout and hinged lid with acorn finial, featuring repoussé floral motifs throughout and a foliate-form handle

10.125” H x 8.5” W x 4.5” D

35.7 gross oz. troy approximately

$800-1,200

Three George III sterling silver tea service items 1751; England

Each date marked, with hallmarks for sterling and for London; maker’s mark for Samuel Taylor: ST [in a heart]

Comprising two sugar casters and a lidded tea caddy, each profusely decorated with repoussé floral and foliate motifs to body, personalized, 3 pieces

Each caster: 5.375” H x 3.125” Dia.; Caddy: 5.875” H x 4.25” Dia. 29.4 oz. troy approximately

$1,500-2,000

3173

A pair of George III sterling silver candlesticks 1767; England

Each with date mark and hallmarks for sterling and for London; maker’s mark for Ebenezer Coker: EC

The footed candlesticks, each with an architectural squared base issuing a tiered standard below a removable floriform bobèche, 2 pieces

Each overall: 10.5” H x 4.625” W x 4.625” D

40.2 oz. troy approximately

$1,000-1,500

3174

A George II sterling silver coffee pot 1769; England

With date mark and hallmarks for sterling and for London; maker’s mark likely reading: TK (Thomas Kendrick)

The hinged pot with rocaille and floral repoussé decoration, pear wood shaped handle, and bird-form spout, raised on a circular base, personalized 10” H x 8” W x 4.75” D

25.5 gross oz. troy approximately

$800-1,200

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

3175

A pair of George IV sterling silver candelabra and candlesticks 1820’s

Each marked for Sheffield and for sterling, bearing George III duty mark and variously date marked for 1823 and 1824; maker’s mark for John & Thomas Settle; interior of each nozzle impressed: M / N

The Rococo-style weighted sterling candlesticks, comprising a pair of three-light candelabra and a pair of single-light candlesticks, each with molded rockwork throughout, 4 pieces

Each candelabra: 19.875” H x 17.25” W x 6” D; Each candlestick: 12.25” H x 6.375” Dia.

$2,000-3,000

3176

A Continental sterling silver powder box and ostrich feather puff Early 20th century

Each component marked: Sterling Comprising a lidded box with gold-washed interior and a wand, each with chased and repousse floral and putti motifs, the wand mounted with an ostrich feather puff, personalized Box: 5.125” H x 8.875” W x 8.875” D; Wand and puff: 14.374” L x 6.25” Dia. x 3” H 43.4 gross oz. troy approximately

$1,000-2,000

3177

A German coin silver centerpiece bowl

Late 19th/early 20th century

With German reichsmark; further marked: 800 / B / Germany; with unknown maker’s mark; etched number: 333732

The oval body decorated with pierced scrollwork and repoussé floral garlands and exotic birds, with scrollwork loop handles mounted by birds, raised on a conforming oval base, with inset glass liner

8” H x 14.875” W x 8.125” D

37.5 oz. troy approximately

$800-1,200

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

3178

A German sterling silver coffee service and tray Early/mid-20th century

Each with crescent moon and crown and marked: Sterling / 925; further marked for maker Otto Wolter [rhine wine glass cipher]; flower vase marked: Plata 925 Del Pillar Peru

Each with rosebud motifs in relief and raised on modified paw feet, comprising a lidded coffee pot (9.125” H x 9.25” W x 5.125” D), a creamer (4.375” H x 4.75” W x 3.125” D), and a lidded sugar (4.375” H x 5.875” W x 4” D), all set on a silver-plated tray (22.375” W x 16.25” D), together with a Del Pilar weighted silver flower vase (6.5” H x 2.125” Dia.), 5 pieces

Weighable sterling: 33.8 gross oz. troy approximately

$800-1,200

3179

A Portuguese silver figural toothpick holder Mid-19th century

Marked for Porto assay office, with assay test marks; further marked for Caetano Rodrigues de Ara˙jo: CRA

The figure of Poseidon depicted leaning against a scallop shell and hoisting a trident, raised on a columnar pedestal above a banded repoussé floral motif, the square base with paw feet, the shell edge and base perforated for mounting toothpicks

7.75” H x 3.125” W x 3.125” D

9.4 oz. troy approximately

$500-700

3180

Gustave Keller (1879-1955)

A silver traveling vanity set, late 19th/early 20th century; France Each with French hallmarks for .900 silver; maker’s mark for Gustave Keller Comprising a mirror, a shoe horn, a pair of tweezers, a button hook, a small tray, four jars, four bottles, a hand mirror, and six brushes, all in a custom monogrammed fitted case, 21 pieces

Largest piece: 1” H x 17.25” W x 13” D; Case: 8.75” H x 24.5” W x 16.5” D

Weighable sterling: 165.99 gross oz. troy approximately

$2,000-3,000

3181

A pair of Buccellati candlesticks and seahorse salt

Mid-20th century; Italy

Each candlestick marked: Gianmaria / Buccelleti / / 925 / Made in Italy; salt marked: Buccellati / Italy / Sterling / 925 / [star] 25

Comprising two candlesticks, each with repoussé swirling pattern throughout, surmounted by a removable bobèche, and a figural seahorse salt dish with gold-washed scallop shell bowl, 3 pieces

Each candlestick: 10.125” H x 5.875” Dia.; Salt: 2.25” H x 2.5” W x 2.5” D 28.9 oz. troy approximately

$800-1,200

3182

A Georg Jensen sterling silver “Acorn” flatware service

20th century

Each variously marked for Jensen, most with later marks (post-1945); one further marked with Danish three tower mark [30] and assay mark for Christian F. Heise (1904-1932): CF; five marked: International Sterling / Royal Danish; one marked: Frigast / Sterling / Denmark Designed 1915, comprising 3 tablespoons (8.125”), 1 pierced tablespoon (8.125”), 8 oval soup spoons (6.875”), 6 cream soup spoons (6.5”), 8 teaspoons (5.75”), 8 large youth teaspoons (6.125”), 4 egg spoons (5”), 10 dinner forks (7.5”), 10 salad forks (6.75”), 3 fish forks (6.5”), 8 pastry forks (5.625”), 4 oyster forks (5.75”), 10 dinner knives (9”), 4 luncheon knives (8”), 4 fruit knives (6.625), 4 butter spreaders (6”), 1 cold cut serving fork (6.625”), 1 cold meat serving fork (8”), 1 gravy ladle (7.5”), 1 cheese knife (7.75”), 1 sugar tongs (3.75”), 1 small cake server (6.375”), and 1 fish serving fork (7.875”), sold together with five International Sterling “Royal Danish” items including 3 tablespoons (8.625”), 1 cake/pie server (10.375”), and 1 lemon fork (4.75”), as well as 1 Frigast Sterling sugar tongs (5.25”), 108 pieces

Weighable sterling: 112.6 oz. troy approximately

$5,000-7,000

3183

A pair of Georg Jensen sterling silver “Grape” candlesticks

Post-1945

Designed 1918, model 263

Each marked for Jensen and further marked: DENMARK STERLING / 263

Each with a broad bowl-shaped pan with grape bunches to its underside, raised on a spiraling reeded stem with a wide foot, subtly planished throughout, 2 pieces

Each: 5.875” H x 3.625” Dia.

22.3 oz. troy approximately

$3,500-4,500

3184

A Tiffany & Co. sterling silver and mixed metal pitcher Circa 1874

Marked to underside: Tiffany & Co. Makers / 3855 / 9409 / Sterling Silver - And - Other Metals / 736 Pattern 3855 “Pitcher Cylinder Jap Parrott,” the hammered silver pitcher with lug handle, featuring mixed metal mounted bamboo and dragonfly accents and banded abstracted fauna and meandering motif to base, accompanied by Tiffany & Co. archives research materials

9.25” H x 7.25” W x 5.5” D

35.5 gross oz. troy approximately

$10,000-20,000

Notes:

This lot is accompanied by a commissioned research report from the Tiffany Archives, dated May 31, 2008.

3185

A Tiffany & Co sterling silver “St. James” flatware service 1898-1902, Directorship of Charles L. Tiffany

Most marked: Tiffany & Co. / Sterling / T

Designed 1898, comprising 12 table knives (10.25”), 12 dinner knives (9.25”), 16 butter spreaders (5.875”), 12 teaspoons (5.75”), 12 oval soup spoons (7.125”), 12 gumbo soup spoons (8”), 24 bouillon soup spoons (5.5”), 8 demitasse spoons (4.25”), 12 dinner knives (7.75”), 12 luncheon forks (6.875”), 12 fish forks (7”), 7 cocktail forks (6.125”), and a carving set (11.875” and 10.25”), personalized, 153 pieces

Weighable sterling: 189.5 oz. troy approximately

$4,000-6,000

3186

An Artcraft Silversmith sterling silver tea service 20th century

Each marked to underside: ARTCRAFT / STERLING / X100

Comprising a lidded teapot (12” H x 10.875” W x 5.25” D), a lidded coffee pot (10.375” H x 10.375” W x 5.625” D), a creamer (5.625” H x 5.375” W x 3.75” D), a sugar bowl (4.375” H x 4.125” Dia.), and a waste bowl with opposed handles (5.25” H x 6.875” W x 4.125” D), 5 pieces 63.9 gross oz. troy approximately

$1,200-1,800

3187

A Gorham sterling silver centerpiece bowl Early 20th century

Marked for Gorham and for sterling; further marked: K L T

The footed bowl with wide inverted rim and base decorated with openwork and repoussé acanthus leaves, scrollwork, and floral vases, personalized 5.625” H x 16.375” Dia.

79.3 oz. troy approximately

$1,500-2,000

Provenance: The Estate of Marcia and Stephen J. Cannell

3188

A Gorham “Chantilly Grand” sterling silver water pitcher

Early 20th century

Marked for Gorham and for sterling; further numbered and date marked illegibly

The inverted baluster-form body with scroll and floral repoussé decoration and scrollwork loop handle, raised on a domed base

10.375” H x 8.625” W x 5.5” D

37.2 oz. troy approximately

$800-1,200

Provenance: The Collection of David and Holly Davis, Pasadena, CA

3189

A Gorham sterling silver “Strasbourg” flatware service

Early 20th century

Each marked for Gorham and for sterling Designed 1897, comprising 7 dinner forks (7.125”), 8 salad forks (6.5”), 8 cocktail forks (5.625”), 8 dinner knives (8.875”), 8 butter spreaders (6”), 12 teaspoons (5.875”), 8 cream soup spoons (6.25”), 8 iced tea spoons (7.75”), 5 demitasse spoons (4”), 1 sugar spoon (6.125”), and a salad serving set (each: 8.625”), together with 2 “Chantilly” demitasse spoons (4.125”) and 1 associated Towle butter spreader (5.125”), 78 pieces

Weighable sterling: 69.9 oz. troy approximately

$1,500-2,000

3190

An International sterling silver “Joan of Arc” flatware service

Late 20th century

Each marked: International Sterling; most marked: Joan of Arc Designed 1940, 24 comprising teaspoons (6”), 8 cream soup spoons (6.125”), 11 oval soup spoon (6.875”), 1 tablespoon (8.375”), 5 table knives (9.375”), 7 dinner knives (9.125”), 1 master butter spreader (7.125”), 12 dinner forks (7.5”), 16 salad forks (6.125”), 6 cocktail forks (5.75”), 1 youth fork (6.25”), 1 baby fork (4.25”), 1 lemon fork (4.625”), 2 pierced tablespoons (8.375”), 1 scalloped salad serving spoon (9.25”), 1 salad serving fork (8.875”), 1 cold meat serving fork (7.75”), 2 gravy ladles (6.5”), 2 cream ladles (5.5”), 1 bon bon spoon (4.625”), 1 tomato server (7.75”), 1 wood bowl salad serving piece (12”), 1 steak carving knife (10.125”), and a carving set (13.75” and 11”), 109 pieces

Weighable sterling: 114.4 oz. troy approximately

$600-800

Provenance:

The Estate of Marcia and Stephen J. Cannell

3191

An International sterling silver “Courtship” flatware service

Early 20th century

Each marked: International Sterling / Courtship

Comprising 21 dinner knives (9.125”), 1 table knife (9.625”), 12 butter spreaders (5.75”), 21 dinner forks (7.25”), 16 salad forks (6.5”), 31 teaspoons (6.125”), 10 iced tea spoons (7.375”), 10 cream soup spoons (6.5”), 11 demitasse spoons (4.125”), 2 jelly knives (6.5”), 1 gravy ladle (6.375”), 2 cocktail forks (5.625”), 1 pickle/olive fork (6”), 1 bon bon spoon (4.75”), and 1 tart server (6.5”), 141 pieces

Weighable sterling: 123.5 oz. troy approximately

$2,000-3,000

3192

An Oneida sterling silver “Mansion House” flatware service

1948-1967

Each marked: Heirloom Sterling / Mansion House

Comprising 7 cream soup spoons (6.5”), 6 teaspoons (6.125”), 2 dinner forks (7.75”), 5 luncheon forks (7.125”), 5 salad forks (6.5”), 6 dinner knives (8.875”), 6 butter spreaders (6.25”), 1 gravy ladle (6.5”), and a salad serving set (each: 8.5”), 40 pieces

Weighable sterling: 44.1 oz. troy approximately

$800-1,200

3193

An Oneida sterling silver “Lasting Spring” flatware service

Late 20th century

Most marked: Heirloom Sterling / Lasting Spring

Comprising 14 teaspoons (6.125”), 12 cream soup spoons (6.5”), 12 demitasse spoons (4.125”), 12 dinner forks (7.875”), 11 salad forks (6.625”), 11 dinner knives (9.5”), 1 smaller dinner knife (8.875”), 12 butter spreaders (6.25”), 1 master butter spreader (7”), 1 cold meat serving fork (8.125”), and 1 jelly server (6.25”), together with 5 associated decorative utensils, 93 pieces

Weighable sterling: 70.7 oz. troy approximately

$1,000-1,500

3194

An Oneida sterling silver “Afterglow” flatware service

Late 20th century

Each marked: Oneida Sterling / Afterglow

Designed 1956, comprising 2 butter spreaders (5.875”), 12 teaspoons (6”), 6 cream soup spoons (6.5”), 8 salad forks (6.625”), 8 dinner forks (7.25”), and 8 dinner knives (8.875”), 44 pieces

Weighable sterling: 42.5 oz. troy, approximately

$800-1,200

3195

A Rogers, Lunt & Bowlen sterling silver “Charles II” flatware service 1934; Greenfield, MA

Each marked: RLB / Sterling

Comprising 12 hollow-handled dinner knives (9”), 12 flat handled butter spreaders (6”), 12 dinner forks (7.25”), 12 salad forks (6.25”), 12 cocktail forks (5.75”), 12 oval soup spoons (7.5”), 12 iced tea spoons (7.25”), 24 teaspoons (6”), 1 small solid meat serving fork (7.75”), 1 cream ladle (5.625”), 1 gravy ladle (6.75”), 2 tablespoons (8.625”), 1 sugar spoon (6.125”), 1 sugar tongs (4.25”), 1 bon bon spoon (5”), 1 jelly server (6.25”), 1 hollow-handled pie server (10”), 1 hollowhandled pastry server (10.125”), a 2-piece salad serving set (9” and 9.25”), and a 2-piece hollo-handled carving set (10.5” and 8.75”), all housed in a silver-cloth lined wood canteen, 123 pieces

Weighable sterling: 162 oz. troy approximately

$3,000-4,000

3196

A Wallace sterling silver “Grand Baroque” flatware service

Mid/late 20th century

Each marked for Wallace and for sterling Designed 1941, comprising 12 dinner knives (9”), 12 butter spreaders (6.375”), 1 master butter spreader (6.75”), 12 dinner forks (7.5”), 12 salad forks (6.625”), 12 cocktail forks (5.5”), 2 olive/pickle forks (5.375”), 1 lemon fork (5.5”), 26 teaspoons (6.25”), 8 iced tea spoons (7.625”), 2 oval soup spoons (7”), 4 tablespoons (8.875”), 1 pie/ cake server (11.25”), 1 pie server (10.25”), 1 cheese knife (7.25”), 1 sugar tongs (4.5”), 1 jelly server (6.875”), 1 pierced tablespoon (8.625”), 1 sugar spoon (6.25”), 1 gravy ladle (6.5”), 1 pierced bon bon spoon (5.375”), 1 cold meat serving fork (8.25”), a 2-piece salad serving set (each: 11.5”), and a 2-piece carving set (10.75” and 9.5”), all housed in a silver-cloth lined wood canteen, 118 pieces

Weighable sterling: 137.3 oz. troy approximately

$3,000-5,000

3197

A Whiting Manufacturing Co. sterling silver “Lily” flatware service Early 20th century

Each marked for Whiting and for sterling; most with obscured maker’s mark

Designed 1902 by Charles Osborne for Whiting, comprising 24 dinner forks (7.625”), 24 luncheon forks (6.75”), 12 salad forks (7.25”), 12 oyster forks (5.875”), 12 tablespoons (8.25”), 24 teaspoons (5.875”), 12 gumbo soup spoons (6.875”), 12 oval soup spoons (7”), 12 bouillon soup spoons (5”), 12 gold-washed egg spoons (5”), 12 demitasse spoons (4”), 12 table knives (9.5”), 12 dinner knives (8.875”), 12 butter spreaders (5.75”), 12 fish knives (8.125”), 12 fruit knives (6.625”), 1 nut pick (4.5”), 2 casserole/berry servers (9”), 1 pie server (10”), 1 narrow bladed pie server (9.875”), 1 fish server (9.125”), 1 asparagus server (9.75”), and a carving set (15.75” and 11.5”), together with 6 associated table knives (10”), 1 casserole/berry server (9”), and a salad serving set (each: 8.75”), most personalized, 246 pieces Weighable sterling: 313.7 oz. troy approximately

$4,000-6,000

3198

A group of miscellaneous 20th century

Each marked for sterling and Comprising a Tiffany & Co. “R” on face side, a three-footed perforated edge plate, a Gorham a set of eight Wallace sterling Largest: 4.5” H x 8.5” Dia. 98.1 oz. troy approximately

$1,000-1,500

miscellaneous sterling silver items and for various makers

Co. trophy bowl, a Reed & Barton footed bowl, a Webster bowl, a plate marked with an three-footed clam bowl, an S. Kirk & Sons bowl, a Gorham perforated edged bow, a Fisher Gorham banded perforated plate, a Reed & Barton “Sweepstakes Trophy” sterling plate, sterling shot vessels, and an unknown bowl, 19 pieces

3199

19th Century Maritime School

“Ship Cowper T.S. Stevens Master Entering Hong Kong Feb. 24 1860” Oil on canvas laid to canvas Unsigned; titled along the lower edge 28.25” H x 39.5” W

$6,000-8,000

Provenance: Vallejo Gallery, Newport Beach, CA

3200

Franz Wolf (1795-1859)

Self-portrait

Oil on canvas laid to canvas

Signed lower left: F. Wolf; inscribed in German, prior to lining, verso: “Zum Angedenken für meine freundin Therese Stallmayer Den 15 Januar 1824” 28” H x 23” W

$1,000-1,500

Provenance: Marshall Field & Company, Chicago, IL

Notes:

The German inscription above translates to: “In memory of my friend Therese Stallmayer The 15th of January 1824.”

This lot is accompanied by additional photographs of the work.

3201

Manner of Heinrich Friedrich Fuger (1751-1818)

Portrait of a gentleman, circa 19th Century Oil on canvas laid to canvas Unsigned 28.5” H x 22.5” W

$1,000-1,500

3202

Manner of Frans Hals (1580-1666)

Portrait of a Dutch man, circa 19th Century Oil on canvas laid to canvas

Bears signature and indistinctly dated right of center: Frans Hals 25” H x 22” W

$400-600

3203

After Henry Singleton (1766-1839)

“Paix signée entre Romulus, Roi de Rome et Tatius, Roi des Cures” Oil on canvas laid to Masonite

Unsigned 31” H x 40.5” W

$700-900

3204

Claes Jansz van der Willigen (1630-1676)

“The Burning of Troy,” 1662

Oil on panel

Signed and dated lower left: C.V. Willigen 62; titled on a typed label affixed verso 18.5” H x 18.25” W

$2,000-4,000

Provenance:

Sold: Bonhams, Los Angeles, CA, “Property from the Estate of Maria Helen Smith,” November 16, 2010, Lot 4139

Notes:

According to a typed label affixed verso: “This painting is fully dated and mentioned in “Wurzbach” p.886.”

3205

Follower of Pierre-Jacques Volaire (1729-1799)

“1809 Eruption of Mt. Etna from Castiglione” Oil on canvas

Appears unsigned; inscribed along the lower edge: “Eruzione e Lava del Mont’ Etna nella notte de 27 Marzoátutti Li 6 Aprile 1809 da Castiglione”

21.5” H x 34.5” W

$3,000-5,000

Provenance:

Property from a member of a European Royal Family Sold: Christie’s, New York, NY, “Old Master Paintings,” September 30, 2005, Lot 75

3206

William Rowland

(Late 19th/Early 20th century)

A set of four coaching scenes

Each: Oil on panel

Three works signed lower right and one signed lower left: Wm. Rowland; four works

Each: 6” H x 12” W

$1,000-2,000

3207

18/19th Century British School

British red-coat soldier

Watercolor on paper

Indistinctly signed lower right: S F May [?]

Image/Sheet: 11.75” H x 6.5” W

$500-700

3208

Manner of Daniel Maclise (1806-1870)

“The Young Henry V Trying on His Crown” Oil on canvas laid to glass Bears initials lower left: D.M.; titled and attributed in ink, presumably in another hand, on a label affixed to the frame’s backing paper 11.75” H x 10” W (irreg.)

$700-900

3209

François Theodore Rochard (1798-1858)

Two works:

Portrait of Prince Albert, 1845

Watercolor on paper mounted to board

Signed and dated in gold ink lower right: François Rochard 1845

Image/Sheet: 25” H x 15.75” W; Board Mount: 28.5” H x 19.25” W

Portrait of Queen Victoria, 1845

Watercolor on paper mounted to board

Signed and dated in ink lower left: François Rochard 1845

Image/Sheet: 25” H x 15.75” W; Board Mount: 28.5” H x 19.25” W

$800-1,200

3210

Guillaume Seignac (1870-1924)

Portrait of a woman Oil on canvas

Signed lower right: G. Seignac 19” H x 15” W

$3,000-5,000

A Chinese Export Famille Rose porcelain armorial plate

Qianlong Period, circa 1760

Coat of arms reading: SOLA JUVAT VIRTU [virtue alone delights]

The circular porcelain dish with celadon glaze, gilt highlights, and polychrome enamel decoration in the center showing a tree draped with a floral garland; to the right are a colorful bird, two dogs, bagpipes, a bonnet, a pair of crossed crooks, and in the distance a flock of sheep; to the left a palm tree, a brazier with two flaming hearts, a pair of loving doves, a bow and quiver, the rim and cavetto bearing the coat of arms of the Scottish baron of Blantyre with banner 1.625” H x 8.875” Dia.

$500-700

Provenance:

The Collection of David and Holly Davis, Pasadena, CA

3212

A Chinese Export porcelain figural frog tureen 20th century

The blue and white porcelain lidded soup tureen in the form of a frog, set in a custom footed wood stand

Overall: 6.625” H x 8.625” W x 9.875” D

$800-1,200

3213

A pair of Chinese Export porcelain candlesticks

19th/20th century

The blue and white tiered candle holders, each depicting dragons within cloud motifs and mounted with brass trim at edges, 2 pieces

Each: 9.375” H x 7.25” Dia.

$700-900

3214

A pair of Neoclassical-style gilt-bronze mounted Blue John urns 20th century

Mounted as lamps, each fluorite covered urn raised on three legs headed by ram’s heads and ending in hooves, on a triangular base on conforming white marble and giltwood foot, surmounted by fabric shades raised on separate support, 2 pieces

Urn: 18.5” H; Overall: 33” H x 7” Dia.

$3,000-5,000

3215

Four Minton-Spidell George III-style armchairs

Late 20th century

Two with tag: Minton-Spidell / Custom Furniture / Los Angeles

The chairs with giltwood frame carved with foliate motifs, upholstered in a pink floral motif cotton blend fabric with metal tacking, raised on acanthus-form legs, 4 pieces

Each: 39.25” H x 28” W x 34” D

$1,000-1,500

Provenance: The Estate of Marcia and Stephen J. Cannell

An early George III inlaid burl walnut chest of drawers Mid-18th century

The burlwood veneer chest with two short drawers over three long drawers, each with locking mechanism and brass pulls and hardware, featuring inlaid accent trim, raised on bracket feet

40.5” H x 37.75” W x 18” D

$800-1,200

3217

A George III-style bookcase

Early/mid-20th century

The upper console with architectural cornice above two astragal glazed locking cabinet doors revealing three shelves, the bottom console with opposed locking cabinet doors revealing a single shelf, 2 pieces

Upper console: 62.75” H x 67” W x 15” D; Lower console: 35.5” H x 64” W x 16.5” D

$1,000-1,500

3218

A Contemporary giltwood and stone occasional table 20th century

The black hardstone tabletop above a columnar standard, raised on tripod animal-form legs with paw feet

Overall: 25” H x 23.125” Dia.

$400-600

Provenance: The Estate of Marcia and Stephen J. Cannell

3219

Two Wedgwood black basalt figures of fauns 19th century

Each impressed to underside: “Jeune faune à l’oiseau” by Claude Michel Clodion (1738-1814) and a running faun figure, each on a rounded base with garland motifs, 2 pieces

Satyr: 11.25” H x 9.5” W x 6.5” D; Faun: 12” H x 8.75” W x 7” D

$1,000-2,000

3220

A Potschappel porcelain figure of a Bolognese dog

Early 20th century

With underglaze blue PS monogram above: Dresden

After an original Meissen model by J. J. Kändler, the ceramic dog depicted seated on its haunches and bearing its teeth 11” H x 11” W x 9” D

$300-500

Provenance:

The Estate of Marcia and Stephen J. Cannell

3221

A pair of bronze statues of gazelles 19th/20th century

Each unmarked

The patinated bronze standing gazelle figures, each raised on a pedestal, 2 pieces

Each: 36” H x 30” W x 11” D

$800-1,200

3222

Dimitri Omersa (1927-1975)

A leather rhino footstool for Abercrombie and Fitch, early 20th century

With sticker to underside: Made in England

The figural footstool with metal and wood armature, stuffed with pine wood wool and wrapped in cowhide leather with applied leather elements stitched on

16.5” H x 32.5” W x 10.5” D

$1,000-1,500

3223

A Chesterfield leather sofa

20th century

Appears unmarked

The sofa upholstered in tufted brown leather, with rolled arms and close-nailed trim, raised on squat bun feet

29.75” H x 90” W x 39” D

$1,500-2,500

3224

An English wrought-metal bound oak trunk

Late 19th century with later elements

Top of lid with plaque: P. Marrow / King’s Dragoon Guards

The oak wood trunk with butterfly joints, wrought-iron opposed double handles, locking mechanism, and exterior binding hardware, the flat lid opening to reveal later brass hardware and a green felt-lined interior, raised on an iron square base with tiered bracket feet

22.25” H x 37” W x 23.5” D

$400-600

Provenance:

The Estate of Marcia and Stephen J. Cannell

3225

A Chinese carved hardwood occasional table 20th century

The wood table with inset hardstone top above a shaped apron and undershelf, raised on legs with flared feet

31.75” H x 17.5” W x 17.5” D

$400-600

3226

A pair of English plant stand pedestals Early 20th century

The architectural carved pine pedestals with a modified egg and dart upper trim above vertical strands of mounted bellflowers and an acanthus leaf lower edge trim, 2 pieces

Each: 33.25” H x 15.5” W x 15.5” D

$800-1,200

Provenance: The Estate of Marcia and Stephen J. Cannell

3227

A pair of Belle Époque floor lamps

Late 19th century with later elements

The cast brass and mixed gold-toned metal two-light lamps, each raised on an attenuated columnar standard above a tripod acanthusform base on casters, surmounted by a later black paper shade, electrified, 2 pieces

Each overall: 58” H x 16.5” W x 17” D; Each shade: 12” H x 15” Dia.

$700-900

Provenance:

The Estate of Marcia and Stephen J. Cannell

3228

A Renaissance Revival figural mantel clock 19th century

Dial marked: Bigelow Kennard & Co / Boston; movement marked: F Marti et Cie / Medaille de bronze / B.K. & C. / 2834 / 46; figure marked in the casting: L. Pilet

The two-movement clock with black enameled glazed dial bearing Roman numeral hour markers, set in a gilt etched slate architectural housing with inset faux malachite accents, surmounted by a patinated and parcel gilt bronze figure of Athena after Leon Pilet (1836-1917)

Clock: 8.25” H x 16.25” W x 8” D; Figure: 11.375” H x 11” W x 4.75” D

$500-800

3229

A pair of Jay Strongwater fu lion figurines

2010

Editions: 16/300 and 163/300

Each signed and dated in script to underside; each with impressed edition to underside

Comprising “Adina” and “Gilgamesh” from the Lustre Collection, each depicting a polychrome enameled and Swarovski crystal-mounted fu lion, one with a pup, the other with a ball, each raised on a Chinese-style base, housed in original boxes and sleeves accompanied by original paperwork, 2 pieces

Each figure: 4.5” H x 5” W x 2.875” D; Each box: 4.75” H x 10” W x 9” D

$600-800

3230

Lawrence Gipe (b. 1962)

“Canal Study with Map #1,” 1987 Oil on vellum on a found map

Signed and dated in pencil on the lower right edge of the found map: Lawrence Gipe 1987; dated again and titled on a label affixed to the frame’s backing board

Image/Sheet: 12” H x 17.75” W

$800-1,200

Provenance:

The Collection of Jeri Coates

3231

Alexander Helwig Wyant (1836-1892)

“Night Scene”

Oil on canvas laid to waxed canvas

Signed lower right: A.H. Wyant; titled on a gallery label affixed to the frame, verso

10” H x 12” W

$800-1,200

Provenance: Altman/Burke Fine Art Inc., New York, NY

3232

After Ralph Albert Blakelock (1847-1919)

Tonalist landscape Oil on board

Bears signature lower right: R.A Blakelock

6.125” H x 9.125” W

$700-900

3233

John Milne Donald (1819-1866)

Landscape vista with ruins and figures at sunset Oil on canvas laid to canvas

Signed along the lower edge, left of center: J M Donald 26” H x 39” W

$1,500-2,000

3234

19th Century American School

“Bison running from a Man Chopping a Tree”

Oil on canvas laid to canvas

Appears unsigned; titled on two labels affixed to the verso of the frame

16” H x 20” W (oval)

$1,000-2,000

Provenance: Carl S. Dentzel

Phoenix Art Museum, Phoenix, AZ, acquired from the above

3235

John Wood Dodge (1807-1893)

“Likeness of Mrs. Eliza Phelps,” 1861

Albumen print with hand-coloring on board

Signed, titled, dated, and inscribed in pencil on the verso: Painted by / John W. Dodge / New York / Dec. 1861 / Likeness of Mrs. Eliza Phelps

Image/Board: 8.75” H x 6.75” W

$300-500

Provenance: Albert Brenan Estate Private Collection, Los Angeles, CA

3236

John Wood Dodge (1807-1893)

“Likeness of Geo. A. Phelps Esq.,” 1862

Albumen print with hand-coloring on board

Signed, titled, dated, and inscribed in ink on the verso: Photographic Portrait / Painted by John W. Dodge / New York City / Finished April 28th 1862 / Likeness of Geo. A. Phelps Esq. / Price of the painting $35.00

Image/Board: 8.5” H x 6.5” W

$300-500

Provenance: Albert Brenan Estate Private Collection, Los Angeles, CA

3237

A Walter H. Durfee banjo clock

Late 19th/early 20th century

Marked to dial: Walter H. Durfee / Providence

The wall-mounted single-movement clock with glazed enameled metal dial bearing Arabic numerals, housed in a wood casket with brass trimmings and accents, featuring two reverse-painted scenes, each depicting a heraldic eagle and shield emblem, the lower additionally depicting three American warships, surmounted by a brass eagle finial

42.5” H x 10.5” W x 4.125” D

$1,500-2,500

3238

A Victorian marquetry low table

Circa 1870

The shaped oval marquetry top depicting a central phoenix in flight with intertwined bamboo framework surround with berried and floral vines, over an apron with incised details, raised on four shaped legs of square outline 21” H x 40.5” W x 27.5” D

$700-900

3239

A painted leather three-panel dressing screen Circa 1920s

Each panel depicting pheasants and floral vines, with tacking along edges and brass hinges

Each panel: 72.125” H x 21.375” W x 1” D; Stored: 3.375” D

$1,000-2,000

3241

A Watling Rol-A-Top “Horn of Plenty” 25c slot machine Circa 1940s

Marked in the casting: Coin-Head / No. 2038069; further marked with patent numbers

The single-arm three-reel slot machine featuring gilt and silver-toned finishes, polychrome harvest decorations, and upper glazed coin display, set on a wood base

Overall: 27” H x 18” W x 16.5” D

$1,000-1,500

Provenance: The Estate of Marcia and Stephen J. Cannell

3240

An American painted and parcel giltwood carousel horse 19th century

The carved wood horse with gilt and painted tack, together with a ceramic Ionic capital rest

Horse: 26” H x 39.5” W x 10” D; Pedestal: 5.25” H x 11.25” W x 11.25” D

$800-1,200

3242

Edmund Pick-Morino (1877-1958)

Still life of fruit on a green table, 1912 Oil on canvas laid to canvas

Signed and dated in the upper right corner: Morino 12 14” H x 17.125” W

$2,000-3,000

3243

Andre Balyon (b. 1951)

“April Near Hillegom” (Holland), 1996 Oil on canvas

Signed lower right: Andre Balyon; signed again, titled, dated, and inscribed verso: 1996 / “Holland” 16” H x 24” W

$500-700

3244

After Thomas Gainsborough (1727-1788)

“When Day is Done” Oil on canvas laid to canvas Bears monogram in the lower left corner: TG; titled on the frame plaque 28” H x 36” W

$1,500-2,000

Notes:

This lot is sold together with a copy of the book: Michael Rosenthal, “The Art of Thomas Gainsborough” (New Haven: Yale University Press, 1999).

3245

Louis Alexandre Bouché (1838-1911)

Village at dusk with sheep, 1902 Oil on canvas laid to waxed canvas

Signed and dated lower right: A Bouché 1902 35.5” H x 46.5” W

$2,000-3,000

Provenance:

Property from an estate, Santa Barbara, CA

3246

Paul Renard (1941-1997)

“Strolling Down the Seine” Watercolor and gouache on mat board

Signed lower right: P. Renard; titled on a gallery label affixed to the frame’s backing board

11.375” H x 18.75” W

$1,000-1,500

Provenance: De Schildercamer, Amsterdam, Netherlands

Anton Nicolaas Marie Karssen (1945-2019) Beach scene Oil on panel

Signed lower left: A. Karssen; an unidentified red wax seal affixed verso 9.25” H x 12” W

$600-800

3248

Nathan Dolinsky (1890-1980)

Boy holding a baby goat Oil on canvas

Signed lower left: Nathan Dolinsky; inscribed on a label affixed to the lower portion of the stretcher bar, possibly in another hand: Mexican Boy with Kid

30” H x 24” W

$1,000-1,500

3249

John Sloan (1871-1951)

“Seeing New York,” 1917

Etching on laid paper

From the edition of 100 (85 were printed)

Signed, titled, and inscribed “100 Proofs” in pencil in the lower margin: John Sloan; inscribed “Ernest Roth Imp.” and numbered “18” in pencil, in another hand in the lower margin; Ernest Roth, prntr.

Plate: 2.5” H x 3.75” W; Sheet: 6.5” H x 8.125” W

$800-1,200

Literature: Morse 188

3250

Clifton Karhu (1927-2007)

Three works:

“Gombei,” 1980

Woodcut in colors on Japanese paper

Edition: An artist’s proof aside from the edition of 100

Signed, titled, dated, and inscribed in pencil in the lower margin: “AP1” / Gombei / Karhu 80

Image: 12” Dia.; Sight:12.25” H x 12.5” W

“Gombei,” 1980

Woodcut on beige Japanese paper

Edition: A working proof for the edition

Appears unsigned Image: 12” Dia.; Sight:12.125” H x 12.25” W

“Gombei,” 1980

Original cut wood matrix for the printed image Appears unsigned Image: 12” Dia.; Overall: 12.125” H x 12.25” W

$1,000-1,500

Notes:

This image apparently depicts one of the artist’s favorite soba noodle shops on a rainy day.

3252

After Auguste Rodin (1840-1917)

“The Burghers of Calais” Verdigris patinated bronze on a stone plinth

Signed in the casting: A Rodin; titled and attributed to metal plaque

Bronze: 24” H x 29.5” W x 19” D; Overall: 25.75” H x 29.5” W x 19.5” D

$2,000-4,000

3253

After Evgeni Alexandrovich Lanceray (1848-1886)

Cossack cavalry rider

Patinated bronze on a marble plinth

Signed in Cyrillic in the casting; with foundry mark in Cyrillic translating to N. Shtange (Nikolay Shtange)

3251

Fritz Christ (1866-1906)

“Dying Soldier,” cast 1904

Patinated bronze

Bronze: 16.5” H x 16.5” W x 9.375” D;

Overall: 17.875” H x 17.25” W x 9” D

$800-1,200

Signed in the casting: F Christ; further marked with a symbolic cipher

11.5” H x 37.5” W x 12.625” D

$1,500-2,500

3254

Evgeni Alexandrovich Lanceray

(1848-1886)

Cossack rider, 1873

Patinated bronze

Signed in Cyrillic translating to E. Lanceray and dated in the casting; with foundry mark in Cyrillic translating to F. Chopin (Felix Chopin)

15.625” H x 13.25” W x 5.25” D

$5,000-7,000

3255

A Pairpoint “Lansdowne” lamp

Early 20th century

Signed on shade: Grant

The reverse-painted flaring shade with three Spanish galleons on whitecapped seas, raised on a patinated metal base cast with three dolphins above a shaped triangular foot over a conforming later wood stand, electrified

Lamp overall: 24.25” H x 8.75” Dia.; Shade: 8.75” H x 15.75” Dia.

$2,000-3,000

Literature: Malakoff, Edward and Sheila, “Pairpoint Lamps,” (West Chester: Schiffer Publishing, Ltd, 1990) pg. 103

3256

Joseph Mougin (1843-1923)

A gres figure of Mary, Queen of Scots, early 20th century Incised to underside: Mougin / nancy; further signed to side of plinth: Mougin The Art Nouveau stoneware figure depicted enrobed with elaborate headpiece, raised on a pedestal with lion rampant heraldry in relief 15.125” H x 6.625” W x 6.75” D

$800-1,200

Provenance: Macklowe Gallery

From the Personal Collection of Murray Moss

3257

“Two For The Road” music sheet signed by Henry Mancini and Leslie Bricusse

Late 20th century

A music sheet signed by Henry Mancini and Leslie Bricusse, titled, and with hand-written music notes and lyrics in either black marker or ink

Sight: 12” H x 9.25” W

$500-700

3258

Leo Tolstoy (1828-1910)

“Count Leo. Tolstoi,” 1905

Postcard photograph on paper

Signed and dated in ink along the lower edge of the image: Leo Tolstoy / 3 June 1905; with the printed title in the lower margin, at center; J. Beagles & Co., London, pub.

Image: 5” H x 3.75” W; Sheet: 5.625” H x 3.625” W

$1,000-1,500

3259

“The Vatican Frescoes of Michelangelo” and custom stand

Chaste, Andre (text), Takashi Okamura. “The Vatican Frescoes of Michalangelo.”

New York: Abbeville Press, 1980

Hardcover book in a custom wood stand

English Edition: 24/400, with 200 copies of Japanese Edition

The large folio, comprising two volumes in gilt and polychrome stamped morocco including 352 photographic reproductions by Okamura, documenting Michelangelo ‘s Vatican frescoes before a 14-year restoration began in 1981, and a text supplement volume in original cream limp gilt-lettered cloth with red and blue strapwork, all housed in a conforming clamshell case and set on a custom wood stand with glazed front, raised on casters

Book: 22.75” H x 19.75” W x 5” D; Stand: 40” H x 27” W x 19.75” D

$500-700

3260

A set of Dashiell Hammett first edition books

Each hardcover octavo, published in New York by Alfred A. Knopf, comprising “The Dain Curse” (1929), “The Maltese Falcon” (1930), “The Glass Key” (1931), and “The Thin Man” (1934), all housed in a later custom cardboard sleeve wrapped in marbled paper

4 pieces

Overall in case: 8” H x 6” W x 5.625” D

$800-1,200

Provenance: The Estate of Marcia and Stephen J. Cannell

3261

A partial set of “The Novels, Tales and Sketches of J.M. Barrie” Barrie, J. M., “”The Novels, Tales and Sketches of J.M. Barrie,” New York: Charles Scribner’s Sons, 1898

Comprising volumes I-X of the 12-volume set, each volume illustrated with frontispiece, bound in green cloth with gilt-stamped spines and front boards, titles including “Sentimental Tommy,” “The Little Minister,” “Tommy and Grizel,” “My Lady Nicotine Margaret Ogilvy,” “Auld Light Idylls,” When a Man’s Single,” and “A Window in Thrums an Edinburgh Eleven” 10 pieces

Each: 8.625” H x 5.875” W x 1.25” D approximately

$300-500

Provenance: The Estate of Marcia and Stephen J. Cannell

3262

Charles Catteau (1880-1966)

A ceramic vase for Boch Freres Keramis, circa 1925

Marked in underglaze blue : Boch Freres Keramis / Made in Belgium; Signed: CH. Catteau ; further marked: [underscored] D.1349 / D.

The Art Deco ovoid vase with flared rim, depicting four stylized squirrels, pinecones, and branches

12.5” H x 6.375” Dia.

$1,000-1,500

Provenance: Macklowe Gallery

From the Personal Collection of Murray Moss

3263

Romain (ErtÈ) De Tirtoff (1892-1990)

“La Coquette,” 1985

Polished, gilt, silvered, and cold-painted bronze Edition: 253/375

Signed, dated, and numbered: ErtÈ; further marked:

Fine Art Acquisitions ©

18.25” H x 7” W x 7.75” D

$1,200-1,800

3264

A pair of Mackenzie-Childs rattan tray-top Circa 1997

Each with burn mark to underside: Mackenzie-Childs

Each tray with bamboo edge centered by rattan fringe, set on a twisted turned wood X-form stand stretchers, with polychrome “Courtly Checks” and Each overall: 28.75” H x 29.75” W x 21.75” D

$800-1,200

/ Aurora New York surface above a polychrome beaded stand joined by opposed turned lateral and gilt accents at junctures, 2 pieces

Mackenzie-Childs

3265

A Lalique molded glass “Deux Poissons” centerpiece

Mid/late 20th century

With etched script mark: Lalique ® France

Designed 1953 by Marc Lalique (1900-1977)

Model 11622, the molded glass centerpiece depicting two intertwined carp, raised on a circular base

11.375” H x 10.375” W x 5.5” D

$800-1,200

Provenance: The Estate of Marcia and Stephen J. Cannell

3266

A Lalique molded glass “Ondines” vase Mid-20th century

With etched script mark: Lalique France Designed 1952 by Marc Lalique (1900-1977)

The molded glass conical vase depicting eight sea nymphs in frosted recessed space, amidst a sea wave motif ground 9.25” H x 7.625” Dia.

$600-800

A Lalique molded glass “Bacchantes” vase

Late 20th century

Etched near base: Lalique ® France [post-1978]; model number to sticker: 12200; sticker to rim interior: Lalique / Paris

Designed 1927, the molded and frosted glass vase with high relief of the young priestesses of Bacchus 9.625” H x 8.625” Dia.

$1,500-2,000

3268

A set of Lalique glass “Argos” brandy glasses

Late 20th century

Each etched to underside: Lalique ® France

Designed 1939

8 pieces

Each: 4.75” H x 3.625” Dia.

$400-600

A Lalique molded glass “Ganymede” champagne bucket

Late 20th century

With etched script mark: Lalique ® / France

Designed 1948 by Marc Lalique (1900-1977)

Model 11951, the molded glass bucket with two female nude figures in frosted high relief to each side within an ivy leaf ground

9.125” H x 10” W x 9.375” D

$800-1,200

3270

A KPM porcelain “Arcadia” dinner service Mid/late 20th century; Berlin, Germany Each marked with KPM scepter in cobalt underglaze Designed 1938 by Trude Petri (1906-1989) for KPM’s 175th Anniversary, each featuring various cameos of neoclassical figures, comprising 12 chargers (11.5”), 12 dinner plates (10.25”), 12 salad plates (8.125”), 24 bread and butter plates (6.25”), 24 saucers (6.625”), 12 handled cream soup bowls (4.625”), 12 flat cups (3.875”), 1 lidded sugar (3.75”), 2 open sugars (3.75”), 1 vegetable serving bowl (9.125”), and 12 ashtrays (5.75”), 124 pieces

$1,000-2,000

3271

A Gabriella Binazzi duck sculpture

Mid-20th century; Italy

Marked: Binazzi / Firenze

The duck figure with seashell body and mixed metal feet, neck, and head

11.5” H x 11.375” W x 8.75” D

$600-800

Provenance: The Estate of Marcia and Stephen J. Cannell

3272

A Gabriella Binazzi hen sculpture

Mid-20th century; Italy

Marked: Binazzi / Firenze

The hen figure with seashell body and mixed metal feet, neck, head, and wings

6” H x 7.5” W x 4.75” D

$300-500

Provenance: The Estate of Marcia and Stephen J. Cannell

3273

A group of Baccarat glass “Harcourt” stemware

Late 20th century

Each with Baccarat stencil mark

Designed 1841, comprising 10 water goblets (6.125”), 7 tall water goblets (6.5”), 12 claret wine glasses (5.375”), 4 port wine glasses (4.875”), 4 fluted champagne glasses (7”), and 6 cordial glasses (3.75”), 43 pieces

$800-1,200

3274

A Haviland Limoges porcelain “Vieux Paris Vert” dinner service Late 20th/early 21st century

Each marked to underside: Haviland Limoges / France / Vieux Paris Designed 1982, comprising 12 cups (3.375”) and saucers (5.25”), 12 dinner plates (9.75”), 12 salad plates (7.75”), and 12 bread and butter plates (6.375”), 60 pieces

$800-1,200

3275

A 2006 Mercedes-Benz E-Class E350

VIN: WDBUF56J86A801287; Plate: 5NWJ744

Blue exterior with grey leather and carpet interior

5,7XX miles

3.5 liter, V6 engine

7-speed automatic transmission, rear wheel drive

Radio, CD player, MP3 jack, and navigation

Sun roof

Mercedez-Benz manuals included

$5,000-7,000

3276

A 1974 Porsche 911 Carrera Targa

Metal sticker to driver’s side door: Made in Germany / Kunstharzlack / 27-9-2

VIN: 9114410245; Plate: 3WZJ577

Red exterior, interior with white leather and red cloth inserts

848 miles (rolled over twice)

2.7 liter, flat 6 engine

5-speed manual transmission, rear-wheel drive

Aftermarket Alpine Radio and tape player

Removable Targa hardtop Porsche manuals included

$5,000-7,000

3277

A palace-sized Egyptian rug

Early 20th century

Cotton on wool foundation

19’ 11” L x 18’ 3” W

$8,000-12,000

3278

An Agra rug

Early 20th century

Wool on cotton foundation

10’ 8” L x 7’ 9” W

$2,000-3,000

3279

An Agra rug

Early 20th century

$3,000-4,000

Cotton on cotton foundation

17’ 4” L x 7’ 3” W

3280

An Agra rug

Late 19th century

Wool on cotton foundation

21’ L x 11’ 8” W

$5,000-7,000

3281

A Bakshiash rug

Early 20th century

Wool on cotton foundation

14’ 6” L x 6’ 4” W

$2,000-3,000

3282

A Kashan area rug

Mid-20th century

Signed in a cartouche

Wool on cotton foundation 16’ 2” L x 11’ 3” W

$2,000-3,000

3283

A Kashan area rug

Mid-20th century

Wool on cotton foundation

16’ 7” L x 11’ 11” W

$1,500-2,000

3284

A Dabir Kashan rug

Early 20th century

Wool on cotton foundation

6’ 4.5” L x 4’ 4” W

$1,000-1,500

3285

A Kashan rug

Mid-20th century

Wool on cotton foundation 13’ 6” H x 9’ 6” W

$800-1,200

3286 A Kerman rug

Mid-20th century Wool on cotton foundation

5’ 10” L x 4’ 0.5” W

$500-700

Provenance: The Collection of David and Holly Davis, Pasadena, CA

3287

A Lavar Kerman rug

Mid-20th century

Wool on cotton foundation

6’ 11” L x 4’ 9” W

$1,000-2,000

3288

A Lavar Kerman rug

Mid-20th century

Wool on cotton foundation

6’ 10” L x 4’ 8.5” W

$1,000-2,000

3289

A Lavar Kerman garden rug

Mid-20th century

Wool on cotton foundation

6’ 10” L x 4’ 6” W

$1,200-1,800

3290

A Lavar Kerman pictorial prayer rug

Early/mid-20th century

Wool on cotton foundation

8’ 8” L x 3’ 4” W

$1,500-2,500

3291

A Mahal rug

Early 20th century Wool on cotton foundation 15’ 8” L x 12’ 7” W

$2,000-3,000

3292

A Serapi rug

Late19th century

Wool on cotton foundation

14’ 5” L x 10’ 3” W

$8,000-12,000

3293

A Sultanabad rug

Early 20th century

Wool on cotton foundation 11’ 7” L x 8’ 8” W

$2,000-3,000

3294

A Qum silk garden rug

20th century

Silk on cotton foundation

2’ 11” L x 2’ 1.5” W

$800-1,200

3295

A Qum rug

Mid/late 20th century

Silk on cotton foundation

9’ 2” L x 6’ 2.5” W

$1,000-1,500

3296

A Tabriz rug

Late 19th/early 20th century

Wool on cotton foundation 21’ 9” L x 15’ 5” W

$6,000-8,000

3297

A Ziegler rug

Early 20th century Wool on cotton foundation

13’ L x 8’ W

$2,000-3,000

3298

A Persian prayer rug

Early/mid-20th century

Signed in the weaving in a cartouche at bottom edge Wool on cotton foundation

4’ 11” L x 2’ 10” W

$200-400

3299

A Persian rug

Mid/late 20th century

Wool on cotton foundation

8’ 5” L x 5’ 3” W

$700-900

3300

A Persian pictorial rug

Mid-20th century

Wool on cotton foundation

Possibly Tabriz

8’ 11.5” L x 5’ 3” W

$1,500-2,500

3301

A Persian pictorial prayer rug

Mid-20th century

Signed in the weaving to lower left

Wool on cotton foundation 5’ 3” L x 3’ 5” W

$1,000-2,000

3302

A Persian pictorial rug

Mid-20th century Wool on cotton foundation

3’ 7.5” L x 5’ 1.5” W

$700-900

3303

An Indo-Persian area rug 20th century Wool on cotton foundation 13’ 10” L x 10’ 1” W

$1,000-1,500

3304

A Chinese pictorial rug

20th century

Wool on cotton foundation

15’ 2” L x 12’ 2” W

$2,000-3,000

Is

Do you need a formal appraisal for insurance scheduling, estate tax filing, gift or charitable donation? Moran’s team of USPAP compliant appraisers is here to meet your needs.

• USPAP Compliant • Quick Turnaround art - jewelry - decorative objects - furnishings and more

Sold at John Moran Auctioneers: Francois Boucher

“The Vegetable Vendor: A Sheet of Studies,” c.1738

Price Realized:$81,250

Condition Reports

3001

One figure with broken arm at the elbow, most pieces retained with the lot. Each with losses, soiling, and wear to the polychrome commensurate with age.

3002

Three figures with repairs to neck. Each with other possible repairs, older losses, soiling, and wear to the polychrome or glaze commensurate with age. Each figure with mounting putty to underside and to wood base. Vase with degradation to glaze and scattered older chips to rim and base.

3003

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With antiquing and intentional losses to polychrome.

3004

One figure broken into multiple pieces with possible losses, most retained with the lot. Each with losses, soiling, and wear to the polychrome commensurate with age.

3005

Each with losses, soiling, and wear to the polychrome and glaze commensurate with age.

3006

Each with losses, soiling, and wear to the polychrome and glaze commensurate with age. A few figures possibly missing items that they were holding.

3007

Each with extensive breaks, soiling, loss to polychrome, and general wear commensurate with age.

3008

Each with losses, soiling, and wear to the polychrome and glaze commensurate with age.

3009

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3010

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Small hairline crack to lip of bowl at conjoining curves.

3011

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3012

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Heavy losses of glaze to the underside.

3013

A copy of the Oxford Authentication thermoluminescence report C199b36 accompanies this lot.

Many heavily broken with extant pieces including the head and legs missing in photos. The cart with one wheel broken but extant, one arm of cart broken off but extant. Losses to polychrome and heavy soiling.

3014

Each with losses, soiling, and wear to the polychrome commensurate with age.

3015

Each figure with losses, soiling, and wear to the polychrome commensurate with age. One figure with a 1.25” area of chipped repair with attendant small losses. Another two figures with restoration along one side. Possible other repairs or restoration to other figures. Each box with tears in the outer fabric and splitting at hinge seam.

3016

Each with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. One armchair with loss to back legs and base. Each with craquelure and scattered chipped losses.

3017

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Chips to the base of the jar all along the bottom. Accompanied by dealer tag to underside, along with sticker residue. No evidence of repairs or restorations under blacklight.

3018

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Gilding rubbed Rubbed wear to the glaze at edges.

3019

A bean-sized chipped loss to shoulder, with discoloration to exposed areas and three attendant radial cracks through the body and shoulder. With shelf wear, scattered minor scuffs and scratches, and inherent firing flaws commensurate with age.

3020

Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One side with a more substantial scratch measuring 2.5” long. No evidence of repairs under UV light.

3021

The bottom of vase has been drilled for conversion, measuring about 1” diameter. Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A few scattered scuffs at shoulder. Minor craquelure to glaze throughout. Oxidation to brass mounts. Not electrified.

3022

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Craquelure throughout. The stand with shipper’s label to underside.

3023

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight for each.

3024

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues including, but not limited to: a possible restoration to the base.

3025

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered small pinholes and spots of oxidation in the glaze and the silver-toned metal frame with tarnishing.

3026

Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: typical inherent crazing. No evidence of repairs or restorations under blacklight. Each have original dealer sticker to underside.

3027

In good condition overall with minor surface grime.

3028

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Very minor rubbed wear to gilt. Oxidation to brass mounts. The shade with moisture stains and soiling. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

3029

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Soiling and small chips to undersides.

3030

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Several large firing cracks. Scuffing to wood frame.

Framed: 26.375” H x 38.75” W x 2” D

3031

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Framed: 21” H x 15.75” W x 1.5” D

3032

Each overall good condition with scattered scuffs, scratches, minor soiling, and oxidation to metal components commensurate with age. Scattered small nicks to frames.

3033

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor nicks in the wood, with taped reinforcements verso.

3034

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The couple with previous sticker applied to lower left and two pieces of tape to upper edge. Frames with nicks, indentations, and scuffs.

Largest framed: 23.75” H x 5.375” W x 1” D Each smaller framed: 22.25” H x 15.75” W x 1” D

3035

In good condition overall with a few minor firing flaws, wear too wooden frames

Each framed: 47” H x 14.75” W

3036

Each overall good condition. Minor rippling to the sheets. Three of the works with a few occasional and pale pea-sized or smaller foxmarks in the blank backgrounds. The image of the seated male figure with a young man to his right has what appears to be

a thin horizontal band of paper repair near the lower edge. The image of the seated female figure with the figure holding an object up has an unobtrusive split or cut extending horizontally across the sheet, with attendant small stains, approximately 1” above the lower visible edge. The image of the seated female figure next to a young woman delivering an object to her has a pea-sized paper loss in the extreme lower left sheet corner. Each not examined out of the frame.

Each framed under glass: 17.25” H x 12.75” W x 1.25” D

3037

Overall good condition. The colors good. The sheet is mounted to the back mat and surrounded by cream-colored silk borders. Not examined out of the frame.

Framed under glass: 87” H x 103” H x 3.5” D

3038

Each overall good condition. The image of two pandas by Wu Zuoren with one of the scroll’s ceramic end-caps to the lower dowel detached. The smaller work with a few tiny and very unobtrusive foxmarks in the blank of the image. Some very minor pale stains attendant with the dowels. A small white adhesive sticker affixed verso.

Each unframed

3039

Each overall good condition with minor wear. The black glass bottle’s spoon appears to be glued in place. The yellow Peking glass bottle is possibly missing a finial on the spoon. The celadon ceramic bottle with inherent irregularities and oxidation in the glaze.

3040

The ivory scoops have been removed. One with cork stopper stuck in the bottle. Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

3041

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

3042

Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

3043

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with allover minor soiling, grime, and dust accumulation. One leaf with chipped loss, retained with the lot, and a few scattered minor chips to stones.

3044

Each overall good condition with minor shelf wear, scuffs, light scratches, and dust accumulation commensurate with age.

3045

Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One with a 2.5” long paper sticker remnant to lid mounting juncture.

3046

Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. The prunus panel with 1” loss to a small tree branch and a pea-sized chip to stone of the rock formation. The quail panel with pea-sized loss to bamboo leaf tip. The Possibly with other small scattered chips.

3047

Overall good condition with scattered scuffs, scratches, small nicks, slight separation at joints, and oxidation commensurate with age.

3048

Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Underside of rectangular vessel has a surface crack of 2.5” L. Pitting to various areas along the bronze surfaces. The octagonal vessel with older repair to one of the feet.

3049

With degradation and scattered older losses throughout, verdigris and oxidation, darkening/ oxidation to bronze commensurate with age. Soiling to interior from use and age.

3050

Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Pin-holing throughout the enamel.

3051

Each overall good condition with scattered minor scuffs, scratches, minor nicks, and rubbed wear to the lacquer commensurate with age.

3052

Scattered mostly horizontal creases throughout, many with attendant small pigment losses. Occasional surface scuffs and pale discoloration concentrated primarily near the outer edges. Not examined out of the frame

Framed under glass: 49” H x 33” W x 1” D

3053

Each with scattered scuffs, scratches, nicks, indentations, dust accumulation, and soiling commensurate with age and use. Hinges mostly intact, with some areas starting to separate. Rector of hinges with darkening, staining, and losses to surrounding areas. Scattered large localized area of insect grazing to paper. Verso of each with multiple large repairs and patches, with fading and soiling.

3054

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges loose, some with splits, with darkening and staining to areas surrounding. Moisture stains along lower edges on fabric borders of some panels. One with an 18” long stain along bottom edge of painted segment. One panel with a 4.5” long deeper scratch. Verso with some areas of darkening. Scattered older chipped losses to the wood frame.

3055

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining and losses to surrounding areas. One panel with small losses along front bottom edge. Versos with scattered losses, concentrated to end panels and edges. A few tears to edges verso.

3056

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. One pea-sized abrasion and another quarter-sized abrasion, with a quarter-sized hole to one panel. Minor staining, at hinges, with slight darkening, the outer hinges with more wear, creases, and small losses.

3057

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact. One panel with two puncture holes, the larger measuring 2.25” x 1.75” large. The same screen with two puncture holes and larger abrasions verso. Each with rubbed wear verso.

3058

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact. A few small repairs at edges of painted paper panels. Verso with minimal areas of wear to end panels.

3059

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Staining, moisture damage, and chipped losses at hinges, with darkening. Fabric with fading, staining, and small losses. The boards with general rubbed wear to each side. Verso with scattered tears in the hinges and throughout, staining, and the ends panels with more wear, including a few pea-sized holes.

3060

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Staining and chipped losses at hinges, with some darkening, particularly to middle hinges. Scattered insect grazing to border fabric. Verso of end panels with more wear.

3061

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with scattered small tears at gutters. Each with small chipped losses to edges of painted vignettes. One with chipped losses to gilt paper along lower border. Verso of each with losses to paper, concentrated at corners and edges, one with a 3” diameter puncture.

3062

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Staining, moisture damage, and chipped losses at hinges, with some darkening. Scattered losses to border fabric. Verso of end panels with more wear, darkening, and some patched paper repairs. A few chipped losses to wood frames at hinges.

3063

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Middle hinge with separation. Craquelure, staining, small chipped losses to the painting and gilt throughout. Fading to fabric. Significant moisture damage verso.

3064

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining at gutters. Rippling to gilt paper at upper corners, with one 3” long tear. Fading verso, with rubbed wear to end panels. A few small chipped losses to wood frame at ends and corners.

3065

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining. Craquelure and small chipped losses to the painting and gilt throughout. Verso of end panels with rubbed wear.

3066

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. A 16” long area of hinge separation at upper juncture, with minor wear, darkening, and staining along areas surrounding gutter. Scattered staining and abrasions to painted fabric. Three holes to silk brocade verso, each about 1.5” diameter.

3067

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinge intact, with darkening/staining to area near gutter. Two small abrasions at upper center near hinge. Moisture staining at corners and lower edge of painted fabric. Verso with fading and a quarter-sized hole.

3068

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Embroidery in good condition overall, gilt paper has many small losses around fans, black paper on back has many surface losses.

3069

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. A few scattered spots and stains. Rubbed wear to upper edges of gilt border. Verso of hinges with soiling, small chipped losses, and darkening. Verso with scattered chipped losses. As well, the wood frame with scattered small chipped losses, concentrated at hinges.

3070

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Heavy losses to the gilt paint of paper border. A few scattered small stains to painted fabric, unobtrusive to figures. Scattered nicks in the wood frame. One end panel with a 18” x 12” area of moisture staining and a 3” x 4” area of tears in the fabric.

3071

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact. The applied elements with scattered darkening spots from mounting glue.

3072

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. One frame with loose components. Verso of each with more wear, staining, and small tears at hinges. Outer panels verso with more wear, including one with a 8” x 2.5” patched repair and another with a 2” area of tears and abrasions at hinger upper corner. A few small chipped losses at ends of wood frame.

3073

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Moisture damage and chipped losses at hinges, with some darkening, particularly to middle hinges.

3074

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening, staining, and chipped losses. Scattered abrasions and scratches to decorated sides. Verso of each with scattered repairs, staining, fading, and a few holes.

3075

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Scattered cracks and apparent seams in the painted panels, with small losses. Moisture damage and blackened stains to upper areas, concentrated near hinges. Some lifting to gilt paper at hinges. Tanning to verso of bookended panels.

3076

With scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Scattered cracks and apparent seams in the painted panels, with small losses. Verso of one panel with a 4” x 1.25” tear and attendant puncture. Some lifting to gilt paper at hinges.

3077

Each with scattered scuffs, scratches, nicks, indentations, and soiling commensurate with age and use. Hinges intact, with darkening and staining. Some staining or darkening to fans and ground. Fading to and holes in silk backing.

3078

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

3079

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Glaze with inherent crazing. Three holes drilled to the underside for wall hanging purposes. No evidence of repairs or restorations under blacklight. Underside with applied inscribed paper.

3080

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A pea-sized abrasion mark to faÁade of the plate. Glaze with inherent crazing. No evidence of repairs or restorations under blacklight.

3081

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some losses to paint of harp and electric components. The lot does not include a shade. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

3082

Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.

3083

Overall good condition with scattered minor scuffs and darkening/oxidation to metals commensurate with age.

3084

Overall good condition with general wear commensurate with age. Not examined outside of case.

3085

Each overall good condition. Not examined out of the frame.

Each framed under glass: 20.75” H x 15.75” W x 1” D

3086

Overall good condition. The sheet with wide margins, deckled along two edges, and the colors good. The sheet is framed floating and possibly laid down to the fabric-covered back mat. Not examined out of the frame.

Framed under glass: 21” H x 16” W x 1” D

3087

Overall generally good condition. Soft wrinkling and toning to the silk. A 1.5” H x 1.5” W area of insect damage near the center of the left edge, a 1” H x 1” W area near the lower right corner, and other occasional smaller areas along the outer edges. Not examined out of the frame.

Framed under glass: 20.25” H x 36.25” W x 1” D

3088

Each overall good condition with creasing and wear to edges commensurate with age. Kyoto with some discoloration, soiling, and small losses. Tokyo with fading to colors. Neither examined out of frame.

Kyoto framed: 32.25” H x 43.5” W x 1.25” D Tokyo framed: 36.25” H x 40.75” W x 0.875” D

3089

Overall good condition with scuffs, scratches, loss to the polychrome, nicks, indentations, shrinkage cracks, and soiling commensurate with age. Multiple vertical cracks/splits in the wood of base and attendant figure.

3090

With dust accumulation, losses to polychrome, and scattered chipped losses. Figure lacking hands. The base with older evidence of wood worm.

3091

Overall generally good condition. Scattered flecks of occasional pigment loss. Wear and minor darkening to the pigment, and the silk with minor toning. Small areas of surface soiling and occasional creasing scattered throughout. As mentioned, the silk is laid to board.

Framed without glazing: 58” H x 30.5” W x 2.25” D

3092

Overall generally good condition. Specks of grime, areas of wear to the pigment, and minor surface soiling mostly in the outer edges, all commensurate with age. Specks of pigment loss scattered in the lower left quadrant and the outer edges. The work is framed floating and sandwiched between two pieces of Plexiglas. Not examined out of the frame.

Framed under Plexiglas: 19.75” H x 17.5” D x 0.5” D

3093

The figure is loose at the waist, where the top half is mounted to the bottom half. Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Very small scattered losses from oxidation at edges of garments. The figure likely once gilt, with scattered remnants throughout.

3094

With weathering and small losses commensurate with age. A 3.5” area of chipped loss to the prabhamandala and a 1” area of loss to torso of left demon proper. Scattered remnants of polychrome, most notably to forehead and hands of deity figure and the outstretched leg of consort. No apparent evidence of restoration under UV light.

3095

With weathering and small losses commensurate with age. Patination/discoloration to buffalo torso and tail of dog. Scattered remnants of polychrome. No apparent evidence of restoration under UV light.

3096

With scattered scuffs, scratches, oxidation, and loss to the gilt commensurate with age.

3097

Overall good condition with scattered scuffs and darkening/oxidation to bronze commensurate with age. Scattered small losses at edges and mild grime throughout.

3098

Overall good condition. A very soft handling crease across the upper right corner, just barely affecting the upper right corner of the painted window fabric. Slight cockling along the extreme left edge of the pink border, not affecting the image. Pin holes at the tip of each corner, with an attendant tiny paper loss to the tip of the upper right corner. The work is loose, not matted.

Framed without glazing: 10” H x 7.5” W x 0.5” D

3099

Overall generally good condition. Surface soiling and minor scuffing as well as scattered handling creases throughout. A diagonal crease extending across the lower third of the sheet. Not examined out of the frame.

Framed under glass: 21” H x 18” W x 1” D

3100

Overall good condition with scattered scuffs, light scratches, oxidation, and tarnishing commensurate with age. Handles of knife and fork have wear due to use.

3101

The bronze with darkening/oxidation, verdigris, and degradation commensurate with age. The base in overall good condition.

3102

Heavily corroded. With losses to gilding and degradation throughout commensurate with age. Shelf wear to base with scratches.

3103

Overall good condition with inherent flaws commensurate with age and excavation.

3104

Each overall good condition. With margins. Pale light-staining, and some of the works with more uneven staining concentrated primarily in the outer margins. Minor, scattered, handling creases. “Coberly” with a pinhead-sized foxmark to the left of the coat of arms cartouche. “Nibley” with a pea-sized foxmark in the clouds in the upper right quadrant of the image. Each not examined out of the frame.

Each framed under glass: 25.75” H x 28.75” W x 2” D

3105

Overall good condition. The sheet with thread margins or trimmed to the narrow black borderline in places. A few generally unobtrusive, minute stains in the saint’s halo. A very unobtrusive, pinpoint-sized speck of insect damage in the grassy bank at left.

Framed under Plexiglas: 19.5” H x 17.25” W x 1.5” D

3106

Overall good condition. The sheet with narrow margins on all sides. The platemark possibly strengthened by hand near the bottom of the left edge. The sheet is framed floating and hinged to the back mat from the verso of the upper margin corners.

Framed under Plexiglas: 18.5” H x 17.25” W x 1.5” D

3107

Overall good condition. Scattered very soft and unobtrusive handling creases. The sheet is framed floating and tipped to a peach-colored backmat. Not examined out of the frame.

Framed under glass: 14” H x 11.5” W x 1” D

3108

Overall generally good condition. The full sheet with three deckled edges. A horizontal crease extending across the lower third of the sheet. A 0.75” V-shaped repaired tear in the blank to the right of the child’s forehead. A 0.5” diagonal tear extending up from the lower left sheet corner, not affecting the image. Minor surface soiling, an occasional small stain, and soft handling creases, all concentrated primarily near the sheet edges and on the verso. The sheet is framed floating and hinged to the back mat from the verso of the upper sheet corners.

Framed under glass: 23” H x 17” W x 3” D

3109

Overall generally good condition. Pale light-staining, and the ink presumably attenuated from black to brown. Occasional, small, and unobtrusive tears along the extreme right edge. A pinhead-sized hole near the center of the left edge. Minor handling creases and surface soiling scattered in the outer sheet edges and corners. The verso of the sheet with scattered skinned areas and toning. The sheet is framed floating, hinged to the back mat with white tape from the verso of the upper sheet corners.

Framed under glass: 14.5” H x 11.5” W x 1.5” D

3110

Overall good condition. Pale light-staining. Not examined out of the frame.

Framed under glass: 22.25” H x 22.25” W x 2” D

3111

Visual: Dust accumulation, grime, craquelure throughout, and occasional areas of unstable craquelure with attendant pea-sized or smaller areas of pigment loss scattered primarily in the outer edges. Also, soft stretcher bar creases mostly visible in raking light, and wear to the pigment on the right half of the work, all commensurate with age. A thin 0.75” vertical scratch with attendant pigment loss near the center of the left edge. Minor frame abrasion along the extreme edges.

Blacklight: Touch-up concentrated primarily along the outer edges, with some smaller areas scattered throughout.

39.5” H x 32.5” W x 3.5” D

3112

With wear, losses, soiling, dust accumulation, and scuffs commensurate with age. Madonna lacking right hand proper, the child with losses to left side of figure and three bored holes, two to the top of the head. Madonna with two bored holes, one at back of head, one to back of robe.

3113

Showing heavy wear in scattered losses, cracks, and scuffs and darkening/oxidation to bronze commensurate with age and use. Verdigris to interior.

3114

Each overall good condition with oxidation, verdigris, and soiling commensurate with age. Each inner bracket with degradation from fireplace use.

3115

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Marble top with an 8” x 3” repaired break at front edge.

3116

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Soiling and rubbed losses to the gilt throughout. Scattered small chipped losses to each.

3117

Each with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. A repaired break to on leg with other possible repairs throughout at junctures. Chipped losses to the gilt finish throughout. Heavy silvering to mirrored panels.

3118

Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Losses to gilt and small losses to wood.

3119

Overall good condition with scuffs and scratches. Losses to giltwood and gesso, cracks to wood, losses to gilding on candle arms, and wax remnants.

3120

With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Losses to leather, concentrated at edges and sides, with discoloration and stiffening throughout. Oxidation to metal components. Mild soiling to interior. Lacking key.

3121

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upper surface of lower console with darkening, staining, and older chipped losses at edges. Scattered older losses throughout, concentrated at edges of shelves and one at lower corner of cabinet door of upper console. Evidence of older woodworm throughout.

3122

Overall good condition with scattered scuffs, scratches, indentations, small nicks, and oxidation to metal components commensurate with age. Scattered chipped losses to polychrome. Heavy craquelure to throughout.

3123

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered older losses and deep indentations. Evidence of older woodworm.

3124

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipped losses to giltwood and gesso.

3125

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Hardware replaced. Scattered minor losses to veneers and areas of lifting. Right side with two quarter-sized chips to veneer and a 10” long crack in veneer. Left side with a 7” long crack in the veneer. Lacking top left pull handle. Lacking key.

3126

Each overall good condition with dust accumulation, minor soiling, oxidation, and scattered minor scuffs and scratches commensurate with age.

Frame:

3127

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneers with scattered small cracks in the lacquer finish. The front with an 8” long crack in the veneer with taped repair. Minor rubbed wear to the gilt with subsequent mild oxidation to metals. Drawer pulls slightly loose. Lacking key.

3128

Overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. Upholstery in good condition with minor general wear from use.

3129

Overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. Upholstery in good condition with minor general wear from use.

3130

Each overall good condition with scattered minor scuffs and scratches, minor soiling to bobèches, and minor oxidation to bronze commensurate with age.

3131

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Column supports loose from their mounting, one with crack through the wood base. Each side with two long vertical cracks through the veneer. Dresser top with scattered deeper nicks, scratches, and abrasions. Rubbed wear to gilt-bronze mounts, with attendant darkening/oxidation. The mirror with cracks and evidence of older wood worm verso. Mirror surface with some yellowing and scattered minor scratches. Lacking key.

3132

Each overall good condition, with wear to gilding, remains of polishing paste, and darkened areas. Lacking wiring, but drilled for electricity.

3133

Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered verdigris in the crevices. Rubbed losses to the gilt finish. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

3134

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Five chipped wood losses to one short end apron, the largest measuring 1.5” x 0.75” large. The leather with scratches, abrasions, and scattered moisture spots. The desk was later ebonized, with craquelure throughout. Lacking key.

3135

Overall good condition with scattered scuffs, scratches, nicks, indentations commensurate with age. Missing front left bronze mounted sabot. Left side with a 2.75” long crack, possibly repaired. Some rubbed wear to gilt-bronze mounts with attendant darkening. Lacking key.

3136

Overall good condition with even wear, minor soiling, dust accumulation, and typical signs of wear commensurate with age and use.

3137

Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scratches and darkening to the leather. Craquelure to the black, with rubbed wear and scattered losses to gilt. Oxidation to hardware. Lacking key.

3138

Overall good condition with shelf wear, scuffs, scratches, and oxidation commensurate with age. Moisture damage to interior silk. Losses to gilding at spine interior gutter.

3139

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Rubbed wear to the gilt throughout, with scattered rubbed losses to painted metal panels. Some of the bronze mounts are loose. Each candelabrum with a slight lean, one with one arm loose from its mounting. The candelabra lacking three of the corner support segments of the base. Clock lacking winding key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

3140

Overall good condition with some wear to enamel. Natural fissures in onyx, one panel with tight diagonal crack. Velvet liner of lid detached.

3141

Overall good condition with scattered very minor scuffs and scratches, with minimal rubbed wear to the gilt and minor oxidation to metal commensurate with age.

3142

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The front left with a loss in the inlaid trim. The lid with a 4” long crack in the marquetry and 1” loss to right side. A few localized areas of lifting to inlay. Lacking key.

3143

Overall good condition with tarnishing, scratches, and indentations commensurate with age. Not tested for purity. Weight includes non-silver components.

3144

Each overall good condition with scattered minor scuffs and scratches and general wear commensurate with age. With natural fissures and infilled cracks.

3145

Overall good condition with scattered minor scuffs and scratches. The upper panel is bowed and slightly loose from its mounting.

3146

Visual: Overall good condition. Fine craquelure and crazing to the varnish layer, all scattered throughout. Occasional flecks of pigment loss scattered in the white shirt collar and in the background of the lower right quadrant. Minor frame abrasion scattered along the extreme left edge. As mentioned, the canvas is laid to Masonite.

Blacklight: Certain pigments in the background and the figure’s jacket fluoresce under blacklight, presumably in the hand of the artist.

Frame: 47.25” H x 34.75” W x 5.75” D

3147

Visual: Overall good condition. Occasional stable craquelure as well as areas of paint shrinkage and/ or varnish crazing. A few tiny spots and short lines of surface abrasion and/or grime, rice-sized or smaller, primarily scattered in the dog’s clothing. Stretcher bar creasing showing primarily at top.

Blacklight: Two areas of touch-up, each measuring approximately 2” H x 2” W, one of which is to the left of center at the extreme lower edge, and the other is in the background to the left of the dog’s right “elbow.” A few other lines or spots of touch-up in the background, all pea-sized or smaller. The work has a masking varnish.

Frame: 39” H x 34” W x 2.25” D

3148

Visual: Overall good condition. Occasional scattered stable craquelure. Stretcher bar creases along all four sides.

Blacklight: A rice-sized touch-up in the area of the borzoi’s ribs. A 0.75” line of touched-up frame abrasion near the center of the extreme lower edge, and another, much smaller area of the same in the upper right corner of the canvas.

Frame: 17.5” H x 21.5” W x 1.25” D

3149

Visual: Overall good condition. Dust accumulation and specks of grime commensurate with age. Minor stretcher bar creases along the four sides. Very fine and unobtrusive paint shrinkage scattered on the dog.

Blacklight: A 2” thin band of touch-up in the lower portion of the extreme right edge, and other peasized or smaller areas of touch-up scattered in the upper half of the background.

Frame: 22.25” H x 18.25” W x 3” D

3150

Visual: Overall good condition. Scattered foxing on the verso of the canvas.

Blacklight: A nickel-sized touch-up in the background to the left of the dog’s head, with an attendant 1.5” H x 1” W patch verso. Difficult to read under unevenly applied varnish.

Framed: 29” H x 24” W x 3” D

3151

Visual: Dust accumulation, specks of grime, stable craquelure throughout, stretcher bar creases with attendant hairline splits to the canvas along each side, and varnish discoloration, all commensurate with age. An approximately dime-sized hole and attendant pressure mark on the dog’s upper tail. Three artist’s pinholes along the upper edge. Occasional and unobtrusive flecks of scattered stray white pigment.

Blacklight: Two pea-sized touch-ups near the center of the right edge, and other smaller and occasional touch-ups scattered in the outer edges and the dog.

Frame: 33.25” H x 41” W x 2” D

3152

Visual: Overall good condition. Scattered stable craquelure throughout. Stretcher bar creases showing slightly along all sides.

Blacklight: Three small areas of touch-up in the background to the left of the dog’s torso, the largest approximately 1” H x 2” W, and a delicate 2” diagonal line of touch-up in the dog’s ear at right. Difficult to read under heavy varnish.

Frame: 26” H x 28” W x 2.5” D

3153

Visual: Overall generally good condition. Dust accumulation, grime, stable and fine craquelure throughout and occasional areas of unstable craquelure with a few attendant specks of pigment loss scattered in the left half of the work, and scattered areas of wear to the pigment, all commensurate with age. Frame abrasion along the extreme upper and lower edges.

Blacklight: Two 1” H x 3” W areas of touch-up in the lower corners and a few other pea-sized or smaller areas of touch-up scattered occasionally in the dog’s face and in the outer edges.

Frame: 31.25” H x 26.25” W x 4.25” D

3154

Visual: Overall good condition. Minor stretcher bar creases along the four sides. Scattered and unobtrusive paint shrinkage. Minor frame abrasion along the extreme edge.

Blacklight: A thin 2.5” line of touch-up in the upper edge, at right, and a 0.5” H x 0.5” W area of touchup on the dog’s right-side ear.

Frame: 12.75” H x 14.75” W x 2.25” D

3155

Visual: Overall good condition. Delicate crazing throughout, showing mostly under blacklight. As mentioned the canvas has been relined and the tacking edges have been removed.

Blacklight: Scattered flecks of touch-up along a prior stretcher bar crease. As mentioned, there is delicate crazing throughout.

Frame: 18” H x 21” W x 2.5” D

3156

Visual: Overall generally good condition. Dust accumulation and specks of grime commensurate with age. Fine craquelure scattered throughout and a small portion of unstable craquelure with attendant wear and pigment loss on the top of the dog’s head and the background near the center of the upper edge. A very minor stretcher bar crease with an attendant, 2” unobtrusive hairline split in the canvas, at the center of the left edge.

Blacklight: No evidence of restoration.

Frame: 17.75” H x 19.75” W x 1.5” D

3157

Visual: Overall good condition. Dust accumulation, grime, stable craquelure throughout and a few areas of unstable craquelure with a few attendant pigment losses in the dog’s fur and near the center of the background, and stretcher bar creases mostly appearing on the left and lower edges, all commensurate with age. Two pinpoint-sized pigment losses near the upper corners. Minor frame abrasion along the extreme upper edge, with attendant scattered pigment losses.

Blacklight: Scattered areas of touch-up along the outer edges.

Framed under glass: 25.25” H x 21” W x 3” D

3158

Visual: Overall good condition. Dust accumulation and specks of grime commensurate with age. As mentioned, the canvas has been relined.

Blacklight: A 2” H x 1” W area of touch-up on the left arm of the dog and other smaller areas of touch-up scattered in the outer edges of the work.

Frame: 21.5” H x 17.5” W x 3” D

3159

Visual: Overall good condition. Minor dust accumulation. As mentioned, the canvas has been relined.

Blacklight: A pinhead-sized touch-up at the center of the dog’s right ear.

Frame: 18” H x 21” W x 1.75” D

3160

Visual: Overall good condition. Minor specks of grime. Very fine and occasional areas of paint shrinkage scattered in the white pigment of the dog’s chest. The extreme corners and edges with occasional pigment losses, minor abrasion, and pale time staining.

Blacklight: No evidence of restoration.

Frame: 15.75” H x 13.75” W x 1.5” D

3161

Visual: Overall good condition. A pinhead-sized pigment loss near the upper right corner. A minor abrasion to the pigment on the left hindleg of the frontmost dog.

Blacklight: No evidence of restoration.

Frame: 20.5” H x 16.5” W x 3.25” D

3162

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 29.5” H x 23.5” W x 2” D

3163

Visual: Overall good condition. Dust accumulation and specks of grime. Two artist’s pinholes along the upper edge, at right.

Blacklight: No evidence of restoration.

Frame: 26.5” H x 28.75” W x 2” D

3164

Visual: Overall good condition. Very unobtrusive stretcher bar creases along the left and lower edges. Two very thin black streaks in the background and near the center of the upper edge.

Blacklight: No evidence of restoration.

Frame: 19.75” H x 23.75” W x 2.5” D

3165

Overall generally good condition. An unobtrusive, 4” crease extending horizontally from approximately the center of the left sheet edge. A 2.5” H x 0.375” W loss to the upper left corner of the sheet/board, with an attendant minute tear, most of which affects only the sky and a few stray tree branches. Minor paper toning from a previous mat window slightly visible in the upper 1.5” of the sky. As mentioned, the sheet is mounted to matboard, as issued (some of the wash extends onto the edges of the matboard). As a result of this matboard then being mounted to yet another matboard, slight traces of very old adhesives expand approximately 0.125” onto the extreme upper edge of the artwork. The work, with its double matboard mounts, is taped to the overmat with white archival tape in five places from its edges, verso

Framed under Plexiglas: 36” H x 25” W x 2” D

3166

Each overall good condition. “Dot” with pale minor toning. Each not examined out of the frame.

Framed under glass: Largest: 19.75” H x 15.75” W x 1” D

3167

Each overall good condition. Not examined out of the frame.

Each framed under glass: 18.75” H x 16.75” W x 1.25” D

3168

Overall good condition. With margins. Pale lightstaining. Mat burn along the margin edges of the mat window opening. Not examined out of the frame.

Framed under glass: 15.25” H x 13” W x 1” D

3169

Each overall good condition. With margins and a good impression. The English Springer Spaniel work with a pale pinhead-sized foxmark at the top of the dog’s head, at center. A very pale 4” vertical line of staining in the blank and near the right platemark and a pinhead-sized foxmark near the lower platemark, at center, both not affecting the image. A small cluster of pale specks of foxing in the upper margin, right of center, and handling marks in the lower margin. Each not examined out of the frame.

Each framed under 21” H x 17” W x 1.375” D

3170

Overall good condition with tarnishing, minor indentations, and light scratches commensurate with age. The lid lacks a hinge pin and is not secured to the top. Scratch testing to underside. Weight includes non-silver components.

3171

Overall good condition with tarnishing and scratches commensurate with age. Evidence of scratch testing to underside. A few scattered small indentations throughout. The ivory insulators have been removed and replaced. Weight includes non-sterling components.

3172

Each overall good condition with tarnishing and light scratches commensurate with age. Waste bowl with denting to rim and lid rim. Each personalized with a family crest.

3173

Each overall good condition with tarnishing and light scratches commensurate with age. Each with minute scattered indentations throughout. One with skewed base, subsequently, the base is not even and rocks slightly.

3174

Overall good condition with tarnishing and light scratches commensurate with age. With previous owner’s lion cipher to one side. Weight includes nonsilver components.

3175

Each overall good condition with tarnishing and light scratches commensurate with age.

3176

Overall good condition with tarnishing and light scratches commensurate with age. Underside of puff compressed. Some indentation to underside of powder box. Box monogrammed: SDB. Weight includes non-silver components.

3177

Overall good condition with tarnishing and light scratches commensurate with age. The glass with a few dime and pea-sized conchoidal chips to rim. One bird mounted to handle with loss to beak. Weight does not include glass insert.

3178

Each overall good condition with tarnishing and light scratches commensurate with age. Lid finials slightly loose. The flower vase with indentations to side of body. The tray with more scratches, including a 4” long deeper scratch to rim.

3179

Overall good condition with tarnishing and light scratches commensurate with age.

3180

Each overall good condition with tarnishing and light scratches commensurate with age. One glass jar cracked. Most brushes with fraying to outer bristles. Soiling and dust accumulation to case interior, with an area of black smudges to upper portion. The case with wear and heavy scratching to top. Weight includes attached glass and bristles of relevant items.

3181

Each overall good condition with tarnishing and scratches commensurate with age. The salt with loss to gold wash.

3182

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. A few of the hollowhandled knives with small indentations to the handle. One tablespoon personalized.

3183

Each overall good condition with tarnishing and light scratches commensurate with age.

3184

Overall good condition with a few scattered minor scratches. The underside with soldered repairs to base, one measuring 2.25” long, the other 1.5” long. Weight includes non-sterling components.

3185

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. One bouillon soup spoon with dents and maceration to the bowl. Five fish forks with bent tines. Each monogrammed: “B.”

3186

Each overall good condition with tarnishing, dust accumulation, minor soiling, and scattered scratches commensurate with age. The ivory insulators have been removed and replaced. Sugar bowl lacking lid. Waste bowl with indentation to rim. Each monogrammed on side: R / J or F / S. Weight includes non-sterling components.

3187

Overall good condition with tarnishing and light scratches commensurate with age. Soiling and spots of grime throughout. Possibly lacking flower holder grate. Monogrammed illegibly to rim in a cartouche.

3188

Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed to one side: D.

3189

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

3190

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

3191

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

3192

Each overall good condition with tarnishing and light scratches commensurate with age. Serving fork with sticker residue. Weight does not include hollowhandled items.

3193

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

3194

Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

3195

Each overall good condition with tarnishing and light scratches commensurate with age. Most spoons and forks with minor indentations at edges. Weight does not include hollow-handled items.

3196

Each overall good condition with tarnishing and light scratches commensurate with age. A few teaspoons with slight indentation at one side. Weight does not include hollow-handled items.

3197

Each with tarnishing and scratches commensurate with age. A few with maceration. Some with minor soiling. Some hollow-handled items with small indentations. Heavy oxidation to stainless steel components of carving utensils. Many monogrammed: EWK. Weight does not include hollow-handled items.

3198

Each overall good condition with tarnishing and scratches commensurate with age.

3199

Visual: Overall generally good condition. Very fine, stable craquelure throughout. Soft stretcher bar creases showing along the left and upper edges. Some slight varnish discoloration showing along the upper edge. As mentioned, the canvas has been relined.

Blacklight: A 1” H x 3” W area of touch-up near the upper edge, at right, a dime-sized area of touch-up between the tops of the forward two masts of the ship, and other rice-sized or smaller spots of touchup scattered throughout the outer edges. Occasional areas of crack-fill, showing primarily in the water.

Frame: 35.5” H x 46.5” W x 2.5” D

3200

Visual: Overall good condition. Dust accumulation, grime, fine and stable craquelure throughout, minor darkening, varnish discoloration, some areas with minor wear to the pigment mostly in the outer edges, and scattered areas of oxidation to the varnish layer primarily in the background, all commensurate with age. A 4” unobtrusive line of minor abrasion along the upper edge, at right. A few specks of stray white pigment scattered in the lower left corner.

Blacklight: Areas of touch-up throughout, and mostly concentrated in the background. Areas of touch-up on the figure’s forehead, cheeks, and clothing. The German inscription copied on the lining in another hand, taken from the original verso canvas.

Frame: 32.75” H x 27.5” W x 2.25” D

3201

Visual: Overall good condition. Very fine, stable craquelure throughout. As mentioned, the canvas has been relined.

Blacklight: Occasional quarter-sized or smaller spots of touch-ups scattered throughout, with other ricesized touch-ups occasionally scattered throughout the face of the figure.

Frame: 43” H x 37” W x 4” D

3202

Visual: Dust accumulation, grime, craquelure throughout and areas of unstable craquelure with attendant pea-sized or smaller pigment losses, occasional surface scuffs/scratches, areas of wear, darkening, and oxidation to the pigment, and varnish discoloration, all commensurate with age. Losses along the extreme edges, with larger areas concentrated along the upper edge. A pinhead-sized loss on the figure’s upper left cheek. A 3” H x 0.5” diagonal band of white residue at the center of the left edge. The canvas is slightly rippled. Other minor defects. As mentioned, the canvas has been relined.

Blacklight: A 1” H x 1.5” W area of touch-up at the center of the figure’s white collar with an attendant patch verso, and a 0.5” H x 0.75” W area of touch-up in the upper edge, right of center. Scattered areas of crack fill mostly in the outer edges. Presumably older touch-ups throughout, but difficult to read under the masking varnish.

Unframed

3203

Visual: Overall generally good condition. Dust accumulation, grime, very fine craquelure and scattered areas of unstable craquelure with attendant pinhead-sized or smaller pigment losses, minor paint shrinkage concentrated in the darker pigment in the upper right quadrant, scattered soft surface scratches mostly visible in raking light, all commensurate with age. Frame abrasion along the extreme edges, the most apparent area along the extreme left edge with attendant pigment losses.

Blacklight: An approximately 14” H x 1” W ‘L-shaped’ area of touch-up in the lower left corner, and other areas of touch-up along the edges and a few quartersized or smaller touch-ups scattered in the figures.

Frame: 41.25” H x 50.25” W x 2.5” D

3204

Visual: Overall generally good condition. Very fine and stable craquelure scattered throughout, occasional and minor surface scratches scattered throughout, mostly visible in raking light, darkening to the pigment, all commensurate with age. A ricesized area of pigment loss near the upper portion of the left edge. A vertical 2.75” and two rice-sized indentations in the panel near the upper edge of the upper right quadrant, mostly visible in raking light. Minor frame abrasion scattered along the extreme upper edge.

Blacklight: The architectural ruin in the foreground with a 5” H x 0.75” W area of touch-up along the pillar to the left of the figures, a 4” H x 3” W area of touch-up along the right side of the building. Other quarter-sized or smaller areas of touch-up scattered throughout, mostly in the outer edges.

Frame: 24” H x 23.5” W x 3.25” D

3205

Visual: Overall good condition. Fine craquelure throughout. A 1.5” horizontal, hairline, surface scratch near the larger flames in the upper right quadrant. An area of small surface scratches and abrasions with commensurate pigment loss in the upper right corner. Slight surface abrasion with attendant pigment loss in the “t” of “Etna” and the “A” in “Aprile.” Frame abrasion in places along the edges of the upper left corner and along the right side of the upper edge. The canvas is strip lined.

Blacklight: Occasional, scattered areas of touch-up, the largest measuring approximately 2” H x 2.5” W near the base of the volcano. The other touch-ups concentrated primarily near the outer edges.

Frame: 24.5” H x 36.25” W x 2.5” D

3206

Visual of each: Overall good condition. Dust accumulation, occasional specks of grime, and minor varnish discoloration.

Blacklight of each: No evidence of restoration.

Frame of each: 12” H x 17.75” W x 2.25” D

3207

Overall generally good condition. A 2” delicate surface scratch to the left of the figure’s hat, and two pinhead-size surface nicks at the bottom of the figure’s shadow, each with attendant pigment losses. A 1” diagonal tear into the background from the upper portion of the right sheet edge. Slight toning to the sheet, recto and verso. The work is glued to a thin support sheet along the verso of the upper and lower sheet edges.

Framed under glass: 20.25” H x 16” W x 1” D

3208

Visual: Dust accumulation, craquelure throughout, an old stretcher bar crease along the upper edge, minor wear to the pigment, frame abrasion primarily along the extreme edges, and darkening to the pigment, all commensurate with age. Three rice-sized surface scratches in the background and to the left of the figure’s crown, and an unobtrusive rice-sized scratch to the right of the figure’s left foot. The canvas is unevenly trimmed along the extreme edges. As mentioned, the canvas is laid to glass.

Blacklight: Scattered pea-sized touch-ups along the extreme edge. Presumably older touch-up throughout, difficult to read under heavy varnish.

Frame: 17.5” H x 15.5” W x 1.5” D

3209

Each overall good condition. Light-staining and the colors slightly attenuated. Occasional specks of foxing scattered throughout. The portrait of Prince Albert with time staining along the extreme edges of the board mount, and an area of staining from glue residue on the verso of the board mount. The portrait of Queen Victoria with uneven toning and scattered areas of wear on the outer edges of the board mount. As mentioned, each sheet is mounted to a board mount.

Each framed under glass: 30.5” H x 21.25” W x 1.25” D

3210

Visual: Overall generally good condition. Scattered stable craquelure. A speck of grime above the figure’s right eyebrow.

Blacklight: Scattered small dots and lines of touchups, including crack-fill, concentrated primarily in the background. Possibly some larger older touch-ups in the figure’s hair and neck, difficult to read under heavy varnish. Touch-up of old frame abrasions along the extreme upper and left edges.

Frame: 29.25” H x 25.25” W x 4” D

3211

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: pinholing and oxidation to the glaze.

3212

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Chipped loss to back left toe. With a 2” long area of chipped loss along front edge of rim of base.

3213

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3214

Overall good condition with scattered minor scuffs and scratches. Small chips around one rim, natural fissures in mineral. Urns not drilled. The shades are raised on a separate metal arm, and the shade fabric is shredded on one side of each.

3215

Each with scattered scuffs, scratches, nicks, and indentations commensurate with age. Flaked losses throughout. Fading to upholstery, with staining to each concentrated at junctures of seat back and seat cushion. Holes and tears to sides of seatbacks.

3216

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with bubbling/raising to veneer. A few scattered cracks in the veneer, and a few pea-sized chipped losses. Oxidation to brass components. Lacking key.

3217

Each overall good condition with scattered scuffs, scratches, nicks, indentations, and separation at joints commensurate with age. Edge of locking cabinet door of bottom console loose. A few instances of small areas of lifting to the veneer. Lacking keys.

3218

Overall good condition with scattered scuffs, scratches, nicks, and minor indentations commensurate with age. The tabletop with scattered minor scratches.

3219

Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3220

Restorations to figure’s head, with two chipped losses. With shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3221

Each overall good condition with scattered minor scuffs, scattered verdigris, and darkening/oxidation to bronze commensurate with age.

3222

Overall good condition with scattered scuffs, scratches, and darkening to leather commensurate with age. Stiffening and cracking to leather, with scattered rubbed wear. The tail loose at its juncture with attendant loose threads.

3223

Overall good condition with scattered scuffs, scratches, and minor soiling commensurate with age. General wear and creasing to seat cushions leather.

3224

Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation to metal components. Mild soiling to interior. Lacking key.

3225

With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Fading and staining to tabletop. Repairs to joints.

3226

Each with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One with a 4.5” long chipped loss to one segment of upper trim. Remnants of previous white wash throughout. Soiling and dust accumulation throughout each, with moisture staining to tops.

3227

Each with scattered scuffs, indentations, and darkening/oxidation to metals commensurate with age. Each with rubbed losses to gold-toning finish. Each shade with scattered scratches, one with a tear in the top portion. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

3228

Overall good condition with scattered scuffs, scratches, and minor soiling commensurate with age. The bronze with very minor oxidation below rubbed wear to gilt. Slate housing with a pea-sized chipped loss at upper left edge. Lacking key, including pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

3229

Each overall good condition. The boxes with shelf wear and rubbed wear at edges.

3230

Overall good condition. The support sheet with pale light-staining. The work is hinged to a support sheet, and the support sheet is hinged to the back mat. Not examined out of the frame.

Framed under glass: 13.75” H x 19.5” W x 1.75” D

3231

Visual: Overall good condition. Fine and stable craquelure scattered throughout, minor darkening to the pigment, and some areas of wear to the pigment in the lower left quadrant, all commensurate with age.

Blacklight: A thin band of touch-up along the extreme right edge and small, occasional areas of touch-up scattered throughout.

Frame: 16.25” H x 18.25” W x 4” D

3232

Visual: Overall generally good condition. Stable craquelure and grime throughout. A few areas of paint shrinkage, showing mostly in the lower left corner. Minor frame abrasion in places along the four sides, and the tips of the corners slightly dog-eared.

Blacklight: No evidence of restoration.

Frame: 11.25” H x 14.5” W x 2” D

3233

Visual: Overall good condition. Scattered stable craquelure and minor grime. The canvas slightly rubbed in the area of the small tree left of center. An unobtrusive, nickel-sized touch-up in the clump of bushes near the left edge. As mentioned, the canvas has been relined.

Blacklight: Touch-ups of various sizes scattered throughout, the largest several measuring approximately 4.5” H x 7.5” W in the sky.

Frame: 40” H x 52” W x 4.5” D

3234

Visual: Overall good condition. Slight varnish discoloration, dirt, scattered, delicate, stable craquelure and paint shrinkage. A few tiny spots of loss left of center in the sky and again in the sky near the Minor surface scuffs lower left. The canvas is laid to canvas, as mentioned above.

Blacklight: Various old touch-ups, some of which are attendant with old repairs, generally 1.5” H x 1.5” W or smaller, including in the clouds at upper center and in the body of the bison. A 1.5” H x 0.5” W older touch-up in the sunburst at upper center. A few other minor scattered dots of touch-up. Scattered old foxing or mold showing only under the masking varnish.

Frame: 25.5” H x 29.5” W x 2.5” D

3235

Overall good condition. The board somewhat toned both recto and verso. Two pinhead-sized pigment losses in the lower portion of the extreme right edge, possibly in the hand of the artist. A pea-sized loss to the tip of the lower right corner of the board, not affecting the image.

Framed under glass: 14” H x 12” W x 2” D

3236

Overall good condition. The board somewhat toned both recto and verso. A few small areas of old glue residue and/or surface skinning in places along the extreme right edge, not affecting the image.

Framed under glass: 14” H x 12” W x 2” D

3237

Overall good condition with scattered minor scratches, scuffs, nicks, and indentations commensurate with age. The dial with rubbed wear to the enamel. One ball drop finial detached and retained with the lot. Oxidation to brass components. Including winding key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

3238

Leg height reduced.. Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Craquelure to the ebonized finish. More concentrated nicks to legs and edges.

3239

Overall good condition with scattered scuffs, scratches, nicks, and abrasions commensurate with age. One panel with a 2” long tear. With a longer white scratch to middle panel measuring 7.5” long. Rubbed wear and small scattered losses to leather at edges. Oxidation/darkening to metal components. Hinges loose, with one unmounted. Craquelure to the paint throughout.

3240

With scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Hole drilled through center of body for mounting to carousel pole.

3241

Lacking back panel. Overall good condition with scuffs, scratches, nicks, and indentations. Pitting to the metal finishes. Soiling to interior. Working condition unknown. Moran’s does not guarantee the working condition of this item.

3242

Visual: Overall good condition. The canvas is laid to canvas and the tacking edges have been removed. A rice-sized surface abrasion near the bottom of the extreme right edge. The work retains its original European stretcher.

Blacklight: Eight areas of touch-up, nickel-sized or smaller, at regular intervals in the four corners and near the center of each extreme edge. A few ricesized dots or lines of touch-up in the background at left. Touch-up to a 2” line of frame abrasion along the lower left edge.

Frame: 21.5” H x 24.25” W x 2.5” D

3243

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 25” H x 33” W x 3” D

3244

Visual: Overall generally good condition. Scattered crazing concentrated in the lower half. A few scattered spots of craquelure throughout. Possible uneven varnish visible in the sky at upper center. A delicate scattered horizontal line of unrelated blue pigment in the sky at upper center. As mentioned, the canvas has been relined. Additionally, the tacking edges have been removed.

Blacklight: Some minor scattered spots of touch-up, including around the edges. Apparently a masking varnish throughout the foliage in the upper right corner, as well as surrounding the monogram in the lower left corner. Difficult to read under blacklight.

Frame: 28” H x 36” W x 3.75” D

3245

Visual: Overall generally good condition. Scattered stable craquelure, paint shrinkage, and varnish discoloration throughout. A rice-sized surface abrasion in the building entrance at right. Scattered transfer of gold pigment from the frame along the extreme upper edge.

Blacklight: Scattered crack-fill concentrated primarily in the lower half. Occasional small touch-ups throughout, including an approximately 0.25” H x 3” W area at lower center, and a 1” H x 1” W v-shaped area near the lower left corner.Difficult to read under masking varnish.

Frame: 44” H x 55.5” W x 5.5” D

3246

Overall good condition. The work is loose, not matted.

Framed under glass: 15.75” H x 23.25” W x 1.5” D

3247

Visual: Overall good condition.

Blacklight: No evidence of restoration.

Frame: 18” H x 20” W x 2.75” D

3248

Visual: Overall good condition. Occasional areas of fine craquelure scattered throughout, and a few areas of unstable craquelure with attendant pinhead-sized or smaller unobtrusive pigment losses, primarily in the lower left quadrant. A pinhead-sized area of pigment loss on the figure’s right sandal.

Blacklight: Areas of touch-up scattered throughout, primarily in the outer edges and smaller areas in the figure’s face.

Frame: 39.5” H x 33” W x 3” D

3249

Overall good condition. With margins. A good impression with velvety burr. Pale overmat staining along the edges of the mat window. Very occasional and pale specks of foxing scattered in the outer margin edges and on the verso sheet. A small area of surface soiling in the upper left margin corner. The sheet is hinged to the back mat with two pieces of hinging tape from the verso of the upper margin edge.

Framed under glass: 8.75” H x 10.75” W x 2” D

3250

Each: Overall good condition. Not examined out of the frame.

Each framed (the prints under glass; the cut wood matrix unglazed): 16” H x 16” W x 1” D

3251

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

3252

Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age. Stone base with a dime-sized chipped loss at one corner.

3253

With repair to horse’s tail. Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.

3254

Overall good condition with scattered minor scuffs and darkening/oxidation to bronze commensurate with age.

3255

Overall good condition with scattered minor scuffs and darkening/oxidation to metal commensurate with age. Shade in overall good condition. The later added wood base has not been removed for inspection. As such, the marks to underside have not been revealed in the cataloguing. Wiring should be checked by a qualified electrician prior to use. Moran’s does not guarantee the working condition of electronic equipment.

3256

Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered fleabite chips to headpiece.

3257

Overall good condition. Pale light-staining. Not examined out of the frame.

Framed under glass: 18” H x 15” W x 1.25” D

3258

Overall generally good condition. Pale light-staining. A horizontal crease along the center of the figure’s face. Very occasional and unobtrusive surface scratches, mostly visible in raking light. Minor surface soiling on the recto and verso. Uneven toning on the verso. The postcard is hinged to the overmat with two pieces of white tape from the verso of the upper edge.

Framed under glass: 14” H x 12” W x 3.25” D

3259

Overall good condition with very minor shelf wear commensurate with age. The text supplement with a fingerprint to front cloth. Staining to right side of wood stand.

3260

Each overall good condition with shelf wear, mild tanning to spines, and very minor bumping to corners commensurate with age. Each lacking dust jacket, with later added Mylar covers. All but “The Maltese Falcon” with scattered stains to verso cloth boards. Each with penciled inscriptions to front end papers, “The Maltese Falcon” with trimmed first free end paper.

3261

Missing the two volumes of “The Little White Bird.” Each overall good condition with shelf wear, tanning to spines, and mild bumping to spine ends and board corners commensurate with age. “Auld” with a stain to front free end paper. “Single” with spine starting at end paper gutters.

3262

Restorations to neck and rim. Otherwise overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

3263

Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Scattered small areas of rubbed wear to the gilt and silvering. With previous owner-added ciphers to underside.

3264

Each overall good condition with scattered scuffs, scratches, and a few scattered small nicks to legs commensurate with age. One tabletop with a quartersized stain in the rattan near edge, and a few smalls black smudges to bamboo at opposite edge.

3265

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Felt pads applied to underside, with mounting putty residue.

3266

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Concentrated scratches to underside.

3267

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Minor soiling to interior. Felt pads applied to underside with small area of sticky residue.

3268

Each overall good condition with minor shelf wear and light scratches commensurate with age. Each with soiling, one with previous dealer’s sticker to underside and a few sticker ghosts to cup exterior.

3269

Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Felt pads applied to underside, as well as a previous dealer’s sticker and sticker bearing model number.

3270

Each with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Several with minor soiling to undersides.

3271

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Natural inclusions and flaws in the shell. Foam pads applied to underside of feet.

3272

Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Natural inclusions and flaws in the shell. Foam pads applied to underside of feet.

3273

Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One claret win glass with a pea-sized conchoidal chipped loss to base.

3274

Each overall good condition.

3275

Overall good condition; car starts, runs, drives, and stops. Engine idles smoothly and presents well as a daily driver. Scattered small nicks, scratches, scuffs, and wear to interior and exterior, including but not limited to: Several rice and pea-sized nicks to left side, a few minor scrapes to right side, a pea-sized indentation with paint loss to back right side, and a 2” long area of paint loss to back left above wheel well. Interior good overall condition with normal wear to the seats, door panels, steering wheel, and carpet. Mats with some soiling, with black smudges to feet area of driver’s side.

3276

This vehicle is not in driveable condition and is sold as-is. Engine and transmission rebuilt 1994. Records indicate 65,953 miles at time of engine and transmission rebuild. Repairs required but not limited to: new brake system, new hoses, and replacement of interior components. Exterior with a few localized areas of paint loss including a 4” area of edge of driver’s side door, front bumper area, and back left wheel well. As well, a quarter-sized indentation to back left. Service records included with the lot.

3277

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: storage creasing throughout, reduced in length and a few small localized areas of moth grazing.

3278

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive reweaving to seafoam green field, repairs throughout, and a 3” diameter area with three quarter-sized holes.

3279

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few localized small spots of moth grazing and discoloration to one selvage edge along border.

3280

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: rug pile has been shaved down.

3281

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: loss to one short end and partial separation to selvage edges.

3282

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: about a dozen pea-sized areas of moth grazing isolated in minute areas and an 8” area of dry rot to underside.

3283

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a 10” long line of exposed foundation, with a possible repair, uneven fading along one long edge at border and into field, abrash along one fringe end within the border, a quarter-sized hole in the field, and a few small spots of moth grazing.

3284

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: A 4” long area of shallow loss to the weaving at one corner, a quarter-sized hardened stain near one edge, 0.125” loss to other short edge, small scattered breaks in the selvage edges, and fringes cut.

3285

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: two 10” diameter areas of staining, scattered isolated areas of moth grazing, a 4” diameter area of reweave at corner of field, a 17” long pulled thread, a silver dollar-sized repair, and a 3” diameter repair.

3286

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a 2.5” area of one corner slightly out of shape and fringes cut.

3287

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: mild fading, scattered pulled threads, scattered small areas of moth grazing and one larger area measuring 2” diameter, with losses to the pile, a 2” repair and possible other repairs, and trafficked wear to one fringe edge. Reinforced at selvage edges underside.

3288

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered moth grazing to the pile and wear to one fringe edge. Reinforced at selvage edges to underside.

3289

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: fringe edges cut down and a few small spots, concentrated to one edge, including a 5” diameter area of brown staining/spotting.

3290

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: spotting to one fringe edge measuring two quarter-sized spots, scattered small areas of moth grazing, concentrated to one fringe edge, a pea-sized area of wear to the underside near one edge, and a scattered wear to selvage edges.

3291

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered older repairs to pile in border region.

3292

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: evidence of older quality repairs throughout field and rug is slightly out of square, with areas of slight discoloration.

3293

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: uneven pile wear and repairs throughout, and a quarter-sized hole to edge of field.

3294

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Fabric to one short side of underside for a rod for hanging.

3295

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. With scattered pulled threads.

3296

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: uneven fading at middle, storage creasing, and scattered spots and stains throughout.

3297

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: rug has been shortened at one end, scattered repairs and reweaving throughout, a few isolated areas of moth grazing, abrash, and fading.

3298

With even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: part of one edge cut down by 1.5”, subsequently one end is out of square, with fading and scattered spotting and staining, and fraying and losses to selvage edges.

3299

With even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered moth grazing with small losses to pile, one fringe edge cut down and sewn together, and a previous dealer’s cloth tag stapled to underside of one corner.

3300

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small stains, localized areas of moth grazing throughout, a 3” loss to fringe at one corner, and curling and scattered pulled threads to selvage edges.

3301

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered moth grazing to the pile, with small losses, but two measuring the size of a dime. Reinforced at selvage edges to underside.

3302

With even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered loose threads and fraying at selvage edges and minor abrash.

3303

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small areas of moth grazing and a 13” long stain.

3304

Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few small stains to field and two pea-sized areas of moth grazing.

John Moran Auctioneers, Inc

SPECIALISTS

President, Auctioneer

Head of Sale, Senior Specialist, Furniture & Decorative Art

Director, Fine Art

Vice President, Silver, Western & American Indian Art

Associate Specialist, Fine Art

Associate Specialist, Fine Art

Post-War & Contemporary Design Specialist

Department Administrator, Furniture & Decorative Arts

Department Administrator, Fine Art

Cataloguer, Silver, Western & American Indian Art

Cataloguer, Furniture & Decorative Arts

Cataloguer, Fine Art

Cataloguer, Fine Art

Cataloguer, Fine Art

Director, Jewelry & Watches

Specialist, Jewelry & Watches

TRUSTS & ESTATES

Senior Vice President, Director Trusts & Estates

Director, Appraisals

Consignment Manager

Associate Appraiser

CLIENT SERVICES

Office/HR Manager

Client Services

Finance Administrator

Client Services

OPERATIONS

Vice President, Business Director, Auctioneer

Controller

Consignment Coordinator

Warehouse Supervisor, Senior Art Handler

Transport Supervisor, Senior Art Handler

Art Handler

MARKETING

Director, Advertising & Marketing

PR Manager/Social Media

Graphic Designer

PHOTOGRAPHY

Senior Photographer

Photographer

Photographer

FOUNDERS

Founder

Co-Founder

Jeffrey J. Moran ISA AM

Angela Past

Katherine Halligan

Maranda Moran ISA AM

Bobby Cullen

Ian Anderson

Matthew Grayson

Alek Ellis

Jacob Baer

Sally Andrew

Grant Stevens

Anne Spink

Madison Ari

Lori Kassabian

Tom Burstein

Kelly Sitek, G.G.

Morgana Blackwelder, ISA AM

Mariam Whitten, ISA AM

Jennifer Kurtz

Shannon Dailey

Mario Esquivel

Ella Fountain

Jamie Holthauser

Bryan Ortega

Stephen Swan

Joseph Scott

Jean Rapagna

Richard Corral

Joe Miranda

Romero Corral

Nathan Martinez

Brenda Smith

Brian Olivas

Keith Berson

Madison Torres

Matthew Mizerowski

John H. Moran (1942-2017)

Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS:

BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments

$500 - $950 @ $50 increments

$1,000 - $1,900 @ $100 increments

$2,000 - $4,750 @ $250 increments

$5,000 - $9,500 @ $500 increments

$10,000 - $19,000 @ $1,000 increments

$20,000 - $47,500 @ $2,500 increments

$50,000 - $95,000 @ $5,000 increments

$100,000 - $190,000 @ $10,000 increments

$200,000 - $480,000 @ $20,000 increments

$500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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These Terms and Conditions of Sale (“Terms“) set out the terms by which the sale or purchase of property at auction through John Moran Auctioneers, Inc. (“Moran”) will be governed. These Terms constitute a legal and binding agreement between You and Moran.

AUCTION HOUSE AS AGENT

Except as otherwise expressly stated in writing, Moran acts as an agent for the seller. Thus, any contract for the sale of property through Moran is made between the respective seller and buyer.

BEFORE THE AUCTION

(a) Public Preview. All property is available for inspection by public or private preview according to the auction information posted online and in the catalogue. In many cases, particular lots can be examined in advance by private appointment by contacting a customer service representative at info@johnmoran. com or by dialing 626-793-1833. Prospective buyers are strongly encouraged to personally examine any property in which they are interested.

(b) Buyer’s Responsibility. Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

(c) Property Sold “As Is”: Neither Moran nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material, apart from the Limited Warranty stated in Section 5 below. ALL PROPERTY IS SOLD “AS IS.” Condition reports are offered as a courtesy and are typically published in Moran’s catalogue, or online, or can be made available upon request. The absence of a condition report does not imply that an item is free from defects or restoration, nor does reference to particular defects imply the absence of others.

AT THE AUCTION

(a) Admission. Moran’s auction is open to the public, although Moran reserves the right to, in its sole discretion, refuse admission or participation to anyone at any time. The auction may be recorded (visually, aurally, or otherwise) and all participants or attendees at the auction consent to such recording.

(b) Buyer Registration. Prospective buyers must register with Moran before bidding. Moran may, in its sole discretion, require identification, financial references, or a deposit in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the Buyer’s Premium, as described in Section 4(a) below, plus all applicable charges, unless Moran agrees in advance that the bidder is acting as agent on behalf of an identified third party that Moran, in its sole discretion, deems acceptable. In such case, Moran will look to the third party for payment. Successful bidders may be required to further verify their identity before property is released.

(c) Bidding Guidelines. Bidding, whether in person or by agent, absentee bid, telephone, or internet, constitutes a bidder’s acceptance of these Terms. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid; withdraw, pass, or divide any lots; combine multiple lots; advance the bidding at their absolute discretion; and—in the case of error or dispute, whether during or after the sale—determine the successful bidder; continue the bidding; cancel the sale; or re-offer and sell the lot in question. Under no circumstances are sellers, or agents acting on their behalf, permitted to bid on their own property. In the event of any dispute after the auction, Moran’s sale record shall be conclusive as to the successful bidder and the price of the successful bid.

(d) Absentee, Telephone, and Internet Bidding. Moran offers absentee, telephone, and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute bids. Absentee and telephone bids must be recognized by Moran prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure.

(e) Reserves. Unless Moran expressly indicates otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller’s behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backward at their discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION

(a) Payment and Title Transfer. The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Invaluable platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3% acceptance fee. This fee is not more than the cost of accepting these cards. The name and address associated with the credit card must match the name and address of the successful bidder. Credit Cards are not an accepted form of payment for buyers outside the United States.

Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction. The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full.

Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax.

(b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lots is undertaken by Moran solely as a convenience to customers. If a buyer opts to use this courtesy packing and handling service, Moran is not liable for damage to property, regardless of cause.

(c) Storage and Abandonment. Following the auction, uncollected lots shall be relocated to and stored in Moran’s warehouse. Moran shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. If a buyer fails to retrieve a purchased lot within thirty (30) days after the date of sale (the “Retrieval Period”), Moran may, without further notice, (a) continue to store the lot in Moran’s warehouse, or at the warehouse of a third-party, subject to the storage charge described above; (b) deliver the lot to the buyer at the buyer’s expense; or (c) sell the lot at auction without reserve at a place and time determined by Moran in its sole discretion.

(d) Consequences of Late Pick-Up/Abandoned Property. Notwithstanding the foregoing, Moran has no duty to store any lot indefinitely. Any purchased lot that remains in Moran’s possession sixty (60) days after the Retrieval Period (collectively, ninety (90) days) will be deemed abandoned (“Abandoned Property”) and title to it will pass to Moran. Moran may, in its sole discretion, discard or sell any Abandoned Property and may keep any proceeds from any such sale. Moran may not be held liable for any claims related to Abandoned Property. Moran is not responsible for damage or loss that occurs to Abandoned Property and Moran is not responsible for insuring Abandoned Property after the Retrieval Period.

(e) Shipping. As a courtesy to buyers, Moran provides a list of preferred shippers who are in the business of transporting antiques and works of art. Buyers are responsible for arranging their own shipping estimates and deliveries. Moran, in its sole discretion and as a courtesy to buyers, may arrange to have purchased lots packed, insured, and forwarded by a third-party shipper at the request, expense, and risk of the buyer. In circumstances where Moran arranges for such third-party services, Moran may apply an administration charge of 15% of that service fee. Moran assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran. Moran also assumes no responsibility for any damage to picture frames or to the glass therein.

(f) All Sales Final. Notwithstanding other terms mentioned herein, refunds may be given in Moran’s sole discretion. Refunds requested on the grounds of authenticity must be made within 180 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist; a person who has curated, organized, or substantially contributed to a solo exhibition on the artist; or a person who has represented the artist’s estate or someone who represented or worked closely with the artist while they were alive and, in any of the foregoing instances, physically handled works of the period, medium, and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers, and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist’s work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran in the same condition as when sold. Moran does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY

(a) Liability. The buyer expressly agrees that (i) neither Moran nor the seller shall be liable, in whole or in part, for any special, indirect, or consequential damages, including, without limitation, loss of profits, and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot.

(b) Limited Warranty. ALL PROPERTY IS SOLD AS IS. Neither the seller nor Moran or its associates make any representation, express or implied, warranty (including merchantability and fitness), or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label, or other descriptor. No statement in the catalogue, brochures, website, bill of sale, invoice, any supplementary material, or statements by any Moran employee shall be deemed a warranty, representation or assumption of liability.

(c) Descriptions. No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot.

(d) Estimates. All estimates provided are carefully considered opinions of Moran’s specialists and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate.

(e) Notices, Demands, and Refunds. Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be made (1) in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016 or (2) via email at info@johnmoran.com.

(f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS

(a) Copyright. The copyright on all images, illustrations, and written material produced by or for Moran for its auction is and will remain at all times the property of Moran. Moran and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot.

(b) Buyer’s Breach of Conditions. If a buyer fails to comply with any of these Terms, Moran may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer; (ii) resell the property without reserve at public auction or privately upon notice to the buyer; or (iii) take such other action as Moran deems necessary or appropriate. If Moran resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney’s fees, commissions, incidental damages, and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran’s shall apply the payment received to such property that Moran, in its sole discretion, deems appropriate. Moran shall have the benefit of all rights of a secured party under the Uniform Commercial Code as adopted in the State of California.

(c) Governing Law. The rights and obligations of the parties with respect to these Terms and the conduct of the auction shall be governed and interpreted by the laws of the State of California.

(d) Arbitration. Any dispute, claim, or controversy arising out of or relating to these Terms or the breach, termination, enforcement, interpretation, or validity thereof, including the determination of the scope or applicability of this agreement to arbitrate, shall be determined by private arbitration before an arbitrator. The arbitration shall be administered by JAMS pursuant to its Comprehensive Arbitration Rules and Procedures. Judgment on the award may be entered in any court having jurisdiction. This clause does not preclude the parties from seeking provisional remedies in aid of arbitration from a court of appropriate jurisdiction. The parties shall maintain the confidential nature of the arbitration proceeding and the award, including the hearing, except as may be necessary to prepare for or conduct the arbitration hearing on the merits, or except as may be necessary in connection with a court application for a preliminary remedy, a judicial challenge to an award or its enforcement, or unless otherwise required by law or judicial decision. In any arbitration arising out of or related to these Terms, the arbitrator shall award to the prevailing party, if any, the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration. If the arbitrator determines a Party to be the prevailing party under circumstances where the prevailing party won on some but not all of the claims and counterclaims, the arbitrator may award the prevailing party an appropriate percentage of the costs and attorneys’ fees reasonably incurred by the prevailing party in connection with the arbitration.

(e) Severability. Should any of these conditions be deemed unenforceable, invalid, or illegal in any court having jurisdiction, that part shall be severed from these Terms and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law.