A Visual Sound

Page 1





A VISUAL SOUND John Parise


JOHN PARISE

CONCEPT, TEXT, PHOTOGRAPHY, AND BOOK DESIGN

johnparise.net

BY JOHN PARISE.

j@johnparise.net 570-604-7955

COPYRIGHT ©2014 No portion of this book may be reproduced without

SENIOR PORTFOLIO

the written permission of the author.

Fall 2014 CREDITS INSTRUCTOR Lian Ng

Keith Haring Quote Published by Taschen in“Haring” copyright ©2009 Alexandra Kolossa

ACADEMY OF ART UNIVERSITY School Of Graphic Design

Pop! Quote “Table of Characteristics” Letter to Alison and Peter Smithson by Richard Hamilton. 16 Jan. 1957

San Francisco, CA Published by Farrar, Straus & Giroux in “Against ONLINE DIRECTOR

Interpretation, and Other Essays” copyright ©1966

Anitra Nottingham

Susan Sontag

DEPARTMENT CHAIR

Ecologique Quote

Mary Scott

Published by The Riverside Press in “A ThousandMile Walk To The Gulf” copyright ©1916 John Muir Wes Anderson Quote Presented by Touchstone Pictures in “The Life Aquatic With Steve Zissou” copyright ©2004 Wes Anderson


Contents KEITH HARING Radiant Child

11

Type 3 BURTON Antidote Skincare

23

31

39

Identity 2

81

DAY OF THE DEAD Festival Identity 87 Identity 2

45

Visual Systems 2 POP! Restaurant

SCRANTON, PA Web & Mobile App Graphic Design 3

Print 1 LEVI’S CSR Report

WES ANDERSON Film Festival 75 Type 2

Print 1 HIV/AIDS Awareness

67

Packaging 3

Packaging 3 WATER FOR PEOPLE Benefit Concert

ECOLOGIQUE Sustainable Design

94108/02 Urban Archeology 97 Information Design

61

SUSTAIN Music Supply Co. Packaging 4

107



LET’S TAKE IT FROM THE TOP.



Introduction Before entering the Academy of Art University, I

Music can inspire me in every aspect of design. It can

spent the better part of a decade playing music and

draw me to a certain color, rhythm, style of image,

touring in bands. Having a visual arts background,

or just sit in the background and set the mood. It is

it always fell on me to create the record covers and

also a way for me to remember what I was thinking

ephemera needed to promote these endeavors.

and experiencing during specific periods of my life.

Working on projects for music is where my passion

This book is a collection of the past five years, what

for design was sparked and both are still immutably

I have thought, studied, crafted, listened to, and

connected to me.

experienced…A Visual Sound.



CELEBRATING ONE OF THE MOST INFLUENTIAL AND POPULAR ARTISTS OF THE TWENTIETH CENTURY.



KEITH HARING Radiant Child

BOOK PROJECT

TYPE 3

DESIGN OBJECTIVE

SOLUTION

Spring 2012

Select an artist to create an 80+ page book around.

Radiant Child traces the life and work of Keith

Compile a section on the era or type of art they

Haring through interviews with the artist and his

INSTRUCTOR

are in, create infographics culled from their lifetime

contemporaries, along with examples and infograph-

Lian Ng

of work, and include a section on the artist’s

ics detailing his work and process. Deliverables:

point of view, such as a biography or an interview.

8 × 10 inches, full color, case-bound, hard-cover, dust jacket, and website.

“Dance and music were for Keith Haring essential components of his creativity.” — Alexandra Kolossa

COLOR PALETTE

SOUNDTRACK Sonic Youth Animal Collective Glenn Branca Talking Heads


16  KEITH HARING Radiant Child  TYPE 3 Spring 2012  INSTRUCTOR Lian Ng


A VISUAL SOUND  John Parise 17




20  KEITH HARING Radiant Child  TYPE 3 Spring 2012  INSTRUCTOR Lian Ng


A VISUAL SOUND  John Parise 21


22  KEITH HARING Radiant Child  TYPE 3 Spring 2012  INSTRUCTOR Lian Ng


A VISUAL SOUND  John Parise 23



TAKING THE LARGEST SNOWBOARD BRAND IN THE WORLD TO NEW PLACES... WHILE KEEPING IT REAL.



BURTON Antidote

SKINCARE LINE

PACKAGING 3

DESIGN OBJECTIVE

SOLUTION

Fall 2012

Create a line of skin care products and an in-store

Hand sketched type, bold graphics, earthy colors,

display design that builds on a popular brand not

and natural textures were combined to create a

known in the skin care category.

brand extension that represents Burton’s tradition

INSTRUCTOR Thomas McNulty

of function, quality, and style.

The history of snowboarding is rich with graphics featuring an attitude of rebellion and innovation—two qualities that informed this project.

COLOR PALETTE

SOUNDTRACK Bon Iver My Morning Jacket Girls Band Of Horses




30  BURTON Antidote PACKAGING 3 Fall 2012  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 31



BRANDING AN EVENT AIDING THE DEVELOPMENT OF RELIABLE ACCESS TO CLEAN WATER FOR PEOPLE AROUND THE WORLD.



WATER 4 PEOPLE Benefit Concert

IDENTITY

PRINT 1

DESIGN OBJECTIVE

SOLUTION

Fall 2012

Water 4 People is a music festival campaign design

Layered type and photos were used to create a hazy

to benefit a social issue. Deliverables: poster, web,

and dreamy feeling, reflecting the festival’s perform-

mobile app, tickets, etc.

ers, while water drop shapes and limited bold color

INSTRUCTOR Troy Alders

reinforces the cause of the festival.

Through Water 4 People, thousands of less fortunate communities will gain access to safe drinking water, improved sanitation, and hope for a better future.

COLOR PALETTE

SOUNDTRACK M83 Bat For Lashes The XX Atlas Sound Beach House


36  WATER 4 PEOPLE Benefit Concert  PRINT 1 Fall 2012  INSTRUCTOR Troy Alders


A VISUAL SOUND  John Parise 37


38  WATER 4 PEOPLE Benefit Concert  PRINT 1 Fall 2012  INSTRUCTOR Troy Alders


A VISUAL SOUND  John Parise 39



PROMOTING THE MISSION THAT ALL SAN FRANCISCANS SHOULD KNOW THEIR CURRENT HIV STATUS AND HOW TO PROTECT THEMSELVES.



HIV/AIDS Awareness

POSTER & POSTCARD

PRINT 1

DESIGN OBJECTIVE

SOLUTION

Fall 2012

This project consists of designing a poster and one

Deep gray on black paired with blood red was used

print accessory to promote hiv awareness for the

to evoke the idea of hidden danger. The bomb was

INSTRUCTOR

San Francisco AIDS Foundation. Deliverables: poster

refined into a jagged aggressive shape with distressed

Troy Alders

with a final size of 28" Ă— 40", and a postcard

texture to give a more menacing feeling, contrasting

encouraging condom use.

the smooth protective line of the condom.

Every year, the San Francisco AIDS Foundation distributes more than 800,000 condoms in our community.

COLOR PALETTE

SOUNDTRACK Joy Division Foals Volcano Choir Hella


44  HIV/AIDS Awareness  PRINT 1 Fall 2012  INSTRUCTOR Troy Alders


A VISUAL SOUND  John Parise 45



HIGHLIGHTING A BRAND’S TRADITION OF MAKING A DIFFERENCE FOR PEOPLE AND THE ENVIRONMENT.



LEVI’S Authentic Sustainability

CSR CAMPAIGN

VISUAL SYSTEMS 2

DESIGN OBJECTIVE

SOLUTION

Fall 2013

Corporate social responsibility campaign. Create

Authentic Sustainability is an identity that highlights

a cohesive visual system for a large brand’s csr

Levi’s commitment to csr. The new “Fingerprint”

INSTRUCTOR

efforts that integrates web and print. Deliverables:

logo is a twist on the classic mark, representing the

Marc English

brochure, web, mobile, icons, branding guidelines,

brand’s significant investments in creating an environ-

scorecard, banner ads, social media, and postcard.

mentally sound and socially responsible product. Levi’s efforts were broken down into three categories: People, Planet, and Product, and unique modular icons were created to illustrate each concept.

Levi’s values and actions support a more sustainable future for the planet and the people in communities where their products are made and worn.

COLOR PALETTE

SOUNDTRACK Wilco Silver Jews John Fahey Minutemen


50  LEVI’S CSR Campaign  VISUAL SYSTEMS 2 Fall 2013  INSTRUCTOR Marc English


A VISUAL SOUND  John Parise 51




54  LEVI’S CSR Campaign  VISUAL SYSTEMS 2 Fall 2013  INSTRUCTOR Marc English


A VISUAL SOUND  John Parise 55


56  LEVI’S CSR Campaign  VISUAL SYSTEMS 2 Fall 2013  INSTRUCTOR Marc English


A VISUAL SOUND  John Parise 57


58  LEVI’S CSR Campaign  VISUAL SYSTEMS 2 Fall 2013  INSTRUCTOR Marc English


A VISUAL SOUND  John Parise 59


60  LEVI’S CSR Campaign  VISUAL SYSTEMS 2 Fall 2013  INSTRUCTOR Marc English


A VISUAL SOUND  John Parise 61



“POPULAR, TRANSIENT, EXPENDABLE, LOW-COST, MASS-PRODUCED, YOUNG, WITTY, SEXY, GIMMICKY, GLAMOROUS, BIG BUSINESS.” — RICHARD HAMILTON



POP! Restaurant

IDENTITY

IDENTITY 2

DESIGN OBJECTIVE

SOLUTION

Spring 2013

Create a concept for a restaurant. The main

Encompassing a “camp” sensibility, Pop! is an art

parameter for this project was that the concept be

themed bar & restaurant integrating an exceptional

INSTRUCTOR

based on a “camp” sensibility. Deliverables: logo,

dining experience with an off-beat Pop Art flair. The

Gordon Mortensen

menu, and giftcard.

restaurant’s brand celebrates the energetic aura of Pop Art and its integration of fine art and low culture.

“Not only is there a Camp vision, a Camp way of looking at things. Camp is as well a quality discoverable in objects and the behavior of persons.” — Susan Sontag

COLOR PALETTE

SOUNDTRACK The VU Television Modern Lovers Blondie


66  POP! Restaurant  IDENTITY 2 Spring 2013  INSTRUCTOR Gordon Mortensen


A VISUAL SOUND  John Parise 67



MAKING A DIFFERENCE, ONE GREENER AND CLEANER HOME AT A TIME.



ECOLOGIQUE Cleaning Products

SUSTAINABLE PACKAGING

PACKAGING 3

DESIGN OBJECTIVE

SOLUTION

Fall 2012

Create a new sub-brand of sustainable and eco-

Ecologique is a new house brand under the umbrella

friendly cleaning products. The project includes

of Sur La Table, with an emphasis on high quality

INSTRUCTOR

considering where the products will be sold,

and sustainably packaged cleaning products for the

Thomas McNulty

what the competition is currently offering, and

home. The design is aimed at environmentally

the type of packaging materials that will be used

conscious consumers and combines bold type with

to package each item.

soft texture and natural icons to establish the brand as environmentally friendly.

“There is not a fragment in all nature, for every relative fragment of one thing is a full harmonious unit in itself.” — John Muir

COLOR PALETTE

SOUNDTRACK Yume Bitsu GY!BE Mogwai Hum




74  ECOLOGIQUE Sustainable Design  PACKAGING 3 Fall 2012  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 75



CELEBRATING ONE OF THE MOST UNIQUE VOICES IN MODERN AMERICAN CINEMA.



WES ANDERSON Film Festival

IDENTITY

TYPE 2

DESIGN OBJECTIVE

SOLUTION

Spring 2011

Design a poster and a brochure for a weekend film

References to colors, characters, wardrobe, and

festival. Choose a title/subtitle and at least four films

typefaces used in the films were combined to create

INSTRUCTOR

for the festival based on a specific theme. Keep the

a layered effect, with the goal of integrating the

Frank Armstrong

solution principally typographic to express the theme.

type as image.

“Supposedly Cousteau and his cronies invented the idea of putting walkie talkies into the helmet. But we made ours with a special rabbit ear on the top so we could pipe in some music.” — Steve Zissou

COLOR PALETTE

SOUNDTRACK Love Van Morrison Devo Ramones Nico





GOD’S PLAYGROUND.



SCRANTON, PA Web & Mobile App

IDENTITY

GRAPHIC DESIGN 3

DESIGN OBJECTIVE

SOLUTION

Spring 2012

Create a website and mobile application encouraging

A deep natural color scheme was chosen to represent

tourism in your hometown.

the lush mountains of the area, while the type and

INSTRUCTOR

logo are a nod to the iconic signage that still dots

Bob Slote

the town from its 20th century boomtown past. The interface makes it easy to navigate the many options for people planning to visit the city.

The website and app are a showcase for things to do, where to go, and everything visitors need to know about Scranton, PA.

COLOR PALETTE

SOUNDTRACK The Sw!ms Tiger’s Jaw Matt Pond PA Okay Paddy Lewis & Clarke


86  SCRANTON, PA Web & Mobile App  GRAPHIC DESIGN 3 Spring 2012  INSTRUCTOR Bob Slote


A VISUAL SOUND  John Parise 87



HONORING LOVED ONES THROUGH ART AND MUSIC.



DAY OF THE DEAD Festival Branding

IDENTITY

IDENTITY 2

DESIGN OBJECTIVE

SOLUTION

Spring 2013

Create a new identity for the Day of the Dead festival

In updating the Day of the Dead signature, the goal

in San Francisco. Deliverables: logo, icons, poster,

was to build on the equity of the event by drawing

website, and branding guidelines brochure.

upon the traditional visual elements and colors while

INSTRUCTOR Gordon Mortensen

adding a modern twist. The “Sugar Skull� was chosen to be included into the final mark and additional icons were created to illustrate the main elements of the Festival.

The Day of the Dead Celebration is an event that provides the community with the opportunity to celebrate the cycle of life and death, through the rich history and traditions of Latino culture.

COLOR PALETTE

SOUNDTRACK Tristeza The Black Angels Bardo Pond El Perro Del Mar At The Drive In


92  DAY OF THE DEAD Festival Branding  IDENTITY 2 Spring 2013  INSTRUCTOR Gordon Mortensen


A VISUAL SOUND  John Parise 93


94  DAY OF THE DEAD Festival Branding  IDENTITY 2 Spring 2013  INSTRUCTOR Gordon Mortensen


A VISUAL SOUND  John Parise 95


96  DAY OF THE DEAD Festival Branding  IDENTITY 2 Spring 2013  INSTRUCTOR Gordon Mortensen


A VISUAL SOUND  John Parise 97



URBAN ARCHEOLOGY.



94108/02 Urban Archeology

INFORMATION DESIGN

INFORMATION DESIGN

DESIGN OBJECTIVE

SOLUTION

Summer 2014

Using archeology as a metaphor, explore the artifacts

The theme of a “Neighborhood Snapshot” was

of your urban surroundings and create an interactive

developed to visually quantify changes to a section

INSTRUCTOR

visual documentation of your findings. The final

of Lower Nob Hill over the last five years. Maps,

William Culpepper

product will consist of a stand-alone, digital app that

demographics, interviews with residents, and business

tells the story of your explorations and discoveries

openings and closings were researched to create an

with three or more information graphics in the form

interactive application telling the story of life in a

of diagrams, maps, or visual explanations.

vibrant and ever evolving neighborhood.

The app covers the impact the city’s growth has had on residents, businesses, and quality of life in the neighborhood over the past 5 years.

COLOR PALETTE

SOUNDTRACK DIIV The Van Pelt Foxes In Fiction Karate Jim O’Rourke


102  94108/02 Urban Archeology  INFORMATION DESIGN Summer 2014  INSTRUCTOR William Culpepper


A VISUAL SOUND  John Parise 103


104  94108/02 Urban Archeology  INFORMATION DESIGN Summer 2014  INSTRUCTOR William Culpepper


A VISUAL SOUND  John Parise 105


106  94108/02 Urban Archeology  INFORMATION DESIGN Summer 2014  INSTRUCTOR William Culpepper


A VISUAL SOUND  John Parise 107



INTRODUCING STYLE AND SUSTAINABILITY INTO THE WORLD OF PROFESSIONAL MUSICAL EQUIPMENT.



SUSTAIN Music Supply Co.

RETAIL BRAND & PACKAGING

PACKAGE DESIGN 4

DESIGN OBJECTIVE

SOLUTION

Fall 2013

Create a new retail store concept. Deliverables include

Sustain is a new retail brand of ecologically and

branding, packaging for 35–  45 products, multiple

environmentally driven professional musical equip-

sub-brands, and environmental design.

ment. In addition, there are sub-brands of instrument

INSTRUCTOR Thomas McNulty

care products, musical accessories, and consumer audio products.

Sustain is a boutique retail environment. In contrast to a traditional music store’s mixed bag of offerings, the focus is on one brand of superior equipment.

COLOR PALETTE

SOUNDTRACK The Verve Ecstatic Sunshine The Band Owls Cocteau Twins


112  SUSTAIN Music Supply Co.  PACKAGING 4 Fall 2013  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 113


114  SUSTAIN Music Supply Co.  PACKAGING 4 Fall 2013  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 115




118  SUSTAIN Music Supply Co.  PACKAGING 4 Fall 2013  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 119


120  SUSTAIN Music Supply Co.  PACKAGING 4 Fall 2013  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 121


122  SUSTAIN Music Supply Co.  PACKAGING 4 Fall 2013  INSTRUCTOR Thomas McNulty


A VISUAL SOUND  John Parise 123


DEDICATION

COLOPHON

In Loving Memory of John T. “Boppi” Parise.

TYPEFACES Trade Gothic Sabon PAPER STOCK Mohawk Superfine White Eggshell 100lb PRINTING/BINDERY Blurb, Inc. San Francisco, CA SOFTWARE Adobe Creative Cloud CAMERA Canon T3





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