Art & Design | December 6, 2020 | Toomey & Co. Auctioneers by Toomey & Co. Auctioneers

Art Design

Art & Design Sunday, December 6, 2020 10 AM CST Preview: Auction preview will take place by appointment, pending local shelter ordinances. Please contact us directly for the latest information and to schedule an appointment. Toomey & Co. Auctioneers 818 North Boulevard Oak Park, Illinois 60301 (708) 383-5234 info@toomeyco.com www.toomeyco.com

Property from the Collections and Estates of: The Collection of Ernest and Marjorie Briskey, Madison, Wisconsin The Estate of Dr. Elizabeth Hunter and Dr. Waclaw Szybalski, Madison, Wisconsin The Collection of Ethel Leichti, Oak Park, Illinois The Estate of Anthony Nappi, Bedminster, New Jersey The Estate of Michael Pacult, Fremont, Indiana The Estate of Michael Rabkin, Los Angeles, California The Estate of Nina and Jack Stillinger, Urbana, Illinois An Important Private Collector, Denver, Colorado A Private Collection, Connecticut A Private Collection, Chicago, Illinois A Private Collection, Grosse Pointe, Michigan IL Lic. #444000195, #441001663, #441001222, #441001454

Art

100 Vivian Maier (American, 1926-2009) Untitled, circa 1950 gelatin silver print signed verso further inscribed Jeffrey Goldstein Collection, (R. Prow) and JPA 23713 and signed Jeffrey S. Goldstein image: 2 3/8” x 2 3/8”; sheet: 3 1/4” X 3 1/4” $1,000-2,000 101 Vivian Maier (American, 1926-2009) Untitled, circa 1950 gelatin silver print signed verso further inscribed Mo/B, Jeffrey Goldstein Collection and (R. Prow) verso image: 2 3/8” x 2 3/8”; sheet: 3 1/4” X 3 1/4” $1,000-2,000

102 Nathan Lerner (American, 1913-1997) Eye and Barbed Wire, 1939 gelatin silver print signed and dated verso (printed later) image: 8 1/2” x 11 1/2”; sheet: 10 7/8” x 14” $600-800 103 Rashid Johnson (American, b. 1977) Untitled Van Dyke brown print signed verso 21 3/8” x 10 1/4” $4,000-6,000

104 ErtĂŠ (Russian, 1892-1990) Zeus and Hera suite, pair of works embossed colored serigraphs with foil signed and numbered lower margin edition of 90 each: 22" x 19" $800-1,200 105 Shiko Munakata (Japanese, 1903-1975) Woman on a Peacock woodblock print signed lower left and artist's chop lower right image: 5 3/4" x 3 7/8"; sheet: 9" x 7 1/8" $600-800 106 Gustav Klimt (Austrian, 1862-1918) Portrait of Baronese Bachofen-Echt collotype laid to paper plate #22/30 from An Aftermath, printed 1931 image: 12 3/8" x 9"; sheet: 18 1/2" x 17 1/2" $1,000-2,000

107 Paul Cadmus (American, 1904-1999) Teddo, 1985 lithograph titled, numbered and signed edition of 200 6” x 8” $800-1,200

108 Claes Oldenburg (American, b. 1929) New Media New Forms, 1960 offset lithograph signed lower right 22” x 17” $500-700

109 Robert Rauschenberg (American, 1925-2008) Bulkhead (Day Lights), 1994 offset color lithograph signed and dated in plate, numbered lower left and pencil initialed and dated lower right edition of 750 image: 10 3/4” x 7 1/8”; sheet: 12” x 8” $600-800

110 Peter Max (American, b. 1937) Flag with Hearts color lithograph with acrylic paint signed lower right 18” x 24” $800-1,200

111 Yaacov Agam (Israeli, b. 1928) Untitled agamograph numbered and signed lower margin edition of 99 13 3/8” x 15” $400-600

112 George Rodrigue (American, 1944-2013) Butterflies are Free, 1996 color lithograph signed and numbered edition of 1,000 image: 18 1/2” x 32”; sheet: 24 1/2” x 38” $800-1,200

113 Andy Warhol (American, 1928-1987) Andy Warhol Kiku Exhibition Catalog, 1983-1984 color screenprint first edition book with original screenprint bound into book, with Japanese text published by Gendai Hanga Center, Tokyo, Japan edition of 1,500 11 1/4” x 8 1/2” $1,500-2,500 Catalog Note: This lot is accompanied by a certificate of authenticity issued by Martin Lawrence Galleries, San Francisco, California.

114 Keith Haring (American, 1958-1990) Dr. Winkie Wedding Invitation, 1988 screenprint on canvas numbered, signed and dated in margin, signed and dated in plate edition of 125 image: 5 3/8" x 5 5/8"; canvas: 7 7/8" x 7 5/8" $2,000-3,000 Provenance: Pop Shop, New York, New York, 1988 Acquired from the above by present owner 115 Keith Haring (American, 1958-1990) International Volunteer Day, 1988 color lithograph signed and dated in pencil lower right (vertically) published by Emiliano Sorini Studio, New York, New York World Federation of United Nations Associations blindstamps lower right edition of 1,000 11" x 8 1/2" $2,000-3,000 Provenance: Pop Shop, New York, New York, 1988 Acquired from the above by present owner

116 LeRoy Neiman (American, 1921-2012) Great Dane, 1987 color screenprint signed and numbered lower margin edition of 375 36” x 27” $400-600

117 Alexander Calder (American, 1898-1976) Plancton, 1976 color lithograph signed lower right and titled verso published by Maeght (watermark) edition of 75 22 3/4” x 30 1/2” $1,500-2,500

118 Ed Paschke (American, 1939-2004) Fem Rouge, 1987 color lithograph numbered, titled, signed and dated lower margin A.P. edition of 10 22” x 30” $800-1,200

119 Ed Paschke (American, 1939-2004) Pump, 1989 etching numbered, titled, signed and dated lower margin A.P. edition of 25 20 3/4” x 15 1/2” $400-600

120 Lee Godie (American, 1908-1994) A. Man, circa 1973 watercolor and ballpoint pen on canvas window shade signed lower left and titled and signed verso 17 1/4” x 17 5/8” $800-1,200

121 Lee Godie (American, 1908-1994) A Woman, circa 1973 acrylic and ballpoint pen on canvas signed lower right 19 7/8” x 20 1/4” $800-1,200

122 Lee Godie (American, 1908-1994) Man in a Uniform ballpoint pen on canvas signed lower and upper left 20 1/4” x 17” $600-800

123 Howard Finster (American, 1916-2001) Elvis-at-3-is-a Angel to Me #12000 and #445, 1989 wood cutout, paint and marker titled, signed and dated recto and signed verso 28 7/8” x 10 1/2” $400-600

125 William Dawson (American, 1901-1990) Male Figure with Feathers, circa 1980 acrylic on carved wood unsigned 12”h x 3 1/8”w x 1 1/2”d $800-1,200

124 Peter Mars (American, b. 1959) ‘70 Mustang Mach 1-428 Cobra Jet and ‘68 Pontiac GTO, Pontiac 400 V8 Rochester Quadra, two works (one shown) oil on panel signed verso 23 1/4” x 23”; 23” x 23” $400-600

126 Margaret Burroughs (American, 1917-2010) Church, 1979 spirit markers and ink on paper signed and dated lower right 11” x 16 1/4” $400-600

127 Wesley Willis (American, 1963-2003) Buses and a Truck, circa 1996 ballpoint pen and marker on board unsigned 14" x 18" $300-500 128 Wesley Willis (American, 1963-2003) Area Skyline of Chicago circa, 1996 ballpoint pen and marker on board unsigned 28" x 40" $600-800 129 Wesley Willis (American, 1963-2003) River City, 1986 ballpoint pen and marker on board signed, titled and dated right center 28" x 40" $600-800

130 Hughie Lee-Smith (American, 1915-1999) Still Life, 1957 watercolor signed and dated upper left 10" x 13" $3,000-5,000 131 Charles McGee (American, b. 1924) Untitled charcoal on paper signed lower right 6 1/2" x 8 1/4" $1,000-2,000 132 Leonardo Nierman (Mexican, b. 1932) Enchanted City, circa 1970 oil on masonite signed lower right and titled verso 15 3/4" x 23 1/2" $800-1,200

133 Julian Martinez (American, 1897-1943) Horse, Eagle and Crops gouache and watercolor on paper signed lower right 10” x 13” $600-800

134 Duane Dishta (American, 1946-2011) Salaap Mana Kachina, 1997 oil on canvas signed and dated lower right; titled, signed and dated verso 7” x 5” $300-500

135 Duane Dishta (American, 1946-2011) Snow Kachinas, 1994 oil on canvas signed and dated lower right 18” x 14” $1,000-2,000

136 Roy De Forest (American, 1930-2007) Untitled, 1983 pastel and graphite on paper signed and dated middle right 22” x 30” $4,000-6,000 137 Paul Lamantia (American, b. 1948) The Cancellation, 1973-1975 oil and acrylic on canvas titled, dated and signed verso 77” x 95 3/4” $1,500-2,500 Exhibitions: Chicago: Some Other Traditions (traveling exhibition), Madison Art Center, Madison, Wisconsin, 02 October 1983 through 04 January 1986, exhibition #20 (label verso: The Art Museum Association, San Francisco, California)

138 John von Wicht (American, 1888-1970) Untitled (together with a signed small drawing and letter from the artist) mixed media on paper signed lower right 11 3/4” x 17 3/4” $500-700

139 Charlotte Park (American, 1918-2010) Untitled oil on panel signed lower right and verso 34 7/8” x 24 7/8” $1,000-2,000

140 Joel Bujnowski (American, 1950-2010) God, Woman, and Man (triptych), circa 1985 mixed media on wood unsigned constructions (left to right): 65”h x 12 3/4”w x 2”d; 63”h x 24 3/4”w x 5”d; 57 1/2”h x 17 3/4”w x 1 3/4”d $1,000-2,000

141 Joseph A. Burlini (American, b. 1937) Flying Machine, circa 1975 steel, enamel and walnut (base) unsigned 55 1/4”h x 22”w x 12”d $1,000-2,000

142 Joseph A. Burlini (American, b. 1937) Performer, 1981 steel, paint, glitter and wood (base) signed and dated 46”h x 14 1/2”w x 16”d $800-1,200

143 Joseph A. Burlini (American, b. 1937) Tree, 1966 welded brass, steel and walnut (base) signed and dated on base 14”h x 17”w x 4 3/4”d $300-500 144 Joseph A. Burlini (American, b. 1937) Flower Machine, 1977 (kinetic) steel, paint, plexiglass and walnut (base) signed and dated on base 19 1/2”h x 16 1/2”w x 16 1/2”d $800-1,200 145 Joseph A. Burlini (American, b. 1937) Clown on a Unicycle, 1968 steel, enamel and wood (base) signed and dated on base 40”h x 13 1/2”w x 7”d $800-1,200

146 Giles Bettison (Australian, b. 1966) Paddock Series, Little Squares #9, 1998 fused murrine glass 12 3/4”h x 4 1/2”dia $2,500-3,500 Provenance: Bullseye Glass Company, Portland, Oregon, 16 September 1998 The Collection of Bruce and Ann Bachman, Chicago, Illinois Thence by descent

147 Pablo Picasso (Spanish, 1881-1973) Yan Visage, 1963 red earthenware with black paint stamped Madoura Plein Feu; stamped Edition Picasso; signed Edition Picasso edition of 300 10 1/4”h x 6 1/4”w x 4 1/4”d $3,000-5,000 148 Jim Dine (American, b. 1935) Rainbow Faucet, 1965 synthetic polymer paint and cast aluminum signed, dated and numbered published by Tanglewood Press, Inc., New York, New York Knickerbocker Machine and Foundry, Inc., New York, New York edition of 75 5”h x 5”w x 2 1/2”d $800-1,200

149 Dmitri Hadzi (American, 1921-2006) Cycadic Sentinal, 1987 granite signed and dated 85”h x 21”w x 17”d $7,000-9,000

150 Dwinell Grant (American, 1912-1991) Collage, 1937 mixed media collage on board initialed and dated lower left 14 3/4" x 9 3/4" $800-1,200 151 Irene Rice Pereira (American, 1902-1971) Untitled, 1970 gouache on board signed lower center inscribed and dated for our darling Helene / with very deep Love / Irene Nov 27 1970 10" x 6 1/2" $800-1,200 152 Esphyr Slobodkina (American, 1908-2002) Holy Land, 1947 mixed media collage on board signed lower right 15 1/4" x 13 1/4" $1,000-2,000

153 John Hultberg (American, 1922-2005) Exploding Plain, 1957 oil on canvas titled verso 12 1/8" x 22" $400-600 Provenance: Makler Gallery, Philadelphia, Pennsylvania (label verso) 154 Frederick Fursman (American, 1874-1943) At the Dock oil on canvas signed lower right 12" x 16" $1,000-2,000 155 Frederick Fursman (American, 1874-1943) To the Dunes, 1913-14 oil on panel signed lower right 12 1/4" x 15 1/2" $1,000-2,000 Catalog Note: This almost abstract stylized work, moving away from Impressionism, is reminiscent of earlier paintings by Fursman, executed during his second trip on the coast of Brittany, France, where he depicted local life and landscapes. Here the artist focuses on his subjects as static windblown figures along the shore, very similar to another known work once in the collection of Jeune Nowak Wussow.

156 George Demont Otis (American, 1879-1962) Rock-Bound Coast oil on canvas signed lower right 24 1/4” x 30” $2,000-3,000

157 Carl Hoerman (German/American, 1885-1955) Western Arizona (desert landscape) oil on canvas signed lower left 28” x 31” $1,000-2,000

158 Lillian Genth (American, 1876-1953) Contemplation (nude) oil on canvas signed lower left 10” x 8 1/8” $400-600

159 George Raab (American, 1866-1943) Woman in a Black Dress, circa 1925 oil on canvas signed lower right 36” x 18” $2,000-3,000 Provenance: Robert Henry Adams Fine Art, Chicago, Illinois (label verso)

160 Clyde Singer (American, 1908-1999) Feeding the Pigeons, 1951 oil on canvas signed and dated lower left; signed, titled and dated verso 34” x 15” $3,000-5,000

161 Gen Paul (French, 1895-1975) Resting Girl oil on canvas signed lower right 13” x 21 5/8” $800-1,200

162 Mathias Alten (German/American, 1871-1938) Chickens in the Yard oil on canvas laid to board signed lower right 12 3/8” x 17 1/8” $1,000-2,000

163 Karl Albert Buehr (American, 1866-1952) Autumn Landscape oil on canvas signed lower right 24" x 32" $1,000-2,000 Exhibitions: The Art Institute of Chicago (partial label verso) 164 Karl Albert Buehr (American, 1866-1952) Overlooking the Valley oil on canvas unsigned 24" x 28 7/8" $1,000-2,000 165 George Inness Jr. (American, 1854-1926) Sowing Seeds oil on canvas laid to panel signed lower right 12" x 16" $1,000-2,000

Design

166 Frances Hammel Gearhart (American, 1869-1958) Valley Ramparts, circa 1932 color linocut signed and titled in pencil 10 1/8â&#x20AC;? x 12â&#x20AC;? $3,000-5,000

167 William Seltzer Rice (American, 1873-1963) Sierra Summits, circa 1930 woodblock signed and titled in pencil 5 1/2” x 6 1/8” $1,000-2,000 168 William Seltzer Rice (American, 1873-1963) The Landmark woodblock signed and titled in pencil and with the artist’s tree chopmark 4 1/2” x 6” $1,000-2,000

169† Gustave Baumann (American, 1881-1971) Past History, 1956 color woodcut on Zanders laid paper titled and signed in graphite and with the artist’s Hand-in-Heart ink chop lower margin; inscribed II / 5 -125 lower right 9 3/8” x 10 7/8” $7,000-9,000 Provenance: Owings-Dewey Fine Art, Santa Fe, New Mexico, 02 January 1998 The Estate of Nina and Jack Stillinger, Urbana, Illinois Literature: Chamberlain, Gala, In a Modern Rendering: The Color Woodcuts of Gustave Baumann, Rizzoli Electa, 2019, pp. 423-424 Catalog Note: Examples of this woodcut may be found in the permanent collections of the New Mexico Museum of Art (inscribed II / 2-125) and the New York Public Library (inscribed II / 24-125). 170† Gustave Baumann (American, 1881-1971) Mending the Seine, 1917 color woodcut on Zanders laid paper titled and signed in graphite and with the artist’s Swanli ink chop lower margin 9 5/8” x 11 3/8” $7,000-9,000 Provenance: Zaplin-Lampert Gallery, Santa Fe, New Mexico, 05 January 1998 The Estate of Nina and Jack Stillinger, Urbana, Illinois Literature: Chamberlain, Gala, In a Modern Rendering: The Color Woodcuts of Gustave Baumann, Rizzoli Electa, 2019, pp. 213-214 Catalog Note: The woodcut offered here is the first edition based on the use of the Swanli ink chop and the colors used. A later edition of this image was printed circa 1931 and typically marked with the Hand-in-Heart watermark and inscribed with the roman numeral I or II. A later edition of this woodblock may be found in the permanent collections of the New Mexico Museum of Art (inscribed II / 51-125) and the Indianapolis Museum of Art at Newfields (inscribed II / 47-125).

171 Gustave Baumann (1881-1971) unusual original carved woodblock used for making Aspen — Red River woodblock prints 1925 wood woodblock: 11”w x 9 1/2”h; frame: 14 3/16”w x 12 1/4”h $4,000-6,000 172 Harvey Ellis (American, 1852-1904) Harper’s Magazine Christmas, 1898 color lithograph signed in plate lower left 15 5/8” x 10 3/8” $300-500 Literature: Designed to Sell: Turn-of-the-Century American Posters, Exhibition Catalog, Virginia Museum of Fine Arts, 1994, cat. no. 36.

173 Gustav Stickley (1858-1942) early china cabinet Eastwood, New York, circa 1901 oak, glass, copper unmarked 35 1/2”w x 14”d x 66 3/4”h $8,000-12,000 Provenance: Rago Auctions, Lambertville, New Jersey, 16 January 2010, Lot 58 Literature: For a period illustration, see: Gray, Stephen, The Early Works of Gustav Stickley, Turn of the Century Editions, 1987, p. 70 (Plate 102)

174 Gustav Stickley (1858-1942) early desk, #550 Eastwood, New York oak, copper marked with red decal 33”w x 14”d x 48”h $5,000-7,000 Literature: Gray, Stephen, The Early Work of Gustav Stickley, Turn of the Century Editions, 1987, p. 94 (1902 Retail Plates)

175 L. & J.G. Stickley corner china cabinet, #719 Eastwood, New York oak, glass, copper marked The Work of ... 38 1/2”w x 25 1/2”d x 65 1/4”h $7,000-9,000

176 Gustav Stickley (1858-1942) cheval mirror, #918 Eastwood, New York oak, silvered glass, iron marked with large red decal an excellent example of this beautiful design influenced by Harvey Ellis (1852-1904) 39”w x 18”d x 69 1/4”h $7,000-9,000

177 Grueby, Addison B. LeBoutillier 1872-1951, designer The Pines tile Boston, Massachusetts polychrome glazed tile unmarked 6”sq $2,000-3,000 178 Mary Chase Perry Stratton (1867-1961) for Pewabic Pottery scenic tile Detroit, Michigan glazed ceramic signed Perry “Bring the comb and play upon it”; an early example citing the lyrics of “The Marching Song” from the book by Robert Louis Stevenson (1850-1894), ‘A Child’s Garden of Verses and Underwoods’ (published in 1913) 12”sq $3,000-5,000

179 Charles Frederick Eaton (1842-1930) guest book for Mrs. John H. Hanan, also known as Edith Evelyn Hanan, at Shore Acres, Narragansett Pier, Rhode Island, 1904 Santa Barbara, California, 1904 natural suede, hammered copper, abalone, vellum, ink, paint, paper signed, clasp engraved “E.E.H. 1904” possibly illustrated by Robert Wilson Hyde (1875-1930) 11 1/4”w x 1 1/4”d x 16 1/4”h $4,000-6,000 Catalog Note: Edith Evelyn Hanan (1871-1920) was an important and prominent figure in the history of Narragansett Pier who led a dramatic life during the Gilded Age. Shore Acres was her summer guest estate.

180 Augustus B. Higginson (American, 1866-1915) Architectural Presentation Drawing of Coe House (Montecito, California), circa 1909 watercolor inscribed in pencil verso S.M. Coe’s Montecito 11 7/8” x 21 3/8” $2,000-3,000

The following 20 lots once belonged to Vera Parry, one of the earliest Roycroft collectors in Buffalo, New York who became interested in collecting Roycroft because it reminded her of William Morris and the English Arts & Crafts Movement, which she learned about as a teenager in London.This fine material was subsequently transferred by descent through Vera’s only daughter, Judith Parry Gregorio, to the present owners.

181 The Roycrofters chafing-dish cabinet, #055 East Aurora, New York oak, glass, copper carved script signature 27”w x 19”d x 40 1/2”h $6,000-8,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent 182 The Roycrofters sideboard, #02 1/2 East Aurora, New York oak, glass, copper, silvered glass carved orb and cross 60”w x 25”d x 52”h $7,000-9,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

183 The Roycrofters dining chairs, #027, pair East Aurora, New York oak, leather one with carved script signature each: 17 1/2”w x 18”d x 37 1/2”h $500-700 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

184 The Roycrofters set of side chairs, four East Aurora, New York oak, leather each with carved orb and cross each (approximately): 17”w x 16 1/2”d x 36 1/2” $800-1,200 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

185 The Roycrofters dining table, #016 East Aurora, New York oak carved orb and cross with three 11” leaves 54”dia x 30”h $5,000-7,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

186 The Roycrofters Thirty-Third Degree bookcase, #086 East Aurora, New York oak, glass, iron carved orb and cross 40”w x 15”d x 55”h $8,000-12,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

187 The Roycrofters two-door bookcase East Aurora, New York oak, glass, iron carved orb and cross 53”w x 16”d x 56”h $6,000-8,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

188 The Roycrofters, Karl Kipp (1881-1954), designer vase, #203 East Aurora, New York hammered copper, German nickel silver stamped orb and cross cylindrical form with applied nickel silver 3 1/16”dia x 6 1/2”h $600-800 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

191 The Roycrofters coffee pot East Aurora, New York silver wash over copper, mahogany stamped orb and cross overall: 9 1/2”w x 7”d x 9 1/2”h $600-800 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent Catalog Note: According to Kevin McConnell, this was “probably a specially commissioned item rather than a production piece.”

189 The Roycrofters Bellflower vase, #213 East Aurora, New York hammered copper stamped orb and cross 3 7/8”dia x 9 3/8”h $700-900

190 The Roycrofters Dogwood vase, #202 East Aurora, New York hammered brass stamped orb and cross 2 1/2”dia x 7 1/16”h $400-600

Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

192 Walter Upham Jennings (1879-1963) oval brooch with floral motif East Aurora, New York sterling silver stamped and etched marks 12.4 dwts 2 5/16”w x 1 7/16”h $200-300 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

193 The Roycrofters for the Roycroft Inn partner’s desk, #91 1/2, together with book rack, #0116 East Aurora, New York oak desk: carved script signature, inventory number R 91 1/2; book rack: carved orb and cross This rare desk from the Roycroft Inn was likely used in the lobby or the sunroom for guests to write letters or postcards. 49”w x 40 1/2”d x 32”h $3,000-5,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

194 The Roycrofters hanging advertising sign for the Roycroft Shop East Aurora, New York oak After 1915, Elbert Hubbard II sold Roycroft wares in department stores and this sign was most likely from Hengerer’s, a Buffalo, New York-based department store. 48”w x 3 1/4”d x 10 1/2”h $1,000-2,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

195 The Roycrofters filing cabinet East Aurora, New York oak, iron carved orb and cross probably made for the Roycroft Campus for use in one of the shops or offices 51 1/2”w x 27 1/4”d x 30”h $3,000-5,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

196 The Roycrofters luggage rack East Aurora, New York oak carved orb and cross 30”w x 18”d x 25 1/2”h $500-700 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

197 The Roycrofters picture frame East Aurora, New York oak unmarked with charcoal drawing by Jules Maurice Gaspard (French/American, 1862-1919) of Mary W. Shelley (1797-1851), the English novelist most famous for ‘Frankenstein’, sight: 16” x 11 1/2”; frame: 20 1/4”w x 3/4”d x 27 1/2” $300-500

198 The Roycrofters Goodie box East Aurora, New York gumwood, iron carved orb and cross 26”w x 12”d x 9 1/2”h $500-700

199 The Roycrofters Little Journey stand East Aurora, New York oak marked with metal tag 26 1/8”w x 14 1/4”d x 26 1/4”h $300-500

Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent Catalog Note: This original drawing of Mary Shelley appears in a Roycroft book, Little Journeys to the Homes of Famous Women.

200 The Roycrofters rare table lamp East Aurora, New York mahogany, slag glass, copper signed with copper plate early gas lamp 15 3/4”sq x 19 1/2”h $3,000-5,000 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent Literature: McConnell, Kevin, Roycroft Art Metal (First Edition), Schiffer, 1990, p. 38 (illustrated) 201 The Roycrofters, Dard Hunter (1883-1966), designer table lamp East Aurora, New York hammered copper, leaded glass stamped orb and cross 17 3/4”dia x 22”h $5,000-7,000

202 Saturday Evening Girls Ships at Sea inkwell Boston, Massachusetts, 1919 matte glazed ceramic inscribed signatures 3 7/8”w x 2 7/8”d x 2 1/2”h $1,000-2,000

203 Albina Mangini for Saturday Evening Girls Three Viking Ships large mug Boston, Massachusetts, 1913 polychrome glazed ceramic inscribed signature, dated 5 3/4”w x 4 1/2”d x 5”h $1,500-2,500 Literature: Chalmers, Meg, and Judy Young, The Saturday Evening Girls: Paul Revere Pottery, Schiffer, 2005, p. 43, fig. 1.085 (illustrated) 204 Sara Galner (1894-1982) for Saturday Evening Girls bowl Boston, Massachusetts, 1915 polychrome glazed, carved and painted ceramic signed, dated 8 1/2”dia x 2 1/2”h $2,000-3,000 Literature: Chalmers, Meg, and Judy Young, The Saturday Evening Girls: Paul Revere Pottery, Schiffer, 2005, p. 202, fig. 3.113 (illustrated) 205 Edith Brown for Saturday Evening Girls Landscape bookends, pair Boston, Massachusetts, 1922 matte glazed ceramic signed and dated each: 5”w x 2 1/2”d x 4”h $1,500-2,500

206 Paul Revere Pottery vase Boston, Massachusetts unusual drip glazed ceramic paper label 4 1/2"dia x 6"h $1,000-2,000 207 Frances Rocchi for Saturday Evening Girls Rabbit plate Boston, Massachusetts, 1909 matte glazed ceramic signed and dated initialed "EW" 7 1/2"dia x 5/8"h $700-900 208 Lili Shapiro (1894-1978) for Saturday Evening Girls I saw three ships come sailing by mug Boston, Massachusetts, 1911 cuerda seca matte glazed ceramic inscribed signature and date, partial paper label 5 1/2"w x 4"d x 4 3/4"h $800-1,200

209 Lili Shapiro (1894-1978) for Saturday Evening Girls We'll tak a cup o'kindness yet for auld lang syne mug Boston, Massachusetts, 1911 cuerda seca matte glazed ceramic inscribed signature and date, paper label 5"w x 4"d x 4 1/2"h $800-1,200

Literature: Chalmers, Meg, and Judy Young, The Saturday Evening Girls: Paul Revere Pottery, Schiffer, 2005, p. 141, fig. 2.213 (illustrated)

210 Ernest William Gimson (1864-1919) for the Lea Cottage wardrobe Ulverscroft, England, circa 1898 oak, iron 46 1/2”w x 23”d x 77”h $6,000-8,000 Provenance: Christie’s, New York, New York , Important 20th Century Decorative Arts Including Wiener, 09 December 2003, Sale 1311, Lot 61 Catalog Note: Ernest William Gimson is known as one of the most important figures of the English Arts & Crafts Movement in the 20th century. After his initial encounter with William Morris at the age of 19, Gimson joined Morris’ Society for the Protection of Ancient Buildings and continued his effort in preserving not only historic architecture, but also the traditional methods of crafts — an essential part of the Arts & Crafts Movement. By 1893, Gimson had uprooted his life in London and moved with brothers Ernest and Sidney Barnsley to a rural region of Gloucestershire in the Cotswolds, where they practiced furniture making for a small group of clients and planned to establish a “Utopian craft village” characterized by simplicity and pleasurable labor. This wardrobe was custom made for the Lea Cottage, designed by Gimson and executed by Detmar Blow between 1898 and 1899, for his siblings as their summer retreat. 211 Arts & Crafts Style large carpet circa 1980s wool 8' x 9’9” $700-900

212 Liberty & Co. oval wall mirror London, England copper, enamel, silvered glass original label 25"w x 1 1/4"d x 21"h $1,000-2,000 213 Charles Francis Annesley Voysey (1857-1941) fireplace surround, grate and backing, #647 England painted cast and forged iron unmarked manufactured by the Falkirk Iron Company Ltd.. 33 1/2"w x 6 1/2"d x 53"h; opening: 11 1/2"w x 26"h $800-1,200

214 Heal & Son twin beds with linenfold design, pair London, England oak marked with label each: 83”w x 36”d x 51”h $800-1,200

215 John Scott Bradstreet (1845-1914) breakfast room suite: sideboard, table, five side chairs (four shown) and one youth chair (not shown) designed for a home on Summit Avenue in Minneapolis, Minnesota oak, brass, copper, upholstery sideboard: 54”w x 22”d x 47 1/2”h; table: 48”dia x 29”h; side chairs: 18”w x 18”d x 40”h; youth chair: 17”w x 14 1/2”d x 37”h $10,000-20,000 Catalog Note: In 1901, famed Minneapolis designer John Scott Bradstreet opened his studio called the Minneapolis Crafthouse. He catered to the Minneapolis elites and was clearly influenced by his recent travels to Asia in his designs.

216† Robert Riddle Jarvie (1865-1941) match safe with waste bowl / ash receiver Chicago, Illinois hammered copper etched signature 4 1/8"sq x 4 5/8"h $400-600 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois 217 Teco, W.D. Gates (1852-1935), designer cylindrical vase with bulbous base, #363 Chicago, Illinois matte green glazed ceramic impressed marks 4 1/4"dia x 4 3/4"h $300-500 Provenance: The Estates of Vera Parry and Judith Parry Gregorio, Buffalo, New York Thence by descent

218† Fulper Pottery Co. covered candle lamp, with glass insets, #1000 Flemington, New Jersey, 1909-1916 glazed ceramic, colored glass early rectangular ink stamped mark 5 9/16”dia x 11”h $300-500 Provenance: The Estate of Anthony Nappi, Bedminster, New Jersey

219 Weller Pottery Co. vase Zanesville, Ohio matte green glazed ceramic impressed mark 7 1/2”w x 6”d x 12”h $300-500

220† Fulper Pottery Co. group of five bud vases: Cat’s Eye Flambé vases, three, Ivory Flambé to Mustard Matte glaze vase and Ochre-to-Turquoise Flambé vase Flemington, New Jersey glazed ceramic four with stamped Racetrack mark tallest: 2 3/8”dia x 8 7/8”h $400-600 Provenance: The Estate of Anthony Nappi, Bedminster, New Jersey

221 Sadie Irvine (1887-1970) for Newcomb College bowl decorated with holly, #260 New Orleans, Louisiana, circa 1920 (KZ88) carved matte glazed ceramic impressed and incised marks base also incised by the potter, Joseph Fortune Meyer (1848-1931) 6”dia x 3 1/4”h $500-700

222 Julia Mattson (d. 1967) for North Dakota School of Mines Cowboys vase, #75 Grand Forks, North Dakota matte glazed ceramic stamped and incised marks 4 1/2”dia x 7 1/4”h $500-700

223 Chicago Crucible Co. vase with overlapped leaf decoration Chicago, Illinois matte glazed ceramic inscribed marks 5 3/4”dia x 5 3/4”h $300-500

224 Charles P. Limbert Co. smoker’s foot stool, #225 Grand Rapids, Michigan oak, leather, copper branded signature 18 1/4”w x 12 1/2”d x 12 1/2”h $800-1,200

226 Charles P. Limbert Co. drop-arm settle, #570 Grand Rapids, Michigan oak, leather branded mark 80”w x 31 1/2”d x 30”h $2,000-3,000

225 Charles P. Limbert Co. early plant stand, #246 Grand Rapids, Michigan oak unmarked 14”dia x 42 1/2”h $1,500-2,500

227 L. & J.G. Stickley from the Onondaga Shops double-door bookcase, #328 Fayetteville, New York oak, glass, copper unmarked 52”w x 12”d x 57”h $3,000-5,000 228 L. & J.G. Stickley from the Onondaga Shops double-door bookcase, #328 Fayetteville, New York oak, glass, copper unmarked 52”w x 12”d x 57”h $3,000-5,000

229 Wheatley Pottery Company large two-handled vase Cincinnati, Ohio matte green glazed ceramic unmarked 10”w x 7 1/2”d x 19 3/4”h $1,500-2,500 230 Wheatley Pottery Company large two-handled vase Cincinnati, Ohio matte ochre glazed ceramic unmarked 10 1/2”w x 8 1/2”d x 20 3/4”h $2,000-3,000 231 Harry Rhead (1882-1950) for Roseville Pottery Co. Decorated Landscape jardiniere and pedestal, #8 Roseville, Ohio glazed ceramic signed “R” on pedestal 18 1/2”dia x 43 1/2”h $2,000-3,000

232 Gustav Stickley (1858-1942) hexagonal table, #624 Eastwood, New York oak, leather, brass marked with paper label 55"w x 48"d x 30"h $3,000-5,000 233 L. & J.G. Stickley & Gustav Stickley (1858-1942), conjoined settle, #208 Fayetteville, New York oak, leather unmarked 76"w x 32"d x 29"h $2,000-3,000

234 L. & J.G. Stickley dining chairs, set of eight Fayetteville, New York oak, rush unmarked each (approximately): 17"w x 16 1/2"d x 35"h $2,000-3,000 235 Tobey Furniture Co. dining table, #35868 Chicago, Illinois oak unmarked with two 11" leaves 54"dia x 30"h $1,500-2,500 Literature: Bartinique, Patricia A., and Peter A. Copeland, The Tobey Furniture Company: A Brief History, Turn of the Century Editions, 2012, p. 91 (New Furniture in Weathered Oak Catalog, 1901)

236 Gustav Stickley (1858-1942) early chest of drawers, #626 Eastwood, New York oak marked with early red decal 36"w x 20"d x 48"h $4,000-6,000 Literature: Gray, Stephen, The Early Work of Gustav Stickley, Turn of the Century Editions, 1987, p. 103 (1902 Retail Plates) 237 Gustav Stickley (1858-1942) early armchair, #2612 Eastwood, New York oak, rush unmarked reverse tapered legs 24"w x 21"d x 37 1/4"h $1,000-2,000 Literature: For a similar illustrated example, see: Stephen Gray, The Early Work of Gustav Stickley, Turn of the Century Editions, 1987, p. 60 (Chips From the Workshop) 238 Gustav Stickley (1858-1942) early tea table, #439 Eastwood, New York oak unmarked 26"dia x 25 3/4"h $2,000-3,000

The following three lots were exhibited in 19th-Century America: Furniture and Other Decorative Arts (An Exhibition in Celebration of the Hundredth Anniversary of the Metropolitan Museum of Art), Metropolitan Museum of Art, New York, New York, 16 April through 07 September 1970.This marked the initial rediscovery of the work of Gustav Stickley, nearly two years before the groundbreaking exhibit,The Arts and Crafts Movement in America, 1876-1916, organized by Robert Judson Clark at the Princeton University Art Museum in 1972. 239† Gustav Stickley (1858-1942) Morris chair, #332 Eastwood, New York oak, upholstery unmarked 31"w x 38"d x 39"h $2,500-3,500 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois 240† Gustav Stickley (1858-1942) drop-front desk, #729 Eastwood, New York oak, iron branded mark closed: 36 1/4"w x 15"d x 44 1/2"h $1,000-2,000 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois 241† Gustav Stickley (1858-1942) server, #818 Eastwood, New York oak, copper branded mark 48"w x 20"d x 39 1/4"h $2,000-3,000 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois

242 L. & J.G. Stickley open bookcase, #646 Fayetteville, New York oak unmarked 53”w x 13”d x 55”h $1,500-2,500

243† Gustav Stickley (1858-1942) V-back rocker, #311 1/2 Eastwood, New York oak, leather, iron branded mark and partial paper label 26”w x 28”d x 34”h $400-600 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois

244 L. & J.G. Stickley for the Onondaga Shops trestle library table, #36 Fayetteville, New York oak unmarked 72”w x 44”d x 29”h $2,000-3,000

245 Gustav Stickley (1858-1942) bookcase, #717 Eastwood, New York oak, glass, iron branded mark 48”w x 13”d x 56 1/2”h $3,000-5,000 246 Gustav Stickley (1858-1942) clip-corner lamp table, #611 Eastwood, New York oak marked with red decal 24”dia x 29”h $800-1,200 247 Gustav Stickley (1858-1942) nightstand, #641 Eastwood, New York oak signed with black ink mark 20”w x 17 1/2”d x 30 1/2”h $800-1,200

248† Gustav Stickley (1858-1942) bed, #923 Eastwood, New York oak branded marks overall: 46"w x 78 1/2"d x 46"h; inside: 41 1/2"w x 75"d $600-800 Provenance: The Collection of Ethel Leichti, Oak Park, Illinois Literature: Gray, Stephen, Gustav Stickley After 1909, Turn of the Century Editions, 1995, p. 83 249 Navajo Teec Nos Pos Eye Dazzler rug post-war dyed wool impressive large example 4' 11" x 8’ 4” $2,000-3,000

250 E.T. Hurley (1869-1950) for Rookwood Pottery Standard Glaze vase decorated with a Native American, #767 Cincinnati, Ohio, 1899 high glazed ceramic impressed and incised marks depicting Small Feather of the Eagle 7 3/4"w x 4"d x 6 1/2"h $1,500-2,500 251 Adeliza Drake Sehon (active 1896-1902) for Rookwood Pottery Standard Glaze mug decorated with a Native American in a full headdress, #587B Cincinnati, Ohio, 1900 high glazed ceramic impressed and incised marks depicting Bird Head, Council Chief of Ogollada Sioux 5"w x 4 3/8"d x 5 5/8"h $1,000-2,000 252 Charles (Carl) Schmidt (1875-1959) for Rookwood Pottery Iris vase decorated with cornflowers, #950C Cincinnati, OH, 1908 high glazed ceramic impressed and incised marks 4 1/2"dia x 9 3/4"h $1,000-2,000 253 Kataro Shirayamadani (1865-1948) for Rookwood Pottery Vellum vase decorated with irises, #892C Cincinnati, Ohio, 1940 matte glazed ceramic impressed and inscribed marks 5"dia x 9 1/4"h $700-900 254 Lenore Asbury (1866-1933) for Rookwood Pottery Vellum vase decorated with a scenic landscape, #2305V Cincinnati, Ohio, 1917 matte glazed ceramic impressed and incised marks 4"dia x 9 1/2"h $700-900

255 Harriet E. Wilcox (1869-1943) for Rookwood Pottery Painted Mat vase decorated with a band of stylized oak leaves, #30E Cincinnati, Ohio, 1906 matte glazed ceramic impressed and inscribed marks 4â&#x20AC;?dia x 7 3/4â&#x20AC;?h $600-800

256 Jens Jensen (1898-1978) for Rookwood Pottery Jewel Porcelain vase decorated with magnolias, #S Cincinnati, Ohio, 1933 high glazed ceramic impressed and inscribed marks 6 1/2"dia x 10 1/2"h $800-1,200 257 Olga Reed (b. 1873) for Rookwood Pottery Iris vase decorated with Japanese irises, #901C Cincinnati, Ohio, 1902 high glazed ceramic impressed and incised marks retains a paper label from the Cincinnati Art Galleries Glover Collection, Lot 0147 4"dia x 9"h $1,000-2,000 258 Charles S. Todd (1886-1950) for Rookwood Pottery Mat vase decorated with a band of peacock feathers, #1929 Cincinnati, Ohio, 1915 matte glazed ceramic impressed and incised marks 7"dia x 4 3/4"h $500-700 259 Lenore Asbury (1866-1933) for Rookwood Pottery Vellum vase decorated with a scenic landscape, #1922D Cincinnati, Ohio, 1921 matte glazed ceramic impressed and incised marks 4"dia x 8"h $600-800 260 Elizabeth Barrett for Rookwood Pottery Mat Moderne vase with geometric decoration, #2969 Cincinnati, Ohio, 1930 glazed ceramic impressed and incised marks 7"dia x 7 3/4"h $500-700

261 Harriet E. Wilcox (1869-1943) for Rookwood Pottery Porcelain vase decorated with roses, #935C Cincinnati, Ohio, 1922 high glazed porcelain impressed and incised marks 5 1/2"dia x 9 3/4"h $500-700 262 Sara Sax (1870-1949) for Rookwood Pottery Vellum vase decorated with morning glory, #369D Cincinnati, Ohio, 1908 matte glazed ceramic impressed and incised marks 5"dia x 9"h $300-500 263 Elizabeth Barrett for Rookwood Pottery Mat Moderne vase with stylized foliate decoration, #2640E Cincinnati, Ohio, 1930 matte glazed ceramic impressed and incised marks 7"dia x 9"h $500-700 264 Roseville Pottery Co. Chloron vase Zanesville, Ohio matte green glazed ceramic rare impressed Chloron mark 6 1/2"dia x 6 1/2"h $400-600 265 Elizabeth Barrett for Rookwood Pottery Mat Moderne vase, #I30 Cincinnati, Ohio, 1924 high glazed ceramic impressed and incised marks 7"dia x 6 3/4"h $400-600

266 E.T. Hurley (1869-1950) for Rookwood Pottery Porcelain vase decorated with a scenic landscape, #614D Cincinnati, Ohio, 1943 high glazed ceramic impressed and incised marks 5 1/2"dia x 11"h $2,000-3,000

267 Owens Pottery Co. vase decorated with a grapevine, #215 Zanesville, Ohio matte green glazed ceramic impressed marks 7"dia x 15 1/2"h $400-600 268 Owens Pottery Co. vase decorated with a forest, #233 Zanesville, Ohio matte green glazed ceramic impressed marks 4"dia x 13 1/2"h $500-700 269 Weller Pottery Co. Dickensware Golfer vase, #X181/12 Zanesville, Ohio glazed ceramic incised and inscribed marks 4"dia x 10"h $300-500 270 Roseville Pottery Co. Carnelian II vase, #441-8 Zanesville, Ohio matte glazed ceramic paper label 8"dia x 8"h $300-500

271 Handel Lamp Co. Snowball Hydrangea table lamp, #6344P Meriden, Connecticut bronze, reverse painted glass base: marked with original cloth label; shade: etched and impressed signature 18”dia x 22 1/2”h $2,500-3,500 272 Duffner & Kimberly Colonial table lamp New York, New York gilt bronze, leaded glass stamped mark to base 19”dia x 24”h $2,500-3,500

273 Tiffany Studios Linen Fold table lamp: shade on base, #533 New York, New York dore gilt bronze, Favrile glass shade and base signed, base numbered base impressed with patent applied for in 1927 19”dia x 24”h $10,000-20,000 Provenance: Sotheby’s New York, New York, 10 June 1999, Sale 7327, Lot 358

274 Tiffany Studios Modeled picture frame, #1129 New York, New York dore bronze stamped marks closed: 9 11/16"w x 12 1/8"h; open: 7 1/8"d x 11"h $600-800 275 Franz Xaver Bergmann (1861-1936) rug seller Vienna, Austria cold-painted bronze impressed marks 7 1/4"w x 9 1/2"d x 6 1/2"h $600-800 276 Attributed to Franz Xaver Bergmann (1861-1936) parrot perched on a naturalistic branch Vienna, Austria cold-painted bronze impressed mark 8"w x 7"d x 11 7/8"h $1,500-2,500 277 Attributed to Franz Xaver Bergmann (1861-1936) parrot perched on a naturalistic branch Vienna, Austria cold-painted bronze impressed mark 8"w x 7 1/4"d x 11 1/8"h $1,500-2,500 278 Franz Xaver Bergmann (1861-1936) chick on a feather figural pen tray Vienna, Austria cold-painted bronze impressed marks 11 3/4"w x 1 5/8"d x 1 1/2"h $400-600

279 Austrian cockatoo Vienna, Austria cold-painted bronze unmarked 2 1/4”w x 4 5/8”d x 5 7/16”h $200-300 280 Franz Xaver Bergmann (1861-1936) parakeet Vienna, Austria cold-painted bronze impressed marks 1 3/4”w x 6 3/4”d x 3 1/8”h $250-350 281 Austrian three chickens on a water barrel Vienna, Austria cold-painted bronze unmarked 3 1/2”w x 3”d x 2 5/16”h $200-300 282 Austrian birds, three: kingfisher, owl and sparrow Vienna, Austria cold-painted bronze unmarked owl: 1 1/8”w x 1”d x 1 7/8”h $200-300 283 Austrian dancing mice Vienna, Austria cold-painted bronze unmarked 2 3/16”w x 1 1/4”d x 2”h $100-200 284 Attributed to Franz Xaver Bergmann (1861-1936) porcupine Vienna, Austria cold-painted bronze impressed mark 4 3/4”w x 6 1/4”d x 3 3/4”h $400-600

285 Austrian snails, two Vienna, Austria cold-painted bronze one with impressed marks larger: 3 3/4”w x 1 1/2”d x 2 3/16”h $300-500

286 Austrian branch framed mirror with cat, bird and ivy Vienna, Austria cold-painted bronze, silvered glass unmarked 7 3/4â&#x20AC;?w x 2 3/4â&#x20AC;?d x 9 13/16â&#x20AC;?h $500-700

287 Austrian three animals: kangaroo, boar and rabbit Vienna, Austria cold-painted bronze impressed numbers to rabbit kangaroo: 3 1/2"w x 1 1/8"d x 3"h $300-500 288 Austrian camels, two Vienna, Austria cold-painted bronze impressed marks standing camel: 2 5/8"w x 1"d x 2 3/8"h $150-250 289 Franz Xaver Bergmann (1861-1936) bullfrog with inset eyes Vienna, Austria cold-painted bronze, glass impressed mark 4"w x 3 1/4"d x 1 3/4"h $200-300 290 Austrian lizards, two Vienna, Austria cold-painted bronze impressed "3778" numbers to left example longer: 1 3/4"w x 5"d x 7/8"h $300-500 291 Japanese lizards, two bronze, shell, faux pearl unmarked lizard with shell: 4 3/4"w x 5"d x 1 3/8"h $150-250

292 Franz Xaver Bergmann (1861-1936) Canary Island lizard, #4133 Vienna, Austria cold-painted bronze impressed marks 9 1/4”w x 7 1/2”d x 2 11/16”h $1,000-2,000 293 Franz Xaver Bergmann (1861-1936) Canary Island lizard, #1918 Vienna, Austria cold-painted bronze impressed marks 16”w x 8”d x 3 1/2”h $1,500-2,500

294 Attributed to Franz Xaver Bergmann (1861-1936) monkey in a walking position Vienna, Austria cold-painted bronze unmarked 12 3/4”w x 5 5/8”d x 9 1/16”h $2,000-3,000

295 Frank Lloyd Wright (1867-1959) for Mori Art Studio occasional table Chicago, Illinois, 1914 oak unmarked A similar example is on view at the Frank Lloyd Wright Home & Studio, Oak Park, Illinois. 19 3/4”w x 12”d x 22”h $2,000-3,000 Catalog Note: S Mori Oriental Art Studio and Japanese Print Shop was located on the eighth floor of the Fine Arts Building, Chicago, Illinois. The Fine Arts Building was also the site of the Frank Lloyd Wright-designed Browne’s Book Store (1908) and Thurber Art Gallery (1909). The Mori Art Studio suffered the same fate as the other galleries and was demolished in 1917. However, display cases and some furniture survived.

A historical photograph of a bedroom in the E.L. King House “Rockledge” Commission

296 George Washington Maher (1864-1926) for the E.L. King House, “Rockledge” vanity Homer, Minnesota, 1912 painted poplar 45”w x 22”d x 68”h $3,000-5,000

297 George Washington Maher (1864-1926) for the E.L. King House, “Rockledge” sewing rocker Homer, Minnesota, 1912 painted poplar 20”w x 34”d x 35 1/2”h $1,000-2,000

298† Frank Lloyd Wright (1867-1959) for the Unitarian Church church bench Shorewood Hills, Wisconsin, designed in 1951 plywood, original fabric unsigned includes original receipt from ‘The Friends of the Meeting House’ 42”w x 24”d x 19 1/2”h $1,500-2,500 Provenance: The Friends of the Meeting House, Shorewood Hills, Wisconsin The Collection of Ernest and Marjorie Briskey, Madison, Wisconsin (acquired directly from the above) 299 Frank Lloyd Wright (1867-1959) for the Thomas E. Keys House desk Rochester, Minnesota, circa 1951 ponderosa pine, brass 48”w x 26”d x 29 1/4”h $2,500-3,500 Provenance: Treadway Toomey Auctions, Oak Park, Illinois, 15 November 1992, Lot 243

300 Frank Lloyd Wright (1867-1959) & Warren McArthur (1885-1961) for Biltmore Hotel side table Phoenix, Arizona, circa 1927 enameled steel, iron unmarked 35 1/2"w x 31"d x 28"h $2,000-3,000 Provenance: Important Private Collector, Denver, Colorado 301 Frank Lloyd Wright (1867-1959) for Heritage Henredon coffee table Morganton/High Point, North Carolina mahogany script signature Taliesin design at edges 60"w x 19 1/2"d x 14 1/2"h $1,000-2,000 Provenance: Important Private Collector, Denver, Colorado

302 Frank Lloyd Wright (1867-1959) for Heritage Henredon chest of drawers Morganton/High Point, North Carolina mahogany marked with red monogram Taliesin design at edges 36 1/2”w x 20”d x 53”h $1,500-2,500 Provenance: Important Private Collector, Denver, Colorado 303 Frank Lloyd Wright (1867-1959) for Heritage Henredon dresser Morganton/High Point, North Carolina mahogany marked with red monogram Taliesin design at edges 61 1/2”w x 20”d x 28 1/2”h $1,500-2,500 Provenance: Important Private Collector, Denver, Colorado

304 Frank Lloyd Wright (1867-1959) for Heritage Henredon side table Morganton/High Point, North Carolina mahogany script signature Taliesin design at edges 21”w x 27”d x 23 1/2”h $800-1,200

305 Frank Lloyd Wright (1867-1959) for Heritage Henredon side table Morganton/High Point, North Carolina mahogany script signature Taliesin design at edges 21”w x 27”d x 23 1/2”h $800-1,200

Provenance: Important Private Collector, Denver, Colorado

306 Frank Lloyd Wright (1867-1959) for Heritage Henredon king-size headboard with sliding cabinet doors, #2004 Morganton/High Point, North Carolina mahogany marked with red monogram Taliesin design at edges; center sliding cabinet door with concentric rectangular design 79”w x 12”d x 33 1/2”h $1,000-2,000 Provenance: Important Private Collector, Denver, Colorado

307† Hans Wegner (1914-2007) for Andreas Tuck Cube Bar Denmark, 1959 teak, matte chrome-plated steel stamped marks includes copy of original receipt from S. Chr. Sorensen 19 3/4”w x 21 1/2”d x 19 3/4”h $6,000-8,000 Provenance: S. Chr. Sorenson, Copenhagen, Denmark, 1959 The Collection of Ernest and Marjorie Briskey, Madison, Wisconsin (acquired directly from the above)

Literature: Georg Jensen, distributor’s catalog, 1960, unpaginated Illums Bolighus: Center of Modern Design, distributor’s catalog, 1961, unpaginated Catalog Note: Bar features one drawer and a hinged top concealing storage.

308 Hans Wegner (1914-2007) for Andreas Tuck drop-leaf dining table, #AT-309 Denmark, 1950s teak, oak, brass branded marks closed: 51 3/4”w x 34”d x 28”h; open: 89 3/4” $2,500-3,500

309 Hans Wegner (1914-2007) for Carl Hansen & Søn dining chairs, set of four, #CH33 Denmark, 1950s teak, leather, plywood each with branded mark 22”w x 19”d x 28 1/2”h $2,000-3,000

310 Hans Wegner (1914-2007) for Ry Møbler cabinet, #RY16 Denmark, 1950s teak, oak, birch, brass unmarked 39 1/2"w x 20 1/2"d x 28 1/8"h $800-1,200 311 Hans Wegner (1914-2007) for Johannes Hansen armchair, #JH513 Denmark, 1959 teak, oak, leather metal tag 25 1/4"w x 22"d x 31 3/4"h $600-800 Provenance: Private Collection, Chicago, Illinois 312† Hans Wegner (1914-2007) for Carl Hansen & Søn Yoke armchair, #CH34 Denmark, 1950s teak, leather branded mark backrest swivels to add to the chair's comfort 24 3/4"w x 17 3/4"d x 28 3/4"h $1,000-2,000 Provenance: The Estate of Dr. Elizabeth Hunter and Dr. Waclaw Szybalski, Madison, Wisconsin

313† Tapio Wirkkala (1915-1995) for Iittala Kaleidoscope vase, #3584 Finland, circa 1960 glass etched signature to side 4 1/2”dia x 8 1/4”h $500-700 Provenance: The Collection of Ernest and Marjorie Briskey, Madison, Wisconsin 314 Poul Henningsen (1894-1967) for Louis Poulsen Contrast pendant light Denmark, circa 1960 enameled aluminum, steel sticker label 18”dia x 14 1/2”h $2,000-3,000 315 Arne Jacobsen (1902-1971) for Fritz Hansen Egg lounge chair with ottoman Denmark, 1960s Edelman leather, aluminum, plastic stamped marks to base early tilt base chair: 35 1/4”w x 28”d x 42 1/8”h; ottoman: 21 1/2”w x 15 5/8”d x 16 1/8”h $5,000-7,000

316 Arne Jacobsen (1902-1971) for Fritz Hansen Swan height-adjustable lounge chair, #1265, and ottoman Denmark, 1960s (chair) / 2002 (ottoman) leather, aluminum, plastic chair unmarked, sticker label to ottoman chair: 29 1/4"w x 27 1/2"d x 31 1/2"h; ottoman: 21 1/2"w x 15 1/2"d x 16 1/2"h $4,000-6,000 Catalog Note: This rare height-adjustable swivel base was only produced by Fritz Hansen for a very short time. 317 Arne Jacobsen (1902-1971) for Fritz Hansen Sevener desk armchair, #3217 Denmark, 1950s teak, chrome-plated steel, plastic sticker label 25"w x 19 1/2"d x 33"h $1,000-2,000

318 Josef Frank (1885-1967) for Svenskt Tenn dining chairs, set of four, #2025 Sweden lacquered wood, cane, bamboo unmarked 17"w x 24"d x 37"h $1,000-2,000 319 Josef Frank (1885-1967) for Svenskt Tenn side chair Sweden, circa 1948 mahogany, bamboo, cane, leather, brass unmarked 22 1/4"w x 22"d x 35 1/2"h $2,000-3,000 Literature: Zahle, Erik, Kunsthandverk in ScandinaviĂŤ, Den Haag, 1961, p. 90, pl. 31 (illustrated)

320 Harald Östergren (1888-1974) & Anna-Lisa Thomson (1905-1952) for Upsala-Ekeby ceramic vessels, collection of eight Upsala, Sweden, 1930s glazed ceramic impressed marks and numbers to each features multiple designs by Östergren and tallest vase with figure by Thomson tallest vase (with female figure): 5 1/4”dia x 11 7/8”h; bowl: 12 1/2”w x 11”d x 3 3/4”h $1,000-2,000 322 Anna-Lisa Thomson (1905-1952) for Upsala-Ekeby vase, #3249 Upsala, Sweden, 1937 glazed ceramic impressed marks 10 1/2”dia x 10 1/4”h $500-700

321 Upsala-Ekeby vases, collection of nine Upsala, Sweden, 1940s-1950s glazed ceramic impressed marks to each collection includes designs by Vicke Lindstrand (1904-1983), Anna-Lisa Thomson (1905-1952), Ingrid Atterberg (1920-2008) and Hjördis Oldfors (1920-2014) handled vase: 10”w x 9”d x 10”h; large bowl: 10 3/4”w x 8 1/8”d x 5 7/8”h $1,000-2,000

323 Preben Fabricius (1931-1984) & Jorgen Kastholm (1931-2007) for Kill International lounge chair, #FK 82 X Denmark, 1960s white leather, tan leather cord, brushed steel unmarked 32”w x 32”d x 31”h; seat: 15”h $2,500-3,500 324 Piet Hein (1905-1996) for Fritz Hansen counter stools, four, #7002 Denmark aluminum, steel, leather sticker labels 14 1/4”dia x 25 1/4”h $1,000-2,000 325 Bruno Mathsson (1907-1988) for DUX Eva dining table Sweden birdseye maple, maple stamped mark 56”dia x 27 1/8”h $1,000-2,000

326 Nils Nisse Strinning (1917-2006) for String Design AB String modular shelving unit Sweden, circa 1960 teak, glass, painted wood, enameled steel, brass stamped ‘Made in Sweden’ includes original keys 94 1/4”w x 13 1/2”d x 85 1/2”h $1,000-2,000 327 Westnofa sideboard Norway, 1960s rosewood sticker label 83”w x 18 1/4”d x 33 3/4”h $1,000-2,000

328 Attributed to Robert Mathieu (1921-2002) floor lamp France, circa 1950 enameled steel, aluminum, plastic, rubber, glass unmarked 21 1/2"w x 20"d x 56"h $800-1,200 329 Paul Tuttle (1918-2002) for Strassle International Nonna rocking chair Switzerland leather, canvas, chromed-plated steel, lacquered wood unmarked 22 1/4"w x 41"d x 36"h $1,000-2,000 330 Poul Hundevad (1917-2011) Guldhøj folding tables, pair, #PH42 Denmark, circa 1950 rosewood, leather, glass, brass unmarked as pictured: 19 7/8"w x 30"d x 15 3/8"h $1,000-2,000 331 Yngve Ekström (1913-1988) for Swedese Möbler Lamino lounge chairs, pair Sweden, 1960s laminated teak, suede leather, brass branded marks 27 1/2"w x 27"d x 31 1/4"h $1,000-2,000

332 Doria Leuchten pendant light fixture Germany, 1970s chrome-plated steel, glass unmarked 17"dia x 31"h $600-800 333 Rodney Kinsman (b. 1943) for Bieffeplast Omstak stacking chairs, four England, circa 1971 enameled steel, chrome-plated steel ICF sticker labels 19 1/4"w x 20"d x 29 1/2"h $500-700

334 Don Shoemaker (1920-1990) sling seat lounge chair Mexico, 1960s rosewood, leather unmarked 31 1/2"w x 28 1/2"d x 32"h $1,000-2,000 335 Joaquim Tenreiro (1906-1992) for Tenreiro Móveis e Decorações Mesa chair Brazil, circa 1960 jacaranda, upholstery unmarked 17"w x 19"d x 41"h $1,000-2,000

336 Vico Magistretti (1920-2006) for Oluce Kalaari pendant light Italy, 1970s enameled aluminum unmarked 24"dia x 17"h $800-1,200 337 Achille Castiglioni (1918-2002) & Pier Castiglioni (1913-1968) for Flos Taccia lamp Italy, 1970s chrome-plated steel, glass, aluminum sticker label 19 1/2"dia x 24"h $1,000-2,000 338 Eleanora Peduzzi-Riva (b. 1939) for Cassina lounge chairs, pair Italy, 1950s brushed aluminum, rosewood, upholstery unmarked 23 3/4"w x 29"d x 32"h $2,000-3,000 339 Enzo Mari (1932-2020) for Driade Fratello low double-top table Italy, 1990s steel, beech, glass sticker label 78 3/4"w x 19 3/4"d x 19 1/2"h $1,500-2,500

340 Gaetano Pesce (b. 1939) for Fish Design Open Sky table lamp Italy, 1995 polyurethane resin unmarked This production is from the first year of the series. 15 3/4"w x 10"d x 26 1/4"h $2,000-3,000 341 Peter Shire (b. 1947) Secret Springs table USA, circa 1984 enameled steel, enameled aluminum, glass unmarked This work is one of two examples. 48"dia x 28 3/4"h $2,000-3,000 Provenance: Hokin/Kaufman Gallery, Chicago, Illinois Private Collection, Chicago, Illinois Wright, Chicago, Illinois, Modern Design, 18 October 2012, Lot 436 Private Collection, Connecticut Catalog Note: Post-modernist Peter Shire created this table when he was a member of the radical design collective Memphis in 1984. The table was painted by a professional car detailer to mimic the vibrant car culture in Los Angeles. This work is one of two examples.

342 Angelo Lelii (1911-1979) for Arredoluce Cavalletto easel lamp, #12377 Italy, circa 1958 brass, enameled aluminum 'Arredoluce' sticker label to base Pictured with lot 103. 22 1/2"w x 29"d x 82 5/8"h $4,000-6,000 343 Carlo Nason (b. 1936) for Mazzega Numerati Soffiato floor lamp Murano, Italy, 1960s glass, chrome-plated steel unmarked 16"dia x 47"h $800-1,200 344 Angelo Lelii (1911-1979) for Arredoluce three-light adjustable floor lamp Italy, circa 1970 black and grey enameled steel, chrome-plated steel impressed 'Made Italy' 7"w x 6"d x 49"h $2,500-3,500

345 Stilnovo pendant light fixture Italy enameled steel, glass, brass unmarked as shown: 12 1/2"dia x 29"h $1,000-2,000 346 Stilnovo six-light ceiling fixture Italy brass, glass, enameled steel unmarked 10"dia x 32"h $1,000-2,000 347 Roberto Giulio Rida (b. 1943) articulating desk lamps, pair Italy, 2000s enameled steel, brass impressed mark to base 'Made in Italy' 7"w x 8"d x 22 1/2"h $1,500-2,500 348 Rolf Rastad (b. 1916) & Adolf Relling (1913-2006) for Arnestad Bruk / Cassina Rock 'N' Relax reclining lounge chair, #829 Norway, 1959 rosewood, upholstery Cassina sticker label 27 1/2"w x 35"d x 41"h $1,500-2,500 Catalog Note: This design was selected by Gio Ponti for the Parco dei Principi hotel in Sorrento, Italy.

100

349 Stilux floor lamp Italy, 1950s enameled steel, aluminum, plastic, marble unmarked 10"w x 22"d x 41"h $700-900 350 Tomasso Barbi for Carlo Giorgi Rabarbaro leaf floor lamp Italy, circa 1970 brass unmarked 21"w x 18"d x 65 1/2"h $600-800 351 Italian Modern dresser cabinet Italy mahogany unmarked 43 1/2"w x 19 3/4"d x 29"h $1,000-2,000 352 Giovanni Michelucci (1891-1990) for Poltronova Torbecchia bench Italy, circa 1965 walnut unmarked 72 1/2"w x 16"d x 16"h $1,000-2,000

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353 Gino Sarfatti (1912-1985) & Archimede Seguso (1909-1999) for Arteluce Bubble six-light ceiling fixture Murano, Italy, 1950s enameled steel, brass, glass unmarked 20"dia x 41"h $2,000-3,000

354 Gio Ponti (1891-1979) for Richard Ginori Pittoia Di Doccia Conversazione Classica Jug, #27-11 Florence, Italy, circa 1927 gilt porcelain stamped marks 5"w x 4"d x 7"h $2,000-3,000 Provenance: Private Collection, Grosse Pointe, Michigan Exhibitions: The Mitchell Wolfson Jr. Collection, Wolfsonian-Florida International University, Miami Beach, Florida (similar example) Literature: Ceramiche Moderne d'Arte Richard Ginori, SocietĂ Ceramica Richard-Ginori, 1950, p. 28 Herndon, Lara Kristin, "Troubled Times: The Role of Design in Fascist Italy", Metropolis Magazine, 04 February 2014 (online) 355 Cesare Lacca (b. 1929) occasional table Italy, 1950s glass, mahogany stamped 'Made in Italy' 18"dia x 24"h $800-1,200

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356 Italian nightstands, pair Italy gold leaf, wood, brass, painted steel unmarked 29 1/2”w x 17”d x 31”h $3,000-5,000

357 Studio L’Opere ei Giorni Airon dining table, #2 Italy, 2012 walnut, solid birch, stainless steel signed and dated limited edition #2 of 2 109”w x 51”d x 29”h $8,000-12,000

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358 Alberto Dona (b. 1944) jewelry lidded box Murano, Italy brass, glass unmarked 8"w x 6 1/4"d x 7"h $800-1,200 359 Attributed to Vittorio Zecchin (1878-1949) for Venini vase Murano, Italy, circa 1930 blue-green glass etched mark 'Made in Italy' 6"dia x 11 3/4"h $700-900 360 Paolo Venini (1895-1959) for Venini Zanfirico Series vase Murano, Italy, circa 1954 zanfirico glass sticker label 8"dia x 8"h $3,000-5,000 Provenance: The Estate of Marjorie Scott and AndrĂŠ Gerard Van Veen, Ithaca, New York Acquired from the above by present owner Literature: Ricke, Helmut, and Eva Schmitt, editor, Italian Glass: Murano Âˇ Milan, 1930-1970: The Collection of the Steinberg Foundation, Prestel, 1997, p. 135, pl. 115 361 Attributed to Fulvio Bianconi (1915-1996) for Salviati large vase Murano, Italy, circa 1970 orange, pink and red blown glass round Murano sticker label 10 1/4"w x 6 1/4"d x 12 1/4"h $500-700 362 Anzolo Fuga (1914-1998) for A.Ve.M. (Arte Vetraria Muranese) vase Murano, Italy glass unmarked 4 1/4"dia x 10"h $600-800

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363 Alberto Dona (b. 1944) lamps, pair Venice, Italy crystal, brass signed ‘Alberto Dona’ Shades are shown for display purposes and not included with the lot. 6 1/2”w x 6”d x 10”h (to socket) $1,500-2,500

364 Piero Fornasetti (1913-1988) for Bonwit Teller Musicalia coasters, set of eight Italy, 1960s lithographically decorated and gilt porcelain each marked ‘FORNASETTI MILANO MADE IN ITALY’ includes original box 4 1/8”dia $400-600 366 Piero Fornasetti (1913-1988) for Rosenfeld Imports Melodramma coasters, set of eight Italy, 1960s lithographically decorated and gilt porcelain marked and numbered 1 through 8 includes original box each: 4 1/8”dia x 3/8”h $400-600

365 Piero Fornasetti (1913-1988) Pranzo Alle Otto coasters, set of eight Italy, 1960s lithographically decorated and gilt porcelain each marked ‘FORNASETTI MILANO MADE IN ITALY’ includes original box 4 1/8”dia $400-600

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367 In the Style of Jacques Adnet table lamp France, circa 1955 leather, brass, cane unmarked 12"dia x 22 1/2"h $600-800 368 Werkstätte Hagenauer lidded box Austria, after 1925 brass, wood impressed 'WHW' circle stamp and 'Made in Austria' 11 5/8"w x 7 3/4"d x 2 7/8"h $2,500-3,500 369 Carl Auböck ll (1900-1957) for Werkstätte Carl Auböck magazine rack, #3808 Vienna, Austria, circa 1950 brass, leather unmarked 10 3/4"w x 6 3/4"d x 19 1/2"h $400-600 Literature: Auböck, Carl, et al., Carl Auböck: The Workshop, powerHouse, 2012, p. 71 (illustrated)

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370 Carl Auböck ll (1900-1957) for Werkstätte Carl Auböck candleholder, #3602 Vienna, Austria, circa 1946 brass, rattan unmarked 4 3/4"w x 8 1/2"d x 11 1/2"h $1,000-2,000 371 Carl Auböck ll (1900-1957) for Werkstätte Carl Auböck bowl / ashtray, #3597 Vienna, Austria patinated brass impressed signature and 'Made in Austria' 4 1/4"w x 2 1/2"d x 2"h $400-600 372 Carl Auböck II (1900-1957) for Werkstätte Carl Auböck eyeglass magnifier Vienna, Austria, 1950s brass, glass, horn impressed signature and 'Made in Austria' 5"w x 1/4"d x 8"h $1,000-2,000 373 Carl Auböck II (1900-1957) for Werkstätte Carl Auböck leaf tray, #3178 Vienna, Austria patinated brass unmarked 6"w x 3 3/4"d x 1"h $600-800 374 Carl Auböck II (1900-1957) for Werkstätte Carl Auböck foot paperweights, pair Vienna, Austria, circa 1960s brass unmarked each: 3 1/2"w x 1 3/8"d x 2"h $300-500 375 Carl Auböck II (1900-1957) for Werkstätte Carl Auböck spoon rests, set of four, and single spoon, #4565 Vienna, Austria, circa 1950 brass impressed signatures and 'Made in Austria' spoon rest: 2 3/8"w x 4 3/4"d x 1/2"h $500-700

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376 James Dixon & Sons, retailed by Abercrombie & Fitch oversized double flask, #L2985, with original case England silverplate, suede leather, brass stamped marks engraved H.S.H. monogram 7 5/8"w x 1 1/4"d x 11"h $150-250 377 After Emile Schuelke for Au Bain Marie Penguin cocktail shaker, together with three streamline cocktail shakers France, designed 1936 silverplate, steel impressed marks to all penguin: 4 3/4"w x 6 3/4"d x 12 1/2"h $600-800 378 Gucci logo bar set: eight accessories on stylized spur stand Italy, 1970s chrome-plated steel, stainless steel, brass stamped marks Set includes: two cocktail picks, corkscrew, bottle opener, ice tongs, peeler, knife and stirring spoon. overall: 17"w x 5"d x 10 1/2"h $600-800 379 Cedric Hartman (b. 1929) for Cedric Hartman Inc. Low Profile Luminaire floor lamp, #1U WV USA, 1970s chrome-plated steel, plastic unmarked 11"w x 13"d x 37 3/4"h $1,000-2,000

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380 Val Bertoia (b. 1949) Sound Blossom for Birthday in Spring Time sounding sculpture, #B-1734 Bertoia Studios, USA beryllium-copper ‘cattail’ tops silvered to beryllium-copper rods, brass base etched signature and numbers to base sold with a title of authentication from Bertoia Studio 18”w x 11 1/4”d x 50 3/8”h $10,000-20,000

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381 Paul Evans (1931-1987) / Paul Evans Studio for Directional Cityscape coffee table New Hope, Pennsylvania, 1970s chrome-plated steel, brass, smoked glass unmarked 38 1/4"w x 38"d x 15 1/4"h $2,000-3,000 382 Paul Evans (1931-1987) / Paul Evans Studio for Directional Cityscape coffee table New Hope, Pennsylvania, 1970s chrome-plated steel, plywood unmarked 34"sq x 16 3/4"h $1,000-2,000 383 Paul Evans (1931-1987) / Paul Evans Studio for Directional planter or pedestal New Hope, Pennsylvania, 1970s welded, patinated, and polychromed steel, cleft slate unmarked 12 1/4"sq x 37"h $1,000-2,000

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384 Gary Gutterman (1942-1993) coffee table USA, 1980s chrome-plated steel, smoked glass unmarked 37 1/4”sq x 15”h $400-600

385 Gary Gutterman (1942-1993) for Axius Designs Inc. unique credenza New York, New York, 1978 acrylic, smoked Lucite, glass unmarked 83”w x 18”d x 28”h $2,500-3,500

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386 Karl Springer (1931-1991) for Karl Springer, Ltd. side tables, pair New York, New York, circa 1970 glass, brass-plated steel unmarked 19 3/4”w x 12 3/8”d x 18 1/8”h $4,000-6,000

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387 William Katavolos (b. 1924), Ross F. Littell (1924-2000) & Douglas Kelley for LaVerne Originals coffee table, #2M New York, New York, 1950s marble, chrome-plated steel unmarked 60 1/4”w x 22”d x 16”h $800-1,200

388 Vladimir Kagan (1927-2016) Capricorn tiered table USA, 1950s enameled steel unmarked 30”dia x 26 3/4”h $700-900 389 Vladimir Kagan (1927-2016) Serpentine sofa, #150BSA-L USA, 2012 mohair upholstery, walnut unmarked sold with original receipt from Haute Living 134”w x 61”d x 30”h $10,000-20,000

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390 Robert Long Inc. four-light ceiling pendant Petaluma, California, 1960s bronze, enameled bronze unmarked 26"sq x 48"h $1,000-2,000 391 Phillip Lloyd Powell (1919-2008) mirror New Hope, Pennsylvania silver leaf, wood, silvered glass unmarked 22"w x 2 1/2"d x 72"h $1,000-2,000 Provenance: Rago Modern Auctions, Lambertville, New Jersey, 21 April 2007, Lot 417 392 Vladimir Kagan (1927-2016) for Preview Tangent sofa North Carolina, 1970s upholstery, wood Preview label 99"w x 53 1/2"d x 35"h $4,000-6,000

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393 Paul McCobb (1917-1969) for Bryce Originals X mirror USA, 1950s brass, silvered glass unmarked hangs vertically or horizontally 54 1/2"w x 2 1/4"d x 20 1/2"h $600-800 394 Pace cube side tables, pair USA, 1970s rosewood unmarked 18"sq $700-900 395 Pace credenza USA, 1970s rosewood, aluminum sticker label 72"w x 18 3/4"d x 23 3/4"h $1,500-2,500

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396 Rose Cabat (1914-2015) Feelie vases, two Tucson, Arizona glazed ceramic incised marks green vase: 3 1/2”dia x 2 3/4”h; blue and green vase: 2 1/4”dia x 3 3/4”h $800-1,200 397 Rose Cabat (1914-2015) large Feelie vase Tucson, Arizona glazed ceramic signed 6"dia x 7 1/4"h $1,500-2,500 398 Betty Woodman (American, 1930-2018) Utensil Strainer, 1978 raku earthenware impressed block signature 7 1/2"h x 6 1/4"d x 5 3/8"d $1,500-2,500 399 Jack Squire (1927-2016) for Howat Kilns, distributed by Raymor vases, two USA, 1950s glazed ceramic sticker label to one example and incised mark brown: 4"dia x 17 1/2"h; light brown: 5 1/2"dia x 12 3/4"h $600-800 400 Harrison McIntosh (1914-2016) vase Claremont, California pale green glazed stoneware sticker label and impressed 'HM' mark 4 3/8"dia x 13 3/4"h $700-900

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401 Beatrice Wood (1893-1998) large charger with stick figures Ojai, California pale green volcanic glazed ceramic signed ‘Beato’ 16 1/4”dia x 2 3/8”h $800-1,200

402 Edwin Scheier (1910-2008) & Mary Scheier (1908-2007) charger decorated with abstract figures Durham, New Hampshire glazed ceramic incised signature 15”dia x 1 1/4”h $800-1,200

403 Edwin Scheier (1910-2008) & Mary Scheier (1908-2007) vase decorated with abstract figures Durham, New Hampshire, 1960s glazed ceramic incised signature 4 1/4”dia x 8 3/4”h $600-800

404 Gordon Martz (1924-2015) & Jane Marshall Martz (1929-2007) for Marshall Studios coffee table Veedersburg, Indiana walnut, olive and beige glazed ceramic tiles unmarked 31 1/2”sq x 15 3/4”h $600-800

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405 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller FSW-6 folding screen, 50th anniversary limited edition Zeeland, Michigan, designed 1946 / 1996 rosewood plywood, fibercloth marked with a factory label and numbered 241 from the edition of 500 60”w x 2 1/2”d x 68”h $3,000-5,000 Literature: Eames Design, Tokyo Metropolitan Art Museum / Suntory Museum (Osaka, Japan), 2001-2002, p. 257 (illustrated) Neuhart, John, Marilyn Neuhart, and Ray Eames, Eames Design: The Work of the Office of Charles and Ray Eames, H.N. Abrams, 1989, p.79 (illustrated) Catalog Note: An old stock of rosewood veneer was discovered at Herman Miller and a limited edition of the classic design was created in 1996. This screen is number 241 from the limited edition of 500; it is also labeled and in mint condition with its original box. 406 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller armchair on lounge base Zeeland, Michigan, 1960s Alexander Girard ‘Millmosaic’ fabric, fiberglass, steel, rubber marked ‘Herman Miller’ S in a circle for Summit 25 1/4”w x 25”d x 28 1/4”h; seat height: 15 1/2”h $1,500-2,500

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407 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller Time Life stool Zeeland, Michigan, 1960s walnut unmarked 13 1/8”dia x 14 7/8”h $700-900

408 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller Time Life stool Zeeland, Michigan, 1960s walnut unmarked 13 1/8”dia x 14 7/8”h $700-900

409 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller 670 / 671 lounge chair and ottoman Zeeland, Michigan, 1960s rosewood, aluminum, leather Herman Miller disc and sticker label chair: 33’’w x 36’’d x 32 1/2’’h; ottoman: 26 1/2’’w x 22’’d x 18”h $2,500-3,500

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410 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller Time Life desk chairs, pair USA, 1988 lacquered aluminum, dark brown leather metal tags and paper labels 27”w x 26”d x 35”h $1,000-2,000 411 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller Time Life desk chairs, pair USA, 1988 lacquered aluminum, dark brown leather metal tags and paper labels 27”w x 26”d x 35”h $1,000-2,000 412 Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller Time Life desk chairs, pair USA, 1988 lacquered aluminum, dark brown leather metal tags and paper labels 27”w x 26”d x 35”h $1,000-2,000

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413 George Nelson & Associates for Howard Miller Bubble table lamp Zeeland, Michigan, 1960s sprayed resin, steel sticker label 19"dia x 19"h $500-700 414 Alexander Girard (1907-1993) for Herman Miller pillows, pair Zeeland, Michigan cotton unmarked 18"w x 3"d x 18"h $300-500 415 Attributed to George Nelson & Associates for Herman Miller lounge chair Zeeland, Michigan, 1950s birch, upholstery unmarked 28 5/8"w x 32"d x 28 1/2"h $800-1,200 416 George Nelson & Associates for Herman Miller Sling sofa, #6832 Zeeland, Michigan, 1960s chrome-plated steel, leather upholstery unmarked 87"w x 32"d x 29"h $2,000-3,000

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417 George Nelson & Associates for the Howard Miller Clock Company Block Wall Clock, #2285 Zeeland, Michigan, 1959 lacquered wood, enameled aluminum partial sticker label to back from the Clocks Ahead of Time series 11 3/4"dia x 3"d $500-700 418 George Nelson & Associates / Fritz Hansen for the Howard Miller Clock Company Stool Seat wall clock, #7512 Zeeland, Michigan / Denmark 1957 teak, beech, enameled aluminum, lacquered wood Fritz Hansen logo, 'FH Denmarkâ&#x20AC;&#x2122; stamped to back 13"dia x 2"d $600-800 419 George Nelson (1908-1986) for Herman Miller BCS cabinets, pair Zeeland, Michigan, 1950s walnut, aluminum foil label each: 24"w x 19"d x 30"h $800-1,200 420 George Nelson (1908-1986) for Herman Miller BCS cabinets, two Zeeland, Michigan, 1950s walnut, aluminum foil labels as shown: 90"w x 19"d x 30"h $800-1,200

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421 George Nelson & Associates for Herman Miller Contract Bench System, #5994 and #5995 Zeeland, Michigan, circa 1958 stainless steel, wood, upholstery unmarked larger: 100 1/2"w x 20 1/2"d x 17 1/4"h (seat height: 15 1/2"h); smaller: 80 1/2"w x 20 1/2"d x 15 1/2"h $3,000-5,000 422 George Nelson (1908-1986) for Herman Miller Slat benches, pair, #4692 Zeeland, Michigan, 1950s lacquered birch unmarked each: 68"w x 18 5/8"d x 14"h $1,000-2,000

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423 Florence Knoll (1917-2019) for Knoll International Parallel Bar lounge chairs, pair New York, New York, 1960s brushed and lacquered steel, upholstery unmarked each: 25”w x 32”d x 31 1/2”h $2,000-3,000

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424† Florence Knoll (1917-2019) for Knoll International credenza New York, New York, circa 1960 teak, marble, chrome-plated steel sticker label 74 1/2”w x 18 1/2”d x 25 1/2”h $1,500-2,500

Provenance: The Collection of Ernest and Marjorie Briskey, Madison, Wisconsin Literature: Lutz, Brian, Knoll: A Modernist Universe, Rizzoli, 2010, p. 160

425 Peter Protzman (1939-2017) for Herman Miller desk Zeeland, Michigan, circa 1971 chrome-plated steel, reconstituted veneer, plastic sticker label only produced from 1970 to 1971 65"w x 27"d x 28"h $700-900 426 Warren Platner (1919-2006) for Knoll International coffee table New York, New York, 1980s nickel-plated steel, glass, plastic unmarked 36"dia x 15 1/2"h $800-1,200 427 Eero Saarinen (1889-1966) for Knoll International Tulip coffee table New York, New York, 1950s marble, enameled steel early sticker label 42"dia x 15"h $1,000-2,000

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428 Ludwig Mies van der Rohe (1886-1969) for Knoll International settees, pair USA, 1972 Spinneybeck leather, rosewood sticker label to underside of one example each: 63”w x 32 1/2”d x 30 1/2”h $4,000-6,000

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429 Art Deco floor lamps, pair circa 1920 brass, iron, mica, bronze, onyx each: 12"w x 10"d x 67 1/2"h $3,000-5,000 430 Sabino Art Deco table lamp France, circa 1930 cast metal, molded and frosted glass impressed marks to shade 7"dia x 16 1/2"h $700-900 431 Gilbert Rohde (1894-1944) for Herman Miller East India Laurel Group petite desk Zeeland, Michigan, circa 1935 black lacquered wood, laurel, aluminum unmarked 38 1/8"w x 22"d x 30"h $700-900 Provenance: The Estate of Michael Rabkin, Los Angeles, California

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432 Karl Emanuel Martin "K.E.M." Weber (1889-1963) for Mueller Furniture Flat-Pack lounge chair Grand Rapids, Michigan, circa 1940 maple unmarked 22 3/4"w x 32"d x 33 1/2"h $700-900 433 Wolfgang Hoffmann (1900-1969) for Howell Company circular coffee table, #803 St. Charles, Illinois, circa 1934 chrome-plated steel, glass unmarked 26"dia x 17"h $1,000-2,000 434 Wolfgang Hoffmann (1900-1969) for Howell Company tiered side table St. Charles, Illinois, circa 1934 chrome-plated steel, glass unmarked 24 1/4"dia x 24"h $1,000-2,000

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435 Waylande Gregory (1905-1971) Three Angels art glass window panel USA, 1960s stained glass, painted wood unmarked authenticated by the Waylande Gregory estate 30"w x 1 1/2"d x 30 1/2"h $3,000-5,000 436 Edward Wormley (1907-1995) for Lightolier Griffon table lamp USA, circa 1950 brass unmarked base: 12"w x 6 3/4"d x 18 3/4"h $2,500-3,500 Literature: Pina, Leslie (preface), Dunbar: Fine Furniture of the 1950s, Schiffer, 2000, p. 114

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437 Edward Wormley (1907-1995) for Dunbar Bermuda benches, pair, #4962 Berne, Indiana, 1940s leather, mahogany, plastic green Dunbar tag to one example 28 1/2”w x 11 1/2”d x 26 1/4”h $1,500-2,500 438 Edward Wormley (1907-1995) for Dunbar open-frame sofa, #486 Berne, Indiana, circa 1961 mahogany, leather unmarked 85 1/2”w x 30”d x 27 1/4”h $4,000-6,000

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439 Edward Wormley (1907-1995) for Dunbar end tables / nightstands, #4776A Berne, Indiana bleached mahogany, brass Dunbar brass tag to each each: 23"sq $1,500-2,500 440 Edward Wormley (1907-1995) for Dunbar daybed Berne, Indiana mahogany, aluminum, upholstery unmarked 77"w x 30 1/4"d x 29"h $4,000-6,000

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441† Edward Wormley (1907-1995) for Dunbar tall dresser Berne, Indiana, 1950s walnut, bent plywood unmarked 33”w x 18 1/2”d x 47 1/2”h $2,000-3,000 Provenance: The Estate of Michael Pacult, Fremont, Indiana 442† Edward Wormley (1907-1995) for Dunbar woven front credenza, #5665 Berne, Indiana, 1950s walnut, brass unmarked 61 1/2”w x 18”d x 38 1/4”h $2,000-3,000 Provenance: The Estate of Michael Pacult, Fremont, Indiana

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443 Paul Frankl (1886-1958) for Johnson Furniture game table and four chairs Grand Rapids, Michigan, 1940s bleached mahogany, cork, upholstery stamped numbers table: 36”sq x 27 3/8”h; chairs: 21”w x 21”d x 32”h $2,000-3,000 444 Paul Frankl (1886-1958) for Johnson Furniture Co. console table, #5008 USA, 1940s wire-brushed oak, cork stenciled ‘5008 #321’ 40”w x 20”d x 29”h $1,000-2,000 445 Paul Frankl (1886-1958) for Johnson Furniture Co. coffee table, #5001-190 USA, 1940s mahogany, cork stamped ‘5001-190’ 36”w x 33”d x 15 1/4”h $1,000-2,000

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446 T.H. Robsjohn-Gibbings (1905-1976) for Widdicomb credenza Grand Rapids, Michigan, 1950s walnut Widdicomb fabric label Cabinet conceals two bays with six interior drawers and one bay with two floating shelves. 72”w x 20”d x 31”h $1,000-2,000 448 T.H. Robsjohn-Gibbings (1905-1976) for Widdicomb tiered coffee table Grand Rapids, Michigan mahogany fabric label ‘Widdicomb Modern Originals’ 54”w x 27”d x 16 3/4”h $800-1,200

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447 T.H. Robsjohn-Gibbings (1905-1976) for Widdicomb two-door cabinet Grand Rapids, Michigan, 1950s walnut, chrome-plated steel Widdicomb sticker label and marks Cabinet conceals one interior floating shelf and is on wheels. 34”w x 21 1/2”d x 30 1/2”h $700-900

449 T.H. Robsjohn-Gibbings (1905-1976) for Widdicomb Saber Leg dining table with two leaves Grand Rapids, Michigan, 1950s walnut Widdicomb sticker label and maker’s marks table: 68”w x 40”d x 29”h; leaves: 18”w $1,000-2,000

450 T.H. Robsjohn-Gibbings (1905-1976) for Widdicomb dining chairs, set of eight Grand Rapids, Michigan, 1950s walnut, upholstery unmarked set includes two armchairs 22”w x 25”d x 34”h $1,000-2,000

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CONTACTS 818 North Boulevard Oak Park, Illinois 60301 708.383.5234 (t) 708.383.4828 (f) John Toomey President 708.383.5234 ext. 16 john@toomeyco.com

Lucy Toomey CEO 708.383.5234 ext. 13 lucy@toomeyco.com

John P. Walcher Vice President Senior Specialist 708.383.5234 ext. 14 johnw@toomeyco.com

Riley Humler Director of Ceramics 708.383.5234 riley@toomeyco.com

Don Schmaltz Senior Specialist, Modern Design 708.383.5234 ext. 20 don@toomeyco.com

Aron Packer Senior Specialist, Fine Art 708.383.5234 ext. 23 aron@toomeyco.com

Carl Liggett Specialist, Modern Design 708.383.5234 ext. 24 carl@toomeyco.com

Colleen Trimarco Director of Client Services 708.383.5234 ext. 12 colleen@toomeyco.com

Kevin Mannella Director of Operations 708.383.5234 ext. 17 kevin@toomeyco.com

Radek Dusilo Chief Photographer 708.383.5234 ext. 21 radek@toomeyco.com

Marty Uribe Shipping & Property

Jeesoo Walker Account Executive 708.383.5234 ext. 10 jeesoo@toomeyco.com

Nick Stenzel Web Content Manager 708.383.5234 ext. 29 nick@toomeyco.com

info@toomeyco.com www.toomeyco.com

Salvador Sanchez Property Handling

Client Services clientservices@toomeyco.com

Billing & Payments accounting@toomeyco.com

Condition Reports condition@toomeyco.com

Shipping & Receiving shipping@toomeyco.com

Toomey+ sales@toomeyco.com

Website Support web@toomeyco.com

TERMS & CONDITIONS THE AUCTION The auction is open to the public and there is no admission/sign-up fee or obligation to bid. The auctioneer introduces the objects for sale — known as “lots” — in numerical order as listed in the catalog. John Toomey Gallery, Inc., d/b/a Toomey & Co. Auctioneers (“Toomey & Co. Auctioneers”) acts as agent on behalf of the seller. The seller may not bid on his or her own property. ESTIMATES / RESERVES The price estimates that appear at the end of each lot description are approximations of the range in which the price may fall. Some items are subject to a reserve, the price below which an item cannot be sold. The reserve usually is less than the low estimate. BIDDING IN PERSON If you would like to bid in person, you must register for a “paddle” upon arriving at the auction. The paddle is numbered in order to identify you to the auctioneer. To register, the following will be required: (i) a form of photo identification, such as a driver’s license, passport, or government-issued identification; and (ii) your address, telephone number, and email address. If you are bidding for another person or entity, you will be required to provide authorization from that person or entity in order to bid on their behalf. Issuance of a bid paddle is in the auction house’s sole discretion. Invoices for all lots sold will be sent to the name and address in which the paddle is registered. TELEPHONE BIDS, ABSENTEE BIDS, AND INTERNET BIDS If you are not able to attend the auction in person, you may bid over the telephone during the sale, leave bids (“absentee bids”), which will be executed for you by one of our representatives, making every effort to purchase the item for the lowest possible price without exceeding your limit, or bid via the Internet (see our website for instructions on how to bid at our auction via the Internet). PLEASE NOTE: Toomey & Co. Auctioneers offers the absentee bid service as a convenience to its clients who are unable to attend the auction and is not responsible for error or failure to execute bids. Should you wish to participate by telephone or by leaving absentee bids, you must complete and submit an Absentee/Telephone Bid Form, which is included in the catalog and also is available on the Toomey & Co. Auctioneers website and at the auction house, or you may contact us as indicated below. TELEPHONE BIDDING Please make arrangements for telephone bidding as early as possible, as there are a limited number of telephone lines available. Please make arrangements for telephone bidding no later than 5:00 p.m. (CT) on the day prior to a sale. Please note that telephone bidding is generally reserved for items estimated at greater than $500. ABSENTEE BIDDING Please submit absentee bids as early as possible. It is important that these bids are provided in the correct increments (see chart below). Should identical absentee bids be submitted, the first bid received will be honored. Absentee bidders have the same chance of being successful as a telephone or in-person bidder; the successful bidder is determined at the auctioneer’s discretion. It is important that absentee bids be submitted prior to 5:00 p.m. (CT) on the day prior to a sale, as execution cannot be guaranteed after that time. Please call us if you wish to confirm that your bids have been received. AUCTION INCREMENTS The increments indicated in the chart below are used at our auctions: Bid Range Increment Bid Range $0-500 $25 $3,000-5,000 $500-1,000 $50 $5,000-10,000 $1,000-3,000 $100 $10,000-30,000

Increment $250 $500 $1,000

Bid Range $30,000-50,000 $50,000-100,000 $100,000+

Increment $2,500 $5,000 $10,000 or auctioneer’s discretion

BUYER’S PREMIUM A buyer’s premium will be added to the “hammer price” (the final bid price of an item sold prior to any additional fees or premiums that may be charged) and is payable by the buyer as part of the total price for each lot purchased. The buyer’s premium for telephone, absentee, or floor bidders is: n 25% of the hammer price up to and including $100,000; n 20% of any portion of the hammer price greater than $100,000 up to and including $1,000,000; and n 15% of any portion of the hammer price greater than $1,000,000. The buyer’s premium for LiveAuctioneers.com and Invaluable.com bidders is: n 30% of the hammer price up to and including $100,000; n 25% of any portion of the hammer price greater than $100,000 up to and including $1,000,000; and n 20% of any portion of the hammer price greater than $1,000,000. TERMS OF SALE n The auctioneer is responsible for determining the highest bidder and resolving any disputes. n All purchases are subject to (i) state sales tax unless the buyer is a registered reseller and has proof of such exemption (i.e., a valid tax I.D. number) or merchandise is to be shipped out of state, no exceptions, and (ii) a buyer’s premium, as noted above. If you are a resident of Illinois, or are picking up your purchase, you are required to pay state sales tax unless exempted by law. Lots marked with the † symbol are tax exempt in accordance with Illinois Department of Revenue’s disclosure rule. n If paying by cash or check (must be drawn on a U.S. bank), the following are required: (i) verification of identity (by providing a form of government-issued photo identification, such as a passport, identity card, or driver’s license); and (ii) confirmation of permanent address. n If paying by credit card, an additional 2% convenience fee is payable on the total of the hammer price, buyer’s premium, tax (if applicable), and shipping cost (if any). n We accept payment by cash, check (drawn on a U.S. bank), cashier’s check, credit card (Visa, MasterCard, or Discover credit cards, with an additional 2% convenience fee noted above), or wire transfer ($25 fee if payment made by wire transfer). n We reserve the right to exclude credit cards as a permitted method of payment and to require that payment be made by one of the other methods indicated above. n Once payment has been received and cleared, merchandise purchased may be released.

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LATE PAYMENT / DEFAULT Any payment not made within 10 days after its due date shall be considered delinquent and shall constitute a default on the part of buyer with respect to its obligations under these Terms & Conditions. In such event, Toomey & Co. Auctioneers shall be entitled at its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available to it by law): (i) to charge interest at such rate as Toomey & Co. Auctioneers shall reasonably decide; (ii) to hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees, and costs to the fullest extent permitted under applicable law; (iii) to cancel the sale; (iv) to resell the property publicly or privately on such terms as Toomey & Co. Auctioneers shall deem fit; (v) to set off the outstanding amount remaining unpaid by the buyer against any amounts that Toomey & Co. Auctioneers may owe the buyer in any other transactions; (vi) to reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; and (vii) to take such other action as Toomey & Co. Auctioneers deems necessary or appropriate. STORAGE FEES Toomey & Co. Auctioneers may impose a storage fee of $5.00 per day per lot beginning on day 31 to be paid by buyer for any lot or item not collected by buyer within 30 days after the sale unless other prior arrangements have been made. Buyer agrees that Toomey & Co. Auctioneers shall have no liability for any damage to property left on its premises after such 30-day period. OUR GUARANTEE Toomey & Co. Auctioneers guarantees the authenticity of that portion of the description of each lot as set out in bold type in the catalog, as amended by oral or written salesroom notes or announcements, which guarantee is in effect for 30 days after the auction in which the item is sold. Said guarantee does not apply to those lots listed as “in the style of,” “attributed to,” “the school of,” “in the manner of,” or “after.” Toomey & Co. Auctioneers is not responsible for errors or omissions in the catalog or in written or oral condition reports. All measurements are approximate. Toomey & Co. Auctioneers makes every effort to accurately describe its merchandise, but in the event errors occur, Toomey & Co. Auctioneers shall not be held responsible. It is solely the responsibility of the bidder to be well informed before bidding. Bidding in our auctions indicates your acceptance of these terms and any terms announced the day of the sale. Ceramics: Please request condition reports prior to bidding. Furniture: Furniture is described to the best of our ability. The wood is usually oak, unless otherwise stated. The furniture is old and over the years has acquired or developed dents, drink rings, separations, burns, chips, and assorted flaws — only those considered objectionable will be mentioned. n Fine Jewelry and Watches: Precious gems and metals will be tested and are guaranteed genuine as described. Gemstone quality will be described if not normal. Weights and measurements are approximate. Obvious and objectionable repairs or alterations are noted. Watches are the original factory product unless otherwise indicated. Original dials and overall watch condition will be noted on important pieces. Watch functions and accurate timekeeping are not guaranteed. The condition, age, originality, and quality of all items are evaluated using industry standards, and any questions should be asked prior to the sale. Jewelry and watches are sold as collector’s items. Therefore, everyday use should be evaluated on an item-by-item basis. n Lamps, Clocks, and Electrical Items: Lamps will be described based on patina and condition of any glass. Leaded lamps may have cracked segments. Some parts may have been replaced over the years, and this will be mentioned if determined to be objectionable. Shades with mica may contain minor flaking or burn spots, and these will be mentioned if determined to be objectionable. Lamps, clocks, and other electrical items are offered only for their decorative value. They are not represented to be in working order. n Metalwork: Metalwork will be described based on patina and the condition of the object. Dents, scratches, wear, and assorted flaws will be mentioned if determined to be objectionable. n Art Glass: Art glass may sometimes contain air bubbles and/or have surface scratches, lines in the making and chips to the pontil. Anything determined to be objectionable will be mentioned. Some glass may be ground at the factory, causing minor chips or flakes. This will be mentioned if determined to be excessive. Discoloration on the interior usually is present when originally produced and will not be noted unless determined to be excessive. n Paintings, Drawings, Prints, and Bronzes: Each object is guaranteed to be an authentic work by the artist listed. Any and all information listed in the catalog not printed in bold type should be considered as being to the best of our knowledge, is merely our opinion, and is not guaranteed to be correct. Every effort is made to ensure that all artwork is authentic and is represented accurately. If the authenticity of a purchased object is contested, it must be made known to us within 30 days of the sale in which the object was purchased as follows: a written letter from a noted authority provided to us, declaring the object to be executed by someone other than the artist listed. This authority may not have any vested interest in the artist’s work or the estate of the artist. The object must be returned to us in the same condition in which it was purchased. If it is determined that a piece is not authentic, only the purchase price may be refunded; there will be no compensation for damages, loss of profit, professional fees, transportation, or any other costs. If a painting is excessively dirty, we will attempt to note it in the description; however, we do not consider the normal darkening of varnish over time problematic, and accordingly any such darkening will not be noted in the description. n n

FRAMES Every effort is made to protect the frames included with these lots during pre-auction storage and post-auction shipping; however, Toomey & Co. Auctioneers shall not be responsible for any damage to frames, and no refunds will be granted due to frame damage. CONDITION REPORTS / NOTICES / PREVIEW It is solely the buyer’s responsibility to be knowledgeable about the condition of a piece/pieces before bidding. Auction items are available for viewing/previewing during the week prior to the auction on the dates/times listed in the front of the catalog or by appointment. We encourage you or a knowledgeable representative to visit and inspect all lots at this time. If this cannot be done, we encourage you to contact us with your condition report requests prior to the sale. Our staff will give you our opinion of condition, answer any questions, and send photos if necessary. Any such opinion is not a professional conservator’s evaluation and is not to be relied on as a representation or statement of fact, but is given to the best of our knowledge. It is the buyer’s responsibility to be aware of all conditions, addendums, and corrections prior to the sale. Notices amending the catalog description of a lot after the catalog has gone to press are available at the auction house or are announced by the auctioneer. Please take note of them. DELIVERY / SHIPPING Toomey & Co. Auctioneers offers safe and economical methods for delivery and shipping within the U.S. for certain purchases. Items such as articles of furniture, highly fragile pieces, and other select items may be excluded from in-house shipping and delivery services. Please contact our Shipping Department prior to the auction with any inquiries regarding delivery and/or shipping and to obtain shipping and insurance cost estimates as available. All Toomey & Co. Auctioneers delivery and shipping quotes are for delivery to a first floor or front door. Please note that glass is removed from all paintings and prints for shipping unless otherwise directed by the buyer and a signed waiver is provided. All items are shipped fully insured, unless the buyer wishes to waive such insurance, in which case our Waiver of Insurance form must be completed and returned to us. Delivery and shipping fees and insurance fees are payable by the buyer and are nonrefundable. Buyers using a third-party shipper and who require shipping quote(s) prior to the auction are responsible for obtaining such estimate(s) from the shipper and making shipping arrangements directly with such shipper. Upon request, our Shipping Department can provide a list of recommended shippers. A buyer making his or her own shipping arrangements must complete and return to us our written Shipping Release Form in connection with the release of the item(s) to the third-party shipper. Toomey & Co. Auctioneers is not responsible for damage to items caused by such shippers, and claims for any such damage are to be settled between the buyer and the respective shipper. JURISDICTION Buyer agrees that the state and federal courts in Cook County, Illinois shall have exclusive jurisdiction over all matters arising out of buyer’s purchase of items from Toomey & Co. Auctioneers and that service of process in any such proceeding shall be deemed effective if mailed to buyer at buyer’s address last provided to Toomey & Co Auctioneers.

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ARTIST INDEX Agam, Yaacov — 111

Lamantia, Paul — 137

Alten, Mathias — 162

Lee-Smith, Hughie — 130

Baumann Gustave — 169, 170, 171

Lerner, Nathan — 102

Bettison, Giles — 146

Maier, Vivian — 100, 101

Buehr, Karl Albert — 163, 164

Mars, Peter — 124

Bujnowski, Joel — 140

Martinez, Julian — 133

Burlini, Joseph A. — 141, 142, 143, 144, 145

Max, Peter — 110

Burroughs, Margaret — 126

McGee, Charles — 131

Cadmus, Paul — 107

Munakata, Shiko — 105

Calder, Alexander — 117

Neiman, LeRoy — 116

Dawson, William — 125

Nierman, Leonardo — 132

De Forest, Roy — 136

Oldenberg, Claes — 108

Dine, Jim — 148

Otis, George Demont — 156

Dishta, Duane — 134, 135

Park, Charlotte — 139

Ellis, Harvey — 172

Paschke, Ed — 118, 119

Erté — 104

Paul, Gen — 161

Finster, Howard — 123

Pereira, Irene Rice — 151

Fursman, Frederick — 154, 155

Picasso, Pablo — 147

Gearhart, Frances Hammel — 166

Rabb, George — 159

Genth, Lillian — 158

Rauschenberg, Robert — 109

Godie, Lee — 120, 121, 122

Rice, William Seltzer — 167, 168

Grant, Dwinell — 150

Rodrigue, George — 112

Hadzi, Dmitri — 149

Singer, Clyde — 160

Haring, Keith — 114, 115

Slobodkina, Esphyr — 152

Higginson, Augustus B. — 180

Von Wicht, John — 138

Hoerman, Carl — 157

Warhol, Andy — 113

Hultberg, John — 153

Willis, Wesley — 127, 128, 129

Inness Jr., George — 165 Johnson, Rashid — 103 Klimt, Gustav — 106 140

818 North Boulevard Oak Park, Illinois 60301 708.383.5234 (telephone) 708.383.4828 (facsimile) info@toomeyco.com www.toomeyco.com

ABSENTEE AND TELEPHONE BID FORM Client #:

Auction Date:

Telephone Bid

Absentee Bid

Name: Billing Address: City: State: Zip: Telephone: Email: Shipping Address: Lot #

Description

Top

Lot #

Description

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AUCTION INCREMENTS The increments indicated in the chart below are used at our auctions: Bid Range Increment Bid Range Increment Bid Range Increment $0-500 $25 $3,000-5,000 $250 $30,000-50,000 $2,500 $500-1,000 $50 $5,000-10,000 $500 $50,000-100,000 $5,000 $1,000-3,000 $100 $10,000-30,000 $1,000 $100,000+ $10,000 or auctioneerâ&#x20AC;&#x2122;s discretion

This form is a legally binding contract. By signing below, the bidder agrees to our TERMS & CONDITIONS.

____________________________________________ __________

Client Signature

___________________________________________________ ______________

Credit Card Number

Expiration

CVV

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818 North Boulevard | Oak Park, Illinois 60301 | 708.383.5234 | info@toomeyco.com | www.toomeyco.com

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