Block 1: towards the cross street, the highest degree of openness, more noisy, lively atmosphere. Public areas are mostly commercial shared areas, such as retailers, sports parks and so on.
two: the
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The use of experiential path connecting different residential blocks and public space, space openness in the roaming process changes, can produce different line of sight relationship and socialDistance changes.
Volume 2: Facing the city's secondary roads, the openness is higher. Public functions are mostly community service facilities, the layout of shared gardens, neighborhood coffee, fitness places and so on.
Volume 3: towards the residential area, the environment is quiet and introverted, and less contact with the outside world. Arrange more learning spaces, shared studios, art galleries, etc. The environment is quiet and private in shared space.
1. Road congestion：The site is close to Munan Park and Primary School, and the aspect ratio of the street is small, which is often congested in the morning, middle and evening peak hours.
2 Crowd density, lack of dynamic and static zoning
3. Limited sight: There are abundant green plants around the park, and the destination park presents a two-dimensional plane.
Interpretation strategy of exhibition path
Select the more representative nodes in the painter's life and the more infectious pictures in his works, and connect the buildings through the path. You can not only feel the changes of the author's life experience, but also feel the changing interest in the man-made landscape.
The ramp can also be used to read the two in a four-dimensional space. Horizontally interpret the changes of scenery in landscape painting, and vertically feel the changes of the painter's life mood and charm.
During the visit, multifunctional halls, temporary exhibition halls, special exhibition halls, rest areas and service spaces will be arranged in turn according to visitors' functional needs and streamline habits. Experience rich spatial changes and landscape translation atmosphere in a browsing path that is not completely continuous in vision, smooth and transitional in experience
Character experience
Tang Yin had a rich family when he was young. He was talented and learned from Shen Zhou. He went back to Wang Meng and Shi Gongwang.
Transverse long window
The steepness of looking up
As a translation of the peak, the block inserted into the peak changes the indoor light and tourists' sight. At the same time, in the last tube, it implies the last stage of Tang's life, the open-minded Taohuawu.
The method of chopping and texturing is strong, hard and angular
Near, small and far, put the background at the center of the picture; The rocks are continuous and protruded, and use the towering form to achieve conflict.
The painting is elegant and gentle, and the tree painting method is used to punctuate each other
Success in school, sweet family, and making friends
Broken families; Parents, wives and children, and sisters died one after another, and their official career was frustrated and severely criticized.
In the painting, there is a sense of looking down from above, and the line of sight is continuous but not completely transparent. The turning of trees and mountains is skillfully used to block the line of sight
The brushwork is rigorous, and the style is strong. The picture layout is rigorous and the mountain is steep Bold and unrestrained, retired to Peach Blossom Dock
Sometimes bright on the path: sometimes dark, one path can feel different volumes
The ink color is dripping, elegant, beautiful and moist, and very atmospheric. The composition is more simple. Most of the strokes are thin and strong center, which has the aesthetic feeling of combining hardness with softness.
After the observation, we have a comprehensive understanding of Tang Yin's life and the characteristics of his works. Those who fall are better than others. The architecture with endless aftertaste will also end in a hidden manner.
Like a painting scroll, the buildings are slowly spread along the site, and the buildings are shaped by the shape of stones. The narrative sequence reflects the progressive feeling of the middle level of painting. The subtractive volume is used to restore the edges and corners of the mountain in an abstract way, which clearly shows the virtual and real relationship in the paintings.
In the field research, I analyzed the images such as the water cellar and square, and tried to extract the relationship between different elements, such as the intersection of paths, path guidance, the intersection in the big square, the distribution of straight wells in the square, and the extension of paths beside the wells. I combined the building elements with the beauty of human behavior: in the village, the behavior of villagers is implied by the surrounding architectural environment, such as on the road People will unconsciously follow the direction of the path extension, and also stop at the intersection of Daoyi, socialize and chat, chat in the mountains with a small elevation difference, look at the mountains with a large elevation difference, stop by the well, dance in the big square, gather and other starting points of buildings. I extracted and extended the path of Xijing, extended it, and gathered it in Site A to become a square. The dark path has a clear relationship with the scene, and at the same time, there is a large activity space in the field. At the intersection of the two paths, a tube structure is arranged, which plays a supporting role on the one hand, and on the other hand, people can walk through the grain from different angles. From far, double, one, close to each other, they enter the tube one by one and stay one by one, so that the villagers can experience different spaces in it. Through space limitation and light hints, different behaviors and activities will be generated in different tubes, such as meditation, looking up, communication and solitude, reading, viewing and climbing buildings, etc, ... to truly restore the real spatial atmosphere of the country in the new architectural form, and to reflect the simple lifestyle of the villagers
