Yasamarn Architecture Portfolio 2019

J O N AT H A N

YA S A M A R N

PORTFOLIO

J O N AT H A N YA S A M A R N

@

in

jonathan.yasamarn@gmail.com +61 (0)424 060 684 linkedin.com/in/jonathanyasamarn

HELLO! My name is Jonathan Yasamarn and I have recently graduated from Architecture in the University of Technology, Sydney.

Architecture has always been a fascination to me as it combines the strongest aspects of my personality; an intrigue of functional art form; an enthusiasm for solving practical problems; and a commitment with working with other people. This fascination stems from my intrigue in exploring endless possibilities of innovative design to revolutionise and contribute to the development of the built and human environment. Harnessed by skills in lateral thinking, computer-aided design and creative techniques, this portfolio is a collection of select works from my architectural studies to demonstrate my enthusiasm for the discipline and my proficiency in its representation.

EDUCATION

Bachelor of Design in Architecture

2018

University of Technology, Sydney

INDUSTRY EXPERIENCE

UTS School of Architecture,

2018

Assistant Teaching Tutor

DesignBUILD Expo

2017

Student Volunteer

How About Studio ltd

2017

Architectural Intern

ACHIEVEMENTS

Student Popular Award

2018

Third year architecture design project: Department of Death Anxiety

UTS State of Affairs Architecture Exhibition

2018

Third year architecture design project: Department of Death Anxiety

UTS Capstone Competition Runner-up

2018

Third year architecture vertical school project The District | Vertical School

How About Studio Public Exhibition

2017

Second year architecture Internship: Awning Project | Randwick

UTS 16/16 Architecture Exhibition

2016

Second year architecture design project: Concrete Jungle | Performance Centre

UTS Index Architecture Exhibition

2015

First year architecture design model: The Parasite

ARTEXPRESS Award

2014

HSC Art Major: Identity

INTERESTS SKILLS

Physical Modelling | Hand-Sketching | Graphic Design Travelling | Architectural Drafting & Detailing | Origami Rhinocerous3D ArchiCAD SketchUp Grasshopper V-ray for Rhino

AVAILIBILITY

Full Time - Immediate

LANGUAGES

English | Teowchew (Chinese) | Vietnamese

WORK RIGHTS

Australian Citizen

Adobe Illustrator Adobe Photoshop Adobe InDesign Adobe Premier Pro Lasercutting

CONTENTS

pg. 05-16

pg. 17-26

pg. 27-34

D E PA R T M E N T O F D E AT H A N X I E T Y Headquarters of Death Anxiety at a Rehabilitated Queen Victoria Building Multi-function City Public Centre

Project Type Urban Planning of Sydney Location Southern Sydney Central Business District George Street, Sydney, nsw 2000 Studio Tutor Alberto Quizon from QUIZON Project Statement In order to be a resilient design, considerations must be made for the potential of stresses, threats, and eventual collapse.

Similarly, in order to be a resilient person, we must possess an intrinsic awareness of our mortality, that is, our own potential for demise.

Currently, we lack an awareness for our Death Anxiety, where we seek to distract ourselves from the reality of our own temporality of anxiety. The Department of Death Anxiety seeks to confront the occupant with the reality of death to motivate the user into an anxiety for the wellbeing of others.

The focus of this studio is the exploration of Resilience, specifically through the lens of death.

6.

MOTIVATION DISTRACTION

SYDNEY CBD

E VA L U AT I O N 7.

The Queen Victoria Building is Redundant. Its cynical exploitation of pedestrian networks epitomises the urban landscapes consumerism

DDA RESILIENCE

Sydney is hypothetically confronted by an unpredicted explosion, resulting in a new Headquarter for the DDA built atop the Queen Victoria Building

8.

1

HYDROTHERAPY

Indoor pool situated above a physical rehabilitation centre intended to help recovering victims from the disaster

2

REHABILITATION

Half of the floor plate is dedicated to physical rehabilitation of patients and clientelle

3

TRAINING

In direct contrast to this is the weights training facility.

Providing a tension and exposure between both able bodies and recovering individuals

4

SPORTS COURT

Satellite programs to the anchor physio/recreation programs.

RESPONSE 9.

5

THE ARCADE

Open tenancy spaces within the department recieve their form from a categorical matrix - providing both individual and communal programs

6

AUDITORIUM

A 800 seat auditorium is open through glazing to the southern facade to provide ephemeral presenation environments.

7

CINEMA

4 intimate 30 seat cinema providing an individual commercial equivalent experience

8

THE STUDIO

A series of open plan spaces intended for planning/completion of community projects flanked by individual secluded study spaces.

PODIUM Scaffolding system that houses four accessibility modes - ramps, elevators, stairs and escalators.

FACADE Complimenting the podium is a facade system that is more delicate at the southern end to gain natural light

STRUCTURE An intricate system of load bearing beams that supports the Department on top of the podium

THE PARK At ground zero where the disaster occured, avenues of access have been restored and a public park has reclaimed the site of the wrekage

1

FLOOR 4

2 4

5

3

FLOOR 3

6

8

4

FLOOR 2

5

7

5

FLOOR 1

FLOOR 0

The aim of the building is to shed light on the futility of retail that users will venture away from an anxiety of death to one for others. This is achieved by oscillating programs that are concerned with individual motives or collective motives. As a result, a rythmic tension between uses are woven through the floors of the department.

10.

11.

1

HEALTH - Hydrotherapy Centre

1

HEALTH - Rehabilitation Centre

1

HEALTH - Gymnasium

2

ARCADE - Enticing Shopping Experience

3

ARCADE - Neurotic Shopping Experience

12.

13.

4

ENTRANCE - Leading to Plaza and Studio

5

ENTRANCE - From QVB to DDA

LIFT - Immobile Accessibility

6

GARDEN - Ground Zero Remembrance

14.

D E PA R T M E N T O F D E AT H A N X I E T Y

1

7

3

2

4

5

16.

T H E E D U C AT I O N D I S T R I C T A School for Education and a City for Learning Diversifying the Organisation of Students Daily life

Project Type New School and Pedagogical System Location Chalmers Street, Surry Hills, NSW Sydney 2010 Studio Tutor Roberto Fattoretto from CHROFI Project Statement The capstone project for the final Design Studio was a competition to design a vertical school in an authentic Prince Alfred Park Site located in Surry Hills.

Designing a wholistic approach to the project, students formulated their own pedagogical design solutions to their studies. ‘The District’ is a school that decentralised the schooling experience through architecture. It sought to distinguish the experiences of education and learning, so that students discover it through the surrounding urban fabric.

The result is a proud architectural monument, one that invites the city itself to permeate through its halls, voids, and towers; obscuring the traditional thresholds that contain our experience of the School.

18.

PEDEGOGY

19.

6000 STUDENTS Are expected to arrive in sydney before 2020 in a population that shows no signs of slowing down

The Site is rich in satellite programs that are severely underutilised during schooling hours - Galleries, Theatres, Studios, and Businesses offer students unique, real world environments to engage with and learn in to apply their knowledge.

ACCESS ROUTES FROM CITY TO SCHOOL WALK ROUTES TOWARDS SATELLITES

How can a city fit such a high volume of students? And, How can Schools effectively cater to the idividualisation of their cohorts?

BUILD more schools, BETTER schools

The solution is not to But to build

As student populations are increasingly diverse, the content that they are interested in will systematically organise the schools pedagogial systems Students are offered the liberty to decide how they structure their education day, therefore increasing intake

1800 to 5400 STUDENTS

THEATRE

STUDIO

GALLERY

INSTITUTE

EDUCATION = LEARNING

THE DISTRICT

EDUCATION IS RECIEVED, CENTRALLY AT THE INSTITUTE AND THEN APPLIED AUTONOMOUSLY IN THE CONTEXT OF THE CITY

While each typology demands unique conditions, it is imperative that all education spaces remain adjacent to a continual, subversive mass that unifies the building, constantly drawing the occupats out into the wider fabric.

By reducing EDUCATION to 7 contact hours per week, not only is self driven LEARNING made paramount, but 3 streams of students can coexist in one facility

THE INSTITUTE Provides a sequence from education, to application, to evaluation as the students progress vertically from secure functional spaces and out into the public realm

By allowing an extension of the city to infiltrate the building, the school itself becomes not the institute, but the district.

LECTURE

WORKSHOP

CLASSROOM

Thus the threshold of the school institute must provide safety and boundaries - TERMINALS are inserted into the peripheral corners of the busy adjacent road

20.

SYSTEMS 6.

5.

2.

3.

4.

G TIN LA NES A DU RA UN EMB M

1.

+ KS UN HES R T NC A BR

2.

T

3.

AL C I RT T VE SPOR N RA

1

S

R TE WA MS TE YS

4.

S+ ER S RIS EAD H LK

5.

AC HV

6.

BU

22.

C I R C U L AT I O N SITE PLAN

23.

TOP FLOOR

MIDDLE FLOOR

BOTTOM FLOOR

CLASSROOMS

WORKSHOPS

LECTURES

24.

T H E E D U C AT I O N D I S T R I C T Maximum sunlight and natural ventilation, this tower has pairs of breakout workspace floorplans for smaller classes, as well as an open plan balcony with continual visual and aural access to the level below.

Between the double span of trusses are large location allows them to be heavily serviced, wh sounds and spectacles produced within the sp institute.

Interceding these couplets are tertiary floors that provide services such as access to adjacent towers, bathrooms, and mechanical/electrical service spaces.

As well as being used for practical, demonstrati used for functions, exhibitions, performances a

CLASSROOMS

WORK

e, multipurpose workshop spaces. Their central hile also operating as a nexus of activity, with the paces bleeding into each adjacent pockets in the

Lecture rooms located at the southern-most facade are liberated from bearing any load, so its constant elimination maximises the amount of association between the towers and plaza below.

ion typology education, these halls are able to be and assemblies.

By using the other towers and plaza level as buffers, the lecture halls are able to minimise the amount of material density required within its facade to achieve suitable levels of sound

KSHOPS

LECTURE ROOMS

KURSAAL Facade Redesign of Performance Centre Resourceful and Sustainable Consideration to Develop Innovative Facade Systems

Project Type Advanced Facade System Location ZurrĂ­ola Hiribidea, 1, 20002 Donostia Gipuzkoa, Spain Studio Tutor Paula Vigeant Project Statement Advanced Architectural Construction involved the critical analysis of an existing facade system and the subsequent performative redesign of that facade through computational design.

Through a process of environmental analysis and simulation, the existing facade system of the convention centre at Kursaal was redesigned to incorporate systems and technologies that would use the conditions of the site and the orientation of the existing mass.

The following pages articulates the parametric processes involved in analysing, instancing, and deploying a new Facade System.

50mm FORMADECK-FD ROOFING PANELS 40mm COVERPLATE METAL INSULATION 360UB UNIVERSAL BEAM STRUCTURAL STEEL ANCHOR 1mm ALUMINIUM INSULTION COPING 100mm EXTRUDED ALUMINIUM POST 10mm PVC CEILING LINING 50MM X 50MM SECTION BUILT OF WELDED EXTRUDED STEEL GRATE GLAZING GASKET LOW IRON GLASS W/ POLYVINYL LAYER CEDAR MULLION CAP ALUMINIUM EXTRUSION INTERIOIR SECTION

12MM TIMBER BASEBOARD CLADDING-FIBRE CEMENT WOOD VENEER ANCHOR CLIP ALUMINIUM SQUARE FRAME

LAMINATED DOUBLE GLAZED GLASS STEEL BRACKETS CEDAR MULLION

CEMENT BOARD WOOD VENEER SEALANT BETWEEN CLADDING TIMBER FLOOR PANELS ALUMINIUM ANGLE

CONCRETE LEVELLING SLAB CONCRETE FOUNDATION

28.

E VA L U AT I O N A Voronoi Pattern as used as an algoritmic funnction to draw Apertures onto the Two-Dimensional Projections of Kursaal as ‘seen’ by Dominant Wind Vectors. Using the Distance from the Ground Plane as a reference, the pattern was scaled in accordance with this data.

Generated Geometris were superimposed an extruded through respective surfaces, maintaining the intended Aperture size and shape as relevant to the predicted freqency flows of wind along the Structure

5 . SINGLE VORONOI INSTANCE Geometric Extrusion and Resulutant Apertures

4 . VORONOI ATTRACTOR Aperture Optimisation and Pressure Manipulation

4

AAUU TTU UM MN N

3 . WIND MAPPINGS Seasonal Trends and Prevailing Directions SSUU MM M MEE RR

SSPP RRIIN NG G

3

2 . SURFACE EXPOSURE Arthmetic Remapping of Surface Exposure Figures between Discrete Integers SSO OLL ARR A SSTT UD U DYY

1 . RADIATION ANALYSIS Annual Radiation Data Drawn as Rose Context

2

1

29.

AAUU TTU UM MN N

SSPP RRIIN NG G// SSU UM MM MEE RR

4

W WI IN NTT EERR

WE W EA AKK EESS TT

3

2

WI W IN NTT EERR

5

1

30.

REDESIGN 6 . DIAGRID DERIVIATION

7 . NETWORK TO NODE

i.

i. Solar Unit

Surface Subdivisions

ii. Wind/Water/Performance Units

iii. Water Catchment Units

31.

ii.

Structural System

iii.

3-Dimensional Transfer

8 . SURFACE STRATEGY

9 . TECTONIC TRANSFER

Distilled Data into Individual Units

Unit Distribution and Optimisation

ST R EX UCT OS UR KE AL LE TO

N

CO PO ORD RO IN SIT ATE Y

ZO RA NAL DI AT

IO

N

WA CA TER TC HM E

NT

SU

PE

RIM

PO

SIT

IO

N

32.

ION CT E S

RESOLUTION 33.

WATE RC AT CH

SOLAR PA NE L

DIAGR ID DE TA

ED IL

N CTIO SE

TION SEC T EN M

The dynamic and complicated environmental conditions of the site decided that the design was to not just withstand those natural forces, but to harness them.

WA TER CA TC H

SOLAR P ANE L I SO NO

RIC ET M

T EN M

The final outcome of Kursaals Redesigned Facade integrates and hyberdises developing renewable energy technologies into a unitised system. A system intentionally rationalised at the unit scale of the panel, strategising the position and typology of each single bit for every surface of the existing Kursaal Structure.

34.