Circean Waters

J O N I G R E E N E

Circean Waters Odysseus and the Call of the Sirens for Wind Ensemble

(duration: ca. 12 min.)

Written for Paul Popiel and the Indiana University Concert Band

Circean Waters Odysseus and the Call of the Sirens for Wind Ensemble (2009)

In nstrum mentaation Suggeested p playerss per p part, if more than o one, arre indiccated iin pareenthessis. W Woodw winds P Piccolo o, (2) F Flute 1, (2) Fllute 2, Oboe 1 & 2, (3) Bb Clarin net 1, ((3) Bb C Clarineet 2, (33) Bb Cllarinett 3, B Bb Basss Clariinet, Eb Conttra Altto Clarrinet, B Bassoon, Con ntrabasssoon,, Eb Allto Sax xophon ne 1, E Eb Alto o Saxo ophonee 2, Bb T Tenor Saxop phone,, Eb Barritone Saxop phone

B Brass ((2) Bb T Trump pet 1, (2 + 2) B Bb Tru umpet 2 & 3, (2) F H Horn 11 & 3, ((2) F H Horn 2 & 4, (22 + 2) T Tromb bone 1 & 22, Basss Trom mbone, Euphonium m B.C. (2nd op ptionall), (1 + 1) Tub ba 1 & & 2 H Harp P Piano

U Unpitch hed Peercussiion Asssignm ments:

brrake cchina sus. 4 tom‐tom ms b bass drum m snarre drum tam‐tam m cym. ccym. trriangle drum

P Percusssion T Timpan ni (4 d drums)

P Percusssion 11

Peercussiion 4

Crottales (2 o octaves) + contraabass bo ow

Tam‐taam + basss bow ((shared w with perc. 2 and 33)

A Arco ind dication aabove n notehead d indicattes to bo ow.

Xyloph hone (shhared with perc. 33)

N Notes w without aarco indication sh hould b be struck k with m mallet.

Ship Beell (shareed with pperc. 2)

A Always L.V. (lett vibratee)

Vibrap phone Bass D Drum‐ laiid flat (sshared with perc. 2, 3, andd 5)

Nipp ple Gongs (pitch hes C3, F F3, G3, A A3) Chim mes (shaared with perc. 5) Larg ge Chinaa Cymbaal A Always strike ed dge of cy ymbal. A Always choke im mmediaately.

P Percusssion 22

Peercussiion 5

Ship p Bell (lo ow timbrre) ‐ if u unavailaable may y substittute larg ge bell p plate Ratcheet (muted d) Nipp ple Gongs (shareed with pperc. 1)

mba (4 + 33rd octav ves) Marim

Glocckenspieel

Log Drrum (low w sound d)

Tam m‐tam + ccontrabaass bow (shared with perrc. 3 and 4)

Chimees (sharedd with peerc. 1)

Susp pended C Cymball (shared with perrc. 3)

Tom‐to oms (shaared withh perc. 2))

Tom m‐toms (44) (shareed with perc. 5)

Snare d drum (shhared wiith perc. 22)

Snarre drum (shared with perrc. 5)

Bass D Drum –laaid flat (sshared w with perc.. 2, 3, and 4)

Basss Drum –– laid flaat (sharedd with peerc. 3, 4, and 5) Clav ves Trian ngle (shaared withh perc. 3))

P Percusssion 33 Basss Drum –– laid flaat (sharedd with peerc. 2, 4, and 5) Trian ngle (shaared withh perc. 2)) Xylo ophone Tam m‐tam + ccontrabaass bow (shared with perrc. 2 and 4) Susp pended C Cymball (shared with perrc. 2)

C Contraabass

Brake D Drum

Notation and Effects Score is in C: Instruments which transpose at the octave (or doubled octave) are notated at their written pitch. L.V. (laissez vibrer, let vibrate) or a tie at the end of notes indicates to sustain for instruments that use a pedal or require dampening. Crotales, glockenspiel, chimes, triangle, gongs, and tam‐tam should always ring unless indicated otherwise. Feathered beam: Gradually accelerate or decelerate during specified duration. Slash through beam: Indicates to play beam group as fast as possible. Note groupings may end sooner than duration specified and are not intended to be played in time (example Percussion 5, m. 10). Flute Techniques: Breath accents at mm. 101 and 104 should be created by air only, not with the tongue. Flz indicates flutter‐tongue. Clarinet air attack: Pitches with ‘ above notehead indicate that note should begin without the tongue (example m. 206, cl. 2). Harp Techniques: Pedal Buzz Effect (m. 2) is created by moving the E pedal between Eb and E‐natural slowly to create buzz sound. P.D.L.T. (Près de la table) indicates to pluck string near the soundboard to create a brittle sound. Piano harmonic (mm. 1‐7): X through notehead indicates to place finger behind damper inside piano to create a harmonic with fundamental (pitch notated). Suggested harmonic: F#3 which is the 5th partial of fundamental (D). Bass Scratch Tone Effect (mm. 3‐4, 7): Begin bow with heavy pressure to create a scratching sound. Fade to normal bow pressure when indicated.

Program Notes Circean: a mythological enchantress, who first charmed her victims and then changed them to the forms of beasts. Circean Waters was inspired by the story of Odysseus from Homerʹs ʺThe Odyssey.ʺ The music begins with voyagers heading out to open sea who know that danger of the Siren enchantresses lay ahead. In “The Odyssey,ʺ Odysseus warns his men of the temptation that the Sirens create in men, which ultimately lures them to their deaths. This anticipation is illustrated musically with a foreboding start using the lowest and darkest colors of the woodwind family as well as percussive rumblings. Shortly into the journey, the Sirensʹ song ʺMusic of the Spheresʺ begins. This music was considered by Pythagoras to be perfectly harmonious and inaudible to humans and is represented in the work as wisps of melodies, fleeting and ominous. As the ship approaches the sirens, the melodic fragments unite into an entrancing lullaby with a duet performance between the flute and harp. The music becomes more melodious, signifying the danger the voyagers face and increases until it is almost too late. Waking from their stupor, the men rally their wits and resilience to temptation through a quickening of melodic gestures and rhythm. A series of calls through shifting harmonies and orchestral tessitura resembles the call to arms. A bloody battle then ensues represented in the music in a spunky syncopated groove theme. This ʺjazzyʺ musical groove transforms into fluid sixteenth passages as the men overcome the Sirens. And as the ship sails farther from her foe, the voyagersʹ victory culminates into victorious gestural outbursts marked by bell tones of the shipʹs success. The music then reaches a close with returning wisps of the sirens call in the shipʹs wake featuring an oboe solo. And when finally all seems calm on the horizon, a foreboding reminder of the deep abyss is heard.

Duration ca. 12.00 minutes

Suggested Grade Level: Hard 5

Written for Paul Popiel and the Indiana University Concert Band

CIRCEAN WATERS

C Score

Odysseus and the Call of the Sirens

Foreboding; from the depths... q = 52       Piccolo 







   

J O N I G R E E N E

q = 56

accel 







 

flz.



p

Flute 1

 























Flute 2

 























Oboe 1 2

 























Bb Clarinet 1

 







 

Bb Clarinet 2

 







 

Bb Clarinet 3

Bb Bass Clarinet

 



  



 

Eb Contra Alto Clarinet





pp







pp

 n







  

Contrabassoon



p



p



ppp



 

 

n



 





n

pp



p





sub.

    

   mp

pp

    

ppp

 p



pp

n

p

mp

n

  

p

mp

  



p

n







 

 

   



Eb Alto 2

 















Bb Tenor

 















Eb Baritone

  



  





pp

p























 























 























 























 























Bass Trombone

 























Euphonium

 























  





















 p



  

1

mp

  







p

mp

  





pp

p

 

mp





n

 

  



p





p







   

 





    p

n

p









 



 



     

 





   

Eb Alto 1





n

  



p



 

    mp

p



mp

 



pp

   

 





          p

n



p





ppp



pp sub.







pp



p



n

    







n





     pp

 

Bassoon



solo

Bb Trumpets 2 3

1 3 F Horn 2 4

1 Trombone 2



Tuba 1 2

 

Harp

Piano

 



   

 Timpani   

All chords blocked





D C Bb / Eb F G A

f 

  



 Eb f

‐E§ pedal buzz

p

Percussion 5

  

Contrabass

 





























 



 

    

 

ppp

 

pp

 

heavy yarn mallet)

Muted Ratchet





Tam‐tam (bass bow,

arco   





Bass Drum (laid flat)

Percussion 4







  





Ship Bell (metal beater)

Percussion 3







 





    



ppp

Percussion 2





P

 





Crotales (bow, mallet)

Percussion 1







L.V.



arco

pp

p

 

n

ppp



pp

pp

   

 





p

     









3

to nipple gongs



p

 



  

pp

 

arco

p

ff



    

 

pp

  

Nipple Gongs



p

mp





p

(mute with hand or finger) 6 (rcht)

      p

mf



 





 



 

 



p

to toms and bass drum



 



ppp



 molto  

 scratch tone



 2

ord.



p

3



pp

 4

ʺXʺ through note‐head indicates to place finger behind damper inside piano to create fundamental (D1) + 5th partial (F#3). Scratch Tone: begin bow with heavy pressure to create a scratching sound which fades to normal bow pressure.

COPYRIGHT © 2008 ColorWorks Press (ASCAP) ALL RIGHTS RESERVED.



 5

p

  

  pp

   

p

     mf

 scratch tone, sul pont.  6

mf



mp

Drums (toms + bd)

p gradually add sul. pont

secco, muted (hit center) mf



mp



   





 



mp



mp



   

  



 

           arco



      

p



     







   

 



pp







with mallet   

ppp

 



  

  





always L.V.

pp

  



p



   

  







  



pp

7



2  Picc. 







 

8

Fl. 1

Fl. 2

Ob. 1/2

    

Bb Cl 1.

         



















 







pp

solo (ord.)



 

solo p



solo mf

       f

        

 

 

end solo

p

3





mp

ff

6

 



 



 

solo

        

ff

 p

13 q = 84 









 a2



mf





   

   

6

mp

mp

mf





        6

p





mf sub.

















 









mf



mf

mp

  

mp

p

p

   

p

p

f

Bb Cl. 2





















Bb Cl. 3

























 



























































B. Cl.

  

 p

C. A. Cl.



Bsn.



 

 p

 p



Cbsn.

 

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

   







    p

Tba. 1/2

Timp.

Cb.





p







































 



























































 



 

pp



mp

 



   

 



 





 







 

















   



mp

mp sub.

pp



mp

pp

   mp



 

    

 

pp









pp

  



pp

mp

 

 

  



pp

mp

pp









mp































pp

b D C B / E F G A





     mf

mp

    

    







   



 

      pp

mp



     

f

3

  mf





(bd)

        

 



(n. gongs)   



 





 



















(drums)

Perc. 5

p



(tam‐tam)

Perc. 4

mp



mp

Perc. 3

pp





mp

Perc. 2





(crts) w/mallet

Perc. 1

 



     

Pno.

 









Hp.

mp



 

pp

p





Euph.

mp





Bass Tbn.

 



mf

Tbn. 1/2

pp



Harmon mute (stem in)    

Hn. 2/4

 

mf

mf

Hn. 1/3



         

solo

Harmon mute (stem in)    Tpt. 1 

Tpt. 2/3

 

 

p

mp

    

p

























   

   p

 

to glockenspiel

to triangle

mp



f





mp

8



9

































 







     

to marimba













 arco    





p

f



  









        3

3







p



   

p

3

mp

pp sub.

    





  

mp





  



Triangle







mp

Glockenspiel

pp

     

5

 

pp



5





+

  

f

f      



pp





        mp

+











Harmon mute (stem in)

  

10

mp

Harmon mute (stem in)

p

   

to tam‐tam

mp





    mp

to xylophone 











f

  10





 

   

  

 

mp ord.





  







 

 









    11

 12





 

p

    



 



  

f

mp

13



 14



3   



 



 



15

Fl. 1

Fl. 2



a2



 



 

mp

 

Bb Cl 1.

 

Bb Cl. 3





 







 



 



C. A. Cl.



Bsn.

mp



A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1





 

Timp.

Perc. 2

Perc. 3

Perc. 4

mp





p

mp



 































mp

pp

      

p



p







p

 

mp



p

 

            3







mp



mf

3

   

 

mp

mp

p sub.







 





 





(crts)

p

mp

p sub.

mp

 15



pp

mp p sub.

  

Tam‐tam



p

 

 

3

   



 



p

  

mf p sub.



to ship bell



pizz. mp

16

  

 



  

Bass Drum

(marimba)

mp

  

p



p

p

arco

p

ff

mp





 







 

  













pp





mf

17

















 

 

















   3



 

 

































 

























      mf







































20

21

 

f



Glockenspiel



          mp mf

Ship Bell

to log drum

arco





p

mf

  

pp

 



arco

p

mf

 



 



 

 

 

 

 

 

mp





 

to glockenspiel







 





mf

ff

 

 

 

mf





 



arco





p

 





p









pp





   

 







   

  

f





p



3





o  





 

p (with mute)

pp



    

Xylophone pp

     

      

 





 

p

 







 

      ff



p

   

   

pp

mp

pp

  

mf

   



     





 

pp

cup mute      

straight mute div.







mp

straight mute





cup mute









pp







pp

p







  

 





 





 

pp

pp



p



p









mp

 











p

f



mp

   





p sub. 5

    





o



p

        

  





 



       

 



 o 

mp

   

p

  











 





mp

  

  

 

to vibraphone

  

3



  

 p

18

 19



mp

     

mp







  















p



 

  







p

pp

  



  









 

  

 





 



pp

mp





  

  

3

mp

mp sub



mp open



    

  

pp

  

    

  







3





  



  

f

  

mp

  



3

      

p

open

p



pp

mp

mf

       

f solo



pp







open









3

mf



  

f

    



  

 

   3





3



pp

Cb.



f





Marimba

Perc. 5



   f 3     

 



pp

Perc. 1



mp



p

mp



 

Pno.

3



mf





mp

Hp.

 



 



mp











mp

Tba. 1/2

f







mp

Euph.

p



p

 



o  

Bass Tbn.

  







Tbn. 1/2



 





Hn. 2/4







Hn. 1/3





  

Tpt. 2/3



p

p

Cbsn.



mf

 

  p



p

 



B. Cl.

mp



 

mp

p sub.

3

mp

Bb Cl. 2

 

p

mp



p

  

3

a3



 

f



  

mp

mf

mp

 





mf

mp

 

Ob. 1/2

   



Picc.

4  Picc.   22

nonvibrato.

 p

Fl. 2

Ob. 1/2



 



Bb Cl. 2

Bb Cl. 3

pp

 



pp



pp



   

nonvibrato. 

 

 



n



3





mf

mp





    

p

pp





pp

  



 

 







  

 







mp

3



p



3

mp

 







ord.      

 











 

           f a3           



         f

         f

         

f



 





 





flz.

 





flz.

















f

          





  





 







   

mf

mf



 3



 

mp



 

 





f

   

f







  











 













 







 

B. Cl.

1.  

    

mf

p

 

 

Bb Cl 1.



    

    

Fl. 1



      pp





p



 3





mp







f

  3   

3



  3

mp

















C. A. Cl.

























Bsn.

























Cbsn.































 

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.









 



 Tpt. 1  

Tpt. 2/3

Hn. 1/3

Hn. 2/4

Bass Tbn.

Euph.

Tba. 1/2

Hp.

Pno.

Timp.

















3

  













 

cup mute



p



        













 



 

unis.











  

 

 





 

3





p







mf 3

  3   



 







p

 

 

    











 

 







mp









 





 









 







     mf   







 

p



 



arco

p

  



mp

        Vibraphone

mf P



ff



f



aggressive

dolce

p









    







 

p

to ship bell     









 

f P





Ship Bell



          





 

 

pp

Nipple Gong

mf

mf

 

  

p

 

   



 







3

3         



mf

ff









 











22

23

24



mp

3







3

3    



 







25

26

     











    







secco muted (hit center)

mp



 to glockenspiel        

3   

p



mf

 

Crotales

to crotales  











 



 









27

28

 







to chimes

 





Log Drum (medium yarn, low sound)







p

 





mf



 





   





to nipple gongs



mp

f

3





3



 







p

 

 

           

    



















  







              





 o  o   



 

 3  

(harmon mute stem‐in)





3



3

p

       





p





   



  





mp









 

 



 

















 

















(bd)

















straight mute











Perc. 4



 

  







Perc. 3







mf

  3

       









Glock.

p open



3









p

 

mf

           

3



 

p

open





 



f

    

  









   



p



(gsp)

Cb.





(crts)

Perc. 5



straight mute



  

 





Perc. 1

mf







3









Tbn. 1/2

   

      



Chimes



p

 

  

   29

Picc.

Fl. 1

Fl. 2

Ob. 1/2

Bb Cl 1.

Bb Cl. 2

Bb Cl. 3

f

  

  

ord.

f

 

ord.

  





    













           



f

 

 

f

     f

f

 

f

    f

 







 



 



Bsn.

 



A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2/3

  





Hn. 2/4

Tbn. 1/2

Bass Tbn.

Euph.

Tba. 1/2

Hp.

f

  





 

    



   



  

f



    f

  



  



  



  

open



f open

   

 

 f

 

f



  



  





   



   



f

  



     

  









 



  



Perc.

  



    (bd)

Perc. 3

Perc. 4

  

Perc. 5

    



(vib)

(chimes)

f

Cb.

 

 



to drums













 

  











 



mp









mf

     

mp







f

mp sub.





 



 

f



mp

 

   

 

   

   

29

5

   mf





 



 

  f

















 

fp

      





 











ff



  f

 

P

   



 

 

ff







 

  

 











 30

 

fp



3



 

 

 

  











  

   3

     

32

3



 

3





   



 

 



mf



p





mf

mf



 

to xylophone

 

  

 



f sub. (sn)

  



3

mf

p (toms + snare)







 

3

   





mp



mf

f







5

3







    fp      





f

 

mf



 31

mf







o 



  Drums

 

o





f

  





   





   

 





  

 







 





3







 





f



3

 

3



3



 

mf sempre



   fp

   3    







mf





 



 



pp

  

3





mf

 





ff

  mp

 

3





 









 

 

   mf

         p mf  sub.  3   3                         

3

3



   fp

    

3



mp

 

mp

mf

 

mp



 

 

          fp mf mf open  3   3                     mf 



mp







  



3

f

  

 



f



mf

 

 



 

f

mf

   











mp





o

               





f

 

 





mp







harmon mute

 



 





mp

 





  



 



f

mp sub.

              mp   Glockenspiel               mp





 



fp



                

mp P



 







 

 





 







mf

f

  

                



 

 

 

mp



 

  

   fp







 

 

   



 



 



 





   

f

(crts)



 









  

mf



f

f sub.

 





 

 



 

   

f

   

 



f

   

mf



f sub.





       





    



 secco muted (hit center)    Timp.    Perc. 1











 





   

mf



 







       

  





f

   



   



 

 







    





 

f sub.



   



mf





 



  



       





f sub.

 

  

   







 



f

             

Pno.

 



f sub.

 



f

remove mute

Hn. 1/3

    





C. A. Cl.

A. Sax. 1

 

f sub.













 

 

 

Cbsn.





B. Cl.

  

 

                          



   











   



f

f

             

  

f

  



5

31

  







     

 33

 

f

6 34      Picc. 



f

  

 

Fl. 2



  

 

Fl. 1



f

Bb Cl 1.

Bb Cl. 2

mp



 

   



mf

   f

 

3

3



mf



5



mp

3

3

3

C. A. Cl.



  

Bsn.

Cbsn.

A. Sax. 1





  



  





3



   f   





T. Sax.







Tpt. 1







  f

Hn. 1/3



 

Euph.











Pno.

Timp.





 

  

Perc. 2

 



p

 3





 



o









 



  



3







pp



3









3

 

  





                     mp                      mp









                   



mp

           





 

 

div.





mf open







 

mf

 

  



    







              mf

mf mf



3

mp

  mp

3

3

p p

 



 



3

 



 3

3



3

         3

 3 

mp



   

   

3



 (vib)

Perc. 4

 

p (drums)

3

 Perc. 5   







 

fp



3









mf





f

Cb.



34

    

p

mf

to marimba





3

mf

p





3



 



mp

   f

3

f

ff



3

 

   

  



   

 

    

  

 

 

to chimes

 

Large Suspended Cymbal



       

p

   

  

mf



 

mf

  





mf P frequently

         

Marimba

f

3

   



  



 

3









f

mf







      

   



Xylophone

Perc. 3

3

  

mf

 

   

   



f

mf

   



  



 

   mp

                      mf f   



to Sus. Cymbal

3

  

3



f

3

mp 3

3

   





 



3

  

3

3

       

p





     mp

    



  

     

3

   

           mp unis.                 

p

p

     







   mf



p



  





mp

         







sub.

pp



3

         mf

 

mp

(gsp)

3

 

3





 

5







B§

secco muted (hit center)

f













  









                    mp



  f

 

f







 











 





                    mp





 



 

 

f

  





 

 



  f



3

    



  



 



 

mf



 





                  



3







3



 







   

mf

(Crts)

Perc. 1



 

p

    



  



 p

mp



Hp.

3



 o  

  





mf

 

Bass Tbn.



3

  open    

 

Tbn. 1/2

 

          

3

 

Hn. 2/4

Tba. 1/2





mp

                 3   3

 

 

f



p

                

mf

  

mp



        

Tpt. 2/3

 

     



f

B. Sax.

   



mp

sub.

 

p

3

3

        mf

                   



p





                  



  

 



    

 



mf

mp

   

f



3







f

A. Sax. 2



 

mf





            3 3



   

f



3

3

3



5





3

        

mf

 



mf

p

 

3

3

mf



        

p

        





                 

 



   mf

   



 

mf

f B. Cl.

p



   

 

3

 



f Bb Cl. 3







 

5

 







Ob. 1/2

     





mf







35

36

37



 mp

f





 38

39

Picc.

 

   f 

Fl. 1



 

Fl. 2





f





Bb Cl 1.



  

f













mp











        

  

 





3





3



 

mp

3













Bsn.













f

  

A. Sax. 1







A. Sax. 2

T. Sax.



B. Sax.



Tpt. 1







   







Tba. 1/2

Hp.

 



 

   p





  

Timp.

Perc. 1

Perc. 2

Perc. 3



 

p

 

 

 

p





























  



  

 

   p



 

   



 





  







             Perc. 4       mf fff        (mba)     Perc. 5       

  f

mf

fff

   p

f

39

  

mf sub.

mf



 div. p





 

 



mf



  





       



 

  







           f





f



  f



  

   

  

 



mf

mf



mf



  

mf

 

mf

 

 

 

   



   

 (A)



   

         

    

  

41



   

       







 



 

to crotales



   

Glockenspiel



   

mf

 42





  

 

  

mf

  





f

    

(Bb)



             





mf



40

 



                    

     

   

mf







 

 

  

mf



    

    

              f





      

    

                     

   



pizz.

 

              f





   

    





f

   



f

  

 

mf

    mf



f

   

 





     

  





     

         

mf

Heavy and Accented

   







p

    

 





 



  

f



 

            





7

f



  

     



           p p    

p

   

mf

mf

     f





fp



         p  mf f

p



            

     

p

f





p

 

mf





     

f

        

f

to Glockenspiel

  

   

 Chimes

    p

mf



 

 

     

       f

 

p

  

p

f

div.

  

     

   mp f sub.



             

         

f

p

mf



  

   

(vib)

Cb.

 

  



 

   

ff





 





        

   





f

   

f

     

mf



f



     

f

     

f

        p f  mf        mf f              p 





fff







mf

mf

f

 

mf

mf



p





mf









 

   

            f 



mp

      

3

  



3







         







mp

f



mf

 

P frequently





p

    











mf

p



mf

p

 





p

p











   

 

Pno.



 

Euph.

       





 

Bass Tbn.

      



 

Tbn. 1/2

 



p

Hn. 2/4





 

Hn. 1/3



mf

f

 

Tpt. 2/3

    mf

f

  



3





   p



 

mp

f

C. A. Cl.

Cbsn.

  







  

 

f

mf



  

        

 

3

3







 

   

3

  

mf

    

 

3











 







f

B. Cl.

p

3

mf

   

Bb Cl. 3







   

Bb Cl. 2



p



  

mf





Ob. 1/2

  



     





  

    



             

arco

43

8

 44         Picc.  

Fl. 1

Ob. 1/2

    



Bb Cl. 3

B. Cl.



    



    



 



 



                  



A. Sax. 1



A. Sax. 2

 



 

T. Sax.

B. Sax.





 



mf



  

  



  

 

mf

Hp.

Pno.

Timp.

  



mp





mf

mp



mf



mp

   







mf

mp



            





(mba)

Perc. 5

Cb.

 



 

mf





             

P ff

              ff

 44

 mf













mf

  



  





mf

 

   mf









  

  



  

   mp

mf



mp

  

mp sub.

 



















               

    



   

  







   

ff mf sub.

45





     















46

 



 





  47

 







  







  







 





mp

 

   mp



f

ff

         mf

ff

mf





 











mp       mp



 

  



 

 

mf

f

mp P

  

p





  mp 48

mp



 

 

 

   



ord.

  

    mp

      

  



          

 





p sub.

  

    

p

  

   

 

 

       

mf



         mp  p

       

  

    

         mf  mp



mp

f

        





        



mp

mp

       



mp









     mp





p





 

   

3











   mf





  mp

to large suspended cymbal



 





   

  

 



 

        





     











  

  

  mp



   

 

mp

 







  mp

 







div.

       



     

        



mf



            

  

  

mf

 mp



   

       



  

  





 

        

  

mp



      

mp sub.









 

mp





   



 





      







                     





                 

  



    

 



mp



 



 









  

mf



 mp



      

 

        

   



          



  

  



(vib)

Perc. 4

     



 





mp







mp

 



     

      





  mp



       

  

 

mp sub.



(xyl)

Perc. 3

 

      

mp

       



 

div.



mp





  

mp

mf



  mp

unis.





  



mp





 

mf



            

(gsp) Perc. 2







      

mp



mf

  

                 



 





              





       



mp

          mp





 

    

mp







Crotales

Perc. 1

  mp







 

      

  

       







mp

         



         

mp

mp



mp

unis.

mp





    

                  

 



    

mp sub.

mf



       

mf

 

  

mp

         

    





     

mf

f



 

 

    

mf



f

Tba. 1/2

          

                                             

          mp                  

Euph.

 

mp sub.





mp

         



mp







       





                 

mp

mp

Bass Tbn.

     



mp

 

mf

  





   

   

  

mp

f

Tbn. 1/2



                  

              f unis.   Tpt. 2/3            

Hn. 2/4



                   

Tpt. 1

Hn. 1/3





 

 

 

    







 

Cbsn.

 

    

mp Bsn.



  

          

 

C. A. Cl.

 

       

 

Bb Cl. 2

      



    

Bb Cl 1.

  

      



Fl. 2

    

      

mp

  





  

    



mp

  





     49



   



  

  

9             

   

50

Picc.

Fl. 1

Fl. 2

Ob. 1/2

Bb Cl 1.

Bb Cl. 2

Bb Cl. 3

B. Cl.

C. A. Cl.

Bsn.

        



 

        





 



   





 

   

   

   

   



     

   



  

 

  

  

  



  

  

  

  



   



 

p

p

  







 





 

 



  

 

 



p

  

 

      

 



  

 

   

pp





pp

p

   





    





   



 

    





p

































































 



p

 

p

       







      

        







        





  

p

 





p





  



Cbsn.

 

A. Sax. 1

 





 

A. Sax. 2

 





 

T. Sax.

 

















B. Sax.

  























Tpt. 1



   





   

Hn. 1/3

  

Hn. 2/4

Tbn. 1/2

Bass Tbn.

Euph.

Tba. 1/2

Timp.



p

  



 

 

 

   

1 only







 

  

  p





p

 

p

  

  

  



 











 

ord. ‐ lightly



 

 

Perc. 4

 





to bass drum

(mba)

  

p

 

p



 

  

 



 

  







  









  









 

 

mp

 p

51



mp sub.

   





p

 

mf



3

 



 



p

 

pp





pp

p



    52





  











 





 

   

    

p



p





divisi



mp



p







 



 



p



pp

 

 



  

  

  











 







 53



p sub.

 

 





   

 



 



    p

p sub.



  

divisi



p













   







50

mp a4

mf





  

 

a2

   

pp







pp

 

   

mp











 

a2



    







pp











lightly



 p 





f



 

  

   



 

p

 



 



 

  p

p

mp

 





 

p

 

 



   



p

p

 



p

1 only



  

3

a4

   





3

mp



1 only



 

p

p

 

a2



p

1 only

1 only



 



1 only

 

   

Perc. 3

Cb.

1 only

 

  

mp

Perc. 5

 

  



   

 

  

(gsp)

Perc. 2

  

mp

(crts) arco

Perc. 1

 1 only

  

Pno.

 

  

  

Hp.

 



 

mp

Tpt. 2/3



 to Drums





    











 











































 



















54

55

10 Picc.

Fl. 1

Fl. 2

Ob. 1/2

Bb Cl 1.

56 Music of the Spheres q = 88   



  



   



  

     

 



 





 



C. A. Cl.

 

Bsn.

Cbsn.

Bb Cl. 3

B. Cl.

A. Sax. 1

A. Sax. 2



    

mp





mp 3

  





a2         

3



f



 

Bb Cl. 2

solo



solo

mf



 



solo



   





 

  

       



 

   mp

     

  



   

mf

   







 



 

mp



    

3

mp





f

3

3







f sub.

f

   



f sub.

3

 







    

mp

mp

p

 

























 





















 





















 





















        mf

        mp





3     

  3    mp

























mp

3

 







3

 







  



  

  



  

mf

mf

3



mf



p

  



pp

3

B. Sax.

  









































   

Euph.

Tba. 1/2

      

Timp.

 



 





(open)

 

   



   





  



 



 

   





     



pp



pp

a2 pp



     

  



a2



  

(crts)

Perc. 1

     

mp

   

  

Pno.

 

3

    

   

Hp.

straight mute

  



 



    



 



 



pp

 

3       



p

mp





















































 

















  

soli

mf



 

p





    

    







 

  





           3

3

















 







3

   

    p



p

    



mf



 3

    

 





     

p

3





 









 





    

 

a2

harmon mute (stem in) a2









  p sub.











1 only

p



pp

3

mp





    mf 

 







Bass Tbn.







Tbn. 1/2







Hn. 2/4



 



Hn. 1/3







3

3



p

3

 

Tpt. 2/3



3

T. Sax.

Tpt. 1

   



3

f

p

3

3



mp



  p

    f

3





    3



 













Perc. 2

 





















Perc. 3

 



 





 



 







Perc. 4

 





















Perc. 5

  





















Cb.

 













 







57

58

60

61

62

56

59



   63

Picc.

Fl. 1

Fl. 2



mp

 

    

 





Ob. 1/2

3

3

 



 

































 















 





























mp3



 

 

1

 

Bb Cl 1.

 

 

mp3

11

67

 

mp

     

mf

5

 

mp

Bb Cl. 2





















Bb Cl. 3





















B. Cl.





















C. A. Cl.





















Bsn.





















Cbsn.















A. Sax. 1















A. Sax. 2













T. Sax.























 





B. Sax.

Tpt. 1



   



Tpt. 2/3



 

Hn. 1/3

     

Bass Tbn.



Euph.

Tba. 1/2

Hp.

Pno.

Timp.







Cb.



  



  



3



 



























  p  

mf

        

mp sub.

p

p



mf

3

mp sub.



  p











 











 









   

(1)





p

(a2)

p























 







 







  









(mba)







63

  p sub.

 





     





    





mp



mp

 mf







 



mf



pp













     

 

     

 

     

    



    



    

    



    



    

pp

pp

f





 mp











 



p



  



     

  

     

   

     

















      























































3

Drums

mp

3

 

Bass Drum



mp





 

p













 

mp

   

a2





      

mp







     



pp

  



(crts)

Perc. 5

  

mp



    

p

     



 

 







     







Perc. 4





 





  

 







Perc. 3

p



      





Perc. 2



mp

  

mp 3

open

   

pp



Perc. 1

3

p soli



p

Tbn. 1/2





p Hn. 2/4

soli

  

 

p

(long gliss)





f

64

 



p

65



  

mp

 66



p



pizz.



f sub.

    67





    68





    69

12  



















Fl. 1





















Fl. 2





















Ob. 1/2





















Bb Cl 1.















   







Bb Cl. 2















   







Bb Cl. 3













































70

Picc.

B. Cl.



C. A. Cl.

A. Sax. 2

T. Sax.

Tpt. 1



















 









 

 

A. Sax. 1

B. Sax.

      solo         mf



Cbsn.





  

Hn. 1/3

 

Hn. 2/4

 

        

mf

mp

Tbn. 1/2



Bass Tbn.

Hp.





Euph.

Tba. 1/2







 





  

 

 

    

 





    











  

     



Perc. 1





Perc. 2



Perc. 3

 (vib)

 (mba)













Cb.



 





 

mf



Perc. 5

mf







Perc. 4



 



Timp.



     





Pno.





p

   

 

  

   mf

  





   

     

 end solo p

 



 

   

solo

mp



 

   





Tpt. 2/3



 













  

 







 

mp

 mp

        

mf

        mf

mf

    mf



     



mp









 

mf

mp sub.

    

f





end solo

 



    





a2    mp



  

 

 

  

a2    mp

  

 

   





  

 

   

          

solo



 









   









  





f

mp

      

div.



    

 

          

   

   



   

   

                  mf sub.



mp

warm        

mp warm

 mp  warm

 

mf

      

          mf

p

mp

warm







       





warm



p

mp



warm

   mp



   











mf ( )



 





f

mf

              mf         

   

 

   



mf

mf





mp sub.

mf

   







         

 

mp

   

 





solo

 

mf

  



 end solo





mp





Bsn.

a3    mf

mf

mf

mp

  

     

  



  

    

 

    









    

 

    

































  

   



     mf



  





mp

p

mf

                 

     





p









































 





















































74

75

76

    70





 71

  

    72



 

Vibraphone

        

   P mf





 arco      mf

73



 

   

   

79

 

77 Picc.











Fl. 1

Fl. 2

Ob. 1/2

Bb Cl 1.

Bb Cl. 2

Bb Cl. 3





 







 

3 





 

f



mf

 

mf

mf

 

mf

  

    

  

f

  

f

    

Bass Tbn.

 

Euph.

  

 

sub. 3

mf sub.

3

 

  



     

3

  

  

 

 

   3

       



f





 

 

  



  







 



















f

  

(bd)







(mba)

 

Large Suspended Cymbal



  mf

77

  

3

 

ff







mp

p

 

3









ff



3







ff

 

3

 3

 





p









 p

ff





p

ff







 

ff

ff



p

p



p

ff





p

ff

  

 





 

ff

  

  

p



fff

  

 



 

    

   





           3  

ff



ff

3

          

(toms + bd)

ff















f

    

   



mp

f

ff

79





















































































  

mp

  



p

 



 

 





mf

mf















 

























to Xylophone









   

fff P





to Glockenspiel

3









 



Bisbigliando



    



mf











f



mf

 

mf



  

mf



ff



3

  

ff



  

  

   

fff

ff

 







ff

 

 



p

p



mf







ff

 





mp

p



mp





p



ff





p

p



ff





p

ff 3



p

ff



  

mp

3





p

3





mp





   



p









ff



78

p

mp

 



f

mp



ff

3



mp











 

  

 





   p



 









p



3

  

 

 

  

  



ff

f

  





3

  



 

ff

f

p



 

13







 

 



ff

  

3

ff

ff

3

 

f

    



f

 

 

3

 

 

3

3

f

 



p

(vib)

Cb.

 a4

  

(crts)



 mf

3

  

 Timp.  

Perc. 5



sub.

mf

 

Perc. 4

 mf

 

3

 



f

   mf

mf



Perc. 3

 

 



Perc. 2

3 3

mf



Perc. 1

3





Pno.

3

  mf



Hp.



mf

  

f



    

   mf



 

Tbn. 1/2





  mf 

Hn. 2/4

 

 







 

f

 

Hn. 1/3



 

3

3



 



 

  





3



 



 

  

  

 







mf

  



3



mf



3

f

 



 

  

Tpt. 2/3

Tba. 1/2

 



T. Sax.



f

f



A. Sax. 2

Tpt. 1

 



A. Sax. 1

B. Sax.





 

Cbsn.





 

Bsn.





 

C. A. Cl.





 

B. Cl.













3

f



 



 80





mp

 



















mp

p P

p





81

82



14    83

Picc.

Fl. 1

Fl. 2

Ob. 1/2

Bb Cl 1.

Bb Cl. 2

Bb Cl. 3

B. Cl.

C. A. Cl.

 

 

  



    





ppp

 

ppp



 

 



 

  



p

















 





  



  

mf

 

mf

  





     

mf



       

   

 

  

 









 











     

 













mf

mp

mf

mp



Bsn.

Cbsn.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2/3

Hn. 1/3

Hn. 2/4

Tbn. 1/2

Bass Tbn.

Euph.

Tba. 1/2

Timp.



    







  



     



 





 













   

 



    mp 









 



  



  



 



 



 





mp

  mp sub.





mp



mp sub.

 

 

mp     

p





 





 



 





 



  





 





 





mf

 









 

 

 



      



















p

  



mf



  









 









 





 

Perc. 4

  





  







(mba)



















83

84

     

 

 

mp



mp

p





mp

p





    mp

p





 p  

     

p



  mp

       mf





 



mp

mp

    

  







 





p







      



     



p

p

          