Quaver

Page 1


Quaver

C Score

for 4 or more melodic instruments Jordan Nobles

e = 200+

  

legato

  

 

 

2

mf

mf

       continue dynamic swells 3

4

 

 



 

5

Repeat each cell for 10-15 seconds, in any octave

   6



    7



  8



continue legato

   9

  10



12 13 14 15                                     

11

         16

17

 19    20                     18

24  23        22                                 

21

26 27    28                              

25

© Jordan Nobles, Vancouver, 1996


2

30 31      32                                 

29

 34 35 36 37                                           staccato

33

continue staccato

  39  40 41 42                                   38

44 45 46 47                                                   

43

51 52      50                                                               continue legato

legato

48

49

  56 57                                              53

   58

54

55



  59

  60

 

© Jordan Nobles, Vancouver, 1996

  61

 

  62

 

Repeat final cell (#62) in different octaves until all instruments arrive, then drop out individually


Quaver

C Score

for 4 or more melodic instruments Jordan Nobles

e = 200+

  

legato

  

 

2

mf

 

mf

3 4         continue dynamic swells

 

 



 

5

Repeat each cell for 10-15 seconds, in any octave

   6



   7

  8





continue legato

   9

  10



12 13 14 15                                     

11

18 19  20                               

16

17

  22 23 24                                        21

    26 27  28                               25

© Jordan Nobles, Vancouver, 1996


2

30 31 32                                           

29

 36  37                                       staccato

33

34

35

continue staccato

 39   40 41 42                                           38

44 45 46 47                                   

43

     49     50 51 52                                 legato

48

continue legato

  53

 

 

58



    54



  59

 56 57                               55

  60

 

 

© Jordan Nobles, Vancouver, 1996

61

 

  62

 

Repeat final cell (#62) in different octaves until all instruments arrive then drop out individually


Quaver

C Score

for 4 or more melodic instruments Jordan Nobles

e = 200+

  

legato

  

 

2

mf

 

mf

3 4         continue dynamic swells

 

 



 

5

Repeat each cell for 10-15 seconds, in any octave

6    



   7



   8



continue legato

   9

  10



11 12 13 15   14                         

18 19 20                                

16

17

  22   23 24                                21

25 26 28    27                               

© Jordan Nobles, Vancouver, 1996


  30 31 32                                    

2

29

34 35 37     36                                     

staccato

33

continue staccato

 39 38 40 41 42                                                                          43

44

45

46

47

legato

      49   50     51   52                                  48

continue legato

  53

 

   58

    54



  59

56     57                      

55

  60

 

 

© Jordan Nobles, Vancouver, 1996

61

 

  62

 

Repeat final cell (#62) in different octaves until all instruments arrive then drop out individually


Quaver

B Score

for 4 or more melodic instruments Jordan Nobles

e = 200+

  

legato

  

 

 

2

mf

mf

       continue dynamic swells 3

4

 

 



 

5

Repeat each cell for 10-15 seconds, in any octave

  6





    7



   8

continue legato

   9

  10



12 14 15    13                          

11

17          

16

18    19     20                    

     21 22 24            23                               26 27     28                                             

25

© Jordan Nobles, Vancouver, 1996


 30 31     32                                      

2

29

35 36 37   34                                         

staccato

33

continue staccato

 39  40 41      42                               38

45 46   47        44                          

43

    50 49 51 52                                                              continue legato legato

48

  53

  58

 

  

54

  59

57       56                  

55

  60

 

 

© Jordan Nobles, Vancouver, 1996

61

 

  62

 

Repeat final cell (#62) in different octaves until all instruments arrive then drop out individually


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