JORDAN ONLEY
ARC HITECTURE POR TFOLIO
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contents
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insoundspace fusion LA
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jumping jacks parametric surface
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green screen barcelona youth hostel
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privacy bunk bed for youth hostel
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oasis kandahar university library
granite house sacheen lake retreat
the spotlight artists studios & lofts
restoring roots competition for housing
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54-59
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progression GAC: grand avenue central
professional work uptic studios
urban escape conceptual mixed use tower
professional resume & bio
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community cage flats apartments
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in FUSION journey through music and space soundspace LA Los Angeles, CA Grad Studio I - Fall 2013 Prof: Andy Ku Duration: 14 wks Within the revitalized Bunker Hill exists an exciting voyage by both musician and listener through the new cultural icon of downtown Los Angeles. Many energetic site forces helped guide the design of a building which fuses the gap between the bottom of the hill (historic downtown) and the detached Cal Plaza ‘cliff edge’. Being inside this fusion offers an incredible trek through space and the reason for the space: music. Residing underneath the grassy knoll of the new Bunker Hill is SoundSpace LA – the high tech, multi-use theater that serves as the final stop on a student’s journey through musical education. The site offers many public amenities for downtown Los Angeles, from lunch spots to shady plaza spaces. Everybody can find their own favorite spot among the many choices of areas to rest, including the vast grassy hill. An amphitheater tucks itself into the natural contours of the hill for a plaza by day and performance venue by night.
aerial view from 4th and hill
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emergence of layers
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layers and solid void
sie analysis
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view of the stairwell
view of the stairwell
the soundspace the soundspace
the journeythe journey
view heading to cal plaza view heading to cal plaza
view heading down the hill view heading down the hill
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view from bottom entrance
view upon entering at the bottom
The journey itself resides in the fuse: essentially a tube-like experience of compression and release, solid and void, which directs you from the bottom of the hill to the top or vice versa with stops and vistas on the way. It is this fuse that drops you off into SoundSpace, while being the very fuse that drops students off in their first classroom for the infusion of musical knowledge. The experience of the building and of music resides inside the link between two worlds: in FUSION.
section study
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light well emphasis on light well
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4 3
levels and wall complexity
emphasis on levels and complexity of walls
2 1 2
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entrance to soundspace emphasis on entrance to soundspace
lightwell emphasis on lightwell
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view from 4th to outdoor
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syntax: to fuse
3 - D print model
structural model
The double layered perforated metal screen serves multiple functions while providing aesthetic value to the exterior of the project. It is strategically located to shade during the afternoon hours of hot sun, to eliminate excessive heat gain. The upper courtyard recieves the shade for a realistic place to spend hot afternoons. The screen serves to shade the large atrium within the tower as well as the glass roof journey space. The shad would be
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16” = 1’ - 0”
section a - a
scale 1/16” = 1’ - 0”
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a
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section b - b scale 1/16” = 1’ - 0”
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b
b
e
e
f
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d
d g
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a h
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level 1
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mechanical/ utility 1 janitorial/ boiling/ network 2
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lounge main entrance/ lobby
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primary entrance foyer/ lounge/ entry services
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soundspace auditorium/ theater/ performance
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operations office open office
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ticket sales reception/ ticket office
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concessions student sales/ amenities
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e
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vending vending/ retail
journey accessibility, service access, circulation
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journey entrance main entrance
backstage changing rooms/ practice
admin office office
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sidestage sidestage prep space
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utility janitorial/ storage
level 2
public space
soundspace
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iii
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h b g
i
c
f a
a a c b
c d d a
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b
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e
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level 3
soundspace
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journey accessibility/ service access/ circulation
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recording studio g media room/ post production
warehousing bathrooms/ secure storage/ cloakroom
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journey accessibilty/ circulation
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soundspace upper seating/ control
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security office office
service access freight elevator
systems operations/ control booth
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tech lab it/av
mechanical systems i electrical ii communications III boiler room iv fan room
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c
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secondary entrance secondary entrance/ entry services
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level 4
support space
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offices school of music offices
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jumpingjacks parametric surface arch 407 Prof: Justin Brechtel Duration: 2 wks The parametric surface inhabited by these happy, bouncing jack-like shapes creates a dynamic, flowing entity that is said to resemble jumping people. The project originated with the intention of a shape having the ability to be arrayed in the x,y, and z axis. The resulting shape developed as an X that was mirrored over four sides, eventually becoming the shape of a jack. The end result of the project is a parametric surface, that when set on a flat plane, resembles jumping jacks fused at the connection points. The project made for an awesome 3d print in plastic, and an even better Christmas gift for my parents.
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construction linework
surface grid
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polysurface to mirror
point attractors
shape taking form
linear attractors for complexity
surfacing the curves
resulting surface
array method
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kandahar university
LIBRARY oasis of knowledge Kandahar, Afghanistan Studio VII-Spring 2012 Prof: Bashir Kazimee Duration: 12 wks
Inspired by the hot desert sands and culturally rich background of Kandahar, the KU Library will provide a cool, modern, and culturally integrative space for studying to meet the needs of the 1100 students who attend the institution. The courtyard, inspired by the Islamic tradition and sunken below the earth to take advantage of the cool conditions, provides an amphitheater under shade for outdoor meetings or a place to relax, study, and ponder while listening to the gentle flow of water and pyschologicaly cool the body. The modern form of the building was designed to contrast to the traditional architecture of the university as a sign of modernizing the education and architecture of Kandahar.
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main entrance
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study lounge
The cooling pool in the courtyard was designed to allow breezes to humidify the site, as well as encourage the interaction of humans with the water. The pool flows into the courtyard down a glass wall, creating a subtle noise to relax and induce the atmosphere of an oasis. Below the water is the reading room that generates a tranquil environment as shimmering light dances throughout the space via diamond cut skylights in the bottom of the pool. The shadows and dancing light can cast differing moods on the interior while students relax and sprawl throughout the space. The spaces are naturally cool by existing below grade, yet provide plenty of natural light for the functions of a library.
waterwall flowing out of pool
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entry
staff delivery
level 1
section
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The design was also inspired by the idea of a fortress: cantilevered spaces and defensible materials create the notion of a study fortress. Many private, intimate spaces dominate the exterior and interior of the building; the overall idea of which is to allow a student to find their own perfect nook or cranny. The library is a beacon of safety in the otherwise war torn country of Afghanistan; a fortress of knowledge where students can seek the refuge of education.
storage
reference
study lounge
circulation desk
lower stacks
classroom
basement
offices
computer lab
level 2
conference
courtyard space
level 3
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spotlight the
beacon for the creative Seattle, WA Studio XI-Spring 2013 Prof: Tom Maul + Kevin Tabari Duration: 12 wks Capitol Hill, Seattle: one of the most vibrant, diverse, young, artsy, and creative neighborhoods in the world. A unique site in the middle of Capital Hill that exists as a parking lot pit was to be developed into apartments targeting this young, vibrant and culturally diverse group of people. The site offered several unique conditions, including dynamic level changes, prexisting buildings (the Chophouse), and the potential to connect to 12th street through the site. It would be disingenuous to the neighborhood to simply raze the Chophouse, so the project became about linkages, preservation of identity, and ultimately about the program of performance and creativity. The program called for a performance venue and recording studios among several other creative components, as well as artist studios and lofts to facilitate these creators. By raising the apartment complex on pilotes and taking advantage of the sunken condition of the site, I created a boardwalk that spills into an amphitheater and performance space beneath the complex yet open to the sky. The boardwalk meanders through the chophouse and connects through the site, offering commercial activities, while the amphiteater offers public space by day and performance space by night.
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boardwalk and performance venue
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performance space
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boardwalk
resident walkway looking into performance space The site offered a unique level change in a ten foot difference between 12th street and 11th street, with abandoned storefronts another ten feet deeper. With this interesting level change, the goal became to create and revitalize an interior site street front, taking advantage of the below grade condition rather than trying to build to the street level. The program melded perfectly into this condition as amphitheater seating could be utilized from street level to the base of the site. The other big move on the ground floor was connecting to an existing pathway in the middle of the site, which led to the creation of this “boardwalk� experience as a fuse between 11th and 12th streets.
12th street existing path
pine
existing chophouse
BOARDWALK
pike
STAGE
12th street 11th street potential sub grade space
potential path
existing storefront
11th street
site
potential connection to existing site entrance
unique site level condition
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vertical circulation
plan circulation
section circulation diagram
sectional circulation
loft level 1 east elevation
loft level 2
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typical floor plan artists studio unit
the spotlight north site
studio 1
studio 2
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CONCRETE EDGE ASSEMBLY 1” = 1’ - 0”
LOFT DECK ASSEMBLY 1” = 1’ - 0” DOUBLE PANE GLASS SILICONE SEAL BASE MULLION STOREFRONT BOLT
DOUBLE PANE GLASS SUSPENDED FASTENER 12” POST TENSION SLAB POST TENSION SLAB CORRUGATED DECKING STRUCTURAL STEEL ANGLE EXPOSED ARCHITECTURAL STRUCTURAL BEAM
SILICONE SEAL BASE MULLION STOREFRONT BOLT 12 “ POST TENSION SLAB
STRUCTURAL STEEL ANGLE STEEL BOLT CONCRETE BOARD
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CONCRETE SCREW EXPOSED ARCHITECTURAL STRUCTURAL CHANNEL BEAM
DETAIL DRAWINGS LOFT BAY ASSEMBLY 1” = 1’ - 0”
CONCRETE COLUMN PLAN 1” = 1’ - 0”
STRUCTURAL COLUMN #8 REBAR LIGHT GAUGE STEEL FRAMING GYPSUM BOARD
POST TENSION SLAB STRUCTURAL CHANNEL BEAM STRUCTURAL STEEL ANGLE STEEL CONNECTION
12” POST TENSION SLAB STRUCTURAL STEEL ANGLE ARCHITECTURAL CORRUGATED DECK STRUCTURAL STEEL BOLT STEEL BEAM BOLT SILICONE SEAL FRAME TOP MULLION STOREFRONT DOUBLE PANE GLASS
BATT INSULATION VAPOR BARRIER CONCRETE SCREW
HARDY PANEL
EXPOSED ARCHITECTURAL STRUCTURAL CHANNEL
WINDOW WALL PLAN 1” = 1’ - 0” BATT INSULATION HARDY PANEL BOLT LIGHT GAUGE STEEL FRAMING VAPOR BARRIER EXPOSED ARCHITECTURAL STRUCTURAL COLUMN
ANGLED COLUMN ASSEMBLY 1” = 1’ - 0” 12” POST TENSION SLAB #8 REBAR
12” ANGLED CONCRETE COLUMN
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grand avenue central
GAC
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development by addition Pullman, WA Studio III-Fall 2010 Prof: Ayad Rahmani Duration: 6 wks
The process of evolution and integration were inherent in the GAC as the design was restrained and developed by many factors. The original themes for the design stemmed from a process of deriving existing architectural plans for hierarchy, structure, and circulation. These themes were then developed into a design to be integrated into an existing warehouse in Pullman that had to remain on the site. The final design became a complete byproduct of these processes: a striking form that encircled the railroad for the functionality of a train hub; an art museum integrated within the existing warehouse skeleton; a park whose trees would grow through the obsolete frame of the warehouse; and a series of artist lofts perched above the railroad and overlooking the hustle bustle of the grand station.
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integrate existing warehouse
skinned
rear window analysis
skeleton
section applied
The train station hotel addition project was also derived through a complex thought process. We were required to watch the movie Rear Window by Alfred Hitchcock, and to evaluate the different views and thought processes of the main character. Through these considerations, which were identified through a series of diagrams, I was able to extend the form of the GAC and integrate a hotel with contrasting views back into the main concourse. The hotel addressed circulation and views as well as how to assimilate two separate programs into one cohesive design.
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south elevation
site plan
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The prime location of the barren parking lot at 201 Folsom Street begged for development to help bring people to a growing district between downtown and the Bay Bridge. A proposal by a developer for a mixed use tower was the driver for the new contemporary image on the skyline of San Francisco: Urban Escape. The mixed use program consisted of three required components: houses in the sky, a hotel, and an institute for sustainable design. The words “houses in the sky� resonated with me, and I imagined these floating houses that existed in the clouds overlooking the city; peaceful and isolated escapes that offered views into the city with privacy from the city. To bring this idea to life, I fused the idea of urbanity and nature in the sky: taking a building that was whole and creating these gaps between units, as if the units were the remnants of an ancient building that was once whole. Nature is meant to fill these gaps between what was the building and what is the building.
urban
escape
integration through vegetation San Francisco, CA Studio IV -Fall 2011 Prof: Anna Mutin Duration: 12 wks
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1. program switch
2. subraction by green
3. unitization
The institute, located in the lower portion of the building, contains a large platform which is home to a wild ecosystem above the city; an escape from the city while remaining in the heart of downtown. The demonstration units are perched above the serene elevated forest; exhibitions take place overlooking the incredible feat. west elevation
north elevation
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The ground floor is equally devoted to the escape from the city by natural habitat with its sunken amphitheater and parkway. The back spine of the building is a slender yet magnificent hotel that spans the entire height of the tower. Many isolated, intimate nooks and crannies can be found throughout the three functions of the mixed use design, each integrated with each other through the natural habitat- on the ground, on the platform, and in the sky.
escape
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harvest
research
section
model view of demonstration units institute for sustainable design
model view of overall tower
typical floor plan institute for sustainable design
typical floor plan houses in the sky
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cage flats
apartments SEATTLE, WA
envelope as community Seattle, WA Studio V -Summer 2011 Prof: Ayad Rahmani Duration: 6 wks Collaboration: Olson Kundig Architects
In the heart of Pioneer Square, the need for a mixed use housing development for young, single adults making a start in the city was met by the industrial design of the Cage Flats Apartments. The quality of the metal mesh envelope creates a tight knit community within, where each floor gains light from above and below; an inside-outside experience is achieved by the entirely open air atmosphere inside the mesh envelope (aside from the prefabricated units). The design was inspired by the vernacular industrial feel of the shipyards: the crane and the shipping container played a key role in developing aesthetics for the building. The response to nearby Occidental Park came in the form of a private, mid complex green area which receives adequate light throughout. Inspired by the emphasis on moving parts from the firm Olson Kundig, each prefabricated unit is designed to crank in or out five feet based on the desires of the owner, creating a constantly undulating, personalized façade on the units’ side of the building. 43
prefabricated dwelling unit with metal mesh sliding patio door
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The basement of the complex functions as a brewery and restaurant to serve the area, especially on game days when crowds are pushing through Pioneer Square toward the stadiums. The architecture is composed of exposed systems and structure, stripped down to reveal the complexity of the brewing process and circle back to the concept of the building.
dialogue occidental park site pioneer square shipyard industrial inspiration stadiums foot traffic -> site
industrial
prefabricated
occidental park
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green screen
tower
a youth hostel living refuge for travelers Barcelona, Spain Studio IV -Spring 2011 Prof: Deborah Barnstone Duration: 8 wks Competition: 1st Place
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Because of its physical presence, the Green Screen tower would become an iconic element in the Barcelona cityscape representing the city’s commitment to sustainable and contemporary design. The Green Screen Tower met the competition with a never before seen one hundred meter wall of vegetation, meant to shelter and shade the spaces within. The tower originated from the idea of travelers congregating in separate units throughout a main tower. These units were then pushed and pulled to create interesting, intimate spaces throughout the tower. Individual green spaces, screens, and walls were scattered throughout tower. To organize and control the shifting form of the building, these green spaces were combined into a towering wall of vegetation which kept the value of the intimate spaces within the wall yet controlled the form from the outside. The green screen houses vertical circulation on the interior and supports vegetation on the exterior making it both a symbol in the urban context and an experience for the hostel visitor.
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upper outdoor space
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design development
An indoor-outdoor experience was established within the bounds of the Green Screen as the shade offered solace from the summer sun within separate nooks and crannies found between the units. The refuge of the Green Screen tower for weary travelers becomes a destination in itself, as well as a home away from home because of the human scale of the units. The design offers an avant-garde, electric image for the city of Barcelona with amenities beyond the youth hostel such as a bar within the Green Screen, modern clothing shops, and restaurants near the ground floor to accommodate the new age of eco-tourism.
level 1 typical hostel unit
level 2
level 3
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youth hostel
bunk bed
privacy through efficiency Studio IV -Spring 2011 Prof: Deborah Barnstone Duration: 2 wks The bunk bed as a home creates a space for travelers, especially those moving through youth hostels, to call their own when on the road. The space is designed as two separate rooms, where circulation exists in the realm specific to each bed: the top bunks access is designed such that users never have the need to go near the space of the bottom bunk to enter, leave, or store their things. The personalized storage allows for ease of use, while the privacy screens allow for an intimate escape. The bed is positioned such that when placed against a window as shown, a room is created within the confines of the bed that welcomes the outside views in yet segregates the user into a concealed space of their own. 51
elevations
process work
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four sides become enclosed
innovative + personalized
storage
seperate realms for travellers
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b
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granite
house
sacheen lake cabin summer 2013 personal project duration: 2 wks Growing up on Sacheen Lake, I knew all the good spots that could inspire a subtle, vernacular design to slip into the intense natural setting of the Northwest. I decided to develop a cabin on a perfect piece of property, one with exceptional views and a complicated landscape to design with. The house sits among the authority of the granite boulders that are natural to its setting, and opens extraordinary vistas to the expanse of water at its doorstep. The design is driven around an interior bookshelf that rises three stories, serving as a circulation core and creating efficiency in heating, electrical, and plumbing lines. The section was the driving force for the design, with the bookshelf as the chief operator.
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sectional study
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level 2
level 3
multilevel bookshelf
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by:60 jordan
restoring
ROOTS
network of
2049
POPULATION MOVEMENT
FINLAND
CLIMATE CHANGE
TECHNOLOGY EXPONENTIAL
NEED FOR HOUSING
ARA Housing Competition Lahti, Finland Studio VIII -Fall 2012 Prof: Darrin Griechen Duration: 12 wks Group project with Darel Capulong
POPULATION 9,000,000
Our class participated in a competition to address the problem of housing in the year 2049. We were able to design architecture around our own narrative of the world in 2050, and as such solve major sociological issues of the present and future. This fictional story allowed extreme exploration of architecture and how it can solve social issues. The government of Finland in 2050 is as intrepid as ever and is executing plans to counteract the world’s state of decline in resources, energy, and overall stability starting in Finland and specifically Lahti. The government of Finland employs this ideological shift toward the regeneration of the natural ecosystem, opening up the process of natural rehabilitation. The government will ultimately change the entire meaning of infrastructure, condensing, compacting, and allowing the natural systems to restore themselves over time. A massive ecosystem renewal takes place in which certain areas of the country deconstruct and reuse its current materials and recycling methods to condense into a more compact way of living. Finland’s government has always had a minor role in providing housing, but this role comes to the forefront of the government to create this radical ideological shift. The massive housing project is driven by three factors: the new immigration, the restoration of the natural resource, and the idea of condensed living to eliminate unnecessary sprawl. A response to these three factors comes in the form of these remote vertical cities, Vertiscapes, which are interconnected through a maglev monorail system. These vertical cities contain stacked neighborhoods and community centers condensed into a concentrated area of Finland.
vertiscapes
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growth
2012
The worlds population continues to increase at an alarming rate, putting a massive strain on the world.
2012
2025
by: jordan
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2025
2049
population
Depletion of natural resources and global warming cause mass migration from the equator. Temerate areas like Finland are forced to reconsider housing to accomodate the influx of people.
2037
The government and communities of finland make an enormous idealogical shift and implement a plan vital to the continuation of population growth on earth: condensed, vertical cities to allow complete recovery of natural resources, first and foremost the natural ecosystem.
2049 rehabilitation
Living has been changed in all aspects. Abandoned suburbs become reclaimed by nature; meanwhile interconnected vertical cities and farms become self dependent,providing resources that satisfy personal needs and help in cultivating a prosperous and self sustaining community.
by: darel
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lahti major city area water
The above diagram zooms in through a time lapse showing the removal of urban fabric as the Vertiscapes begin to take their place. The Vertiscapes are accomodated by towers of sustenance to nourish and feed the rest of the network of towers. The towers are interconnected through a string of transportation in the form of mag lev train tracks.
tower roots The base of the tower reaches into the forest as individual plots of land integrating with the grounscape. The plots are the most valuable real estate of the tower, as it is rooted closest to the natural landscape.
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vertiscape tower sustenance tower maglev network
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3
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section individual trees create the parts, the parts create the whole forest: just as the units create the same effect on the form of the tower.
family comfort living
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1 family housing and civic amenities 2 singles and doubles housing 3 elderly housing with respective amenities 4 civic amenities and town functions; rentable spaces and areas to build business
unit development a series of studies on different living types revealed the most effective, space efficient, and sensible approach to unitized living
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Uptic Studios 227 W. Riverside Ave. Spokane, WA 99201 509 714-4496 info@upticstudios.com
structural model
Here is a showcase of some of my work at this incredible small firm in Spokane, Uptic Studios. Working at a small firm allowed me to dabble in almost every phase of the design process, from schematic design to construction site visits, and get my hands on so many different things. I built physical models, made client renderings, job site posters, drafted as builts and tenant improvement plans, and worked heavily in digital modeling, creating structural models, houses, and interiors. All this and much more made this an amazing learning experience.
renderings
my design!
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hammer cabin
cliffside house
cliffside house
prosser dentist
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Inspiration Growing up on a lake in the beautiful northwest was about the greatest thing that ever happened to me. But it was not only the perfect serenity of the lake and quiet authority of the surrounding mountains that inspired in me a love for the outdoors and the architecture that melded so seamlessly into the landscape; it was the house I grew up in. Growing up in a house designed by an architect involuntarily made me pay closer attention to the dynamic spaces and unique character of my house versus other houses I encountered. Situated on a point with 270 degree views of water, a genius split level design and emphasis on picturesque views brought about a charismatic house that instilled in me a love for dynamic spaces and efficient planning. Along with being constantly surrounded by outstanding spaces, I discovered the Lego brick and spent my entire childhood developing my mind’s eye: designing, imagining, and creating. This cliché element in every boy’s childhood was taken in a different light with me; my mind’s eye craved the design and imagination aspects of these creations, and I dreamed of someday being able to actually apply design to real life clients and scenarios. I still pursue that dream except now it has exploded into a fiery, unquenchable passion for design, architecture, and the spatial experience of humans. Journey Going to a small high school of 400 students in a town north of Spokane gave me the small town experience, yet limited my studies and exposure to architecture. Luckily, I was fortunate enough to have an art teacher who went out of her way to teach me specially designed architecture courses one on one, introducing me to the value of materiality and spatial awareness. My family made up for the lack of architectural experience in my underprivileged county with our crazy road trips around the US. Over a number of summers, we visited all 50 state capitals and therefore toured the whole country crammed within our minivan, becoming tighter knit as the miles wore on. The following summers expanded our travels to all ten Canadian provinces and their capitals, all 39 county seats of Washington, and a crazy summer in which we drove the 48 states in three weeks, followed in the fall by a trip to Alaska and then Hawaii by Christmas which resulted in a six month, 50 state excursion. These trips mean more to me than just the amazing family times- the privilege of experiencing countless cities and architectural styles across the country and others opened my eyes to the limitless possibilities of design as well as the variety of landscapes and canvases through which to design. Passion I didn’t fully develop a talent or passion for architecture until college, and when I became accredited into the program at WSU, architecture became the center point of my studies. Through my summers after high school and during college, I had the opportunity to work at the local utility district as a summer student: a four year internship as an engineering aid, consisting mostly of gpsing underground power lines. I took a lot from this job, but the most important thing to me from day to day was visiting over 4000 properties right in my backyard that each offered me a design opportunity among the wild, stunning landscape of the area where I grew up. Some of these properties were splattered with single wide trailers and junk, but the sites each offered so much potential for affordable, attractive and efficient homes tucked away in the mountains of the wild environment. I believe strongly in the fusion of architecture and nature, and hope to discover through my education how to successfully accomplish this.
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Interests
JORDAN
ONLEY
2627 Monmouth Street, #6, Los Angeles, CA 90007 509 671 1206 jordanonley@gmail.com
OBJECTIVE
To learn the fundamental aspects and mechanics of architecture in the real world through an internship. In doing so, I would like to share with you my enthusiastic and moral work ethic, my organizational and commitment skills, and my dedication to success.
EDUCATION Undergraduate 2009-2013
Washington State University, Pullman, WA Bachelors of Science in Architecture- 3.6 gpa- Cum Laude
Graduate 2013-2015
University of Southern California, Los Angeles Masters in Architecture- in progress
Olson Kundig Architects Summer 2011
6 week class/internship through WSU Designed mixed use apartment with regular critiques, reviews, lectures, site visits, and hands on work to learn the culture of a large scale architecture firm. Gained valuable experience being encompassed by architecture all day within
WORK EXPERIENCE Uptic Studios Summer 2013
Architecture Intern Primarily involved in schematic design, 3D modeling and physical modeling, as well as custom-build graphic advertisements, T.I. advertisements and design. Also involved in: design competition, devoloper advertisements, construction set drawings, as-builts, extensive rendering and realizations, code review, 3d structural modeling, physical modeling, site visits, and client meetings.
Pend Oreille Public Utility District Summer 2009 - 2012
Engineering Aide- Summer Internship Saved tens of thousands in consulting fees by successfully implementing a programmatic system to find and GPS accurate field data for a 34.5 million dollar broadband stimulus project in Pend Oreille County
SKILLS
Hard work ethic, very reliable and motivated Ability to work well in teams and around people and bring a positive attitude Very organized with every facet of a job Ability to create and manage tasks on my own, and complete them in a timely fashion Excellent physical model craftsmanship and love for model building Proficient understanding of graphic design and architectural rendering techniques Photographer
Sketchup Revit AutoCAD Photoshop Indesign Illustrator Lumion Excel Kerkythea Rhino Grasshopper V-Ray
INVOLVEMENT
AIAS American Institute of Architecture Students Alpha Rho Chi professional brotherhood of architects
REFERENCES
Available upon request
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JORDAN ONLEY
ARC HITECTURE POR TFOLIO
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