JOSEPH HARRISON
RESEARCH
THE RESEARCH WAS COLLECTED IN LINE WITH THE ARTIST ‘EVIAN CHRIST’ (ABOVE) THE NAME OF THE MIX, ‘DUGA - 3’ COMES FROM SOVIET RADAR SYSTEMS THAT EMITTED SHORT TAPPING NOISES AT 10HZ
DR. ME - DAY BRIEF 1
EXTENDED PRACTICE - OUGD603
JOSEPH HARRISON
DEVELOPMENT
THE ILLUSTRATIONS, PRODUCED BY MYSELF, EXPLORED THE DUGA - 3 TRANSMISSION STRUCTURES THE PAINT WASHES, PRODUCED BY MELISSA, REPRESENT THE CHAOS SURROUNDING THE TRANSMISSIONS AND THE SOVIET ERA THE COMBINED GRAPHICS EXPLORE OVERLAYING, REPEAT PATTERN, AND SYMBOLISM, IN LINE WITH THE MIX
DR. ME - DAY BRIEF 1
EXTENDED PRACTICE - OUGD603
JOSEPH HARRISON
OUTCOME
THE FINAL DESIGN WAS CHOSEN AS THE MOST SUCCESSFUL VISUAL EMBODIMENT OF THE CONTENT, CONCEPT AND AUDIO COMMUNICATION OF THE DUGA - 3 MIX THE STRIKING WHITE PRESENTS A STRONG CONTRAST TO THE DEEP BLUE WASH, AND IS GHOSTED BY THE REPEAT APPLICATION OF THE SAME ILLUSTRATIONS AT VARIED OPACITIES
DR. ME - DAY BRIEF 1
EXTENDED PRACTICE - OUGD603