TRAVEL DESTINATION: THE BRANDO ISLAND
INTERVIEWS: KAT AND CLARESE, EFFY HARVARD, & MARIO FUGNITTO
FASHION: FALL COLOR PALLETE
TRAVEL DESTINATION: THE BRANDO ISLAND
INTERVIEWS: KAT AND CLARESE, EFFY HARVARD, & MARIO FUGNITTO
FASHION: FALL COLOR PALLETE
DRESSED IN ZETAYE
EDITOR-IN-CHIEF
EDITORIAL PRODUCERs
JOSE-MARIA JIMENEZ
YASMINE KATEB
AREZOO JALALI
DARIA VALIGURAS
KRYSTLE LINA
JESSE GANT
YVES BRIGHT
JAMIE COATES
Dear readers,
FASHION EDITOR
CONTRIBUTING EDITORS retouchers
OLIVIA CRUTCHLEY
ANNA VOLOS
ROBBY WONG
KUCHMA OKSANA
BLUEMODE CREATIVE STUDIO
Welcome to the October edition of QP Fashion Magazine ! We are thrilled to bring you a dynamic issue full of creativity, innovation, and style. This month, we are honored to have the ever-glamorous Donna Feldman on our cover, dressed by the talented ZETAYE . Her sophistication and modern elegance embody the spirit of this issue.
Inside, we have a series of exciting interviews with some of fashion’s most creative minds. We sat down with renowned Canadian designer Mario Fugnitto , who shared his journey through the evolving world of design. We also had the pleasure of speaking with Kat Cole , founder and designer of KAT AND CLARESE , whose unique designs are shaking up the fashion landscape. Additionally, we caught up with Effy Harvard , the talented model and singer, who discusses her new projects and shares insights on balancing music and fashion.
For those dreaming of a luxurious getaway, our Travel Section takes you to the stunning The Brando private island in French Polynesia —an escape to pure paradise. And if you’re looking to elevate your accessories game, don’t miss our feature on the Kaos Car Bag , a stylish and functional must-have for the modern traveler.
As we enter the fall season, our Fall Color Palette Fashion Shopping Guide will help you curate the perfect wardrobe, with the most gorgeous hues of the season. And to top it off, we’ve included two captivating editorials showcasing the beauty and grace of Colombian model Sara Orrego and Guess model Sofia Lüders .
We hope you enjoy this issue as much as we loved creating it. Fashion is always evolving, and we’re excited to be your guide on this journey.
Warm regards,
JOSE-MARIA JIMENEZ Editor-in-Chief QPmag
8-29| 30-47| 48-61| 62-79| 80-91| 92-105| 106-107| 108-115| 116-123| 124-129| 130-131| 132-141| 142-146| 148-161|
EDITORIAL: SARA ORREGO
EDITORIAL: IN A LONELY PLACE
COVER: ZETAYE
EDITORIAL: SUPERMODEL VIBES
INTERVIEW: KAT AND CLARESE
EDITORIAL: RURAL REVERIE
FASHION: KAOS CAR BAG
INTERVIEW: EFFY HARVARD
EDITORIAL: NEW YORK AMORE
INTERVIEW: MARIO FUGNITTO
SHOPPING GUIDE: FALL COLOR PALETTE
EDITORIAL: FREE SOUL
TRAVEL: THE BRANDO ISLAND
EDITORIAL: CRUDO
MODEL: DONNA FELDMAN @donnafeldman designer: ZETAYE @zetaye.thelabel
PHOTOGRAPHER: MICHAEL BLANK @michaelblankphotography
PRODUCTION: STRAW HAT PRODUCTIONS @strawhat_productions
FASHION STYLIST: MADISON DIXON @madisondixonstylist
MAKEUP ARTIST: SUSAN ZEYTUNTSYAN @susanzeymua
PHOTOGRAPHER: YASMINE KATEB @yasminekateb
MODEL: SARA ORREGO @saraorrego AGENCY: PRETTY MANAGEMENT @theprettymgmt
fashion stylist: MEGAN ZINA @meganzina
MakeUp Artist: TEAL DRUDA @tealmuah
Hair STYLIST: LARK BAHAR YILDIRIM @misslarkhmua
Black corset HEIRESS from CLOTHED LA Earrings CAITLYN FLETCHER´S ARCHIVES Necklace STYLIST´S OWN
Black corset HEIRESS from CLOTHED LA Necklace STYLIST´S OWN Earrings CAITLYN FLETCHER´S ARCHIVES
Shoes JONAK from MAISON PRIVEE LA
Black corset HEIRESS from CLOTHED LA
Black corset HEIRESS from CLOTHED LA Earrings CAITLYN FLETCHER´S ARCHIVES
Necklace STYLIST´S OWN
Coat URBAN OUTFITTERS
Dress IKONOSTAS COUTURE
Earrings VINTAGE from CAPT SCRAP
Rings 1/9 STUDIO
Coat URBAN OUTFITTERS
Dress IKONOSTAS COUTURE
Earrings VINTAGE from CAPT SCRAP Rings 1/9 STUDIO
Shoes KURT GEIGER from CLOTHED LA
Set MUGLER from TANAKA VINTAGE Sunglasses
ADAM SELMAN
X LE SPECS
Scarf YSL
Coat URBAN OUTFITTERS
Dress IKONOSTAS COUTURE
Earrings VINTAGE from CAPT SCRAP
Rings 1/9 STUDIO
Coat URBAN OUTFITTERS
Dress IKONOSTAS COUTURE
Earrings VINTAGE from CAPT SCRAP Rings 1/9 STUDIO
Coat URBAN OUTFITTERS
Dress IKONOSTAS COUTURE
Earrings VINTAGE from CAPT SCRAP Rings 1/9 STUDIO
PHOTOGRAPHER: JESSE GANTT @jesseganttphoto
MODEL: JASMINE ELBOUKILI @jas_elboukili
AGENCY: WOMEN MANAGEMENT LOS ANGELES @womenmanagementla
FASHION STYLIST: SARAH TAVERNITI @sarahtaverniti
wardrobe provided by PR SOLO LA @pr_solo
MAKEUP
ARTIST: SUSAN ZEYTUNTSYAN @susanzeymua
HAIR STYLIST: SANG PARK @sangpark72
Photo Assistant: SEAN BERGER @seanstrocity
Top/Bottom
HAIR AND Makeup ARTIST: KESHA @keshabyme
LOCATION: DECLAN @5thletter
Top ZARA // Skirt LIKA
Bag KAOS CAR BAG // Earrings CAT JANIGA
PR SOLO PRIVATE COLLECTION
Interview by QP STAFF WRITER
In this issue, QP FASHION MAGAZINE is thrilled to present an exclusive interview with Taunya Zilkie , the co-founder of ZETAYE , a luxury fashion brand that exudes bold sophistication and celebrates femininity. With a passion for style that has been brewing for years, Taunya officially brought ZETAYE to life in 2022, inspired by her love for high-quality, statementmaking garments. Her approach to fashion is deeply rooted in her personal sense of creativity, drawing from her experiences in the arts and the vibrant fashion scene of Los Angeles .
In our conversation, Taunya shares insights into the essence of the ZETAYE woman—one who embodies strength, confidence, and elegance, while seamlessly blending glamour with comfort. From her journey in design to her commitment to sustainability and ethical production, Taunya gives us an inside look into what makes ZETAYE a truly unique and luxurious brand.
MODELs: DONNA FELDMAN @donnafeldman & LEXA KUBENA @lexakubena
PHOTOGRAPHER: MICHAEL BLANK @michaelblankphotography
designer: ZETAYE @zetaye.thelabel
PRODUCTION: STRAW HAT PRODUCTIONS @strawhat_productions
FASHION STYLIST: MADISON DIXON @madisondixonstylist
MAKEUP ARTIST: SUSAN ZEYTUNTSYAN @susanzeymua
Taunya, what inspired you to cofound ZETAYE and bring this vision to life?
A fashion line had been forming in the back of my mind for quite some time. I have always loved clothes and treated shopping and styling myself and my family and friends like it was my job! In 2022, with all the changes in the world, it became clear to me that it was time to pursue this passion. When I brought the idea to my co-founder - who has extensive experience in business but wishes to stay in the background - he encouraged me to think even bigger and bolder and together we developed a plan. His wisdom and support are truly the foundation and vehicle moving this vision to reality.
How would you describe the ZETAYE woman, and what kind of lifestyle do you envision for her?
I envision that the ZETAYE woman isn't afraid to dress up and make a tasteful statement. She loves feeling feminine and strong, pretty and confident, sexy but classy. She has a discerning fashion eye and loves a little glamour. A day in her life may consist of a career in the corporate world or running her household, but wherever she shows up, she likes a little polish to her look. She may like to dress a little high/low, mixing in some designer with some more affordable items, but overall appreciates quality pieces in her wardrobe.
“The ZETAYE woman loves feeling feminine and strong, pretty and confident, sexy but classy. ”
Can you tell us more about the process of creating the ZETAYE collections, from initial concept to final product?
It was about two years from start to launch. For my first collection, essentially, I designed the wardrobe that I, myself, wanted for Fall/Winter that I couldn’t find in the stores. I brought my
sketches to a development company in LA . They were instrumental in helping me source fabrics and trims and then create my patterns. After the patterns were done and the samples perfected, I found a manufacturer here in Los Angeles and by August 2024, we were ready to ship! That might sound simple, but it was so much work and there were many sleepless nights along the way stressing over design details or finding the right resource for each step of the process! But I loved it all and I’m so grateful for all the amazing people I was able to work with in the process!
What role does Los Angeles play in shaping the identity of ZETAYE, given that all your pieces are designed and made there?
Los Angeles is very adventurous in its fashion, it appreciates originality and taste. I have always loved the ‘fashion forward’ mindset of this city, it has definitely allowed me to have freedom in that expression. From a development standpoint, all the resources to bring this collection to life are right here in this city. I’m very proud that we are made in America , specifically Los Angeles and I would like to continue to use American resources as much as possible!
How do you ensure that your garments are both luxurious and comfortable, balancing elegance with wearability?
I put every sample on myself and my closest friends multiple times. If it isn’t comfortable, if the zipper is too hard to get up, if the dress is too hard to get on, if the fabric feels scratchy… I love the feedback and try to make sure we get it just right. I’m a perfectionist and I don’t like to cut corners. The clothes must look gorgeous but also be comfortable enough to go through the day or night and move with you in a flattering way.
Of course, we can’t be all things to all people, but we aim to address the details that I think are important to women and make a purchase worth the investment.
In your opinion, what sets ZETAYE apart from other luxury fashion brands?
I have immense admiration for so many fashion brands and designers! They inspire me with their creativity and ingenuity. But perhaps, ZETAYE is special because I took exceptional care to address the little details that I feel are often overlooked in women's fashion. I really tried to bring together comfort, functionality, quality and great design with my unique vision for each style.
Your pieces are described as "statementmaking showstoppers." Could you share a bit about how you incorporate bold design elements into your collections?
In my own personal style, I always like a little something, even a small detail that makes a garment or an outfit unique. For example, I love gold hardware and I've used a lot of that in the FW24 collection, such as gold chrome snaps, buttons and oversized zippers. I believe it adds a chic touch of elegance to an outfit and makes a simple silhouette something special that stands out in a crowd.
How important is sustainability to ZETAYE, and how do you approach it in your design and production processes?
To me, sustainability starts with people, our most important resource. Investing in and valuing great people are the building blocks of a great company and will reflect in our product. As a small company, we are just beginning to build our team, but it is our goal to create a place
where people can truly thrive. With regards to our beautiful earth, we are committed to being as environmentally respectful as we can with what is in our control. This is an evolving mission to be developed as we grow.
How does your personal journey in the creative arts inform your approach to fashion design?
My personal journey in the creative arts, whether it through acting, music, writing, graphic design, etc., has allowed me to continually grow and strengthen my creative ‘muscles’, for lack of a better word. It has allowed me to build my confidence and trust in my artistry and my own individuality so that I am better able to express my vision and walk in my purpose.
Can you elaborate on the importance of faith and determination in building ZETAYE?
My faith in God is my foundation and guiding light in everything I do. I try to make sure that in all things I am following God and that I’m able to respond to His direction and that my own will isn’t getting in the way. God is the ultimate artist and creator of all things so I know that anything beautiful comes from Him, I just want to be a vessel. My faith keeps me grounded and stable no matter what is happening in the world or in my life personally or professionally. I know that He’s in control and that gives me peace.
What does “Celebrating You” mean to you and how is this ethos reflected in your brand?
“Celebrating You” is a statement that everyone is valuable and made in the image of God and worthy of celebration. There is so much pain and suffering in the world today, even people that seem to have it all together are questioning the value and purpose of their life. And I think if everyone knew how important their life is
“God is the ultimate artist and creator of all things so I know that anything beautiful comes from Him, ”
“I want women to feel beautiful, glamourous, and comfortable! I want them to feel like they are wearing something special that flatters and attracts attention in the best way. ”
to their Creator maybe there would be, a little less suffering. If only in the smallest, most insignificant way, wearing a ZETAYE garment can make someone feel their beauty and value, that fills my heart.
How do you want women to feel when they wear ZETAYE pieces?
I want women to feel beautiful, glamourous, and comfortable! I want them to feel like they are wearing something special that flatters and attracts attention in the best way. And if a woman feels beautiful on the outside, perhaps that will contribute to her feeling confident and purposeful on the inside.
Who or what are your biggest influences in the fashion world, both past and present?
When I started buying fashion magazines at about 12 years old, I would read them cover to cover. It was the era of the supermodels, and I was so captivated by the glamour and the fun, bold, inventive fashion of the 80s and 90s. I also loved movies from the Golden Age of Hollywood and how the woman dressed in the 50s and 60s with such polish and poise. And in my family, the women were always well dressed and perfectly accessorized!
Currently, I am loving some of the ingenuity I'm seeing in fashion with the use of interesting hardware pieces and 3 dimensional elements that are still very wearable in the real world. I love unique fabrics and surprising details that don't overwhelm the wearer. I'm seeing a lot of adventurousness in this way, especially in many of the newer, emerging designers and it totally inspires me!
How do you approach innovation in fashion while staying true to ZETAYE's glamorous and feminine aesthetic?
My personal style and vision for ZETAYE is a healthy balance of both. To be simultaneously timeless and trend driven, I believe, will keep the designs fresh but wearable year after year. Keeping the focus on enhancing what makes a woman look and feel beautiful and adapting the trends or innovations to work around that is my goal. Personally, I find it so fun to see what new esthetics and styles and take off but not all trends are necessarily flattering. Femininity is so beautiful in and of itself. I want my designs to always lean into that beauty first and let the woman shine through.
Is there a particular person—celebrity or otherwise—who you dream of dressing in ZETAYE, and why?
If I had could go back in time…. Grace Kelly, Jackie Kennedy, Princes Di … They are the epitome of style, strength, beauty, and grace!
What are your hopes for the future of ZETAYE, and where do you see the brand heading in the next few years?
I hope to continue to grow, get more creative and design pieces that people love to wear repeatedly. I want to build a company where people enjoy working. I want to be able to contribute to the community beyond just making clothes. At some point, I envision that the brand will expand into other categories. You never know… I’m up for whatever God has in His plan!
PHOTOGRAPHER: KENT AVERY @kentaveryphoto
MODEL: CAITLYN MWENIFUMBO @bby_cai
“At some point, I envision that the brand will expand into other categories. ”
PHOTOGRAPHER: ANTOINE VERGLAS @antoineverglas
MODEL: SOFIA LÜDERS @sosowave
AGENCY: MOST WANTED MODELS @mostwantedmodels_official
FASHION STYLIST: ALICIA ROSATO @alicia.rosato
WARDROBE: ARCHIVES @archivestylingstudio
HAIR AND MAKEUP ARTIST: LUCIE LETZ @lucie_hair_mua
photographer´s assistant: MICHAEL PUSHKARSKIY @pushkarskiy_dp
PRODUCER: LERA LOEB @leraloebfilms
AGENT PROVOCATEUR
Blazer VINTAGE
Bra AGENT PROVOCATEUR Pants FENDI
Bra AGENT PROVOCATEUR
Interview by QP STAFF WRITER
In the world of modern accessories, Kat and Clarese is quickly making a name for itself with its distinctive blend of vintage flair and contemporary style. Founded by Kat Cole , the brand has grown from a single headpiece designed for a photo shoot into a full-fledged fashion line celebrated for its editorial-quality floral headpieces, chokers, and reimagined vintage handbags.
Kat and Clarese accessories are crafted to make a statement, fusing elements from classic fashion with a modern edge. Kat draws inspiration from old magazines, vintage jewelry, and timeless films, blending these influences with current trends to create wearable art pieces that feel fresh yet familiar. Known for their high level of craftsmanship and artistry, each piece is designed with the intention of making the wearer feel uniquely special. In this interview, we sit down with Kat Cole to delve into her creative process, her inspirations, and her vision for the future of Kat and Clarese.
Kathy, what inspired you to start the Kat and Clarese fashion brand, and how did you come up with the name?
My husband James McArthur Cole is a photographer. Right before Covid he went to Cuba to do a photoshoot of a ballerina. He asked me to do the styling. I decided to do a flowercrown as part of the wardrobe. It came out beautifully. The ballerina looked stunning in it. After the shoot I put up a few photos promoting my husband´s work and I started to get inquiries about the headpiece. After a few inquiries, a few custom pieces and the nudging of both my husband and my mother - I began to think about actually designing headpieces. It was Covid. Had allot of time on my hands. So I began and what was just a headpiece for my husband's photoshoot evolved into a business.
The name Kat and Clarese is a combination of my nickname, Kat , short for Kathy . And my mother's name, Clarese , who has always inspired me and I can remember as a child, her having the most beautiful clothing. So the name is very personal for me.
photos. And I combine the old with the new for a fresh modern take on vintage . Many say my work feels editorial. And it does. But I think of my work as wearable editorial pieces. For me, it's a feeling.
Floral hairpieces and chokers are central to your collections. Why do you think these items resonate so well with contemporary women?
Statement pieces are always a vibe. Contemporary women tend to gravitate toward pieces that are unique and that make a statement. Again floral headpieces and chokers have been around forever. But I like to make them feel fresh and interesting.
“I combine the old with the new for a fresh modern take on vintage”
Your accessories are known for their unique, unexpected designs. Can you tell us more about your creative process and where you draw your inspiration from?
I love beautiful things. I love to see women in beautiful things. I consider my work modernvintage. It's the old fashion magazines and books and movies that inspire me. I go to vintage stores and just look at jewelry, hats and clothes. And I take pictures or take notes. Then I look at the latest VOGUE or H ARPER'S BAZAAR or whatever fashion magazine and I look at the editorials. Again taking notes and
Recycled and re-imagined vintage handbags are a standout aspect of your brand. How do you source your materials, and what is your process for transforming them into new creations?
I love old handbags. The material. The shapes. I have a cabinet full waiting to be worked on but I don't want to give them up. My work is interesting in that much of what I create is one-of-a-kind. For some of my pieces once I make it and I sell it ... that´s it. So I have to get over my attachment to these beautiful bags. My plan for next season is to work on them. The ones I have completed have all had flowers which I source out of London and also from Miami. That is my plan for my new handbag collection as well. Continuing to work with florals. Stay tuned for these. I have some real plans for these.
Glamour and femininity are key themes in your work. How do you balance these elements while ensuring each piece feels fresh and modern?
I love all things feminine. And I love all things glamorous. I just love beautiful things. It's in my DNA. So it's only natural that when I am
designing that this is where it all begins for me. Before I design I ask myself "Is it uniquely feminine?" and "Do I think it will make a woman look and feel special?" If I can answer yes then I can begin.
Kat and Clarese accessories are described as wearable art. How do you ensure that each piece maintains a high level of artistry and craftsmanship?
Making pieces by hand. Slow fashion. Using the best materials. And honestly caring enough about what you produce and putting your name on what you produce that you would only create work of the highest quality. I think it really starts here.
Can you share a memorable moment or milestone in your journey with Kat and Clarese that significantly impacted the brand?
Honestly, being accepted at The Confessional Showroom in New York . Johnny Cohen , the owner of TCS , believed in my work in its infancy. Even more than I probably did at the time because I was so new to this. Once I began working with Confessional and began to get magazine editorials and celebrities wearing my pieces like right away - I began to see things differently. My confidence raised and creatively I hit another level and continue to do so. The Confessional Showroom has been the best thing that's happened to my brand and I have had several milestones, including the honor of being accepted into the Nordstrom family.
In the world of fashion, trends are constantly
evolving. How do you stay true to your brand's identity while adapting to changing trends?
I watch the trends. As a designer you must be aware of trends. And following trends is not necessarily bad. But I think you must never chase a trend and then allow it to change what your brand stands for. So I try to do a little of both. I keep my staple items but if there is a certain color that's trending for example then I don´t have a problem using that. If large flowers are the thing or charms on bags are the thing. Then that is doable. However, I feel like you should do you and let them catch up. For instance. before the oversized flower trend got strong a couple of years ago, I was already doing flowers. So it goes both ways.
Individuality is a cornerstone of your brand's philosophy. How do you design your pieces to celebrate and enhance the uniqueness of the women who wear them?
I create unique often one-of-a-kind statement pieces. My goal for my work is to elevate any outfit on a woman, or a man for that matter. My hope is that every woman who wears my work receives an "oh my gawd that's interesting" or an "oh my gawd that's beautiful" or an "oh my gawd that's amazing". Thats how I know I've done my job.
With sustainability becoming increasingly important in fashion, how does Kat and Clarese incorporate eco-friendly practices into its production processes?
Much of my work come from pieces that already
“The Confessional Showroom has been the best thing that's happened to my brand and I have had several milestones”
exist. For example my XL Denim Flower Bombs come from old recycled jeans. Or I use vintage rhinestones and vintage veils on my pieces. Additionally there are ways I try to reduce the carbon footprint. For example when I place an order for several items/supplies for my work and one product is ready on Tuesday but the other is not available till Wednesday- I will ask that it all ship together on Wednesday - if time permits. So that it can all come in one box if possible.
Your brand combines vintage and contemporary elements beautifully. How do you approach blending these different influences in your designs?
I love the old and the new. Actually I love the modern-vintage aspect of my work because although there is a familiarity to a piece that I am working with - there is also something something new and fresh about it. People often ask this question. And I am not sure that there is a real answer for this because allot of what I do is just a feeling. It's in my DNA. Sometimes I start with a vague concept from something I've seen while looking at some young Cher photos when she was being dressed by Bob Mackie or costumes on Diana Ross in Mahogany. Then I see an editorial in the latest French Vogue and my wheels start turning. Or I just see a piece of fabric that torally inspires me. So there are a variety of ways that an idea is born.
and Clarese accessories, and what do you hope she feels when she wears your pieces?
I hope she feels special. I know it's not a long drawn out philosophical answer. But that's it. I just want the woman that wears Kat and Clarese to feel really, really special.
What has been the biggest challenge you've faced in building and growing Kat and Clarese, and how did you overcome it?
Social media actually and I haven't overcome it. How do I reach more of the people that I need to reach to introduce them to my brand via social media. In particular Instagram. It's a challenge. But this too shall be slayed.
Can you share any collaborations or special projects that Kat and Clarese has been involved in, or any that are on the horizon?
There are a few. One in particular is with a national retailer actually. I can not disclose it yet. But soon.
What's next for Kat and Clarese? Can you give us any hints about upcoming collections or new directions you’re excited to explore?
I am working on a line of lenticular rhinestone chokers, necklaces, earrings and brooches. I am excited to continue to explore and build upon this line. Then it doesn't stop there. I have many more ideas floating around in my head.
PHOTOGRAPHER: KENT AVERY @kentaveryphoto
How do you envision the woman who wears Kat
MODEL: CAITLYN MWENIFUMBO @bby_cai
“I just want the woman that wears Kat and Clarese to feel really, really special. ”
Top SABINA MUSAYEV
Shorts WE THE FREE Hat PHYSICIAN ENDORSED
PHOTOGRAPHER: LEONARDO HOLANDA @holandaleonardo
MODEL: KRISTIN TOTARO @kristintotaro
AGENCY: ELITE MODEL MANAGEMENT MIAMI @elitemiami
FASHION STYLIST: ESTER GATTUSO @ester_gattuso
HAIR & MAKEUP ARTIST: MARYLIN NUZZO @makeupby.marylin
Dress
Boots PRADA
Jewelry STYLIST’S OWN
Jewelry STYLIST’S OWN Hat PHYSICIAN ENDORSED
Top & Skirt REFORMATION
Removable sleeves
CONFESSIONAL SHOWROOM MIAMI
Jewelry STYLIST’S OWN
Top KIM SHUI
Skirt NIGEL PRESTON
Boots SPELL
Hat PHYSICIAN ENDORSED
Jewelry STYLIST’S OWN
CONFESSIONAL
The world of accessories is shifting gears, and fashion enthusiasts are already racing to get their hands on the revolutionary KAOS Car Bag . Launched on July 15, 2024, this designer accessory is a fusion of bold design and luxury materials, ready to become a staple in the wardrobes of the most stylish individuals.
The KAOS Car Bag is more than just a handbag—it's a sophisticated expression of design, crafted for those who appreciate the finer things in life. Made from genuine Made in Italy leather, every element of this bag speaks to quality and craftsmanship, with details that make it the perfect finishing touch to elevate any outfit. Its trapezoidal shape, complete with two distinctive leather circles at the corners of the base, draws inspiration from the smooth curves of a car, giving it a unique structure that stands out.
Thoughtful design defines the Car Bag ’s functionality. It's compact yet spacious enough to store all the essentials with ease and elegance. The bag features a refined engraved logo, a secure clip closure, and an interior zip pocket to keep small items organized. The adjustable and detachable shoulder strap offers versatility, allowing it to seamlessly transition from day to evening wear. Available in classic colors—chalk, dove gray, burgundy, and black— the Car Bag is as adaptable as it is stylish.
It’s not surprising that the KAOS Car Bag has already become a favorite among the It Girls of the fashion scene. Chic, versatile, and distinctively designed, the Car Bag embodies everything these trendsetters look for: effortless luxury that makes a statement. From casual street style to more formal outings, this accessory fits perfectly into the life of anyone who wants to exude sophistication with a modern edge.
The Car Bag represents more than just an accessory— it’s a testament to Italian craftsmanship, elegance, and a forward-thinking approach to style. With a price of €169 , it’s an opportunity to invest in a piece that is sure to turn heads this season and beyond. For those looking to make a subtle yet impactful style statement, the Car Bag is set to be a must-have.
Interview by QP STAFF WRITER
Effy Harvard is no stranger to pushing boundaries. As a model who’s graced campaigns for iconic brands like SavagexFenty and Urban Outfitters , her work reflects a blend of authenticity and boldness. With a striking presence in both fashion and music, she brings a unique perspective to the creative world, infusing her love for vintage Texan fashion into her personal style. In this interview, Effy shares her most memorable experiences and the pivotal moments that defined her path.
From her roots in Spring, Texas to the bright lights of the fashion industry, Effy ’s journey hasn’t followed a conventional path. Her love for modeling sparked while watching her sister on America’s Next Top Model , but it was through her own ambition and artistry that she made a name for herself. Today, she’s more than just a model; she’s a singer-songwriter with a deep passion for music.
TALENT: EFFY HARVARD @effyharvard
AGENCY: NEWMARK MODELS @newmarkmodels
PHOTOGRAPHER: AMANDA BURTON @bellaxtela
HMUA: MICHELLE V @beautybymichellev_
LOCATION: THE NOHO COMPOUND @nohocompound
Effy, you’ve worked with iconic brands like Urban Outfitters and SavagexFenty. What has been your most memorable modeling experience so far?
Thank you for having me! I have to say, you’ve named the top two brands where I felt so over the moon because they could’ve booked anyone for their campaigns. Urban Outfitters was my absolute favorite shop in high school, and it was always a goal to walk around, and see myself larger than life modeling pieces I loved. For SavagexFenty , anything Rihanna creates is magic! Modeling for her sport and lingerie campaign felt out of reach to me, and it was such a career high. It’s fun to know she’s seen my face, and decided to put our images in her physical stores and homepage.
Coming from Texas, how did your roots shape your journey into the fashion industry?
Growing up in Spring, Texas I stayed mostly outdoors riding the gokart though the woods, and playing sports. I will always have an affinity for working outside, using the natural light and wind in my favor. I’ve fallen in love with thrifting 1950s western wear, I feel most myself in Texan attire. Reminds me of my dad.
alternative side. I lived for myspace and the concert scene, often in the mosh pits and crowd surfing. I didn’t have the worries I do now. Thankfully I let go of my red and black hair extensions just before starting my modeling career in Miami . Modeling back then really encouraged dressing simple to be a canvas for clients, so I began giving in to that over time. In more recent times, I realized I would rather inspire clients with what the glam and clothing attire I prefer. Cat eyes, Rita Hayworth hair, atop of a collared garment made 70 years ago.
You’ve been a part of major campaigns for brands like Abercrombie & Fitch and Too Faced. How do you choose which brands to collaborate with?
“Music has always been the love of my life. ”
What was the turning point when you realized that the traditional college route wasn’t for you and modeling was your path?
The turning point was quick when I had my first test at Texas State University , and ran to admissions to drop out. I was severely unprepared, and felt very lost in what goals I was reaching for. My sister Allison had recently been on America’s Next Top Model , and I loved seeing the photos she had from all the challenges Tyra set up. I figured it could be fun to give modeling a go while I was a hot mess.
How has your personal style evolved as you’ve grown in the modeling world?
Starting in my teens, I was still on the
I must say, I love my agency called Newmark out in California . They’ve helped me book so many neat brands I’ve hoped to shoot for since I began my journey. A dream collaboration I am manifesting is with Reformation . I’m in love with their old school designs, and I appreciate the thoughtfulness of their sustainability.
Besides modeling, you’re passionate about music. Can you share how music became such an integral part of your life?
Music has always been the love of my life. I’d take my mom’s car keys when I was little just so I could be alone, and sing my lungs out. Shyness has been a hurdle for me when it comes to singing, so I focused on writing. I even submitted a poetry book to publishers. I ended up getting my Real Estate license during Covid to feel like I had some sort of plan. But, reality kicked in when I got started my onboarding paperwork at a realty office. It felt too real. I told my girlfriend, “I don't want to sell houses, I want to be a singer.”
Who are your biggest musical influences, and how have artists like Cat Stevens and James Taylor inspired your sound?
My influences are vast. But, my favorite songwriter is Conor Oberst from Bright Eyes . I’m moved by his overwhelming emotional intensity, and you never know what he is going
to say. I love original ideas, a formula or an algorithm does nothing for me. The storytelling Cat Stevens and James Taylor use is unmatched, their visual descriptions and fervor take me through a cinema. I hope to do that for listeners. Can you tell us more about the music you’re currently working on and what we can expect from your upcoming releases?
I've been taking writing trips out to Nashville , I love the creative country energy out there! There are 3 songs I am looking to have recorded by the end of the year, all very classic country. One to cry to, and the others to yell in the car with the windows down. Stay tuned!
Balancing both modeling and music careers can be demanding. How do you stay creatively inspired in both fields?
Balance is not my forte, and I do go through periods of staying in bed isolating myself to bring myself back to life. I pull inspiration from looking at ads and newspapers from the 1960s. The dialogue and wordplay in turn brings me to a creative place where I want to build a story around a phrase or word I feel connected to. How has being a model influenced your approach to music and vice versa?
Despite my irritations with putting off music, it gave me heaps of time to think about exactly how I wanted to do it. Earlier on, I felt claustrophobic in these boxes brands or my agents at the time wanted me to be in. I never felt attracted to trends, or wanting to be in uniform with everyone else, and I love giving older pieces a new life. Knowing myself more, I feel more confident being a model after digging deeper as an artist. When you’re on set for a photoshoot, what’s your go-to pre-shoot ritual to get into the zone?
My face looks so different if I don't sleep, so getting eight hours is imperative. Step 1 after showering is a moisturizer, then a hydrating serum as I do a lymphatic massage on my face.
If I know the mood of the shoot, I’ll make a playlist to help with the character we are trying to embody.
Your music is described as personal and heartfelt. How do your life experiences influence the lyrics and sound you create?
With my debut, “Her Boots,” I unfortunately have a decent amount of cheating stories that are weirder than the next, but I wanted to write a version to tap into my sense of humor. I wish I had been more unbothered when I was going through these moments because losing a cheater isn't losing anything. While recording, I was very particular about requesting all real instruments, I didn't want anything computer generated. The drums you hear on my debut are from the 1930s! Are there any upcoming fashion campaigns or music projects you’re particularly excited about?
Yes! I’ve been lucky enough to shoot for Aviator Nation , last time in Aspen , and the campaigns will be releasing before the year ends. I’ll have writing and recording trips sorted before the holidays back in Nashville . I am excited to write for other musicians as well, I love tapping into the overlap we have to create a tune!
What advice would you give to young people who are trying to pursue unconventional career paths, like you’ve done with modeling and music?
I don't have it all figured out, I’m not sure if anyone does, but I encourage everyone to find what makes their heart happy. You really can do anything if you work regularly on your craft, and don't allow setbacks to take you out of the game. After dropping out, I applied to over thirty modeling agencies and they all said no except for Wilhelmina Miami. The higher ups are just guessing at what they think could work, but nobody knows anything. Shut doors will guide you to the ones overjoyed by your arrival. You are never stuck!
“I feel more confident being a model after digging deeper as an artist. ”
PHOTOGRAPHER: ANTOINE VERGLAS @antoineverglas
MODEL: SEYLA ZANON @seylazanon_
FASHION STYLIST: ALICIA ROSATO @alicia.rosato
WARDROBE: ARCHIVES @archivestylingstudio
HAIR AND MAKEUP ARTIST: LUCIE LETZ @lucie_hair_mua
photographer´s assistant: MICHAEL PUSHKARSKIY @pushkarskiy_dp
PRODUCER: LERA LOEB @leraloebfilms
Interview by QP STAFF WRITER
We had the pleasure of sitting down with the celebrated Canadian fashion designer, Mario Fugnitto , at the iconic Beverly Hills Hotel . Known for his stunning designs and collaborations with models from the legendary Sports Illustrated , Fugnitto has carved out a unique space for himself in the world of fashion. Over coffee and the warm Californian sunshine, we delved into his creative journey, entrepreneurial spirit, and aspirations for the future.
Mario, thank you for joining us. How has your experience been in Los Angeles so far?
Thank you for this opportunity! LA so far has been full of opportunities. Portia at POP has been so supportive with the transition into the LA clientele.
Tell us about your early days in fashion design. What sparked your initial interest?
Originally, shopping with my mother for her events that she would drag me out dress shopping for locally sparked my interest. Fashion design as a career really started off between careers as a professional dancer and creative. Designing for the NBA Raptors Dance Pak "WE THE NORTH" branding was really the reason why I bought a sewing machine. I knew I could design and told my friend who was on the team to let me produce the costumes. I used the deposit to purchase my first sewing machine.
Your bodices have received a lot of acclaim. What inspired you to focus on this particular garment?
April fittings for May carpets. We had some pivots, which ended up with me producing all three carpet looks. Having a little themed story moment with a wet look into a form towel, finishing with an Oroton metal gown with a rhinestone micro bikini detail. It was very surreal attending the events, fitting Lauren on-site, and seeing it walk the carpet.
What was the first piece you designed that made you feel you had decided that design was the right path for you?
“Most of my garments come from a specific inspirational moment. ”
I think the bodices have sparked interest in my clients with the structure and materials I use. Most of my bodices are wet form leather; the technique used to form the leather was intriguing once I realized it can be manipulated into a new shape.
How did your collaboration with Sports Illustrated come to be, and what has that experience been like?
Lauren Chan , one of the models for the 2023 and 2024 swimsuit edition, asked back in November 2023 to produce a red carpet look (it was online and she is a huge supporter of Canadian talent). March came around with
During COVID, I had taken a picture of a metal-printed corset I produced on my friend and muse Haley McPherson . The reception to the whole production was very supportive, indicating that others enjoyed our art.
Can you walk us through your typical design process from concept to completion?
I’m self-taught. Most of my garments come from a specific inspirational moment. Sometimes it could be from a film to a textile manipulation concept. I start with the story that I want to share with my clients. The story comes from the textiles I choose; sometimes it’s evident in a large-scale print on the gown. Each garment is unique and has its own process.
What do you think sets Canadian fashion apart from other fashion capitals?
The Canadian fashion industry is probably one of the smallest in the world for having cities like Toronto (a huge hub for pop culture in films and music). The opportunities are limited, which forces designers to be incredibly innovative and resourceful. The sense of community and support among designers is also something unique. We have a blend of multicultural influences that bring diverse perspectives to our fashion.
How do you stay creatively inspired amidst the fast pace of the fashion industry?
Staying creatively inspired requires me to continuously seek new experiences and sources of inspiration. Traveling, art exhibitions, and nature are significant sources for me. I also keep an eye on technological advancements in textiles and garment construction, which often sparks new ideas.
Can you share a story of a memorable challenge you faced with a design project and how you overcame it?
One memorable challenge was creating a gown for a high-profile client with a very tight deadline. The fabric we initially chose was delayed in shipping, which left us scrambling. We had to pivot quickly, choosing a different fabric and redesigning parts of the gown to fit the new material. It was a stressful process, but seeing the client’s reaction to the finished piece made it all worth it..
What significance do you find in seeing celebrities and models wear your designs?
Seeing celebrities and models wear my designs is incredibly validating. It signifies that my work is appreciated and recognized on a larger scale. It also helps in reaching a broader audience and elevating the brand’s visibility.
What were some pivotal moments in your career that shaped your journey as a designer?
Designing for the NBA Raptors Dance Pak was a pivotal moment, as it was my first significant project. Another was my collaboration with Lauren Chan for Sports Illustrated , which opened doors to more high-profile opportunities. Lastly, the positive reception of my metal-printed corset during COVID reaffirmed my decision to pursue fashion design seriously.
What advice would you give to young designers who aspire to gain international recognition?
My advice would be to stay true to your unique vision and style. Don’t be afraid to take risks and push boundaries. Network as much as possible and seek mentorship from established designers. Building a strong online presence can also help in gaining international recognition.
How do you balance preserving your unique design voice while also appealing to global markets?
Balancing my unique design voice with global appeal involves understanding and integrating current trends without compromising my core aesthetic. I ensure that my designs tell a story and evoke emotion, which resonates universally. Flexibility and adaptability are key, but authenticity is what ultimately sets you apart.
What elements do you consider essential when creating a new collection?
When creating a new collection, the narrative is essential. Each piece should contribute to the overall story. Quality and innovation in fabric choice and construction techniques are also crucial. I consider the wearability and functionality of the garments to ensure they meet the practical needs of my clients.
Lastly, with your brand gaining traction internationally, what are your biggest aspirations for the future, particularly here in Los Angeles?
My biggest aspirations for the future include expanding my brand’s presence in Los Angeles and establishing a flagship store here. I also aim to collaborate with more celebrities and influencers to increase visibility. Long-term, I want to develop a sustainable line that combines high fashion with eco-friendly practices, making a positive impact on the industry.
“I want to develop a sustainable line that combines high fashion with eco-friendly practices, making a positive impact on the industry.
As we transition into the cool embrace of autumn, it's time to elevate your wardrobe with luxurious pieces that blend timeless elegance with contemporary flair. Here are four meticulously curated looks for Fall 2024, featuring the latest offerings from high-end designers and luxury brands.
Blouse VICTORIA BECKHAM RUFFLED SILK BLOUSE $740
Skirt BOTTEGA VENETA SHINY LEATHER SKIRT $4,562
Boots STUART WEITZMAN 5050 BOLD BOOT $930
Clutch VALENTINO GARABANI VLOGO THE BOLD EDITION LEATHER MINI BAG $1,200
Scarf ETRO PAISLEY-LOGO-PRINT SILK SCARF $170
PHOTOGRAPHER: AREZOO JALALI @arezoojalali_photography
MODEL: PAULINA BREANNE @paulinabreanne
AGENCY: NIYA MANAGEMENT @niyamodels
FLOWERS PROVIDED BY LILY OF THE VALLEY @lilyofthevalley_oc
BY QP
STAFF WRITER
images from www.thebrando.com
Hidden within the sparkling waters of the South Pacific , The Brando is a private island paradise on the Tetiaroa atoll, an island chain steeped in both natural beauty and cultural history. Once owned by the legendary Marlon Brando , this exclusive retreat is now one of the world’s most sought-after luxury resorts, offering a truly unique blend of indulgence and sustainability.
From the moment you arrive at The Brando , the island’s serene atmosphere and commitment to environmental stewardship are immediately apparent. The resort is a leader in sustainable tourism, designed to operate with zero carbon emissions. Solar panels, coconut oil biofuel, and an innovative seawater air-conditioning system ensure that your stay is as gentle on the environment as it is on the senses.
Marlon Brando ’s vision for the island was one where nature and luxury could coexist harmoniously, and the resort has taken his dream to heart. Every aspect of The Brando is meticulously crafted to reflect this ethos, with villas built from renewable and local materials, ensuring they blend seamlessly with the natural landscape. Native plants and wildlife thrive here, and you’ll often see tropical birds, sea turtles, and even dolphins just off the coast.
The accommodations at The Brando are nothing short of spectacular. The resort offers 35 private villas, each carefully designed to embrace the island’s natural beauty. Whether you choose a onebedroom villa perfect for a romantic getaway or a sprawling three-bedroom villa ideal for families or small groups, you’ll enjoy unparalleled luxury. Each villa boasts its own private pool, direct access to white-sand beaches, and unobstructed views of the vibrant lagoon. The interiors are modern yet warm, featuring Polynesian-inspired decor, rich wooden textures, and floor-to-ceiling windows that let the island’s light and energy flood every room. Spacious outdoor decks invite you to unwind in peace, with private paths leading you directly to the pristine shore.
For those seeking an even more exclusive experience, The Brando offers two ultraluxurious Teremoana Residences , each spread across multiple levels and situated in their own secluded areas of the island, offering complete privacy.
At The Brando, adventure and relaxation go hand in hand. Water lovers can dive into the crystal-clear lagoon for a guided snorkeling experience where they’ll encounter rays, tropical fish, and coral gardens teeming with life. Kayaking through the peaceful waters of the atoll or stand-up paddleboarding in the calm lagoons offers guests a deeper connection with the island’s natural splendor. For the adventurous, the resort provides guided tours that explore Tetiaroa’s biodiversity and historical significance. On these excursions, guests can visit ancient Polynesian temples, see nesting green sea turtles, and learn about the island’s unique ecosystem, which the resort is committed to protecting. If wellness is your goal, the Varua Te Ora Polynesian Spa is a sanctuary within a sanctuary. Hidden away among the palm trees, the spa offers a variety of treatments inspired by Polynesian traditions, from soothing body massages to rejuvenating
skin therapies using local ingredients. Imagine unwinding in an open-air treatment room, with the sounds of the waves gently lapping in the background.
Dining at The Brando is a gourmet experience that combines international flair with locally sourced ingredients. The resort’s two restaurants, Les Mutinés and Beachcomber Café, are overseen by Michelin-starred chef Guy Martin. Dine on FrenchPolynesian fusion dishes made with fresh produce from the resort’s organic garden or enjoy a candlelit dinner on the beach for a truly romantic experience. Private dining in your villa is also available for those who prefer a more intimate evening.
One of the standout features of The Brando is its dedication to cultural and environmental preservation. Guests are invited to learn about Polynesian culture through traditional dance performances, storytelling sessions, and guided
tours of the island’s historical sites. The resort’s Tetiaroa Society research station also provides insight into the island’s conservation efforts, offering tours where guests can meet the scientists working to protect the local ecosystem.
The resort's Ecostation plays a key role in preserving Tetiaroa ’s biodiversity. Researchers at The Brando study marine life, bird migration, and climate change, and guests can engage in discussions or even participate in conservation activities, making their stay both enriching and meaningful. These efforts ensure that Tetiaroa remains a thriving sanctuary for generations to come.
Whether you’re exploring the coral reefs, dining under the stars, or simply enjoying the tranquility of your private villa, every moment at The Brando is designed to captivate the senses and restore the soul.
For those seeking an escape from the ordinary, The Brando offers a level of privacy that is truly unmatched. The resort is accessible only by private plane, ensuring that only a select few ever set foot on its pristine beaches. Whether you’re a celebrity seeking seclusion, a couple on a romantic retreat, or a family looking for a once-in-a-lifetime vacation, The Brando is a destination where you can fully disconnect from the world.
Marlon Brando fell in love with Tetiaroa while filming Mutiny on the Bounty in 1960, and his dream of creating a sustainable, self-sufficient paradise has been brought to life through this remarkable resort. The Brando is more than just a luxury getaway— it is a sanctuary of environmental preservation, cultural reverence, and unparalleled comfort. A stay at The Brando isn’t just a vacation; it’s a transformative experience that will leave you with memories of pristine nature, impeccable service, and a deeper connection to the earth.
PHOTOGRAPHER & PRODUCER: PATRYCJA PIOCH MAKURAT @piochpatrycja
MODEL: SARA CHYBALSKA @sarachybalska
AGENCY: SELECTIVE MANAGEMENT @selectivemgmt
fashion stylist: KLAUDYNA WÓJCIK @stylist_inhype
MakeUp Artist: PAULINA SKIBA @paulinaskiba_makeup
Hair stylist: KASIA KODROŃ @kasiakodron_makeup_hair
production assistants: EFTERIA CAPAKCUR & NINA PIOCH
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BY YASMINE KATEB