MARTIN RAVELO, JM_ENGLISH PORTFOLIO by Jose Maria Martin Ravelo

José María Martín Ravelo 18/03/1986

Spain

jmmravelo@gmail.com +34 630507869 EDUCATION

PROFILE A highly motivated, proactive architect with work experience and willing to take new challenges, with excellent interpersonal and people management skills and adaptable to team or individual roles. Versatile and able to work accurately under pressure. I am particullary interested in design process and construction supervision, as I have a creative and engineering education.

2005-2012 Architect (ETSAM). Madrid Technical University (UPM) Final Project Degree grade: Honours (A+)

Spanish

Native

English

French

German

Chinese

Arabic

DRIVING LICENSES Motorbike Driving Licence Car Driving License

COMPUTER SKILLS

Pasionate traveller. Amateur photographer. Furniture restorer Bicycle renovator. Occasional painter. Avid reader. Creative cook. Daily cyclist Begginer mechanic. Explorer.

Basic User

2010 Nov Architecture seminar attendee: tradition and innovation facing seismic component 2009/10 Sep-Jun Scholar researcher; ARKRIT research group ETSAM (UPM).

2009 Abr-Jun #Moving in free zones 2 Assistant, social approach and improvement in Charlois, Rotterdam.

2009 Abr-Jun ZUID Shortfilm Assistant, by Jacopo Gandolfi; #Moving in free zones 2 project, by Lucia Babina. 2009 Mayo Workshop INDESEM ‘09, at TU Delft, Netherlands.

2009 Feb-Jun Exchange Student at TU Delft, Netherlands.

2006 Ene-Mar Furniture Design Workshop, ETSAM (UPM).

2004 Aeronautical Engineer First year Student (UPM).

WORK EXPERIENCE

2013 Ene

2012/13 Nov-Feb

AMM Studio collaborator in sports and residential projects. Final Project Degree assistant.

2012 Nov

Arango Architects collaborator in architecture competitions.

2012 Ago

College and university tutor.

2011 Mar-Jul

Atchitecture Studio Infiniski, Santiago de Chile. (Modular Container Houses)

Feb 2011

Sebastián Contreras (Estación Espacial) collaborator in architecture competitions.

2012 Jun

Fibart 2012 1st Prize. "Greens" Installation.

2011 Nov

2nd Prize Urban Design Competition for ETSAM courtyard, Madrid.

AWARDS

REFERENCES Average User

2012 Mar Workshop MECEDORAMA; Matadero Madrid, rocking chair design.

Advanced User

Javier Arango Díez, Architect. Nicolás Maruri Mendoza, Architect Adelino Magalhaes Moreira, Architect. Jaime Gaztelu, Architect. Loretxu García, Infiniski CEO.

Freehand and measured drawing abilities. Hand modeling design process. Digital and paper layout capability. Model and built projects photographer. Design software advanced user. MISCELLANEUS

2012 May Basic course I, Real Estate Valuation. Valuation Department (UPM)

2010 Jun Exchange student at FAU Chile, University of Chili.

SKILLS

LANGUAGES

info@arango-arquitectos.com nico.maruri@gmail.com am.arquitecturas@gmail.com jaime.gaztelu@gmail.com loretxu@infiniski.com

2011

CRUE Santander and MAGALLANES exchange scholarship at Architecture and Urbanism Faculty (FAU),University of Chili, Santiago de Chile, Chili.

2010 Nov

Honorable Mention at IX ARQUÍMEDES (Young Researchers Competition) with ARKRIT Research group ETSAM (UPM).

2010

Education and Science Ministry Scholarship for young researchers at UPM.

2009

ERASMUS Scholarship at TU Delft, Holanda.

2006

BANCORREA (chair design) Publication - Waste Design Exhibition, Basurama. at La Casa Encendida, cultural centre, Madrid.

2004+2005

Excellence Scholarship, Comunity of Madrid.

FINAL PROJECT DEGREE MADRID SOUTH, TAXI CENTRAL STATION Nudo Sur M-30, Madrid

Tutor: Nicolรกs Maruri October 2012, ETSAM (UPM): Honours

GRAPHIC SKILLS:

Architecture projects and contests

2012-2013

BANCORREA

Waste Design Workshop, ETSAM

Car Timing Belts utomobile industry residue, timing and ventilaton belts are replaced every 150.000 km. Easily found at every neighbour machine shop.

Rocking Chair Design Workshop, Mecedorama

ETSAM Courtyard Design Competition

With Patxi Martín, 2006 Waste Design Exhibition. Basurama; La Casa Encendida, Madrid

Obsolete chair structure bandoned furniture structures reuse. Easily found at every city corners.

MECEDORA OLIMPICA

LISTÓNLOUNGE

With Natalia Vera & Álvaro Borrajo January 2012

with Patxi Martín, 2011 2nd Prize

Useless formwork strips aste formwork strips reuse, after building construction Easily found at every residue deposit near a construction site.

Car Timing Belts utomobile industry residue, timing and ventilaton belts are replaced every 150.000 km. Easily found at every neighbour machine shop.

Steel Rods rebended and straight steel rods. Easily found at every construction shop.

Plastic Bands aste plastic bands reuse. Easily found at every residue deposit near a construction site.

“GREENS” FIBART 2012

Benicassi, Beach, Castellón, España With Patxi Martín & Natalia Vera June 2012

MATERIALES Antithetic, cal. Adj

1 of the nature of antithesis. 2 directly contrasted. The project seeks a golf field recreation in Benicassim main beach. Beach space is transformed into its antithetic by modificating the sand surface. The beach itself is turned into a Bunker1 and Greens2 appear as an oasis where people could rest and interact. Marked with a pennant, the green surfaces are easyly spotted. Sand colonization over the green areas is a metaphor for the desetification process because of global warming. Spontaneous oasis appear as eventual fertile refuges where to stay until its dissapearance. 1. Búnker: sand trap an obstacle on a golf course. 2. Green: culmination of a golf hole, where the flagstick and hole are located

3. 1. HOLE 1. HOYO PVC tube Tubería de PVC 2. FLAGSTICK BANDERA Flexible2.plastic tube 2.5mm diam. Tubo de plástico flexible de 2.5m. 100% Nylon Fabric for de pennant. Tela para Bandera 100% Nylon 3. GREEN Grs.surface. serigrafiada. Sintetic120 grass

3. GREEN

Superficie de césped artificial, con diferentes patrones de corte.

HOUSE IN "VALLE DEL ELQUI" Valle del Elqui, Coquimbo, Chili

Structural and Constructive development for this container-made house. Infiniski Chile. April 2011

RENEW AND RESTORATION

Av. Portugal 84, Santiago de Chile, Chili H. Eliash - M. Terán / 2010 University of Chili

1.95

B 2.21.95

4.9

2.2

4.9

3.6

3.6 1.7

2.4 1.7

2.4

1.1

2.4

33.95

1.5

+ 5.20

Área de becarios Departamento Arquitectura

+ 3.60

15 20

+ 3.60

4.05 1.8

3 2

2 3

4 7

5 8

6 7

8 9

Zona de reunión

Área de becarios Departamento Arquitectura

9 8

Zona de reunión

0.25

+ 5.20 10

1.2

+ 0.00

Shafts de Ventilación, Shafts de Ventilación, 6 5 Residuos: Residuos: 4 Orgánicos,Papel y Envases Orgánicos,Papel y Envases

1.2

+ 0.00

Celosía de Madera Estructural

Estructural

1.2

3.15 2.6

0.25

e Celosía de Madera

1.2

Jardín Planta 1

161º

13 12 11

+ 5.20

1.2

+ 0.00

1.2

+ 0.00

1.5

0.75

4.05

6.55

4.2

1.8

1.2

0.75

1.2

g 2.8

rado

+ 3.60

3.05 0.25

0.25

1.2

0.65 1.2

1.2

1.2 1.2

1.2 1.2 1.2

1.2

14.3

5 1.2

1.2

14.3

138º

0.85

1.2

1.15

3.6

7.15

3.6 1.2

1.2

1.2 1.35

1.55

1.35

510

NCT: + 24.95

NPT: + 21.60

NCT: + 21.35

NPT: + 18.00 NCT: + 18.80 NCT: + 17.75

NPT: + 14.40

NPT: + 13.50 NCT: + 14.15 NCT: + 13.25 NPT: + 10.80

NCT: + 10.55

NPT: + 10.80

NCT: + 10.55

NPT: + 8.10 NPT: + 7.20 NCT: + 7.85 NPT: + 5.40

NCT: + 5.15

NCT: + 6.95

NPT: + 3.60

NPT: + 2.70 NCT: + 3.35 NCT: + 2.45 NPT: + 0.00

B’ 50

NPT: + 25.20

NCT: + 15.95

0.85 1.15

2.45

1.2 1.55

NCT: + 27.50

NPT: + 16.20

7.15

2.45

B’ 0

1.8

0.35

0.65

1.8

0.35

A’

2.8 1.2

3º

0.25

2.8

1.2

0.25

1.2

Despachos Arquitectua

1.2

Despachos Arquitectua

3.05

1.2

Estanterías divisoras de ambientes

0.25

1.2

Estanterías divisoras de ambientes

15.7 2.5

0.25

1.2

0.25

15.7 2.5

A’

Escu

ela Un

ificad

a de

Preg

+ 2.70

3º

A rado Preg a de ificad

14 13 12 11 10 9 8 7 6 5 4 3 2

ela Un

1 14 13 12 11 10 9 8 7 6 5 4 3 2

Escu

1 1

1.8

+ 2.70

3.05 0.25

Muro de Vidrio translucidoMuro de Vidrio translucido con iluminación interior con iluminación interior

6 5 4 3 2

1.2

0.25 3.05

Zona de descanso

4.19

0.25

Zona de descanso

Núcleo estructural de Baños (HA25)

+ 3.60

6 5 4 3 2

1.8

2.8

1.2

0.25

Núcleo estructural de Baños (HA25)

+ 3.60

1.2

0.5

2.8

16 15 14 13 12 11 10 9 8 7

4.19

+ 2.70

1.2

+ 2.70

+ 5.40

16 15 14 13 12 11 10 9 8 7

Espacios de trabajo Espacios de trabajo

28.55

Espacios de reunión Espacios de reunión y descanso y descanso + 5.40

0.25

+ 3.60

+ 2.70

Espacios de trabajo Espacios de trabajo

0.5

2.8

+ 3.60

+ 2.70

161º

1.2

19 18 17 16

It was decided to add a new element, structurally independent of the existing building, that embraces and relates to it, always from a safety distance, becasuse of the earthquakes. Share, however, functional relationships along the height development of both buildings.

0.3

0.6

Núcleo estructural Núcleo estructural de Comunicaciones de Comunicaciones e Instalaciones (HA25)e Instalaciones (HA25)

4.2

+ 5.20

3.15 2.6

1.2

+ 3.60

19 18 17 16

Estanterías divisoras de ambientes

Zona de reunión + 3.60

+ 0.00

Departamentos Arquitectura Departamentos Arquitectura

1.2

Estanterías divisoras de ambientes

1.2

+ 0.00

+ 3.60

Núcleo estructural Núcleo estructural Escaleras emergenciaEscaleras emergencia (HA 25) (HA 25) 6.55

From the defined urban bases defined in a former excercise Masterplan, where relocating faculty administration placed in an old and precarius building was the main objective. Deeply convinced in the necesity of building conservation, the project envolves the old structure, transforms it and creates a new skin.

0.35

Muro Estructural Muro Estructural de Madera Tarugada de Madera Tarugada

Zona de reunión

4.95 0.35

Departamentos de Arquitectura Departamentos de Arquitectura

0.3

4.95

33.95

8.4

0.6

8.4

2.4

1.1

NPT: + 0.00

NCT: - 0.50

NPT: -3.50

NCT: - 3.85

NPT: -6.50

CHILDREN'S ART SCHOOL MNCARS, Madrid

Professors Miranda- Pina ETSAM 2008

A Children Art's Center in a secondary street near the Museum loading area is requested. Old and new buildings are key in the project. The oldest building was designed by Sabatini in XVIII century. The expansion was designed by Jean Nouvel in 2001. Loading and parking area must be conserved. Five pieces containing diverse artistic programmes are placed on the site, almost randomly, guided by none of the buildings main directions. The old building leads the height. In this way the three projects can be read as independant objects, manteining the scence from the old and the expansion.

WOODSTOCK 2009

Parametric Surface Prototype Urban Body TU Delft, Netherlands

1 mm



6)/2

(1/3+1/

300 mm

TUdelft

1/3





15 m



25x

26x STAIN

500 litres 1/2 hour 60 ºC

260x 300x







Once the maps are ready, the data is used to make new unexpected objects which have a direct relation to the studied place. Codifying the data in this way, we create a very powerful process to develope new forms, not only trusting on inspiration and muses as the only innovative resourse.



For building a 2x4.5 m Skin, 55 laser cutted plywood of 300x300x1 mm are needed. They should be cutted according to the pattern result of the research. Keep the pieces under quite hot water, 60-70 ºC, for an hour. Then we start putting all the pieces together overlaping them and bending them at the same time. Steel cable, aluminium clips and washers are used in order to keep the curve. Openings are controlled by a metallic screw.

 

CONDENSADOR ESPACIAL (SPATIAL CONDENSER) Carabanchel, Madrid

Professors Miranda-Pina ETSAM 2009

The site is located in a block's core of a new development aera, in Madrid. Densification in this void is the key, creating a buildig able to condense the neighbouhood's needs, increasing both services and housing density. The building must fit in with the existing buildings, constructed over 10 years ago. The center of the empty square is occupied by an hybrid building, holding a complex programme as a students accommodation, library, offices, gym, cafĂŠ, conference hall and paking.

THE CATHCER IN THE RYE

Velux 2012 International Competition

With Patxi MartĂn,Natalia Vera,Jaime Diz & Ursicino Endaman NsĂŠ

THE CATCHER IN THE RYE Our challenge is to integrate this forgotten world with the one above; the one we all appreciate and take care of. We think the best way to achieve this goal is by introducing natural LIGHT. Our proposal aims, from an optimistic point of view, to break this physical disconnection law establishing a DUAL relationship between the city surface and the underground. We have chosen Plaza del Callao in Madrid as a prototypical example of a dynamic vibrant public space where several flows of people coexist, due to cultural and commercial attractions in the surface, and the important subway Metro station underground. Standing back from the traditional language of the historical downtown, we propose an artificial "plantation" of Optical Fiber filaments, which communicate with the subway station situated under the Plaza. This way, light travels trough Optical Fiber and it is transmitted to the interior during the day, and in the opposite direction during the night, willing to express the city is a living entity. The interaction of the existing flows in surface with the ones underground modifies and animates this new dual public space, creating life and changing the landscape.

de la ETSAM, Tras la reforma del año 2007 del espacio disponible, el sentarse en el suelo se acabó. El 80% del patio es ahora inpracticable para eso que nos gusta tanto, sentarnos en el suelo. El “pavimento asiento” se sitúa inteligentemente en dos franjas laterales que diﬁcultan cualquier tipo de disposición espontánea de relación. Se propone un elemento articulado generador de situaciones y espacios de relación permeables y espontáneos.

desecho más usuales de la marca Cosentino se eligen 24 colores de forma aleatoria del catálogo de colores, que van a servir para generar las piezas de l elemento propuesto. Éstas, se maclan mediante un sistemna de machiembrado en seco sencillo que rigidiza el conjunto. Los giros que permiten la articulación del elemento lineal ayudan a esa rigidización.

Gedastu Love

Marrón Júpiter

Kona Beige

Naranja Fuego

"POLLYPOCKET" COURTYARD

Mont Blanc

Cosentino 2010 Competition

Gris Expo

Aquél patio me recordaban al sueño que tuve la semana pasada. Todo estaba bañado por una especie de polvillo que no permitía vislumbrar bien el horizonte, la luz del sol me cegaba. La gente se disponía por los laterales de aquel espacio disponible, unos preferían el sol, los otros la sombra del lado opuesto, se sentaban en el suelo, comiendo, bebiendo, fumando, charlando... ninguno se salvaba, todos llevaban aquella marca inconfundible que los uniﬁcaba y los identiﬁcaba, todos llevaban el culo blanco, blanco polvillo.

w/ Patxi Martin & Denis Calle ETSAM

Ivory Coast

Kesho

Koan

Negro Magma

Stellar Negro

Bei e ge Olim O Ol lliim mpo mp po po Beige Olimpo

Beige B Bei Be eiigge Daphne Daaphne D phnnee ph Alum Al umin inio io N Nub u e ub Aluminio Nube Amarillo Arena A marilillo A mar renna re Amarillo Ama arirrilllo Palmi Palmira miira

Amazon Amaz Am maz azon zon on

Negro Tebas Neg

Detalle de las piezas

Azul Ugarit

negro Ulises

Blanco Norte

Blanco Rivers

Blanco Capri

OK!!

W TF!!

Aquél patio me recordaban al sueño que tuve la semana pasada. Todo estaba bañado por una especie de polvillo que no permitía vislumbrar bien el horizonte, la luz del sol me cegaba. La gente se disponía por los laterales de aquel espacio disponible, unos preferían el sol, los otros la sombra del lado opuesto, se sentaban en el suelo, comiendo, bebiendo, fumando, charlando... ninguno se salvaba, todos llevaban aquella marca inconfundible que los unificaba y los identificaba, todos llevaban el culo blanco, blanco polvillo.

Se escoge com de la ETSAM, del espacio dis se acabó. El 80 cable para eso en el suelo. El inteligentemen diﬁcultan cual pontánea de re to articulado ge cios de relació

W TF!! W TF!!

OK!!OK!!

Blanco Dune

Blanco Mapple

Chrome

Cool

Crema Minerva

Eros Stellar

Secuencia de Montaje

Se escoge como Se escoge zonacomo de actuación zona deelactuación patio el patio Utili de la ETSAM, de laTras ETSAM, la reforma Tras la delreforma año 2007 del año 2007 dese del espaciodel disponible, espacio disponible, el sentarse en el sentarse el suelo en el suelo tino se acabó. Else80% acabó. delEl patio 80%esdel ahora patio inpracties ahora inpractitoria cable para eso cable que para noseso gusta quetanto, nos gusta sentarnos tanto, sentarnos servi en el suelo.enElel“pavimento suelo. El “pavimento asiento” seasiento” sitúa se men sitúa inteligentemente inteligentemente en dos franjas en dos laterales franjas que lateralesÉsta que diﬁcultan cualquier diﬁcultan cualquier tipo de disposición tipo de disposición esdeesm pontánea depontánea relación.de Serelación. proponeSe unpropone elemen-un elemenrigid to articulado togenerador articuladode generador situaciones de situaciones y espay espamite cios de relación cios de permeables relación permeables y espontáneos. y espontáneos. ayud

Fun

Rojo Eros

Silestone Rhine

Rainforest

Aprovechamiento de las piezas de desecho

Aquél patio Aquél me recordaban patio me al recordaban sueño quealtuve sueño la que semana tuvepasada. la semana Todopasada. es- Todo estaba bañadotaba por una bañado especie por una de polvillo especie que de polvillo no permitía que no vislumbrar permitía bien vislumbrar el bien el horizonte, lahorizonte, luz del sollame luzcegaba. del sol La megente cegaba. se disponía La gente se pordisponía los laterales por los de laterales de aquel espacio aquel disponible, espacio unos disponible, preferían unos el preferían sol, los otros el sol, la sombra los otrosdel la lado sombra del lado opuesto, se sentaban opuesto, en se sentaban el suelo, comiendo, en el suelo,bebiendo, comiendo, fumando, bebiendo, charlando... fumando, charlando... ninguno se salvaba, ningunotodos se salvaba, llevaban todos aquella llevaban marca aquella inconfundible marca inconfundible que los uni- que los unificaba y los identifi ficaba ycaba, los identifi todos llevaban caba, todos el culo llevaban blanco, el culo blanco blanco, polvillo. blanco polvillo.

Detalle de las piezas

Enjoy Carbono Perla Diana

Nuit Bleue

Brazilian Brown

Ebony Pearl

Blanco Stellar

Catálogo de materiales Dream

Nile

Detalle de Detalle las piezas de las piezas

Secuencia de Montaj

Stell Platinum

x12

x10

x22

x26

x16 Tao

Tigris Sand

Aprovechamiento de

Vital x8

x14

x16

x14

x10

x14 You

Yukon

Zeus Extreme

x10

x18

x12

x20

x10

x10 Unsui

Zirconium

Verde Ugarit

x20

x12

x15

x18

Secuencia Secuencia de Montaje de Montaje Catálogo de material

x20

Haiku Energy

Iron

Luna

x12 Aprovechamiento Aprovechamiento de las piezas de lasde piezas desecho de desech

Black Forest

Crystal Ash

x8 Cristal Sand

Polar Cap

Star Light

x10 White Diamond

CatálogoCatálogo de materiales de materiales

Terra

x20

Riverbed

x12

x10