Architecture Portfolio - Josep Campoy Valdez

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JOSEP CAMPOY VALDEZ ARCHITECTURE PORTFOLIO


josepcampoy29@gmail.com (513)-238-8500 isuu.com/josepcampoy

JOSE

EDUCATION

SKILLS

WORK EXP

University of Cincinnati College of Design Architecture Art and Planning

Digital

Resident Education and Cinicnnati

Bachelor of Science in Architecture Organizational Leadership Minor Graduating Class of 2023 CGPA: 4.00 Dean’s List 2018, 2019 & 2020 University Honors Program International Outreach Scholarship CESO Scholarship

Adobe Illustrator Adobe Photoshop Adobe InDesign AutoCad Revit Rhino & Grasshopper VRay Enscape

Andino Cusco International School

Language

VOLUNTEE

International Baccauleratte Cusco, Peru Class of 2017 CGPA: 4.00 High School Valedictorian

Spanish English Portuguese Quechua

+APNET - Marketing Inte +Architectural Foundatio +Clean Up Cincy-2018 +Pataz Dog Shelter - 2017

Resident Advisor

Built a community in the leaded the community an Desk Assistant

Provided costumer servic managed keys.

Manual Drafting 3-D Models Painting Collage

INVOLVEM

+National Organization fo Secretary) +American Institute for A +Latinx en Accion (memb +World Fest Opening Ce +Class President (2013-20


EP CAMPOY VALDEZ ERIENCE

d Development | 2019-2020 | University of

residence hall, fostered diversity and inclusion, nd indpired leadership onto others.

ce, received and organized packages, and

E R I NG

ern 2021 on of Cincinnati “Doors Open- 2019

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DESIGN EXPERIENCE Perkins Eastman | 2021 | New York City | Architecture Intern Worked on the healthcare studio. Primarily helped on projects both in the United States and South America. Main tasks involved creating diagrams, laying out parking schemes, making diagrams, and putting up presentations. AG Arquitectos | 2019-Present | Lima & Remote Architecture and Interior Design Intern Organized files, post-production of floor plans and sections in Adobe Photoshop. Attended meetings and store visits with clients to pick furniture and decorations. Staged and took pictures of created spaces. Managed Social Media account. Freelance | 2020 | Cusco | Graphic Design Enthusiast

ENT

or Minority Architecture Students (Founder & Ex-

Architecture Students (Member) ber) eremony Planner 017)

Designed logos and social-media posts for new businessed admist the pandemic.


CONTENTS


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14

1. POOL PROJECT

2. 5 SPACES

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28

3. PUBLIC RESTROOM

4. ICE PAVILLION

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38

5. UNIT MODULAR (GROUP)

6. POP-UP EXHIBITION

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56

7. PROFESSIONAL WORK

8. PERSONAL WORK


1.

POOL PROJECT

This project aimed to design a public pool in an empty lot in the Downtown are of Cincinnati. For my project I wanted to address also social issues based on segregation by adding a community greenhouse that was watered with treated water from the pools and facilities. The design was lifted from the ground to allow circulation based on existing alleys and streets.

DIAGRAMS Rhino & Illustrator

Converging streets and alleys

Circulation pad 6

Entrances


SECTION, FLOOR PLAN & ELEVATION Rhino & Photoshop

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EXTERIOR POOL RENDER Rhino, Vray & Photoshop The program for the project had one exterior pool for the summer and one interior that could be used year-round. To go with the lifted -up theme I decided to suspend the pool with a truss system and glass to be able

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STRUCTURE Rhino & Illustrator

to see it from underneath. In addition I also created a truss system to support the bridge that connects the two main buildings of the design. This bridge also allowed for views to the exterior pool and created interesting flow.


Bathroom Shower Locker Room Interior Pool Pump House Lounge

Outdoor Pool Community Greenhouse Plunge Pool Sauna Fitness Center Stairs

POOL PROGRAM Rhino, Illustrator & Photoshop

Elevators

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SUMMER SHADOWS Rhino & Illustrator

10 am shadows

12 pm shadows

For the design considerations, it was very important to use the sun in my favor. I first did a shadow study to estimate what the best place for the exterior pool would be. In addition, it was important to consider how

4 pm shadows

many views-in from surrounding buildings the pool would have. Besides enclosing the poo,l between the 2 buildings, I added a layer of privacy by adding a screen-wall throughout the perimeter.

SCREEN WALL DIAGRAMS Rhino & Illustrator

High Sun Radiance

Low Sun Radiance

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I did a radiance study with Grasshopper on the massing. The more sun radiance the more opening on the screen wall to allow more light

into the spaces. Having smaller openings in the less exposed areas also allowed more heat retention.


RENDERED POOL AND LOCKEROOM SECTION Rhino, VRay & Photoshop

SUN RADIANCE SCRIPT Grasshopper 11


MAIN ENTRANCE RENDER

Rhino, VRay & Photoshop

When entering the public pool the transition from the street is seamless due to the use of walking paths and lifting the building. In this image, the greenhouse can also be appreciated, which was designed to address the concerning food deserts in Cincinnati

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2.

5 SPACES

The goal of this project was to create 5 spaces, situated in a fantastical city from the fictional book by Italo Calvino “Invisible Cities.” The city I chose consisted of islands connected by canals and bridges. For my proposal, I decided to focus on spherical forms because they lent it a futuristic appearance that played well with the imaginary city.

CITY COLLAGE Adobe Photoshop

BIRDS EYEBIRDS VIEWEYE PERSPECTIVE BIRDS VIEWEYE PERSPECTIVE VIEW Render PERSPECTIVE Render Render

Rhino & Photoshop Rhino & Photoshop Rhino & Photoshop

The gathering Thespace gathering has The a space dome gathering has to allow aspace dome light has to allow a dome ocean. light to allow The light study ocean.space The ocean. study has a space clerestory The study has awindow space clerestory has a window clerestory window in and an aquarium in and anfloor aquarium in that and allows anfloor aquarium to that look allows floor that to look allows that allows to look light that in allows but prevents that light allows in but looking light prevents inout but looking prevents outlooking out right into the right ocean. intoThe the right lookout ocean. into The the space ocean. lookout has The a space lookout has to allow aspaceconcentration. has to aallow concentration. to A allow synthetic concentration. A tree synthetic is the Atree synthetic is the tree is the mezzanine and mezzanine a big organic-shaped and mezzanine a big organic-shaped andwindow a big organic-shaped window centerpiece window centerpiece in the overlook centerpiece in the from overlook which in the from people overlook whichfrom people which people that presents that thepresents view that of the presents city viewand of the the theview city and of the thecity move and into thethe move other intospaces. the move other intospaces. the other spaces.

FINAL FINAL FINAL DIAGRAMS DIAGRAMS DIAGRAMS DIAGRAMS Rhino & Photoshop Rhino & Photoshop Rhino & Photoshop Rhino & Photoshop

Summer sun Summer sunSummer sun Winter sun Winter sun Winter sun

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14

Stairs 8

STAIRS

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STAIRS

ILLUMINATION STAIRS ILLUMINATION & SIGHTSEEING ILLUMINATION & & SIGHTSEEING SPECIAL FEATURES SPECIAL FEATURES SPECIAL FEATURES Illumination &SIGHTSEEING Sighteeing Special Features


ES

Main Floor Plan

JOGGED

FLOOR PLANS Rhino & Illustrator

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BIRDS EYE VIEW RENDER Rhino & Photoshop The gathering space has a dome to allow light in and an aquarium floor that allows to look right into the ocean. The lookout space has a mezzanine and a organic-shaped window that

presents the city and the ocean. The study space has a clerestory window. A synthetic tree is the cernterpiece from which people move into other spaces.

MAIN ENTRANCE RENDER Rhino & Photoshop Focusing on spherical shapes gave the project a futuristic yet nostalgic appearance. I decided to render according to this theme. In my mind, 16

I pictured an only women club where they could escape the inequalities and gender constraints of their time.


JOGGED SECCTION PERSPECTIVE Rhino , Illustrator and Photoshop 17


UNDERWATER ALCOVE AND DOCK RENDER

Rhino & Photoshop

Down the stairs, there is a dock from which people can enter the building. Here, behind the organic middle sculpture, there is a hidden entrance to the underwater alcove to ensure ultimate privacy.

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3.

Public Restroom

A big problem in the United States is the lack of public restrooms in cities. Our project focused on an empty lot in the Over the Rhine neighborhood in Cincinnati. The purpose was supposed to design a public restroom that was accessible. I wanted to create a gender-inclusive restroom with sustainability as part of the focus.

RESTROOM PROGRAM Rhino & Illustrator

CONCEPT DIAGRAMS Rhino & Illustrator

Main Path Circulation 20

Structural Framing

Complete Framing


AXONOMETRIC FLOOR PLAN Rhino & Photoshop 21


BIRDS EYE VIEW AXONOMETRIC SITE

Rhino & Photoshop

In this image the relationship with the streets and buildings can be better appreciated. As well as the water tank that collects rainwater and the vernouli cell parapet .

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INTERIOR RENDER Rhino, VRay & Photoshop I wanted my design to explain with the architecture the flow through the building. That is why the main circulation path is accentuated with the wood framing. In addition, I created a central garden that permitted nice views,

illumination, and ventilation. In addition, I created a separate entrance for the showers to allow more privacy and ensure a better flow throughout.

SHOWER ENTRANCE RENDER Rhino, VRay & Photoshop Details like showing some framing elements elevated and others touching the ground to 24

explain architecturally what is structural and what is not.


Floor Plan

Section Bathroom

Section Shower

2D DRAWINGS Rhino & Illustrator 25


26


SECTION PERSPECTIVE

Rhino & Photoshop

I wanted to show the relationship between the circulation space and the bathrooms. In addition, showcase the use of vernoulli cell opeings that had different sizes depending of their orientation to let light in more efficiently.

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4.

Ice Pavillion

For this project, the intent was to make a pavilion to house an ice sculpture with three main spaces: entry threshold, ice sculpture viewing space, and exterior viewing space. These had to facilitate entry, movement, views, light, and shade. We had to select a spot to build it in “Burnett Woods” an urban park in Cincinnati.

ITERATION DESIGNS DESIGN Hand Sketches ITERATIONS DESIGN

DESIGN Hand Sketches ITERATIONS ITERATIONS

Hand Sketches Hand Sketches

DESIGN ITERATIONS HandDESIGN Sketches ITERATIONS DESIGN Hand Sketches ITERATIONS Hand Sketches

Main Space

View

Treshold Ice Sculpture The main considerations I wanted to have when designing the pavilion was The main considerations I wanted The main considerations I wanted toto having an interesting circulation through have when designing the pavilion was have when designing the pavilion was the program, passive circulation strategies to keep having an interesting through having anice interesting circulation through the sculpture from melting, and a the program, passive strategies to keep the program, passive strategies to keep structure that would complement the site. the sculpture from melting, and the iceice sculpture from melting, and aa structure that would complement the site. structure that would complement the site.

FINAL DIAGRAMS FINAL FINAL Rhino & Photoshop DIAGRAMS DIAGRAMS

Rhino Photoshop Rhino && Photoshop

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FINAL

The main considerations I wanted to have when designing the pavilion was having interesting circulation through Theanmain considerations I wanted to the program, passive strategies to keep have when designing the pavilion was the main iceinteresting sculpture from melting, and having an circulation through The considerations I wanted toa structure that would complement the site. the program, passive strategies to was keep have when designing the pavilion theanice sculpturecirculation from melting, and a having interesting through structure that would complement the site. the program, passive strategies to keep the ice sculpture from melting, and a

Scra Scra Scrap

Scra

Scra

Scrap


FLOOR PLAN & SECTION Rhino & Photoshop 29


DIAGRAMS Rhino & Photoshop

Programming Treshold Main Space View

Tectonics

Circulation

Mass Plane Frame

The main considerations I had for the design were: having an efficient circulation through the program, passive strategies to keep the ice sculpture from melting, and a structure that would complement the site.

MODEL INTERIOR Basswood & translucent paper 30

Passive Cooling

The entrance and exit to the Pavillion are from the top. This allows you to have different angles of the ice sculpture and a defined circulation. With my model, I explored the interaction between frame, plane, and volume.


PHYSICAL MODEL Basswood & Cardboard 31


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FINAL ICE PAVILION MODEL

Northeast Perspective

The model uses passive strategies as the main driver for the design. The building is embedded on the ground to keep the temperature stable throughout the year. The building has an opening to the north for light to come in and is closed to the south to prevent the ice from melting. In addition, the top openings have a translucent material to filter light.

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5.

Unit Modular Group Project

For this project, we had to develop a unit to construct an implied wall or structure. Our design consisted of 10 rectangle triangles put together with the help of dowels, wood glue, and nails. Each face was made up of wood we rescued from wood pallets discarded by people. Some faces had plastic bags threaded together instead of the wood planks.

MODULAR UNIT

STUDY MODELS

Lydia Blues, Alex Prinzbach, Jessica Nguyen, Alyssa Pinner, Emily Elder, Kenny Reese, Madisen Kleinmann, Xiaoyu Gu 34


DRAWING ( PERSONAL CREATION) Adobe Illustrator 35


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MODULAR WALL Wood Pallets & Plastic Bags For the design of the structure, we explored the organic geometry of the unit. We wanted to challenge how it sits on the ground and explore how tall we could stack them together without them falling or smashing each other (8’ tall). We joined them together by drilling holes on them and using nuts and bolts. This made it easy to change the design and the assembly of the structure considering we only had 30 minutes to put all the units together.

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6.

Pop-Up Exhibition

CEILING TRANSFORMABILITY Rhino & Adobe Illustrator

TRANSFORMABILITY SYSTEM Rhino & Adobe Illustrator

38

For this project, I designed a moveable exhibition that could collapse into a 7.5’x20’x13.5’ trailer that could travel around the world. The trailer housed 7 chosen items from the Smithsonian Air and Space collection. In addition, one classmate would add a trailer to the 60x60’ site to make it a bigger exhibition. Each trailer was designed individually taking into consideration the other person’s design.


EXPLODED AXON & AXON BY PHASES Rhino & Adobe Illustrator

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EXHIBITION ITEMS

1.

5. 2.

4.

3.

6.

7.

1. Tray 1D, Tool Kit, Skylab, (1973-1974), 14 1/4 x 9 x 1 1/2 in.)

3. Convair Space Shutle, Wind Tunnel, Model, 19681970), 7 x 20 1/2 x 12 1/2 in.

5. Depart D’Andree Pour le Pole Nord (1897), 14 x 10 1/4 x 2 in

2. Westinghouse Desk Fan, (1935), 12 x 10 x 14 3/4 in.

4. Beacon and Tower, (1920s), 73in x 68in x 14ft 11in

6. Tin Toy, Robot, Space Tank, (1960), 10 x 5 1/2 x 5 in.

Satellite, Electronic Intelligence (1960), 20 in. The theme of my exhibition was contrasts for which I paired all items except for the tool kit. The tool kit was the first since it represented the “beginning” of technology. The fan and shuttle represented a streamlined 40

design but one was cosmetic and the other functional. The tower and painting compared the romanticization of travel. Finally, the toy and the satellite represented two completely different uses for AI.


INITIAL DISPLAY IDEAS Rhino & Photoshop 41


DEVELOPED DISPLAY IDEAS Atmospheric Sketches In order to explore the shadows and the feel of the space, I developed some sketches with gray paper and white and black pencils to explore light and shadows.

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SECTION Rhino & Adobe Photoshop I wanted to be very intentional with the way I used light. I did a radiance study to determine the highest concentration of sunlight. The louvers and framing system reacted to this to indicate flow and also create interesting

shadows inside. In addition, the ceiling adjusts to the pieces and the parts of the exhibition. It folds so it can be transported. The individual parts open or close depending on whether the light wants to be included or not.

DETAILED WALL SECTIONS

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The trailer slides through a rail system in order to be able to expand and create more space for the exhibition. There is a main structural system that supports the structure and most

importantly the ceiling. It does this through tension by metallic wire that goes through all the ceiling pieces. In the detailed wall sections, these systems can be better appreciated.


Compressed trailer with ceiling

Compressed trailer

Expanded trailer with ceiling

Expanded trailer

Kinetic ceiling

Kinetic ceiling

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PHYSICAL KINETIC MODEL Paper, fishing wire, basswood, push pins, wood glue, and hard-wood 46


SITE PLAN Rhino & Adobe Illustrator My design i situated on the lower right. The one above belongs to Rebecca Dugas 47


7.

Professional Work

CONCEPT DIAGRAMS Rhino, Photoshop & Illustrator 48

In this section, I will show a little about the work I have produced or helped produced while working in architectural offices. Having worked in New York and Lima gave me two very different experiences that helped me immensely to grow in the professional field.


MASSING DIAGRAM Rhino, Photoshop & Illustrator 49


PARKING LAYOUT AutoCAD 50


51


MORPHOLOGY DIAGRAMS Rhino, Photoshop & Illustrator

FLOW DIAGRAMS AutoCad & Illustrator (Collaborated with Architects) 52


Colored Plans AutoCad & Illustrator (Collaborated with Architects) 53


INTERIOR STAGING Potograph & Photoshop (Collaborated with interior Designer) 54


SECTIONS, PLANS AND MOODBOARDS AutoCAD and Photoshop (Collaborated with interior Designer & Architect) 55


8.

Personal Work PORTRAIT Watercolor

LOGOS Illustrator

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Besides architecture, I am inspired by art, creation, and Design in general. I have had the opportunity to explore the concept of equality and diversity through art and it is something I feel passionate about. In addition, I was able to design for some new businesses in my city during the pandemic.


WOMEN Acrylic Painting

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WOMEN’S RIGHTS Collage 58

SELF PO Water


ORTRAIT rcolor

HEPBURN Screenprint 59


THANK YOU!

josepcampoy29@gmail.com (513)-238-8500 h t t p s : // i s s u u . c o m / josepcampoy


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