SHANGFENG RAO
Master of Architecture, Washington University in St. Louis Selected Works 2017-2021
REFERENCE
Robert McCarter
Philip Holden
WASHINGTON UNIVERSITY IN ST. LOUIS Ruth and Norman Moore Professor of Architecture
Relationship: Former professor for studio in WashU rmccarter@wustl.edu
WASHINGTON UNIVERSITY IN ST. LOUIS Principal of Holden Architects Professor of Practice
Relationship: Former professor for studio in WashU ph@holdenarchitects.com
BLUR THE BOUNDARY In the modern society, people are alienated by invisible boundaries generated by value differences. However, such diversity should not create segregation but form a state of harmony. I believe architecture can become a container of diversity by blurring the boundaries between people.
CONTENTS 01 BUILDING AS CONTOUR Blur the boundary between Sculpture to Stucture Dialogue with Louis Kahn and Isamu Noguchi Playground
02 NARRATIVES COME AND NARRATIVES GO Blur the boundary between Space to Space
Blurs space and enables people to feel space through more senses
03 COWORKING AND LIVING IN THE CITY Blur the boundary between Program to Program Create new working and living life.
04 HOUSE FOR TEN Blur the boundary between Individial to Individial Soften the boundaries between migrant workers and locals in Beijing.
05 ANTI-MATRIX RESIDENTIAL COMPLEX Blur the boundary between Group to Group Break the monotonous lifestyle of conventional residential model.
06 BIO-COMPLEX COMMUNITY Blur the boundary between Species to Species The whole structure is a catalyst from bottom-to-top.
07 OTHER ACADEMIC WORK Advanced building system
08 INTERNSHIP GMP 2020. 09-2021. 02/ KPF 2021.02-2021.06
01 [BUILDING AS CONTOUR] A LIBRARY FOR CHILDREN’S BOOKS AN ADDITION TO LOUIS KAHN AND ISAMU NOGUCHI’S LEVY PLAYGROUND Riverside Park, New York Sculpture to column From art to structure Blurs the boundary playground and the interior space Individual Project/ Instructor: Robert McCarter Fall 2021 “I did not speak in terms of architecture. He did not speak in terms of sculpture. Both of us felt the building as contour; not one contour but an interplay of contours so folding and so harboring as to make, by such a desire, no claim to architecture. No claim to sculpture.” — Louis I. Kahn
[DIALOGUE WITH NOGUCHI PLAYGROUND]
[NOGUCHI COLUMN]
When I go to New York City, I need to think about how I may interact with the Noguchi playground, which is located nearby. My inspiration for several sculptures came from the form and texture of some sculptures at the Noguchi Museum in New York, which I visited recently. As a result, I created three sculptural columns for the structure. Because Noguchi’s sculptures are not only free in form, but also rich in texture, these three columns engage in a dialogue with his playground in terms of shape, and I incorporate bookshelves into the columns to express diverse textures in the process of creation. Three different columns can be used to mold and construct diverse spaces, which can be used to encourage the imagination of children. I hope that children will be able to read and play in my library space, which will be similar to the Noguchi playground on the outside.
[SYSTEM ANALYSIS]
[WALL & STAIR & AUXILIARY]
The use of stairs and walls builds on the notion of my original design, creating a strong vertical upward space and including the majority of the building’s supporting facilities into this system, including equipment rooms, restrooms, offices, storage rooms, and fire stairs, among others.
[COLUMN & BRIDGE]
The merging of the column and the bridge results in a browsing space that is diverse and multi-layered.
[COLUMN & BOOKCASE]
Sculpture is an art form that expresses itself through structure, transforming art into a language of architecture.
[FACADE & FURNITURE]
I created sixteen different reading rooms, each with a unique desk, for the project. It is possible to see the desk’s shape reflected in its front, and the sizes of the desks are organized by age grouping.
Through the integration of art, structure, space, function, and the child’s individual traits into a system, it creates the most efficient framework possible. In this context, the prospect of further stimulating the room adds to its richness and attractiveness by making it more engaging.
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1. Reading room 2. Entry hall
[ENTRY HALL FLOOR 5F]
[SOUTH-NORTH SECTION]
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[4F]
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1. Reading room 2. Office 3. Storage 4. Mechnical room 5. Interior playground 6. Daycare 7. Cafe 8. Kitchen
[EAST-WEST SECTION]
[TECTONIC DESIGN] Insulation
Precast concrete panel
Plywood panel
Double glazing glass
A series of primary and subsidiary beams, which resemble tree branches, suspends all of the reading rooms above the ground level. Furthermore, the tree structure adds to the enjoyment of the interior area.
Precast concrete panel
Insulation
Using precast concrete slabs that lap over the main structure, and splicing together panels of varying sizes, the massive facade is scaled to meet the size of the children who will be playing on the playground.
[READING ROOM DESIGN]
[WEST READING ROOM]
[SOUTH READING ROOM]
Sixteen different reading rooms cater for a wide variety of children’s choices and provide social Spaces at a variety of scales. Stimulate children’s interest and imagination in reading through various furniture designs.
02 [NARRATIVES COME AND NARRATIVES GO] Space to Space From exterior to interior Blurs space and enables people to feel space through more senses Individual Project/ Instructor: Philip Holden Spring 2020 Space, in architecture, typically refers to a kind of bounded atmosphere. But here I mean it differently. In mathematics— Space is a Closed Set of objects, de�initions, and operations. If you were to identify all the aspects of architecture you might engage, even the broadest of categories such as site, history, geometry, society, art, usefulness, economy, light, structure, narratives, construction, energy, and so on, you’d count up to a remarkable number.
[DYNAMIC LIGHT]
The combination of polycarboante and curtain makes the curtain float in the wind through the river breeze, and then produces dynamic light and shadow. Through the reflection and heat storage of the curtain, people will feel the touch of light when they touch the curtain. The design project is theater design, hoping to express sound through dynamic light and shadow.
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1. LOBBY 2. CAFE 3. EXHIBITION 4. CLASSROOM 5. FRONT HALL 6. STAGE 7. BACKSTAGE 8. SERVICE ENTANCE 9. KITCHEN 10. SHOP 11. STORAGE
[PLAN ANALYSIS]
Combined with the topography of the site and the river culture of Chicago, we hope to continue the park function of the site itself. Therefore, the building itself stands on the site, so that the original park can be preserved. In addition, the outdoor curtain flutters with the breeze on the surface of the river, forming dynamic light and shadow on the building surface, which echoes the performance of the theater.
1.FLASH 2.POLYCARBONATE 3.TRUSS 4.FRAMEWORK 5.INSULATION 6.DOUBLE GLAZE 7.METAL MESH
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[SITE ANALYSIS]
In this section, we can see that the whole building floats above the park and can provide good lighting for the park below. The reflection of sunlight through the polycarbonate and curtains can also make the park bright. Above the park is the auxiliary function of the theater, so that indoor and outdoor activities can be observed, blurring the indoor and outdoor space.
[SECTIONAL P
I hope to continue the park functio building itself stands on the site, so served. In addition, the outdoor cur surface of the river, forming dynam surface, which echoes the p
PERSPECTIVE]
on of the site itself. Therefore, the o that the original park can be prertain flutters with the breeze on the mic light and shadow on the building performance of the theater.
[MATERIAL ANALYSIS]
I select to use light and translucent material to express the floating. There is a the comparsion of light and weight between the metal mesh and truss. All those material and construction are comfortable for people who come to this park. So the boundary between ground, building and sky are blurred.
Framework
Ploycarbonate
Functional Room
Theater
Metal Mesh&Ploycarbonate
Truss&Box
[STRUCTURE ANALYSIS]
The building itself stands on the site, so that the original park can be preserved. In addition, the outdoor curtain flutters with the breeze on the surface of the river, forming dynamic light and shadow on the build
Truss
03 [COWORKING AND LIVING IN THE CITY] Program to Program From publicto private Blur the boundary between different program and create some new working and living life Individual Project/ Instructor: Sara de Giles Fall 2019 The phenomenon of population decentralization is leading to the migration of indigenous population from the historical center of European cities to the surrounding areas. High rental housing prices, the proliferation of low-cost airlines, the increase in tourist apartments and the remoteness from workplaces and industrial sites are pushing young people to live on the edge of cities, thus turning the historical center into a museum and commercial center. However, there are still gaps in the dense urban structure of these urban centers. These opportunities are provided for the third level of use to meet the needs of the contemporary society. This will enable us to establish a new economic and productive activity center in the center of the historical center, creating a new daily space for citizens.
[CITY AND THEME ANALYSIS]
From a city perspective, houses in Seville's old city are closely linked like plug-ins, so I want to use the same method to make my buildings conform to the city texture. As for the theme, I found that there is a sequence here, from co-working, office to community, is a process from public semi-public to private, and residential and city squares need such a process to activate people's activities. So I want each project to be connected to each other like a plug-in and to the city to blur the boundaries between them.
[CONNECT TO TH CITY]
From the general layout, the traditional Seville houses rely on the inner courtyard for lighting and ventilation, so when I design the building, I design the blocks by the way of jigsaw and produce many inner courtyards at the same time, so from the general layout, the building and the city are perfectly integrated. This kind of mosaic also makes the architectural space naturally obtain lighting and ventilation to meet the functional requirements.
[WORKING DEVELOPMENT]
Office
Not only in the world, but also in every city, the cooperative movement is developing. According to the global cooperation survey, the more space a city has, the higher its profit. In a busy co-operative City, the young space is more profitable than the lonely space. The use rate of desk in large space is higher than that in small space. After opening up, most of the cooperation space is focused on growth. When asked how many members a space has when it is open, the average cooperation space has increased by about 30% compared with the current number of members.
Coworking
semi-private
semi-public
public
cowork dine party
sport
private office
coffee
meet
playing
painting
study
chat
office
feeling
observe
street afternoon tea
performance
exhibition
study
living ice
off
cook
room
bed
bat
om
office living room
cowork
office cowork
plaze
study
sleep
hro
office
cowork
eating
e
offic
bedroom bathroom
kitchen
cowork
cowork
exhibition cowork
street street
cowork
office
cowork
exhibition cowork
street street
[CONCEPT ANALYSIS]
plaze
street
In my design, Co-working space is the core, which is the center connecting different projects. I hope to build a complete sequence from public to private through the way of jigsaw puzzle, and this method is reflected in the space, and finally blur the boundary between public and private.
Bedroom Bedroom
Kitchen Living Room Dinning Room Living Room
Coworking Space Coworking Space Coworking Space
Office Office Office
Exhibition
Exhibition Restaurant
[AXON ANALYSIS]
In this diagram, Orange represents the spatial relationship. I want to express in different shades of orange the degree of influence from working space. We can see that the influence of the coworking space radiates from the city streets, exhibition space, restaurant to the apartment space.
office
courtyard
street coworking
exhibition
coworking
corridor
office
[SECTION 1-1]
[SQUARE ANALYSIS]
The first floor is the exhibition and dining room space. I want to build an outdoor to indoor sequence. Each part has its own courtyard. I designed a complete street in the site that conforms to the human scale. In these courtyards, from the fully open square in the center to the courtyard in the building, and then to the courtyard at the edge of the site, it is a public to private courtyard radiating from the center to the surrounding.
office
corridor
coworking
street
exhibition
coworking
corridor
office
[SECTION 2-2]
[COWORKING ANALYSIS]
For co-working, a large, continuous and flexible space will activate more working modes, so I established a continuous, annular stepped space. In the Co-working space, we can see that there are three floors, the first one is 1.5 meters high. This space is connected with the exhibition on the first floor and the outdoor city square. People can have visual interaction from the windows here. The second floor is the corridor, which is a transition space from public to private.
Residental
Residental
Residental Coworking
Residental Coworking
Coworking
Office
Exhibition
[PROGRAM RELATIONSHIP]
Office
Exhibition
I hope to make the connection between different functions and break the hard boundary between them through the way of jigsaw on the section. And this way you can create a sequence in space. This spatial combination can not only obtain lighting and ventilation, but also make users in different functional spaces get visual interaction. Through visual interaction, we can activate the space with different requirements and different degrees of activity, and then design a better use space. The ultimate goal is to blur the boundaries of different functional spaces.
[PERSPECTIVE RENDERING]
When you walk in the traditional European streets, you will see many different activities, such as street coffee shop gossip, people enjoying afternoon tea in the restaurant, bartender at the bar table, even the balcony in the bedroom and so on. So I want to introduce a street into the apartment design as a semi private space (living room, dining room and kitchen to activate the shared space of the whole apartment, and this also meets the living needs of these contractors. .
[SECTION ANALYSIS]
Different projects are connected by the through height space, so that the building can be seen on the section to form a variety of continuous spaces. These spaces provide the possibility of interaction for users of different spaces, and the encounter and collision of people with different functions and backgrounds will trigger more and more diverse activities. The whole building is closely related to the surrounding site, just like the jigsaw puzzle. This way also creates many kinds of outdoor space, which indirectly meets the requirements of lighting and ventilation inside the building.
04 [HOUSE FOR TEN] Individial to Individial Soften the boundaries between migrant workers and locals in Beijing. Individial work / Instructor: YaLun Li Summer 2018 Considering the psychological hostility between migrant workers and locals in Beijing, I aimed to create a living space softening the boundaries between the two social groups with the project House for Ten. I identify differences in lifestyle between the two groups-commuting time and leisure time. The spatial form of hutong largely determines whether people are visible and accessible to each other, that is, the mode of co-presence and interaction. I extract typology (hidden front-yard) from traditional architecture, hutong. It is a pre-housing space that connects public and private. Furthermore, I design a DNA-like architectural prototype to create a continuous yet dispersive space. Such prototype generates an ambiguous condition between indoor and outdoor, private and public, thus constructs a synergy between people.
[VERANDA]
[WALL-DOOR]
[DOOR-SCREEN WALL]
[WALL-DOOR]
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1 Bedroom 2 Bathroom 3 Sofa&Table 4 Stove 5 Desk 6 Shared Kitchen 5m
[GROUND FLOOR PLAN]
[PRIVATE]
[SEMI-PRIVATE]
[SEMI-PUBLIC]
[INBED THEBUILDING INTO THE HUTONG]
I extracted the prototype space from the hutong and finally integrated the space into the hutong. Such prototype generates a ambiguous condition between indoor and outdoor, private and public, thus constructs a synergy between people. I hope that through the local elements, the migrant workers can integrate into Beijing’s life. The timeline of migrant workers and locals will become part of the story that continues.
05 [ANTI-MATRIX RESIDENTIAL COMPLEX] Group to Group Break the monotonous lifestyle of conventional residential model. Team Work/ Partner: Linjing Wang, Teng Wang Instructor: Xiaomeng Wang Fall 2016 The project “anti-matrix residential complex” aims to stimulate a richer community life by breaking the monotonous lifestyle of conventional residential model. In order to improve the comfort of the living and the traf�ic ef�iciency, the designer has achieved the goal of improving the comfort of the apartment by simplifying the road network and the building form. But as living time grows, the design of this model simpli�ies the lives of the residents and alienates the relationship between the neighborhoods. This project consists a central spine with multiple community activities linking different residential typologies. The form of the building changes with the change of the main axis, which breaks the single architectural form of the traditional settlement and provides a possibility for diverse community life.
[ANTI-MATRIX RESIDENTIAL COMPLEX]
By breaking the monotonous determinant settlement layout, a variety of architectural forms have been created. The traffic space of the main shaft, the secondary shaft and the circular lane is formed inside the settlement. According to the requirements of China’s lighting, the building has formed a variety of architectural forms under the same building prototype through software calculations, which further breaks the monotony of the determinant settlements and stimulates more community life.
[PLAN GENERNATION]
[Road Network Genernation]
The internal traffic of the settlement consists of a main axis and a secondary axis. These roads are mainly pedestrians, and the circular roads serve as fire exits. The building group is divided into four large groups. Each group has a central square inside. All buildings are half surrounded, forming a sequence of public space, semi-private space and private space. The buildings in each group are different and offer possibilities for diverse community activities.
[Building Genernation]
[Plan Analysis]
Infrastructure
Building Group
Semi-private Space
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10
50
The main axis is pedestrian-orient ed and provides a good space for social activities. The circular road is the main behavior of the car, in order to meet the �ire and traf�ic needs.
Cycling
Food Stall
Bazaar
Clinic
Driving
Parking
Walking
Cycling Driving
[SPINE SPACE TYPE]
[SPINE GENERNATION] Square
Building
Square
Roof
Pedestrian Road
Vehicle Road
A: Wall-Indoor-wall
C:Indoor-Glass-Outdoor-Gla ss-Indoor
B:Outdoor-Glass-Indoor-GlassOutdoor
D: Outdoor-Glass-Indoor-Wall
Community Center
Communication
Reading
Restaurant
Chating
Cycling Singing
Hospital
Cutting Hair
Parking
Drinking
Restaurant
Bazaar The main axis sets up two main quares in the crowd of people, and organizes four groups of community activities through the square.
Coffee Cloth Cycling
The interlaced main axes of the streamlines form a �lowing space and blur the interior and exterior. This provides good conditions for community activities.
Driving
06 [BIO-COMPLEX COMMUNITY] Species to Species The whole structure is a catalyst from bottom-to-top. Team Work/ Partner: Shengrui Xu, Yu Dong Instructor: Ning Li Summer 2017 The relationships between mankind and animals gradually changes from avoiding each other and spying on each other to make contact with each other. We intend to discuss the equality and trans-species communication so that humankind humbly play a secondary roles in daily life, and ultimately reforming a harmonious and symbiotic post-human society. By imbedding the Bio-Complex into the gaps between houses,while various forms of hidden public spaces would be activated.This change allows locals to get more opportunities to communicate with animals and plants.We expect to help them break down barriers between each other and strengthen the feeling of belongingness to the community civic responsibility. Meanwhile,more visitors would be attracted to the site, leading to steady economic development and ensuring social harmony and stability.
[PERSPECTIVE VIEW OF STREET]
Multiple activities of small animals ,like playing and foraging ,take place in the Bio-Complex which leads to varied communicating between animals and residents who come in and out every day. Feeding, playing with small animals would gradually become a part of locals’ daily life. The Bio-Complex also provides a lot pipes as homes for small animals to inhabit. Meanwhile, the passage of small animals hiding behind the billboard will minimize the impact on the daily life of the residents. This charming lifestyle would also attract more visitors so as to drove the development of the local economy.
[BIO-COMPLEX ANALYSIS] Shop&Residence House Tower
Billboard
Shop&Residence
House Tower
House Tower Residence
STREET BOX: A series of simple boxes are imbedded in the chaotic streets, which provide a clear contrast of surroundings. To the street pedestrians, this concise lightweight box is a visual attraction of getting into the gap space. Suitable nest-simulating nests are built for mammals and birds serving as cool-in summer-and-warm-in-winter shelters.
The whole structure of the design as a bottom-up design of the �irst catalyst, the relationship between people and animals from each other to avoid each other spy, after the accumulation of time to produce more likely to act, and then spy from each other to touch each other relationship. Each seam is connected by an ecological pipe, forming a system throughout the area, and growing to spread to a larger area. We do not want the relationship between people and animals from all apart from each other to open to each other, which will only exacerbate the bad relationship between man and animal, we would like to discuss the process of human and animal relations change is soft, equal change , And ultimately to achieve a harmonious and symbiotic, which is our design expression catalyst key.
HOUSE TOWER BOX: House towers are living space well-welcomed by young people. Various activities, either social or private, take places on the open space of the roof. As a catalyst, the box bridges houses and develops a connection of animals and plants with house tower dwellers.
ACTIVITY SPACE: Conceding backwardly to the street and extending the territory of the house tower, the box makes full advantages of the vertical gap space. Ladders being built owing to small mammals’ climbing-like characteristics, this space would become their paradise. surrounded by light-permeable outer skin ,as if it breaths, the originally barren space would full of vitality. The white skin brighten the space, delivering the feeling of soft and healthy.
ENTRANCE BOX: For residents living behind the street, the ways in and out through gap space are used to be grayness and boring. Through the introduction of animals and plants as catalysts, locals would develop habits of feeding and playing with the organism, gradually forming the ideology of harmoniously co-existing with other species
13 mm anodized-aluminium sheeting; 24 mm ventilated cavity; Drinage channel
5.6 mm two-layer bituminous membrane;13 mm waterproof gypsum-based composite board; 140-100 mm thermal insulation Ribbed roof decking with 8" long in lengths 3" in gauges Moisture-diffusing windbreak; framed metal supporting structure with 140 mm mineral-wool thermal insulation; vapour-retarding layer Steel beam with fire-resisting sprayed coat Fabric sunblind
Double glazing: 2x6 mm flint glass+ 13 mm cavity in aluminium frame Aluminium cover grating Convector heater
Drinage channel; 13 mm waterproof gypsum-based composite board
Vapour-retarding layer; 13 mm waterproof gypsum-based composite board; 140-100 mm thermal insulation Concrete fill
140-100 mm thermal insulation
3 mm plaster, painted white, 16mm plasterboard; 16 mm plywood sheeting
07 [OTHER ACADEMIC WORK] ADVANCED BUILDING SYSTEM
Program: Gymnasium Site: St. Louis Teamwork Teammates: Chen Li, Yimin Yang, Peiyu Zhou, Zixuan Guo Fall 2021 Instructor: Chandler Ahrens
08 [INTERNSHIP] Pukai Zhangjiangbang Retail | KPF Fosun Bund Center | KPF Wuhan Riverside Center | KPF Tianjin National Convention and Exhibition Center ( The 1st and 2nd Phase) | GMP Qingdao Port Tower | GMP
Pukai Zhangjiangbang Retail | KPF Shanghai, China 2021. 02-06
Assisted in Drawing and presentation material, MEP cooperation, Document translation, Material comparsion and selection, Contact supplier.
PUKAI ZHANGJIABANG LOT D Glass Sample Report_Round 1 06/01/2021
SYP_ROUND 1 FOR REVIEW
GL-1
GL-2
GL-3
GL-4
VLT: 45% VLR: 15% SC: 0.33 U VALUE: 1.4
VLT: 49% VLR: 15% SC: 0.35 U VALUE: 1.4
VLT: 53% VLR: 15% SC: 0.35 U VALUE: 1.4
VLT: 48% VLR: 15% SC: 0.33 U VALUE: 1.4
SHANGHAI WEST BUND MEDIA CENTER J-2 TYPICAL GLASS 上海西岸传媒 J-2 标准段幕墙
SHANGHAI DISNEYLAND ADMINISTRATION CENTER TYPICAL GLASS 上海迪士尼行政中心标准段幕墙
SHANGHAI HONGQIAO YINKE BUILDING ATRIUM CABLE GLASS 虹桥银科中庭拉索幕墙
SHANGHAI CAOHEJING GUIGU TOWER 上海迪漕河泾桂谷大楼
2331_MAGNOLIA TOWER TYPICAL GLASS 太平桥塔楼项目标准段幕墙
2615_LJZ QIANTAN 4 LOTS TYPICAL GLASS 陆家嘴前滩四方城项目标准段幕墙
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SHANGHAI EXPO BAOGANG TOWER TYPICAL FLAT GLASS 上海世博宝钢大厦标准段（平段）幕墙
PUKAI ZHANGJIABANG LOT D Glass Sample Report_Round 1 06/01/2021
SYP_ROUND 1 FOR REVIEW_CONCLUSION
GL-1
GL-2
GL-3
GL-4
VLT: 45% VLR: 15% SC: 0.33 U VALUE: 1.4
VLT: 49% VLR: 15% SC: 0.35 U VALUE: 1.4
VLT: 53% VLR: 15% SC: 0.35 U VALUE: 1.4
VLT: 48% VLR: 15% SC: 0.33 U VALUE: 1.4
SH NOTES: We think both GL-1 & GL-4 is close to our requirement. GL-2 is in a light green color, which is not acceptable. GL-4 is in light blue, we may suggest the supplier to adjust into a more neutral color, and send us for next round of review.
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Fosun Bund Center | KPF Wuhan, China 2021. 02-06
Assisted in Drawing and presentation material, Document translation, Meeting Summary Material comparsion and selection, Contact supplier.
Facade Visual Mock Up | UHPC
site context height
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250m 60m 240m 160m
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37m ERQ
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RESIDENTIAL TOWER OFFICE TOWER RETIAL AREA ENTERTAINMENT AREA
Wuhan Riverside Center | KPF Wuhan, China 2021. 05-06
Assisted in Site research, Concept Design, Digital modeling, Drawing and presentation material.
STR
EET
OPT 1
OPT 2
OPT 3
OPT 4
OPT 5
All photos taken by Shangfeng Rao
Tianjin National Convention and Exhibition Center ( The 1st and 2nd Phase) | GMP Tianjin, China 2020. 09-2021.02
Assisted in interior design, interior construction design, , Digital modeling, Drawing and presentation material.
Fireproof door connection according to the chinese code
All photos taken by CreatAR Images
Qingdao Port Tower | GMP Qingdao, China 2020. 09-2021.02
Assisted in facade detail design & interior design, , Digital modeling, Drawing and presentation material.
PORTFOLIO OF SHANGFENG RAO TEL:+1 3145666419 E-MAIL:raoshangfeng@wustl.edu