UNITE Ballet Festival Biographies

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WHO'S WHO IN THE COMPANY

ISABELLA BOYLSTON (Dancer). Born in Sun Valley, Idaho, Isabella Boylston (Principal Dancer, ABT) began dancing at the age of three. While training at the Academy of Colorado Ballet, she won the gold medal in 2001 at the Youth America Grand Prix Finals in New York City. In 2002, she began training at the Harid Conservatory in Boca Raton, Florida, on a full scholarship. Boylston joined the ABT Studio Company in 2005, the main Company as an apprentice in May 2006 and the corps de ballet in March 2007. She was promoted to Soloist in June 2011 and to Principal Dancer in August 2014. Some of her signature roles include Kitri in Don Quixote, Odette/Odile in Swan Lake, Lise in La Fille Mal Gardee, Nikya and Gamzatti in La Bayadere, and the title roles in Giselle, Manon, and Romeo and Juliet, as well work by Alexei Ratmansky, Alonzo King, Twyla Tharp, George Balanchine, and many others. Boylston won the 2009 Princess Grace Award and was nominated for the 2010 Prix Benois de la Danse. In 2011 she received the Clive Barnes Award. She was the recipient of the 2014 Annenberg Fellowship. Isabella has appeared internationally as a guest star with the Mariinsky Ballet, Royal Danish Ballet, Paris Opera Ballet, National Ballet of China, Rome Opera Ballet, and Ballet Estable del Teatro Colon. Boylston has also transcended onto the big screen, starring in Francis Lawrence’s film Red Sparrow alongside Jennifer Lawrence, as well as music videos for pop stars Rozzi and Carly Rae Jepsen. She has appeared in campaigns for brands such as Nike, Dior Beauty, and is a global Bulgari ambassador. In December of 2021 she was invited by the administration of President Biden to perform at the White House. Instagram and TikTok: @isabellaboylston

TRISTAN BROSNAN (Dancer). Raised in Pacifica, California, Tristan Brosnan (Corps de Ballet, ABT) began his dance training at age five at Westlake School for the Performing Arts. Brosnan went on to compete in the Youth America Grand Prix, where, at age 12, he was invited to join the Professional Ballet Program at Canada’s National Ballet School. At NBS, Brosnan trained under Mavis Staines, Alexander Gorbatsevich, and Sergiu Stefanschi among others, and performed choreography by James Kudelka and Matjash Mrozewski. He earned several awards as an Ontario Scholar, graduating in 2019. Brosnan joined American Ballet Theatre Studio Company in September 2019 before joining ABT’s corps de ballet in September 2022. His repertoire includes featured and leading roles in ballet’s by Christopher Wheeldon, Alexei Ratmansky, and Jessica Lang.

PALOMA CARRERA (Jonathan Mendez) (Dancer), the triple crown princess of ballet, was groomed for success by an ex-member of the "Estable de Baile del Teatro Colon". Winning the Princess Margaret Award placed Palomina on the fast track to ballet stardom and showed the world a thoroughly new breed of ballerina. With unbridled passion and restless spirit that cannot be broken, she is chomping at the bit to move forward in her career and onward to greener pastures. Though highly competitive, Paloma (to her friends) has one great wish for world peace. In that spirit, she is offering an olive branch to all those ballerinas who she has flown by if they will just accept that she is the prettier and more talented one.

JONATHAN MENDEZ began dancing at the age of nine in Cali, Colombia at the Colombian Institute for Classical Ballet (Incolballet). Upon graduation, he joined Incolballet, Colombia's premier dance company. Jonathan received a full scholarship to the Jacqueline Kennedy Onassis School at American Ballet Theatre. He performed with Dances Patrelle in their 2010 Spring Season (NYC). In May 2010, Jonathan performed with Avi Scher and Dancer at the Kennedy Center. In December 2010 Jonathan was a Guest Artist with Alberta Ballet in Canada, In 2013 Jonathan began working with Marie Chong at ARC Dance in Seattle as a Guest dancer. Jonathan joined Les Ballets Eloelle-Grandiva in July 2010 with which he performed in many tours all around Japan, Australia, New Zealand, China, South Africa, Malaysia and

Mexico. Jonathan was promoted to Principal Dancer of Ballet Eloelle-Grandiva in 2015 and was given the title of Prima Ballerina Assoluta-Supernova. Currently, Jonathan is the only Colombian dancer who is part of an all-male comedy ballet company in the world. Jonathan received the Fini Dance Extraordinary Dancer Award 2023 from the Italian International Dance Award. Jonathan is a certified teacher of the American Ballet Theater with over 10 years of experience, He is currently the artistic director of his own ballet school, which has the purpose of bringing classical dance to minorities in Queens NY. He is also featured in the American dance documentary, "First position.”

TERESA

CARIÑO (Estefano Gil) (Dancer). This South American sweetheart, a temple of artistry, is a theatrical ballerina with a big heart of gold and a small tin ear. She has won audiences over with her winning smile, syncopated rhythm and her very unique style of movement which has made many ask “What the?” Shamelessly using selfies to promote her cause and herself, her work with the coordinately challenged has led her to be considered a saint to those with two left feet. She has been given a wide berth by her fellow dancers, creating a spot on the stage for herself that only she can fill. Always dancing to the beat of her own drum and nothing else she has risen to the middle. This loving, sparkling personality would like to share the following, “Laugh and the world laughs with you, fall and the world laughs.

ESTEFANO GIL was born in Caracas, Venezuela and began his ballet training at BalletArte School Gustavo Franklin Foundation under the Direction of Lidija and Isabel Franklin and continued his training at Nina Novak Ballet Academy. He joined Ballet Teresa Carreño performing Demi-Soloist and Soloist Roles and participated in the III International Dance Gala in Montevideo (Uruguay). In 2007 he joined the Caracas Contemporary Ballet under the Artistic Direction of María Eugenia Barrios, performing as a Soloist. In 2008 Estefano traveled to Colombia and became a member of INCOLBALLET. He performed as a soloist dancing in Europe, Central and South America. He represented Colombia in The Colombia Bicentennial World Celebration in Belgium, Holland and Russia, Since 2012 Estefano has been a Guest Artist in the Staten Island Ballet and New England Ballet. In 2012 Mr Gil became part of Ballet Eloelle-Grandiva where he has been part of different Galas in the US. like Ballet Eloelle and Friends Gala in NYC, Assemble Festival in Seattle and was part of the Japan Tour 2023.

YOUBA CISSOKHO (Musician). Born to a jali storyteller family in Senegal, Youba Cissokho is a 72nd generation kora player. The kora, or a type of harp made from a calabash gourd, was commissioned by West African kings to recount songs of folklore and love. Youba fluently plays this traditional Mandinka and Wolof music as well as a modern style made up of jazz, reggae, and Afro beats. His lilting sound and expansive range comes from a lifelong exposure to a rich musical diversity. His father is Issa Cissokho, the saxophone player for the legendary world music group Orchestra Baobab, which blended Latin and Caribbean music with West African styles. Youba has performed solo all over Africa, Europe, and the United States in cities such as Paris, New York, and Dakar. He also joined Artist-In-Residence and LINES Ballet dancer Adji Cissoko on Center Stage at the Vail Dance Festival and frequently accompanies the Temple University ballet classes and orchestras. Youba has played at venues such as The Philadelphia Art Museum and World Cafe Live as well as on the main stages at Harmonic Earth Festival, Cisko Centre, and Odunde Festival, the largest African American street festival in the U.S. with over 500,000 attendees. Youba currently resides in Philadelphia and is available to travel to perform nationally and internationally. He is sought after for private events, state dinners, museums, gardens, ceremonies, and weddings. Youba is also a fixture in yoga studios and retreats; classical and modern dance classes; and clubs and cultural festivals. Youba’s music can stand on its own or be part of a larger band. He’s able to conjure a danceable, rhythmic, and energetic experience as well as a calming, meditative environment. From the very first note he plays on his strings, it feels as if he can suspend time with his soulful and mesmerizing sound. If you would like to book Youba, please contact +1.267.385.4948.

ADJI CISSOKO (Dancer) was born and grew up in Munich, Germany where she trained at the Ballet Academy Munich and graduated with a diploma in dance. Cissoko attended the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on full scholarship, before joining the National Ballet of Canada in 2010. In 2012 she was awarded the Patron Award of Merit by the Patrons’ Council Committee of The National Ballet of Canada. Cissoko joined LINES Ballet in 2014. Since then she’s originated many central roles and guested for galas worldwide. Cissoko has given multiple masterclasses and taught classes around the world as part of the company’s outreach program. In 2020, she became certified in health/life coaching and ABT’s National Training Curriculum. Cissoko choreographed her first piece “AZIZ “ for BalletX in 2021. She also is a 2022 recipient of the Toulmin fellowship.

TYSON ALI CLARK (Dancer) began his dance training at age 3 at Mary Flynn Murphy Dance Studio in Somerville, Massachusetts and he also trained at the Gold School in Brockton, Massachusetts. Clark studied with Boston Ballet from 2008 to 2011 and returned in 2015 on a full merit scholarship as a Boston Ballet School Trainee. Clark attended summer programs on full merit scholarship at the School of American Ballet, Houston Ballet and Boston Ballet. In 2016, he received the Princess Grace Foundation Dance Scholarship Award and the Chris Hellman Dance Award. Clark Joined Boston Ballet II in 2017. He Joined Boston Ballet as an artist in 2019 and was promoted to second soloist in 2023.

KYRA COCO (Dancer). A native of Chesapeake, Virginia, Kyra Coco began her dance training at the age of three at Ballet Virginia, where she trained until she was 15. She competed at the Youth America Grand Prix at the age of nine, going on to compete in the New York Finals. She later competed at YAGP at the age of 14, placing Top 12 in both the contemporary and classical categories. After attending summer programs with Houston Ballet on a full scholarship, Coco attended Houston Ballet Academy as a full scholarship student from 2018 to 2020. Coco joined ABT Studio Company in September 2020. In 2022, she danced with Mariah Carey in a piece choreographed by James Whiteside for the Global Citizen Festival. Coco became an apprentice with the main Company in November 2023

HERMAN CORNEJO (Dancer), born in Argentina, is one of the most celebrated ballet dancers today. He began his training at Teatro Colón’s Arts Institute in Buenos Aires and won a full scholarship to the School of American Ballet at age 14. At 16, he won the Gold Medal at the VIII International Moscow Competition, becoming the youngest dancer ever to do so. He joined American Ballet Theatre (ABT) Studio Company in 1998, becoming a soloist in 2000 and a Principal Dancer in 2003.Cornejo has received numerous accolades, including being named UNESCO’s Messenger of Peace, The New York Times’ 'Dancer of the Year', the Bessies Award in 2013, and the prestigious Benois de la Danse award in 2014. He has served as artistic director for the "Latin American Stars" Gala at the LA Music Center in commemoration of its 50th Anniversary. Cornejo is a sought-after guest artist and has performed with major international companies such as the New York City Ballet, La Scala Theatre Ballet, Kremlin Ballet, Boston Ballet, Teatro Colón, Universal Ballet of Korea, and the National Ballet of Japan. He has created new pieces with renowned choreographers including Twyla Tharp, Justin Peck, Christopher Wheeldon, Wayne McGregor, and Alexei Ratmansky. In 2020, he began producing and choreographing his own projects, including the Nijinsky-inspired 'Anima Animal', created under his NYU CBA Fellowship, and 'The Apartment', developed with MetLiveArts at the Metropolitan Museum of Art. In 2024, Cornejo celebrates 25 years with ABT, marking a significant milestone in his illustrious career.

KENNY CORRIGAN (Dancer) is a native of Western Massachusetts, currently residing in New York City as a member of the Paul Taylor Dance Company. Kenny received his BFA from Point Park University with a concentration in modern dance. He has worked with several dance companies such as Texture Contemporary Ballet, Bad Boys of Dance, Sheep Meadow Dance Theatre, Freckled Sky and Buglisi Dance Theatre. Kenny was featured on Season 9 of America's Got Talent with the group Bad Boys of Ballet, making it all the way to the Semi-Finals. Kenny has been fortunate to dance for artists such as Silenó, Neil Patrick Harris, Karlie Kloss, Harry Styles and Jimmy Fallon. Kenny has toured through Europe with Sweetbird Productions, leading the show, “Best of Rock the Ballet”, as well as performing the role of Romeo in “Rasta Thomas’ Romeo and Juliet”. Kenny performed throughout China and Taiwan with Christopher Wheeldon’s “An American in Paris” for their first international tour. He was a body double for Jimmy Fallon in the Macy’s Thanksgiving Day Parade and he performed in “Carmen” at the Houston Grand Opera with Rob Ashford as a principal, as well as covering the lead role of The Bull. @kennycorrigan

LUIGI CRISPINO (Dancer), born on April 17, 1997, began his training in 2005 at the Ballet School of the Teatro San Carlo in Naples, Italy, and graduated in June of 2015. During his training Luigi performed principal roles such as ‘Oberon’ in A Midsummer Night’s Dream and ‘The Blue Prince’ in Snow White with the Teatro San Carlo Opera. In 2014 he took part in the Jia Ruskaja Rome Prize in Moscow. On this occasion while performing at the Bolshoi Academy, Crispino met Franco De Vita, then the director of American Ballet Theater’s Jacqueline Kennedy Onassis School that invited him to New York. Arriving in New York in the summer of 2015, Crispino earned a subsequent scholarship to remain at the JKO School and take a year of their pre-professional courses. In 2016 he joined ABT Studio Company and in 2017 he joined the Corps de Ballet. His repertoire includes ‘Jean De Brianne’ (Raymonda Pas de Dix), ‘ Sugar Plum Cavalier’ (The Nutcracker- Balanchine), 'Siegfried' (Swan Lake), ‘Basilio’ (Don Quixote - ‘Act 3 Pas de Deux’) and ‘Solor’ (La Bayadere Suite - ‘Realm of Shadows’) as well as soloist roles in Bernstein in a Bubble (Ratmansky), ‘Neapolitan’ (Swan Lake, choreo. McKenzie), Collage and Creed (Farley), and A time there was (Bond), Songs of Bukovina (Ratmansky) and several Corps roles for all of ABT’s full length productions. In 2017 he received the Positano Prize - Leonide Massine as an international artist; in 2021 the municipality of Frattmaggiore in Naples, Italy, recognized Luigi as an international star and cultural patrimony; in 2022 he received the prestigious Vespoli Prize, again by the board of the Premio Positano - Leonide Massine

SHUAIB ELHASSAN (Dancer) from Manhattan’s Lower East Side, began his formal dance training at The Ailey School under the co-direction of Tracy Inman and Melanie Person on a full scholarship. Elhassan has also trained at intensives such as Earl Mosley’s Institute of the Arts, Jacob’s Pillow, and Complexions Contemporary Ballet. Elhassan was a member of Complexions Contemporary Ballet during their 2012- 2013 season. Additionally, Elhassan has performed with Life Dance Company, Zest Collective, Dance Iquail, and the Von Howard Project. Elhassan joined LINES Ballet in 2014.

ZHONGJING FANG (Choreographer) began her ballet studies at the Shanghai Ballet School where she trained for seven years. She then attended the Performing Arts College of Shanghai Drama University, and graduated with a major in ballet. Fang has won many prestigious ballet competitions, including the Prix de Lausanne, Paris International ballet competition, and won gold medals in Fenland Helsinki and Shanghai International ballet competitions. She joined the ABT studio company and was promoted to Soloist in 2018. In the past 10 years, Fang has choreographed pieces for numerous arenas, including the American Ballet Theatre’s Innovation Initiative and JKO School, New York Theatre Ballet, Columbia University Dance, Dig Dance project for the 92nd Street Y, and ABT’s Incubator project. Fang has extensive experience having taught at Shreveport Ballet

school, Shanghai Ballet School, Charm Ballet Company, Maywood Fine Arts Studio, Cincinnati Ballet School, and countless other facilities and studios. In 2020 she was invited to be on the jury of the 48th Prix de Lausanne competition. She continues to choreograph for numerous other projects including Perception for ABT’s first dance film festival; The Unforeseen for ABT’s Incubator project; Letters to my younger self for Burberry Inspire Project collaborated with ABT and Northern Ballet, with many additional projects in the making. In May 2024, her latest ballet, ‘Somewhere in Time’, premiered at the Kennedy Center’s 10,000 Dreams program, performed by Ballet West.

BRADY FARRAR (Choreographer) discovered his love of dance at the age of five. He has called Miami home for the last nine years, where he trained at Stars Dance Studio and The Art of Classical Ballet. He is a 6-time Youth America Grand Prix Finals medalist and a three-time Best Dancer Winner at The Dance Awards. In November of 2021, Farrar performed in Twyla Tharp’s show Twyla Now at New York City Center. He has also performed in international galas around the world; Germany, Italy, Israel, Mexico, and New York. Farrar attended the ABT Jacqueline Kennedy Onassis School in the 2022 spring semester under Cynthia Harvey’s direction, and joined ABT Studio Company in September 2022 under the artistic direction of Sascha Radetsky. Farrar has choreographed dances that have appeared in the Youth America Grand Prix Finals in Tampa, Florida, at the Nervi International Dance Festival in Italy, and onstage with ABT Studio Company. His ballet Night Falls will be performed by American Ballet Theatre’s main Company in the BAAND Together Festival in summer 2024. He has performed in Alexei Ratmansky’s The Nutcracker with the main Company of American Ballet Theatre and will join the Company as an apprentice in December 2024.

CHYRSTYN FENTROY (Dancer) began her dance training with her mother, Ruth Fentroy. As a scholarship student at the Joffrey Ballet School in New York City, she gained early touring experience with the Joffrey Concert Group. She performed as a leading dancer with the Dance Theatre of Harlem (DTH) under Virginia Johnson, and during her five-year tenure with the company, she had the opportunity to perform in Austria, Honduras, Italy, Israel, and Turkey. Fentroy joined Boston Ballet as an artist of the Company in 2017. She was promoted to second soloist in 2018, to soloist in 2019, and to principal in 2022. Her Boston Ballet principal repertoire includes George Balanchine’s Agon (pas de deux), Allegro Brilliante, Chaconne, The Prodigal Son; Jorma Elo’s Bach Cello Suite, Fifth Symphony of Jean Sibelius, Ruth’s Dance; William Forsythe’s Blake Works I, Blake Works 3, In the Middle Somewhat Elevated, Pas/Parts 2018, Playlist (EP); Jiri Kylian’s Bella Figura; Mikko Nissinen’s The Nutcracker and Swan Lake; Rudolph Nureyev’s Don Quixote (Kitri); Justin Peck’s In Creases; and Jerome Robbins’ Interplay and Glass Pieces. Fentroy was featured on the March 2023 cover of Dance Magazine and in January 2015 was a Dance Magazine “25 to Watch,” She received the Princess Grace Honoraria Award in dance in 2016. In 2018, she was recognized as one of WBUR’s “Artery 25,” which highlights influential artists of color in the Boston area. Chyrstyn’s recent creative collaborations include the development of the Color Our Future Mentorship Program at Boston Ballet, the concept and choreography for a dance film “Preface” for Boston Ballet with film company Bear Walk at the Liberty Hotel, and a limited edition shoe design with Rothy’s.

JESSICA FERRETTI (Dancer) is originally from Port Chester, New York where she started her dance training at Westchester Dance Academy. She graduated Magna Cum Laude from Marymount Manhattan College in 2019 with a BFA in Dance concentrating in Ballet. She joined Taylor 2 Dance Company in 2019 and Paul Taylor Dance Company in 2021. She has performed works by Paul Taylor, Lauren Lovette, Ulysses Dove, Kurt Joss, Amy Hall Garner, Larry Keigwin, and many others. She is thrilled to be a part of this festival! Follow her on Instagram @jessica_ferretti.

CRYSTAL HUANG (Dancer) was born in Fremont California. At the age of 3, she started dancing at Yoko’s Dance and Performing Arts Academy. Due to family reason, she moved to Las Vegas at age of 9, and continued dance training at The Rock Center for Dance. In 2021, Crystal had the honor to perform as “Clara” at the Radio City Christmas Spectacular in NYC for winter months. This past year, she traveled between Las Vegas and Northern California for contemporary training at The Rock and Vaganova ballet technique at Bayer Ballet Academy. Thanks to the Prix de Lausanne prizes and scholarship from the Oak Foundation and Minerva Kunststiftung, Crystal is able to attend the 2024 Netherlands Dance Theatre Summer Intensive, and continue her dance journey at ABT / JKO School in NYC starting Fall 2024. Since early age, Crystal has won numerous competitions and titles, including recent 2024 South Africa IBC Grand Prix award, 2024 Prix de Lausanne Prize Winner and Contemporary Award, 2024 YAGP NYC Int’l Finals Senior Silver Medal, 2022 and 2023 YAGP Finals Junior Bronze Medal, 2019, 2021 and 2023 The Dance Award 3-time Best Dancer, 2023 NYCDA National Outstanding Dancer, 2019 and 2021 Radix National Mini and Junior Core Performer, and many more. As winner of The Dance Award, NYCDA, Radix National, Crystal has been touring the past many years assisting in various dance styles and performing at Nuvo, Jump, 24Seven, Radix, NYCDA, and The Dance Awards conventions. She was among the 20 female dancers chosen to attend 2023 Juilliard Summer Intensive, one of the 17 U.S. dancers selected to attend the 2024 Prix de Lausanne International competition, and awarded as the 2024 Young Art Winner of Distinction for Ballet to perform at the 2024 Young Arts Week in Miami. Other performances include 2021 and 2022 YAGP Nervi Ballet Festival, 2022 YAGP San Francisco Gala, 2021, 2022, and 2023 YAGP Tampa Finals Gala at Straz Center, 2023 YAGP 25th Anniversary fundraising Gala at Lincoln Center, 2023 Petipa Awards Gala in San Francisco, 2024 YAGP Tampa Regional Gala, 2024 Hivernales De La Danse Galas in Liège, 2024 YAGP NYC Finals Galas in Lincoln Center, 2024 OEAC Houston Gala, 2024 South Africa IBC Gala, 2024 AEDC Beijing Finals Gala, and 2024 YAGP Nervi Ballet Festival Galas and Sicily Gala.

JAE MAN JOO (Choreographer) is an internationally acclaimed choreographer and the recipient of the prestigious 2009 Princess Grace Choreographer Award. Hailing from Korea, he brought his unique artistic vision to the US, where he served as the Associate Artistic Director of Complexions Contemporary Ballet. As a former principal dancer at Ballet Hispanico & Complexions, Jae Man Joo has worked and performed with a diverse range of choreographers, including William Forsythe, Dwight Rhoden, Shen Wei, Igal Perry, and Jessica Lang, enriching his artistic journey. He received the Best Individual Artist Award from the Bagnolet International Dance Festival in Paris, France. Joo's artistic prowess has been recognized globally, with the 2021 and 2023 Korea Dance Critics Choice Awards and the 2022 prestigious Korea E-daily Cultural Grand Prize for his full-length evening ballet "VITA." These accolades are a testament to his profound influence on the dance world. He has created many ballets for Complexions, all premiered at the Joyce Theater. In 2023 his recent creation "DIVINE" for Gwangju City Ballet, Korea received the Best Dance Art Work of the Year 2023. He is currently an assistant ballet professor at Point Park University. Also a Resident Choreographer in Complexions. Joo recently premiered his ballet for Pittsburgh Ballet Theater, Dallas Black Dance Theater, and a New full-evening ballet for the newly founded Korea Metropolitan Ballet Company for his rendition of "A Midsummer Night’s Dream."

ALONZO KING (Choreographer) calls his works “thought structures” formed by the manipulation of energies that exist in matter, through laws which govern the shapes and movement directions of everything that exists. Named a choreographer with “astonishing originality” by The New York Times, King created works for Frankfurt Ballet, Alvin Ailey, Ballets de Monte-Carlo, Béjart, Hong Kong Ballet, Hubbard Street, Joffrey, Royal Swedish, San Francisco Ballet, American Ballet Theater, Rambert, National Ballet of Canada, and many others.

Named a Master of Choreography by The Kennedy Center in 2005, King has received the Jacob’s Pillow Creativity Award, the Irvine Fellowship in Dance, Bessie Award, Doris Duke Artist Award, and Isadora Duncan award. He is the recipient of a 2020 Dance Magazine Award, an inductee into the California Hall of Fame, and holds Honorary Doctorates from Juilliard, Dominican University, and California Institute of the Arts.

LAUREN

LOVETTE (Choreographer) personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, as well as a selfproduced evening entirely of her own work in which she also danced, Why It Matters. She began creating dance as a ballet student for a 2007 choreographic workshop showing at the School of American Ballet (SAB). Another ballet, for the 2008 workshop, was soon followed by her being selected to create a work for the 2009 New York Choreographic Institute. In 2016, Lovette, then a relatively new principal dancer, was asked to choreograph her first piece, that then premiered at the New York City Ballet Fall Fashion Gala. In 2017, she choreographed for the Vail International Dance Festival, the NYCB Fall Season Gala, and the American Ballet Theatre Studio Company. She was awarded the Virginia B. Toulmin Fellowship at the Center for Ballet and the Arts at New York University in fall of 2018, and a year later created a work for the 2019 Fall Fashion Gala at NYCB. Her work at NYCB is noteworthy, forging a path for other female choreographers in an area of dance that has notably been predominantly male. Born in Thousand Oaks, CA, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, NC. She enrolled at SAB as a full-time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 to embark on a career devoted to dance and choreography in more equal measure. Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award. She won the Mae L. Wien Award for Achievement in Choreography in 2024.

DUNCAN LYLE (Choreographer) was born in Melbourne, Australia where he began his ballet training. In 2007, he was accepted into the Royal Ballet School and graduated in 2010. In 2012, Duncan joined American Ballet Theatre, where his repertoire includes a Step-Sister in Ashton's Cinderella; Demetrius in Ashton's The Dream; Gamache in Don Quixote; Kaschei in Ratmansky's Firebird; Stompers in In the Upper Room; St. John Rivers in Jane Eyre; Drosselmeyer, the Mouse King, the Russian Dance, and Mother Ginger in Ratmansky’s The Nutcracker; Ariston and the Commander in Of Love and Rage; Tybalt in Romeo and Juliet; Prince Fortune in Ratmansky’s The Sleeping Beauty; von Rothbart, Lead Czardas, and the Spanish Dance in Swan Lake; Sebastian in The Tempest; Standard Bearer in The Green Table; and featured roles in Bach Partita, The Brahms-Haydn Variations, and Raymonda Divertissements. He created the roles of Leandre in Ratmansky’s Harlequinade; Ladislav Slivovitz in Ratmansky's Whipped Cream; a leading role in McGregor's AFTERITE; and a featured role in Songs of Bukovina. In 2019, Duncan created Duncan Lyle Dance, a company centered around creating new works in the classical idiom with an emphasis on musical excellence. In addition to creating works for DLD, Duncan has also choreographed for CoLab Dance, Intermezzo Dance Company, New York Theatre Ballet, and Columbia Ballet Collaborative.

KOBI MALKIN (Musician), Israeli violinist and winner of the prestigious 2011 Ilona Kornhauser prize, is making his mark as both an exciting soloist and a sensitive chamber musician. Malkin performed with important orchestras around the world including the Saint Louis Symphony Orchestra, the Chicago Philharmonic and the Jerusalem Symphony Orchestra and as an active chamber musician has collaborated with Itamar Golan, Frans Helmerson, Kim Kashkashian, Mitsuko Uchida and Peter Wiley in such festivals as Ravinia, Music@Menlo and the Marlboro Music Festival. His performances are regularly broadcast on radio in Israel and the US. A scholarship recipient of the America Israel Culture Foundation, he is an alumnus of Ensemble Connect - a joint program of Carnegie Hall, The Juilliard School and Weill Music Institute and was recently appointed concertmaster for the American Ballet Theatre orchestra. Malkin holds a Master of Music degree from the Juilliard School, where he studied with Sylvia Rosenberg and Donald Weilerstein, and a Bachelor of Music degree from the New England Conservatory, where he worked under the guidance of Miriam Fried.

PAUL MARQUE (Dancer) is born in 1997 in south west of France. He discovers dance at the age of 3 and begins to train in his native city. In 2008, at 10, he joins Paris Opera Ballet School, where he studies for six years, following the entire program. In 2014, he joins Paris Opera Ballet at 17 as "Quadrille." In 2016 he becomes "Coryphée," and the same year, he wins the Gold medal at varna International Ballet Competition. In 2017, at 19, Paul is promoted Sujet and wins the AROP Dance Award. He begins to dance soloist role: Basilio in Don Quichotte (R.Noureev), Lensky in Oneguin (J. Cranko), Colas in La Fille Mal Gardée (F.Ashton) or Rubies (G.Balanchine). In 2018, he is promoted Premier Danseurs and continues to dance soloist role: Siegrfied in Swan Lake, Jean de Brienne in Raymonda, Cinderella (R.Noureev), Suite of dances, Fancy Free (J.Robbins), Concerto Barocco, The 4 Temperaments (G.Balanchine). On December the 13th, 2020, at 23, Paul becomes Danseur Etoile with Paris Opera Ballet at the end of a performance of La Bayadere (R.Noureev). Since then, he continues to dance main roles of the repertoire, like Vertiginious Thrill Of Exactitude (W.Forsyth), Romeo in Romeo and Juliet (R.Noureev) or Basilio in Don Quichotte (R.Noureev). Paul also took part in contemporary creation like Le Chant de la Terre (J.Neuimeier). Dogs Sleep (M.Goecke) or Blake Works I (W.Forsythe).

DUNCAN MCILWAINE (Dancer) was born and raised in a family of dancers in Worcester, Vermont. He began studying ballet at age eight at Vermont Ballet Theater School, under the direction of Alexander Nagiba. At age 13, he joined the ABT Jacqueline Kennedy Onassis School on full scholarship. As a student at the ABT JKO School, he performed the role of The Nutcracker Boy in Alexei Ratmansky’s The Nutcracker in New York and Japan. He attended multiple summer intensive programs of high regard, both at ABT and around the world. McIlwaine joined ABT Studio Company in January 2018, became an apprentice with the main Company in December 2019, and joined the corps de ballet in September 2021.

JOÃO MENEGUSSI (Dancer) was born and raised in Vitória, Espírito Santo, Brazil, where he began his dance studies at the Monica Tenore Ballet School at the age of five. At the 2012 Youth America Grand Prix, he received a scholarship from the Pierino Ambrosoli Foundation to begin his professional studies at Tanz Akademie Zurich under the direction of Oliver Matz and Steff Scherzer. Menegussi won first place at the 2012 Joinville Dance Festival and the silver medal in the 2015 Tanzolymp, performed at the Tanz Prize Gala, and was a finalist at the 2016 Prix de Lausanne. Menegussi joined American Ballet Theatre Studio Company in September 2016, became an apprentice with the main Company in December 2017, and joined the corps de ballet in June 2018. His repertoire includes the Spanish Dance in Alexei Ratmansky’s The Nutcracker, the Spanish Dance in Swan Lake, Boris Wutki in Whipped Cream, and featured roles in Deuce Coupe, La Follia Variations, Petite Mort, Sinfonietta, and Songs of Bukovina. He created the role of Steve in Touché.

CHLOE MISSELDINE (Dancer) began her classical training at Orlando Ballet School. She attended ABT Summer Intensives in Orange County, California, and New York City as a National Training Scholar from 2016–2018. At age 15, Misseldine earned second place in the 2017 Youth America Grand Prix New York City Finals and performed at the YAGP “Stars of Today Meet the Stars of Tomorrow” Gala. In 2018, she was named a finalist at the Prix de Lausanne and joined American Ballet Theatre Studio Company. Misseldine became an apprentice with American Ballet Theatre in December 2019, joined the corps de ballet in September 2021, was promoted to Soloist in September 2022, and was most recently promoted to Principal Dancer in July 2024. Her repertoire includes a Flower Girl in Don Quixote, Rosaline in Romeo and Juliet, a leading role in Ballet Imperial, featured roles in Bernstein in a Bubble, La Follia Variations, Petite Mort, Songs of Bukovina, Myrta in Giselle and Odette/Odile in Swan Lake.

MARIANELA MOREOLESS (Walter Battistini) (Dancer) is pretty much, take or give a little one of the best little ballerinas in her social circle. This princess from the Pampas learned to dance on the back of a steer and that’s no bull. Her high flying moves as a rodeo queen made her more or less a cowgirl ballerina that drew crowds from near and far to watch her roping, bumping and grinding technique. Her competition said she was less of a cowgirl and more of a—well… money maker shaker which got her barred from the corral. Her career at the cowgirl circuit more or less took a nosedive and she traded her hat in for a tiara and voila, became Argentina’s first bovine ballerina, and received the coveted Angus prize for Argentina’s best female mooovement innovator. Udderly delightful, Marianela is basically, a large eyed wonder that will still occasionally rope and release at exhibitions much to the chagrin of her ballerina bffs. We would never steer you wrong, Marianela has a triple A rating from the Beef Association.

WALTER BATTISTINI is originally from Mendoza, Argentina. In 2002 he received a scholarship to join the school of Teatro Colón. Walter graduated from Teatro Colón in 2008. In 2006 Walter was a shortlisted finalist for the Prix de Lausanne in Latin America, Cordova, Argentina. In 2007 he was awarded a scholarship to visit the Spinelli Escola de Dança in Rio de Janeiro, Brazil, where he had the opportunity to dance in the carnival with the Escola de Dança do Cubango. In 2010 Walter was awarded a six-months scholarship by the Askjun Ballet Theater of New York City. In 2011 he auditioned for Ballet Eloelle-Grandiva. He is currently a member of this New York City-based company, with which he had the opportunity to tour Australia, New Zealand, Japan, China, South Africa, Mexico and Malaysia. Additionally, Walter danced in productions with different companies in the United States like New England Ballet (CT) Joan Lynn Dance Company (CT) Staten Island Ballet (NY) Bangor Ballet (ME), Long Island Ballet Theatre (NY) International Ballet Classique (PA) and American Liberty Ballet (NJ).

JACEK MYSINSKI (Musician) is an internationally recognized concert pianist, teacher, composer, and creative project collaborator. Born in Warsaw, Poland and hailing from a family with rich musical traditions spanning generations, Jacek has won prestigious awards and scholarships including the Vladimir Horowitz and J.S. & B.P Johnsohn scholarships, the Polish Ministry of Culture and the Frederic Chopin Society Artistic Achievement Scholarships, the Grand Prix at the Frederic Chopin International Piano Competition, and Grand Prix at the Polish National Competition in Plock, Poland. An alum of the Juilliard School in New York City, he has performed in engagements at Alice Tully Hall, the Museum of Modern Art, Peter J. Sharp Theater, Focus! Festival, Steinway Hall in New York, Frederic Chopin Society, the National Philharmonic Hall in Warsaw, Poland, the Pacific Symphony, and numerous performances throughout the USA, Japan, China and Great Britain. He has collaborated with many accomplished artists and organizations, including the American Ballet Theatre, the Vail Dance Festival, ABT Across America Tour culminating at Rockefeller Center, Lincoln Center’s BAAND Together Festival, The Mark Morris Dance Group, Sarasota Ballet, Orli Shaham, Taylor Eigsti, Miranda Cuckson, Kinga Augustyn, Vasko Dukovski and Ismail Lumanovski, among others.

SAE EUN PARK (Dancer) was born in Seoul, where she began her dance education at the Academy of the Korea National ballet when she was ten years old. Park joined American Ballet Theatre 2 in New York on a two-year apprentice scholarship from the 2007 Prix de Lausanne. She dances soloist roles in ballets such as Allegro Brillante(George Balanchine) or Interplay (Jerome Robbins). In May 2009, Park joined the Korea National Ballet Company as a member of the corps de ballet. She was promoted to Soloist in January 2010. Her performances include Grigorovich's The Nutcracker (Marie); Swan Lake (Odette/Odile); Don Quixote (Kitri); and La Bayadere (Nikia). In 2011 Park had a contract for one full season at the Paris Opera, and a year later she joined the corps de ballet at the level of Quadrille. Within three months she was raised to Coryphée. In 2014 Park was promoted to Sujet and in 2017 to Premiere Danseuse. She made her debut at the Mariinsky Ballet Theatre with La Bayadere dancing Nikia (2015). Following the performance of Romeo and Juliet (Noureyev) on June 10th 2021, Sae Eun Park is named "Danseuse Étoile". Her awards include Prix de dance de Cercle Carpeaux by the Paris Opera Ballet Company, a gold medal at the Varna International Ballet Competition in 2010, first prize at the Rome Competition in 2010, and first prize at the Prix de Lausanne. In 2007 she was awarded a junior silver medal at the USA International Ballet Competition in Jackson 2006. She awarded the prize of "Benois de la danse" in 2018 she named a "Chevaliere de l'Ordre des Arts et des Lettres." Her repertoire includes: Noureev: Swan Lake (Odette/Odile), Don Quixote (Kitri, Driad Queen), Nutcracker (Clara), La bayadère (Nikiya), Romeo and Juliet (Juliet), John Cranko's Onegin (Tatiana), Giselle (Giselle, Myrtha), Manon (Manon), Ashton's Rhapsody, Etudes (principale femme), Jean Guillaume Bart's La Source (Naila); Alexei Ratmansky's Seven Sonatas; Justin Peck's Entre Chien et Loup. She has also performed in George Balanchine's A Midsummer Night's Dream (divertissement pas de deux from Act II; Mozartiana (title role); BrahmsSchoenberg Quartet (third movement); Jewels (Diamond, Emerald second pas de deux), Agon (pas de deux and pas de 3), Robbins: Glasse pièces, in the night 1st pas de deux.

ADRIANA PIERCE (Choreographer) is a dancer, choreographer, and director based in New York City. After training at School of American Ballet, Pierce began her dancing career with New York City Ballet and Miami City Ballet, continuing onto Broadway, film, and TV (2018 Broadway Revival of Carousell, Steven Spielberg’s West Side Story, Fosse/Verdon). As a choreographer, she is equally at home creating works for ballet, theater, and film, and is the Associate Director/Choreographer of Justin Peck’s Tony Award-winning dance musical, Illinoise. Pierce created her first ballet works for the School of American Ballet’s Student Choreography Workshop, and was twice selected to participate in New York Choreographic Institute’s Choreographic Sessions. Today, Pierce’s choreography has been performed by American Ballet Theatre, Carolina Ballet, Columbia Ballet Collaborative, Ashley Bouder Project, and featured in festivals and galas such as Hamptons Dance Project,

Kaatsbaan Fall Dance Festival, Fire Island Dance Festival, Mainly Mozart Festival, and Adrienne Arsht Center’s Annual Gala. She has completed residencies with Center for Ballet and the Arts at NYU, Bridge Street Theatre, and Baruch Performing Arts Center as a CUNY Dance Initiative grant recipient. Pierce’s choreographic work features movement and partnering that allows dancers of all genders equal agency, dismantling the traditional gender dynamics of dance. The lack of lesbian representation in ballet led Pierce to start Queer the Ballet, an initiative with the mission to widen the scope of classical ballet by producing queer work by queer dance artists. Pierce was recognized by Dance Magazine as one of “25 to Watch” in 2022.

ANGELIN PRELJOCAJ

(Choreographer) was born in France from Albanian parents and began studying classical ballet before turning to contemporary dance (with Karin Waehner, Zena Rommett, Merce Cunningham, and later Viola Farber and Quentin Rouillier). He then joined Dominique Bagouet before founding his own company in December 1984. Angelin Preljocaj has created 58 choreographic works, ranging from solo to larger formations. He works regularly with other artists including Enki Bilal, Air, Jean Paul Gaultier, Natacha Atlas, Azzedine Alaïa, Thomas Bangalter… His productions are now part of the repertoire of many companies, many of which also commission original production from him (New York City Ballet, Staatsoper Berlin, Paris Opera Ballet…). He has also directed and collaborated on several films of his own choreographic work. In 2019 he was appointed to the Academy of Fine Arts in the new « choreography » section. Now composed of 30 permanent dancers, the Ballet Preljocaj performs about 120 dates per year on tour, in France and abroad.

ROZZI (Musician), American Soul Singer, released her major label album— Berry (Deluxe), on BMG, in November of 2022. The ‘dangerously personal’ record features collaborations with Nile Rodgers and PJ Morton, and follows appearances on Jimmy Kimmel Live, The Talk, The Today Show, and Apple’s The Morning Show. Most recently, Rozzi guest starred on the Hulu series Dollface, playing herself and performing her single "Best Friend Song," which was also featured as the title track for the Netflix film Me Time, starring Kevin Hart and Mark Wahlberg. An experienced live performer, Rozzi has shared the stage and collaborated with Kendrick Lamar, Jacob Collier, Joss Stone, Betty Who, Maroon 5, Allen Stone, Pusha T, Kelly Clarkson, CHIC, and Duran Duran among others.

CHRISTOPHER RUDD (Choreographer) is a Jamaican-born dancemaker whose work, which transverses ballet, contemporary, and circus arts, is deeply informed by his experience as a queer Black man. He is a 2019 Guggenheim Choreography Fellow and the inaugural New Victory LabWorks Launch Artist. Rudd is celebrated for his groundbreaking works TOUCHÉ & LIFTED for American Ballet Theatre, and has been a resident artist at BAM and Chelsea Factory, as well as a fellow at Center for Ballet and the Arts. He founded RudduR Dance in 2014 to better the world through dance by blending contemporary dance, circus, and theatricality to address relevant issues and was named one of American Theater Magazine’s “6 to watch” in 2023. Rudd credits Armour Dance Theater, Dance Theater of Harlem’s Summer Intensives, and New World School of the Arts for his extensive performance career, which includes Carolina Ballet, Les Grands Ballet Canadiens de Montréal, and Cirque Du Soleil. A two-time Exchange Alumni through the US State Department, Rudd has presented his works globally. Currently, as RudduR Dance celebrates its 10th anniversary, Rudd’s WITNESS is an Apollo New Works project and is in development at the Apollo’s Victoria Theater. Visit RudduRDance.com to learn more.

MAYA N. RUINSKAYA (Kevin Ortiz) (Dancer)'s early career was marred by a vicious pyramid scheme that left her penniless. She took to the jungle to survive living off bananas and chocolate. And coffee lots and lots of coffee. Yes, she didn’t sleep much but Maya is no stranger to sacrifice. She has sacrificed a lot. Her approach to learning ballet is almost ritualistic. She has painstakingly enshrined and merged the teachings of all the great ballet schools -Russian, Italian, French, English, and Barnum and Bailey- creating a unique style that has helped her climb the steps to reach the capstone of success. Now, at the pinnacle of her powers, she has her finger on the pulse of balletomanes. Maya holds your heart in her hands when she performs the Dying Swan. Her Giselle will tear your heart out. Her Samson and Delilah will make you lose your head. She is an attraction not to be missed. Critics are dying to see her next performance.

KEVIN ORTIZ is originally from Guatemala; he is an actor and dancer by profession. Kevin began his artistic training at the National School of Dramatic Art ¨Carlos Figueroa Juárez¨ in Guatemala City where he graduated with a degree in Dramatic Art. After graduation he was part of the Garabato Company. Kevin studied dance with a full scholarship at the "Antonio Crespo Morales" School and was trained by the renowned International Teacher Lisseth Aguilar Stockli. Kevin was part of the National Modern and Folkloric Ballet of Guatemala, In the year 2019 Kevin was a guest dancer of the National Ballet of Guatemala ¨Christa Mertins" Currently, Kevin is a full scholarship student at the Peridance Center in New York City, where his mentor is Igal Perry, founder and director of Peridance Center. Kevin has been part of Ballet Eloelle-Grandiva since 2022 where he was part of the Ballet Eloelle and Friends Gala in NYC and has been part of the Japan tour 2023 and the Men in Pink Tights 2024 Tour in Mexico.

MY’KAL STROMILE (Choreographer) extensive training includes instruction from Kim Abel in Dallas/New York, Ceyhun Ozsoy and Dereque Whiturs in Dallas, and Anna-Marie Holmes in Boston. He attended The Juilliard School from 2014–2018 and received his BFA in Dance Performance. Stromile has danced with Bruce Wood Dance, Dallas Black Dance Theatre II, Disney Productions, and Repertory Dance Company I. His repertoire includes William Forsythe’s Blake Works III, Aszure Barton’s Return to Patience, Crystal Pite’s Grace Engine, Dwight Rhoden’s Rise, Jerome Robbins’ MOVES, and George Balanchine’s Chaconne. In 2014, Stromile was named a U.S. Presidential Scholar in the Arts. That same year, at the invitation of TITAS Presents and choreographer Bruce Wood, Stromile participated in the 2014 Command Performance Ballet Gala, where principal dancers from all over the world performed new and existing repertoire. During his time at Juilliard, he received Choreographic Honors three years in a row and was awarded the school’s Hector Zaraspe Prize in Choreography in 2018. That same year, he joined Boston Ballet II and in 2019, joined Boston Ballet as an artist, where he became a Princess Grace Award Nominee. In 2023, My’Kal created a world premiere, Form and Gesture, for Boston Ballet and is set to choreograph a new work this fall in Paris, France for the prestigious Paris Opera Ballet.

INGRID THOMS (Dancer), from McLean, Virginia, began her training at the Kintz Mejia Academy of Ballet. She continued her ballet education at the Harid Conservatory in Boca Raton, Florida, from 2013 until 2016. In September 2016, Thoms began studying at the American Ballet Theatre Jacqueline Kennedy Onassis School under the direction of Cynthia Harvey. Thoms attended summer programs at the Kirov Academy of Ballet, Harid Conservatory, Ellison Ballet, Pacific Northwest Ballet, and American Ballet Theatre in New York City. Thoms joined ABT Studio Company in September 2017, became an apprentice with the main Company in December 2018, and joined the corps de ballet in June 2019. Her repertoire includes Zulma in Giselle, the Spanish Dance in Alexei Ratmansky’s The Nutcracker, Ice in The Seasons, a big swan in Swan Lake, and a featured role in Songs of Bukovina. is a Tokyo-born, NYC-based performer ranging in disciplines from contemporary, hip-hop, house, martial arts, aerial arts, swaypole, acting, to Taiko. Her Pilobolus journey started in 2009, touring with the company full time for over six years. She now

freelances and has enjoyed performing for the Met Gala, Michael Arden, Ephrat Asherie, Mawu, Seeing You NYC, Fuerza Bruta “Wayra,” Gypsy Snider (Les 7 Doigts de la Main), Sam Pinkleton, and Ani Taj, as well as show captaining productions such as Fuerza Bruta “WA!!” in Tokyo. Stay tuned to her next adventures or her majestic dog @jb0b0 on IG.

VICTOR TREVINO (Choreographer) credits his dance training to Marie Hale, David Howard, and Nancy Bielski. He became a founding member of Ballet Florida and performed Vicente Nebrada’s male duet “Gemini” and the lead in Lou Conte’s “The 40’s.” He joined the Trocks in 1986 and over the next 9 years performed most of the lead roles. A highlight of that time was dancing

The Black Swan Pas with Julio Bocca in Buenos Aires. In 1996 Kyioichi Miyazaki approached Mr. Trevino with the opportunity to create a new male comedy ballet and Les Ballets Grandiva was formed. Critically acclaimed, the international touring company’s repertoire featured over 50 ballets including parodies of classic works and original comedic ballets. Victor stepped away from professional dance in 2009, but in 2011 an opportunity for a 6-month tour of Australia and New Zealand arose and Ballet Eloelle (LOL) came into being. In 2019 both companies merged. Mr. Trevino also directs sister company “Males On Pointe” in Mexico, which is currently developing new works with Mexican themes. He has devoted his life to the mission of developing new audiences for classical dance at a community, collegiate, and professional level. Dance and Laughter equals Joy!

ALEISHA WALKER (Choreographer/Dancer) was born in Houston, Texas and at the age of 11, she began to study classical ballet at Houston Ballet Academy. She attended Houston Ballet Academy from 2012 to 2017 on full scholarship. In 2018, Walker attended American Ballet Theatre’s Summer Intensive and began training at the ABT Jacqueline Kennedy Onassis School that September. Walker joined ABT Studio Company in September 2019, became an apprentice with the main company in November 2022, and joined the corps de ballet in June 2023. At the 2023 Prix de Lausanne Competition, Walker received a Young Creation Award for her solo Do You Care?.

JAMES WHITESIDE (Choreographer/Dancer) is an acclaimed American ballet dancer, choreographer, model, drag queen, and recording artist. He is a former principal dancer with Boston Ballet and is currently a principal dancer with American Ballet Theatre. Whiteside has choreographed for pop stars Mariah Carey, Taylor Swift, and Fischerspooner. He's the author of Center Center, a funny, sexy, sad almost-memoir of a boy in ballet published by Penguin Books. “James Whiteside is an electrifying performer, an incredible athlete, and an artist, through and through. To know James is to love him; with Center Center, you are about to fall in love.” — Jennifer Garner.

PHOTOGRAPHY CREDITS: Calvin Royal III: Karolina Kourlas; George Balanchine: Tanaquil LeClercq; Isabella Boylston: Renata Pavam; Tristan Brosnan: Silveredge Images Ltd.; Adji Cissoko: RJ Muna; Herman Cornejo: Lucas Chilczuk; Kenny Corrigan: Darnell Bennett; Jessica Ferretti: Bill Wadman; Chyrstyn Fentroy: Liza Voll; Alonzo King: Franck Thibault; Lauren Lovette: Nisian Hughes; Paul Marque: James Bort; João Menegussi: Alexander Sargent; Adriana Pierce: Chad Wagner; Angelin Preljocaj: Julien Bengel; Christopher Rudd: João Menegussi; Ingrid Thoms: Alex DiMattia; Victor Trevino: Denise Gomez; Aleisha Walker: João Menegussi.

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