COMPLEXIONS Contemporary Ballet Program Book

Hailed as a “matchless American dance company” by the Philadelphia Inquirer , COMPLEXIONS Contemporary Ballet transcends dance tradition through a groundbreaking approach to the art. Founded in 1994 by master choreographer Dwight Rhoden and the legendary Desmond Richardson, COMPLEXIONS’ foremost innovation is to remove boundaries, not reinforce them. The company blends methods, styles, and cultures from across the globe, and the result is a continually evolving form of dance that reflects the movement of our world — and all its cultures — as an interrelated whole. COMPLEXIONS’ artistic directors and company members teach master classes around the world to dancers of all levels, bringing the company's inventive vision of human movement to five continents, over 20 countries, and over 20 million television viewers. The company has also performed at major dance festivals throughout Europe, including Italy’s Festival of Dance; France’s Isle De Dance Festival and Maison De La Dance Festival; the Holland Dance Festival; Switzerland’s Steps International Dance Festival; Poland’s kódź Biennale, Warsaw Ballet Festival and Kraków Spring Ballet Festival; and Spain’s Dance Festival of Canary Islands. COMPLEXIONS has toured extensively throughout the Baltic Regions, Korea, Brazil, Japan, Egypt, Germany, Italy, Israel, Russia, New Zealand, Bermuda, Serbia, Jamaica, and Australia. COMPLEXIONS has received The New York Times Critics’ Choice Award, among numerous other awards. It has appeared in theaters across the U.S., including The Joyce Theater, Lincoln Center, Brooklyn Academy of Music, New Victory Theater (New York City), the Mahalia Jackson Theater for the Performing Arts (New Orleans), Paramount Theatre (Seattle), The Music Center (Los Angeles), Winspear Opera House (Dallas), Cutler Majestic Theatre (Boston), the Music Hall (Detroit), and the Kennedy Center (Washington, D.C.) as part of the 2017 Ballet Across America. Prominent theaters abroad that have hosted COMPLEXIONS include the Bolshoi Theatre, the Kremlin Theatre (Moscow), The Mikhailovsky Theater (St. Petersburg), and the Melbourne Arts Center. In the 28 years since its inception, the company has born witness to a world that is becoming more fluid, more changeable, and more culturally interconnected than ever before. Today, COMPLEXIONS represents one of the most recognized and respected performing arts brands in the world. It is poised to continue its mission of bringing unity to the world, one dance at a time.

EDUCATIONAL PROGRAMS

With the invention of their dance training methodology, NIQUE, Rhoden and Richardson have innovated the contemporary ballet genre and have created a new platform for contemporary dance. Complexions Contemporary Ballet Academy is the educational complement of the company. Yearly, the Academy produces Winter, Summer, and Pre-Professional Program Intensives that plant the Complexions style and philosophy seed in young dancers. Staffed with elite-level current and former professional dancers and guest instructors, the company's educational programs guide students like no other in developing the complete dancer. Dancers are encouraged to achieve their full artistic potential with a focus on learning NIQUE and COMPLEXIONS repertory. The programs are designed to cultivate and develop strong, well-trained dancers with an emphasis on producing artists with the versatility that will allow them to be competitive in any dance arena.

Over 70% of COMPLEXIONS company members have been students in Complexions Academy programs. For more information on the Academy, visit ComplexionsAcademy.com or follow us on Instagram @complexions_academy

The Joyce Theater Foundation presents

FOUNDING CO-ARTISTIC DIRECTORS DWIGHT RHODEN & DESMOND RICHARDSON

ASSOCIATE ARTISTIC DIRECTOR MEG PAUL

PRINCIPAL CHOREOGRAPHER DWIGHT RHODEN

INTERIM EXECUTIVE DIRECTOR MUADI B. DIBINGA

ARTISTIC ADVISORS CARMEN DE LAVALLADE & SARITA ALLEN

REHEARSAL DIRECTORS

MEG PAUL & JAE MAN JOO

RESIDENT LIGHTING DESIGNER MICHAEL KORSCH

DIRECTOR OF PRODUCTION & LIGHTING SUPERVISOR JOSEPH WALLS

COMPANY MANAGER MONICA MONTAÑO

RESIDENT COSTUME DESIGNER CHRISTINE DARCH PRODUCTION STAGE MANAGER ARCADIO LOZANO ASSISTANT COMPANY MANAGER TAYLOR CRAFT

COMPANY

Leadership support for The Joyce Theater Foundation has been received from the LuEsther T. Mertz Charitable Trust.

Champion support for The Joyce’s annual programming has been provided by Howard Gilman Foundation and The Shubert Foundation.

Champion support for The Joyce’s Creative Residencies Program supporting choreographers and dance companies has been provided by Mellon Foundation. Major support for The Joyce has been provided by Ford Foundation, The Harkness Foundation for Dance, The Fan Fox and Leslie R. Samuels Foundation, and The SHS Foundation.

Nov 23 at 7:30pm, Nov 25 & 26 at 8pm, Nov 26 & 27 at 2pm

ACT I HISSY FITS (2006)

Choreography: Dwight Rhoden

Music: Johann Sebastian Bach* Lighting Design: Michael Korsch

Costume Design: Christine Darch

PERFORMED BY THE COMPANY

*Music credits: Toccata & Fugue in D Minor, BWV 565, Composed by Johann Sebastian Bach, Performed by Gabriela Montero, EMI CLASSICS. Chromatic Fantasy in D Minor, BWV 903a, Performed by Glenn Gould, Composed by Johann Sebastian Bach. Domenico Scarlatti, Carl Philipp Emanuel Bach, and Johann Bernard Bach, Performed by Glen Gould, SONY CLASSICS. Chaconne from Partita in D Minor, Composed by Johann Sebastian Bach, Performed by Dietrich Buxtehudem, T. Albioni, Antonio Lotti, & Jean Baptiste Loeillet, EMI Classic.

HISSY FITS was commissioned by NJPAC Alternate routes. - INTERMISSION -

ACT II

SNATCHED BACK FROM THE EDGES (2021)

Choreography: Dwight Rhoden

Music: Martin Gore, Gabriels, Shirley Caesar, Terrell Lewis, Tye Tribbett, Jon Batiste, Frederic Chopin, Aloe Blacc, Benjamin Clementine, Sananda Maitreya* Lighting Design: Michael Korsch Costume Design: Christine Darch Sound Design: Corey Folta

PERFORMED BY THE COMPANY

SNATCHED BACK FROM THE EDGES is meant to be a chronicle of the indelible human spirit, in the eye of a storm. Much of this work was conceived & created at the height of the pandemic, with the additional challenges of gun violence, racial inequity, and social struggles at the forefront of our daily lives. It is inspired by the pain, tenacity, and advocacy for change - that inner strength that continues to propel the world forward - through it all.

*Music credits: (Not in performance order) Jacob Lusk, Ari Balouzian used with permission of Kobalt Music Publishing. Chopinesque by Jon Batiste used with permission of Jonathan M Batiste. The Future by Egbert Nathaniel Dawkins III used with permission of Kobalt Music Publishing. Pimpf by Martin L. Gore used with permission of Sony/ATV. Satan, We're Gonna Tear Your Kingdom Down by Shirley Ceasar used with permission of Sonorous Entertainment. Work It Out (Live) by Tye Tribbett used with permission of Kobalt Music Publishing. Fear by Terrell Lewis used with permission of Terrell Lewis.

Music Rights/Clearances: BZ/Rights & Permissions, Inc.

SNATCHED BACK FROM THE EDGES was commissioned, in part, by The Joyce Theater Foundation’s Stephen and Cathy Weinroth Fund for New Work.

Nov 29 & 30 at 7:30pm, Dec 1-3 at 8pm, Dec 3 & 4 at 2pm

ACT I

SNATCHED BACK FROM THE EDGES (2021)

Excerpt

Choreography: Dwight Rhoden Music: Various Artists*

Lighting Design: Michael Korsch Costume Design: Christine Darch Sound Design: Corey Folta

PERFORMED BY THE COMPANY

*See Program Note and Music Credits in Program A. - PAUSE -

SYSTEM (2017)

Choreography: Francesca Harper Staged By: Eriko Iisaku assisted by Willy Laury Music: Air on a G String by Johann Sebastian Bach, sound recording from ABC News Report (Loving Case 1967) Lighting: Michael Korsch Costumes: Christine Darch

PERFORMED BY

TATIANA MELENDEZ & MIGUEL SOLANO (11/29, 12/02, 12/03eve, 12/04) APRIL WATSON & HARRISON KNOSTMAN (11/30 & 12/01) LUCY STEWART & JACOPO CALVO (12/03mat)

- PAUSE -

SERENITY

World Premiere

Choreography: Jae Man Joo Music: Johannes Brahms, Max Richter* Lighting Design: Michael Korsch Costume Design: Jae Man Joo

PERFORMED BY THOMAS DILLEY & VINCENZO DI PRIMO

*Music credits: Cumulonimbus - Pt. 2, Composed by Max Richter, Published by Mute Song Limited. Path 5 (delta), Composed by Max Richter, Published by Mute Song Limited.

SLINGERLAND PAS DE DEUX (1989)

Choreography: William Forsythe Staged by: Jill Johnson Music: Gavin Bryars* Stage, Costume, and Lighting Design: William Forsythe Lighting Reconstruction: Michael Korsch Costume Reconstruction: Christine Darch

PERFORMED BY

JILLIAN DAVIS & JOE GONZÁLEZ (11/29, 12/02, 12/03eve, 12/04) CHRISTIAN BURSE & JOE GONZÁLEZ (11/30, 12/01, 12/03mat)

*Gavin Bryars STRING QUARTET NO. 1 Between the National and the Bristol. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Schott Music Ltd., London, publisher and copyright owner.

- INTERMISSION -

ENDGAME/LOVE ONE

World Premiere

Choreography: Dwight Rhoden Assistant Choreographer: Desmond Richardson Music: Drake, Kendrick Lamar, Post Malone, Måneskin, Peter Gregson, Panic! At The Disco, J.S. Bach* Lighting Design: Michael Korsch Costume Design: Christine Darch

PERFORMED BY THE COMPANY

In 8 movements.

Endgame/Love One is ultimately about love and survival, infinite possibilities, closed chapters, and next steps. A collection of stories, moods, and fascinations.

*Music Credits (not in performance order): The Loneliest, Performed by Måneskin, Written by Måneskin, Published by Warner Chappell Music and Sony Music Entertainment Italy. If I Can Dream, Performed by Måneskin, Written by Earl Brown, Published by Sony Music Entertainment, Universal Music Group, Raleigh Music Publishing. Broken Man Performed by Daniel Saint Black, Written by Daniel Saint Black and Geoffrey Duncan, Published by Daniel Black Music Co., Big Gulps Publishing Worldwide, and Duncan Sparks Music. United in Grief, Performed by Kendrick Lamar, Written by Sam Dew, Johnny Kosich, Jacob Kosich, Kendrick Lamar, Timothy Maxey, Jason Pounds, Matthew Schaeffer, Anthony Spears, and Duval Timothy, Published by Universal Music Group and Sony/ATV Music Publishing. Reputation, Performed by Post Malone, Written by Louis Bell and Post Malone, Published by Universal Music Group. I’m Gonna Be, Performed by Post Malone, Written by Post Malone, Louis Bell, and William Walsh, Published by Sony/ATV Music Publishing. Falling Back, Performed by Drake, Written by Drake, Andre Boadu, and Gregor Suetterlin, Published by Downton Music Publishing and Universal Music Group.

DWIGHT RHODEN (Co-Founder/Co-Artistic Director/Principal Choreographer) has established a remarkably wide-ranging career, earning distinction from The New York Times as “one of the most sought out choreographers of the day.” A native of Dayton, OH, Rhoden began dancing at age 17. Rhoden has performed with Dayton Contemporary Dance Company, Les Ballet Jazz De Montreal, and as a principal dancer with the Alvin Ailey American Dance Theater. In 1994, Rhoden and Desmond Richardson founded COMPLEXIONS Contemporary Ballet. They have brought their unique brand of contemporary dance to the world for over two decades.

Under Rhoden’s direction, COMPLEXIONS has become a dance institution high in demand, as a center for innovation and cutting-edge programming. Rhoden’s choreography has been the lynchpin of the development of COMPLEXIONS repertory. “Musicality, innovation, purpose, consistency, a brilliant use of stage space, and the ability to tell a story—all these qualities make [Rhoden] one of today's elect choreographers” (Los Angeles Times). Since 1994, Rhoden has created over 80 ballets for COMPLEXIONS, as well as for numerous other companies, including the Alvin Ailey American Dance Theater, Arizona Ballet, Aspen Santa Fe Ballet, BalletMet, Dance Theatre of Harlem, Colorado Ballet, Dayton Contemporary Dance Company, Joffrey Ballet, Miami City Ballet, New York City Ballet, North Carolina Dance Theater, Pennsylvania Ballet, PHILADANCO!, Mariinsky Ballet, Minneapolis Dance Theater, Phoenix Dance Company, Sacramento Ballet, Oakland Ballet, Pittsburgh Ballet Theater, The Washington Ballet, Zenon Dance Company, The San Francisco Ballet, and Atlanta Ballet, among others. Rhoden has also directed and choreographed performances for shows across a range of media, including So You Think You Can Dance, E! Entertainment’s Tribute to Style, Amici, and Cirque Du Soleil’s Zumanity, and he appeared in the feature film One Last Dance. He has collaborated with, or created work for a number of celebrated artists, including Prince, Lenny Kravitz, Kelly Clarkson, ELEW, David Rozenblatt, Nicholas Payton, The Drifters, Paul Simon, Billy Strayhorn, Nina Simone, Marvin Gaye, U2, The Turtle Creek Chorus, and Patrick Swayze. Rhoden is a recipient of various honors and awards including The New York Foundation for the Arts Award, The Choo San Goh Award for Choreography, and The Ailey School’s Apex Award. Rhoden received an honorary doctorate degree from the Boston Conservatory in recognition of his extensive contributions to the field of dance.

DESMOND RICHARDSON (Co-Founder/Co-Artistic Director) was the first African-American principal dancer of American Ballet Theatre, and is hailed by The New York Times as one of the greatest dancers of his time. Nominated for a Tony Award for his role in the original Broadway cast of Fosse and deemed a standout in the Tony Award winning production After Midnight, Richardson is highly esteemed by the concert dance and Broadway community. Richardson has appeared on celebrated stages across the world, namely The Metropolitan Opera, The Kennedy Center, Paris Opera, The Bolshoi Theatre, The Mariinsky Theatre, The State Kremlin Palace, Teatro Massimo, and Teatro alla Scala. He has been a member and invited guest of prestigious companies including Alvin Ailey American Dance Theater, Frankfurt Ballet, Royal Swedish Opera Ballet, American Ballet Theatre, Washington Ballet, and San Francisco Ballet, to name a few. Richardson, a YoungArts Finalist and Presidential Scholar, has received numerous awards including the Dance Magazine Award, Capezio Award, Ailey Apex Award, L.A. Ovation Award, "Bessie" Award, YoungArts Alumni Award,

and most recently, the Roosevelt “Rosey” Thompson Award presented by the Presidential Scholars Foundation. In the spring of 2019, Richardson received an honorary doctorate degree from The University of North Carolina School of the Arts in recognition of his extensive contributions to the field of dance.

Richardson has been a celebrity guest performer and choreographer for productions across media such as the American Music Awards, the Academy Awards, City Center’s Encores! series, Italy’s Amici, and international franchises of So You Think You Can Dance. Richardson has been featured by famed artists such as Michael Jackson, Prince, Madonna, Elton John, and Aretha Franklin, and he appears in celebrated films such as the Oscar-Award winning Chicago, Julie Taymor’s Across the Universe, and the recent independent film, Fall to Rise. He has worked with fashion icon, Tom Ford, Chic’s Nile Rodgers, and recently contributed to Grammy-Award winning Jill Scott’s video Back Together, which features dancers from COMPLEXIONS. Richardson has also been a featured performer in various operas such as: Julie Taymor’s Grendel as Beowulf and as the Pharaoh in Teatro La Scala’s Moïse et Pharaon opposite Roberto Bolle conducted by famed Maestro Riccardo Muti. Internationally and domestically, he is a master teacher for dance programs such as the New York’s All Stars Project, YoungArts Miami, United Way, NYCDA, and multiple dance conventions. He served as co-creative director and choreographer with David Monn for the Park Avenue Armory Gala Masquerade. Richardson is currently a guest artist-in-residence at USC’s Glorya Kaufman School of Dance. Richardson can be seen in the current feature film High Strung Free Dance as the character Sammy.

MEG PAUL (Associate Artistic Director/Rehearsal Director/Complexions Academy Director) brings a wealth of significant professional experience in ballet and Broadway performance and teaching artistry. She has worked closely with important dance pioneers and choreographers in the field: from the repertoire and artistic direction of Gerald Arpino and Robert Joffrey to works by Sir Frederick Ashton, George Balanchine, William Forsythe, Dwight Rhoden, and Alonzo King. Her 30-year career encompasses a wide range of national and international experience in performance, choreography, directing, teaching, program development, community engagement, and arts management. Ms. Paul was a ballerina with the Joffrey Ballet, COMPLEXIONS Contemporary Ballet, and Ron De Jesus Dance. She was dance captain, lead understudy and full swing for Twyla Tharp’s Tony award-winning Broadway musical Movin’ Out during the Broadway run. Her awards include The Princess Grace Award, winner of The International Dance Competition of the Americas, and the Copperfoot Award. Ms. Paul has curated and directed several dance concerts and benefits, including National City Stars of Ballet and Broadway and Detroit Music Hall’s annual 313 Choreography Expo. She was honored as a Detroit Renaissance Hero by the Detroit Free Press for her work on National City Stars of Ballet and Broadway. From 2010-2022, Paul served in many roles at Wayne State University’s Maggie Allesee Department of Theatre and Dance, including Associate Professor of Teaching, Recruitment Coordinator for Dance, and Director of Dance (2018-2022). Paul curated and directed the Complexions Detroit Summer Intensive at Wayne State University for nine seasons. Paul is honored to begin her newly appointed role as Associate Artistic Director with COMPLEXIONS Contemporary Ballet. She continues as Academy Director for Complexions Contemporary Ballet Academy and ballet faculty for Adrenaline, Revive and National Dance Honors Conventions.

WILLIAM FORSYTHE (Choreographer) has been active in the field of choreography for over 50 years. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt after which he founded and directed The Forsythe Company until 2015. Forsythe's deep interest in the fundamental principles of organization has led him to produce a wide range of projects including installations, films, and web-based knowledge creation. While his work for the stage resides in the repertoire of ensembles worldwide, his installations are presented internationally in exhibitions and museums. Forsythe has been the recipient of numerous awards which include the Golden Lion of the Venice Biennale and Der FAUST German Theatre Award, both for lifetime achievement.

FRANCESCA HARPER (Choreographer) began her professional dance career with Dance Theater of Harlem, after having performed at the White House as a young Presidential Scholar in the Arts, and subsequently was a member of William Forsythe’s Ballet Frankfurt (1991–99), becoming a Principal Dancer in 1994. Her first full evening of work as a choreographer was commissioned by The Holland Dance Festival. Ms. Harper has performed in Broadway productions including Fosse, All Shook Up, and The Color Purple. She debuted her critically acclaimed one-woman show, The Look of Feeling, as a writer, actor, dancer, and vocalist in 2014 in NYC. In 2018, Ms. Harper was nominated for Best Actress in a Musical by Broadway.com for her role as Billie Holiday in a production of Lady Day at Emerson’s Bar and Grill. She received a Living History Award in 2013 during Black History Month from Long Island University and the Innovation and Technology Award for her choreography for Fashion Week with designer Louis Vuitton. She is the writer, producer, composer, and narrator of the documentary film To Lillian (2021). Ms. Harper has choreographed works for Alvin Ailey American Dance Theater, Ailey II, Dance Theater of Harlem, Hubbard Street II, Tanz Graz. Recent engagements include serving as co-director and choreographer for the musical Rose’s War and as movement director for Tommy Hilfiger and Zendaya for their fashion show at the Apollo Theater in Fall 2019. Her latest works include a new creation for Wendy Whelan and renowned poet Marc Bamuthi Joseph. Ms. Harper is currently engaged as Executive Producer with Sony Pictures on a series in development. Ms. Harper has served as a professor at The Juilliard School, an adjunct professor at NYU, a former associate professor at Barnard College, and a professor in the Ailey/Fordham B.F.A. program.

JAE MAN JOO (Resident Choreographer/Ballet Master) was born and raised In Kwang-Ju, Korea, where he trained in classical ballet, modern, and traditional Korean Dances. He graduated from Dankook University in Seoul, Korea. In 1996, he received The Best Individual Artist Award from The Bagnolet International Dance Festival in Paris, France. After moving to New York City, Joo started working with contemporary ballet companies and was principal dancer with Ballet Hispanico and COMPLEXIONS Contemporary Ballet. Mr. Joo worked with Shen Wei, Zvi Gotheiner, Igal Perry, and Jessica Lang. In 2009, he received The Princess Grace Award for Excellence in Choreography. For the past 21 years, Jae has worked with COMPLEXIONS Contemporary Ballet in various capacities, including Associate Artistic Director, Ballet Master & Artist-inResidence, and currently, as Resident Choreographer & Ballet Master. He has created many ballets for the company, including Tears (Rachmaninoff), Surface (Debussy),

Atmosphere (Bach), Flight (Bach), Recur (Richter, Silverstrov), and Goodnight (Arvo Pärt). Joo has been invited to create work for Jacob's Pillow, Ailey II, Ailey School, Marymount Manhattan College, Joffrey Ballet School, Arts Umbrella, PCDC, and Point Park University. Joo recently created a full-length evening vallet Vita, his second ballet creation, for Wise Ballet Theater Korea. Vita received the 2022 Korea Dance Art Award. In 2022, Joo was appointed as full-time Ballet Faculty at Point Park University Conservatory of Performing Arts.

MICHAEL KORSCH (Resident Lighting Designer) is a lighting, projection, and scenic designer based in Philadelphia, PA, where he earned his B.A. in theatre from Temple University. He has worked with numerous directors and choreographers, creating hundreds of visual designs for dance, theatre, and other live performances throughout North and South America, Europe, Asia, and Australia, as well as New Zealand. Michael has been the resident lighting designer for COMPLEXIONS Contemporary Ballet since 1998, and Ballet Arizona since 2001. In addition, Michael has created designs for Alvin Ailey American Dance Theater, American Ballet Theatre, Aspen Santa Fe Ballet, Backhausdance, BalletMet, Ballet Nice Méditerranée, Ballet West, BalletX, Carolina Ballet, Charlotte Ballet, Cincinnati Ballet, Cleveland Play House, Czech National Ballet, DanceBrazil, Dance Theatre of Harlem, Dayton Contemporary Dance Company, Disney Creative Entertainment, English National Ballet, FELA! The Concert, Hubbard Street Dance Chicago, MOMIX, Oakland Ballet, Philadelphia Ballet, Pittsburgh Ballet Theatre, Royal Danish Ballet, Sacramento Ballet, San Francisco Ballet, Staatsballett Berlin, and Washington Ballet, among others.

CHRISTINE DARCH (Resident Costume Designer) has designed for COMPLEXIONS since 2006. She designs and builds costumes for choreographers Julia Adam, Val Caniparoli, Alison Cook Beatty, Rena Butler, Robert Dekkers, Jorma Elo, Nicolo Fonte, Adam Hougland, Jae Man Joo, James Kudelka, Gabrielle Lamb, Edwaard Liang, Matthew Neenan, David Parsons, Caili Quan, Amy Seiwert, Merián Soto, Septime Webre, and Yin Yue. Ms. Darch has been commissioned by Alvin Ailey, Astana Ballet, Atlanta Ballet, Ballet Arizona, Ballet Hawaii, Ballet Memphis, Charlotte Ballet, Cincinnati Ballet, Colorado Ballet, Dayton Ballet, Gibney Dance, Houston Ballet, Imagery, Israel Ballet, Kansas City Ballet, Madco, Marin Ballet, Milwaukee Ballet, Le Ballet Nice Méditerranée, Oregon Ballet Theatre, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet Theater, Post:ballet, San Francisco Ballet, Tulsa Ballet, Washington Ballet, and BalletX. She lives in East Northport, NY with acclaimed classical American ballet composer Matthew Pierce.

CHRISTIAN BURSE (Dancer) was born in Austin, TX where she began her dance journey at the age of two years old. She completed her early dance training at RISE Dance Company where she received a diverse dance education. She continued her dance training at Booker T. Washington High School for the Performing and Visual Arts in Dallas, TX and Dance Industry Performing Arts Center. She attended multiple summer intensives with COMPLEXIONS Contemporary Ballet and The Juilliard School. She has received awards from The National YoungArts Foundation and was named a 2020/2021 Texas Young Master. This is Christian’s second season with COMPLEXIONS.

SERAFIN CASTRO (Dancer), cubano through and through, began training at the age of eight and graduated with honors from the Cuban National Ballet School in 2008, where he was mentored by Fernando Alonso. That same year, he won his second gold medal at the Havana International Ballet Competition. He then toured the world under Alicia Alonso and was made Principal Dancer in 2013. In 2015, Serafin moved to Mexico to dance with the Ballet de Monterrey as Principal Dancer and in 2018 joined Ballet Arizona under Ib Andersen. He’s worked with Annabelle Lopez Ochoa, Peter Quanz, Jimmy Gamonet, Azari Plisetsky, and Vicente Nebrada, among others. Serafin has danced leading roles in more than 20 ballets by Petipa, Balanchine, Bournonville, Jiří Kylián, Ib Andersen, Sir Frederick Ashton, and Justin Peck, among others. Serafin appears courtesy of Ballet Arizona. IG @serafin_castro_dancer.

JACOPO CALVO (Dancer) was born in Asti, Italy. He began his dance training at the age of 11 at his hometown school, Ritmo Danza. At 18, he moved to NYC where he attended The Ailey School on scholarship. He has worked with choreographers such as Marcus Jarrell Willis, Brice Mousset, Ray Mercer, Earl Mosley, Francesca Harper, and artist Nick Cave in The Let Go at the Park Avenue Armory. He has attended summer intensives with American Ballet Theater and COMPLEXIONS Contemporary Ballet, and RESET 2021 with Studio Wayne McGregor. Jacopo has performed with Alvin Ailey American Dance Theater for their 60th Anniversary Season in Memoria at New York City Center and for the Ailey Spirit Gala. This is Jacopo’s second season with COMPLEXIONS.

KOBE ATWOOD COURTNEY (Dancer) was introduced to dance through Richmond Ballet’s Outreach program Minds in Motion. They trained with Richmond Ballet, under the encouragement of Jasmine Grace. They finished their training at San Francisco Ballet School. There, they were fortunate to perform pieces such as Balanchine’s Stars and Stripes and an excerpt from Jiří Kylián’s Sarabande. They then spent two years working with Orlando Ballet. They were able to learn from many different works such as Lyric Pieces by Jessica Lang and Lambarena by Val Caniparoli. They continued their career with Festival Ballet Providence, where they were able to dance leading roles in pieces choreographed by artists like Yury Yanowsky, Ja’ Malik, and Lia Cirio. They also recently started their choreographic career, setting work for Rhode Island Women’s Choreography Project. They look forward to the next chapter of their career, joining COMPLEXIONS Contemporary Ballet for this season.

JASMINE HEART CRUZ (Dancer) was born and raised in San Francisco, CA. She received her dance training at Westlake School for the Performing Arts where she focused in ballet, contemporary, jazz, and modern. She also attended programs such as Hubbard Street Dance Intensive, NYCDA Winter Dance Intensive, and English National Ballet School’s fall and summer courses. After graduating high school, she spent one year at the University of Southern California’s Glorya Kaufman School of Dance. In 2020, Jasmine was a Dance Spirit Magazine Cover Model Search Winner. She has received awards from competitions such as ADCIBC, YAGP, NYCDA, and most recently received the bronze medal at Tanzolymp International Dance Festival in Berlin. This is her first season with COMPLEXIONS.

JILLIAN DAVIS (Dancer), from Kutztown, PA, began her ballet training at the age of three. She studied with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian attended San Francisco Ballet, School of American Ballet, Pacific Northwest Ballet, and LINES Ballet programs. Jillian has been a company member with COMPLEXIONS since 2014. She has been part of Dwight Rhoden world premieres including Headspace, Strum, Gutter Glitter, Star Dust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy. She has also performed installation works by Desmond Richardson and an excerpt of Approximate Sonata by William Forsythe. Along with being a dancer with COMPLEXIONS, Jillian is part of the core faculty for Complexions Dance Academy. This is Jillian’s seventh season with COMPLEXIONS. IG: @Jillange93

ANGELO DE SERRA (Apprentice) grew up in Sassari, Sardinia, Italy. He began his professional training at the age of 14 with Sharon Podesva, his private ABT ballet teacher. He attended summer intensives with The Royal Ballet School, American Ballet Theater, Academie Princesse Grace. At the age of 17, he was awarded Senior Man Classical Top Six of Youth America Grand Prix Italy and at the age of 18, he won the Expression International Dance Competition in Florence (first place Classical Soloist) and he received a scholarship to the Alvin Ailey School. He then moved to Cannes, France, graduated from PNSD-Rosella Hightower and joined Cannes Jeune Ballet. He then moved to New York City to attend The Ailey School under full scholarship and attended Complexions Academy intensive programs. This is Angelo’s first season with COMPLEXIONS.

THOMAS DILLEY (Dancer) began training at age 12 at Premiere Studios in Sydney, Australia. He was a Top Seven Junior Men's Finalist at Youth America Grand Prix and a prize winner at the Prix de Lausanne, receiving admission to Summer Intensives with Academie Princess Grace, American Ballet Theatre, Bolshoi Ballet Academy, The Royal Ballet School, and The Australian Ballet School. Thomas danced for Queensland Ballet's Professional Year Program where he performed works including Strictly Gershwin, Flames of Paris, Scotch on the Rocks, and Muscle Memory. In 2017, he joined the Atlanta Ballet 2 where he performed works such as Beauty and the Beast and Eclipse. Thomas joined CCB to perform the world premiere of Woke. This is Thomas’ fifth season with COMPLEXIONS.

VINCENZO DI PRIMO (Dancer) grew up in Adrano, Sicily, Italy, and graduated from the Vienna State Opera Ballet Academy. Vincenzo performed with some of the world’s most reputable dance companies, including The Royal Ballet of London, and received several awards including Outstanding Artistry Prize and Contemporary Prize from the Prix de Lausanne, Grand Prix de Paris, Youth America Grand Prix New York, and the Beijing International Ballet Competition. In 2019, he was a contestant and finalist on the Italian TV show Amici. In 2021, Vincenzo was included in Dance Magazine’s “25 to Watch." This is Vincenzo’s fourth season with COMPLEXIONS.

JOE GONZÁLEZ (Dancer) is from Boston, MA, where he trained at Roxbury Center Performing Arts and the Boston Arts Academy. Joe has participated in Boston Conservatory's summer intensive, American Dance Festival, Bates Dance Festival, and twice at Springboard Danse Montreal. He received his B.F.A. from Boston Conservatory and premiered works in their choreography showcases and commissioned works for Bryn Mawr College, Rowan University, and Boston Conservatory at Berklee WinterWorks. Joe toured nationally and internationally as performing artist with Philadanco, Anna Myer & Dancers, Prometheus Dance, #DBdanceProject, and was Director of Philadanco's 3rd Company (D/3), the 2020/21 DanceVisions Artist-in-Resident at Performance Garage. He is currently founder and Artistic Director of Jo-Mé Dance and is on faculty at Temple University, Georgian Court University, and Boston Arts Academy. This is Joe’s first season with COMPLEXIONS. IG @j.gonzalez.dance

HARRISON KNOSTMAN (Dancer), a Colorado native, is a recent graduate of The Juilliard School and is an aspiring professional dancer and educator. He began training at Studio West Dance Center in Fort Collins, CO. This school allowed him to perform works by Crystal Pite, Barak Marshall, and Ida Saki--among many other accomplished choreographers. Also, Harrison is proud to say he was a YoungArts finalist in modern dance and is a college scholarship recipient from the NYCDA Foundation. Harrison is now thrilled to begin his professional dance career with COMPLEXIONS. After making his professional debut with COMPLEXIONS this past summer in Israel, he is grateful to continue working and growing with the company throughout its 28th season. In the future, Harrison hopes to pursue his passion for dance with professional companies worldwide and continue to educate young minds in this beautiful art form he loves dearly.

ELIJAH MACK (Apprentice) is from San Diego, CA. His love and passion for dance began at a very early age. He began training as a Hip-Hop Dancer with Studio FX in San Diego at the age of nine. He studied dance at Creative Performing and Media Arts Middle School and San Diego School of Creative and Performing Arts High School where he trained in Jazz, Modern, Tap, Contemporary, and Ballet. He began his formal ballet training at the age of 14 with Golden State Ballet Academy’s Pre-Professional Program before attending San Francisco Ballet School. He has attended various dance intensives, competitions, and dance festivals across the country and enjoys traveling the world participating in dance workshops. He was invited to participate in COMPLEXIONS Contemporary Ballet’s inaugural Trainee Program in 2022 and is thrilled to be living out his dream in New York City as an apprentice with COMPLEXIONS.

KELLY MARSH IV (Dancer) is a graduate from the University of North Carolina School of the Arts with a B.F.A. in Dance, concentration in Ballet. Mr. Marsh started dance at the age of 13. He took his studies further after receiving a full scholarship to the Center of Creative Arts (COCA) under the direction of Lee Nolting, in his hometown of St. Louis, MO and then as a fellowship student to The Ailey School. Accepted into numerous summer intensives such as The Ailey summer intensive, PerryMansfield, Richmond Ballet, ABT's Collegiate Intensive, Dance Theatre of Harlem,

COMPLEXIONS Contemporary Ballet, and Cedar Lake 360. Marsh has had the opportunities to perform master works by world renowned choreographers such as William Forsythe, George Balanchine, Merce Cunningham, Eliot Feld, Ethan Stiefel, Susan Jaffee, Darrell Grand Moultire, and many more. Mr. Marsh can be seen in music videos as

a feature dancer in Jill Scott's Back Together and Nile Rodger's I'll be there. Kelly Marsh was a member of COMPLEXIONS Contemporary Ballet for four years. He recently can be spotted in a commercial for Shiseido Cosmetics airing in 2019. Mr. Marsh is signed to Clear Talent Group Agency and is thankful for their amazing opportunities and believing in him and his career.

MARYANN MASSA (Dancer) was born and raised in Old Bridge, NJ, where she began her training at Dance Stop Dance Educational Center. Mary Ann graduated from The Conservatory of Dance at Purchase College in 2019 with a B.F.A. in dance and a concentration in Ballet. During her time at Purchase, she had the opportunity to perform works by George Balanchine, Norbert De La Cruz lll, Gregory Dawson, Michelle Thompson Ulerich, and Stuart Loungway. Additionally, she got to perform a duet at the Kuan Du Arts Festival in Taiwan in 2017 choreographed by Norbert De La Cruz lll. She attended workshops and programs at COMPLEXIONS Contemporary Ballet, Ballet X, San Francisco Conservatory Forsythe Program, The Rock School, and more. Before joining COMPLEXIONS, she was a dancer with New Jersey Ballet for three years under Maria Kowroski. This is her first season with COMPLEXIONS.

MARISSA MATTINGLY (Dancer) grew up in Tampa, FL, where she was trained in several different styles of dance since the age of three. She started to take ballet and contemporary more seriously at the age of 13 when she began training at All American Dance Factory and Classical Ballet School under the direction of Terri Howell and Julio Montano. With this training she took part in many ballet competitions. She is a four-time YAGP finalist, and performed in the UBC 2022 finals gala as a Legacy Award winner. She has been offered acceptances and scholarships to programs at Pittsburgh Ballet Theatre, Joffrey Chicago, BalletMet, Colorado Ballet Academy, Kansas City Ballet, Oklahoma City Ballet, Texas Ballet Theatre, Philadelphia Ballet, American Ballet Theatre, Atlanta Ballet, and Houston Ballet Academy. She attended her first COMPLEXIONS summer intensive in 2021, and was invited to take part in their two week Trainee Program in the Spring of 2022. This is her first season with the company.

TATIANA MELENDEZ (Dancer) grew up in Tampa, FL. She studied at All American Dance Factory and Classical Ballet under Julio Montano and Terri Howell. At 15, she joined Houston Ballet Academy's Professional Division on scholarship. Tatiana performed with Houston Ballet in Stanton Welch's Cinderella and The Nutcracker, and with Texas Ballet Theater as Clara in Ben Stevenson's The Nutcracker and Matinü Pieces. She was a part of the world premiere of Dwight Rhoden's Woke, Love Rocks, and SBFTE. Tatiana has guested around the world, including dancing the Snow and Sugar Plum pas for Roma City Ballet Company. Tatiana appeared on the cover of Pointe Magazine's 2020 Fall edition and danced for the 2021 Kennedy Center Honors. This is Tatiana's fourth season with COMPLEXIONS.

MIGUEL SOLANO (Dancer) is from Medellin, Colombia. He started dancing at age 17 at the District University of Bogotá and continued his training at BalletStudio Bogotá under the direction of Patricia Niño. In 2013, he moved to NYC to complete his studies at the Gelsey Kirkland Academy of Classical Ballet on full scholarship, performing with Kirkland’s studio company. He has participated in summer programs including Hubbard Street, Oklahoma City Ballet, and Batsheva Dance Company in Israel. Miguel has worked with Awaken Dance Theater, Thomas/Ortiz Dance,

LUCY STEWART (Dancer) grew up in a suburb of Denver, CO, where she spent her early years dancing at a small studio in the mountains and then at Colorado Ballet. Originally training in all forms of dance, her primary areas of study included ballet, contemporary, and jazz. She spent her summers training with American Ballet Theatre, The Joffrey Ballet, COMPLEXIONS, and Colorado Ballet. Lucy has studied the last two years at The Juilliard School in the dance division where she had the opportunity to study with various leading artists in the dance world, including Ohad Naharin, Tiler Peck, Rena Butler, and James Whiteside, as well as the opportunity to perform Set and Reset by Trisha Brown. For the last several years, Lucy studied regularly with John Gardner and Amanda McKerrow from ABT. Lucy was introduced to COMPLEXIONS by Meg Paul at ten years old and found her true passion. This is Lucy’s first season with COMPLEXIONS.

CANDY TONG (Dancer) was born in San Francisco, CA. She trained at San Francisco Ballet School under full scholarship and is a B.F.A. graduate in Dance Performance from University of California, Irvine -completing the program in just two and a half years. Candy received a diploma in Dance from the English National Ballet School, where she performed and toured with the company. Alongside her dance career, Candy is a signed model with Stetts Model Management and has been in several global campaigns, including Reebok. Her work has been showcased at the Galleries Lafayette in Paris, the Huffington Post, and on Nikon Europe's ad campaigns. As an entrepreneur, Candy is a fashion designer specifically for dancewear. This is Candy’s fourth season with COMPLEXIONS.

APRIL WATSON (Dancer) began her dance training at age eight at University of North Carolina School of the Arts Preparatory Program. In 2016, April graduated from University of North Carolina School of the Arts High School Program. She spent her summers with School of American Ballet, Houston Ballet, Debbie Allen Dance Academy, Charlotte Ballet, Indiana Ballet Conservatory, Dance Theatre of Harlem, and Joffrey of Chicago, all on scholarship. After graduating from UNCSA, she spent two years in Los Angeles, CA studying under the direction of Debbie Allen as an Artist-in-Residence on scholarship. April joined the COMPLEXIONS in 2019 as an apprentice. This is her second season with COMPLEXIONS as a full company member. IG: @wca

RudduR Dance, and Connecticut Ballet. He has worked with choreographers Earl Mosley, Christopher Rudd, Darrell Moultrie, Larry Keigwin, Nadege Hottier, Larissa Calero, Eve Chan, and Ted Thomas. This is Miguel’s fourth season with COMPLEXIONS. IG: @miguellsolano

BOARD OF DIRECTORS

Everick Brown, Dwight Rhoden, Desmond Richardson, Carl Nelson, Sarah Picot, Felicia Swoope

NATIONAL ADVISORY BOARD

Debbie Allen, Angela Bassett, Wren T. Brown, Elizabeth Roxas Dobrish, Susan Jaffe, Carmen de Lavallade, Lisa Niemi Swayze, Courtney B. Vance, Pauletta Washington

STAFF

Muadi B. Dibinga Meg Paul

Monica Montaño Taylor Craft Jillian Davis Lisa Labrado

Interim Executive Director Associate Artistic Director & Complexions Academy Director Company & Academy Manager Assistant Company Manager Production Associate Press Agent

Photographers: Rachel Neville, Steven Trumon Gray, Jae Man Joo, Steve Vaccariello Company Accompanists: Ai Isshiki, Dan Meinhardt, Alice Hargrove, Renee Ong Videographer: Jacob Hiss

REPRESENTATION

MARGARET SELBY SELBY/ARTISTS MGMT 262 West 38th Street, Suite 1701 New York, NY 10018 mselby@selbyartistsmgmt.com 212-382-3260

COMPLEXIONS CONTEMPORARY BALLET 244 Fifth Avenue, Suite 2875 New York, NY 10001

SUPPORT COMPLEXIONS:

ABOUT THE JOYCE THEATER FOUNDATION

The Joyce Theater Foundation ("The Joyce," Executive Director, Linda Shelton), a nonprofit organization, has proudly served the dance community for over three decades. Under the direction of founders Cora Cahan and Eliot Feld, Ballet Tech Foundation acquired and The Joyce renovated the Elgin Theater in Chelsea. Opening as The Joyce Theater in 1982, it was named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to build the theater. Ownership was secured by The Joyce in 2015. The theater is one of the only theaters built by dancers for dance and has provided an intimate and elegant home for over 400 U.S.-based and international companies. The Joyce has also expanded its reach beyond its Chelsea home through off-site presentations at venues ranging in scope from Lincoln Center’s David H. Koch Theater, to Brooklyn’s Invisible Dog Art Center, and to outdoor programming in spaces such as Hudson River Park. To further support the creation of new work, The Joyce maintains longstanding commissioning and residency programs. Local students and teachers (K–12th grade) benefit from its school program, and family and adult audiences get closer to dance with access to artists. The Joyce’s annual season of about 48 weeks of dance now includes over 340 performances for audiences in excess of 150,000 patrons. Visit Joyce.org for more information.

FUNDERS

Many Thanks to The Joyce's Institutional Funders for Keeping Us Moving Forward

An abundance of gratitude to Senate Majority Leader Charles E. Schumer, Senator Kirsten Gillibrand, Representative Jerrold Nadler, and Representative Nydia M. Velázquez for their visionary leadership that established the Shuttered Venue Operators Grant program, which has helped make the reopening of The Joyce Theater and the reemergence of many dance companies possible.

Leadership support for The Joyce's year-round programs and services: LuEsther T. Mertz Charitable Trust

Season Sponsor:

Champion support for The Joyce's Dance Residencies:

Major support for The Joyce’s American Dance Platform and Harkness First debuts:

Champion support for The Joyce's annual programming:

Major support for The Joyce's operations and special initiatives:

The Fan Fox and Leslie R. Samuels Foundation

Lead corporate support:

VISION STATEMENT

The Joyce Theater Foundation is committed to fostering and supporting a diverse and inclusive environment, both on and off stage. We embrace and celebrate diversity in all its forms, and value the rich experiences and perspectives that arise from differences in race, ethnicity, socio-economic status, religion, age, sexual orientation, gender identity and expression, and cognitive and physical ability.

We strive to counteract the social injustices and racism that exist within our communities, our nation, and our world. Our aim as an organization is to embody the principles of diversity, equity, inclusion, and justice.

To achieve this, we will:

• Create and implement proactive diversity, equity, inclusion, and justice initiatives;

• Establish and maintain a culture of safe sharing, intentional listening, learning, and growth;

• Engage with and support disenfranchised communities by sharing information and resources and ensuring accessibility;

• Develop metrics and conduct regular reviews of our programs and policies to hold ourselves accountable and shift as neededs.

LAND ACKNOWLEDGEMENT

The Joyce Theater operates on the Lenape island of Manhahtaan (Mannahatta) and acknowledges that it was founded upon the stolen land and erasure of many Indigenous communities. This acknowledgement demonstrates our institution’s commitment to the process of dismantling the legacies of colonialism and cultural imperialism.

We acknowledge the ongoing violence towards Indigenous people through systemic inequality. We pay our respect to the Indigenous peoples who lived and continue to live upon this land, and whose rich history, artistic practices, and spirituality are tied to this land. It is within our responsibility as a cultural institution and our commitment to diversity and inclusion to embody a commitment to Indigenous rights and cultural equity.

We sincerely invite you as an audience member to take a moment to reflect on the history and legacy of displacement, migration, and settlement.

It is our intention to work with local Native American arts councils to better inform our land acknowledgment practices and anticipate that it will evolve over time. EXECUTIVE

With these goals in place and our Vision Statement in mind, we are dedicated to the continued learning and growth needed to foster an inclusive environment for all. This is an ongoing process and by nature will be an evolving statement.

ADMINISTRATION

THE JOYCE THEATER FOUNDATION, INC. BOARD OF TRUSTEES

Virginia A. Millhiser, Chair

Amit Wadhwaney, Vice Chair

Stephanie R. Breslow, Treasurer

R. Richard Ablon

Charles M. Adelman

Rob Ashford

Monica F. Azare

John M. Basnage de Beauval

Ajay Bhandaram

Tracy Brown

Keane Ehsani

Ronald Gumbaz

Toni Hoover

Robert Musiker

Susan Gluck Pappajohn

Steven M. Pesner

Meryl Rosofsky

Jane E. Goldberg, Secretary

Kerry Clayton, Chair Emeritus David D. Holbrook, Chair Emeritus

Saul Sanders

Linda Shelton

Susan Fawcett Sosin

Lauren E. Shortt

Monica B. Voldstad Madelyn Wils

In Memoriam: Theodore S. Bartwink (Trustee 1993-2014), R. Britton Fisher (Trustee 1990-2020), Richard Lukins (Trustee 1998-2011), Anh-Tuyet Nguyen (Trustee 2007-2020), Richard Shea (Trustee 2015-2022), Stephen D. Weinroth (Trustee 1996-2022)

ENDOWMENT CAMPAIGN

The Joyce honors the following individuals, corporations, and foundations for their visionary support of our mission of advancing the vibrant and extraordinary art of dance. Funds contributed to the endowment campaign will allow The Joyce to continue its support of the dance community and to commission new work. $1 Million and above

LuEsther T. Mertz Charitable Trust Lila Wallace-Reader’s Digest Endowment Fund Stephen and Cathy Weinroth Charitable Trust

$500,000 and above

Doris Duke Charitable Foundation

Richard B. Fisher and Family R. Britton Fisher and Family Rockefeller Brothers Fund

$250,000 and above

David & Andrea Holbrook

Richard A. Lukins & Karen Fry Saul & Mary Sanders Susan Fawcett Sosin

$100,000 and above

Anonymous (1) Alphawood Foundation

Kerry Clayton & Paige Royer

The Horace W. Goldsmith Foundation

The Estate of Dorothy Lefkof The William Randolph Hearst Foundations

Lynne & Richard Pasculano Michèle & Steve Pesner

The Fan Fox & Leslie R. Samuels Foundation The Starr Foundation

$50,000 and above

R. Richard & Margery Ablon Apollo Management, L.P. Stephanie Breslow & Paul Watterson

The Coca-Cola Foundation

Ronald Gumbaz & Juliet A. Cozzi

JPMorgan Chase Foundation

Jerome A. and Estelle R. Newman Assistance Fund, Inc. Rudolf Nureyev Dance Foundation

$25,000 and above

Jane E. Goldberg Cecilia & Jim Herbert

Jane Kendall & David Dietz Elysabeth Kleinhans Arnie & Susan Scharf

Richard Shea Jennifer & Jonathan Allan Soros

Fiona J. Tilley & Gürhan Orhan Dave Waks & Sandy Teger Chris & Lonna Yegen Carol Yorke & Gerard Conn

$5,000 and above Anonymous (3) Barbara & Robert Berkley Philanthropic Fund

Barbara Berliner & Sol D. Rymer

The Cory & Bob Donnalley Charitable Foundation

Jim & Linda Ellis

Mr. & Mrs. Ira Haupt, II

The Lawton W. Fitt & James I. McLaren Foundation

James H. Ottaway, Jr. Kathleen A. Scott

Linda Shelton

Ferne Goldberg Sperling & Allan Sperling

LEADERSHIP SUPPORT FOR A NEW VENUE FOR DANCE

Support for planning costs associated with establishing a third venue for dance as part of the rede veloped World Trade Center site has been generously provided by a grant from the Lower Manhattan Development Corporation, which is funded through Community Development Block Grants from the U.S. Department of Housing and Urban Development. Leadership support has also been provided by: FORD FOUNDATION MELLON FOUNDATION

ROBERT STERLING CLARK FOUNDATION THE SEPTEMBER 11TH FUND ALFRED P. SLOAN FOUNDATION

Founders and Trustees Emeriti: Cora Cahan and Eliot Feld

JOYCE THEATER FOUNDATION DONORS

The Joyce Theater appreciates the generosity of its supporters listed below as well as its many other supporters too numerous to include on these pages. List as of November 1, 2022.

Platinum Benefactors ($500,000 and above)

LuEsther T. Mertz Charitable Trust

Gold Benefactors ($100,000 and above)

Kerry Clayton & Paige Royer

Ford Foundation

The Harkness Foundation for Dance

Howard Gilman Foundation

Mellon Foundation

Virginia & Timothy Millhiser National Endowment for the Arts / American Rescue Plan Act

New York City Department Cultural Affairs

Robert Pollock

The Fan Fox and Leslie R. Samuels Foundation

The SHS Foundation

The Shubert Foundation Denise Littlefield Sobel

Silver Benefactors ($75,000 and above)

First Republic Bank

GKV Charitable Foundation

National Endowment for the Arts

Benefactors ($50,000 and above)

Jody & John Arnhold | Arnhold Foundation

National Dance Project of the New England Foundation for the Arts

The Jerome Robbins Foundation

Meryl Rosofsky & Stuart Coleman

Lauren E. Shortt

Monica Voldstad Amit Wadhwaney

Chairman’s Circle ($25,000 and above)

Anonymous (2)

Deborah & Charles Adelman

Cornelia T. Bailey Foundation

Stephanie R. Breslow & Paul Watterson

The Gladys Krieble Delmas Foundation

Susan Dickler & Sig Van Raan

Keane Ehsani

Jamshid & Mahsid Ehsani

Melina Fisher

Jane E. Goldberg

Ronald Gumbaz & Juliet Cozzi

Leanne Lachman

Mertz Gilmore Foundation

Toni Hoover

In Motion

*Elysabeth Kleinhans

Mid Atlantic Arts Foundation

Henry and Lucy Moses Fund

Robert Musiker

New York State Council on the Arts

The O’Donnell-Green Music and Dance Foundation

Susan & Greg Pappajohn

Michèle & Steve Pesner

Saul & Mary Sanders

Susan Fawcett Sosin

Stephen & Cathy Weinroth

Madelyn & Steven Wils

Impresario’s Circle ($10,000 and above)

Anonymous (3) Jen Ablon

Alpern Family Foundation

Sarah Arison

Barbro Osher Pro Suecia Foundation

John Basnage de Beauval

Ajay Bhandaram

Bloomberg Philanthropies

Torrence Boone & Ted Chapin

Robert Brenner

Tracy Brown

Con Edison

John & Margaret Falk

Nancy & Michael Feller

*Brandon Fradd

Gregg & Jean Frankel

Charles and Joan Gross Family Foundation

Elzbieta Grove

David & Andrea Holbrook

In Honor of Karen Brooks Hopkins

The Ivill-Weiner Family

The Kingsley Foundation

Melanie Coronetz & Bruce G. Miler

LeConte Moore

Tatiana Piankova Foundation

Karen Roth

*Nancy Sands

Kathleen A. Scott

Linda Shelton

Leslie Siegel

Johanna Weber

Michelle D. & Claude L. Winfield

Presenter’s Circle ($5,000 and above)

Anonymous (2)

Rob Ashford

Monica Azare

Andrew & Froma Benerote

Donya & Scott Bommer

Office of City Council Member Erik Bottcher

Donna B. Case

The Barbara Bell Cumming Charitable Trust Chubb LTD

Ms. Pamela Crutchfield Jeffrey Davis & Michael T. Miller Dancers Responding to AIDS DeWitt Stern Group, Inc. Linda Ellis

Martin & Linda Fell

*Judith & Alan Fishman

FUSED

French U.S. Exchange in Dance

Barbara Goldstein

Paul Feuerman & Bruce Grivetti

Mr. & Mrs. Edwin Goodman

Randall & Mary Hack

Elizabeth Anne Hartman

Judith M. Hoffman

Illuminated Foundation

Christopher Jones & Deborah McAlister

Christine Knuth

Alan & Gail Koss

Elizabeth & Neil Kurtz

Robert R. Littman & Sully Bonnelly

Karen & Martin McDonald

Ronay & Richard Menschel/ Charina Foundation, Inc. In loving memory of Bill Perlmuth, Patricia Dugan Perlmuth Rajika & Anupam Puri

Nina B. Quigley

Mr. Stephen Kroll Reidy

Margaret E. Selby SER.O.YA

Barbara Madsen Smith

Christopher Soule

Allan Sperling & Ferne Goldberg

Jean & Gene Stark

Linda B. Strumpf

Director’s Circle ($2,500 and above)

Anonymous (2)

R. Richard Ablon

Adrienne Albert

Rick & Nurit Amdur

Joel & Rhela Aragona

Sandra Berger

Marty & Louise Bickman

Judi Rappoport Blitzer & David Blitzer

Ralph & Martine Calder

Victoria V. Carey

Cathleen Collins

Mary Sharp Cronson

Miriam & David Donoho

Christopher M. Elmore

Andrew & Claire-Marine Ferguson

Thomas von Foerster

Bart Friedman & Wendy Stein

Rochel Gelman

*Dorothy Goodman

The Harold K. Gross Family Charitable Trust

Susan Ross Green

Sharon B. Gurwitz

Maya Hamlet

Ronald E. Hellman & Stephen B. Roberts

Val Holley & Joseph Plocek

William Houlihan

Office of Cultural Affairs, Consulate General of Israel in New York

*Deborah Kaye

Jane Kendall

Elaine & Howard Leventhal

Martin & Rosanne Leshner

Jayne Lipman & Robert Goodman

Mark Littman & Johnny Mendoza

In Memory of John MacDonald

Maria Mackey

Uttara P. Marti

Wendy McCain

Joyce F. Menschel

David & Diana Milich

Jane & Michael Murphy

Mutual of America Foundation

Cherrie Nanninga

Omomuki Foundation

David Pasterski

Warrie Price & James David Prince

Betty P. & Michael H. Rauch

Theresa Alessandro Russo Foundation

Wes Schafer & Carlos Galtier

Susan & Arnie Scharf

Xiomara & Charles Scheidt

Fran Schulman

Robert A. Schulman

Rena Shagan

Alex & Wendy Stanton

Mark Stevens & Mary Murphy

Linda Stocknoff

Marianna Vaidman Stone & Eric Stone

Consulate General of Sweden in New York

Susan Ulick

Ms. Patricia E. Vance

David E. Vogel

Alexandra Wheeler & Rocky Rukan

Irving & Elaine Wolbrom

Ralph Womble & Ashley Edwards

Billy F.B. Wong & Stephanie Gordon

($1,000 and above)

Anonymous (10)

Robert Allyn

Neme Alperstein

Gerald M. Appelstein

Bank of America Merrill Lynch

Kara Medoff Barnett & Dov Barnett

Alison Baum

Pamela Baxter

*Barbara Berliner & Sol Rymer

Dorothy Black

Kim Bleimann & Paola Duran

Joe Bonnaud

Nissan Boury

Barbara & Gary Brandt

Edward Brill Madeline Brine Matt Brodile

Joanna Bueche

Linda & Joseph Camardo

Ann Chao

Woody & Janice Collins

Caroline & Paul Cronson

Charles T. Davis

Barbara Dau

Irene Rosner David, in Memory of Dr. Raphael David

Jeffrey Davis & Jamie Alpert

David H. De Weese & Anne Heller

Ms. Beth Rudin DeWoody

The Cory & Bob Donnalley Charitable Foundation

The Donut Pub

Jack & Eleanor Dunn

The Eilers Family

Suzanne B. Engel

Mr. Richard Erstad & Dr. Gladys Fenichel

David L. Fanger & Martin Wechsler

Erin Feeley-Nahem & Isaac Nahem

Judy & Richard Feldstein

Maria Vittoria Foglia

John and Janet Foord

Judith Z. Friedman

Peter C. Friedman

Veronique Bogliolo Freidman & Mark Freidman

*Grace Frisone & Michael Metzger

Ania Fryszkowska & Alex Louizos

Barrie Gillies & William Drummy

Susan Egbert Gilroy

John Graney, MD

Mason & Kim Granger

Patric & Patricia Gregory

*Glen & Paula Gunsalus

Ava Hamilton

Alexandra L. Harper

*Shelia Heimbinder

Dr. Elisabeth Hefti

Laurie & Jack Helfin

Janet L. Henner

Edward Henry & Susan Monk

Ellen Hirsch

In Honor of the Weinroths

Lynn Hopkins

Gary Horowitz & Tom Wyse

George C. Howell, III

Mary & David Iles

James B. Jacobs & Jan Sweeney

Derek Johnson

I. Michael Kadish

Kenneth S. Kail & Ivy Hwang

Margaret Kaplen

Mr. Christian K. Keese

*Murray & Sylvana Klein

Hans Koch

Kathy Krall

Sondra Kurtin Robinson

Susan Lampard

LDJ Productions Reginald van Lee

Michael G. Lemle

Rachel S. Levine

Robert & Dorina Link

*Tina Liu

David Lovett & Meg Ruley

Sharon Luckman & Paul Shapiro

Elizabeth A. Maher

Joseph M. Marger

Lynn C. Mautner

Marcia Kramer Mayer

*Israel Meir

Miller Khoshkish Foundation

Mr. Wayne & Mrs. Barbara Miller

Michael Mulligan

Barbara Nagel

Joyce O’Brien

Aaron Singer and Bart Oosterveld

Trisha Ostergaard

David Parsons

Peck Foundation, Milwaukee LTD

Amy Pennington

Doug & Teresa Peterson

Douglas & Barbara Pitsch

Judith Plows

Carole Postal

Donna & James Pressman

David Alan & Susan Berkman Rahm

Case van Rij

Philip W. Riskin

Charitable Foundation Mary Jo Robertiello

Ann Sahid Rosche

Donald J. Rose & Victoria Lasdon Rose

Ellen Rosen

Diana & Michael Rothenberg

Marilyn & Alan Rothstein

Gail Russell

Deborah Sales & Ted Striggles

Alessandro & Fe Saracino-Fendi

Moshe Sasson

Barbara & David Schimansky

Jesse & Carol Schwartz

Michael Sekus & Bianca Russo

Irene Shen

Joseph Smith & Leslie Hendrix

Marilyn Sobel

Leon Sokol

Ellen Sorrin & David York

Fran Sperling

Mamie and Justin Stewart

Roger Stoltz & Shauna Stoltz-Laurie Abbie M. Strassler

William Sussman & Jane Steele

Swedish Institute and the Swedish Embassy in Cuba

Ken Tabachnick & Yael Mandelstam

Gary Tannenbaum & Helen J. Mills

Temple St Clair LLC

Pamela van Zandt & Gina Gibney

George Vanderploeg

Lucy Vasserman

Michael & Carol Weiss

Vicente Wolf

Elly Karp Wong

Cooper Wright & Michael Marino

Brann & Ellen Wry

Carol Yorke & Gerard Conn

Eloise Zeller

Christian Zimmermann Bonnie Zamosky-Roth

Investors ($500 and above)

Anonymous (13)

Donald R. Allen & Mildred Munich

LaRue Allen & Ebonya Washington

Ellen Alpert

Debra R. Anisman Maria Cristina Anzola Lucie S. Archbold

Paul Asman & Jill Lenoble

Joan Brooks Baker & Margeaux Klein

Betsy Barbanell

Clay H. Barr

Pamela Baxter

Joan & Ira Berkowitz

*Dr. Andrea Brandon & Black Rubee

Robert & Carol Braun

Jeffrey B. Bruce

Carol Bryce Buchanan

Diana Cagle

Jennifer Kornreich Cahn & Andrew Cahn

Susan Campbell

Karen Carozza

Jason Chuang

Matthew C. Cluney

*Kenneth Cole & Maria Cuomo Cole

Betsy Cornwall

William Cosper

Victoria Cowles

Duke Dang & Charles E. Rosen

*Mary Craig

*Greg Darnieder

Tony & Suzy Davis

Duane Devries

Debora Domass

Michael Eizenberg

Robert Elder & Jacqueline Fox Elder

David & Ingrid Ellen

Judith & Walter Flamenbaum

Dr. Sarah Fox & Mr. Steven Lochie

Eileen & Cono Fusco

Tom & Nina Geller

Karen Gershowitz

Elise Larrabure Girasole

Geraldine Glassman

Prof. James A. Glazier

Virginia Gold Nita & Chuck Goodgal

Katherine Goodman

Lenore & Edward Grabowski

Grant Family Charitable Fund

Bruce Greenwald Charles & Carol Grossman Family Fund

Jane Groveman

Gina Harman

Charles & Elaine Harris

Ira Haupt, II

Mr. Michael D. Herskovitz

Elizabeth Levitt Hirsch

Mr. Gregory Ho & Ms. Linda Sanchez

Cheri Hoff

Erica Hartman-Horvitz

Ralph & Lynn Huber

David H. Hughes, Jr.

Laura J. Illich

Walter Jaffe & Paul King

Robert & Marcy Katz

H. David Kaplan

Jan S. Keithly

Jennifer Aley Kenney

Robert & Elaine Klein

Valarie Koch

Audrey Lam

Arthus & Jane Lane

Stephen B. Lane Kenneth M. LeClair

*Rosanne Legrand Phyllis & Cary Lemkowitz

Michael Lemle

Elizabeth & Durwood Littlefield

Sophie Main

Jennifer & Gideon Malherbe

Julie Mandel Marcus

Joseph M. Marger

*Jennifer Markowitz

Margaret Mastrianni William Mavrelis

Lorraine

J. Meeker

Kati Meister

Tanya Melich & Noel Silverman

Victoria Morris

Paula Moss

Ann Mulally Deb Murnin

Barry Nalebuff

Drs. Benjamin Natelson & Gudrun Lange

Peter Nelson

Genevieve Nestor

Amanda Lee Neville

Stuart Nordheimer & Barbara Miller

Peter J. Occolowitz

Katherine Ogg

Rachel Ostry, MD

John Owen Bob Ouimette

The L.E. Phillips Family Foundation, Inc.

The Marshall Franklin Foundation

Brian Polovoy

James & Deborah Purdon

Deborah A. Quirk

Stephanie M. Goldson & Stephen Rappaport

Charles Ragland

Donald W. Roeske, Jr.

Deborah Ronnen

Ellen Rosen

Jean M. Ross

Elsa Ross-Greifinger

Anya Peterson Royce

Jennifer Goodale & Mark Russell

Prince & Petar Sanders

Dr. Carol Ann Satler

In Memory of Tracy Scherman

Marva & Florian Schodel

Lynn N. Schusterman

Robert Score

Deborah Selch

Elizabeth Shapiro

George Sheanshang

Tara Sherman & Tony Weiss

Lindy Shuttleworth & Arthur Reichstetter

Edward Siegel

Dr. Jorge Sigal

Rabbi Charles Simon

Andrew & Jennifer Smith

Joan & Laurence Sorkin

Jason Spiro

Michael Stanley

Jessica E. Stack

William L. Stern

Jim Stiles & Randy Bird

Robin Stout

Helen Sullivan

Dr. Pavur R. Sundaresan

Pamela Tatge

William Tomai & John Eric Sebesta

TPU Local One IATSE

Frank Troutman

Ellie Tweedy

Thomas Van Winkle

Ernie Vickroy

Merna Villarejo

Thomas Allen Walker

Charles Walker

Louise Washer & Mary Clay Fields

Gregory Ward

Sedgwick & Pamela Ward

Chris Watson

Carol A. Weil

Kate Weil

Sara Weinheimer

Stephen D. Weinstein

George S. Werner & Li Werner

Tom Whelan

Gregory Youdan

Sponsors

($300 and above)

Anonymous (4)

Patricia Adell

Jane & Stephen Alpert

John Angiolillo, MD

Elaine & Theodossios Athanassiades

Sherry & Sanford Axelband

Vivian Awner

Elena Baum

Nilda Bayron-Resnick

Joan & Ira Berkowitz

Roz Black & Bob Eimicke

Stan & Abby Bloch

Paul Brohan

Leslie Buckland

Jim Bumgardner & Lou Tharp

Deborah Burand

Michael & Jennifer Campagna Kelli Carrol

Neil & Kathleen Chrisman

Margaret Coady

Eileen & Michael Cohen Galois Cohen

Richard & Mary Ann Cohen

Laurie Colahan

Robert Conkey

Dr. Arturo & Ms. Caren Constantiner

Dr. & Mrs. Frederiick Corio

John Coulter

Mr. John A. Crawford III

Judy Cunningham Diana Davies

Jacqueline Z. Davis

Mr. Anthony DePersia Dr. Susan Dicker

Rodney Durso

Ms. Hope Eliasof Jo Ann Engelhardt Ellen & Frank Estes

Martha Evenson & Daniel Hoffman

Trudy Festinger

Jennifer Fitzpatrick Ellen Fleysher

Charles A. Forma Ella M. Foshay & Michael B. Rothfeld

Roy Fowler

Stephanie French Barbara Futter

Mr. Maura Gaenzle

Barbara Gallay Loren Gesinsky & Judy Rudin Richard Gilden

Ronald Gilliam

Denyse Ginzberg

John D. Goldman

Jennifer Goodale & Mark Russell

Mr. & Mrs. Richard D. Grant

Susan E. Green

Lawrence W. Greene

Sandra Gubin

Laurie Hart

Eric Hemel & Barbara Morgen

George & Linda Hiltzik

Herman & Jacquelyn Heinemann Mrs. Ruth W. Heuman

Peter Holleran

Huong Hoang

Susan Israel

Sherrilyn Ifill

Ronald Jacquart Willie Johnson

Drew Reid Kerr

Kenneth Silverman & Carin Khatchikian

Barbara Knox Bond Koga

Susan & Peter Kopple

Irene H. Lang Angela de Lara Lawrence Levine

*Emanuel Lewis

Sukey Lilienthal

Leslie Lin

David Long

Harold W. Low

Peter Maiwald

Judy Mauer

John & Linda Maxwell

Doug & Regina McCorkle

Colleen McCourtney

Rodney McDaniel

Cynthia Adler McKee

R. McNish

Alan Mendelsohn

Carol and Frank Messineo Holly & William Mensching

Vincent Mirrione

Richard J. Moylan

Aaron & Marcia Naveh

Stephen A. Newman

Madeleine Nichols

Anne & Harvey Nisselson

Jeffrey Nunn

Phillip J. Pena

Posner-Wallace Foundation

The Pulse Performing Arts Studio

Jonathan Raskin

Dr. & Mrs. Robert Refowitz

Lan Rice

Judith & Gary Richter

Barbara D. Riehl

Eileen Robert

Susan M. Rosenberg

Barbara S. Rosenthal

Lainie & John Ross

Alan Russell

William H. Sadie

Lies Sapp

Gregg Passin & Andy Schmidt

Laura E. Schneider

Sherry Barron-Seabrook Mary & John Seward

Rita Shawn

Kenneth Shelley

Jennifer Shotwell

*Elizabeth Sledge Anthony & Rosa Smith

Robin Smith & Bill Plante

Martha Sherman Robert & Curtis Spencer

Margaret Stern

Jos Stumpe

Henry & Jo Strouss

Mr. Lars Rosager & Mr. Donald Troise

Ms. Donna Tatro

Pat Tafuro

Jennifer Tipton

Margot Tohn

Tonic Physical Therapy & Wellness

Deirdre Towers

Bruce Tredwell

Charles & Susan Tribbitt

Dana A. Troetel

Patricia Truscelli

Scott Votey

Dick & Carolyn Wallach

Jeff Walsh

Doreen Wright

Yelena Yeretsky

Peter Yorgin

The Rudolf Nureyev Prize for New Dance and Ballet Festival Commissions

The Joyce Theater Foundation thanks the Rudolf Nureyev Dance Foundation for its invaluable partnership in commissioning new works from both established and emerging ballet companies, and enabling these companies to perform on the Joyce stage. The Joyce gratefully recognizes the donors listed below for their generous matching support that has made this effort possible.

Rudolf Nureyev Dance Foundation

R. Richard Ablon

Deborah & Charles Adelman

Gerald M. Appelstein

Rob Ashford

Stephen M. Baldini

Theodore S. Bartwink

The Harkness Foundation for Dance

Mick Beekhuizen

Evan Behrens & Dara Stern

Ajay Bhandaram

Torrence Boone

Stephanie R. Breslow & Paul Watterson

Madeline Brine

Richard & Martha Byrne

Kerry Clayton & Paige Royer

Rodney S. Cohen

Alan & Chi Colberg

Arlene Cooper

Pamela Crutchfield

Trisha & Patrick Duval

Jamshid & Mahshid Ehsani

Augie K. Fabela II

Britton & Melina Fisher

Kim Friedman

J. Eric Gambrell

Jane E. Goldberg

Ronald Gumbaz & Juliet Cozzi

David Haines

John & Judith Hannan

Rex S. Heinke

Cecilia & Jim Herbert

David & Andrea Holbrook

Toni Hoover

Kim Koopersmith

Allen Kovac/ Tenth Street Entertainment

Ronald & Stephanie Kramer

Ronald S. Lauder

Jim Leary

Alec & Sarah Machiels

Joyce F. Menschel

David & Diana Milich Virginia & Timothy Millhiser

Karyl Nairn

Abby McCormick O'Neil & Carroll Joynes

Anh-Tuyet Nguyen & Robert Pollock

Susan & Gregory Pappajohn

Michèle & Steven Pesner

Tatiana Piankova Foundation

Betty P. & Michael H. Rauch

Gregg Rechler/ Lisa & Gregg Rechler Charitable Trust

The Jerome Robbins Foundation

Ann Sahid Rosche

Meryl Rosofsky & Stuart H. Coleman

Rowan Family Foundation Inc.

Saul & Mary Sanders

Fran Schulman

Kathleen A. Scott

Frederic & Robin Seegal

Richard Shea

Howard L. Shecter

Linda Shelton

Irene Shen

Henry R. Silverman

Susan Fawcett Sosin

Allan Sperling & Ferne Goldberg

Wendy & Alex Stanton Justin A. Stevens

Raymond & Margaret Vandenberg Monica B. Voldstad Amit Wadhwaney

Daniel Walsh

Stephen & Cathy Weinroth Steven M. Zagar Richard Kielar & Christian Zimmermann

The Young Leaders Circle

Kyle Abraham^

Annie Alfstad

Patricia Arellano Chellis Baird

Erin Barnes

Alison Baum

Rachel & Dyllan Beck

* Anmol Bhagchand

Lisa Bonifacic Isabella Boylston^ Camille A. Brown^

Victor M. Castillo Alejandro Cerrudo^

*Julia Chambers Phil Chan Dr. Jason Chuang Mary Craig

Dayana De La Torre

Debora Domass Michelle Dorrance^

Giancarlo Facchi

Robert Fairchild^ Davalois Fearon^

Andrew D. Ferguson

Erica Forrence Jordan Freisleben

*Anna Fryszkowska

Amita Goyal

Ting Guo

Jessica Halper

Mingtong Han

Alexandra Harper, Co-Chair Kile Hotchkiss^

Alixandra Hornyan, Co-Chair

Audrey Hourse

Laura Hsu

Kristen Irby Amanda Krische Sireesha Kalapala

Jean-François Kowalski

Audrey Lam

Stephanie Lichtinger

Lydia Lin Mitch Lowenthal Michelle K. Marck

Jose Martinez

Katherine Maxwell^

Sara Mearns^

*Katie Mues

*Abigail Nintzel Justin Peck^

Tiler Peck^ Ruby Rosetta Pittman Brecht Putman

Vanessa Rojas Setpheap San^ Claire-Marine Sarner

Bette Ann Schlossberg, Co-Chair

Daniil Simkin^ Elisa Smilovitz

Samara Stern

Evan Strain Mark & Oni Strawn

Sara Strope

Lucy Vasserman Alexander Wang Miss Inga Wells James Whiteside^ Emma Winder

^Artist Committee members to join The Joyce’s Young Leaders Circle, please contact the Development office at 347-856-5828.

JOYCE PROGRAMS ARE MADE POSSIBLE WITH PUBLIC FUNDS FROM:

The Joyce is supported in part by an American Rescue Plan Act grant from the National Endowment for the Arts to support general operating expenses in response to the COVID-19 pandemic.

Joyce programs are made possible by the National Endowment for the Arts; the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council with special thanks to Council Member Erik Bottcher.

FACILITIES & SERVICES

Box Office (212-242-0800): Open Monday thru Sunday, 12pm - 6pm. On days when there is a performance, the box office is open through curtain time; advance sales stop ½ hour prior to curtain time (including matinees). Closed on major holidays. For Hearing Impaired call (TDD) 212-245-2904. To report Lost & Found items, please see an usher or call 212-691-9740.

EMERGENCY RESUSCITATION EQUIPMENT

Resuscitation masks and latex gloves are located in the closet next to the drinking fountain in the Upper Lobby. AED is located downstairs in the reception area. LEARN CPR. For more information, contact the American Red Cross, the American Heart Association.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency, please walk —do not run— to that exit.

WARNING: The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited within the auditorium. Violators will be punished with confiscation of recording device or ejection from the theater, and may be held liable for money damages.