Glimpse score by Joseph Pereira

Score

Glimpse Alto Flute, Bass Clarinet, Piano, Violin, Cello 2015

Glimpse "on the images that cannot be seen ...for an instant...compact brief Through the veilmovement derived from the Muse Mystical and sacred hybrid figures embrace every eďŹ&#x20AC;ort to grasp, the arrival still forthcoming.. . - inseparable from its own being insight into the past this time and in this place ..... memory transforms thoughts erased

Instrumentation

Set-up

Alto Flute Bass Clarinet Piano Violin Cello

In eight "quasi attacca" movements 1. "on the images that cannot be seen..." 2. ...for an instant... 3. Through the veil4. Mystical and sacred 5. the arrival still forthcoming... 6. - inseparable from its own being 7. this time and in this place 8. thoughts erased

Notes The score is notated at sounding pitch. Most techniques are explained in the score/parts. The notation is very detailed for the sake of clarity but the performer is encouraged to interpret the piece to fit his or her unique instrument and technique. In general the piece should have an improvisatory character, allowing the extended techniques to sound as natural as possible. The full piece with the order listed above, can also be performed with any number of movements and in any combination. All performances should be "quasi attacca" between the movements. The average timings of each movement ranges from 1 min. to 3:30 mins.

Cello

Bass Clarinet

Violin

Alto Flute

Conductor

Notation Score is in C (transposed in the parts) Accidentals carry through the bar. Trills are always played a half step above unless indicated otherwise. All quarter tone notation is not meant to be precise. They are used more as color changes, to make a pitch darker or brighter. - Dashed slur or arrow indicates a gradual change from one sound to the next.

Alto Flute All of the notations are explained each time in the score for clarity since there are often slight variations. W.T. - Whistle tone - the pitch is always meant to be unstable. - Aeolian, more air than pitch. This is generally used as an air sound and is always explained in the part. - Air with mouth as a resonator. Completely cover embouchure with mouth, and no air blown through flute. Actual pitch sounds lower. - Lip pizz - softer than tongue ram. - Tongue Ram -force air by saying "Hut". Pitch always aounds a major 7th lower.

Bass Clarinet Unless indicated all spectral harmonics are left up to the performer. The fundamental pitch is always given. - Air sound - mostly air with little pitch, but always explained in the part. -Slap tongue "Scream" or "Growl" is used as a color to add more density to a pitch. These are vocal sounds played through the clarinet at the same time as the pitch is played.

Piano Most of the piece is played inside the piano on the strings, in the small areas before the bridge, closest to the player. It is intended to be played mostly from the normal seating position, as to make any changes to normal playing more convenient. Also at least 2-3 metal thimbles are needed.

Strings Abrreviations are sometimes used: MST - molto sul tasto MSP - molto sul pont. CLB - col legno battuto - Approxiamte lowest or higherst pitch (Ad. Lib.) - bow pressure, constant - Increase-decrease in bow pressure

Glimpse 1. "on the images that cannot be seen..."

q=78 Restless, velato, quasi senza tempo

Alto Flute

° 4 &4

∑

Cover with mouth, roll tongue but no air through flute. Actual pitch sounds lower. flz.

Ó™

‰ æj æ æ 6æ ) )æ pp

* Should sound collectively as a Bass Clarinet in Bb

? 44

{

Violin

∑

ppp

? 44 Ó™

Piano

low rumble with no discernible pitches dominating.

Uneven blurred tremolo in each hand with no discernible pitch.

Ÿ~~~~~~~ ‰ j 7 ## œœ-œ pppp

? 4 Ó™ ‹ 4

Ÿ~~~~~~~ ‰ j 7 b œœœ (“‘) -

∑

smorz.

ppp

Ÿ~~~~~~~~ ≈ j j ≈Ó 7 7 ## œœœ ™™™ œœœ ™™™

∑

Ÿ~~~~~~~~~~ ≈ j j ≈Ó 7 7 b œœœ ™™™ œœœ ™™™

∑

(The lowest strings may be lightly muffled with a towel if needed.)

∑

1/2 pedal

˙™

∑

‰

#ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ∫

∫ æ w

ææ œ™ (œ)

ppp

° 4 &4

Extremely slow bow for unfocused sound

∑

ppp

Add some bow pressure (with molto tasto lower pitch sounds)

˙™

@ œœ

Add D string for more low scratch sound

w w

˙˙

poco

low rumble with no discernible pitches dominating.

?4 ¢ 4

∑

Flautando, Molto Tasto Extremely slow bow for unfocused sound

ppp

˙™

Add some bow pressure (with molto tasto lower pitch sounds)

∑

Add G string for more low scratch sound

˙™

@ # œœ p

∑

∫ ææj œ™

˙˙ ™™

∑

‰

Ÿ~~~~ ™ Ÿ~~~~~ ‰ r 7œ œœ 7 # œ # œ >œ # œœœœ

‰

ppp

fij O >

j Ofi fij > >O

w b>Ofi j

Ÿ~~~~ ™ Ÿ~~~~~ ‰ 7r 7 œ œ b œœ œœ b œœœœ >

#œ

˙™

Normal tone (fz -quick accents) Slow bow poco fz

ppp

Flautando, Molto Tasto Extremely slow bow for unfocused sound

œ™ œ

≈ Œ

End with any combination of notes

Alternate slowly between normal and harmonic fingering

Flautando, Molto Tasto Extremely slow bow for unfocused sound

∫ æ ˙

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ ‰ Œ ‰™ ≈ 7œj ˙7˙ œ7œ ™ œ b œœ ˙˙ œœ ™™ œ bœ œ ™ catch ø

ppp

∫ æ w

∑

q=78 Restless, velato, quasi senza tempo

* Flautando, Molto Tasto

∑

Add any spectral multiphonic with poco Flz. Produces a low warbly sound with unclear pitch. Sounds as if under water.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ ‰ j 7 ‰ Œ ‰™ ≈ 7™ 7œ ˙ # œ ## œœœ ˙˙˙ œœœ ™™ # œ n œ # œ ™

Una Corda sempre

* Should sound collectively as a

Violoncello

∑

Quasi "Tam Tam" For very soft dynamics the hammers barely graze the strings. Pitches sound always as if muffled.

∑

æj ‰ Ó 6æ

add poco Flz.

∑

ææj

æ 6æ

j Ofi fij > n>O

fi O >

w b>O

° A. Fl. & 11

‰

æj 6

sim.

ææ

æ 6æ

∑

Flz. Cover embourchure and blow air through flute as normal. Sounds Major 7th lower.

æ b Oæ ne

B. Cl.

Pno.

Vln.

‰

j œ ˙™

{

poco

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? 7 7 7≈ Œ <#> ˙ œœœœ œœœœ <#><#> ˙˙˙

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? 7 7≈ Œ 7˙ ‹ ˙ œ ˙˙ œœœ œœœœ

° &

<#> w

ææ

Always with key noise

Flz.

Ó Ó

˙™

Flautando, Molto Tasto Extremely slow bow for unfocused sound

Vc.

To harm. fingering

Bw pp

Poco Pont.

œ œ#œ#œ nœ œ

Ÿ~~~~~~~~~~~~ 7 7 #œ ‰ # œ # œœ œœœ > ~~ Ÿ~~~~~~~~~~~ 7 7 nœ ‰ œ b œœ œœœ >

‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙

œ nœ nœ#œ œ œ œ

bœ

Ÿ~~~~~~~ ™ ‰ 7œ œ7œ # œ #œ œ Ÿ~~~~~~~ ™ ‰ 7 7 œ œ b œœ œœ

Ÿ~~~~~~~ ™ r r ‰ œœ7œ œœ7œ Ÿ~~~~~~~ ™ r r ‰ œœ7œ œœ7œ

‰

æ b Oæ ne

æ Oæ e

œ#œbœ œ #œ

Flautando, Molto Tasto Extremely slow bow for unfocused sound

Bœ

Add G string for low scratch sound

˙™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 7j ˙˙˙˙ œœœœ b œœœœ

Add some bow pressure

æj Oæ be

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 7 7j ˙˙˙˙ œœœœ ### œœœœ

Ÿ~~~~~~~~~~

Add D string for low scratch sound

Add some bow pressure

‰

æj Oæ e

@ œœ p

≈ Œ Œ ‰

æ Oæ™ E™

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 5 ? 7 #œbœbœnœ œ#œbœbœ œ œ <#><#><#> ˙˙˙˙ . mp < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 5 ?Ÿ 7 ‹ ˙˙˙˙ œ b œ œ œ œ œ b œ œ œ œ.

° Vln. &

Vc.

˙˙ ™™

æ œæ # œ

Ÿ~~~~~~ ≈ Œ Œ ‰ b bœ7œj œ7œ Œ b b œœ œœ “‘ ≈ Œ Œ ‰

ppp

Ÿ~~~~~~ Œ 7j 7 b œœœœ œœœœ

Catch overtones only

<#> ˙˙ ™™

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

ææj ææ œ ˙ flz.

≈ Œ

≈ ‰ ## œœ. œ

∏∏∏∏

{

∑

<Ÿ>~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ ? Œ Œ ‰ B. Cl. ¢ <#> œ n œ b œ œ œ n œ # œ œ b œ n œ œb œ n œ œ

Pno.

æj æ æ æ ææ ‰ Oæ æ æ bO be ne sim.

≈

b œœ. œ ø

∏∏∏∏

° A. Fl. &

˙™

œ œnœ œbœ#œ ˙

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œbœnœnœ œ#˙ ™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 ≈ 7j 7 7 ® j 7 7 ˙˙˙˙ œœœœ œœ7œœ # œ b œ b œ œ w bb œœœœ ™™™ ˙˙˙˙ w ww poco

5 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ 7j 7 7 j® 7 7 7 ˙˙˙˙ œœœœ œœœœ œ b œ n œ b œ # œœœœ ™™™ ˙˙˙˙ w w ww poco

M.T., Extreme slow bow pressure Alternate slowly between normal and harmonic fingering

∑

œ ≈ j Bœ ™ pp

≈ Œ

‰

Ÿ~~~~~~~~~~~~~~~

˙™ #

˙™

œœ

˙™

œœ

M.T., Extreme slow bow pressure Alternate slowly between normal and harmonic fingering

∑

œ ≈ j œ™ pp

˙™

Ad Lib. Sim.

Bœ

bœ

j œ

nœ

œ bœ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯r ‰ ™ œœ

Trumpet embouchore On A fingering, pitch always unstable and moving slowly to other low pitches as if very wide controlled vibrato in slow motion

A. Fl.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ r ‰™ ( Ó) & œ œ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Ad Lib. Sim.

‰™

sim.

œ. >

≈ r œ ™

œ. >

? ‹ nw >

‰

Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~ ≈ ≈ ≈ ‰ ‰™ r ‰ 7‰ j j 7 7 7 ™ ™ œœœ ## œœœ ™™ œœœ œœ. œ œœ. œ œ ## œœœ œœœ ™™ . ppp

Sempre

Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~ ≈ ≈ ‰ ≈ ‰ ‰™ r ‰ j 7j ™ œ7 œ œ œ b œœ7œ œœ7œ ™™ œ œœœ b œœ ™™ œœ œ. œ œ. œ ™ . catch overtones

Tasto Sul IV with some bow pressure for low partials. Alla Punta

@ ° æ æ æ æ æ æ æ≈ ™ Vln. &

æ ææ #On O # O O O n O nOb O n Oæ O™ (With more key noise than pitch)

Ÿ~~~~~ Ÿ~ Ÿ~~~ Ÿ~~~~ Ÿ~~~ ≈ j ≈≈ 7 7 7 7 œœ7œ ™™™ œœœ œœœ œœ7œ œœœ œœ7œ ## œœœ œœ. œ > >. > Ÿ~~~~~~ Ÿ~ Ÿ~~~ ~~~~ Ÿ~~~ ≈ Ÿj ≈≈ 7 7 œœ7œ ™™™ œœœ œœœ œœ7œ œœœ œœ7œ b œœ7œ œœ.7œ . > > >

@ ææ æ æ æ æ

As before

æææææ æææ æææ ®

sim. ad lib

( )

‰

( )

‰™

pp Tasto Sul IV with some bow pressure for low partials.

@ ? æ æ æ æ æ æ æ æ æ æ‰ Alla Punta

Vc.

@ ææ æ æ æ æææ æ æ

As before

æææææ ææ

sim. ad lib

( )

‰

( )

‰™

æ Oæ

∏∏∏∏

≈® ≈ b O O. O

∏∏∏∏

w >

∏∏∏

Pno.

≈ j œ™

∏∏∏∏

{

poco

œ. >

≈ ææj ææ ææ ææ æ æ æ ‰ j b œ ™ ™ œ b œ œæ œæb œæ b O

∏∏∏

¢ bœ™

∏∏∏∏ ∏∏∏∏

B. Cl.

∏∏∏

°20

B. Cl.

{

æ Oæ

ææ O O #O bO O

æ œ™æ

æ n œ b œ b œ œ œæ

<Ÿ>~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~~~~~ ? 7 ≈ 7 7≈ 7 7 ≈ 7 7≈ <#><#> œœœ œœ. œ ## œœœ œœœ œœœ œœœ ™™™ œœ. œ œœœ œœœ >

<Ÿ>~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~ ? 7 ≈ 7 7≈ 7 7 ≈ 7 7≈ ‹ œœ œœ b œœ œœ œœ œœ ™™ œœ œœ œœ œ œ. œ œ œ œ ™ œ. œ œ > °

° Vln. &

ææ æ œ ˙æ™

æ ˙æ™

add some growl with cresc.

Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ≈ j 7‰ 7 7 7 Œ 7œ ™ œ œ ˙ ˙ ™ # œ ™ œ œ ˙ ˙ ™ ## œœ ™ # œœ œ ˙ ˙ ™

∑

Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ j 7‰ 7 7 7 7 œ ™ œ œ ˙ ˙ ™ b œœœ ™™ œœœ œœœ ˙˙˙ ˙˙˙ ™™

≈ j ‰ bO7 O

Ó Œ

∑

Ó ‰ ™ b bœœr b b œ. œ > “‘ Ó ‰™

Gradually add 1/2 pedal

Tasto Slight extra bow pressure and very slow

Ó Œ O ~ O ~

( )

Tasto Slight extra bow pressure and very slow

# Oœ ~w ( Ó) Œ ppp

‰

poco

≈

∑

≈ ‰

~~ ~w

OO ™™ O˙ ™™

∑

Fast low key noise with very little pitch, between indicated pitch range. Key noise is louder than pitches.

ppp

Vc.

˙ œ™ œ

∏∏∏∏∏

Pno.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ # œ w ‰™ ( Ó) R pp

sfz

r b œœ. œœ >

∏∏∏∏

° A. Fl. &

(Ok for WT pitch to be a bit unstable) Whistle Colors/echoes string harmonics. Tone

≈ ‰

~7 ~

Irregular trem. as before

7j ##>œœœ

7 w ww

7j b œœœ > 1/4 °

7 ww w

≈ ‰

ppp

Tasto Sul IV Alla Punta

@ ææææ æ æææææææææ ™ æææææææ æ ææææ ® ≈ ≈ ‰

ppp

≈ ‰

Tasto Sul IV Alla Punta

@ ææææ æææ ®‰ ™

ppp

ææææææææææ ‰

ææææææ ≈

Poco più mosso

° &

B. Cl.

Pno.

b~7 ~

7 ### w w ww

? ‹ w7w ww

° Vln. &

ææææ

Vc.

~7 ~

O7 Œ Ó O

7 w w w ww

7Œ Ó œœœœœ

∑

7Œ Ó œœœœœ

∑

poco

7 w w ww

7w bnb w w ww

∑

3 4Ó

3 4Ó 3 4Ó

3 ( Œ) O O O O O O O 4 O O O O O O O O O ppp

ææææ

Tasto Slight extra bow pressure and very slow

( Œ)

ppp

˙o

o 3˙ 4

# wo

4 4

∑

~7 ~

4 4 7 w w ww

7 w w ww

7 ˙˙˙˙ ™™™

7 œœœœ œœœœ

4 j 4 7 w b œœœœ w ww > ° ø1/4 Pedal

7 w w ww

7 ˙˙˙˙ ™™™

7 œœœœ œœœœ

‰ j ### œœœœ > mp

ppp

‰

j OO ‰

4 ææææ 4

œo J ‰

4 ææææ 4

Add Ped.

O O™

Ó™

4 7 4~ ~

‰ bO7j O

Sim.

~ pp

“” ^ bn œœ #œ Œ Ó & >^ # œœœœ

‚ ~ ææ

poco flz.

∑

sffz

Œ Ó L.V.

Poco più mosso

Tasto Flautando

ppp

Sim. Ad lib.

Ÿ~~~~~~~~~~~~~~~~~~~~ o ˙o ™ # œo œ wo

Flautando

Sim. Ad lib.

Tasto Slight extra bow pressure and very slow

n ˙o ™

œ J ‰

gradually add full Ped.

Sim. Ad lib.

∑

7 bnbn# w w w ww

3 4

∑

∏∏∏∏

{

∑

∏∏∏∏

A. Fl.

#˙ ™

Whistle Tone

Tasto Flautando

ppp

˙o ™

# O ™™ Œ ˙ pp

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~ o ° <#> w A. Fl. & 44

bisbiglando œo œ # œo 5 5 œ œ >œr œ œr œ œr œ ‰ J R R R

œ J nœ 3

œ j œ J œ 3

# œo œ J

˙o

Gentle jet whistle

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 œ œ #œ œ œ ‰ J O 3

‰œ œ Ord.

jŒ O 3

poco

œ J

poco

B. Cl.

{

Pno.

O O™ J ‰ ææ

? ‹

° Vln. & OO ™™

∑

œ œ™

> r r r ‰ ≈#œ œ œR œ œR œ œR œ ™ bisbiglando

œ œ œ œ™ ææ flz.

œ œ J

∑

#œ œ J pp

poco

∑

™ œœ œ

∑

˙ nO

O œ

fade out

fade in

bœ œ œ œœœœ œ œ #œ œ

∑

>Oo ææ

Jete

O ææ

∑

œ œ™ J

Flautando

> ‰ æO ™ æ

Sul D Jete

Tasto Flautando

∑

Tasto Flautando

(Sempre Flautando)

O˙

Tasto Flautando

>O œ‰ j J œ ˙

ord.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <#> # O˙ ™™ ? ~w nO #œ SP

Vc.

O ææJ

Flz.

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~ tasto j j‰ œ O #O O O O ##˙O ™™ pont. (Sempre flautando)

poco

O˙

∑

# O˙

O˙

(Ped. LV.)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ # O˙ nO Oœ pont.

poco

‰

j O O

tasto

æ Oæ

° œ >œ œ œ œ œ œ œ œ œ A. Fl. & J 50

B. Cl.

Vc.

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ >œ œ œ œ œ œ ™ œ 3 ‰ j J ‰ Oj O ~ O™ O 5 5

œo

Slow 1/4 vibrato very loose embochure

bisbigl.

add poco flutter with cresc.

° Vln. & O œ ?

œo

bisbigl.

ppp

æj œæ

≈ #œJ ™

‰

œ™

æ nOæ flz.

æ Oæ

æ O™æ

Oœ

œ p

> ‰ #œ œ œ œ œ bisbigl.

Sul A Slow tril speed

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ord. œ bbOœ ≈ œ O˙ #˙ æ

‰

æ œæ

ææ nœ p

O˙ æ œæ

‰

poco

bbOœ J

≈ Oœ ™™ J

##˙O ™™

tasto

O˙ ™™

æ œ

deccel. bow speed

° &

Ÿo ~~~~~~~~~~~~~~~~~~~~~~ ˙œ œo

A. Fl.

B. Cl.

ppp

{

poco

? ‹

œ O

‰ œ O

∑

æ w

Aª ææ ¤o °

O™

ææ

Breathe wherever necessary

O™

O ∑

ææ

æ Oæ

‰

Jet

j nO

poco

pppp

∑

æ Oæ

∑

‰

U R

∑

U™ >r œ œb œ œ œ ‰

Ÿ~~~~~~~ r j ### œœ7œœ œœ7œœ

‰

very slow bow (tasto)

ppp

~ ~

Ÿ~~~~~~~ r 7œj œ7œ œ b œœ œœ

Fast Trem. Add more bow pressure

æ Oæ

poco Fast Trem. Add more bow pressure

æ Oæ

poco

U™ ‰

poco

very slow bow (tasto)

ppp

∑

˙O

ppp

w~ ˙

O™

∑

Sweeping lowest strings wth flat part of fingers. Low rumble with no descernable pitches heard.

° Vln. & <#> ~ <#> w Vc.

ppp

Pno.

? <#>˙ ™

W..T. non vib.

@ æær >O mp @ æær >O mp

œbœ

U™ ‰ U™ ‰

U ‰™ U™ ‰

2. ... for an instant ...

Alto Flute

Bass Clarinet in Bb

° &

Colla parte, calm Follow bass clarinet

ææ 6 o

* Flz. air only while completely covering hole with lips and mouth. Actual pitches sound a major 7th lower.

æ # 6æ o

Generally slow and legato but each individual trem. group within a bar should move on to the next. Each bar played approximately, according to spacing on the page. When two layers of cresc./dim. are given the bottom one shows the overall phrasing. Each bar should be connected as if all one breathe. Tremolos should never be even and always have a lopsided feel.

∑

O o

æ )æ o

æ b 6æ

æ )æ o

O ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Sneak in multiphonic trill (spectral harms sound also)

pppp

O ,

? {‹

(Low thumping/echo) (

(8va basso)

Low airy notes always developing into high spectral harmonics (ad lib). Slow irregular tremolo speed always. Dynamic indicates relative speeds - cresc=accel., dim=decell. Allow high spectral harmonics to pop out and always legato/connected to fundamental pitches

Piano

≈

poco rall.

s ss s ss

≈ o o

s ≈

q = 58 approx.) +

b OO o

ppp

Una Corda Ped. sempre

o LV. sempre

° sempre

° Violin &

Con Sord. Col legno Battuto Jete Sul G sempre

‰ BO >

sfz

Con Sord. Col legno Battuto Jete

Violoncello

‰

µ>O

Arco Flautando Poco Pont.

æ Oæ

sfz

* - Strings entrances should always come out of the flute sound.

ppp

Arco. Flautando Poco Pont. Sul G sempre

bæO æ

ppp

* - "Low thumping" - Using the palm of one hand muﬄe the lowest two strings to completely obscure pitches. The sound should be a distant low thumping echo.

poco rall.

æ bOæ o

nO ææ o

≈

° A. Fl. &

æ b)æ o

B. Cl.

Pno.

#˙ o

#˙

æ )æ o

æ b 6æ o

pp Add register key varying speeds and amount of opening.

O pppp

? {‹

b OO

ææ BO

ææ O o

BO æ

bO æ

Sim.

ppp

O bO # O nO

sim.

° Vln. &

Vc.

æ b6æ o

pppp

æ 6æ o

Sim.

ppp

æ BOæ

æ Oæ o

bO ææ

BO ææ o

ppp

° A. Fl. &

æ b 6æ o

Use register key as before Also add more air as moving to flz.

B. Cl.

#˙

≈

≈ #O

ææ O o

"Harmonic Whispers" - Low airy notes and allow spectral harmonics to slip out. Not a continuous sound, with a combination of low fundamental note, harmonics, and air.

æ n wæ

* -See link below

Poco Flz. with crescendi.

√

ææ O o

Flz. air only

; :

pocchis. Ad lib.

;

pppp

*- Example can be found at the bottom of this page:

http://heatherroche.net/2014/02/13/on-writing-air-sounds-for-clarinets/

Pno.

? {‹

≈ Ó

≈

ppp

#O ¢& ææ

Sul D

Vc.

b OO

pppp

° #æO Vln. &

ppp

≈

√

sim. - Some of the softest sounds actually don't speak, so there is an uneven rhythm.

O æ o

O ææ o

: pocchis. Ad lib. ; :

;

√

3. Through the veil-

q.=112 Risoluto, commosso ma velato

Alto Flute

° 12 Œ ™ &8

‰

molto

Bass Clarinet

? 12 8

Mostly air sempre

9Overblow Œ 8 j b8 œ œ™ œ™ '

sffz

Flz.

poco

æ ææ æ O ≈ ‰ Ofij O ‰ ‰ O O O ‰ O ‰ bO O ‰ ‰ O O O ≈ ‰ ‰ bO O O O ‰ Oæ æægliss. ææ O 68 ≈ bOfij O ‰ ‰ O O ≈ O ObO 98 ≈bObO ≈ ‰ nO ≈ ‰ bOæ gliss. . . . . > . . . >. O. ' > > p pp p mf mp ' poco Mostly air sempre

9 8 bœ œ Œ v

∑

o n O. '

o Flz. ææ nO 9 ≈ ‰j ‰ ‰ ‰ ‰ ‰ ‰ ≈ ‰ ‰ ‰ ææ ææ ææ 68 ≈ ‰ ‰ ≈ ≈ ‰ ' ≈ ‰ ææ ≈ 8 j fi fi b O gliss. O gliss. O O O O O b O O O b O O O O b O O O O O O O O O O O O n O O . . > . . mf . >. > . mf > > p p p pp mp

Energetic and with a very covered, distant sound.

Flz.

Always played martellato, risoluto

+ ^ b O 9 O OO OO OO OO OO Œ ™ 8

* = Muﬄe strings lightly with fingers one inch in from the beginning of the strings, so pitches have a hollow tone.

Piano

{

? 12 8

∑

sfz mf

° sempre

Œ™

b O^ O O O b O^ O O O O O ‰ O O O O ‰ O O O O O O Œ™ sfz mf

sfz mf sim.

6 8

> > 9 bOO OO OO ‰ OO OO OO OO ‰ 8

∑

q.=112 Risoluto, commosso ma velato

° 12 Violin & 8

9 » ‰ ‰ ‰ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ææ 8 8 # O ™™ #œ n œv O bO O ™ O™ O™ O™ O™ O™ O™ > Arco Pont./Flautando

pizz

∑

sffz

Violoncello

œœ œœ ™™ ˙˙ ™™ ? 12 ¢ 8 ‰ ‰ o

^ 9 bœœ ‰ œ œ 8 molto

mfz

Pont./Flautando Sul G

Arco Pont./Flautando

Jete Ord.

gliss.

œO

‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 8 O O™ O O O O™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 9 ‰ ‰ BO µO O™ 8 O™ 8 O™ O™ O™ O O O O™ O™ O™ O™ O™ pp

° æ A. Fl. & ‰ æ æ ææ æ ææ ææ ææ bO O O O O O > >

æ Oæ

? ‰ ææbOææ Oæ Oææ ææOææ B. Cl. O O ¢ > >

>. ææ b8J O

Pno.

? ™ { Œ

(Overblow)

8. >

U ∑

(Overblow)

U ∑

bO>O OO OO OO OOOO L.V.

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ord.œ^ ? O™ O J ¢ O™

U ∑

sfz

9‰‰ 8 fij bœ v

( °)

sfz

Vc.

sfz

n œ.

bO O O O p

≈

O O bO O O O O O O

8 '

Œ™

‰ ‰ n8 '

sfz

9‰‰ 8

b œ^ sffz

Œ™

^ 9 &8 ‰ ‰ œ ‰ Œ sffz

≈ ‰

‰ ™ bO O O O ≈ O O Œ ™

≤ j b œ œ.

Arco Pont.

? b œœ ™™ pp

Œ™

6 ‰ 8 j

Ofi > p

‰

OOO

‰ 98

Ÿ~~~

jŒ O n 8. >

6 8 O O O b O O O™

Ÿ~~~ ‰ bO O O O O O ‰ O O O ‰ j 68 ‰bOfij O ‰ O O O ‰ 98 bO b8j ‰ ‰ nO O O O™ O O 68 œfi b œ > > . ' p

b >O O O ‰ O O O ‰

Œ™

b >O O O O O ‰ 68 O O O O O ‰ 98 Œ ™

b >O O O ‰ ‰ O O O ‰ 68

Jete Ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ææj 9 ææ j Œ ™ 6 ‰ 8 8 O # O O O™ O™ O™ O™ O™ O #œ œ

Flautando Pont.

Ÿ~~~~~~~~~~~~~ 6 8 O™

Flautando Pont.

mfz

œœ ™™ poco

ObO O O O O O O O

‰

# OÆ

sfz

Arco Ord.

‰

sfz

sfz sffz

U ∑

Pizz

‰‰

“” ^ # œœ b >O O O O b >O O O O O O U 9 ∑ & 8 ‰ ‰ #œ ? ‰ O O O O ‰ O O O O O O Œ ™

^ ° <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œJ Vln. & O™ O™ O

Pizz Ord.

# 8Æ J ‰

molto

9 8

œœ ™™

œœ œœ ‰ >O ™ ææœ™

Flautando Pont.

Jete Ord.

molto

mfz

gliss.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 9 6 B O 8 O™ 8 O Oj O O O O™ 8 B œ BO nO O™ O™ p

fz p

° 6 & 8 O O ææ bO 14

A. Fl.

Flz.

o # OÆ

Ÿ~

≈ 98 Œ ™ ææ 83 ææ O™ O nO

b O. n œ > p

sfz

æ ?6 B. Cl. ¢ 8 O O Oæ

Flz.

æ 3 æ O™æ 8 Oæ

bO>O OO OO ™ 6 ? Œ Pno. { 8

æ O b O Oæ™

‰

OÆ 9 œ ≈ 8 Œ ™

Ÿ~ æ O. bœ ‰ O O Oæ™ > p

sfz

^ 3 bOO 9 Œ ™ 8‰ ‰ 8

poco

bO O O O >

‰

OO >

‰

OO >

‰

OOO >

9 8

(Overblown)

b>8 8 8

≈ ‰ Œ ™

9 ObO O O ‰ O O ‰ O O ‰ O O O 8 b8 8 8 ≈ ‰ Œ ™ > > > > >

(

) °

Flautando

Vc.

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~ 3 ? 68 O™ 8 nO ™ ¢ O ™

Flautando Pont.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 9 j 8 O ‰ ‰ BO ™ BO 8 O O™ O™ O™ O™ O Œ™ sfz

6 8

^ #8 sffz

‰

9 bæ˙ ™ 8æ

œ™ ææ

Flz.

Œ™

9 Œ™ 8

Œ™

9 » ‰ ‰ ‰ Arco 8 bœ œ œ v p

?b OO OO OO OO OO

‰

bO O O p

‰j

Ofi > mf

9 8

6 8 n8 ‰ v sffz

9 #O O O ‰ >Ofij O 8

> 6 bOO OO 8

OO OO OO OO 9 8

sffz

Pont. Jete Ord. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ° 6<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ 3 9 9 Vln. & 8 8 8 j # Oæ æ O 8 j Œ™ # œ ™ ™ ™ b O ™ ™ ™ ™ O O O O œ O O O O O O O

mfz

Œ™

◊ÿ bO>O OO OO bOO OO OO OO OO OO OO OO # œ^ ‰ 98 & ‰ ‰ nn#œœœœœ Œ ™

Œ™

œ™ æ

(Overblown)

poco

Œ™

n˙ ™ 9æ 8 Flz.

sffz

Arco Sul D

b>-œ Œ ™ ? 98 f

Jete œ b>O æ J ‰ ‰æ æ æ

sfz

pont.

j O

6 Œ™ 8

‰

Flautando Pont.

Pont. Ÿ~~~~~~~~~~~ 9 bO ™ nO 8 Flautando

Sul A

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 Ÿ 9 8 8 B O O™ O™

° 9 A. Fl. & 8 ‰ ‰

Ÿ~~~

bO O O O O

O >.

B. Cl.

Pno.

{

ObO

> 9 ‰ bOO 8

∑

Jete Ord. > Oœ ° 9<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~ b ™ O b Oœ ‰ Vln. & 8 O ææJ ææ

sfz

Vc.

O bO O ™

Ÿ~~~ 9 bO. nœ ‰ O O 8 O #O O™ >

?9 ¢ 8 ‰ ‰ #O O O O O

? 98

‰

9 8

O O™ O O O O O O O

‰

O O™ O O O O O#Ob O ‰

OO OO OO ‰

Ÿ~~~ > bO bO ≈ O O O O ‰ >O O ‰ >O O ‰ 68 bO bO. nO O. ‰ ‰ ‰ ‰ bObO O O O

Œ™

j œfi >

Œ™

≈

OOOO

‰

bO>O OO

OO >

‰

OO >

‰ 68

O b O. O O.

O O O O O 98

‰ ‰ ‰ ‰

bO O O O O

ObO O

>O O O O O O 6 ‰ 8

bO bO O

O O bO O O

bO>O OO OO OO bO>O OO OO OO OO OO ‰ ‰

∑

9 8

Poco pont.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Jete> Ord. ŸPont. 9 b>O ™ nO 6 O™ bO ™ O™ O b>O O O ™ O™ bbOœ ™™ 8 8 ææ p fz Flautando

< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ? 98Ÿ Œ™ 8 j ¢ O™ O™ O™ O™ O™ O O O™ mf

O œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >O gliss. O SulO™E #O O™ O™ nœ œ 9 8 æ J fz

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ‰ O 68 bO O™ O™ O™ O fz

æj æ Oœæ æ >

Jete Ord.

sfz

Poco pont.

Ÿ~~~~~~~~~~~~~~~~~~ 9 # O # œ O™ bO 8 J p

Poco meno mosso Aﬀretando

° 9 bO ™ bO O O O O ™ O O O O O ææ 6 A. Fl. & 8 8 æ j ææ bO O. b O ™ f pp pp Flz

poco

B. Cl.

Pno.

fij

b¿ v

‰‰ æ b Oæ™

9 8

Flz

n O b O b O O.

poco

‰‰ æ ‰ ææ ææ ‰ ææ ‰ ‰ æ O n O. O O. b O O. b O O O. > sim.

∑

6 8

∑

9 8

∑

jŒ œ œ

6 j 8 Œ™ œ

‰

∑

9 Œ™ 8

‰™ j ‰ b œ ™ œ™ œ™ b œ

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ord. >œ 6Strong>œleft hand pressure ? 98 ‰ œ œ 98 œ ‰ œ œJ Œ O™ O™ O J 8‰ ¢

œ 6 Œ™ J 8

‰œ ‰

O ™ b O O O O O™ O O O O O

poco

? 98 bOO OO OO OO OO OO OO OO OO 68 {

sim.

9 8

∑

O. ‰ æO ™ J æJ æ

jŒ O. b O O. >

Air Cresc. slap

bO ™ O. ææ ‰ 98 ææ

‰

non flz.

. 6 OJ ‰ bæO æ ObO O. bæO ™ 8 æJ æ æ

? 98

bFlzO ™ ‰ 68 ææ

6 j ‰ ææj 8 ææ ‰ ææ O. O O. b O ™

9 ‰ æj æ 8 j ææ O. b O ™ sim.

bO.

non flz.

n¿Æ. ‰

‰

Flz OO 9 ‰ bæO nO ObO 8 æ

poco

ææ

nO. ‰ æO™ æ

sim.

ææ

ObO OnO ‰ ‰ ‰ bæO æ

∑

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O™ O ° 9<#>O ™ Vln. & 8

Poco meno mosso Aﬀretando

6 j 8‰ b >œ b >œ Pizz ord.

Pizz

Vc.

Strong left hand pressure

‰

9 8

œ œ bœ

‰

bœ

‰

∑

9 Œ™ 8

™ ™ ™ ‰ ™ œJ œ œ ‰ œ mp

‰ œ> œ œ œ

>œ œ œ œ ‰

Ÿ~~~~~~~~~~~~~~~~~~~ ° ‰ ææ ‰ ‰ æ ‰ æ ææ 9 æ 6 æ æ æ æ æ ‰ ‰ ≈ ‰ ‰ ‰ ‰ æ æ æ æ æ8 æææ 8 & æ O b Oæ Oj b O O O O O O O O b O O. O O. b O O. Oæ O. O O n O O. . p 35

A. Fl.

bO ™ ææ

. ? æ nOJ Œ ™ B. Cl. ¢ æ

. > O O ‰ nO bæO O O. ‰ ‰ 6 bæO ™ æææ ææ 8æ p

O O#O. ≈ 9 ‰ ‰ bO O. ‰ æO™ ææ ææ 8 æ ææ sim.

poco

Vln.

° & j bœ œ œ

‰

glis ? œJ œ œ ‰ œ ¢ s.

Vc.

o n>O

>o nO ≈ ≈ ‰ ææ ææ j O O. O b O mp b O ™

‰ æ b Oæ p

poco

6‰ ‰ 8

‰ ‰

b¿ v

#O nO > p

9 8

> . bO. O. O. ‰ # O bO O ‰ ≈ O ObOnOnO n O ‰ . . ≈ bœ œ 6 #œ 8 nœbœ œ ‰ ‰ #O nO 98 ææ bœ œ œ. œ. œ. ≈ œ. ‰ ™ œv > p pp poco

j ‰ œ bœ

‰

6 8

∑

9 8

∑

6 8

∑

9 8

œ ‰ œ J

‰ œ ‰ ‰ ‰ œ 68

∑

9 8

∑

6 8

∑

9 8

‰ æ 8 b Oæ '

ææ

‰ ‰ ‰

° 9 A. Fl. & 8 42

≈ b O n O b O n O.

‰ æ Oæ p

ææ

8 '

‰

ææ

6 æ 8 æ bO ™ p

‰ 98 æ j ‰ æ æ b O O. O O™æ O.

poco

æ ææ j ‰ ‰ ææ æ ‰ ææ O b8 O O. bO ™ ' sim. pp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œŸ œ 9 œ ™ œ™ œ nœ œ b œ b œ n œ 9 6 ? # œ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ Oææ B. Cl. 8 8 8 b œ ¢ #œ. œ. œ. œ. œ. œ. œ. œ. œ pp pp pp mf poco

Double trill

mfz

ææ ™ poco

‰ ææ ææ O ™ O.

poco

ææ æ æ bO. ‰ nO bO. ‰ nOæ sim.

j æ bO. ‰ nOæ

8 '

mfz

ææ ™

‰

mfz

‰

bœ nœ#œ bO. ≈ œ œbœ molto

#œ

fff

q.=96 Risoluto ma velato "Broken Tremolo" Quasi Ad Lib.

Use hand to quickly muﬄe and always to "broken tremolo". (approximate rhythm) Ÿ^ ~bœ + ™ O O poco >O O O O O O ObO O O >O O O >O Ob>O O >Ÿœ~ +O bO O >O O O >O O O O ™ O ObŸœ^~~œ +O O O O >O O O O >O bO O >O O O O O O >O O ObO >O ™ O O O O >O O O O™ > O O b O O œ O O O O O O O O O O 6 9 ? J Pno. 8 8 { Unmuﬄed normal trill

Ord.

"Broken Tremolo"

sfz p

Ped. Sempre

q.=96 Risoluto ma velato

° Vln. &

∑

æ B>˙æ™

ææj ææ œ >œ

Arco Tasto

Vc.

∑

µ>œ ™ ææ

Arco Tasto

œ >œ ææJ ææ fp

œ™ ææ

æ œ™æ ˙™ ææ

ææ ææj œ B>œ fp

æ œ™æ

6 8

ææj B>œ

œ ææ

µ>œ 6 œ ™ ææJ 8 ææ

æ œæ

æ œ™æ

9 æ 8 æ ˙™

œ µ>œ ææJ ææ

9 æ˙ ™ 8æ

Wide fast vibrato with gliss

ææj œ b œ~~~~~~

µ>œ ™ ææ fp

° Œ™ &

Œ™

A. Fl.

to overblow with cresc.

flz. ‰ ‰ æj 68 æ b œæ ˙™æ

? Œ™ B. Cl. ¢

{

Œ™

Vln.

sffz

6 8

9 8

∑

‰ O7 O™7 O™7 68 O™7 p

∑

Continue broken trem. as before.

ff mp

° ‰‰ & ~~~~ ™ ~~~~~~~~~~~~~~~~™~~~~~~œ

Irregular continous soundSmorzato. Uneven air stream

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (+) 6 ˙™ 9 œJbOO OO ™™ OO ™™ ? O O ™ œ bœ ˙ ™ 8 8 7 7 7

? ¢ ææ

nO ™ p

O™

9 7 8 O™

O™7

sffz

Sneak in normal trill by gradually releasing left hand.

nœ æ ‰ ‰ Œ™

9 8

Œ™

Ÿ~~~ + OO ™™ OO >œ bOO ™™ OO ™™ 7 7J 7 7

bObOnO O O pp

∑

9 8 OO ™™ 7

flz.

6 8

OO 7

‰ ‰ ‰ ‰ ææOJ 98 ææO ææOJ O O bO

6 8

∑

OO ™™ OO ™™ 6 OO ™™ OO ™™ 9 OO ™™ 7 7 87 7 87

6 8

∑

Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 nO œ 8 j bO ™ œ O™ O™ O

6 Œ™ 8

to overblow with cresc.

∑

™

flz. non flz. 6 Œ ™ ‰ ‰ ææj æ 8 b>O O™æ B O ™ O™ O™ O™ pp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ‰ ‰#œj œ 68 ˙ ™ 8 œ ™ b8 ‰ ‰ Œ ™ v

Vc.

‰ ‰ Œ™

Pno.

9 æ 8 æ œ™

rall.

6 Œ™ ‰ ‰ 8

9 8 O O™

O™

‰ ‰ Œ ™ Œ # Oj O ™ O Oj Œ ™ ‰ æ 68 æ O # œ œ™ œ œ B O O™ p > f f

6 Œ ™ ‰ ‰#Oœ 9 Oœ ™™ 8 8

Oœ ™™

pont. Oœ Oœ™™ Oœ Oœ >™ Oœ 6 J J ‰ ‰ Œ™ Œ Œ ™ Œ ™ 8 µææO

ord.

9 æ æ æ æ æ æ Œ™ 8 ææ æ æ æ æ O O BO b O O BO

6 Œ™ 8

9 ObO µO næO BO O Œ ™ 8ææ æ æ æ æ

Ÿ~~~~~~~~~~~~~~~~~~ 6 ‰ 98 Œ ™ 8 j b O O OO

quasi gliss.

‰ ‰ 98 Œ ™ nœ pizz

quasi gliss.

Œ™

mf Una Corda (for all normal trills)

pont.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ bœ 6 œ ™ œ œ 9œ œ #œJ œ 8 œ ™ œJ œ 8 J pp

Sul D

O ‰ b>O ææ & ææ mf

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 Œ bœ bœ œ ™ œ ™ 8 J

∑

rall. ord.

O™ ææ

e ‰ ‰ bœ œ ™ ArcoTasto flautando IV

II e Œ & œ œ™ J Tasto flautando

< >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° Ÿ O™ O™ O™ O™ Œ™ A. Fl. &

Œ™

™ ¢& O

non flz.

B. Cl.

{

O™

O ‰ ‰ pp

6 8

∑

Œ™

6 Œ™ 8 b O ™ O™ o pp o

Pno.

To muﬄed irregular broken trem.

∑

Œ™

∑

O ææ

Smorzato Irregular, quick uneven air stream

b O7™

U Solo Ad lib 6 bOO>™™ > > > > > >OO ™™ >> > > 8 æ 7

to normal trill unmuﬄed.

U ∑

Œ™

#O. J

7 nœ ™

7 œ™

9 8

j b O7 O™ 7 bœ

O™ 7

9 8

Always a covered dark sound throughout trillseach register blends into the next.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 bœ ™ bœ œ œ œ™ œ™ 8 b œ ™ ™ ™ œ œ œ œ mp

>> OO ™™ 7

∑

Smorzato Irregular, quick uneven air stream

O7™

6 8

∑

æ O #O O #O O O Oæ O ™ ææ > flz.

U ∑

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ + b‚‚ ™™ œ™ ˙™ bœ ™ b˙ ™ & ˙ ™ 7 7 7 7

Œ™

A tempo

U ∑

∑

Ÿ~~~~~~ ‰ #œ œ 98

Œ™

poco

A tempo

° ™ Vln. & œ

œ™

To harmonic fingering

™ ¢& œ

œ™

O™

œ™

To harmonic fingering

Vc.

œ™

O O™

œ™

O O™

O™

ppp

Œ™

6 O ‰ ‰ U Œ™ 8 J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ ‰ j Œ™ B O bO B O O M.S.P.

ppp

6 Œ™ 8

To harm. fingering

U? Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Œ j j j ‰ ‰ B O bO O O O M.S.P.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 ‰ ‰ bœ nœ b˙ ™ ˙™ 8 Tasto

sul IV

Œ™

Bœ ™

Flautando poco pont.

˙™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Bœ

Wide vibrato gliss

Ÿ~~ ‰ #œjnœ 98 Tasto

‰

sul IV

‰ ?‰

° 9 A. Fl. & 8 7 œ™ 72

? 98 7O ™ B. Cl. ¢

7 œ™

O™ 7

Overblow

> œ™ œ™ 7 ‰ ‰ ææ ææ œ

6 æ˙™ 8æ

O ™ 7 ‰ ‰ Œ

6Œ 8

flz.

∑

8^ ‰ ‰ Œ ™

∑

9 8

molto

Œ™

‰ ‰ Œ™

9 8

Overblow

Growl

j #œ œ™

o O O ææJ

O™

Œ™

B>O ™

flz. ord.

∑

oo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o O #O O O #>O 9 6 O™ ææJ 8 J 8

fpp

O™

Ÿ~ O #O 9 J 8

6 O™ 8

molto

{

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < >~~~~~~~~~~~~~~~~~~ œ #œ œ ™ ˙ ™™ œ 9Ÿ œ™ ˙ œ œ 68 œ ‰ Œ ™ & 8 j bœ nœ œ œJ J œ œ œ

Pno.

? 98

Hard LH muﬄe

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ >+ ™ bOO OO OO ™™ ‰ ‰ œ 68 ˙ J 7 7

Ó™

∑

9 8

∑ OO ™™ 7

OO ™™ 7

Œ™

∑

9 OO ™™ 87

OO ™™ bO>O OO OO OO 7 mf

molto

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ #œ œ™ O™ O™ ° 9 O™ 6 O™ O™ O J Œ™ Vln. & 8 8 Pont.

To harm. fingering ? 98<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 68 ‰ ‰ Œ ™ ¢ <#>˙ ™ #O ™ O O™ O™ O™ O Pont.

Vc.

∑

æ B>˙æ™ fp

æj æ œæ B>œæ

ææj ææ 98 ææ™ œ >œ

µ>˙ ™ ææ

œ™ ææ

µ>œ ™ ææ

Tasto

>Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ œ™ 6 œ ‰ Œ™ J 8

ææ ææ ‰ ‰ ™ Bœ

Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >œ œ ™ > 6 œ œ œ™ 9 ‰ bœ œ ™ 8 8 J

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j #O O ™ J pp œv

pont.

ord.

Arco

e O Ÿ~~~~~~~~~~ #O ™ 9 8

Trill between normal and harmonic fingering.

6 Œ™ 8

III

sffz

pizz Pont. ^ (non trem) 9 æ µæœ µæ>œ ™ æœ ‰ ‰ ‰ #œ ‰ ? ‰ ‰ b>O 8æ æ æ æ æ & æ

9 8

sffz

æ æ #O 6 ææ Oæ Oæ æO æ ‰ 9 8 nO æ æ 8 IV

J molto

sfz

° 9<#>O ™ #O ™ A. Fl. & 8

molto rall.

#O ™

o O µO J

O™

Pno.

{

Œ™

ppp

Ó™

sounding pitch

& œ™

Ó™

Spectral harmonic trill. Slow trem. speed increases with cresc.

œ™

µO ™

œ™

Œ™

œ™

µO ™

œ™

6 Œ™ 8 œ™

6 8

œ™

O™ 68

O™

∑

Ó™

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ œ œ ˙™ œ™ ˙™ J Œ™

n O ™ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ o œ™

œ™

µO ™

∑

O™

Vc.

I O™ # O ™ O™ O ™

Œ™

∑

U ∑

µO ™

Œ™

∑

U ∑

∑

O™ # O ™

™

™ ™

™

‰ ‰

Œ ™?

Ÿ~~~~~~~~~~ j BO bO O Œ ™ II

Col Legno Tratto Fast Tremolo Bow right up against fingers. Molto Tasto

O™ æ

B O™ mf

Bow right up against fingers.

OO™™ æ

OO ™™ 7

OU O ™™ 7

Unpitched clicking

∑

U ∑

6 8

∑

U ∑

∑

U ∑

Col Legno Tratto Fast Tremolo Bow right up against fingers. Molto (always with air sound) Tasto

oo 11

Pitches squeak out until the end

6 8

e O ŸII~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ŸIO~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O O ™ O™ O™ O™ O™ O <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # O O ™ OO ™™ ™ O O ™ ™ ™ ° 9<#>O O O O 6 J J æ Vln. & 8 8 ‰ ‰æ Pont.

œ™

molto rall.

?9 ™ ¢ 8 Œ

œ™

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <Ÿ>~~~~~~~ ˙™ œ 9 œœ ™™ œ™ œ™ ‰ &8

U™ Œ

Air (toneless)+WT

O™ O™ O™ O™ O™ O™ O™ o pp o ¯ - ï ïï (Trem. between pitches -ïï as before-uneven) ï ï Use hand e to unpitched ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ + :“”; b Ÿœ n œ ˙ ™ œ™ ˙™ œ™ ˙™ œ bn ‚‚ ‚‚ ™™ OO ™™ 6 7J 7 7 ‰ ‰ 8

9 &8

O™

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O™ O™ O ‰ ‰ 9<#>O ™ O ™ O ™ B. Cl. & 8 ¢ ‹ 9 &8

O™ O™

Continuous air stream of slowly changing timbres from turnng flute, and allowing high whistle tones to slip out. (Mostly air sounds)

ppp

OO ™™ ææ

(Actual sound is less.)

O™ 6 O™ 8æ

OO™™ æ

(always with air sound)

(Actual sound is less.)

OO™™ æ

Pont.

OO ™™ ææ

OO ™™ ææ Œ ™ o Pont.

Col Legno Bow moves in circular motion on all strings between tasto and pont. (Med/slow speed)

fifififi ™

U ∑

4. Mystical and sacred

* All pitches should come out of piano sound and blend in a way that gives the illusion of molto sostenuto. All air sounds that follow should be heard clearly as a color change.

q=50 Cantabile, molto sostenuto

Alto Flute

Bass Clarinet

° 4 &4 ¢

? 44

{

4 & 4 Ó™

Piano

Violin

Violoncello

? 44 Ó™

Bass Clarinet in Bb

œ œ™ œ œ

molto espressivo 5

‰ #œ

r œ œ

œ œ™

bœ5 nœ

> 5 nœ œ #œ R

≈ #œ œ 5

#œ

nœ ™

œœ5

#œ

5 5

≈ r œ™ œ™ # œ œ œ bœ 5

œ œ ™ #œ œ R 5 œ

3 ‰#œ-

œ œ 5

3 ‰ ‰ #œJ w NV sempre

œ5 #œ ™ œ™ œ bœ

œœ

#œ

œ œ 5 #œ

nœ

bœ

q=50 Cantabile, molto sostenuto

° 4 &4

Alto Flute

NV sempre

? 44

Violin

Violoncello

Tasto Flautando IV

-O

Tasto Flautando

-O O ‰‰J 3

poco rall. *

° <#>œ A. Fl. & 8

≈

A tempo

Aeolian white noise No pitch, air only.

Play quickly after piano

ObO O# O O b O O

( mf )

Actual sound is less.

5 4 ˙™

‰ b-œ œ J #O ppp

U ˙

4 4

Add some pitch wth cresc.

>O O ObO O O n Ob O b Oææ

3 4 ææ O

æ Oæ

æ æ Oæ Oæ

4 4

3 4Œ

# œ- œ ‰‰ J

4 4

sim.

( mf )

ppp

*-Cover embourchure hole with mouth

B. Cl.

≈ ˙™

and change mouth cavity for white noise air sound from high to low.

? <#>œ

Mostly air and key noise with a hint of pitch.

5 ™ 4˙

Flz. Air only

U œ O O O bO O O bO nO O ææ > O Play quickly after piano. Can arrive on C before the 5th beat.

æ Oæ™

4 4

( mf )

Pno.

{

≈ œœ >

#œ œ

nœ ™

5 4 œ

r 5 œ 5 nœ œ 4

U b-˙

O ≈ O

#œ nœ ™ œ

4 4

bœ™ 5

#œ ™ n œ

4 4

ææj

r bœ œ

A tempo

poco rall.

≈ ° Vln. & O O

Vc.

œ™

> œbœ

ppp

Actual sound is less.

& <#>œ ™

nœ 43 œ œ œ R 5

3 #œ 4

œœ 5

#œ

bœ

4 œ4 4 4

Vertical Sweeping

5 4O

U O

4 4

5 4

U O

æ j O œœ ˙˙æ > (f ) *

tasto

* æ æ pont. 4 tasto 4 ˙ >˙

pont.

Actual sound is less.

With the bow on the strings brush quickly up and down between tasto and pont., for a whispy air sound while muﬄing indicated strings.

( f )

Actual sound is less.

æj œœ

‰

3 4Ó 3 ™ 4 O˙™

ppp

III IV

-O O

ppp

4 4

° 4 j ‰ Œ & 4 ææ O

non vib.

A. Fl.

B. Cl.

? 44<#> w

{

? 44

nœ ™

° 4 O Vln. & 4 O

#œ

nœ

œ™

Vc.

ppp

#œ

3œ 4

b>œ œ R

bœ ™ œ

bœ

3 5 4 œ

nœ

œ™

æj ææ

3 4

3 ‰ œ ˙

Œ nO bO ObO O O O bO > o mp

œ bœ

r r

#œ œ

nœ ™

nœ #œ

ææj Oœ œœ > 3 f

OO 3

æ œœæ

æ ˙˙æ

œ ˙ >œ ˙ f

Ó o

3 4 ‰™ o

® Kr # œ- ˙

˙™

O˙

O˙ ™™

To harm fingering

3 4‰

-O œ J

‰ ‰ j #3 3 3

4 w 4

ppp

bœ

Aeolian with pitch blow across hole for some pitch.

4 nO O bO O b O O b O 4 Ó O > o mp

#œ œ

œ5

4 4 4 4

Vertical Sweeping

?4 O ¢ 4 ˙

3 ˙™ 4

bœ œ #œ œ™ 4 &4 œ

Pno.

‰ ‰ bœJ œ 3

4 4

4 O˙ 4

#œ

œ5

#>œ ™

r bœ œ

ææj j O >œœ f

æ œœæ™™ Oœ J

bœ

nœ 5

‰ o

ææj æ œœ œœæ >

Tempo giusto All players bring out individual rhythms clearly White Noise Sweeps

° & <#> ~ 17

A. Fl.

B. Cl.

3 4

j j O ‰ bO b O 3

i f

b O bO u

O i

O bO O æJ ‰ J 3

flz

Wide

ppp

Narrow

‰ j O

{

Pno.

nœ ™ 5

≈ nœ ™ nœ œ œ

œœ

#œ

#œ œ ™

3 4

nœ 3 œ 4

bœ

r bœ œ 5

œ™

nœ

bœ œ

bœ ™

˙™

3 ˙™ 4 ˙™

Eb to false harmonic=muﬄe pitch/air. D string still sounds as normal.

U ∑

5 5

œ œ #œ œ

Fingers gliss on strings, lowest notes.

r 7-

∑

Tempo giusto

bO ™ ˙™

O nœœ œ

Vertical Sweeping

U j‰ Ó

æ ˙˙æ™™

b˙™ 3 ˙™ 4

To light harmonic fingering, muﬄed pitches with air sound.

œ œ

bO O

O O

Sweeping O Vertical O œœ

‰

U ∑

‰

U ∑

Vc.

° bw Vln. & w

U ∑

œ

U ∑

‰

j O

Air Sweeps "Eat" mouthpiece and without losing seal, open mouth/throat as wide as possible to narrow for a continuos air sweep between low and high.

≈ œ >O 43 O æ æ

? ˙™

Mouth positions between "i" "u" for continuos air sweep between high and low air inside flute.

5. the arrival still forthcoming...

q=96 Rubato, con slancio Up to bar 12, the bar lines are only used for coordination. All music in between normal solid bar lines should sound as one long phrase (Bars 1-5 and then 7-11) Each players rhythms should be played with an individual improvised character and quasi ad lib. The conductor beats time as a guide for the players approximate placement within the phrase.

° 2 &8 O

Jet Whistle-as if warming up instrument

Alto Flute

4 4

molto

sffz

4 ?2 ¢ 8 ‰ b œj 4 œr Growl!

Bass Clarinet in Bb

molto

‰™

r ™ Kr 7. ≈ 7. ‰

‰

sfffz

‰™

Placement of rhythms in bar does not need to be exact. Lip pizz

‰™

molto rall.

≈ 7r ‰ .

r 7. ‰

Aeolian

Placement of rhythms in bars does not need to be exact.

j bœ

Smorzato

‰ #O o

pizz

O#O O ObO Ob7 v mp

bœ p

‰

j O

‰

O O p

‰ O ObO

Aeolian

O o

pizz

nO O b O 7 v mp

Aggressive Ad. Lib. Short repetative figures, quick and rapid. Muﬄe strings hard with flat fingers or palm on strings in the small area right in front of player. (Never muﬄed beyond the hammers or metal bar, until the end.)

Piano

4 ?2 ™ ≈ ™ ‰ {‹ 8 ∑ 4 O O O O ‰ O O O≈ O O O O O≈ O O® O O O O‰ O O O O O O O # O O O O O O O O O O O O O O O O O O # O O O O O O O (8va basso) v fff

Rall. frequency of figures and spaces inbetween with dim. Pace so piano is heard as last notes of dim.

O O >O

poco

sim.

OO >

Kr O> O O >O O # O O O O O >

j Ofi

O O

OOO

j Ofi

Kr O

P sempre molto rall. q=96 Rubato, con slancio

œ^. ° 2 ∑ 4 œR Violin & 8 4 Pizz .

sffz

≈

(Start together but does not need to end together.) Arco Col legno battuto

œœœ œ œ œ œ œ œ œ œ œ œœ œ œ œœ œ œv œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Poco piu mosso (individual)

œœ œœ

œ ‰ œ

Pizz . ^ œ. 2 4 ∑ Violoncello & 8 4R ¢

sffz

≈ ?

bœ^ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ ff

*O O

æ O O >

sim. Ad lib.

MSP

ppp

(sound is actually a lot less)

tapping changing bow position gradually from * - Continuous tasto to pont. A pitched bow glissando up should sound. Left fingers indicated harmonics and does not move. The speed of each players rhythm does not have to line up with each other.

(Start together but does not need to end together.) Arco Col legno battuto

MST (CLB)

œœ œœ

œ œ ‰ pp

* - Violin/Cello, overlap with each other and finish before piano.

Poco piu mosso (individual)

* MST (CLB) O O mf

(sound is actually a lot less)

MSP

ppp

sim. Ad lib.

>O O æ

q=96 A tempo, simile

° A. Fl. &

æ b Oæ o

2 √ 4 ∑

Flz.

mostly air ? ¢ b ¿r ≈ O O O O O O . . . . . .

ppp

sfz pp

Pno.

? {‹

O #O O O

O. O.

OO OOOO

ppp

4 4 Ofij

sffz

4 4 bœ v.

sffz

2 √ K ∑ 4 r j Ofi O LV

O OO

‰™

Jet

2 √ 4 ∑

(slap)

B. Cl.

molto rall.

* - All instruments fade out before piano.

r 7.

Lip pizz

≈

œ.

œ. œ. œ.

™ 7. ≈

™ 7. ≈ ‰

7. ‰

≈

° Vln. &

4 4

j bœ™

>O O æ

‰™

r n7v

œœ œ œ œ œ œ >. . . . . . pp.

# OvO OO OO OO

OO OO OO OO OO OO OO OO OO OO OO OO OO OO

# OO OO OO OO OO OO OO

œœ^. 4 R 4

^. 4 œR 4

sffz

Kr O>

molto rall.

≈

Arco Col legno battuto

œœœ œv œ œ

Pizz .

poco

OO > sim.

Poco piu mosso (individual)

Pizz .

sffz

O O >O

œ œ œ œ œ œ

Col Legno Battuto

œ œ

œœ œ œ œœ œ œ

œ œ

œœ œ œœ œ

œ œ ≈ œ œ

‰

Arco Col legno battuto

bœ^ œ œ ≈ ?bœ œ œ ff

œ œ œ œ œ œ

œ œ

œœ œ œ œœ œ œ

œ œ

œ œ bœ œ œ bœ

œ œ œ œ ≈ pp

MST

O O

(sound is actually a lot less)

Vc.

Pizz

fff

2 √ 4 ∑

j O #O O O bO Ob7

Sim.

pppp

æ O O >

Aoelian

q=96 A tempo, simile

æ O O >

r 7.

Col Legno Battuto Continuous tapping changing bow position gradually from tasto to pont on indicated strings. A raising pitched bow glissando should sound. Left hand fingers muﬄe anywhere as if harmonics and do not move. The speed of each players rhythm does not have to line up swith each other.

Poco piu mosso (individual)

‰

Col Legno Battuto

O O

MST

mf (sound is actually a lot less)

° ™ A. Fl. & Ó

fi #O ObOnO

Aeolian

From here individual rall but end phrase before piano

B. Cl.

? ≈ æj b Oæ™ flz.

æ Oæ

æ b Oæ o

pizz

O bO 7 v

æ Oæ

smorz.

Flz.

ppp

æ æ æ Oæ Oæ Oæ

æ b Oæ

æ Oæ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

æ Oæ

? Pno. {‹ O >

° Vln. &

j Ofi

O #O O O O O >

Kr j fi OOO O O

O O

O #O O O

æ O O >

sim. Ad lib. MSP

ppp

OO OOOO

Key Clicks

ææ

Use top of finger tips moving to diﬀerent spots on strings to bring out harmonics. Only harmonics sound in this bar. It's also ok if some notes do not always speak. Ad Lib

O #O

Kr O

O O >

‰ ææj ææ O O o

O O >

Kr O

∑

ppp

4 4

∑

q=88 Calm, becoming agitated

ææ pont.

tasto

≈ 2 4

This bar played as quasi fermata and piano is solo by the end.

pppp

pont.

∑

Mostly air Pitch barely audible

4Ó 4

a note below the range of the instrument. ≈ Use a relaxed embouchure. slap 2 Œ ‰ 4 ≈ j 4 4 #v¿ ¿ # 3 ™ 3 O v

Kr Kr Kr O œj O O O O

Kr O OO

q=88 Calm, becoming agitated

Airy and unfocused, as if playing

This bar played as quasi fermata

Kr j fi OO

O OO

*tasto

This bar played as quasi fermata

Rall. frequency of figures and spaces inbetween with dim. Hand position moves to finger tips on strings for harmonics.

≈ 2 4

U ∑

This bar played as quasi fermata

≈ 2 4

∑

Col legno battuto Jete

4 Ó 4 bO . v. . . . . . . µ O. sfz

* - With the bow on the strings (ord.) brush quickly up and down between tasto and pont., for a whispy airy sound, while muﬄing indicated strings.

Vc.

MSP

ppp

sim. Ad lib.

>O O æ

tasto

ææ

pont. tasto

O O >

This bar played as quasi fermata

ææ

O O >

pont.

≈ o

2 4

∑

Tasto very slow bow

*Ÿ e ~~~~~ O 4 O. . . bO 4 v . . . . . . B˙ Col legno battuto Jete

sfz

ppp

*-Slowly alternate between normal and harmonic fingering.

° & æ ~

ææ O

A. Fl.

B. Cl.

ææ O

ææ O™

æ ‚æ

¢ <#> ~

o j O >O >

poco smorzato

∑

¢ w

Ó™

‰™

Vln.

sfz

∑

#6 6

Aeolian

Hut!

O O bO O bO O O b O r bpp mp v

sffz

æ ‚æ

Lip Pizz

Aeolian

66666 6

666 6

III

O ææ o

ord.

))))) )

666 6

#6 6

O ææ

O O O ææ ææ ææ

O ææ

(multi)

pont.

#‚

≈

3 bœ3 » J ‰ ‰ œ j j Œ fi œ bœ

sfz

Add harmonic in this bar.

Arco Jete

^ O. . . . .

CLB II

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

#O #O

pizz

ord.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Very slow 1/4 vibrato loose emborchure

sfz

æ ‚æ

Poco Flz.+Growl

° O & æ æ

Add more density to multi with dynamic.

sfz

. . . nO.

#˙

O¯¯¯

Can add higher spectral with shake Shake

Arco Poco pont. minimal finger pressure

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

µ O. bO

ppp

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? O O bO. . . . . gliss. ¢ O R v O O Jete CLB

Vc.

O >O O

∑

Poco pont. minimal finger pressure

(air)

B. Cl.

° & O #O #O O O O nO nO O ‰ fij Ó ¿ o o pp v 20

A. Fl.

Arco ord. Jete

° Vln. &

ææ )™

Poco

Vc.

ææ )

Gradually add multiphonic+ soft growl

æ # ‚æ

Poco Flz.

Completely cover embourchure-air only pitch sounds lower.

sfz

Arco Sul III Poco pont. minimal finger pressure

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . . . bO. O. O ppp

° ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ‰ A. Fl. & ObO O O O bObO OnO O# O Aeolian Add key noise with cresc.

Air only Flz.

æ n #æ™

B. Cl.

Shake O¯¯¯¯¯¯¯

? ( Ó)

Can be out of time and faster than tempo-explosive gesture.

key clicks #>œ n œ œ # œ n œ œ > œ#œnœnœ œ œ #¿ ¿b¿ ¿

Some pitch still audible but key clicks sound dominate by the end.

n¿b¿n¿ ¿ ¿ # ¿ f

‰ #7œJ 7œ

slow bisbiglando

≈ Œ

‰ œJ œ b˙ ™

bisbiglando Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ w 7 7

poco

w 7

œ 7J

œ™

add trill

ord.

Ÿ~~~~~~~~~~~~~ œ ˙

sim. OShake ¯¯¯¯¯

˙™

O¯¯¯¯

> œ µœJ 3

ï ïñ ï -ï ¯ï

mp pp R

poss.

Pno.

? {‹

∑

‰

Irregular "morse code" tremolo between the two pitches with short rests. Finger tips touching and moving to diﬀerent areas on the strings to produce harmonics. ad lib

> >

7 OO ™™

j #>O7O p

° sempre ° <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( Œ) Vln. &

sim. ad lib

poco

> #Oœ ææ

Jete

sfz

> ‰ Oœ æ

Pont. flautando

Vc.

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Jete >O ? ( ‰) ¢ ææœ sfz

7 ~~

Oœ æ

b>O˙ ™™ ææ

7 ~~

Oœ æ

Pont. flautando

‰

7 ~~

3 Oœ Oææ Oææ Oææ™ æJ #>œ œ ˙ ™

b>Oœ ææ

ææ #>œO

Oœ Oœ b>O O ææ ææ b æœ æ˙ æJ æ 3

7 ~~

ææ ˙O ™™

Oœ ææ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #O O O™ O O™ ‰ J J ‰ ppp

Oœ >Oœ ææJ æ 3

Oœ æ

Oœ >Oœ ææ

O˙ æ

Ÿ~~~~~~~~~~~~~~ ‰ nOJ #O O SP

OOO O O O O O O™ O™ ‰ ‰Ó o mp

° <#>œ A. Fl. & 7 ‰ Œ Ó J 30

ppp

B. Cl.

¢&

∑

Jet

1 J‰Ó

Dynamic determines overtonespp= air, f=higher ovetones with increased volume of air.

‰

j œ œ

sffz

1 1

‰

j j œ œ œ œ™

œœœ

∑

teeth on reed

œ ™ œ œ µw ææ ææ

<µ>˙

U™ Ó

rall.

WT sempre

Poco più mosso

poco flz.

œ œ‰ J o

U™ Ó

∑

‰™

∑

≈Ó

∑

Touch with finger tips for more harmonic overtones in the area inbetween the metal bar and the hammers.

Pno.

? 7 Œ Ó {‹ <#> OO o

∑

U Ó Œ ‰ j # OvO

Always moving to diﬀerent spots on strings, to vary the sounding harmonics.

∑

sffz

‰™

≈ j Œ # OvO ™™

O O

O n Oœ O ‰™ ‰ R

r # OvO

sffz

Bow pressure

° Vln. &

Bœ ˙ æ ‰ æJ æ SP

∑

œ æ

MSP

˙ œ æ ææ

œ ææJ U ‰ Ó™

Poco più mosso

I II

#O O

MSP

Vc.

∑

U™ Ó

#O O O Œ #œ œ œJ Œ Œ SP

MSP

molto sempre

sim.

molto sempre

MSP SP <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? O O O O O O O O O Œ Ó ¢

Oœ Oœ JŒ MSP

## Oœ SP

sim.

Oœ

Oœ Oœ

MSP

punta SP

O ≈ & æ˙ æ o

#O ™ O ≈ œJ ™ œ o punta ord.

Oœ Oœ Oœ æ ææ ææ MSP

rall.

O˙™™

Oœ J ‰ o

ord.

Oœ™™ ææ ‰ Ó o SP

A tempo

accel.

° A. Fl. &

B. Cl.

¢& Œ

Reacting to piano

∑

Jet

fij

œ œ œ o

Œ ‰

j œ œ œ

? {‹

∑

Vln.

° &

∑

Œ ‰ j Ó b OO v

sfffz

(always moving fingers for diﬀerent overtones)

j ‰ Œ b OO v

Œ ‰™

¢&

∑

Œ Ó

∑

sffz

O¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ poco flz. Y Y ‰ Œ œ poco ppp o mp

∑

sffz

A tempo

Ÿ~~~~~~~~~~~~~~~~~~~~~~~ “” O O b œ œn œ œb œ II O #O R ‰™ ‰ ææ ææ ææ ææ ææ Œ

Reacting to piano

Vc.

r OvO

pont.

∑

Slow gliss between high spectral harmonics

sffz

accel.

æ œ ˙æ

molto

Pno.

∑

poco flz

Scream!!

explosive!

sffz

WT - as before

O & #œ

MSP

œO œO œO ≈ ff

j Œ ‰bbœO SP

˙O

bSPOœ ™™ pp

Oœ J

MSP

BB Oœ Oœ Oœ Œ ‰ J ≈ Œ Ó

>. . . . . arco j Oœ ‰ ? ‰ #Oœ O O #O O O O O

MSP

SP Jete

sfz

O O ‰ J pp

SP bb Oœ Œ ææ o

∑

æj ‰ & ##œO o SP

∑

ææ œO

ææ ˙O

MSP

° A. Fl. & 47

‰b6ææ ææ ææ ææ ææ‰ 6 6b6 6 overblow

Œ ‰™

∑

Jet

1 R

Tempo rubato

r ‰ ™ Œ Ó™ -> p

pizz

sffz

∑

o w

Sounding pitches

B. Cl.

‰™

teeth on reed

1 R

Slow trill speed to faster with cresc.

∑

sffz

∑

Ó™

∑

Multiphonic spectral trills Always very delicate.

∑

Always air +fundamental sounding first, with multi+spectral harms developing.

Ÿ~~~~~~~~~~~~~~~~~~ bw J ww bw ¯ - ï ïïo -ïï ïï c

? Pno. {‹

Up against other side of metal bar. (hammer side not player side)

‰

∑

j b OO v

∑

Ó™

Right up against hammers (players side)

sffz

O ° æœ Vln. &

Vc.

Oœ æ

MSP

æ <#>œOæ™™ & <#> ¢

Oœ æ

Oœ æ o SP

∑

sffz

#O O O ‰ œJ œ œR ‰ ™ Œ SP

MSP

‰Ó

j ‰ b OO v

∑

jete, SP “>” O. O. O. O. O.

sfz

Œ Ó

SP MSP Oœ Oœ MSP Oœ r r ‰ Ó & ‰b™ bœO œO œO ≈ ‰ Œ Ó

1 1 1 R ‰™ Ó Œ

Tempo rubato

∑

Ó™

Pont.

molto

∑

Ó™

11™1 ‰J pp

molto

∑

Ó™

∑

sim.

Pont.

1 11

∑

1 1™1 sim.

111 ‰J

Jet Approxiamte pitched high, med, low

3 58 1> ° ‰ J ‰1> ‰ ™ A. Fl. & r Œ > ff

o & w

B. Cl.

∑

Ó™

‰ j O

O™

o w

o œ

A piacere, tempo rubato until flute enters

o o o œ Œ ˙ ˙

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ? bw J ww bœ JœœŒ ¢ bw bœ o pp

o w

? {‹

∑

o o ˙™ ˙™

Individual Rall.

#O #O #O nO O #O O O #O

#O O

∑

ppp

U ∑

oj #œœ

U ∑

Sounding pitches

‰

Touch strings as harmonics right up against hammers on inside and slide fingers slowly down indicated strings away from player for a "falling oﬀ" harmonics sound.

‰

b OO b OO OO > mp

Uneven slow rhythm and heard as solo harmonic line going down, fading out by the end.

OO (

1 ° J ‰ Œ Ó Vln. &

Vc.

¢& Ó

∑

Kr ‰ ™ ® #œO ‰ >. . . . . Jete, SP

∑

Œ?

°)

U ∑

∑ Tasto Molto Flautando

∑

U ∑

poco

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ slap ˙ J˙˙ bw J ww bw J ww bw J ww bw J ww b˙ ™ J˙˙ ™™ r ‰™ ¿v ˙ bw bw bw bw b˙™ pppp o sfz ppp o p pp

Pno.

#O #O O

Approx. overtone series

#>Oœ pp

OO o

U ∑

Individual Rall.

nO U J Ó o

U ∑

6. -inseparable from its own being

q=76 Sospirando, poco sostenuto

Alto Flute

° / 44

U ∑

Ó™

(Two line staﬀ is for air sounds high and low.)

Afl

‰

6 J

"White Noise" -Air sounds produced inside the flute. Blow air only, changing mouth cavity between the postions of "i" and "u" ,to go between a higher/brighter sound and a lower/darker one.

Bass Clarinet

4 ¢/ 4

U ∑

B.CL.

∑

Piano, two line staﬀ indicates playing areas. Bottom line-inside lowest area on strings before metal bar. Top line-inside strings in next highest area (register) before metal bar. Attach thimbles to at least 2-3 fingers for use later in the movement.

Piano {

? 44

U ∑

Aª Œ

q=76 Sospirando, poco sostenuto

Violin

Violoncello

° 4 &4

?4 ¢ 4

U ∑

æ ˙æ™

æ œæ

Sweeping lowest strings wth flat part of fingers. Low rumble with no descernable pitches heard.

æ œæ

æ ˙æ™

æ ˙æ

U Ó

L.V.

‰

ææj œ o

æ ˙æ

38 A.Fl.

°/

B.Cl.

¢/

Pno. {

)

? ˙æ™

)

s s 3

)

6 J ‰

"Sweeps" - Blow air only, opening the mouth as wide as possible without losing the seal around the mouthpiece, and go between narrow to wide mouth/throat position.

)

‰

j 6 ,

)

6 J

™

s s Ó

)

Œ s )

)

s Ó 3

)

sim.

æj œæ ‰ o

æ œæ

æ æ œæ ˙æ

æj æ œæ œæ

‰ j‰ Œ b -v

‰ ‰ jÓ b -v

j ‰ œæ ˙ææ o

∑

æj æ œæ ˙æ

æj œæ ‰ Œ

∑

ppp

∑

= Poco più mosso

°/ 14

A.Fl.

6 ,

B.Cl.

¢/ )

Pno. {

6 J ‰ Œ

? Ó™

) 3

ÍÍÍÍ ‰ œj

Ó s

6 r ‰™ 6. mp

With fingertips grab lowest strings and with force gliss up only a few.

sfz

∑

r ‰™ 6.

Œ ,

6 r ‰™ 6. mp ∑

r ‰™ 6.

√ ∑

"Hut"

lip pizz

s6 mp

r ‰™ 6.

∑

jŒ Œ b -v

r ‰™ 6.

‰ j‰ Œ -v

6 r ‰™ 6. mp

‰ ‰ jŒ b -v

‰

6 r ‰™ 6.

r ‰™ 6.

∑

catch overtones only

Hold instrument to one side of body to bow side of bridge-mostly air sound but vary pressure to sound occasional high pitch coming in and out of air.

Violin

j‰ b¿ n œv

sffz

Bow side of bridge-mostly air sound but vary pressure to sound occasional high pitch coming in and out of air..

√ ∑

‰ ‰ ‰ 3

‰

√ w

Violoncello

√ ∑

r ‰™ 6.

‰

A tempo

°21 A.Fl. /

Aeolian As before but add chromatic fingerings for pitched air .

‚ ‰ J

Ó™

‚

‚ i

sim.

‚

‚ J i

‚ ‰ J

‰

‚

"Sweeps" - Blow air only, opening the mouth as wide as possible without losing the seal around the mouthpiece, and go between narrow to wide mouth/throat position.

Add key noise-Ad Lib.

B.Cl.

¢/

Right hand, sweep lowest strings with flat of fingers.

Pno. {

Œ °

A tempo

° Vln. &

Vc.

) ¿¿¿¿

∑

> œ

¿¿

)

fi ¿ ¿ ¿¿ ¿

)

s s Ó

With thimbles on at least 2-3 fingers, rub in a cirlcular motion under keyboard on the wood.

fifififi ææ ff

"mf'"

ææ ff

)

fi ¿¿ 3

, ¿¿

¿¿

)

¿¿ ¿fi¿ ¿

)

ææ ff

s Ó 3

)

fi ¿ ¿¿ ¿¿ ¿

, )

ææ ff

fi ¿ ¿¿

s ¿) ¿¿ 3

Add key noise-Ad Lib.

) ¿¿¿

ææ ff

¿¿

)

fi ¿ ¿ ¿¿¿

)

s s Ó

)

ææ ff

fi ¿¿ ¿

, ¿¿

)

fi ¿¿

° A.Fl. /

‚ J

B.Cl.

¢/

‚ fi ¿ ¿ ¿¿

)

s Ó

)

¿fi ¿ ¿ ¿¿ ¿

Jet Strong lip pressurevery dense.

‰ Ó™

∑

Air only

Gradually add some pitch but very little until the end.

ppp

bO ™

ææ ff

œ p

œŒ Ó

∑

Normal pitch

j O œ molto

Sweep lowest strings with flat of fingers.

Pno. {

∑

‰ j 44 #>-

U r ‰™ Œ Ó œ

U ∑

3 4

» ‰ ™ Or 44

U ∑

Œ Œ ‰ ‰ 44

U ∑

"Quasi Slap" Air with audible pitch + key slap

sfz

fff

Thimbles on strings

œœ^ ‰ Œ U Ó J

U 3 4Œ Ó ø

sfffz

U ∑

Lip pizz

3 & 4 j ‰ Œ Œ& Ó >¿

sfffz

, ?

Breathe again if necessary but hide. Key click should key click cut oﬀ strings.

catch overtones

œœ

œ œ ≈ ™ RÔ ≈ ≈ œ œ œ ≈ ≈ œ œ œ ® œ œ ‰ ™

Approximate rhythm

4 4

œœ

Open E string, very slow bow with pressure to grip string for "morse code" descending pitch. Starting pitch is higher than open string pitch.

Violin

∑

Crunch Tasto Muﬄe strings

˙˙ ˙v

sfffz

U OO O

Touch anywhere as if harms.

3 4

U ∑

U ≥ 4 wo 4

MST

∑

œ œ œ ® ≈ ™ œ œ ≈ ™ ‰

Approximate rhythm

4 4

œ œ œ œ œ ® ≈ ‰ œœœœ

Open E string, very slow bow with pressure to grip string for "morse code" descending pitch. Starting pitch is higher than open string pitch.

Violoncello

∑

Crunch Tasto Muﬄe strings

˙˙ v

sfffz

U OO

U ∑

Touch anywhere as if harms.

3 4

U ≥o 4 w 4

MST

∑

Poco più mosso *

Alternate inhale/exhale, pitched air.

≤ ≥ ° ‰ j A. Fl. & Œ # O. -O™ "mf "

* Alternate exhale/inhale,

pitched air. ? Œ ‰ ≥ B.Cl. ¢ O™

"mf "

poco flz.

≤ 3 ≥ ææj O O -

≤ ≤ ≥ j O O # O. b-O >

≤ O

≥3 ≤ ≥ 3 j j O. O O -O O > >

*- The sound of breathing in and out through the instrument

æ Oæ™ ≤

≥

j‰ O. > O

≤ ≥ j n O. b-O >

≤ ≥ nO #O O O poco

≤ ≥ j æ O O O -Oæ .

poco flz.

≤ O bO

æ Oæ

poco

"mf "

≤

≥ ææ æ ææj æ ‰ O O O O O. >O 3

≤ 3 ≥ ≤ ≤ 3 ≥ ææ ‰ Œ æ j j # O b O O O n O O b Oæ O #>O. > >

≤ ≥ æ O b O. n>Oæ ≤

poco

≈

≥

æ Oæ O flz.

O >O. O O v fp

O O

≤ ææ ‰ O #>O.

æ Oæ ≤ O

≥ j æ O O >

"f "

is more important than the pitches.

(Ped only)

Pno. {

? Œ ‰

sfz

∑

fifififi ææ ff

ææ ff

)

)™

Thimbles on under keyboard, sim..

"mf'"

ææ ff

)

6 >6 ) ™

)

Poco più mosso

°&

sim. Toneless air sound on bridge-muﬄe strings.

Vln.

sim.

)

Toneless air sound on bridg-muﬄe strings

Vc.

It is ok for squeeking on accents.

6 >6 6

≤ j O

"mf "

° A. Fl. & Ó

≤ ≥ n O. b>O

B.Cl.

≥

≤

≥ 3 3 ‰ j ‰™ r Œ # O. O n O. b O. >

≤

"f "

≤ ≥

≤ ≥ 3 j O™ O O O. O O O. O O O O > > >

? æ æf f

≤ ≥3 ≤ ≥ j O. O. O. -O™ >

"f "

poco

Pno. {

≥ ‰ æj n Oæ >

ææ ff

≤ ≥ ææ O # O. b>O

æ Oæ

"mf "

≤

≈ ≈ j ™ >O

≥ ≤ ≥ O -O™ . -O

≤ 3

≥

bO nO O # O ¿ ¿ ¿ ¿ ¿ ¿ O bO nO OnO nO #O O 3 3

≤

≥ bO

æ f æf

"f "

Air+some pitch

O O bO O bO O O

U ∑

"f "

Thimble on lowest strings

> œ™

sfz

‰

U ∑

(no ped.)

Vln.

Vc.

° &

>)™

6 >6 >6 6

6™

6 >6

>6 6

6 >6

>6 )

6 >6 ™ 6

)

)) >)

U ∑

>) )

U ∑

At the frog slide bow with pressure down fingerboard away from the bridge.

Key clicks - completly cover embourchure hole and use mouth as reonator.

j O bO O

ææ ff

Aeolian Whisper Air+some pitch

7. this time and in this place

Alto Flute

° ™ & ™

q = 56 Rubato, ad lib

Ad lib. Continuous swells in one breathe. Approximate 8th note pulse but should not be exactly even. Can vary lengths of each phrase.

Bass Clarinet in Bb

Piano

√ Ú

™™

√

? ™™ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ J J J J J J J J Bisbiglando

Repeat 3 x's Approx. 30 Seconds

ppp

√ Ú

™ {& ™ q

™™

q = 68 Tempo giusto, martellato

∑

4 4

∑

Continue in the same tempo independantly.

4 œ œ œ œ œ œ œ œ 4œ J J J J

œ J

ppp

™™

∑

œ J

Violoncello

œ J

ppp

no Ped.

= 56 Rubato, ad lib

° ™ & ™

√ Ú

™™

∑

4Ó 4

? ™™

√ Ú

™™

∑

4 4

∑

◊ÿ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 4‰ 4

q = 68 Tempo giusto, martellato

Violin

œ J

◊ÿ º bœ J ‰ Fingernail pizz,

° A. Fl. & 4

B. Cl.

∑

Sim.

œ J

:◊;œ œ œ œ œ œ œ œ œ œ Pno. & {

œœ œœ œœ œœ œœ œœ

:◊; ° bœ Vln. &

? ¢ Ó

œœ

œœ œœ

œœ œœ œœ

œœ

œœ œœ

œœ œœ œœ

œœ œœ œœ œœ œœ œœ 5

œœ o

bœ

œ o

Fingernail pizz,

Vc.

∑

º &

pizz

“” b >œ J mp

œ J

œ 3

bœ 3

œ J

œ 3

œ J

œ 3

bœ 3

œ J

œ 3

œ J

œ 3

° ™ A. Fl. & ™

U ∑

sim. ad lib. Play phrase at least 2 times alone before others enter again.

B. Cl.

? ™™

œ œ J

™™

∑

‰™

Lip pizz.

r Œ # -v

≈ ‰ -v

‰™

rŒ # -v

sfz (balanced with others) sfz

™™

≈

sfz

‰ ‰™

-v

r -v

sfz

Fade out covered by others

œ œ œ J J

œ J

œ œ J

∑

◊ÿ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ ‰ Balance dynamic between piano, violin, and cello. The alto flute should sound as a slight accent.

Pno.

™ {& ™

° ™ Vln. & ™

Vc.

™ ¢& ™

U ∑

U ∑ U ∑

™™ Ó™ ™™ ™™

∑

Ó Ó™

◊ÿ (pizz) b œ p

œ œ “” (pizz) b >œ Œ J 3

bœ

œ œ œ

poco a poco

œ œ œ

œ bœ J

œ 3

œ J

bœ

œ œ œ

poco a poco

œ œ J

œ J

œ bœ J

poco a poco

œ J

œ 3

œ J

° Œ &

r ‰™ # -v

A. Fl.

r ‰™ b¿ n œv

Tongue ram "Hut"

sfz

∑

Ó™

∑

Ó™

o O æ

Flz.

sffz

B. Cl.

? ‰™ ¢

r ‰™ b ¿. v

r œ œ o

{

(slap)

≈

sffz

molto

≈ O

¿ '

:◊; 5 œœ œœ œœ œœ œœ œœ œœ œ>œ ™™ œœ œœœ œœœ #œœœ #œœœ œ>œœ #>œ œœ œœ #œœœ œ œœœ nœœœ œœœ œœœ œœœ #œœ œ > # œ œ œ œ œ # œ œ œ œ ‰ ™ R ≈ ≈ ‰ ‰ ‰ ≈ ≈ ≈ ≈ ≈ ‰ ‰ ™ R ≈ ‰ ≈ ≈ ‰# œ ‰ ™ # œR ≈ ‰ œJ ≈ œ ≈ ‰ œ b œ≈ ≈ ##nœœœ≈ & n >œ 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

Pno.

∑

:◊; ° bœ Vln. &

Vc.

œ œ

∑

>œ œ ™

:“; œ b œ J & ¢ 3

œ 3

œ J

œ n>œ J 3

bœ ‰ ‰ 3

≈ ™

>œ

‰

∑

≈ ™ œ ‰

b œ œ b >œ œ R ≈ ≈ ™ ≈ ™ ‰

> ≈ œ ≈ ™ œ ‰ ™

b œ #œ J ‰ ‰ ‰ œ œ ‰ ‰ b>œJ 3

‰

∑

≈ œ ‰

bœ œ bœ bœ nœ nœ ≈#œ ≈ ≈ ™ ≈ ™ ‰ J ≈ ≈

nœ œ œ œ b œ bœ nœ ‰ J ‰ ‰ ‰ ‰ #œJ ‰ ‰ ≈ ‰ ‰ ‰ œ‰ ‰ ‰

arco - always poco pont.

bœ J p

‰ ææ # -^

‰

-v

sfz

B. Cl.

≈ Œ

Shake ÍÍÍÍÍÍÍÍÍ

Pno.

{

œ & ‰ ##œœR

‰™

##nœœœ ≈ œœœ ≈ ##œœœ ≈ ≈ œœœ ‰ ™ R nbœœ 5

∑

:◊;

° ™ œ Vln. & ≈

Vc.

‰

:“; œ & ¢

n œ>œœ

≈ nœ ‰

œ ≈

œ 3

œ J ff

arco - always poco pont.

œ™

≈

‰ #œ

pizz

‰

pizz

≈

#œ

‰

œœœ ™™™

œœœ #œ#œ

≈

bœ

nœ

≈ ™

nœ

œœœ 5

arco

‰

nb œœ œ ™ #œ

¯¯¯¯¯¯¯¯¯¯¯¯ > ˙ ˙

‰™

œœ ™

nb œœ J

œ™

‰ nœ 3

‰

œ bœ 3

≈ ≈

≈ #œœ

‰™

#œ œ ‰ ‰ ‰ J

arco

œœ œœ 5

‰

n# œœ

œœ

nœ

To any higher harm.

sfz

¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ˙

poco

:◊;

r ≈ ‰ -v

sfz

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

˙ æ

bisbiglando (approx. 16th note speed)

‰ ææ n -^

sfz

Always gradually adding pitch and spectral harms with cresc., and especially with shakes.

bO ™ ææ

∏∏∏

œ ° æ A. Fl. & 16

bœ ææ R

œ 3

‰

accel.

° w A. Fl. & æ

w æ

˙ æ

˙ æ æ

{

:◊;

& ≈

Pno.

œœ ™

Vc.

≈ ‰

œœœ œœœ

œœœ

√ ∑

b œœœ

j 5 n œœfiœ

‰™

œ>œœ ™™™ b œœœ œœœ R ‰ J 5

‰ ™ ##œœœ

‰ bœœœ

bœœœ ≈ Œ

sfz

bbœ>œœ

æ ˙æ

b œœœ ‰™ J 5

fff

molto

œœœ n œ>œœ œ>œœ œ>œœ œ>œœ œ>œœ œ>œœ œœœ^ ≈ ≈ ≈ ≈ ≈ ≈ ≈ 5

bbœœ ‰ ™ œR ‰

√ ∑

œ>œœ œ>œ ≈ ≈ œ

œ>œ œ>œ ≈ œ ≈ œ

√ ∑ √ ∑

fff

œœ^ ≈ œ

accel.

:◊; ° æ˙ Vln. & :“; ¢& ‰

bn œœœ

≈ ##œœœ

#œœ

molto

Flz.+Growl!

Spectral glissando

B. Cl.

Add overblow with cresc.

Flz.

#˙ ææ f

‰ #œJ œ p

˙™ ææ

sempre flautando molto tasto and slow bow speed

‰

IV III

G o sul 3/4 flat √ j J œ-œ ww

ppp

œ™ f

‰

˙ æ p

˙ æ

ff molto

√ ∑

q=56 Calm, without movement Sempre Flautando Hollow tone

° & 23

A. Fl.

B. Cl.

∑

{

∑

Pno.

∑

Ó™

∑

‰ bœJ ˙™

œ b˙ ™ 7

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ

Slow irregular bisbiglando Similar speed as other instruments.

Sempre Flautando Hollow tone

œ- w &‰ J Non Vib.

‰ œJ ˙™

Dolce

nbœœ bœ-œ

∑

nbœœ bœ-œ Œ Ó

∑

w 7

Slow irregular rhythm. Always legato (Ad Lib)

w 7

Œ b œj nbœœ œ-

∑

Ped.

q=56 Calm, without movement

° & ww

? Ó ¢

˙˙ ™™

Sempre Flautando molto tasto

Vc.

∑

Ó™

‰ bœJ w

Vln.

Ó™

∑

Non Vib.

Œ bO bœ o

"Very Wide Vibrato" Continuously slide on G string very slow between E 3/4 tone flat and E1/4 flat, just out of tune with D string. Very slow to avoid any obvious change in pitch.

œœ

Very slow, unnoticeably go back and forth between tasto and pont.

˙O

Tasto

˙O

Pont.

Slow irregular rhythm. Always legato (Ad Lib)

o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≠ œœ Jœ œ œ œ œ œ Jœ

Slow irregular alternating between pitches

° w A. Fl. & 7

U ∑

Vib. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Non. U ? B. Cl. & w ¢

ppp

{

Pno.

Vln.

∑

U ∑

∑

U ∑

° ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ &

U ∑

Sim.

‰ ‰ b7œJ 7˙™ 3

b ˙o ™

œ b˙ ™ 7

w 7

b wo

Change to more air than pitch

bœ b œ ™

O O J

Non. Vib. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ≠ œ œ œ ? wœ œ o pp

O b O O™

O™ o

U ∑

Sim.

nbœœ bœ-œ J Œ 3

∑

ppp

+ Œ bO Ó Ov

∑

U ∑

∑

U ∑

∑

fade pedal out

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ O O Jœ O œ O J œ O Jœ ™ O œ O œ J œ œ œ œ œ œ œ œ œ œ œ œ O Jœ rall. alternating

add A harmonic, sul D

Sim

U ∑

Sempre Flautando molto tasto

Vc.

¢ w~ ?

U ~

sul C

ppp

bb˙O

˙O ™™

œœ

œœ ˙˙ ™™

˙˙

~ o

Sul C

ppp

8. thoughts erased

e=86 Senza tempo, scorrevole Bar lines are meant only for coordination

Alto Flute

° 4 &8

Jet

∑

b Ov

U ‰Œ

7 8 ‰

sffz

œœ œœ œœ œœ ™™ Œ Œ o o pp

∑

‰ œœ œœ o

œœ œœ ™™ Œ Œ o pp

∑

Œ ™ Œ œœ o

œœ œœ œœ ™™ p

Bass Clarinet

?4 ¢ 8 ‰ œj œ o

U r ≈‰ Œ œ

7 8

∑

Piano

?4 {‹ 8

∑

bO ( “‘) v

sffz

Ad Lib.

Œ™

Œ Œ œ œ œ œ œ œ™ œ œ

Œ Œ

#O ™) #œ ™ o

(

∑

œ™

œ œ œ œj œ œ œ ™ œ

œ™

Open and close register key at diﬀerent slow speeds so overtones come in and out of fundamental. Also vary the wideness of the opening so extra harmonics emerge other than the 12th. This is most eﬀective if kept at a delicate dynamic.

molto

Muﬄe with hand

œœ Œ o

U Top of left hand middle finger plays on string.

7 8 O e e e e e e e ( b)e e e e

Approximate speed, continuous drone, regardless of tempo. Rhythm/pulse somewhat clear but not obvious for whole movement.

sempre

e=86 Senza tempo, scorrevole

Violin

° 4 &8

œ^ U J ‰Œ

pizz

∑

7 8

∑

Violoncello

?4 ¢ 8

∑

œ^ ‰ U J Œ

sfz

7 8

∑

OO ™™ Ó o

∑

OO OO OO ™™ o p

OO OO

OO ™™

‰##Oœ Oœ Oœ Oœ Oœ™™ J o pp

Oœ™™ Ó o

∑

##Oœ Oœ Oœ™™ o p

Oœ Oœ

Oœ™™

∑ ? Œ ™

Arco, Tasto Flautando Slow bow

∑

sfz

pizz

‰ OO OO OO OO OO ™™ J o pp

Œ™

Arco Tasto, III Flautando IV Slow bow

OO Œ o Oœ ‰ Ó o

Œ™

° A. Fl. & 13

/ B. Cl.

∑

‰

æj æ æ # O O Oæ™ o mp

ææ

Air only

æ Oæ o

‰

‰ œœ œœ œœ œœ ™™ Ó o o pp

∑

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¢ <#>˙

œ™

Normal

(Breathe where necessary)

œ™

æ œ™ ˙æ

poco flz.

poco

Pno.

{

Vln.

∑

? ææ ‹ be

° &

-œ #œ œœ ™™ œ œ™

dolce, espressivo

Vc.

Air

ææ æ ‰ bO o

‰

∑

‚ ‚ ‚ ‚ ‚ “” Light fingering very high ad lib pitches O O æ æ æ ææ æ ææ ææ Ó ≈ 3

>‹ J mp

O™ ææ

∑

j‰ ‰ Ó œ o

∑

(

œ™

Œ ‰ œœ #œ œœœ ™™™

∑

Pont. Alla punta

∑

n O ™) nœ ™ o

Slow Register key as before

L.V.

Pizz behind bridge

ææ æj O æ o mp

∑

MSP

O ææ Œ Œ™ o

Col Legno Battuto Continuous tapping changing bow position gradually from tasto to pont on indicated strings. A rasing pitched bow glissando should sound. Left fingers muﬄe anywhere as if harmonics and do not move.

> ‰ ® œœ

∑

‰

mf (sound is actually a lot less)

MSP

ppp

®Œ

∑

>‹ Œ J

Pizz behind bridge

Col Legno Battuto MST

‚‚‚‚‚ O O O > ‹ II æ æ æ æ æ æJ ææ æJ Œ ≈ R ≈ ‰ ≈ Arco, Pont. Alla punta

Pizz behind bridge

æ Oæ & ##œ > mp

Arco Jete Pont.

flautando

œO

œO ™™

° A. Fl. & 22

∑

‰ œœ o

∑

œœ

Sounding pitches

B. Cl.

‰

Multiphonic spectral trills

œ™

‰

œœ ™™

œœ

œ o s ss s ss s

Bœ

o œ

Bœ

‰ Œ™

œ™

œ™ o

œ™

Pno.

? {‹

° Vln. &

ææ be

ææ

bO ææ

O ææ R o

MSP

Col Legno Battuto

≈

Col Legno Battuto MSP

MST

®œ >œ

≈ ‰ Ó

∑

MST

œ >œ

ppp

(sound is actually a lot less)

Tasto Sul IV Alla Punta Left hand fingering on lowest notes

Vc.

<#> O ¢& <#> œ

> ‰ ? œœ

Col Legno Battuto MST

Arco Pont. MSP

ppp

∑

O J

‰

ææ æ ææ -

( ) ppp

° A. Fl. & 26

∑ ˙

œ œ

B˙

B. Cl.

bœ

œ o o

Bœ

b˙

s ss s ss s D

œ œ œ™ o ppp ˙

B˙

œ™

œ œ ‰ o

œ bœ œ b˙

œ™

Œ™

œ™

B˙

∑

U ∑

∑

U ∑

œ™ o

œ™

ææ be

? ææ Pno. {‹ b e

>‹

U o

pizz

° Vln. &

∑

Col Legno Battuto

≈ ® œ R >œ

U ∑

‰ ‰ Ó

U ∑

ppp

∑

MSP

MST

(sound is actually a lot less)

ææ æ ææ æ ææ æ ææ ææ 3

Vc.

the sounding pitch) O. O. O. O. O. O. O. O. O. O. O. (this should also be

≈ Ó

∑

≈ æ ææ æ ææ æ ææ æ ææ ‰ 3

ppp

CLB

≈