A Redgrass Project For Redgrass - Visual Indentity Design Concept 1
Tlon, Ubar, Orbis Tertius (1940)
White on white (1918)
Oedipus the King (430 a.c.)
Invasion
Objectivization
Irony
Redgrass - Concept 1 / The idea
Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination Domination.
be o t s s e n i Happ ed dominat
Redgrass - Concept 1 / The idea
We must dominate then.
Redgrass - Concept 1 / Logo
Redgrass - Concept 1 / Logo Sizes
a
b
1/2 a
1/2 b
1/4 a
1/4 b
Redgrass - Concept 1 / Black and White
Redgrass - Concept 1 / Colored
Redgrass - Concept 1 / Colors
Pantone Neutral Black C CMYK 0 0 0 100 HEX #282727
Pantone 413 C CMYK 32 24 31 0 HEX #BAB8AE
Pantone Cool Gray 1 CP CMYK 4 2 4 8 HEX #E5E1E5
70%
70%
70%
50%
50%
50%
30%
Redgrass - Concept 1 / Paper Colors
Redgrass - Concept 1 / Tipography / Neutrif Pro
... the last of the late eighteenth century and was inspired by several dishes of a Portuguese calligrapher named Antonio Jacinto de Araujo. The structure of this typography makes us think of the fashion industry to which these types of sources have been associated. The curvature of the glyphs makes a more feminine identification with typography. For this proposal will be worked with a bold measure of typography. Measure that is one of those that works better since these intentions are used today as a trend.
Rg
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*& ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*&
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*&
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*&
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*&
/ Calendas Plus
In contrast to a typography with serif, a typography without serif is used for the description of the business. We chose this typography which is a multi-width geometric type family designed around the circle. And because it continues to maintain the important aspect of the symmetry we want to convey.
Ni
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*& ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*& 0123456789()[]{}‹›«»@*& ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789()[]{}‹›«»@*& 0123456789()[]{}‹›«»@*&
Redgrass - Concept 1 / Typography
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz
Jules reflects the last of the late eighteenth century and was inspired by several dishes of a Portuguese calligrapher named Antonio Jacinto de Araujo. The structure of this typography makes us think of the fashion industry to which these types of sources have been associated. The curvature of the glyphs makes a more feminine identification with typography. For this proposal will be worked with a bold measure of typography. Measure that is one of those that works better since these intentions are used today as a trend. In contrast to a typography with serif, a typography without serif is used for the description of the business. We chose this typography which is a multi-width geometric type family designed around the circle. And because it continues to maintain the important aspect of the symmetry we want to convey.
Jules reflects the last of the late eighteenth century and was inspired by several dishes of a Portuguese calligrapher named Antonio Jacinto de Araujo. The structure of this typography makes us think of the fashion industry to which these types of sources have been associated. The curvature of the glyphs makes a more feminine identification with typography. For this proposal will be worked with a bold measure of typography. Measure that is one of those that works better since these intentions are used today as a trend. In contrast to a typography with serif, a typography without serif is used for the description of the business. We chose this typography which is a multi-width geometric type family designed around the circle. And because it continues to maintain the important aspect of the symmetry we want to convey.
Redgrass - Concept 1 / Family Logo
Redgrass - Concept 1 / The family ideal
Redgrass - Concept 1 / The family ideal
Redgrass - Concept 1 / The family ideal / Structure
Redgrass - Concept 1 / The family ideal / Interaction
Redgrass - Concept 1 / The family ideal / Colors Interaction
Redgrass - Concept 1 / Logo Detail for Stationary A
Redgrass - Concept 1 / Basic Stationary
Redgrass - Concept 1 / Basic Stationary
Redgrass - Concept 1 / Basic Stationary
Redgrass - Concept 1 / Basic Stationary
Redgrass - Concept 1 / Basic Stationary
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Basic Stationary A
Redgrass - Concept 1 / Logo Detail for Stationary B
Redgrass - Concept 1 / Logo Detail for Stationary B
Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Basic Stationary B A
Redgrass - Concept 1 / Basic Stationary A Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Basic Stationary B
Redgrass - Concept 1 / Posters
Redgrass - Concept 1 / Poster Graphics
Redgrass - Concept 1 / Poster Litho
Redgrass - Concept 1 / Poster Digital
Redgrass - Concept 1 / Poster Signs
Redgrass - Concept 1 / Poster VA
Redgrass - Concept 1 / Signs
Redgrass - Concept 1 / Sign 1
Redgrass - Concept 1 / Sign Interaction
Redgrass - Concept 1 / Sign Interior
Redgrass - Concept 1 / Sign Column
Redgrass - Concept 1 / Etc
Redgrass - Concept 1 / T-Shirt Basic
Redgrass - Concept 1 / T-Shirt Interaction
Redgrass - Concept 1 / T-Shirt Interaction
Redgrass - Concept 1 / T-Shirt Interaction
Redgrass - Concept 1 / T-Shirt Interaction Red
Redgrass - Concept 1 / Licor
Redgrass - Concept 1 / Intervention
Redgrass - Concept 1 / Street Intervention
Redgrass - Concept 1 / Column Intervention