Julia M. Roberts Portfolio

J U L I A M. R O B E R T S M.Arch I Candidate Harvard University Graduate School of Design Washington University in St. Louis

CONTENTS SNAPSHOT : MONTE CARLO 4

PERIMETER | PLAN 12

THE CLUB 18

HYDRO_NETWORK 24

PORIFERA KITE 30

HIDDEN ROOM 34

CELEBRATING CONTINGENCY 40

STAY TUNED 50

CHONGQING HOTEL 54

JINJIANG MASTER PLAN 58

Washington University in St. Louis _ Graduate Option Studio _ Spring 2012 Critics: Heather Woofter + Igor Marjanovic Duration: 10 Weeks

Harvard Graduate School of Design _ Core Studio I _ Fall 2015 Critic: Megan Panzano Duration: 4 Weeks

Harvard Graduate School of Design _ Core Studio II _ Spring 2016 Critic: Grace La Duration: 4 Weeks

Washington University in St. Louis _ Core Studio V _ Fall 2011 Critic: Jonathan Stitelman Duration: 5 Weeks

Washington University in St. Louis _ Representation/Fabrication _ Spring 2012 Critic: Sung Ho Kim Duration: 8 Weeks

Harvard Graduate School of Design _ Core Studio I _ Fall 2015 Critic: Megan Panzano Duration: 2 Weeks

Washington University in St. Louis _ Urban Design + Landscape Option Studio _ Spring 2013 Critic: Kees Lokman Duration: 10 Weeks

Axi:Ome, LLC _ Set Design for Nine Network _ Summer 2012 Principals: Heather Woofter + Sung Ho Kim Location: St. Louis, MO

Robert A.M. Stern Architects _ Master Plan + Hotel Design _ 2013-2014 Partners: Grant Marani + Paul Whalen Location: Chongqing, China

Robert A.M. Stern Architects _ Master Plan + Tower Design _ 2014-2015 Partners: Grant Marani, Paul Whalen, Chen-Huan Liao, Bina Bhattacharrya Location: Jinjiang, Fujian Province, China

SNAPSHOT: MONTE CARLO Professor and historian of architecture Dr. Robert Middleton wrote, “Fragments may be construed as elements of restorative power that can provide symbolic and poetic meaning to newly constituted wholes.” This project is made up of fragments at many different levels of the design. Its form— dominated by literal fragments of a clothing pattern—is a weaving together of fragments of varied size to build a new idea about what this historic site (once the subject of a competition entry by Archigram) could become. As an overall strategy in Monte Carlo’s urban fabric, these fragmented pattern forms come together to establish a gesture leading users from the artificial city context to the natural landscape on the site, and eventually to the horizon. what is the difference between a photograph and a snapshot?

WUSTL 312 _ monte carlo, monaco _ spring 2012 _ heather woofter + igor marjanovic

feasibility study for grappa distillery

Water [end] Site / Water Edge Site

Site / Road Edge Under Bridge U-Turn

Casino [start]

4

approach to site

pattern stitching | city

lemon/olive tree grove

canopies

n.s.p. (natural swimming pool) restaurant distillery (basement) market

allotment gardens

fragment of cityscape

site plan

I was interested in the contrast between the snapshot and the photograph, a concept explored

by Lorens Holm in his book on Brunelleschi, Lacan, and Le Corbusier. The photograph is a highly considered view of a space or a scene, and therefore an artificial representation of what is really there. The snapshot, conversely, is a series of accidental layers that create an image more true to the real experience of the space or scene. Looking through the lens of a tourist, the historic landmarks of the city become a series of photographs, a series of places that are highly manicured and artificial. I attempted in the drawing above to represent these places in the manner of the snapshot, so as to reveal a more real, layered, and even confused understanding of them. It is through a series of snapshots—a series of fragments—that people gain this holistic experience of the city, and the end experience of the urban fabric is the result of an agglomeration of these individual and disparate moments.

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city section

model photographs

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allotment gardens marketplace management offices restaurant bar canopies lemon/olive tree grove stair down to sea level 8

plan at city level

view from sea

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PERIMETER | PLAN This project oscillates between two and three dimensions in its resolution of the three given constraints of the faรงade, stair, and interior plan of rooms. Beginning with a study of the perimeter, a base form was developed and interrogated for its potentials to create a wide variety of interior and exterior spaces. This initial form went through a series of two-dimensional plan shrinkages to respond to the constraints of the project, especially considering the common and dorm rooms.

1 _ base form a

3 _ overlay + rotate

2 _ base form b (revised for area and light requirements)

GSD 1101_fall 2015_megan panzano nominated for publication in Platform 9

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courtyard typologies

receded from hex = hallway hallways are always bounded by rooms, and recession offers layer of privacy

level 2

level 3

level 4

flush with hex = large common space courtyard with common space share a single layer, rather than being separated by multiple boundary layers

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1/4â&#x20AC;? = 1â&#x20AC;&#x2122; sectional model

receding serration = small common space recession produces thin boundary wall between room and courtyard and provides opportunity for small-scale balconies

protruding serration = private room protrusion allows for thickening of walls, producing a heavy boundary layer between room and courtyard

1/16â&#x20AC;? = 1â&#x20AC;&#x2122; massing model

beyond the brief _ sectional connections Superimposing the projectâ&#x20AC;&#x2122;s plans demonstrates how the three given elements, when in tension with each other, produce opportunities for new types of spaces that arenâ&#x20AC;&#x2122;t prescribed in the brief. At right, we can see how the geometries of the room, stair, and facade overlap and produce new voids in plan that result in smaller moments of sectional connection between levels. These moments are represented in relief drawings, which themselves stand in limbo between two and three dimensions.

_room

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_stair

_facade

connection 2

connection 3

THE CLUB This project navigates the conflucting pressures of a unique structural bay and a highly complex program. The structural bay is a large â&#x20AC;&#x2DC;teardropâ&#x20AC;&#x2122;shaped brick, and the program is a club for foragers, experimental cooking, and fine dining.

The shape of the brick was derived from a study of something of interest to all users of the building: mushrooms. Mushrooms are rhizomatic, and the idea of the rhizome - both philosophically and ecologically - informed much of the project.

The brick was deployed freely underground as the structure for the growth of mushrooms, but above ground the site constraints brought it into a tighter, more regular array. From here, the bricks were deleted or aggregated as necessary in order to allow for the spatial adjacencies and thresholds required by the program.

GSD 1102 _ boston, ma _ spring 2016 _ grace la longitudinal section

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ground floor plan

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level 2

level 3

interior view

level 4

level 5

roof plan

22 street view

transverse section

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-12 viewing deck

UP UP

-12 kitchen

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basement plan

HYDRO_NETWORK This project explores water’s potential to create networks both physically within a landscape and socially within a community. The final product is a design for a community pool in Carondelet Park in St. Louis. The design’s inspiration was drawn from images of the Ganges river in India. It is an enormous body of water that connects many disparate villages and cities in India’s physical landscape, and also draws entire communities for religious purposes.

WUSTL 311 _ st. louis, mo _ fall 2011_ jonathan stitleman

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ganges river images

formal development

integrate form with landscape

model photographs

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main pool kidsâ&#x20AC;&#x2122; pool locker rooms steam/sauna offices section a

level 1 plan

observation deck yoga studio relaxation space storage section b

level 2 plan

tectonic _ elevation | plan | section This drawing establishes the relationship between plan, section, and elevation, demonstrating how the design concept influenced programmatic use and structural system of the final design. There is a visual connection between the higher spaces for the solitary user and the more open pool and outdoor spaces to be used by larger groups.

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PORIFERA KITE Parafoil kites are generally associated with power and force, most often constructed from strong materials like ripstop nylon so that they donâ&#x20AC;&#x2122;t tear in flight. The sea sponge (porifera) is a more ethereal and passive entity, allowing water to flow through it naturally. The goal of the project was to marry these two forms in a singular kite design.

water flow

water flow

water out through radial canals

WUSTL_st. louis, mo _ spring 2012 _ sung ho kim

study of porifera form

fluid movement through porifera

side elevation

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top elevation

perspective

front elevation

how to translate qualities of porifera into language of kite?

interior openings allow for air to flow freely between cells so as to balance air pressure and stabilize the relative pressure among the cells

1 _ cut

making kite cells

2 _ fold

3 _ connect

tails help to stabilize kite in flight

32 [-] extreme warping on front edge

[-] tendency for front edge to close

[+] occasional cell inflation

SKIN A S KS ISNE M A BS LS YE M B L Y

SKIN ASSEMBLY

step 1: align adjacent patterns

step 3: sew adjacent horizontal panels

step 2: fold tabs

step 4: sew first vertical panel to seam

step 5: sew adjacent lower panels

[+] kite cell inflation

[-] zero lift

[-] uncontrollable rotation in air

HIDDEN ROOM This project revolves around a hidden room, defined here as a room which is concealed, revealed, and concealed again.

As we approach the front of the building, we can only perceive the existence of four rooms, which seem to fill the mass of the structure. However, there is no entry here, so we must proceed along the exterior path. We approach a side door where we can enter, but we are thrust into a long glassy corridor which traps us and pushes us back out onto the path. Again, the hidden room is concealed. We are then presented with the back of the building where we see a massive conical space, the existence of which is impossible to comprehend. We then enter the building in search of this space, but no path seems to lead us there.

We are left to exit and enter the building many times before we fully comprehend the existence of the hidden room.

GSD 1101 _ fall 2015 _ megan panzano nominated for publication in Platform 9

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view 1 _ front of building

STRATEGY: point becomes room as a result of tilting planes

_VOLUME 1

_VOLUME 2

_VOLUME 3

_VOLUME 4

_HIDDEN ROOM

_1a: ENTRY 1 enter on side of building follow established trajectory bypass hidden

_1b: DEAD END arrive at dead end view main entry ramp below exit building to find main entry

view 3 _ back of building, main entry

_1a: ENTRY 1 bypass hidden

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_2b: MOMENT OF TOTALING experience length, width, and height of building

_2a: ENTRY 2 enter on main circulation path move up towards where hidden room could be

_2b: MOMENT OF TOTALING arrive at landing experience width, length, and height of building

_2c: MOVE TOWARDS HIDDEN follow only ramp that might lead to hidden

section 1

view 3 reveal stage 2 back of building

view 1 concealed front of building

view 2 reveal stage 1 entry 1

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section 2

_2d: MOMENT OF TOTALING arrive at roof understand that hidden room was passed over and must be below

_2e: MOVE TOWARDS HIDDEN traverse along established path towards only remaining path within view

_2f: MOMENT OF TOTALING arrive at ground floor; see main entry understand completion of all paths of travel within building

_3: RE-ENTER IN SEARCH OF HIDDEN realize must use one of two already-used entries in order to access hidden

CELEBRATING CONTINGENCY

NEW YORK: 100

This project examines accessibility in St. Louis through multiple lenses: food deserts, income levels, and walkability. These three factors are analyzed and overlaid at various scales in a series of maps and diagrams attempting to identify areas of strength and areas of weakness in the city.

More often than not, food deserts are in or near areas that are less walkable and where families make and have less money.

The one thing that is profoundly apparent in this study is the instability of the city of St. Louis. On one hand, it has many things going for it, the most important being its place in history. On the other, income inequality, lack of access to basic amenities, and low racial and socioeconomic diversity within neighborhoods all play into the tension that exists in the region today.

WUSTL 412 _ st. louis, mo _ spring 2013 _ kees lokman 59

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ATLANTA: 53

KANSAS CITY: 37

ST LOUIS CITY: 49

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FOOD DESERTS usually in/near LOW INCOME AREAS with LOW WALKABILITY

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WALKERâ&#x20AC;&#x2122;S PARADISE daily errands do not require a car VERY WALKABLE most errands can be accomplished within walking distance

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CAR - DEPENDENT few amenities within walking distance * walkability: walkscore.com food desert: USDA Economic Research Service ** income level: USDC United States Census Bureau

# OF SCHNUCKS WITHIN WALKING DISTANCE OF A FOOD DESERT = 0 GROCERY STORES IN REGION OWNED BY SCHNUCKS = ~90% # OF GAS STATIONS WITHIN FOOD DESERTS = 25 CITY VS. COUNTY FOOD DESERTS = 14 VS. 14 CITY VS. COUNTY LAND AREA = 66.2 sq mi VS. 524 sq mi

NORTH CITY DESERT small residential units far from street car-dependent homogeneous population

DELMAR DESERT parking lots abandoned buildings wide streets/fast traffic

METROLINK

DOWNTOWN: THE ANTI - DESERT one-way street/tighter street section diverse program and population (not perfect: lacking 4-second facade)

SOUTH CITY DESERT wide streets vacant buildings car-dependent

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Housing units w/ low access + w/o a car: 5,367

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[SEMI] GOVERNMENTAL ENTITIES

LARGE CORPORATIONS

= 21.8% total STL population = 5% total pop. city + county

Population with low income*: 15,928

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chronic homelessness

Population with low access: 69,466

INDEPENDENT ORGS.

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FOOD ACCESS BY CENSUS TRACT

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linking important entities and initiatives in st. louis city

celebrating contingency | solutions Bus rapid transit systems have been shown to solve transportation issues in cities, but generally those cities are highly populated with overwhelming demand for public transit. St. Louis suffers from issues related to low population density, and bus rapid transit initially did not seem like a solution for the city. However, after further study, the group came to the decision that bus rapid transit could help connect disparate parts of the city and activate streets that are currently devoid of traffic, both vehicular and pedestrian. team: cari alcombright

income level [yearly, by census tract] $5,000-$35,000 $35,000-$45,000 $45,000-$60,000 income level | food deserts 21.8% of residents have very low access to healthy food deserts often overlap with lowincome areas

(income <$60,000 yearly

per household)

racial distribution delmar blvd=racial dividing line 10 black individuals 10 white individuals

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framework plan The framework plan for the new BRT system considers areas of strength, weakness, opportunities, and threats, and it attempts to link them with two interlocking loops of transit. The project team also proposed a few key areas where opportunities for development were apparent but had not yet been taken advantage of.

The map highlights the fact that there are large swaths of vacant land surrounding people living close to or below the poverty line. Previously, these areas lacked a stong connection to places with higher density and more amenities. One of the goals of the BRT system is to alleviate this stress on certain zones of the city.

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BRT BRT stops commercial business high density housing restaurants entertainment nightlife grocery store daycare university bike / bus metro park low home value vacant land

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technical college

extra-wide, decrepit sidewalks re-activated with new paving and bus stops

small number of places for communities to gather

high concentration of vacant lots

stadiums and other forms of entertainment

parks, high-density housing, office spaces

two lanes of under-used boulevard reclaimed for bus system

mid-rise apartment buildings, office space BJC and Washington University hospitals

reclaim interior lane for STLoop

re-use median as gathering place

celebrating contingency | zooming in Now we zoom in to Old North St. Louis, one of the cityâ&#x20AC;&#x2122;s many struggling neighborhoods. What makes this place special is its growth potential.

The neighborhood has a relatively low population density and currently isnâ&#x20AC;&#x2122;t particularly walkable. However, there are parks, city landmarks like Crown Candy Kitchen, and a new development that houses startups and boutiques, all of which draw people from throughout the city and county.

The challenge is to keep people who visit Old North in the area for an extended period of time in order to bolster the economy and encourage development. By making the street more hospitable to pedestrians and revitalizing existing structures, this proposal attempts to enhance the identity of Old North and to provide an example for future development along the BRT route.

?

PROBLEM: how to bring people across the wide, busy street and into the neighborhood?

existing:

florissant as boundary little incentive to enter neighborhood from high-traffic zone

SOLUTION: break down perceived barrier and activate street edge

:

ssant as boundary incentive to enter neighborhood from high-traffic zone

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future: florissant is more permeable pedestrian-centric design new features pull users into neighborhood

12:00 pm man leaving office for a business meeting about his startup

6:00 pm neighborhood resident biking home from work

9:00 pm families gathering at Crown Candy Kitchen for dessert

2:00 pm young family on the way to the park

10:00 am neighborhood resident at street market

time lapse rendering of streetscape

section through street and park

_option b

The STAY TUNED set design is developed as a monochromatic media surface in the Nine Network interior project, designed by Axi_Ome, LLC. The set design was to incorporate 8 LCD monitors that allowed flexible configuration for multimedia screening from Google Hangout interviews and various social media interfaces. The STAY TUNED set design allows transference of information through lighting and dematerialization of technological infrastructures (power, data, and heat), as well as architectural details.

_option a

STAY TUNED

team: heather woofter, sung ho kim, davis owen, jaymon diaz role: concept design, client coordination

_option c

axi:ome, llc _ st. louis, mo _ 2012

PROBLEM: wall structures are too large, too unstable, and too expensive to construct

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SOLUTION: incorporate stage set into existing wall using similar language to band of light at base of wall

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potential screen sizes

potential screen sizes

55” potential screen sizes

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potential screen potential sizes screen sizes

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potential screen potential sizes screen sizes 5

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unrolled elevation w/ bezel 5

unrolled unrolled elevation elevation w/ow/ bezel bezel (as would

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monitor pattern studies

monitor sizes

unrolled elevation w/ bezel unrolled elevation w/ bezel 1

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unrolled elevation w/o bezel unrolled (as would elevation be s

unrolled elevation unrolled w/elevation bezel w/ bezel

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potential screen sizes

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_option c

_option a

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levation w/ bezel

_option d

_option b

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unrolled elevation w/o bezel (as would be seen on final design)

unrolled elevation unrolled w

PARTS LIST 01 55” video monitor 02 32” video monitor 03 22” video monitor 04 large monitor mount 05 small monitor mount 06 1/2” double-sided matte-finish acrylic panel 07 5/8” flexible LED light strip with individual red green + blue diodes 08 curved 16 gauge sheet metal deflectors 09 plywood top plate with cooling fans

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PARTS LIST

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01 55” video monitor 01 55” video monitor

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02 32” video monitor 02 32” video monitor

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03 22” video monitor 03 22” video monitor

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large monitor mount 04mount 04 large monitor

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small monitor mount 05 mount 05 small monitor

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12

16

11 11

12

11 10

11

07

10 12

10

06

02 05

02

07

05 03

03

16

11

10 3/4” baltic birch vertical support

bottom Plate

10

11 3/4” baltic birch support sheer bracing

11

baltic birch sheer 11 3/4” 12 LED light mount made from 5/8” bracing extruded aluminum channel 12

12

num channel

12

14 1/4” end-cap (hardwood) board

07

13

10 04

06

12

13

1/4” steam-bent luan

14

1/4” end-cap (hardwood)

15

hardwood 1x2 (3/4” x 1-1/2”) corner brace

16

low velocity quiet cooling fan

15 hardwood 1x2 (3/4” x 1-1/2”) (flexible plywood) panel corner brace 16 low velocity quietboard cooling fan

03 07

09 07

14

01 07

LED light mount made

13 1/4” steam-bentfrom luan5/8” panel extruded alumi-

10 12 05

3/4” baltic birch vertical

11

12

07

3/4” 08 double-laminated 08 double-laminated 3/4” baltic birch baltic birch plywood top plywood top plate Plate

09 double-laminated 3/4” baltic birch 3/4” 09 double-laminated plywood bottom baltic platebirch plywood

12

10

05

hardwood mounting joint

07

12 09

03

08

07

12

09 04

07

07 hardwood mounting joint steel with stainless threaded insertinsert with stainless steel threaded

07

11

04

double-sided matte06 1/2” 06 1/2” double-sided mattefinish acrylic panel finish acrylic panel

16

07

10

01

PARTS LIST

35

STAINED WOOD PANEL

60

20

20

60 150 270

90

120

15

15

120

90

120

15

15 90

90

30 20

VARIES20 20 30

VARIES 60

60

270

30

2250

30 20

60

120

180

120

20

180

60

30

150

20

2250

30 20 30 20 30

570

630

630

60 120

180

180

50

50 60

30

30 50

15 5

60

60

20 5 15

15 5 20 5 15

1220

820

RAILING TYPE A

820

RAILING TYPE A

WOOD BRACKET WOOD BRACKET

1000

1000

WOOD BRACKET

1100

WOOD BRACKET

1000

1000

SQUARE PICKETS

SQUARE PICKETS

WOOD DECKING

WOOD DECKING

WOOD BRACKET

WOOD BRACKET

1600

WOOD FASCIA

1100

WOOD FASCIA

1600

WOOD DECKING 200 100

WOOD DECKING

200 100

SQUARE PICKETS

200

1100

SQUARE PICKETS 1600

200 100

200

team: grant marani, paul whalen, kevin kelly, huaxia song, jose rodriguez, carlos gamez

200

1600

1100

WOOD FASCIA WOOD FASCIA

200 100

WOOD DECKING

200

WOOD DECKING

500

1100

1100

200 100

500

SQUARE PICKETS

RAILING TYPE A

430

430

SQUARE SQUARE WOOD POSTS WOOD POSTS

SQUARE SQUARE WOOD POSTS WOOD POSTS

chongqing, china _ 2013-2014 _ robert a.m. stern architects SQUARE PICKETS

RAILING TYPE A

RAILING TYPE A

200

2320

RAILING TYPE A

2320

1220

typical divider

details are specific to hotel and differentiate it from other parts of the project

SQUARE SQUARE WOOD POSTS WOOD POSTS

200 100

60

room dividers: kit of parts

TYPICAL WOOD TYPICAL WOOD DIVIDER DIVIDER

200

20

120 STAINED WOOD PANEL

HAMMERED HAMMERED STEEL STEEL SUPPORT SUPPORT

720

1000

120

30 30

30

30 STAINED WOOD PANEL

10

Within the hotel, there is a bar, all-day restaurant, Chinese restaurant, pool, gym, business suite, and lounge, in addition to the lobby and guest rooms.

The pool, while in the basement level, has access to a large sunken garden to the south of the building, allowing light to enter this grand space through a series of large windows facing the garden.

720

120

20 30

STAINED WOOD SLATS

2250

30 20

1020

20

1020

VARIES 60

15

15

60

60

30

20 30 VARIES20

20

20 75

120

120

10

20

HAMMERED HAMMERED STEEL STEEL BOLT BOLT

53

15 15

20

53

10

45

20

20 45

180

20

15

30

HAMMERED HAMMERED STEEL STEEL PLATE PLATE

50

15

180

20

20

HAMMEREDHAMMERED STEEL STEEL SUPPORT SUPPORT

15

50

15

30 20

62

10

HAMMEREDHAMMERED STEEL STEEL BOLT BOLT

20 30

30

30

53

53

62

HAMMEREDHAMMERED STEEL STEEL CONNECTOR CONNECTOR

53

10 10 10

55

20

75

10 10 10

55

120

75

75

15 50

30

15

60 60

53

HAMMEREDHAMMERED STEEL STEEL PLATE PLATE

50

30 60 60

53

STAINED WOOD SLATS

30 20

180

20

180

180

8 5

180

20

30

30

53

20

30

HAMMEREDHAMMERED STEEL FOO STEEL FOO

35

2

15

8 5

75

15

35

30

55

75

2

15

15

20 55

120

HAMMERED HAMMERED STEEL STEEL CONNECTOR CONNECTOR

STAINED WOOD STAINED WOOD POST POST

20

HAMMERE HAMMERE STEEL STEEL BRACKET BRACKET

30 55

180

60

30 55

25

60

VARIES

25

20

VARIES

10

20

60

HAMMERED HAMMERED STEEL BRACKET STEEL BRACKET

10

15

STAINED WOOD PANEL

60

30

HAMMERED HAMMERED STEEL BOLTSTEEL BOLT

120

The design of this hotel was phase 2 in a threephase master plan for a new development in Chongqing, China. The topography in this part of Chongqing is very complex, and the massing of the building responds to the extreme grade changes within the site. Guests are dropped off in the interior motor court and enter the lobby through a porte cochere. They can then access ℄ ℄ rooms through the interior of the building or via a covered walkway that visually encloses the motor court. Guest rooms on the ground floor typically have access to gardens, and many rooms on upper levels have access to balconies that overlook important programmatic elements of the site.

These balconies and gardens usually stretch from room to room, calling for an elegant way to separate these more public spaces into ones specific to individual guest rooms.

30

15

HAMMERED HAMMERED STEEL PLATE STEEL PLATE

30

20

180

8 5

30

2

60

20

60

8 5

60

35 2

60

CHONGQING HOTEL

125

300 125

300

1000

role: schematic design/design development plans, elevations, all balcony details; sketched elevations for final model, presentation STAINED WOOD STAINED WOOD SLATS SLATS

39

716 875

119

39 100 119

1000

875

875

1000

320 200

125

300 125

300

1040

1040

1040

1040

300

125 300

125

125

124

100 STAINED STAINED WOOD BRACKET WOOD BRACKET

125

125 110

875 2930

54

WOOD BRACKET

STAINED STAINED WOOD SLATS WOOD SLATS

200

200

124

R:20

76

R:20

716

WOOD BRACKET

76

200

320

100

25

100

25

HOTEL - ph. 2

2930

aviation museum- ph.1

125 110

123

15

15 5

30

10

5

40

30

1

15

10

WOOD GATE HAMMERED STEEL BOLT

15

135

HAMMERED STEEL BRACKET

40 10

200 HAMMERED STEEL HINGE SYSTEM

2275

250

250

720

TYP. COLUMN

1220

TYPICAL WOOD DIVIDER

450

240 165

SMOOTH STONE CAP

2320

TERRA COTTA POT

STAINED WOOD GATE

RAILING TYPE A

2275 775

SQUARE WOOD POSTS

EQ.

800

SQUARE PICKETS

LEGEND / NOTES

70 55

435

100

890

890

100

1180

2720

820

100

890 1025

80

60

3125

100

890

1025

1025

35

PLANTING BED

137

990

350

990

990

990

550

180

990

510

75140

210

350

75

990

3-PANEL STAINED WOOD DIVIDER

TYPICAL METAL RAILING

6015

180

VARIES BY PANEL

120

1518

370

typical rules applied to various balcony conditions throughout project

R:20

39

716 510

Construction

施工方式

Internal Gutter with Internal Drain Pipes Pan tile Omitted at location of Gutter Slope to drain Straight Barrel Pan and Cover Mission Clay Tiles

暗藏排水管 平屋瓦开口连接排水沟进水处 排水找坡 底部屋瓦应有平直的瓦当面

Drawing Abbreviation

图名缩写

EL FF RCP SEC

立面图 铺地图 天花图 剖面图

875 50

100

890

HAMMERED STEEL BRACKET

木制企口板

托架，挑梁 烟囱 转角装饰梁 订制灯具 斜铺木饰板 屋脊瓦 水平石饰带 花架 椽子 木扶手 百叶窗 方形木条 方形木柱 线角 木桁架

100

890

60

石材面板

构件名称

500

200 100 200

挑梁外沿清漆包木

100

屋脊/挑梁下沿清漆包木 毛石压顶

Bracket Chimney Opening Corner Decorative Rafter Tail Custom Light Fixture Diagonal Wood Board Hip Tile Horizontal Stone Band Pergola Rafters Railing Shutters Square Picket Square Wood Post Trim Wood Truss

50

1900 820

370

STAINED WOOD ROOM DIVIDER 35

柚木

Component

PLANTING BED

2285

桃心木

type c

SMOOTH STONE CAP

550

材料/饰面名称

Mahogany Teak Wood Stained Wood Fascia Stained Wood Soffit Stone Cap Rock Finish Edges Stone Veneer Wood Tongue & Groove Boards

WOOD BRACKET 1000

400

WATER TABLE

300

Material/Finishes

WOOD FASCIA

75

150 60 120 60 570 60 120 50 60 55 70

2250

270

120

270

4.

WOOD DECKING

VARIES BY PANEL

150

60

120

3.

470

150

2.

295

60

565

470

75 130

60

60

35

ALL CONSTRUCTION ASSEMBLIES AND STRUCTURAL SYSTEMS ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD NOT BE USED FOR CONSTRUCTION DOCUMENTATION. ALL CONSTRUCTION ASSEMBLIES, STRUCTURAL SYSTEMS, MECHANICAL, ELECTRICAL, AND PLUMBING INFORMATION TO BE COORDINATED BY THE LOCAL DESIGN INSTITUTE (LDI).

INTERIOR PARTITIONS AND COURTESY STAIRS FOR THE RETAIL AND RESTAURANT PROGRAM ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD BE COORDINATED WITH THE LDI AND FUTURE TENANT. REFER TO LANDSCAPE DRAWINGS (L-SERIES) FOR SITE LANDSCAPE & HARDSCAPE INFORMATION.

210

1.

720

720

725

765

775

1100

EQ.

513

1025

1025

513

type b

STUCCO ALIGN T.O. DIVIDER W/ T.O. DOOR JAMB

100

890

890

100

100

890

100

890

890

100

100

890

100

NOT FOR CONSTRUCTION KEY PLAN

2275

250

2700

STAINED WOOD ROO DIVIDER

250

SMOOTH STONE CAP

2.5° BATTERED STON WALL

1100

ALIGN T.O. WATER TABLE WITH T.O. PLANTER BOX

RUSTICATED STONE STONE PAVERS

SLOPE TO DRAIN

SLOPE TO DRAIN 1710

RAILING TYPE A

430

130

N

200 100

1600

1100

type a

200

7

100 % DESIGN DEVELOPMENT SET

3/14/14

80 % DESIGN DEVELOPMENT QA/QC SET

2/14/14

4 1040

1040

300

125 WOOD BRACKET

2930

7/10/14

PHASE 2 - ADDENDUM #1

6 5

2/07/14

75 % DESIGN DEVELOPMENT SET

3

50 % DESIGN DEVELOPMENT SET

9/27/13

2

100 % SCHEMATIC DESIGN SET

6/14/13

1

50 % SCHEMATIC DESIGN SET

4/19/13

NO.

ISSUE

2275 EQ.

775

725

775

EQ.

DATE

720

CHONGQING HANGYUE LIANGJIANG LONGXING PHASE 2A - BUSINESS HOTEL

1180

ROBERT A.M. STERN ARCHITECTS, LLP

2720

1900

CHONGQING, CHINA

460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 | FAX (212) 967-5588

875

1000

STAINED WOOD FLOOR

SHENZHEN LEGEND REAL PROPERTY INVESTMENT CO. LTD.

820

820

STAINED WOOD RAILING

LEVEL 5, JUNO TOWER, #1001, AIGUO ROAD, LUOHU DISTRICT, SHENZHEN 518003 TEL 0755-82670398 FAX 0755-82670399

125

400

30

1230

PHASE 2A - BALCONY DETAILS

private garden divider at grade

110 125

2930

PROJECT NO:

A12034

CAD FILE NO:

A405.0

DRAWING NO:

A405.0 Copyright © 2014 Robert A.M. Stern Architects LLP

3125

1025

80

1025

1025

35 60

510

75140

210

350

75

180

HAMMERED STEEL BRACKET

350

137

60

120

TYPICAL METAL RAILING

2285

town center - ph. 1

BY PANEL

wedding hall - ph.1

VARIES BY PANEL

1518

3-PANEL STAINED WOOD DIVIDER

119

100

west elevation (at sunken garden)

south elevation (at sunken garden)

guest

east elevation

guest guest

pool

56

basement

level 01

gym

level 02

guest guest guest

lobby

guest

guest

guest

guest

guest

guest

b.o.h.

N-S section

level 03

level 04

level 05

roof plan

JINJIANG MASTER PLAN Located a short drive from the city center of Jinjiang in Chinaâ&#x20AC;&#x2122;s Fujian province, this project is a new 825,000 m2 mixed-use development containing office towers, big-box retail space, small commercial storefronts, and a wide variety of residential units. The development is pedestrian-only, with the exception of two retail streets that curve through the project. Situated on the retail podium are the larger-scale residential towers and midrise buildings - the least expensive units in the project.

The most luxurious units, located in lowrise buildings and townhouses, are situated further from these busy retail zones.

Because the scale of the project is so large, the master plan divides the site into seven distinct neighborhoods, each of which has a central green space.

JIN YANG LAKE

jinjiang, china _ 2014-2015 _ robert a.m. stern architects team leadership: grant marani, paul whalen, chenhuan liao, bina bhattacharyya, kevin kelly role: design of two towers from concept design through design development (final deliverables). also contributed to design of overall master plan and several low- and mid-rise buildings.

58

BA XIAN MOUNTAIN

JIN RIVER

DOWNTOWN JINJIANG

. drive

vie w

co rr

ido

r

20 min

hand-drawn site plan (towers are darkest)

ng rki ss pa acce

et

e str ail ret

ME

I LI

ADJACENT RESIDENTIAL DEVELOPMENT (LACKS COMMERCIAL SPACE)

60

NG

RO AD

91

113

124

6

5

7

8

9

10

LEGEND / NOTES

L

11

12

LEGEND / NOTES

4 A-T4-416.01

NOTES: 1. ALL EXTERIOR LIGHT FIXTURES ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY. FINAL LIGHTING DESIGN SUBJECT TO REVIEW BY RAMSA. 2. VERTICAL STONE JOINTS ARE NOT SHOWN IN CURRENT DESIGN SET. STONE SHOP DRAWINGS TO BE REVIEWED BY RAMSA. 3. ALL DOWNSPOUTS ARE SHOWN FOR DIAGRAMMATIC PURPOSES. FINAL DOWNSPOUT LOCATIONS SUBJECT TO REVIEW BY RAMSA.

L

4 A-T4-416.01

L

LEGEND:

NOTES: 1. ALL EXTERIOR LIGHT FIXTURES ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY. FINAL LIGHTING DESIGN SUBJECT TO REVIEW BY RAMSA. 2. VERTICAL STONE JOINTS ARE NOT SHOWN IN CURRENT DESIGN SET. STONE SHOP DRAWINGS TO BE REVIEWED BY RAMSA. 3. ALL DOWNSPOUTS ARE SHOWN FOR DIAGRAMMATIC PURPOSES. FINAL DOWNSPOUT LOCATIONS SUBJECT TO REVIEW BY RAMSA.

LEGEND: STONE

Level 32 93000

7 A-T4-416.01

F-xx

FRAME (REFER TO A-T4-501.01)

CORNICE (REFER TO A-T4-501.02)

C-xx

CORNICE (REFER TO A-T4-501.02)

SD-xx

STONE DETAIL TYPE (REFER TO A-T4-501.01)

SD-xx

STONE DETAIL TYPE (REFER TO A-T4-501.01)

BR-xx

BRACKET TYPE (REFER TO A-MR3-501.03) WATERTABLE TYPE (REFER TO A-T4-501.02)

CR-xx

CORNER CONDITION (REFER TO A-T4-501.02)

COL-xx

COLUMN TYPE (REFER TO A-T4-502.01-A-T4-503.01)

RT-xx

7 TYPE (REFER TO A-520.01-A-521.05) RAILING A-T4-416.01

2100

EQ.A

EQ.A

EQ.A 3000

EQ.A

EQ.A

MT-05

METAL - LOUVERS (COLOUR TO MATCH STONE)

EQ.A 95105

500

METAL - RAILING & PRIVACY DIVIDER

200

METAL - LOUVERS AND LATTICE PANEL (DARK TO CREATE GROUPING)

TYP. BUILDING FAÇADE STONE STONE FOR WATER TABLE OPENING FRAME ANY PROJECTING SILL (BEYOND THE LINE OF EXTERIOR FAÇADE), BALCONY EDGES, BRACKETS, STONE RAILING, STRING COURSES, CORNICES

STP-04

SPRAY STONE APPLIED TO STRUCTURAL WALL

RFT-01

H

STP-04

SPRAY STONE APPLIED TO STRUCTURAL WALL

ROOF TILE

RFT-01

ROOF TILE

BRK-01

BRICK

BRK-01

BRICK

WD-01

STAINED WOOD

WD-01

STAINED WOOD

400

G D" D

5E A-T4-416.01

D'

1148

2'

5 A-T4-416.01

A'

Level 30 87000

D" D

E

Level 30 87000

700

B

KEY PLAN D' C

B

A'

C

B

A'

3' GL-02

E

1781 2851

535

3'

Level 29 84000

B'

C

B

A'

E

PHASE 2A NOT FOR CONSTRUCTION

D

bay window elevation

1

No.

BAY WINDOW - ELEVATION BAY WINDOW - PLAN 5 1 : 20 1 : 20

ADDENDUM 1

DATE

BAY WINDOW - SECTION

4

535

217

AVIC LEGEND

7 21

B

35 10 25

JINJIANG, CHINA PRC

125

2' A

A

Project No.

A14016

CAD File No.

A14016

Drawing No.

BAY WINDOW - PLAN

50

113

124

C

8

80 01 18

53 1

1 53

217

535

1781 2851

535

217

1 53 63 10

6 Architects Robert A.M. Stern

9

10

11

12

460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 FAX (212) 967-5588

MT-02

AVIC LEGEND

7 21

B

A

Copyright (2014)

DATE

ROBERT A.M. STERN ARCHITECTS, LLP.

ALIGN

BAY WINDOW - SECTION DETAIL

5

06-19-2015

ISSUE

L

JINJIANG, CHINA PRC

ENLARGED ELEVATIONS

1D

1 : 10

102

53 1 10 63

21 7

3 A-T4-416.01 91

7

18 01 80

Level 31 90000

ENLARGED ELEVATIONS

ADDENDUM 1

JINJIANG MASTER PLAN JINJIANG, CHINA

6

405 1200

1 53

1781 2851

5

20 45 20 15 15

460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 FAX (212) 967-5588

MT-02

1

No.

4 A-T4-416.01

50 150 100 80 20

53 1

1 53 63 10

4 ROBERT A.M. STERN ARCHITECTS, LLP.

1 : 20

240

JINJIANG, CHINA

C

80 01 18

final south elevation

BAY WINDOW - ELEVATION

2

50 60 20 80 30 82 73

125

3

Level 29 84000

D

bay window section

ISSUE

: 20 JINJIANG 1MASTER PLAN

2

535

Level 29 84000

B'

PHASE 2A NOT FOR CONSTRUCTION N

E

MT-02

06-19-2015

4 A-T4-416.01

C

STP-04 GL-03

Level 29 84000

D

3'

2100

63 10

N

17 2GL-03

217

1 A-T4-416.01

200

535

3000

36 0

F

MT-02

6/18/2015 1:44:25 PM

TYPICAL VISION GLASS (OTHER THAN STOREFRONT & RESIDENTIAL ENTRIES)

ST-03

1 A-T4-416.01

STP-04

217

8

SPANDREL GLASS

GL-03

ST-02

53 1 53 1

53 1 21 7

1 : 20

VISION STOREFRONT & RESIDENTIAL ENTRIES (DOORS & TRANSOM)

GL-02

OPENING FRAME ANY PROJECTING SILL (BEYOND THE LINE OF EXTERIOR FAÇADE), BALCONY EDGES, BRACKETS, STONE RAILING, STRING COURSES, CORNICES

F

53 1 10 63

E

1 : 20 8

B

C

BAY WINDOW - PLAN

7

9

10

11

Project No.

A14016

CAD File No.

A14016

Drawing No.

A-T4-416.01 12

Copyright (2014)

A R S

A' K

Robert A.M. Stern Architects

3' J

2

I

MEI LING ROAD

1

METAL - DARK SPANDREL

GL-01

STONE FOR WATER TABLE

E

36 0

217

METAL - LOUVERS AND LATTICE PANEL (DARK TO CREATE GROUPING)

MT-07

ST-03

3'

21 7

METAL - LOUVERS (COLOUR TO MATCH STONE)

MT-06

ST-02

C

GL-02

B

METAL - RAILING & PRIVACY DIVIDER

MT-05

ST-01

KEY PLAN

G

53 1 10 63

METAL - LOUVERS

MT-04

TYP. BUILDING FAÇADE STONE

2'

18 01 80

METAL - TYP. WINDOW FRAMES, METAL COLUMNS, METAL PILASTER & METAL SPANDREL

MT-03

ST-01

Level 30 87000

4 A-T4-416.01

1

MT-02

METAL - STOREFRONT & RESIDENTIAL ENTRIES

MT-02

TYPICAL VISION GLASS (OTHER THAN STOREFRONT & RESIDENTIAL ENTRIES)

500

G

2

6 A-T4-416.01

I

MT-01

GL-03

5 A-T4-416.01 Level 30 87000

F

Level 31 90000

MT-02

1 : 20

1 A-T4-416.01

A-T4-414.01

700

SPANDREL GLASS

MT-02

3 Level 31 90000

METAL - DARK SPANDREL 6 VISION STOREFRONT & RESIDENTIAL ENTRIES A-T4-416.01 (DOORS & TRANSOM)

BAY WINDOW - PLAN

6

RAILING TYPE (REFER TO A-520.01-A-521.05)

1400

10 95 5

E 13 Q.B 63 EQ .B

H

EQ .B 105 95 EQ.A

METAL - LOUVERS

MT-04

GL-02

9 10 5 5

9 10 5 5

METAL - TYP. WINDOW FRAMES, METAL COLUMNS, METAL PILASTER & METAL SPANDREL

MT-03

GL-01

MT-02

EQ .B

MT-02

MT-07

MT-02

10 95 5

METAL - STOREFRONT & RESIDENTIAL ENTRIES

700

6 A-T4-416.01

COLUMN TYPE (REFER TO A-T4-502.01-A-T4-503.01)

RT-xx

MATERIAL TYPE LEGEND:

MT-01

MT-06

I

Level 31 90000

CORNER CONDITION (REFER TO A-T4-501.02)

COL-xx

2300

I

BRACKET TYPE (REFER TO A-MR3-501.03) WATERTABLE TYPE (REFER TO A-T4-501.02)

CR-xx

800

MATERIAL TYPE LEGEND:

MT-02

H

7 A-T4-416.01

BR-xx WT-xx

J

1 : 20

E 13 Q.B 63 EQ .B

K

WT-xx

4 A-T4-416.01

Level 31 90000

SPANDREL GLASS

FRAME (REFER TO A-T4-501.01)

C-xx

J

BAY WINDOW - PLAN

7

Level 32 93000

F-xx

1700

K

J

STONE Level 32 93000

SPANDREL GLASS

K

700

Level 32 93000

L

K

102 4 A-T4-416.01

1300

8

4'

H

UP

UP

UP

UP

UP

H

UP

E

G

G

4'

E

F

UP

UP

UP

UP

UP

UP

UP

F

UP

3

E

E

P

C

D

3 2 1

D No.

N0 E0

C

B

K

C

D

1

A' 4'

B'

C

B

R

neighborhood 2 _ phase 2A

PHASE 2A GROUND FLOOR PLAN 1 : 500

B

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