J U L I A M. R O B E R T S M.Arch I Candidate Harvard University Graduate School of Design Washington University in St. Louis
CONTENTS SNAPSHOT : MONTE CARLO 4
PERIMETER | PLAN 12
THE CLUB 18
HYDRO_NETWORK 24
PORIFERA KITE 30
HIDDEN ROOM 34
CELEBRATING CONTINGENCY 40
STAY TUNED 50
CHONGQING HOTEL 54
JINJIANG MASTER PLAN 58
Washington University in St. Louis _ Graduate Option Studio _ Spring 2012 Critics: Heather Woofter + Igor Marjanovic Duration: 10 Weeks
Harvard Graduate School of Design _ Core Studio I _ Fall 2015 Critic: Megan Panzano Duration: 4 Weeks
Harvard Graduate School of Design _ Core Studio II _ Spring 2016 Critic: Grace La Duration: 4 Weeks
Washington University in St. Louis _ Core Studio V _ Fall 2011 Critic: Jonathan Stitelman Duration: 5 Weeks
Washington University in St. Louis _ Representation/Fabrication _ Spring 2012 Critic: Sung Ho Kim Duration: 8 Weeks
Harvard Graduate School of Design _ Core Studio I _ Fall 2015 Critic: Megan Panzano Duration: 2 Weeks
Washington University in St. Louis _ Urban Design + Landscape Option Studio _ Spring 2013 Critic: Kees Lokman Duration: 10 Weeks
Axi:Ome, LLC _ Set Design for Nine Network _ Summer 2012 Principals: Heather Woofter + Sung Ho Kim Location: St. Louis, MO
Robert A.M. Stern Architects _ Master Plan + Hotel Design _ 2013-2014 Partners: Grant Marani + Paul Whalen Location: Chongqing, China
Robert A.M. Stern Architects _ Master Plan + Tower Design _ 2014-2015 Partners: Grant Marani, Paul Whalen, Chen-Huan Liao, Bina Bhattacharrya Location: Jinjiang, Fujian Province, China
SNAPSHOT: MONTE CARLO Professor and historian of architecture Dr. Robert Middleton wrote, “Fragments may be construed as elements of restorative power that can provide symbolic and poetic meaning to newly constituted wholes.” This project is made up of fragments at many different levels of the design. Its form— dominated by literal fragments of a clothing pattern—is a weaving together of fragments of varied size to build a new idea about what this historic site (once the subject of a competition entry by Archigram) could become. As an overall strategy in Monte Carlo’s urban fabric, these fragmented pattern forms come together to establish a gesture leading users from the artificial city context to the natural landscape on the site, and eventually to the horizon. what is the difference between a photograph and a snapshot? WUSTL 312 _ monte carlo, monaco _ spring 2012 _ heather woofter + igor marjanovic
feasibility study for grappa distillery
Water [end] Site / Water Edge Site
Site / Road Edge Under Bridge U-Turn
Casino [start]
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approach to site
pattern stitching | city
lemon/olive tree grove
canopies
n.s.p. (natural swimming pool) restaurant distillery (basement) market
allotment gardens
fragment of cityscape
site plan
I was interested in the contrast between the snapshot and the photograph, a concept explored by Lorens Holm in his book on Brunelleschi, Lacan, and Le Corbusier. The photograph is a highly considered view of a space or a scene, and therefore an artificial representation of what is really there. The snapshot, conversely, is a series of accidental layers that create an image more true to the real experience of the space or scene. Looking through the lens of a tourist, the historic landmarks of the city become a series of photographs, a series of places that are highly manicured and artificial. I attempted in the drawing above to represent these places in the manner of the snapshot, so as to reveal a more real, layered, and even confused understanding of them. It is through a series of snapshots—a series of fragments—that people gain this holistic experience of the city, and the end experience of the urban fabric is the result of an agglomeration of these individual and disparate moments.
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city section
model photographs
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allotment gardens marketplace management offices restaurant bar canopies lemon/olive tree grove stair down to sea level 8
plan at city level
view from sea
loading dock distillery rooms grappa storage locker rooms swimming pools pool kitchen dining area canopies plan at sea level
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PERIMETER | PLAN This project oscillates between two and three dimensions in its resolution of the three given constraints of the faรงade, stair, and interior plan of rooms. Beginning with a study of the perimeter, a base form was developed and interrogated for its potentials to create a wide variety of interior and exterior spaces. This initial form went through a series of two-dimensional plan shrinkages to respond to the constraints of the project, especially considering the common and dorm rooms.
1 _ base form a
3 _ overlay + rotate
2 _ base form b (revised for area and light requirements)
GSD 1101_fall 2015_megan panzano nominated for publication in Platform 9
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receded from hex = hallway hallways are always bounded by rooms, and recession offers layer of privacy
level 2
level 3
level 4
flush with hex = large common space courtyard with common space share a single layer, rather than being separated by multiple boundary layers
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1/4â&#x20AC;? = 1â&#x20AC;&#x2122; sectional model
receding serration = small common space recession produces thin boundary wall between room and courtyard and provides opportunity for small-scale balconies
protruding serration = private room protrusion allows for thickening of walls, producing a heavy boundary layer between room and courtyard
1/16â&#x20AC;? = 1â&#x20AC;&#x2122; massing model
beyond the brief _ sectional connections Superimposing the projectâ&#x20AC;&#x2122;s plans demonstrates how the three given elements, when in tension with each other, produce opportunities for new types of spaces that arenâ&#x20AC;&#x2122;t prescribed in the brief. At right, we can see how the geometries of the room, stair, and facade overlap and produce new voids in plan that result in smaller moments of sectional connection between levels. These moments are represented in relief drawings, which themselves stand in limbo between two and three dimensions.
_room
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_stair
_facade
connection 2
connection 3
THE CLUB This project navigates the conflucting pressures of a unique structural bay and a highly complex program. The structural bay is a large â&#x20AC;&#x2DC;teardropâ&#x20AC;&#x2122;shaped brick, and the program is a club for foragers, experimental cooking, and fine dining. The shape of the brick was derived from a study of something of interest to all users of the building: mushrooms. Mushrooms are rhizomatic, and the idea of the rhizome - both philosophically and ecologically - informed much of the project. The brick was deployed freely underground as the structure for the growth of mushrooms, but above ground the site constraints brought it into a tighter, more regular array. From here, the bricks were deleted or aggregated as necessary in order to allow for the spatial adjacencies and thresholds required by the program.
GSD 1102 _ boston, ma _ spring 2016 _ grace la longitudinal section
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ground floor plan
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level 2
level 3
interior view
level 4
level 5
roof plan
22 street view
transverse section
UP
UP
-12 viewing deck
UP UP
-12 kitchen
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basement plan
HYDRO_NETWORK This project explores water’s potential to create networks both physically within a landscape and socially within a community. The final product is a design for a community pool in Carondelet Park in St. Louis. The design’s inspiration was drawn from images of the Ganges river in India. It is an enormous body of water that connects many disparate villages and cities in India’s physical landscape, and also draws entire communities for religious purposes.
WUSTL 311 _ st. louis, mo _ fall 2011_ jonathan stitleman
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ganges river images
formal development
integrate form with landscape
model photographs
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b
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main pool kidsâ&#x20AC;&#x2122; pool locker rooms steam/sauna offices section a
level 1 plan
observation deck yoga studio relaxation space storage section b
level 2 plan
tectonic _ elevation | plan | section This drawing establishes the relationship between plan, section, and elevation, demonstrating how the design concept influenced programmatic use and structural system of the final design. There is a visual connection between the higher spaces for the solitary user and the more open pool and outdoor spaces to be used by larger groups.
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PORIFERA KITE Parafoil kites are generally associated with power and force, most often constructed from strong materials like ripstop nylon so that they donâ&#x20AC;&#x2122;t tear in flight. The sea sponge (porifera) is a more ethereal and passive entity, allowing water to flow through it naturally. The goal of the project was to marry these two forms in a singular kite design.
water flow
water flow
water out through radial canals
WUSTL_st. louis, mo _ spring 2012 _ sung ho kim
study of porifera form
fluid movement through porifera
side elevation
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top elevation
perspective
front elevation
how to translate qualities of porifera into language of kite?
interior openings allow for air to flow freely between cells so as to balance air pressure and stabilize the relative pressure among the cells
1 _ cut
making kite cells
2 _ fold
3 _ connect
tails help to stabilize kite in flight
32 [-] extreme warping on front edge
[-] tendency for front edge to close
[+] occasional cell inflation
SKIN A S KS ISNE M A BS LS YE M B L Y
SKIN ASSEMBLY
step 1: align adjacent patterns
step 3: sew adjacent horizontal panels
step 2: fold tabs
step 4: sew first vertical panel to seam
step 5: sew adjacent lower panels
[+] kite cell inflation
[-] zero lift
[-] uncontrollable rotation in air
HIDDEN ROOM This project revolves around a hidden room, defined here as a room which is concealed, revealed, and concealed again. As we approach the front of the building, we can only perceive the existence of four rooms, which seem to fill the mass of the structure. However, there is no entry here, so we must proceed along the exterior path. We approach a side door where we can enter, but we are thrust into a long glassy corridor which traps us and pushes us back out onto the path. Again, the hidden room is concealed. We are then presented with the back of the building where we see a massive conical space, the existence of which is impossible to comprehend. We then enter the building in search of this space, but no path seems to lead us there. We are left to exit and enter the building many times before we fully comprehend the existence of the hidden room.
GSD 1101 _ fall 2015 _ megan panzano nominated for publication in Platform 9
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view 1 _ front of building
STRATEGY: point becomes room as a result of tilting planes
_VOLUME 1
_VOLUME 2
_VOLUME 3
_VOLUME 4
_HIDDEN ROOM
_1a: ENTRY 1 enter on side of building follow established trajectory bypass hidden
_1b: DEAD END arrive at dead end view main entry ramp below exit building to find main entry
view 3 _ back of building, main entry
_1a: ENTRY 1 bypass hidden
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_2b: MOMENT OF TOTALING experience length, width, and height of building
_2a: ENTRY 2 enter on main circulation path move up towards where hidden room could be
_2b: MOMENT OF TOTALING arrive at landing experience width, length, and height of building
_2c: MOVE TOWARDS HIDDEN follow only ramp that might lead to hidden
section 1
view 3 reveal stage 2 back of building
view 1 concealed front of building
view 2 reveal stage 1 entry 1
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section 2
_2d: MOMENT OF TOTALING arrive at roof understand that hidden room was passed over and must be below
_2e: MOVE TOWARDS HIDDEN traverse along established path towards only remaining path within view
_2f: MOMENT OF TOTALING arrive at ground floor; see main entry understand completion of all paths of travel within building
_3: RE-ENTER IN SEARCH OF HIDDEN realize must use one of two already-used entries in order to access hidden
CELEBRATING CONTINGENCY
NEW YORK: 100
This project examines accessibility in St. Louis through multiple lenses: food deserts, income levels, and walkability. These three factors are analyzed and overlaid at various scales in a series of maps and diagrams attempting to identify areas of strength and areas of weakness in the city. More often than not, food deserts are in or near areas that are less walkable and where families make and have less money. The one thing that is profoundly apparent in this study is the instability of the city of St. Louis. On one hand, it has many things going for it, the most important being its place in history. On the other, income inequality, lack of access to basic amenities, and low racial and socioeconomic diversity within neighborhoods all play into the tension that exists in the region today.
WUSTL 412 _ st. louis, mo _ spring 2013 _ kees lokman 59
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KANSAS CITY: 37
ST LOUIS CITY: 49
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FOOD DESERTS usually in/near LOW INCOME AREAS with LOW WALKABILITY
1/2 mile = 10 minutes walking
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WALKERâ&#x20AC;&#x2122;S PARADISE daily errands do not require a car VERY WALKABLE most errands can be accomplished within walking distance
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CAR - DEPENDENT few amenities within walking distance * walkability: walkscore.com food desert: USDA Economic Research Service ** income level: USDC United States Census Bureau
# OF SCHNUCKS WITHIN WALKING DISTANCE OF A FOOD DESERT = 0 GROCERY STORES IN REGION OWNED BY SCHNUCKS = ~90% # OF GAS STATIONS WITHIN FOOD DESERTS = 25 CITY VS. COUNTY FOOD DESERTS = 14 VS. 14 CITY VS. COUNTY LAND AREA = 66.2 sq mi VS. 524 sq mi
NORTH CITY DESERT small residential units far from street car-dependent homogeneous population
DELMAR DESERT parking lots abandoned buildings wide streets/fast traffic
METROLINK
DOWNTOWN: THE ANTI - DESERT one-way street/tighter street section diverse program and population (not perfect: lacking 4-second facade)
SOUTH CITY DESERT wide streets vacant buildings car-dependent
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Housing units w/ low access + w/o a car: 5,367
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= 21.8% total STL population = 5% total pop. city + county
Population with low income*: 15,928
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chronic homelessness
Population with low access: 69,466
INDEPENDENT ORGS.
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10-yr plan to end
FOOD ACCESS BY CENSUS TRACT
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linking important entities and initiatives in st. louis city
celebrating contingency | solutions Bus rapid transit systems have been shown to solve transportation issues in cities, but generally those cities are highly populated with overwhelming demand for public transit. St. Louis suffers from issues related to low population density, and bus rapid transit initially did not seem like a solution for the city. However, after further study, the group came to the decision that bus rapid transit could help connect disparate parts of the city and activate streets that are currently devoid of traffic, both vehicular and pedestrian. team: cari alcombright
income level [yearly, by census tract] $5,000-$35,000 $35,000-$45,000 $45,000-$60,000 income level | food deserts 21.8% of residents have very low access to healthy food deserts often overlap with lowincome areas (income <$60,000 yearly per household)
racial distribution delmar blvd=racial dividing line 10 black individuals 10 white individuals
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framework plan The framework plan for the new BRT system considers areas of strength, weakness, opportunities, and threats, and it attempts to link them with two interlocking loops of transit. The project team also proposed a few key areas where opportunities for development were apparent but had not yet been taken advantage of. The map highlights the fact that there are large swaths of vacant land surrounding people living close to or below the poverty line. Previously, these areas lacked a stong connection to places with higher density and more amenities. One of the goals of the BRT system is to alleviate this stress on certain zones of the city.
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BRT BRT stops commercial business high density housing restaurants entertainment nightlife grocery store daycare university bike / bus metro park low home value vacant land
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technical college
extra-wide, decrepit sidewalks re-activated with new paving and bus stops
small number of places for communities to gather
high concentration of vacant lots
stadiums and other forms of entertainment
parks, high-density housing, office spaces
two lanes of under-used boulevard reclaimed for bus system
mid-rise apartment buildings, office space BJC and Washington University hospitals
reclaim interior lane for STLoop
re-use median as gathering place
celebrating contingency | zooming in Now we zoom in to Old North St. Louis, one of the cityâ&#x20AC;&#x2122;s many struggling neighborhoods. What makes this place special is its growth potential. The neighborhood has a relatively low population density and currently isnâ&#x20AC;&#x2122;t particularly walkable. However, there are parks, city landmarks like Crown Candy Kitchen, and a new development that houses startups and boutiques, all of which draw people from throughout the city and county. The challenge is to keep people who visit Old North in the area for an extended period of time in order to bolster the economy and encourage development. By making the street more hospitable to pedestrians and revitalizing existing structures, this proposal attempts to enhance the identity of Old North and to provide an example for future development along the BRT route.
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PROBLEM: how to bring people across the wide, busy street and into the neighborhood?
existing:
florissant as boundary little incentive to enter neighborhood from high-traffic zone
SOLUTION: break down perceived barrier and activate street edge
:
ssant as boundary incentive to enter neighborhood from high-traffic zone
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future: florissant is more permeable pedestrian-centric design new features pull users into neighborhood
12:00 pm man leaving office for a business meeting about his startup
6:00 pm neighborhood resident biking home from work
9:00 pm families gathering at Crown Candy Kitchen for dessert
2:00 pm young family on the way to the park
10:00 am neighborhood resident at street market
time lapse rendering of streetscape
section through street and park
_option b
The STAY TUNED set design is developed as a monochromatic media surface in the Nine Network interior project, designed by Axi_Ome, LLC. The set design was to incorporate 8 LCD monitors that allowed flexible configuration for multimedia screening from Google Hangout interviews and various social media interfaces. The STAY TUNED set design allows transference of information through lighting and dematerialization of technological infrastructures (power, data, and heat), as well as architectural details.
_option a
STAY TUNED
team: heather woofter, sung ho kim, davis owen, jaymon diaz role: concept design, client coordination
_option c
axi:ome, llc _ st. louis, mo _ 2012
PROBLEM: wall structures are too large, too unstable, and too expensive to construct
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SOLUTION: incorporate stage set into existing wall using similar language to band of light at base of wall
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potential screen potential sizes screen sizes 5
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unrolled unrolled elevation elevation w/ow/ bezel bezel (as would
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monitor pattern studies
monitor sizes
unrolled elevation w/ bezel unrolled elevation w/ bezel 1
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unrolled elevation unrolled w/elevation bezel w/ bezel
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_option c
_option a
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_option d
_option b
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unrolled elevation unrolled w
PARTS LIST 01 55” video monitor 02 32” video monitor 03 22” video monitor 04 large monitor mount 05 small monitor mount 06 1/2” double-sided matte-finish acrylic panel 07 5/8” flexible LED light strip with individual red green + blue diodes 08 curved 16 gauge sheet metal deflectors 09 plywood top plate with cooling fans
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PARTS LIST
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01 55” video monitor 01 55” video monitor
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02 32” video monitor 02 32” video monitor
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03 22” video monitor 03 22” video monitor
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large monitor mount 04mount 04 large monitor
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02 05
02
07
05 03
03
16
11
10 3/4” baltic birch vertical support
bottom Plate
10
11 3/4” baltic birch support sheer bracing
11
baltic birch sheer 11 3/4” 12 LED light mount made from 5/8” bracing extruded aluminum channel 12
12
num channel
12
14 1/4” end-cap (hardwood) board
07
13
10 04
06
12
13
1/4” steam-bent luan
14
1/4” end-cap (hardwood)
15
hardwood 1x2 (3/4” x 1-1/2”) corner brace
16
low velocity quiet cooling fan
15 hardwood 1x2 (3/4” x 1-1/2”) (flexible plywood) panel corner brace 16 low velocity quietboard cooling fan
03 07
09 07
14
01 07
LED light mount made
13 1/4” steam-bentfrom luan5/8” panel extruded alumi-
10 12 05
3/4” baltic birch vertical
11
12
07
3/4” 08 double-laminated 08 double-laminated 3/4” baltic birch baltic birch plywood top plywood top plate Plate
09 double-laminated 3/4” baltic birch 3/4” 09 double-laminated plywood bottom baltic platebirch plywood
12
10
05
hardwood mounting joint
07
12 09
03
08
07
12
09 04
07
07 hardwood mounting joint steel with stainless threaded insertinsert with stainless steel threaded
07
11
04
double-sided matte06 1/2” 06 1/2” double-sided mattefinish acrylic panel finish acrylic panel
16
07
10
01
PARTS LIST
35
STAINED WOOD PANEL
60
20
20
60 150 270
90
120
15
15
120
90
120
15
15 90
90
30 20
VARIES20 20 30
VARIES 60
60
270
30
2250
30 20
60
120
180
120
20
180
60
30
150
20
2250
30 20 30 20 30
570
630
630
60 120
180
180
50
50 60
30
30 50
15 5
60
60
20 5 15
15 5 20 5 15
1220
820
RAILING TYPE A
820
RAILING TYPE A
WOOD BRACKET WOOD BRACKET
1000
1000
WOOD BRACKET
1100
WOOD BRACKET
1000
1000
SQUARE PICKETS
SQUARE PICKETS
WOOD DECKING
WOOD DECKING
WOOD BRACKET
WOOD BRACKET
1600
WOOD FASCIA
1100
WOOD FASCIA
1600
WOOD DECKING 200 100
WOOD DECKING
200 100
SQUARE PICKETS
200
1100
SQUARE PICKETS 1600
200 100
200
team: grant marani, paul whalen, kevin kelly, huaxia song, jose rodriguez, carlos gamez
200
1600
1100
WOOD FASCIA WOOD FASCIA
200 100
WOOD DECKING
200
WOOD DECKING
500
1100
1100
200 100
500
SQUARE PICKETS
RAILING TYPE A
430
430
SQUARE SQUARE WOOD POSTS WOOD POSTS
SQUARE SQUARE WOOD POSTS WOOD POSTS
chongqing, china _ 2013-2014 _ robert a.m. stern architects SQUARE PICKETS
RAILING TYPE A
RAILING TYPE A
200
2320
RAILING TYPE A
2320
1220
typical divider
details are specific to hotel and differentiate it from other parts of the project
SQUARE SQUARE WOOD POSTS WOOD POSTS
200 100
60
room dividers: kit of parts
TYPICAL WOOD TYPICAL WOOD DIVIDER DIVIDER
200
20
120 STAINED WOOD PANEL
HAMMERED HAMMERED STEEL STEEL SUPPORT SUPPORT
720
1000
120
30 30
30
30 STAINED WOOD PANEL
10
Within the hotel, there is a bar, all-day restaurant, Chinese restaurant, pool, gym, business suite, and lounge, in addition to the lobby and guest rooms. The pool, while in the basement level, has access to a large sunken garden to the south of the building, allowing light to enter this grand space through a series of large windows facing the garden. 720
120
20 30
STAINED WOOD SLATS
2250
30 20
1020
20
1020
VARIES 60
15
15
60
60
30
20 30 VARIES20
20
20 75
120
120
10
20
HAMMERED HAMMERED STEEL STEEL BOLT BOLT
53
15 15
20
53
10
45
20
20 45
180
20
15
30
HAMMERED HAMMERED STEEL STEEL PLATE PLATE
50
15
180
20
20
HAMMEREDHAMMERED STEEL STEEL SUPPORT SUPPORT
15
50
15
30 20
62
10
HAMMEREDHAMMERED STEEL STEEL BOLT BOLT
20 30
30
30
53
53
62
HAMMEREDHAMMERED STEEL STEEL CONNECTOR CONNECTOR
53
10 10 10
55
20
75
10 10 10
55
120
75
75
15 50
30
15
60 60
53
HAMMEREDHAMMERED STEEL STEEL PLATE PLATE
50
30 60 60
53
STAINED WOOD SLATS
30 20
180
20
180
180
8 5
180
20
30
30
53
20
30
HAMMEREDHAMMERED STEEL FOO STEEL FOO
35
2
15
8 5
75
15
35
30
55
75
2
15
15
20 55
120
HAMMERED HAMMERED STEEL STEEL CONNECTOR CONNECTOR
STAINED WOOD STAINED WOOD POST POST
20
HAMMERE HAMMERE STEEL STEEL BRACKET BRACKET
30 55
180
60
30 55
25
60
VARIES
25
20
VARIES
10
20
60
HAMMERED HAMMERED STEEL BRACKET STEEL BRACKET
10
15
STAINED WOOD PANEL
60
30
HAMMERED HAMMERED STEEL BOLTSTEEL BOLT
120
The design of this hotel was phase 2 in a threephase master plan for a new development in Chongqing, China. The topography in this part of Chongqing is very complex, and the massing of the building responds to the extreme grade changes within the site. Guests are dropped off in the interior motor court and enter the lobby through a porte cochere. They can then access ℄ ℄ rooms through the interior of the building or via a covered walkway that visually encloses the motor court. Guest rooms on the ground floor typically have access to gardens, and many rooms on upper levels have access to balconies that overlook important programmatic elements of the site. These balconies and gardens usually stretch from room to room, calling for an elegant way to separate these more public spaces into ones specific to individual guest rooms. 30
15
HAMMERED HAMMERED STEEL PLATE STEEL PLATE
30
20
180
8 5
30
2
60
20
60
8 5
60
35 2
60
CHONGQING HOTEL
125
300 125
300
1000
role: schematic design/design development plans, elevations, all balcony details; sketched elevations for final model, presentation STAINED WOOD STAINED WOOD SLATS SLATS
39
716 875
119
39 100 119
1000
875
875
1000
320 200
125
300 125
300
1040
1040
1040
1040
300
125 300
125
125
124
100 STAINED STAINED WOOD BRACKET WOOD BRACKET
125
125 110
875 2930
54
WOOD BRACKET
STAINED STAINED WOOD SLATS WOOD SLATS
200
200
124
R:20
76
R:20
716
WOOD BRACKET
76
200
320
100
25
100
25
HOTEL - ph. 2
2930
aviation museum- ph.1
125 110
123
15
15 5
30
10
5
40
30
1
15
10
WOOD GATE HAMMERED STEEL BOLT
15
135
HAMMERED STEEL BRACKET
40 10
200 HAMMERED STEEL HINGE SYSTEM
2275
250
250
720
TYP. COLUMN
1220
TYPICAL WOOD DIVIDER
450
240 165
SMOOTH STONE CAP
2320
TERRA COTTA POT
STAINED WOOD GATE
RAILING TYPE A
2275 775
SQUARE WOOD POSTS
EQ.
800
SQUARE PICKETS
LEGEND / NOTES
70 55
435
100
890
890
100
1180
2720
820
100
890 1025
80
60
3125
100
890
1025
1025
35
PLANTING BED
137
990
350
990
990
990
550
180
990
510
75140
210
350
75
990
3-PANEL STAINED WOOD DIVIDER
TYPICAL METAL RAILING
6015
180
VARIES BY PANEL
120
1518
370
typical rules applied to various balcony conditions throughout project
R:20
39
716 510
Construction
施工方式
Internal Gutter with Internal Drain Pipes Pan tile Omitted at location of Gutter Slope to drain Straight Barrel Pan and Cover Mission Clay Tiles
暗藏排水管 平屋瓦开口连接排水沟进水处 排水找坡 底部屋瓦应有平直的瓦当面
Drawing Abbreviation
图名缩写
EL FF RCP SEC
立面图 铺地图 天花图 剖面图
875 50
100
890
HAMMERED STEEL BRACKET
木制企口板
托架，挑梁 烟囱 转角装饰梁 订制灯具 斜铺木饰板 屋脊瓦 水平石饰带 花架 椽子 木扶手 百叶窗 方形木条 方形木柱 线角 木桁架
100
890
60
石材面板
构件名称
500
200 100 200
挑梁外沿清漆包木
100
屋脊/挑梁下沿清漆包木 毛石压顶
Bracket Chimney Opening Corner Decorative Rafter Tail Custom Light Fixture Diagonal Wood Board Hip Tile Horizontal Stone Band Pergola Rafters Railing Shutters Square Picket Square Wood Post Trim Wood Truss
50
1900 820
370
STAINED WOOD ROOM DIVIDER 35
柚木
Component
PLANTING BED
2285
桃心木
type c
SMOOTH STONE CAP
550
材料/饰面名称
Mahogany Teak Wood Stained Wood Fascia Stained Wood Soffit Stone Cap Rock Finish Edges Stone Veneer Wood Tongue & Groove Boards
WOOD BRACKET 1000
400
WATER TABLE
300
Material/Finishes
WOOD FASCIA
75
150 60 120 60 570 60 120 50 60 55 70
2250
270
120
270
4.
WOOD DECKING
VARIES BY PANEL
150
60
120
3.
470
150
2.
295
60
565
470
75 130
60
60
35
ALL CONSTRUCTION ASSEMBLIES AND STRUCTURAL SYSTEMS ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD NOT BE USED FOR CONSTRUCTION DOCUMENTATION. ALL CONSTRUCTION ASSEMBLIES, STRUCTURAL SYSTEMS, MECHANICAL, ELECTRICAL, AND PLUMBING INFORMATION TO BE COORDINATED BY THE LOCAL DESIGN INSTITUTE (LDI). INTERIOR PARTITIONS AND COURTESY STAIRS FOR THE RETAIL AND RESTAURANT PROGRAM ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD BE COORDINATED WITH THE LDI AND FUTURE TENANT. REFER TO LANDSCAPE DRAWINGS (L-SERIES) FOR SITE LANDSCAPE & HARDSCAPE INFORMATION.
210
1. 720
720
725
765
775
1100
EQ.
513
1025
1025
513
type b
STUCCO ALIGN T.O. DIVIDER W/ T.O. DOOR JAMB
100
890
890
100
100
890
100
890
890
100
100
890
100
NOT FOR CONSTRUCTION KEY PLAN
2275
250
2700
STAINED WOOD ROO DIVIDER
250
SMOOTH STONE CAP
2.5° BATTERED STON WALL
1100
ALIGN T.O. WATER TABLE WITH T.O. PLANTER BOX
RUSTICATED STONE STONE PAVERS
SLOPE TO DRAIN
SLOPE TO DRAIN 1710
RAILING TYPE A
430
130
N
200 100
1600
1100
type a
200
7
100 % DESIGN DEVELOPMENT SET
3/14/14
80 % DESIGN DEVELOPMENT QA/QC SET
2/14/14
4 1040
1040
300
125 WOOD BRACKET
2930
7/10/14
PHASE 2 - ADDENDUM #1
6 5
2/07/14
75 % DESIGN DEVELOPMENT SET
3
50 % DESIGN DEVELOPMENT SET
9/27/13
2
100 % SCHEMATIC DESIGN SET
6/14/13
1
50 % SCHEMATIC DESIGN SET
4/19/13
NO.
ISSUE
2275 EQ.
775
725
775
EQ.
DATE
720
CHONGQING HANGYUE LIANGJIANG LONGXING PHASE 2A - BUSINESS HOTEL
1180
ROBERT A.M. STERN ARCHITECTS, LLP
2720
1900
CHONGQING, CHINA
460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 | FAX (212) 967-5588
875
1000
STAINED WOOD FLOOR
SHENZHEN LEGEND REAL PROPERTY INVESTMENT CO. LTD.
820
820
STAINED WOOD RAILING
LEVEL 5, JUNO TOWER, #1001, AIGUO ROAD, LUOHU DISTRICT, SHENZHEN 518003 TEL 0755-82670398 FAX 0755-82670399
125
400
30
1230
PHASE 2A - BALCONY DETAILS
private garden divider at grade
110 125
2930
PROJECT NO:
A12034
CAD FILE NO:
A405.0
DRAWING NO:
A405.0 Copyright © 2014 Robert A.M. Stern Architects LLP
3125
1025
80
1025
1025
35 60
510
75140
210
350
75
180
HAMMERED STEEL BRACKET
350
137
60
120
TYPICAL METAL RAILING
2285
town center - ph. 1 BY PANEL
wedding hall - ph.1
VARIES BY PANEL
1518
3-PANEL STAINED WOOD DIVIDER
119
100
west elevation (at sunken garden)
south elevation (at sunken garden)
guest
east elevation
guest guest
pool
56
basement
level 01
gym
level 02
guest guest guest
lobby
guest
guest
guest
guest
guest
guest
b.o.h.
N-S section
level 03
level 04
level 05
roof plan
JINJIANG MASTER PLAN Located a short drive from the city center of Jinjiang in Chinaâ&#x20AC;&#x2122;s Fujian province, this project is a new 825,000 m2 mixed-use development containing office towers, big-box retail space, small commercial storefronts, and a wide variety of residential units. The development is pedestrian-only, with the exception of two retail streets that curve through the project. Situated on the retail podium are the larger-scale residential towers and midrise buildings - the least expensive units in the project. The most luxurious units, located in lowrise buildings and townhouses, are situated further from these busy retail zones. Because the scale of the project is so large, the master plan divides the site into seven distinct neighborhoods, each of which has a central green space.
JIN YANG LAKE
jinjiang, china _ 2014-2015 _ robert a.m. stern architects team leadership: grant marani, paul whalen, chenhuan liao, bina bhattacharyya, kevin kelly role: design of two towers from concept design through design development (final deliverables). also contributed to design of overall master plan and several low- and mid-rise buildings.
58
BA XIAN MOUNTAIN
JIN RIVER
DOWNTOWN JINJIANG
. drive
vie w
co rr
ido
r
20 min
hand-drawn site plan (towers are darkest)
ng rki ss pa acce
et
e str ail ret
ME
I LI
ADJACENT RESIDENTIAL DEVELOPMENT (LACKS COMMERCIAL SPACE)
60
NG
RO AD
91
113
124
6
5
7
8
9
10
LEGEND / NOTES
L
11
12
LEGEND / NOTES
4 A-T4-416.01
NOTES: 1. ALL EXTERIOR LIGHT FIXTURES ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY. FINAL LIGHTING DESIGN SUBJECT TO REVIEW BY RAMSA. 2. VERTICAL STONE JOINTS ARE NOT SHOWN IN CURRENT DESIGN SET. STONE SHOP DRAWINGS TO BE REVIEWED BY RAMSA. 3. ALL DOWNSPOUTS ARE SHOWN FOR DIAGRAMMATIC PURPOSES. FINAL DOWNSPOUT LOCATIONS SUBJECT TO REVIEW BY RAMSA.
L
4 A-T4-416.01
L
LEGEND:
NOTES: 1. ALL EXTERIOR LIGHT FIXTURES ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY. FINAL LIGHTING DESIGN SUBJECT TO REVIEW BY RAMSA. 2. VERTICAL STONE JOINTS ARE NOT SHOWN IN CURRENT DESIGN SET. STONE SHOP DRAWINGS TO BE REVIEWED BY RAMSA. 3. ALL DOWNSPOUTS ARE SHOWN FOR DIAGRAMMATIC PURPOSES. FINAL DOWNSPOUT LOCATIONS SUBJECT TO REVIEW BY RAMSA.
LEGEND: STONE
Level 32 93000
7 A-T4-416.01
F-xx
FRAME (REFER TO A-T4-501.01)
CORNICE (REFER TO A-T4-501.02)
C-xx
CORNICE (REFER TO A-T4-501.02)
SD-xx
STONE DETAIL TYPE (REFER TO A-T4-501.01)
SD-xx
STONE DETAIL TYPE (REFER TO A-T4-501.01)
BR-xx
BRACKET TYPE (REFER TO A-MR3-501.03) WATERTABLE TYPE (REFER TO A-T4-501.02)
CR-xx
CORNER CONDITION (REFER TO A-T4-501.02)
COL-xx
COLUMN TYPE (REFER TO A-T4-502.01-A-T4-503.01)
RT-xx
7 TYPE (REFER TO A-520.01-A-521.05) RAILING A-T4-416.01
2100
EQ.A
EQ.A
EQ.A 3000
EQ.A
EQ.A
MT-05
METAL - LOUVERS (COLOUR TO MATCH STONE)
EQ.A 95105
500
METAL - RAILING & PRIVACY DIVIDER
200
METAL - LOUVERS AND LATTICE PANEL (DARK TO CREATE GROUPING)
TYP. BUILDING FAÇADE STONE STONE FOR WATER TABLE OPENING FRAME ANY PROJECTING SILL (BEYOND THE LINE OF EXTERIOR FAÇADE), BALCONY EDGES, BRACKETS, STONE RAILING, STRING COURSES, CORNICES
STP-04
SPRAY STONE APPLIED TO STRUCTURAL WALL
RFT-01
H
STP-04
SPRAY STONE APPLIED TO STRUCTURAL WALL
ROOF TILE
RFT-01
ROOF TILE
BRK-01
BRICK
BRK-01
BRICK
WD-01
STAINED WOOD
WD-01
STAINED WOOD
400
G D" D
5E A-T4-416.01
D'
1148
2'
5 A-T4-416.01
A'
Level 30 87000
D" D
E
Level 30 87000
700
B
KEY PLAN D' C
B
A'
C
B
A'
3' GL-02
E
1781 2851
535
3'
Level 29 84000
B'
C
B
A'
E
PHASE 2A NOT FOR CONSTRUCTION
D
bay window elevation
1
No.
BAY WINDOW - ELEVATION BAY WINDOW - PLAN 5 1 : 20 1 : 20
ADDENDUM 1
DATE
BAY WINDOW - SECTION
4
535
217
AVIC LEGEND
7 21
B
35 10 25
JINJIANG, CHINA PRC
125
2' A
A
Project No.
A14016
CAD File No.
A14016
Drawing No.
BAY WINDOW - PLAN
50
113
124
C
8
80 01 18
53 1
1 53
217
535
1781 2851
535
217
1 53 63 10
6 Architects Robert A.M. Stern
9
10
11
12
460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 FAX (212) 967-5588
MT-02
AVIC LEGEND
7 21
B
A
Copyright (2014)
DATE
ROBERT A.M. STERN ARCHITECTS, LLP.
ALIGN
BAY WINDOW - SECTION DETAIL
5
06-19-2015
ISSUE
L
JINJIANG, CHINA PRC
ENLARGED ELEVATIONS
1D
1 : 10
102
53 1 10 63
21 7
3 A-T4-416.01 91
7
18 01 80
Level 31 90000
ENLARGED ELEVATIONS
ADDENDUM 1
JINJIANG MASTER PLAN JINJIANG, CHINA
6
405 1200
1 53
1781 2851
5
20 45 20 15 15
460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 FAX (212) 967-5588
MT-02
1
No.
4 A-T4-416.01
50 150 100 80 20
53 1
1 53 63 10
4 ROBERT A.M. STERN ARCHITECTS, LLP.
1 : 20
240
JINJIANG, CHINA
C
80 01 18
final south elevation
BAY WINDOW - ELEVATION
2
50 60 20 80 30 82 73
125
3
Level 29 84000
D
bay window section
ISSUE
: 20 JINJIANG 1MASTER PLAN
2
535
Level 29 84000
B'
PHASE 2A NOT FOR CONSTRUCTION N
E
MT-02
06-19-2015
4 A-T4-416.01
C
STP-04 GL-03
Level 29 84000
D
3'
2100
63 10
N
17 2GL-03
217
1 A-T4-416.01
200
535
3000
36 0
F
MT-02
6/18/2015 1:44:25 PM
TYPICAL VISION GLASS (OTHER THAN STOREFRONT & RESIDENTIAL ENTRIES)
ST-03
1 A-T4-416.01
STP-04
217
8
SPANDREL GLASS
GL-03
ST-02
53 1 53 1
53 1 21 7
1 : 20
VISION STOREFRONT & RESIDENTIAL ENTRIES (DOORS & TRANSOM)
GL-02
OPENING FRAME ANY PROJECTING SILL (BEYOND THE LINE OF EXTERIOR FAÇADE), BALCONY EDGES, BRACKETS, STONE RAILING, STRING COURSES, CORNICES
F
53 1 10 63
E
1 : 20 8
B
C
BAY WINDOW - PLAN
7
9
10
11
Project No.
A14016
CAD File No.
A14016
Drawing No.
A-T4-416.01 12
Copyright (2014)
A R S
A' K
Robert A.M. Stern Architects
3' J
2
I
MEI LING ROAD
1
METAL - DARK SPANDREL
GL-01
STONE FOR WATER TABLE
E
36 0
217
METAL - LOUVERS AND LATTICE PANEL (DARK TO CREATE GROUPING)
MT-07
ST-03
3'
21 7
METAL - LOUVERS (COLOUR TO MATCH STONE)
MT-06
ST-02
C
GL-02
B
METAL - RAILING & PRIVACY DIVIDER
MT-05
ST-01
KEY PLAN
G
53 1 10 63
METAL - LOUVERS
MT-04
TYP. BUILDING FAÇADE STONE
2'
18 01 80
METAL - TYP. WINDOW FRAMES, METAL COLUMNS, METAL PILASTER & METAL SPANDREL
MT-03
ST-01
Level 30 87000
4 A-T4-416.01
1
MT-02
METAL - STOREFRONT & RESIDENTIAL ENTRIES
MT-02
TYPICAL VISION GLASS (OTHER THAN STOREFRONT & RESIDENTIAL ENTRIES)
500
G
2
6 A-T4-416.01
I
MT-01
GL-03
5 A-T4-416.01 Level 30 87000
F
Level 31 90000
MT-02
1 : 20
1 A-T4-416.01
A-T4-414.01
700
SPANDREL GLASS
MT-02
3 Level 31 90000
METAL - DARK SPANDREL 6 VISION STOREFRONT & RESIDENTIAL ENTRIES A-T4-416.01 (DOORS & TRANSOM)
BAY WINDOW - PLAN
6
RAILING TYPE (REFER TO A-520.01-A-521.05)
1400
10 95 5
E 13 Q.B 63 EQ .B
H
EQ .B 105 95 EQ.A
METAL - LOUVERS
MT-04
GL-02
9 10 5 5
9 10 5 5
METAL - TYP. WINDOW FRAMES, METAL COLUMNS, METAL PILASTER & METAL SPANDREL
MT-03
GL-01
MT-02
EQ .B
MT-02
MT-07
MT-02
10 95 5
METAL - STOREFRONT & RESIDENTIAL ENTRIES
700
6 A-T4-416.01
COLUMN TYPE (REFER TO A-T4-502.01-A-T4-503.01)
RT-xx
MATERIAL TYPE LEGEND:
MT-01
MT-06
I
Level 31 90000
CORNER CONDITION (REFER TO A-T4-501.02)
COL-xx
2300
I
BRACKET TYPE (REFER TO A-MR3-501.03) WATERTABLE TYPE (REFER TO A-T4-501.02)
CR-xx
800
MATERIAL TYPE LEGEND:
MT-02
H
7 A-T4-416.01
BR-xx WT-xx
J
1 : 20
E 13 Q.B 63 EQ .B
K
WT-xx
4 A-T4-416.01
Level 31 90000
SPANDREL GLASS
FRAME (REFER TO A-T4-501.01)
C-xx
J
BAY WINDOW - PLAN
7
Level 32 93000
F-xx
1700
K
J
STONE Level 32 93000
SPANDREL GLASS
K
700
Level 32 93000
L
K
102 4 A-T4-416.01
1300
8
4'
H
UP
UP
UP
UP
UP
H
UP
E
G
G
4'
E
F
UP
UP
UP
UP
UP
UP
UP
F
UP
3
E
E
P
C
D
3 2 1
D No.
N0 E0
C
B
K
C
D
1
A' 4'
B'
C
B
R
neighborhood 2 _ phase 2A
PHASE 2A GROUND FLOOR PLAN 1 : 500
B
62