Julia M. Roberts Portfolio_2014

J U L I A M. R O B E R T S 170 W 25th St. New York, NY 10001 M.Arch Candidate

HAND DRAWING _8

MONUMENTAL MARKET _3

SNAPSHOT: MONTE CARLO _1

CELEBRATING CONTINGENCY _5

CHONGQING HOTEL _7

PORIFERA KITE _2

HYDRONETWORK _4

STAY TUNED _6

C O NT E NT S

S N A P S H OT : M O NT E C A R L O Professor and historian of architecture Dr. Robert Middleton wrote, “Fragments may be construed as elements of restorative power that can provide symbolic and poetic meaning to newly constituted wholes.” This project is made up of fragments at many different levels of the design. Its form— dominated by literal fragments of a clothing pattern—is a weaving together of fragments of varied size to build a new idea about what this historic site (once the subject of a competition entry by Archigram) could become. As an overall strategy in Monte Carlo’s urban fabric, these fragmented pattern forms come together to establish a gesture leading users from the artificial city context to the natural landscape on the site, and eventually to the horizon.

what is the difference between a photograph and a snapshot?

312 _ monte carlo, monaco _ spring 2012 _ heather woofter + igor marjanovic

feasibility study for grappa distillery

shoulder

Water [end] Site / Water Edge

armhole line

Site

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project site

neck line A

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side seam

casino/ opera

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Site / Road Edge Under Bridge U-Turn

Casino [start]

approach to site

pattern stitching | city

lemon/olive tree grove

canopies

n.s.p. (natural swimming pool) restaurant distillery (basement) market

allotment gardens

fragment of cityscape site plan

I was interested in the contrast between the snapshot and the photograph, a concept explored

by Lorens Holm in his book on Brunelleschi, Lacan, and Le Corbusier. The photograph is a highly considered view of a space or a scene, and therefore an artificial representation of what is really there. The snapshot, conversely, is a series of accidental layers that create an image more true to the real experience of the space or scene. Looking through the lens of a tourist, the historic landmarks of the city become a series of photographs, a series of places that are highly manicured and artificial.

I attempted in the drawing above to represent these places in the manner of the snapshot, so as to reveal a more real, layered, and even confused understanding of them. It is through a series of snapshots—a series of fragments—that people gain this holistic experience of the city, and the end experience of the urban fabric is the result of an agglomeration of these individual and disparate moments.

city section

model photographs

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allotment gardens marketplace management offices restaurant bar canopies lemon/olive tree grove stair down to sea level plan at city level

view from sea

loading dock distillery rooms grappa storage locker rooms swimming pools pool kitchen dining area canopies plan at sea level

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fabric form - fragment

rendering, under canopies

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P O R I F E R A K IT E Parafoil kites are generally associated with power and force, most often constructed from strong materials like ripstop nylon so that they don’t tear in flight. The sea sponge (porifera) is a more ethereal and passive entity, allowing water to flow through it naturally. The goal of the project was to marry these two forms in a singular kite design.

water flow

water flow

water out through radial canals

st. louis, mo _ spring 2012 _ sung ho kim

study of porifera form

fluid movement through porifera

side elevation

top elevation

perspective

front elevation

how to translate qualities of porifera into language of kite?

interior openings allow for air to flow freely between cells so as to balance air pressure and stabilize the relative pressure among the cells

1 _ cut

making kite cells

2 _ fold

3 _ connect

testing | form-making Many prototypes were constructed in the design process to study the effects of things like string length, tails, stacking cells, and joinery on the flight of the kite.

In the final iteration of the kite design, translucent plastic acts as a skin hung around a wire structure.

Holes in the material allow for fluid movement of air between the cells, much like the movement of water within a sea sponge. In flight, the air pressure within the kite evens out and helps it to stay upright.

SKIN ASSEMBLY

step 1: align adjacent patterns

[-] extreme warping on front edge

problem:

step 2: fold tabs

[-] tendency for front edge to close

step 3: sew adjacent horizontal panels

step 4: sew first vertical panel to seam

[+] occasional cell inflation

solution:

one layer of cells: relative dimensions of kite decrease stability

cut in half

stack units to make 2 layers of cells

SKIN ASSEMBLY

step 5: sew adjacent lower panels

[+] kite cell inflation

[-] zero lift

[-] uncontrollable rotation in air

line attachment detail

2’ back strings

3’ front strings

sideways orientation in flight

wire frame detail

final iteration: reverse string length ratio

tails help to stabilize kite in flight

ST R U CT U R E A S S E M B LY

30” 5”

1: cut

5”

2: bend

+

5” 3: fasten

cut

4: attach 8”

26” 5”

1: cut

5: assemble 3”

2: bend

+

cut

3: fasten

4: attach

bottom horizontal component [x8] hole size: large middle horizontal component [x8] hole size: x-large

upper interior rib [x7] lower interior rib [x7]

upper exterior rib [x2] lower exterior rib [x2]

top horizontal component [x8] 28”

_hole sizes x-large: 2.25” diameter

3” typ.

large: 1.6” diameter 9.25”

4”

medium: 1” diameter small: 0.5” diameter x-small: 0.3” diameter 3”

2.5”

dimensions of upper + lower exterior ribs= same as interior ribs

5” 22”

33” dimensions of general horizonal component

M O N U M E NT A L M A R K ET This project explores the relationship of built structure and social interaction in the Piazza del Duomo through the design of a marketplace structure.

The group began with a formal exploration of another iconic, monumental structure in Italy: Pier Luigi Nervi’s Palazzetto dello Sport. Through this study, formal strategies were developed that informed the final design of the market.

210 _ florence, italy _ summer 2011 _ igor marjanovic team: jae yong lee and adrian knapp

photo credit: imagoromae.com

Pier Luigi Nervi’s Palazzetto dello Sport

study model based on drawing at right

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deconstructing Nervi’s ceiling

mapping the plaza This second stage of the project maps the use of the public space surrounding the Basilica di Santa Maria del Fiore. The drawings explain the way a specific user group—illegal vendors—moves through this space. Research demonstrated that this movement is directly related to the movement of the shadow throughout the day.

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illegal vendors sell art in the shade and move quickly through the sun

12:46 ahmed

12:48 12:51

12:52

8:11

8:10 marco

from the shade...

...to the sun.

Brunelleschi designed the basilica with an ‘ideal viewpoint’ at the corner of the plaza surrounding the building.The marketplace disappears from view at this location but gradually appears as one moves further into the plaza. In this way, the marketplace structure respects Brunelleschi’s design intent and only interrupts the view of the buildings in very specific places. ideal viewpoint

orthographic drawings of market structure

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enclosure

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pause

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interact experiential renderings of market structure in plaza

HY D R O _ N ET W O R K This project explores water’s potential to create networks both physically within a landscape and socially within a community. The final product is a design for a community pool in Carondelet Park in St. Louis. The design’s inspiration was drawn from images of the Ganges river in India. It is an enormous body of water that connects many disparate villages and cities in India’s physical landscape, and also draws entire communities for religious purposes.

311 _ st. louis, mo _ fall 2011_ jonathan stitleman

ganges river images

formal development

integrate form with landscape

model photographs

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main pool kids’ pool locker rooms steam/sauna offices section a

level 1 plan

observation deck yoga studio relaxation space storage section b

level 2 plan

tectonic _ elevation | plan | section This drawing establishes the relationship between plan, section, and elevation, demonstrating how the design concept influenced programmatic use and structural system of the final design. There is a visual connection between the higher spaces for the solitary user and the more open pool and outdoor spaces to be used by larger groups.

C E L E B R AT I N G C O NT I N G E N CY

NEW YORK: 100

This project examines accessibility in St. Louis through multiple lenses: food deserts, income levels, and walkability. These three factors are analyzed and overlaid at various scales in a series of maps and diagrams attempting to identify areas of strength and areas of weakness in the city. More often than not, food deserts are in or near areas that are less walkable and where families make and have less money.

The one thing that is profoundly apparent in this study is the instability of the city of St. Louis. On one hand, it has many things going for it, the most important being its place in history. On the other, income inequality, lack of access to basic amenities, and low racial and socioeconomic diversity within neighborhoods all play into the tension that exists in the region today.

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412 _ st. louis, mo _ spring 2013 _ kees lockman

neighborhood walkability (ref. graph below) food desert (lighter indicates low access)

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BOSTON: 95

CHICAGO: 100

ATLANTA: 53

KANSAS CITY: 37

ST LOUIS CITY: 49

LOW ACCESS further from MAIN CORRIDOR

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METROLIN

K DENSITY adjacent to FOOD DESERTS

FOOD DESERTS usually in/near LOW INCOME AREAS with LOW WALKABILITY

1/2 mile = 10 minutes walking

neighborhood outline

BIKE PATH

income level

[yearly, by census tract]

$5,000-$35,000 $35,000-$45,000 $45,000-$60,000

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WALKER’S PARADISE daily errands do not require a car VERY WALKABLE most errands can be accomplished within walking distance

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CAR - DEPENDENT few amenities within walking distance * walkability: walkscore.com food desert: USDA Economic Research Service ** income level: USDC United States Census Bureau

# OF SCHNUCKS WITHIN WALKING DISTANCE OF A FOOD DESERT = 0 GROCERY STORES IN REGION OWNED BY SCHNUCKS = ~90% # OF GAS STATIONS WITHIN FOOD DESERTS = 25 CITY VS. COUNTY FOOD DESERTS = 14 VS. 14 CITY VS. COUNTY LAND AREA = 66.2 sq mi VS. 524 sq mi

NORTH CITY DESERT small residential units far from street car-dependent homogeneous population

DELMAR DESERT parking lots abandoned buildings wide streets/fast traffic

METROLINK

DOWNTOWN: THE ANTI - DESERT one-way street/tighter street section diverse program and population (not perfect: lacking 4-second facade)

SOUTH CITY DESERT wide streets vacant buildings car-dependent

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*2012 national poverty line: <$23,050/yr for a family of 4

Housing units w/ low access + w/o a car: 5,367

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community development administration affordable housing commission saint louis development corporation metropolitan sewer district rhcda

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ELECTED OFFICIALS

[SEMI] GOVERNMENTAL ENTITIES

LARGE CORPORATIONS

= 21.8% total STL population = 5% total pop. city + county

Population with low income*: 15,928

400

chronic homelessness

Population with low access: 69,466

INDEPENDENT ORGS.

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minority bu siness developme nt

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10-yr plan to end

FOOD ACCESS BY CENSUS TRACT

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linking important entities and initiatives in st. louis city

celebrating contingency [solutions] Bus rapid transit systems have been shown to solve transportation issues in cities, but generally those cities are highly populated with overwhelming demand for public transit. St. Louis suffers from issues related to low population density, and bus rapid transit initially did not seem like a solution for the city. However, after further study, the group came to the decision that bus rapid transit could help connect disparate parts of the city and activate streets that are currently devoid of traffic, both vehicular and pedestrian.

team: cari alcombright, david chiang

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racial distribution delmar blvd=racial dividing line

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correlation between racial distribution and vacancy

A C C E S S I B I L ITY

walkability, food deserts, alternative modes of transport

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neighborhood walkability

income level | food deserts

walkability | transit

21.8% of city residents have very low access to healthy food

downtown is the only neighborhood in the city with walkscore over 90 only 23% of neighborhoods are better than â&#x20AC;&#x2DC;somewhat walkableâ&#x20AC;&#x2122;

deserts often overlap with lowincome areas (income < $60,000 yearly per household)

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bike route

university

use government-owned vacant lots along bus route to cultivate energy crops

MISCANTHUS [m. giganteus]

- high biomass yield (often better than corn) - rapid growth - well-suited for st. louis climate

CAMELINA

- short-seasoned, fast-growing - multiple end uses (livestock feed) - hardy; good for harsh climates

SUNFLOWER

- seeds have high oil content (more than soy) - multiple end uses (human consumption)

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framework plan The framework plan for the new BRT system considers areas of strength and weakness, of opportunities and threats, and attempts to link them with two interlocking loops of transit. The project team also proposed a few key areas where opportunities for development were apparent but had not yet been taken advantage of.

The map highlights the fact that there are large swaths of vacant land surrounding people living close to or below the poverty line. Previously, these areas lacked a stong connection to places with higher density and more amenities. One of the goals of the BRT system is to alleviate this stress on certain zones of the city.

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BRT BRT stops commercial business high density housing restaurants entertainment nightlife grocery store daycare university bike / bus metro park low home value vacant land

technical college

extra-wide, decrepit sidewalks reactivated with new paving and bus stops

small number of places for communities to gather

high concentration of vacant lots

stadiums and other forms of entertainment

two lanes of under-used boulevard reclaimed for bus system

parks, high-density housing, office spaces

mid-rise apartment buildings, office space BJC and Washington University hospitals

reclaim interior lane for STLoop

re-use median as gathering place

celebrating contingency | zooming in Future STLoop Stop

Now we zoom in to Old North St. Louis, one of the cityâ&#x20AC;&#x2122;s many struggling neighborhoods. What makes this place special is its growth potential. The neighborhood has a relatively low population density and currently isnâ&#x20AC;&#x2122;t particularly walkable. However, there are parks, city landmarks like Crown Candy Kitchen, and a new development that houses startups and boutiques, all of which draw people from throughout the city and county.

High Concentration of Empty Lots

Crown Candy + 14th St Mall

The challenge is to keep people who visit Old North in the area for an extended period of time in order to bolster the economy and encourage development. By making the street more hospitable to pedestrians and revitalizing existing structures, this proposal attempts to enhance the identity of Old North and to provide an example for future development along the BRT route.

St. Louis Place Park

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existing:

florissant as boundary little incentive to enter neighborhood from high-traffic zone

future: florissant is more permeable

future: florissant is more permeable pedestrian-centric design new features pull users into neighborhood

Jackson Place Park

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A

B

CONDITION A

- bus stop adjacent to path into park and new co-working space that activates corner - green space integrated into median

CONDITION B

- new supermarket has seating and park access behind the building - food access enhanced by adjacency of bus route and supermarket

CONDITION C

- crown candy provided with new outdoor seating and pocket park - green space separates pedestrian area from street and bike lane

B

bike lane continued from park

paver type 2 speed: medium/slow

paver type 1 speed: fast

paver type 1 speed: fast multi-directional

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multi-

aver type 1 speed: fast -directional

6:00 pm neighborhood resident biking home from work

12:00 pm man leaving office for a business meeting about his startup

9:00 pm families gathering at Crown Candy Kitchen for dessert

2:00 pm young family on the way to the park

10:00 am neighborhood resident at street market

time lapse rendering of streetscape

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on-street parking

stormwater management

paver type 1 speed: fast multi-directional

section through street and park

ST AY T U N E D The STAY TUNED set design is developed as a monochromatic media surface in the Nine Network interior project, designed by Axi_Ome, LLC. The set design was to incorporate 8 LCD monitors that allowed flexible configuration for multimedia screening from Google Hangout interviews and various social media interfaces. The STAY TUNED set design allows transference of information through lighting and dematerialization of technological infrastructures (power, data, and heat), as well as architectural details.

st. louis, mo _ 2013 _ axi:ome, llc team: heather woofter, sung ho kim, davis owen, jaymon diaz role: concept design, client coordination

installed stage set

_option a _option b _option c

conceptual development PROBLEM: wall structures are too large, too unstable, and too expensive to construct

SOLUTION: incorporate stage set into existing wall using similar language to band of light at base of wall

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32”

42”

47”

22”

55”

20”

potential screen sizes

potential screen sizes

55” potential screen sizes

42” 47”

55”47”

32”42”

22”

42”

42”

32” 20”

22”

55”

55”

47”

47”

32”

32” 22”

potential screen potential sizes screen sizes

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creen sizes

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potential screen potential sizes screen sizes 5

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unrolled elevation w/ bezel 5

unrolled unrolled elevation elevation w/ow/ bezel bezel (as would

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monitor pattern studies

monitor sizes

unrolled elevation w/ bezel unrolled elevation w/ bezel 1

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unrolled elevation w/o bezel unrolled (as would elevation be s

unrolled elevation unrolled w/elevation bezel w/ bezel

55”

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potential screen sizes

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_option c

_option a

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levation w/ bezel

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unrolled elevation w/o bezel (as would be seen on final design)

unrolled elevation unrolled w

PARTS LIST 01 55” video monitor 02 32” video monitor 03 22” video monitor 04 large monitor mount 05 small monitor mount 06 1/2” double-sided matte-finish acrylic panel 07 5/8” flexible LED light strip with individual red green + blue diodes 08 curved 16 gauge sheet metal deflectors 09 plywood top plate with cooling fans

PARTS LIST

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01 55” video monitor 01 55” video monitor

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02 32” video monitor 02 32” video monitor

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03 22” video monitor 03 22” video monitor

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large monitor mount 04mount 04 large monitor

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small monitor mount 05mount 05 small monitor

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10 3/4” baltic birch vertical support

bottom Plate

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baltic birch sheer 11 3/4” 12 LED light mount made from 5/8” bracing extruded aluminum channel

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num channel

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1/4” steam-bent luan

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1/4” end-cap (hardwood)

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hardwood 1x2 (3/4” x 1-1/2”) corner brace

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low velocity quiet cooling fan

15 hardwood 1x2 (3/4” x 1-1/2”) (flexible plywood) panel corner brace 16 low velocity quietboard cooling fan

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LED light mount made

14 1/4” end-cap (hardwood) board

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3/4” baltic birch vertical

supportbracing 11 3/4” baltic birch sheer

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13 1/4” steam-bent from luan 5/8” panel extruded alumi-

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3/4” 08 double-laminated 08 double-laminated 3/4” baltic birch baltic birch plywood top plywood top plate Plate

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09 double-laminated 3/4” baltic birch 3/4” 09 double-laminated plywood bottombaltic platebirch plywood

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hardwood mounting joint

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07 hardwood mounting joint steel with stainless threaded insertinsert with stainless steel threaded

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double-sided matte06 1/2” 06 1/2” double-sided mattefinish acrylic panel finish acrylic panel

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PARTS LIST

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STAINED WOOD PANEL

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20

60 150 270

90

120

15

15

120

90

120

15

15 90

90

30 20

VARIES20 20 30

VARIES 60

60

270

30

2250

30 20

60

120

180

120

20

180

60

30

150

20

2250

30 20 30 20 30

570

630

630

60 120

180

180

50

50 60

30

30 50

15 5

60

60

20 5 15

15 5 20 5 15

1220

820

RAILING TYPE A

820

RAILING TYPE A

WOOD BRACKET WOOD BRACKET

1000

1000

119

1100

1000

SQUARE PICKETS

SQUARE PICKETS

WOOD DECKING

WOOD DECKING

WOOD BRACKET

WOOD BRACKET

1600

1100 1600 1000

200 100

WOOD BRACKET

200 100

WOOD BRACKET

200

WOOD FASCIA

200

1100

WOOD FASCIA

125

300 125

300

1000

39 100 119

100

1000

875

875 125

124

WOOD BRACKET

STAINED STAINED WOOD SLATS WOOD SLATS

200

200

1000

320

WOOD BRACKET

200

320 875

WOOD DECKING

76

200 124

R:20

39

716

WOOD DECKING

430

25

76

R:20

716

SQUARE PICKETS

430

STAINED WOOD STAINED WOOD SLATS SLATS 25

100

role: schematic design/design development plans, elevations, all balcony details; sketched elevations for final model, presentation

SQUARE PICKETS 1600

200 100 200

1600

1100

team: grant marani, paul whalen, kevin kelly, huaxia song, jose rodriguez, carlos gamez

200 100

WOOD FASCIA WOOD FASCIA

200

WOOD DECKING

500

1100

1100

200 100

WOOD DECKING

200

500

SQUARE PICKETS

RAILING TYPE A

SQUARE SQUARE WOOD POSTS WOOD POSTS

SQUARE SQUARE WOOD POSTS WOOD POSTS

chongqing, china _ 2013-2014 _ robert a.m. stern architects SQUARE PICKETS

RAILING TYPE A

RAILING TYPE A

100 STAINED STAINED WOOD BRACKET WOOD BRACKET

125

300 125

300

1040

1040

1040

1040

300

125 300

125

2320

RAILING TYPE A

2320

1220

typical divider

details are specific to hotel and differentiate it from other parts of the project

SQUARE SQUARE WOOD POSTS WOOD POSTS

200 100

60

room dividers: kit of parts

TYPICAL WOOD TYPICAL WOOD DIVIDER DIVIDER

200

20

120 STAINED WOOD PANEL

HAMMERED HAMMERED STEEL STEEL SUPPORT SUPPORT

720

1000

120

30 30

30

30 STAINED WOOD PANEL

10

Within the hotel, there is a bar, all-day restaurant, Chinese restaurant, pool, gym, business suite, and lounge, in addition to the lobby and guest rooms.

The pool, while in the basement level, has access to a large sunken garden to the south of the building, allowing light to enter this grand space through a series of large windows facing the garden.

720

120

20 30

STAINED WOOD SLATS

2250

30 20

1020

20

1020

VARIES 60

15

15

60

60

30

20 30 VARIES20

20

20 75

120

120

10

20

HAMMERED HAMMERED STEEL STEEL BOLT BOLT

53

15 15

20

53

10

45

20

20 45

180

20

15

30

HAMMERED HAMMERED STEEL STEEL PLATE PLATE

50

15

180

20

20

HAMMEREDHAMMERED STEEL STEEL SUPPORT SUPPORT

15

50

15

30 20

62

10

HAMMEREDHAMMERED STEEL STEEL BOLT BOLT

20 30

30

30

53

53

62

HAMMEREDHAMMERED STEEL STEEL CONNECTOR CONNECTOR

53

10 10 10

55

20

75

10 10 10

55

120

75

75

15 50

30

15

60 60

53

HAMMEREDHAMMERED STEEL STEEL PLATE PLATE

50

30 60 60

53

STAINED WOOD SLATS

30 20

180

20

180

180

8 5

180

20

30

30

53

20

30

HAMMEREDHAMMERED STEEL FOO STEEL FOO

35

2

15

8 5

75

15

35

30

55

75

2

15

15

20 55

120

HAMMERED HAMMERED STEEL STEEL CONNECTOR CONNECTOR

STAINED WOOD STAINED WOOD POST POST

20

HAMMERE HAMMERE STEEL STEEL BRACKET BRACKET

30 55

180

60

30 55

25

60

VARIES

25

20

VARIES

10

20

60

HAMMERED HAMMERED STEEL BRACKET STEEL BRACKET

10

15

STAINED WOOD PANEL

60

30

HAMMERED HAMMERED STEEL BOLTSTEEL BOLT

120

The design of this hotel was phase 2 in a threephase master plan for a new development in Chongqing, China. The topography in this part of Chongqing is very complex, and the massing of the building responds to the extreme grade changes within the site. Guests are dropped off in the interior motor court and enter the lobby through a porte cochere. They can then access rooms ℄ through the interior of the building or via℄ a covered walkway that visually encloses the motor court.

Guest rooms on the ground floor typically have access to gardens, and many rooms on upper levels have access to balconies that overlook important programmatic elements of the site.These balconies and gardens usually stretch from room to room, calling for an elegant way to separate these more public spaces into ones specific to individual guest rooms.

30

15

HAMMERED HAMMERED STEEL PLATE STEEL PLATE

30

20

180

8 5

30

2

60

20

60

8 5

60

35 2

60

CHONGQING HOTEL

125

125 110

875 2930

HOTEL - ph. 2

2930

aviation museum - ph.1

125 110

123

15

15 5

30

10

5

40

30

1

15

10

WOOD GATE HAMMERED STEEL BOLT

15

135

HAMMERED STEEL BRACKET

40 10

200 HAMMERED STEEL HINGE SYSTEM

2275

250

250

720

TYP. COLUMN

1220

TYPICAL WOOD DIVIDER

450

240 165

SMOOTH STONE CAP

2320

TERRA COTTA POT

STAINED WOOD GATE

RAILING TYPE A

2275 775

SQUARE WOOD POSTS

EQ.

800

SQUARE PICKETS

LEGEND / NOTES

70 55

435

100

1180

2720

820

100

890

100

890 1025

80

60

3125

100

890

1025

1025

35

137

PLANTING BED

990

350

990

990

990

550

990

510

75140

210

350

75

990

180

HAMMERED STEEL BRACKET

3-PANEL STAINED WOOD DIVIDER

TYPICAL METAL RAILING

6015

180

VARIES BY PANEL

120

1518

VARIES BY PANEL

370

typical rules applied to various balcony conditions throughout project

R:20

39

716 510

Construction

施工方式

Internal Gutter with Internal Drain Pipes Pan tile Omitted at location of Gutter Slope to drain Straight Barrel Pan and Cover Mission Clay Tiles

暗藏排水管 平屋瓦开口连接排水沟进水处 排水找坡 底部屋瓦应有平直的瓦当面

Drawing Abbreviation

图名缩写

EL FF RCP SEC

立面图 铺地图 天花图 剖面图

875 50

100

890

2285

890

60

木制企口板

托架，挑梁 烟囱 转角装饰梁 订制灯具 斜铺木饰板 屋脊瓦 水平石饰带 花架 椽子 木扶手 百叶窗 方形木条 方形木柱 线角 木桁架

500

200 100 200 100

890

石材面板

构件名称

50

1900 820

370

挑梁外沿清漆包木

100

屋脊/挑梁下沿清漆包木 毛石压顶

Bracket Chimney Opening Corner Decorative Rafter Tail Custom Light Fixture Diagonal Wood Board Hip Tile Horizontal Stone Band Pergola Rafters Railing Shutters Square Picket Square Wood Post Trim Wood Truss

PLANTING BED STAINED WOOD ROOM DIVIDER

35

柚木

Component

SMOOTH STONE CAP

550

桃心木

WOOD BRACKET

type c

300

材料/饰面名称

Mahogany Teak Wood Stained Wood Fascia Stained Wood Soffit Stone Cap Rock Finish Edges Stone Veneer Wood Tongue & Groove Boards

WOOD FASCIA

75

150 60 120 60 570 60 120 50 60 55 70

2250

270

120

270

4.

Material/Finishes

WOOD DECKING

1000

400

WATER TABLE

295

150

60

120

3.

470

150

2.

60

565

470

75 130

60

60

35

ALL CONSTRUCTION ASSEMBLIES AND STRUCTURAL SYSTEMS ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD NOT BE USED FOR CONSTRUCTION DOCUMENTATION. ALL CONSTRUCTION ASSEMBLIES, STRUCTURAL SYSTEMS, MECHANICAL, ELECTRICAL, AND PLUMBING INFORMATION TO BE COORDINATED BY THE LOCAL DESIGN INSTITUTE (LDI).

INTERIOR PARTITIONS AND COURTESY STAIRS FOR THE RETAIL AND RESTAURANT PROGRAM ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD BE COORDINATED WITH THE LDI AND FUTURE TENANT. REFER TO LANDSCAPE DRAWINGS (L-SERIES) FOR SITE LANDSCAPE & HARDSCAPE INFORMATION.

210

1.

720

720

725

765

775

1100

EQ.

513

1025

1025

513

type b

STUCCO ALIGN T.O. DIVIDER W/ T.O. DOOR JAMB

100

890

890

100

100

890

100

890

890

100

100

890

100

NOT FOR CONSTRUCTION KEY PLAN

2275

250

2700

STAINED WOOD ROO DIVIDER

250

SMOOTH STONE CAP

2.5° BATTERED STON WALL

1100

ALIGN T.O. WATER TABLE WITH T.O. PLANTER BOX

RUSTICATED STONE STONE PAVERS

SLOPE TO DRAIN

SLOPE TO DRAIN 1710

RAILING TYPE A

430

130

N

200 100

1600

1100

type a

200

7

100 % DESIGN DEVELOPMENT SET

3/14/14

80 % DESIGN DEVELOPMENT QA/QC SET

2/14/14

4 1040

1040

300

125 WOOD BRACKET

2930

7/10/14

PHASE 2 - ADDENDUM #1

6 5

2/07/14

75 % DESIGN DEVELOPMENT SET

3

50 % DESIGN DEVELOPMENT SET

9/27/13

2

100 % SCHEMATIC DESIGN SET

6/14/13

1

50 % SCHEMATIC DESIGN SET

4/19/13

NO.

ISSUE

2275 EQ.

775

725

775

EQ.

DATE

720

CHONGQING HANGYUE LIANGJIANG LONGXING PHASE 2A - BUSINESS HOTEL

1180

ROBERT A.M. STERN ARCHITECTS, LLP

2720

1900

CHONGQING, CHINA

460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 | FAX (212) 967-5588

875 125

30

1230

1000

STAINED WOOD FLOOR

SHENZHEN LEGEND REAL PROPERTY INVESTMENT CO. LTD.

820

820

STAINED WOOD RAILING

LEVEL 5, JUNO TOWER, #1001, AIGUO ROAD, LUOHU DISTRICT, SHENZHEN 518003 TEL 0755-82670398 FAX 0755-82670399 400

PHASE 2A - BALCONY DETAILS

private garden divider at grade

110 125

2930

PROJECT NO:

A12034

CAD FILE NO:

A405.0

DRAWING NO:

A405.0

Copyright © 2014 Robert A.M. Stern Architects LLP

3125

1025

80

1025

1025

35 60

510

75140

210

350

75

180

HAMMERED STEEL BRACKET

350

137

60

TYPICAL METAL RAILING

2285

VARIES BY PANEL

120

town center - ph. 1

BY PANEL

wedding hall - ph.1

1518

3-PANEL STAINED WOOD DIVIDER

119

100

guest guest guest

pool

_basement

_level 01

gym

_level 02

guest guest guest

lobby

guest

guest

guest

guest

guest

guest

b.o.h. _N-S section

_level 03

_level 04

_level 05

_roof plan

HA N D D RAW I N G “Labor, whether of the body or the mind, is more than a way of getting things done. It’s a form of contemplation, a way of seeing the world face-toface rather than through a glass. . . . It binds us to the earth . . . as love binds us to one another. The antithesis of transcendence, work puts us in our place.”

-The Glass Cage: Automation and Us by

Nicholas Carr

various locations _ 2009-present

perspective drawings of live | work | show project pencil on stonehenge; photoshop 311 _ st. louis, mo _ fall 2011 _ catalina freixas

A

B C

D E

A

B CD E

F

F

A B C D E F

orthographic drawings of street fair booth design st. louis, mo _ fall 2009 _ igor marjanovic

section perspective study of pool design pencil on stonehenge, photoshop 311 _ st. louis, mo _ fall 2011 _ catalina freixas

santa croce, florence

san lorenzo chapel, florence

mercato centrale, florence

view from san miniato al monte, florence

aros kunstmuseum, aarhus

rec e d

reach

blur

experiential collages pencil on vellum; stickyback; acid transfer 210 _ florence, italy _ summer 2011 _ igor marjanovic

e

analytical drawing: stress lines on Duomo shell pencil on paper; stickyback 210 _ florence, italy _ summer 2011 _ igor marjanovic