J U L I A M. R O B E R T S 170 W 25th St. New York, NY 10001 M.Arch Candidate
HAND DRAWING _8
MONUMENTAL MARKET _3
SNAPSHOT: MONTE CARLO _1
CELEBRATING CONTINGENCY _5
CHONGQING HOTEL _7
PORIFERA KITE _2
HYDRONETWORK _4
STAY TUNED _6
C O NT E NT S
S N A P S H OT : M O NT E C A R L O Professor and historian of architecture Dr. Robert Middleton wrote, “Fragments may be construed as elements of restorative power that can provide symbolic and poetic meaning to newly constituted wholes.” This project is made up of fragments at many different levels of the design. Its form— dominated by literal fragments of a clothing pattern—is a weaving together of fragments of varied size to build a new idea about what this historic site (once the subject of a competition entry by Archigram) could become. As an overall strategy in Monte Carlo’s urban fabric, these fragmented pattern forms come together to establish a gesture leading users from the artificial city context to the natural landscape on the site, and eventually to the horizon.
what is the difference between a photograph and a snapshot? 312 _ monte carlo, monaco _ spring 2012 _ heather woofter + igor marjanovic
feasibility study for grappa distillery
shoulder
Water [end] Site / Water Edge
armhole line
Site
side
C
project site
neck line A
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A B
side seam
casino/ opera
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Site / Road Edge Under Bridge U-Turn
Casino [start]
approach to site
pattern stitching | city
lemon/olive tree grove
canopies
n.s.p. (natural swimming pool) restaurant distillery (basement) market
allotment gardens
fragment of cityscape site plan
I was interested in the contrast between the snapshot and the photograph, a concept explored by Lorens Holm in his book on Brunelleschi, Lacan, and Le Corbusier. The photograph is a highly considered view of a space or a scene, and therefore an artificial representation of what is really there. The snapshot, conversely, is a series of accidental layers that create an image more true to the real experience of the space or scene. Looking through the lens of a tourist, the historic landmarks of the city become a series of photographs, a series of places that are highly manicured and artificial. I attempted in the drawing above to represent these places in the manner of the snapshot, so as to reveal a more real, layered, and even confused understanding of them. It is through a series of snapshots—a series of fragments—that people gain this holistic experience of the city, and the end experience of the urban fabric is the result of an agglomeration of these individual and disparate moments.
city section
model photographs
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allotment gardens marketplace management offices restaurant bar canopies lemon/olive tree grove stair down to sea level plan at city level
view from sea
loading dock distillery rooms grappa storage locker rooms swimming pools pool kitchen dining area canopies plan at sea level
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fabric form - fragment
rendering, under canopies
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P O R I F E R A K IT E Parafoil kites are generally associated with power and force, most often constructed from strong materials like ripstop nylon so that they don’t tear in flight. The sea sponge (porifera) is a more ethereal and passive entity, allowing water to flow through it naturally. The goal of the project was to marry these two forms in a singular kite design.
water flow
water flow
water out through radial canals
st. louis, mo _ spring 2012 _ sung ho kim
study of porifera form
fluid movement through porifera
side elevation
top elevation
perspective
front elevation
how to translate qualities of porifera into language of kite?
interior openings allow for air to flow freely between cells so as to balance air pressure and stabilize the relative pressure among the cells
1 _ cut
making kite cells
2 _ fold
3 _ connect
testing | form-making Many prototypes were constructed in the design process to study the effects of things like string length, tails, stacking cells, and joinery on the flight of the kite. In the final iteration of the kite design, translucent plastic acts as a skin hung around a wire structure. Holes in the material allow for fluid movement of air between the cells, much like the movement of water within a sea sponge. In flight, the air pressure within the kite evens out and helps it to stay upright.
SKIN ASSEMBLY
step 1: align adjacent patterns
[-] extreme warping on front edge
problem:
step 2: fold tabs
[-] tendency for front edge to close
step 3: sew adjacent horizontal panels
step 4: sew first vertical panel to seam
[+] occasional cell inflation
solution:
one layer of cells: relative dimensions of kite decrease stability
cut in half
stack units to make 2 layers of cells
SKIN ASSEMBLY
step 5: sew adjacent lower panels
[+] kite cell inflation
[-] zero lift
[-] uncontrollable rotation in air
line attachment detail
2’ back strings
3’ front strings
sideways orientation in flight
wire frame detail
final iteration: reverse string length ratio
tails help to stabilize kite in flight
ST R U CT U R E A S S E M B LY
30” 5”
1: cut
5”
2: bend
+
5” 3: fasten
cut
4: attach 8”
26” 5”
1: cut
5: assemble 3”
2: bend
+
cut
3: fasten
4: attach
bottom horizontal component [x8] hole size: large middle horizontal component [x8] hole size: x-large
upper interior rib [x7] lower interior rib [x7]
upper exterior rib [x2] lower exterior rib [x2]
top horizontal component [x8] 28”
_hole sizes x-large: 2.25” diameter
3” typ.
large: 1.6” diameter 9.25”
4”
medium: 1” diameter small: 0.5” diameter x-small: 0.3” diameter 3”
2.5”
dimensions of upper + lower exterior ribs= same as interior ribs
5” 22”
33” dimensions of general horizonal component
M O N U M E NT A L M A R K ET This project explores the relationship of built structure and social interaction in the Piazza del Duomo through the design of a marketplace structure. The group began with a formal exploration of another iconic, monumental structure in Italy: Pier Luigi Nervi’s Palazzetto dello Sport. Through this study, formal strategies were developed that informed the final design of the market.
210 _ florence, italy _ summer 2011 _ igor marjanovic team: jae yong lee and adrian knapp
photo credit: imagoromae.com
Pier Luigi Nervi’s Palazzetto dello Sport
study model based on drawing at right
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deconstructing Nervi’s ceiling
mapping the plaza This second stage of the project maps the use of the public space surrounding the Basilica di Santa Maria del Fiore. The drawings explain the way a specific user group—illegal vendors—moves through this space. Research demonstrated that this movement is directly related to the movement of the shadow throughout the day.
polizia
illegal vendors sell art in the shade and move quickly through the sun
12:46 ahmed
12:48 12:51
12:52
8:11
8:10 marco
from the shade...
...to the sun.
Brunelleschi designed the basilica with an ‘ideal viewpoint’ at the corner of the plaza surrounding the building.The marketplace disappears from view at this location but gradually appears as one moves further into the plaza. In this way, the marketplace structure respects Brunelleschi’s design intent and only interrupts the view of the buildings in very specific places. ideal viewpoint
orthographic drawings of market structure
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window
pilaster direct
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attract C
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enclosure
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pause
interact
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frame
enter
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pause
interact experiential renderings of market structure in plaza
HY D R O _ N ET W O R K This project explores water’s potential to create networks both physically within a landscape and socially within a community. The final product is a design for a community pool in Carondelet Park in St. Louis. The design’s inspiration was drawn from images of the Ganges river in India. It is an enormous body of water that connects many disparate villages and cities in India’s physical landscape, and also draws entire communities for religious purposes.
311 _ st. louis, mo _ fall 2011_ jonathan stitleman
ganges river images
formal development
integrate form with landscape
model photographs
b
a
main pool kids’ pool locker rooms steam/sauna offices section a
level 1 plan
observation deck yoga studio relaxation space storage section b
level 2 plan
tectonic _ elevation | plan | section This drawing establishes the relationship between plan, section, and elevation, demonstrating how the design concept influenced programmatic use and structural system of the final design. There is a visual connection between the higher spaces for the solitary user and the more open pool and outdoor spaces to be used by larger groups.
C E L E B R AT I N G C O NT I N G E N CY
NEW YORK: 100
This project examines accessibility in St. Louis through multiple lenses: food deserts, income levels, and walkability. These three factors are analyzed and overlaid at various scales in a series of maps and diagrams attempting to identify areas of strength and areas of weakness in the city. More often than not, food deserts are in or near areas that are less walkable and where families make and have less money. The one thing that is profoundly apparent in this study is the instability of the city of St. Louis. On one hand, it has many things going for it, the most important being its place in history. On the other, income inequality, lack of access to basic amenities, and low racial and socioeconomic diversity within neighborhoods all play into the tension that exists in the region today.
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412 _ st. louis, mo _ spring 2013 _ kees lockman
neighborhood walkability (ref. graph below) food desert (lighter indicates low access)
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BOSTON: 95
CHICAGO: 100
ATLANTA: 53
KANSAS CITY: 37
ST LOUIS CITY: 49
LOW ACCESS further from MAIN CORRIDOR
DELMAR
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METROLIN
K DENSITY adjacent to FOOD DESERTS
FOOD DESERTS usually in/near LOW INCOME AREAS with LOW WALKABILITY
1/2 mile = 10 minutes walking
neighborhood outline
BIKE PATH
income level
[yearly, by census tract]
$5,000-$35,000 $35,000-$45,000 $45,000-$60,000
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WALKER’S PARADISE daily errands do not require a car VERY WALKABLE most errands can be accomplished within walking distance
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CAR - DEPENDENT few amenities within walking distance * walkability: walkscore.com food desert: USDA Economic Research Service ** income level: USDC United States Census Bureau
# OF SCHNUCKS WITHIN WALKING DISTANCE OF A FOOD DESERT = 0 GROCERY STORES IN REGION OWNED BY SCHNUCKS = ~90% # OF GAS STATIONS WITHIN FOOD DESERTS = 25 CITY VS. COUNTY FOOD DESERTS = 14 VS. 14 CITY VS. COUNTY LAND AREA = 66.2 sq mi VS. 524 sq mi
NORTH CITY DESERT small residential units far from street car-dependent homogeneous population
DELMAR DESERT parking lots abandoned buildings wide streets/fast traffic
METROLINK
DOWNTOWN: THE ANTI - DESERT one-way street/tighter street section diverse program and population (not perfect: lacking 4-second facade)
SOUTH CITY DESERT wide streets vacant buildings car-dependent
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*2012 national poverty line: <$23,050/yr for a family of 4
Housing units w/ low access + w/o a car: 5,367
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community development administration affordable housing commission saint louis development corporation metropolitan sewer district rhcda
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senator claire mccaskill senator kit bond office of mayor francis slay
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congressman russ carnahan
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great rivers greenway
greenhouse gas inventory
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missouri botanical garden
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ELECTED OFFICIALS
[SEMI] GOVERNMENTAL ENTITIES
LARGE CORPORATIONS
= 21.8% total STL population = 5% total pop. city + county
Population with low income*: 15,928
400
chronic homelessness
Population with low access: 69,466
INDEPENDENT ORGS.
401
1230
minority bu siness developme nt
1241
10-yr plan to end
FOOD ACCESS BY CENSUS TRACT
1161
linking important entities and initiatives in st. louis city
celebrating contingency [solutions] Bus rapid transit systems have been shown to solve transportation issues in cities, but generally those cities are highly populated with overwhelming demand for public transit. St. Louis suffers from issues related to low population density, and bus rapid transit initially did not seem like a solution for the city. However, after further study, the group came to the decision that bus rapid transit could help connect disparate parts of the city and activate streets that are currently devoid of traffic, both vehicular and pedestrian.
team: cari alcombright, david chiang
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proposed streetcar
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racial distribution delmar blvd=racial dividing line
delmar blvd=dividing line
10 black individuals 10 white individuals
correlation between racial distribution and vacancy
A C C E S S I B I L ITY
walkability, food deserts, alternative modes of transport
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92 income level [yearly, by census tract]* $5,000-$35,000 $35,000-$45,000 $45,000-$60,000*
neighborhood walkability
income level | food deserts
walkability | transit
21.8% of city residents have very low access to healthy food
downtown is the only neighborhood in the city with walkscore over 90 only 23% of neighborhoods are better than â&#x20AC;&#x2DC;somewhat walkableâ&#x20AC;&#x2122;
deserts often overlap with lowincome areas (income < $60,000 yearly per household)
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grocery store
low income
parks
vacant land
metrolink
bus
bike route
university
use government-owned vacant lots along bus route to cultivate energy crops
MISCANTHUS [m. giganteus]
- high biomass yield (often better than corn) - rapid growth - well-suited for st. louis climate
CAMELINA
- short-seasoned, fast-growing - multiple end uses (livestock feed) - hardy; good for harsh climates
SUNFLOWER
- seeds have high oil content (more than soy) - multiple end uses (human consumption)
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bus route doubles as recycling route for beer bottles to be distributed to local breweries ing
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framework plan The framework plan for the new BRT system considers areas of strength and weakness, of opportunities and threats, and attempts to link them with two interlocking loops of transit. The project team also proposed a few key areas where opportunities for development were apparent but had not yet been taken advantage of. The map highlights the fact that there are large swaths of vacant land surrounding people living close to or below the poverty line. Previously, these areas lacked a stong connection to places with higher density and more amenities. One of the goals of the BRT system is to alleviate this stress on certain zones of the city.
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BRT BRT stops commercial business high density housing restaurants entertainment nightlife grocery store daycare university bike / bus metro park low home value vacant land
technical college
extra-wide, decrepit sidewalks reactivated with new paving and bus stops
small number of places for communities to gather
high concentration of vacant lots
stadiums and other forms of entertainment
two lanes of under-used boulevard reclaimed for bus system
parks, high-density housing, office spaces
mid-rise apartment buildings, office space BJC and Washington University hospitals
reclaim interior lane for STLoop
re-use median as gathering place
celebrating contingency | zooming in Future STLoop Stop
Now we zoom in to Old North St. Louis, one of the cityâ&#x20AC;&#x2122;s many struggling neighborhoods. What makes this place special is its growth potential. The neighborhood has a relatively low population density and currently isnâ&#x20AC;&#x2122;t particularly walkable. However, there are parks, city landmarks like Crown Candy Kitchen, and a new development that houses startups and boutiques, all of which draw people from throughout the city and county.
High Concentration of Empty Lots
Crown Candy + 14th St Mall
The challenge is to keep people who visit Old North in the area for an extended period of time in order to bolster the economy and encourage development. By making the street more hospitable to pedestrians and revitalizing existing structures, this proposal attempts to enhance the identity of Old North and to provide an example for future development along the BRT route.
St. Louis Place Park
?
existing:
florissant as boundary little incentive to enter neighborhood from high-traffic zone
future: florissant is more permeable
future: florissant is more permeable pedestrian-centric design new features pull users into neighborhood
Jackson Place Park
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A
B
CONDITION A
- bus stop adjacent to path into park and new co-working space that activates corner - green space integrated into median
CONDITION B
- new supermarket has seating and park access behind the building - food access enhanced by adjacency of bus route and supermarket
CONDITION C
- crown candy provided with new outdoor seating and pocket park - green space separates pedestrian area from street and bike lane
B
bike lane continued from park
paver type 2 speed: medium/slow
paver type 1 speed: fast
paver type 1 speed: fast multi-directional
pa
multi-
aver type 1 speed: fast -directional
6:00 pm neighborhood resident biking home from work
12:00 pm man leaving office for a business meeting about his startup
9:00 pm families gathering at Crown Candy Kitchen for dessert
2:00 pm young family on the way to the park
10:00 am neighborhood resident at street market
time lapse rendering of streetscape
P
on-street parking
stormwater management
paver type 1 speed: fast multi-directional
section through street and park
ST AY T U N E D The STAY TUNED set design is developed as a monochromatic media surface in the Nine Network interior project, designed by Axi_Ome, LLC. The set design was to incorporate 8 LCD monitors that allowed flexible configuration for multimedia screening from Google Hangout interviews and various social media interfaces. The STAY TUNED set design allows transference of information through lighting and dematerialization of technological infrastructures (power, data, and heat), as well as architectural details.
st. louis, mo _ 2013 _ axi:ome, llc team: heather woofter, sung ho kim, davis owen, jaymon diaz role: concept design, client coordination
installed stage set
_option a _option b _option c
conceptual development PROBLEM: wall structures are too large, too unstable, and too expensive to construct
SOLUTION: incorporate stage set into existing wall using similar language to band of light at base of wall
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32”
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47”
22”
55”
20”
potential screen sizes
potential screen sizes
55” potential screen sizes
42” 47”
55”47”
32”42”
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32” 20”
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55”
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potential screen potential sizes screen sizes
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creen sizes
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potential screen potential sizes screen sizes 5
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unrolled elevation w/ bezel 5
unrolled unrolled elevation elevation w/ow/ bezel bezel (as would
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monitor pattern studies
monitor sizes
unrolled elevation w/ bezel unrolled elevation w/ bezel 1
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unrolled elevation w/o bezel unrolled (as would elevation be s
unrolled elevation unrolled w/elevation bezel w/ bezel
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potential screen sizes
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levation w/ bezel
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unrolled elevation w/o bezel (as would be seen on final design)
unrolled elevation unrolled w
PARTS LIST 01 55” video monitor 02 32” video monitor 03 22” video monitor 04 large monitor mount 05 small monitor mount 06 1/2” double-sided matte-finish acrylic panel 07 5/8” flexible LED light strip with individual red green + blue diodes 08 curved 16 gauge sheet metal deflectors 09 plywood top plate with cooling fans
PARTS LIST
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01 55” video monitor 01 55” video monitor
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02 32” video monitor 02 32” video monitor
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03 22” video monitor 03 22” video monitor
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large monitor mount 04mount 04 large monitor
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10 3/4” baltic birch vertical support
bottom Plate
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baltic birch sheer 11 3/4” 12 LED light mount made from 5/8” bracing extruded aluminum channel
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num channel
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1/4” steam-bent luan
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1/4” end-cap (hardwood)
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hardwood 1x2 (3/4” x 1-1/2”) corner brace
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low velocity quiet cooling fan
15 hardwood 1x2 (3/4” x 1-1/2”) (flexible plywood) panel corner brace 16 low velocity quietboard cooling fan
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LED light mount made
14 1/4” end-cap (hardwood) board
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3/4” baltic birch vertical
supportbracing 11 3/4” baltic birch sheer
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13 1/4” steam-bent from luan 5/8” panel extruded alumi-
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3/4” 08 double-laminated 08 double-laminated 3/4” baltic birch baltic birch plywood top plywood top plate Plate
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09 double-laminated 3/4” baltic birch 3/4” 09 double-laminated plywood bottombaltic platebirch plywood
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hardwood mounting joint
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double-sided matte06 1/2” 06 1/2” double-sided mattefinish acrylic panel finish acrylic panel
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PARTS LIST
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STAINED WOOD PANEL
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15
15 90
90
30 20
VARIES20 20 30
VARIES 60
60
270
30
2250
30 20
60
120
180
120
20
180
60
30
150
20
2250
30 20 30 20 30
570
630
630
60 120
180
180
50
50 60
30
30 50
15 5
60
60
20 5 15
15 5 20 5 15
1220
820
RAILING TYPE A
820
RAILING TYPE A
WOOD BRACKET WOOD BRACKET
1000
1000
119
1100
1000
SQUARE PICKETS
SQUARE PICKETS
WOOD DECKING
WOOD DECKING
WOOD BRACKET
WOOD BRACKET
1600
1100 1600 1000
200 100
WOOD BRACKET
200 100
WOOD BRACKET
200
WOOD FASCIA
200
1100
WOOD FASCIA
125
300 125
300
1000
39 100 119
100
1000
875
875 125
124
WOOD BRACKET
STAINED STAINED WOOD SLATS WOOD SLATS
200
200
1000
320
WOOD BRACKET
200
320 875
WOOD DECKING
76
200 124
R:20
39
716
WOOD DECKING
430
25
76
R:20
716
SQUARE PICKETS
430
STAINED WOOD STAINED WOOD SLATS SLATS 25
100
role: schematic design/design development plans, elevations, all balcony details; sketched elevations for final model, presentation
SQUARE PICKETS 1600
200 100 200
1600
1100
team: grant marani, paul whalen, kevin kelly, huaxia song, jose rodriguez, carlos gamez
200 100
WOOD FASCIA WOOD FASCIA
200
WOOD DECKING
500
1100
1100
200 100
WOOD DECKING
200
500
SQUARE PICKETS
RAILING TYPE A
SQUARE SQUARE WOOD POSTS WOOD POSTS
SQUARE SQUARE WOOD POSTS WOOD POSTS
chongqing, china _ 2013-2014 _ robert a.m. stern architects SQUARE PICKETS
RAILING TYPE A
RAILING TYPE A
100 STAINED STAINED WOOD BRACKET WOOD BRACKET
125
300 125
300
1040
1040
1040
1040
300
125 300
125
2320
RAILING TYPE A
2320
1220
typical divider
details are specific to hotel and differentiate it from other parts of the project
SQUARE SQUARE WOOD POSTS WOOD POSTS
200 100
60
room dividers: kit of parts
TYPICAL WOOD TYPICAL WOOD DIVIDER DIVIDER
200
20
120 STAINED WOOD PANEL
HAMMERED HAMMERED STEEL STEEL SUPPORT SUPPORT
720
1000
120
30 30
30
30 STAINED WOOD PANEL
10
Within the hotel, there is a bar, all-day restaurant, Chinese restaurant, pool, gym, business suite, and lounge, in addition to the lobby and guest rooms. The pool, while in the basement level, has access to a large sunken garden to the south of the building, allowing light to enter this grand space through a series of large windows facing the garden. 720
120
20 30
STAINED WOOD SLATS
2250
30 20
1020
20
1020
VARIES 60
15
15
60
60
30
20 30 VARIES20
20
20 75
120
120
10
20
HAMMERED HAMMERED STEEL STEEL BOLT BOLT
53
15 15
20
53
10
45
20
20 45
180
20
15
30
HAMMERED HAMMERED STEEL STEEL PLATE PLATE
50
15
180
20
20
HAMMEREDHAMMERED STEEL STEEL SUPPORT SUPPORT
15
50
15
30 20
62
10
HAMMEREDHAMMERED STEEL STEEL BOLT BOLT
20 30
30
30
53
53
62
HAMMEREDHAMMERED STEEL STEEL CONNECTOR CONNECTOR
53
10 10 10
55
20
75
10 10 10
55
120
75
75
15 50
30
15
60 60
53
HAMMEREDHAMMERED STEEL STEEL PLATE PLATE
50
30 60 60
53
STAINED WOOD SLATS
30 20
180
20
180
180
8 5
180
20
30
30
53
20
30
HAMMEREDHAMMERED STEEL FOO STEEL FOO
35
2
15
8 5
75
15
35
30
55
75
2
15
15
20 55
120
HAMMERED HAMMERED STEEL STEEL CONNECTOR CONNECTOR
STAINED WOOD STAINED WOOD POST POST
20
HAMMERE HAMMERE STEEL STEEL BRACKET BRACKET
30 55
180
60
30 55
25
60
VARIES
25
20
VARIES
10
20
60
HAMMERED HAMMERED STEEL BRACKET STEEL BRACKET
10
15
STAINED WOOD PANEL
60
30
HAMMERED HAMMERED STEEL BOLTSTEEL BOLT
120
The design of this hotel was phase 2 in a threephase master plan for a new development in Chongqing, China. The topography in this part of Chongqing is very complex, and the massing of the building responds to the extreme grade changes within the site. Guests are dropped off in the interior motor court and enter the lobby through a porte cochere. They can then access rooms ℄ through the interior of the building or via℄ a covered walkway that visually encloses the motor court. Guest rooms on the ground floor typically have access to gardens, and many rooms on upper levels have access to balconies that overlook important programmatic elements of the site.These balconies and gardens usually stretch from room to room, calling for an elegant way to separate these more public spaces into ones specific to individual guest rooms. 30
15
HAMMERED HAMMERED STEEL PLATE STEEL PLATE
30
20
180
8 5
30
2
60
20
60
8 5
60
35 2
60
CHONGQING HOTEL
125
125 110
875 2930
HOTEL - ph. 2
2930
aviation museum - ph.1
125 110
123
15
15 5
30
10
5
40
30
1
15
10
WOOD GATE HAMMERED STEEL BOLT
15
135
HAMMERED STEEL BRACKET
40 10
200 HAMMERED STEEL HINGE SYSTEM
2275
250
250
720
TYP. COLUMN
1220
TYPICAL WOOD DIVIDER
450
240 165
SMOOTH STONE CAP
2320
TERRA COTTA POT
STAINED WOOD GATE
RAILING TYPE A
2275 775
SQUARE WOOD POSTS
EQ.
800
SQUARE PICKETS
LEGEND / NOTES
70 55
435
100
1180
2720
820
100
890
100
890 1025
80
60
3125
100
890
1025
1025
35
137
PLANTING BED
990
350
990
990
990
550
990
510
75140
210
350
75
990
180
HAMMERED STEEL BRACKET
3-PANEL STAINED WOOD DIVIDER
TYPICAL METAL RAILING
6015
180
VARIES BY PANEL
120
1518
VARIES BY PANEL
370
typical rules applied to various balcony conditions throughout project
R:20
39
716 510
Construction
施工方式
Internal Gutter with Internal Drain Pipes Pan tile Omitted at location of Gutter Slope to drain Straight Barrel Pan and Cover Mission Clay Tiles
暗藏排水管 平屋瓦开口连接排水沟进水处 排水找坡 底部屋瓦应有平直的瓦当面
Drawing Abbreviation
图名缩写
EL FF RCP SEC
立面图 铺地图 天花图 剖面图
875 50
100
890
2285
890
60
木制企口板
托架，挑梁 烟囱 转角装饰梁 订制灯具 斜铺木饰板 屋脊瓦 水平石饰带 花架 椽子 木扶手 百叶窗 方形木条 方形木柱 线角 木桁架
500
200 100 200 100
890
石材面板
构件名称
50
1900 820
370
挑梁外沿清漆包木
100
屋脊/挑梁下沿清漆包木 毛石压顶
Bracket Chimney Opening Corner Decorative Rafter Tail Custom Light Fixture Diagonal Wood Board Hip Tile Horizontal Stone Band Pergola Rafters Railing Shutters Square Picket Square Wood Post Trim Wood Truss
PLANTING BED STAINED WOOD ROOM DIVIDER
35
柚木
Component
SMOOTH STONE CAP
550
桃心木
WOOD BRACKET
type c
300
材料/饰面名称
Mahogany Teak Wood Stained Wood Fascia Stained Wood Soffit Stone Cap Rock Finish Edges Stone Veneer Wood Tongue & Groove Boards
WOOD FASCIA
75
150 60 120 60 570 60 120 50 60 55 70
2250
270
120
270
4.
Material/Finishes
WOOD DECKING
1000
400
WATER TABLE
295
150
60
120
3.
470
150
2.
60
565
470
75 130
60
60
35
ALL CONSTRUCTION ASSEMBLIES AND STRUCTURAL SYSTEMS ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD NOT BE USED FOR CONSTRUCTION DOCUMENTATION. ALL CONSTRUCTION ASSEMBLIES, STRUCTURAL SYSTEMS, MECHANICAL, ELECTRICAL, AND PLUMBING INFORMATION TO BE COORDINATED BY THE LOCAL DESIGN INSTITUTE (LDI). INTERIOR PARTITIONS AND COURTESY STAIRS FOR THE RETAIL AND RESTAURANT PROGRAM ARE SHOWN FOR DIAGRAMMATIC PURPOSES ONLY AND SHOULD BE COORDINATED WITH THE LDI AND FUTURE TENANT. REFER TO LANDSCAPE DRAWINGS (L-SERIES) FOR SITE LANDSCAPE & HARDSCAPE INFORMATION.
210
1. 720
720
725
765
775
1100
EQ.
513
1025
1025
513
type b
STUCCO ALIGN T.O. DIVIDER W/ T.O. DOOR JAMB
100
890
890
100
100
890
100
890
890
100
100
890
100
NOT FOR CONSTRUCTION KEY PLAN
2275
250
2700
STAINED WOOD ROO DIVIDER
250
SMOOTH STONE CAP
2.5° BATTERED STON WALL
1100
ALIGN T.O. WATER TABLE WITH T.O. PLANTER BOX
RUSTICATED STONE STONE PAVERS
SLOPE TO DRAIN
SLOPE TO DRAIN 1710
RAILING TYPE A
430
130
N
200 100
1600
1100
type a
200
7
100 % DESIGN DEVELOPMENT SET
3/14/14
80 % DESIGN DEVELOPMENT QA/QC SET
2/14/14
4 1040
1040
300
125 WOOD BRACKET
2930
7/10/14
PHASE 2 - ADDENDUM #1
6 5
2/07/14
75 % DESIGN DEVELOPMENT SET
3
50 % DESIGN DEVELOPMENT SET
9/27/13
2
100 % SCHEMATIC DESIGN SET
6/14/13
1
50 % SCHEMATIC DESIGN SET
4/19/13
NO.
ISSUE
2275 EQ.
775
725
775
EQ.
DATE
720
CHONGQING HANGYUE LIANGJIANG LONGXING PHASE 2A - BUSINESS HOTEL
1180
ROBERT A.M. STERN ARCHITECTS, LLP
2720
1900
CHONGQING, CHINA
460 WEST 34th STREET, NEW YORK, NY 10001 TEL (212) 967-5100 | FAX (212) 967-5588
875 125
30
1230
1000
STAINED WOOD FLOOR
SHENZHEN LEGEND REAL PROPERTY INVESTMENT CO. LTD.
820
820
STAINED WOOD RAILING
LEVEL 5, JUNO TOWER, #1001, AIGUO ROAD, LUOHU DISTRICT, SHENZHEN 518003 TEL 0755-82670398 FAX 0755-82670399 400
PHASE 2A - BALCONY DETAILS
private garden divider at grade
110 125
2930
PROJECT NO:
A12034
CAD FILE NO:
A405.0
DRAWING NO:
A405.0
Copyright © 2014 Robert A.M. Stern Architects LLP
3125
1025
80
1025
1025
35 60
510
75140
210
350
75
180
HAMMERED STEEL BRACKET
350
137
60
TYPICAL METAL RAILING
2285
VARIES BY PANEL
120
town center - ph. 1 BY PANEL
wedding hall - ph.1
1518
3-PANEL STAINED WOOD DIVIDER
119
100
guest guest guest
pool
_basement
_level 01
gym
_level 02
guest guest guest
lobby
guest
guest
guest
guest
guest
guest
b.o.h. _N-S section
_level 03
_level 04
_level 05
_roof plan
HA N D D RAW I N G “Labor, whether of the body or the mind, is more than a way of getting things done. It’s a form of contemplation, a way of seeing the world face-toface rather than through a glass. . . . It binds us to the earth . . . as love binds us to one another. The antithesis of transcendence, work puts us in our place.” -The Glass Cage: Automation and Us by Nicholas Carr
various locations _ 2009-present
perspective drawings of live | work | show project pencil on stonehenge; photoshop 311 _ st. louis, mo _ fall 2011 _ catalina freixas
A
B C
D E
A
B CD E
F
F
A B C D E F
orthographic drawings of street fair booth design st. louis, mo _ fall 2009 _ igor marjanovic
section perspective study of pool design pencil on stonehenge, photoshop 311 _ st. louis, mo _ fall 2011 _ catalina freixas
santa croce, florence
san lorenzo chapel, florence
mercato centrale, florence
view from san miniato al monte, florence
aros kunstmuseum, aarhus
rec e d
reach
blur
experiential collages pencil on vellum; stickyback; acid transfer 210 _ florence, italy _ summer 2011 _ igor marjanovic
e
analytical drawing: stress lines on Duomo shell pencil on paper; stickyback 210 _ florence, italy _ summer 2011 _ igor marjanovic