Portfolio Juliette Karabetian - English by juliette.karabetian

PORTFOLIO Juliette KARABETIAN ARCHITECT

This portfolio shows the work I have done for the past six years in the field of architecture. It includes projects designed at the university and during professional experiences in France and abroad. The latter is enriched by a work of artistic expression with the presentation of drawings, models and photographs. The goal is to show my interest in international projects, my curiosity for various cultures as well as artistic interdisciplinarity. 3

ABOUT Curious and passionate, I have traveled across continents throughout my studies, which has allowed me to open my horizons on an international level and therefore enrich my creativity and improve my adaptability to culture, population, heritage and urban planning of the countries I visited. My project experiences abroad have been intensive over a short period of time. As a result, my ability to design and produce effectively in a given time have strengthens. My exposure to the many artistic domains of drawing, photography and music, which I also practiced during my travels around the world, has greatly improved my architectural culture. All these areas are related to human contact which allows me today to be able to practice fluently three languages (French, English, Spanish).

RESUME

Professional Experience

2019

Junior project manager at REALIZE by Pilotebat ( 2019 - 2021 ) Worksite Supervision – Project ownership

Project management and coordination of renovation work for banks branches between 100m2 and 500m2. - Mastery of Autocad, Excel, MS Project - Elaboration of design files in diferent phases (schematic design , design development) and administrative files. - Drafting of written documents and management of calls for tenders including budget estimates with the project owner - Site management and planning with animation of site meetings - Financial and administrative follow-up of the project

2017

Architect Assistant at CADAVAL & SOLA MORALES, Barcelona, Spain (4 months)

2016

Layout designer at SEMAPA Architecture and Town Planning

- Work on the executive project of a residential building and a restaurant in Mexico City. - Technical drawings of all the furniture, design of the car park, building details

Model of the Austerlitz district in Lasercut for the Vincent Auriol School project - Preparation of the topographic document on Autocad - Preparation of the laser file. - Assembly of the model and presentation in the town hall

2015

Internship at Ory & Associés Architecture Studios

2009

Internship at Philippe Demougeot and AD MOBILI (middle school) Interior Design

Worksite visits and meetings, assembling of OPR (Acceptance of work Preliminary Operation).

Languages

French: Mother tongue English: Fluent Spanish: Bilingual

Contacts

+33 6 13 37 01 26 architect@juliettekarabetian.com

FRANCE

41 rue Lafayette 94210 Saint-Maur-Des-Fossés

https://www.linkedin. com/in/juliette-karabetian-92a88b140/

Education 2019

Master 2 in Architecture - École Supérieure d’Architecture Paris & Universitat Politècnica de València (UPV) (Erasmus program in Spain) - End of studies project in Spain ; Toy Museum (in French & Spanish) Urban project on several hectares and architectural project of public equipment - Scenography seminar dissertation: “Window display: imagination in the service of luxury”

2018

Master 1 in Architecture, Ecole Nationale Supérieure d’ Architecture Paris La Villette (PARIS) , FRANCE

2017

BA in Architecture, Ecole Supérieure d’ Architecture Paris - Val de Seine (PARIS) (2013-2017), FRANCE

2013

Skills

- On site urbanism projects in Bolivia and Peru - Construction of a wooden scale project

- BA project on the relationship between music and architecture - Housing projects, public facilities, refurbishment outside Paris.

Baccalaureate with merit Applied Art Section (STD2A), Ecole Boulle (PARIS), FRANCE - Project on space design - Fashion design (work for Kenzo) - Objects’ design (design and design theory) - Visual communication design (typography concept, advertising posters) - Artistic work with various techniques and mediums

• Competition of Architecture “Festival des Cabanes” 2021 • Competition of Space Design “La Nuit Blanche de Paris” 2016

Softwares

Suite Office Microsoft Autocad MS Project

Photoshop Illustrator InDesign

• Photography (portrait/landscape) • Observation drawing techniques (watercolor, pencil,pen) • Handmade and laser cut made models Revit Rhinoceros 3D Sketch Up + Vray

Artlantis Lasercut Archicad

TABLE OF CONTESTS I- ARCHITECTURE

SPAIN

p.10

FRANCE CASTALLA REHABILITATION p.10

TRANS-RURAL LAB p.28

GREEN CLOUD p.42

PERU

IMAGINE PLEYEL p.36

ALTERVILLE p.18

II- CONSTRUCTION & DETAILS

IV- ARTISTIC EXPRESSION

p.46

p. 62

BUCARELLI TOWER p.46

OBSERVATION DRAWINGS p.64

III- DESIGN / SET DESIGN

p. 52

MODELS p.62

WINDOW DISPLAY & FANTASY p.52

COMPETITION p.58

SET DESIGN p.56

CASTALLA REHABILITATION

Urban and architectural graduation project Castalla, Spain This is a project that I worked on and developed throughout my Erasmus year in Valencia. That year, I did various projects in the city of Castalla. After visiting the site several times, I noticed that it was an integral part of an industrial zone producing toys and office furniture. There are 15 provinces in Spain producing toys from international and local firms.

CASTALLA, A NEGLECTED CITY Over the years with urban sprawl it has lost its dynamism. Indeed, people are gradually leaving the heart of the city to live in the suburbs. The labor force travels to work outside of the city on a daily basis, leading to a lack of activity in the area.

CASTALLA CHALLENGES The industrial zone: How to make these people want to settle there again ? Inhabitants: Travel only in the city center to school shops or equipment. Two types of populations: retirees and families with young children. Travel out of Castalla to get to the workplace. How to reconnect to the rest of the city? Landscaping factor: Castalla benefits from sports tourism. Tourists are attracted by its cycle and pedestrian routes along the mountain as well as its castle at the top, and the panorama of the surrounding landscape. This path to the castle is also part of the cultural link connecting the historic center to the mountain. Tourists end their journey at the castle. These areas are abandoned on the other side of the valley. How to increase the areas of interest so that tourists are also interested in the northern side of the city ?

I- ARCHITECTURE / SPAIN

CASTALLA REHABILITATION, FROM URBAN WASTELAND TO TOY’S CAMPUS

Comarque d’ Alcoia, between natural parks and industrial park

Zaragoza 453km

Parc Naturel de la Serra de Mariola Serra de Mariola Natural Park Onil 6km

Barcelone 497km

Madrid

to Villena

390km

CASTALLA

Tolède 393km

Valence 135km

Balearic Islands

to Alicante

CASTALLA Cordoba 523km

INDUSTRIAL AREA

Ibi 16km

Murcia

106km

Onil

Alicante

36km

CASTLE

50km

Bercy

HISTORICAL CENTER

6km

Castalla Concorde

SUBURBS

16km

Ibi Créteil

NOUVELLE ZONE URBAINE

How to revitalize this forgotten productive city? ACCOMMODATIONS AND FACILITIES IN THE HISTORICAL CENTRE

200m

400m 600m 800m

A REMOTE INDUSTRIAL AREA

LANDSCAPE FACTOR AT THE HEART OF CYCLING AND TOURISM

800m 600m

Cultural facilities Supermarkets Other

Movement of residents within a restricted area

400m 200m

Movement of workers from neighbouring cities (Ibi,Onil)

Sportive course along abandoned green spaces and a cultural itinerary with an ascent along the mountain

I- ARCHITECTURE / SPAIN

Masterplan

1. RECONNECT the city to the industry

• Strengthen the existing road axis • Connect the downtown industrial area with the Toy Campus. • Decentralize activity • Create a connection in the city through the landscaped public park

2. CREATE an attractive and cultural center • Centralize employment • Communicate local production • Reconnect the site to the mountain Opening up the city by creating a secondary axis

Decentralize areas of interest

Reconnecting industry to the city

Connect the site to the main axes

I- ARCHITECTURE / SPAIN

I- ARCHITECTURE / PERU

Community project with the inhabitants of Pleyel district, Saint-Denis Imagine Pleyel was imagined by our team when we worked on the Carrefour Pleyel area in Saint-Denis. The ultimate goal was to design a user-friendly space in relation to the residents of the district. The project program emerged from the needs of the users themselves. We created several events to meet with them and learn more about the type of space they imagined, and the different uses needed. Project proposal: PLEY-MOBILE • Building of a “mobile toolbox” that can contain and support various activities around the Pleyel neighborhood to strengthen ties between residents and neighborhood users. • Activities divided into three groups (gardening, creative, mental sport). • Activities conducted at different locations in Pleyel according to a schedule that each association could check to see the boxes availability. • Structure stored safely thanks to the partnership with the Lili Boulanger school.

I- ARCHITECTURE / FRANCE

IN SITU EVENTS, Carrefour Pleyel, Saint-Denis Final event during the assembly of the structure

Final event during the assembly of the structure

I- ARCHITECTURE / FRANCE

GREEN CLOUD 42

International Workshop with students from Nagoya (Japan) and from China Temporary Belvedere This is a temporary belvedere project supporting the transformation of the “Paris Bruneseau” site. This comes as an extension of a public space that takes the form of an element crossing the street. The project takes the opposite stance of a context developed around the automobile and suggests a way to cross the road like a promenade.

A modular Algeco structure Structure used on construction sites, this modular system allows different types of layout with a simple structure, facilitating the assembly of the blocks.

Goals • Visible from far and attractive • Information about events around the neighborhood • Integration in the environment • Link between spaces, accessible in different places • Mix industrial vocabulary with nature in order to give a more relaxing atmosphere • Recycle containers, easy to assemble and disassemble • Link the suburbs (Ivry) to Paris • Simultaneous development of the site => modularity of the structure • Different uses (garden, cafeteria, exhibition spaces, urban landscape observation area) • Pedestrian walk in the opposite direction of traffic

I- ARCHITECTURE / FRANCE

N 0

Green cloud

Panoramic views and paths

Play on levels

10m

Orientation axes of the belvedere

I- ARCHITECTURE / FRANCE

BUCARELLI TOWER

Crédits: Cadaval & Sola-Morales 46

Internship at CADAVAL & SOLA-MORALES Agency, Barcelona Collective Housing Project, Mexico This building won first prize in a private competition for the Mexican promoter, Reurbano. Collective housing in the Polanco district, located in the center of Mexico DF. With a program of 360 housing units and a restaurant on the ground floor, it is helping to revitalize the neighborhood. During the internship, I was responsible for the design of all the furniture, the apartments of the building as well as the design of the car park.

II- CONSTRUCTION & DETAILS/ SPAIN

Design of custom furniture Due to the complex shapes of the building, each floor was assessed in order to create different fixed and mobile shelves and cabinets.

CADAVAL & S

Resumen closets CL: Planta Primera

CL1+CL4+CL6

CL1

fax.(34

tel. +(52) 55 53 36 39 50.

email: studio@ca-so.co

Colgador 110cm CL2

CL6

CL7

CL5

CL1

1.80

CL4

1.40

1 CL

CL1 CL6 CL

5 CL 5

3.20

CL1

17 16 15

CL M 20

VIL

MÓ

CL5

Repisa +Cajón 80cm

CL6

01 02

Repisa ajustable CL6

Colgador 60cm

CL8

CL2+CL3+CL6

Closet 180cm CL8

CL6 CL9

Repisa 56x80cm CL9

CL10 CL10

baja

CL MÓVIL 300

sube

Repisa 35x82cm

CL MÓVIL 220

Closet móvil 220cm

CL MÓVIL 300

Closet móvil 300cm

MÓ

VIL

2.2

300

3,0

CL MÓVIL 220

Dpto 1.02

Niv N.L el + .T= 1 + 4.5

CL4

CL MÓVIL 220

0 1.2

CL3 CL6

630 Kg 8 Pasajeros

Dpto 1.08

6C L

Dpto 1.01

Dpto 1.10

Ducto Inst Rest

15 16 14 17 05 18 04 19 03 20 02 21 01 22 23 24 25 630 Kg 26 8 Pasajeros

MÓ 22

Terraza Dpto 1.01

1 4.5 + el = + Niv .L.T N

2.2

Propietario:

Havre 83 Int.3 Colonia Juar Delegacion Cuauhtemoc +52 (55) 5207 8410 Ubicación:

baja

CL7 CL5

VIL

Dpto 1.12

EJE 1 PONIENTE, EMILIO DO DELEGACION CUAUHTEMOC D.R.0:

CL MÓVIL 300

0 3,0

CL9

PRO

TORRE B

Sobre nivel de

sube

VIL

CL MÓVIL 220

Observaciones:

CL7

L4 C

1.7

Dpto 1.09

220

ÓVIL

CL7 C

Repisa +Cajón 60cm

CL7

0 2.2 0

X 0

CL4 CL6

Dpto 1.07

2.4

3,0

CL4

CL1

1,8

CL1+2xCL4+CL6

Dpto 1.04

Dpto 1.03

CL7+CL4+CL6

Repisa 60cm CL3

CL5

CL1+CL4+CL6

CL3

CL1+CL4+CL6

Dpto 1.05

Dpto 1.06

CL1+2x CL5+CL6

1.8

L4 6C

Terraza Dpto 1.06

CL1+2x CL4+CL3+CL6

tel. +(34) 93 414 37 14.

Colgador 120cm

CL1 CL2

CL7+CL5+CL6

c. avenir # 1 ppal 1a ba

c. california #19 coyoac

1.40

Ó LM

norte

CL5+CL7

nort

CL6

MÓ

VIL

CL MÓVIL 300

Dpto 1.11

2.40

3,0

6 2

CL3 CL4 CL1

CL L4

CL1+2xCL4+CL6

1 CL

Dpto 1.15

2.9

2,8

L 6 C

CL1+2x CL5

CL1+CL3+CL4

2.3

0.5

Planta e

L4 C

CL2 + 2x CL4 + CL6

Dpto 1.13

Typical plan with furniture

Dpto 1.14

* NOTAS IMPORTANTES: 1.-TODAS LA MEDIDAS SE DEBERÁN CORROBORAR EN SITIO. CUALQUIER DISCREPANCIA SE CONSULTARÁ CON LA DIRECCIÓN ARQUITECTÓNICA. 2.-TODAS LAS PREPARACIONES SERÁN CONSULTADAS DE ACUERDO A LAS RECOMENDACIONES DEL FABRICANTE . 3.-MATERIALES SEGÚN MUESTRA APROBADA EN OBRA. 4.-EL REPLANTEO DE LOS CLOSETS SE COMIENZA A 60CM DE LA PARED DEL FONDO. 5.-EL MÓDULO DE REPISA AJUSTABLE (CL6) SE COLOCARÁ EN EL EXTREMO DEL CLOSET CUYOS MUROS LATERALES NO SEAN PERPENDICULARES. 6.- X=DIMENSIÓN A TOMAR EN OBRA COTAS EN METROS

CLOSETS MA Escala

1:100 Versión

2.9 Fase Proyecto Ejecutivo

Wardrobe imagined and designed

II- CONSTRUCTION & DETAILS/ SPAIN

CL1 Colgador 120 cm

CL2 Colgador 110 cm

CL3 Repisa 60 cm

CL4

CL1 Colgador 120 cm

CL2 Colgador 110 cm

CL3 Repisa 60 cm

CL4

PLANTA CLOSET Esc 1:20

* NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO LADO SEGÚN DEFINICIÓN EN PLANTA DE CADA ARMARIO

1.10

SECCIÓN BB' Esc 1:20 * NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO

1.04

0.55

PLANTA CLOSET Esc 1:20 A'

SECCIÓN BB' Esc 1:20

0.40

* NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO LADO SEGÚN DEFINICIÓN EN PLANTA DE CADA ARMARIO

Altura variable según falso 0.10 plafón 0.40 0.40 0.400.40

Altura variable según falso plafón

2.10

0.55

0.60 A'

fijo fijo

PLANTA CLOSET Esc 1:20 A'

fijo

Estante acabado en madera en todas sus caras visibles. e=2 cm, color blanco

0.60

SECCIÓN BB' Esc 1:20

Interiores de armario acabados en madera en todas sus caras visibles Montante e=3 cm acabadoacabado en madera Estante en en todasensus caras madera todas visibles, blanco sus carascolor visibles.

e=2 cm, color blanco

fijo

0.60 Montante e=3 cm acabado en madera en todas sus caras visibles, color blanco

Altura variable según falso

Altura variable según falso plafón 2.10 Altura variable según falso plafón 0.40

Altura variable según falso plafón

Altura variable según falso plafón 0.10

0.10

Altura variable según falso plafón 2.10 Altura variable según falso plafón

2.10

0.400.40 0.100.400.40 0.40

2.10

0.55

0.60

fijo

2.10

1.10 Montante e=3 cm acabado en madera en todas sus caras visibles, color blanco

0.10

1 2

fijo

0.100.400.40 0.40

0.60

1.60

fijo

Montante e=3 cm acabado en madera en todas sus caras visibles, Barra de acero color blanco inoxidable fijada en sus extremos

0.60

Altura variable según falso

0.40 1.04

0.55

Altura variable según falso plafón

1.10

0.40

0.55

fijo

Barra de acero inoxidable fijada en sus extremos

SECCIÓN A

ALZADO CC' Esc 1:20

0.40

0.10

0.40

1.60

SECCIÓN BB' Esc 1:20

Altura variable según falso plafón

1.60

0.10 0.60

0.10

1 2

2.10

0.60

PLANTA CLOSET Esc 1:20

0.60

fijo B

SECCIÓN A

ALZADO CC' Esc 1:20

Interiores de armario acabados en madera en todas sus caras visibles Zoclo de madera e=2 cm, pintado a dos manos color Montante e=3 cm blanco acabado en madera en todas sus caras visibles, color blanco

PLANTA CL

fijo * NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO Zoclo de madera fijoDEFINICIÓN EN PLANTA LADO SEGÚN e=2 cm, pintado a DE CADA ARMARIO dos manos color 0.40

0.60

1.14

0.60

fijo

0.10

fijo

fijo B

fijo 0.55

0.60

Zoclo de madera e=2cm, pintado a dos manos color blanco

fijo

fijo 0.60

fijo

2.10

1.20

0.10

1.20

Puerta de madera, e= 3cm, pintada a dos manos color blanco

SECCIÓN AA' Esc 1:20

ALZADO CC' Esc 1:20

0.10

1 2

0.10

2.10 Altura variable según falso plafón Montante e=3 cm acabado en madera en todas Barra de acero sus caras visibles, inoxidable color blanco fijada en sus extremos

1.60 0.40

0.55

0.60

Barra de acero inoxidable fijada en sus extremos

1.14

fijo

1.60

0.60

0.55

fijo

0.10

1.20

fijo

0.55

1 2

fijo

0.55

fijo

Zoclo de madera e=2cm, pintado a dos manos color blanco

0.60

0.55

fijo 0.60

Zoclo dede madera Madera color blanco e=2cm, pintado a dos manos color blanco Jaladera en acero inoxidable según muestra aprobada en obra

SECCIÓN AA' Esc 1:20

ALZADO CC' Esc 1:20

2.10 Altura variable según falso plafón

1 2

Altura variable según falso plafón 0.10

0.60

0.55

fijo B'

1 2

e= 3cm, pintada a dos manos color blanco

SECCIÓN AA' Esc 1:20

ALZADO CC' Esc 1:20

fijo

0.60

SECCIÓN AA' Esc 1:20 Puerta de madera

1 2

Altura variable según falso plafón 0.10

0.10

Zoclo de madera e=2cm, pintado a dos manos color blanco

Zoclo dede madera Madera color blanco e=2cm, pintado a dos manos color blanco

0.60

Altura variable según falso 0.10 plafón 0.40 0.40

fijo

Jaladera en acero inoxidable según en Estante acabado muestraen aprobada madera todas en obracaras visibles. sus e=2 cm, color blanco Puerta de madera, e= 3cm, pintada a dos manos color blanco

0.40

0.55

fijo

Interiores de armario acabados en madera en todas sus caras visibles de color blanco Madera

fijo 0.60 fijo

fijo

0.55 Estante acabado en madera en todas sus caras visibles. e=2 cm, color blanco

fijo

0.55

Jaladera en acero inoxidable según muestra aprobada en obra

ALZADO CC' Esc 1:20

0.60

Altura variable según falso plafón 0.10

Altura variable según falso plafón 2.10 Altura variable según falso plafón

Barra Puertade deacero madera inoxidable fijada a dos e= 3cm, pintada en sus extremos manos color blanco

0.40

1.60

1 2

e= 3cm, pintada a dos manos color blanco

SECCIÓN AA' Esc 1:20

Altura variable según falso plafón 0.10 1.60

0.40 1.60 0.10

Zoclo de madera Madera de color blanco e=2cm, pintado a dos manos color blanco

Interiores de armario acabados en madera en todas sus caras visibles

fijo

fijo 0.55

0.55

SECCIÓN AA' Esc 1:20 Puerta de madera

Interiores de armario acabados en madera Jaladera en acero en todas sus caras inoxidable según muestra visibles aprobada en obra

0.60

Jaladera en acero inoxidable según muestra aprobada en obra

0.60 fijo

Repisa+Ca

fijo

Barra de acero inoxidable fijada en sus extremos Estante acabado en madera en todas sus caras visibles. e=2 cm, de color blanco Madera color blanco

0.55

fijo

Barra Puertade deacero madera inoxidable fijada a dos e= 3cm, pintada en sus extremos manos color blanco

0.55 0.60

2.10 Altura variable según falso plafón

Madera de color blanco Estante acabado en madera en todas sus caras visibles. Jaladera en acero e=2 cm, color blanco inoxidable según muestra aprobada en obra

fijo 0.60

Interiores de armario acabados en madera en todas sus caras visibles

0.40

Barra de acero inoxidablede fijada Interiores armario en sus extremos acabados en madera en todas sus caras visibles

0.55

fijo

Altura variable según falso plafón 0.10

fijo

Estante acabado en madera en todas sus caras visibles. e=2 cm, color blanco

0.40

fijo

Altura variable según falso plafón

Interiores de armario acabados en madera en todas sus caras visibles

Altura variable según falso plafón 0.10

Drawings of the custom furniture designed for each apartment

Repisa+Ca

blanco

PLANTA CLOSET Esc 1:20

SECCIÓN BB' Esc 1:20 * NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO

PLANTA CLOSET Esc 1:20

SECCIÓN BB' Esc 1:20 * NOTAS IMPORTANTES: LAS PUERTAS DEL MÓDULO ESTANDÁR PODRÁN ABRIR HACIA UNO Y OTRO

PLANTA CL

Drawings of several windows A

ext batiente hacia dentro

batiente hacia dentro

1/2

ext

int batiente hacia dentro

batiente hacia dentro

1/3

batiente hacia dentro

oscilo batiente hacia dentro

1/2

int

0.80

int

ext

1.70

2.10

int 2.10

ext batiente hacia dentro

batiente hacia dentro

VB1

VA3

0.62

VA2

2.10

VA1

1/2

1/2 1.20

1/3

0.85

ALZADO

SECCIÓN AA'

1.90

ALZADO

SECCIÓN AA'

ALZADO

SECCIÓN AA'

A' ALZADO

interior despacho estudio

ext PLANTA

VB2

lavado

ext

PLANTA

ext *NOTA IMPORTANTE: Ventanas SOFTLINE VEKA doblecon junta Systema 70mm.

Pintadassuperficial tonalidad acabdo de lisacolor y maderas blanco texturado con

PLANTA

VA4

PLANTA

LOCALIZACIÓN DE LAS VENTANAS EN PLANTA

VB3 E

1/2

oscilo batiente hacia dentro

batiente hacia dentro

1/2

oscilobatiente hacia dentro

VB3

1/2 0.80

1.46

int

ext

int

ALZADO

D' SECCIÓN CC'

ext

PLANTA

ext

SECCIÓN EE'

ALZADO

interior baño

interior cocina

PLANTA

VA2

VA3

SECCIÓN DD'

ALZADO

interior baño

VB1

1.20

ext

VA1 C'

VB2

1.20

int

VA4

oscilo batiente hacia dentro

0.75

batiente hacia dentro

1.00

SECCIÓN BB'

interior sala /comedor

PLANTA

ext

*NOTA IMPORTANTE: Ventanas VEKA con Systema SOFTLINE doble junta 70mm. Alineadas al interior y pintadas de color blanco con tonalidad lisa y maderas con acabdo superficial texturado

II- CONSTRUCTION & DETAILS/ SPAIN

K.E.

Título

Carpinterías

*NOTA IMPORTANTE: Ventanas VEKA con Systema

SOFTLINE Pintadas tonalidad acabdo superficial de lisa doble color y maderas junta blanco texturado 70mm. con

CADAVAL & SO

c. avenir # 1 ppal 1a b

WINDOW DISPLAY AND FANTASY

“Window display: Imagination in the service of luxury” Drawings from the Master dissertation – Scenography seminar For a year and a half, I analyzed the scenography of store windows and their relationship to the imagination. The drawings below are part of my case study inspired by the 57 Hermès store windows by scenographers Leila Menchari and Antoine Platteau.

III- SCENOGRAPHY - Window display and Fantasy

Store window “Under the orange trees”, Fall 2003

Annual theme «The Mediterranean»

L’artisanat ici est mis en avant avec des arcades sculptées à la main par des artisans tunisiens. In reference to her Mediterranean origins, Leïla Menchari declines in this theme many memories of her childhood’s vestiges and landscapes, including those of Tunisia. Craftsmanship here is highlighted with hand carved arches by Tunisian artisans.

Central window cross-section

Side windows cross-section

Patience and length of time, Fall 2015

Between a play on scales and humor, Antoine Platteau develops a monochrome, unadorned staging, where structure and shop are apparent. He will use the theme of “store windows in full renovation” to stage objects in a painting site, with brushes and knives with leather sleeves, while keeping the poetry of the story. III- SCENOGRAPHY - Window display and Fantasy

SET DESIGN

Les Bonnes, Jean Genet Set design adaptation of the play Les Bonnes by Jean Genet at the Théâtre de la Colline, Scène Nationale Work model - Stage Design Seminar

After reading the play, with my team we put together a set of words that made us think of the personality of the characters, the story’s atmosphere and the colors or smells that we could imagine. From these words, we staged the three characters in different costume using different fabrics showing their different social status. Sober and contemporary graphic design, the emphasis is on the fabric’s scenography.

Symbols: Anguish and guilt with the water leaking through the vases, suspended above the actors and spectators. Feminine omnipresence, sensuality and desire with red and silk. Set of hanging curtains to show the space of the bedroom. Overloaded world, like the egocentric and megalomaniac main character.

III- SCENOGRAPHY - Set design

COMPETITION

Nuit Blanche de Paris 2016 (Art/Design Exhibition by night) Installation Sliding puzzle France-Korea – Crossing Theme Collaboration with former students of Ecole Boulle, Marine Pozzo Di Borgo, Naomi Dessouliers and Korean photographer Hyeoncheol Hwang

Concept

The crossing

The concept takes another look at the «sliding puzzle» game: the puzzle consist of small square boxes that can move orthogonally through one or more empty boxes, in order to rebuild the original image. The spectator should interact with the work while crossing the puzzle.

The pallet block is like a dividing line in that it is an obstacle that would hinder a continuous walk. The puzzle perched on this platform, materializes the act of crossing.

The idea was to create a fun installation where people could interact with it and allow group participation.

This crossing can be thought of as a single or repetitive module along the way with different sizes or not. With the accumulation of pallets, the creation is infinite; The same module can be used for various stages.

The players must first cross part of the pedestal to access the puzzle. Once there, they will have to overcome the enigma imposed to continue their course.

Installation Each module is made of a photo representing the traditional portrait of a Korean. These images are provided with a grid, representing the different pieces of the puzzle. There will be several empty spaces to facilitate the participation of several players at the same time. By sliding the boxes, the pieces of the image are mixed, creating a new face. This image is therefore flexible and gives everyone the possibility of creating their own.

III- DESIGN- Competition 59

FRANCE-KOREA

AND NOW, PLAY ON !

The platform

Elevation of the installation

Structure of the puzzle

Sliding puzzle’s picture

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MODELS - Prototypes Energy Pavilion

Place of meditation on both physical and spiritual energy Balsa

Cour carrée of the Louvre Night light installation

Black feather cardboard, LED, layer, ink

MODELS - Architectural Cultural center of Saint-Paul Gardens, Paris 4eme, France Cardboard with lasercut

Media library & Community garden at the Minoterie d’Ivry sur Seine Rehabilitation of an old grain flour factory Cardboard and soap

IV- ART - Models

OBSERVATION DRAWINGS

Gantry of the Panthéon, Sorbonne

Walk in Paris Since my training at École Boulle, I have always been attracted by the world of design and more specifically, that of the object. Each free moment is an opportunity for me to express my vision of these everyday objects in various situations. The living model and the study of the human skeleton is a way for me to better understand the human body functions and proportions. Thus, this vision of the body allows me to design projects more adapted to the human movements in different spaces.

IV- ART - Observation drawings

Pencil, gouache

Drawings while riding the train, pen

Pen, watercolor

Main facade, château d’Anet, Ecole des Beaux-Arts

Cour carrée of the Louvre, façade of Lescot

Sainte Marie’s church IV- ART - Observation drawings