KIM JUN YUB PORTFOLIO.ver2 (2017-2020)

-수행한 50여개의 프로젝트 중 선별한 12개의 프로젝트-

참여한 프로젝트에서 직접 작업한 드로잉을 기반으로 만든 포트폴리오입니다. 포트폴리오에 담긴 프로젝트는 계획에 깊게 관여한 프로젝트이며 아트웍마다 관여한 기여도에 비례하는 위계를 주어 실었습니다.

PROFILE

2017 [samoo design lab] KBS Future Broadcasting Center International Design Competition National Museum of World Writing International Design Competition _Winner KIA MOTERS SI Upgrade Proposal Design Competition _Winner UIA SEOUL Pavilion _IDEA AWARDS SAMSUNG DISPLAY CAMPUS Restaurant Design

2018 [samoo design lab] SAMOO HQ interior UIA SEOUL Pavilion Up-cycling SK BROADBAND IDC Center Design Competition PEARL ABYSS HQ _Facde Design UAE AirForce NEXON HQ _Facade Design Seoul Metropolitan Office of Education Design Competition _Selected New Government Complex Sejong Phase 2 Melaka LotK + LOT 976 Drawing EVERGRANDE Waterworld Design Competition Dangin-ri Power Plant Renovation Design Competition _2nd [personal works] YAC 2018 (Young architects Competition) Art Prison DOCOMOMO 2018 _Selected Majang-dong Urban regeneration Competition _Finalist KT 5G Pavilion _Selected 2018 LAKA Competition

2019 [samoo studio2] Dong-Seoul Terminal International Design Competition India JIO Campus Masterplan Inspire Resort Design Proposal KOREAN AIR IOC Center Design Competition _Winner DAEWOO Hanoi Tower Design Proposal HESCO Tower Hanoi Facade Design Ajou University Hospital Design Proposal LOTTE Sangam Mall Design Competition CHONG KUN DANG Elderly Welfare Facility _SD.DD [personal works] Station Neo Phase 2 _SD.DD.CD (with Archimosphere) Thousand of Imaginations Crossing the Han River Design Competition _Selected LH Suwon Youth Rental Housing Design Competition _Winner (with TOHO Architects, SYA)

2020 [samoo studio2] KT Gwanghwamun West Renovation Design Competition Seoripul Office Complex Design Competition Korean Association of Health Promotion Busan HQ _Facade Design Seoul, Gangil-Compact City _Winner [personal works] Seoul Storage Internaitional International Design Competition _Finalist (with SYA) Korean Musem of Urbanism and Architecture International Design Competition

2021 [samoo studio2] Seoul, Gangil-Compact City _DD. CD Gyongpyoung Destrict 17 _Facade Design [personal works] House for Friend _SD

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CONTENTS

NMWW National Museum of World Writing

KMUA Korean Museum of Urbanism and Architecture

INSIDE OUT Dang in-ri Power Plant renovation

FBC KBS Future Boradcasting Center

COMPACT θ Gangil, Seoul Compact City

Fly & Smile Korean Air IOC Center

COLLAGE CITY UIA 2017 Pavilion

KIA STYLE KIA MOTORS SI UPGRADE

REVERBRATION Thousands of imaginations crossing the Han River

FLAT GROUND Seoul storage

REVERBRATION Thousands of imaginations crossing the Han River

HOUSING 5 LH Public remodeling rental housing

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NMWW National Museum of World Writing UNDER CONSTRUCTION_(2022) 2017 INTERNATIONAL DESIGN COMPETITON_WINNER 2017 2018 2018 2018

IN-HOUSE COMPETITION_Winner 100 Architects Exhibition ICNONIC AWARDS_Finalist IDA DESIGN AWARDS_Silver

PROJECT DESIGNER

The project began with an in-house competition for a threeperson team. It was selected as the first out of 30 works and I was given the opportunity to carry out the project in an independent studio. Even though I was a new employee, I was able to create extraordinary works.

As a result of the application, a total of 126 teams from 40 countries submitted their works from all over the world, including 58 Asian teams, 31 European teams, and 34 American teams, including 22 Korean teams, and our works were selected as winners.

The museum is a place for understanding and respecting the fundamentals of humanity's culture with writings, and becomes pages, which daily landscape & life written.

English historian E.H.Carr quotes, “history is an unending dialogue between the present and the past”. Such unending dialogue was possible, because writing - a medium that transcends time and space - have existed within people’s everyday life. Written writing on pages - a medium that connects people over space & time - has permanence and continuity, passed down through generations keeping history, maintaining culture, and dissemination of knowledge.

This proposal for National Museum of World Writing (NMWW) intends to create an architectural ‘PAGES’, filled with everything about world writing.

It is a mediation space which links people to people, people to museum, and museum to the site, just as how writing & page have bridged together the past, present, and future.

For the given site in between the central park and the city, NMWW has to be thought of in terms of horizontality, openness, flexibility and public engagement rather than solid, monolithic and vertical mass. While respecting the existing context, of both urban and natural, the design proposal a naturally curved & labyrinthine 'PAGES' aims to arrange a lot of contacts, communication, and understanding one another.

'PAGES' should establish the conditions of fruitful narratives. The museum is a place for understanding and respecting the fundamentals of humanity's culture with writings, and becomes pages, which daily landscape & life written.

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Page is a new museum where stories will be written.

Stories of everyday life will be conveyed via architecturally devised scripts which would link people to people, people to museum, and museum to the park, just as how writing & pages have bridged together the past, present, and future.

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A DAILY EVENTS ON AROUND PAGES

PAGES, RECORDING A COMMON PART OF DAILY EVENTS The park, where ‘PAGE’s, our nickname of NMWW, will be sitting on, is an interstitial place between a deliberately planned new city and reclaimed lands. Centering the site, futuristic highrises protrude out to create vertical cityscape in the north while spontaneously shaped landscape stretches out horizontally in the south. Such ambivalent context initiates diverse experiences and diverse experiences inspire diverse activities. Life in Song-do international city will be as such, and ‘PAGE’s should become partly a stage, partly an observatory, and partly an archive to perform, witness, and record those daily events.

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‘PAGE’s are where stories will be written. Stories of everyday life will be conveyed via architecturally devised scripts.

WRITING NMWW

ON SONGDO CENTRAL PARK

Contour of the design stems from existing patterns of the park. Pedestrian roads and bike lanes intersect and disperse rhythmically, resembling hieroglyphic writing. Trails will be flowing in and out of NMWW and the park, their boundary obscured and merged to conceive flexible spaces, where people will casually and unceremoniously circulate around as fish would within coral reefs.

SITE PLAN 13

INTO WORLD WRITING, GRAND HALL

Beyond the entryway, once the security controls have been made, the visitor finds himself or herself standing in the middle of world writing globulus at the grand hall situated deep inside the museum. This introduction poetically alludes that audiences has physically entered into writing. Daily life happening in the park has been transcribed into the museum beneath, and the gesture symbolically exhibits the sense of presence of writing.

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1F Plan +0 Level

B1 Plan -7,200 Level

1/ Permanent Exhibit 2/ Special Exhibit

3/ Outdoor Exhibit

4/ Preparation room 5/ Storage

6/ Preservation 7/ Off-loading

8/ Resistration 9/ Studio

10/ Photo studio 11/ Warehouse

B2 Plan -10,500 Level

12/ Multi-purpose Auditorium 13/ Seminar room 14/ Lecture room 15/ Library 16/ Office

17/ Conference room 18/ Night-duty room 19/ Gym

20/ Employee cafeteria 21/ Document Storage 22/ Research room 23/ Lobby and hall 24/ Cafeteria

25/ Lactation room 26/ Infirmary

27/ Computer room 28/ Machine room

29/ Ventilation room 30/ Parking lot

31/ Sub entrance

32/ Museum Shop

33/ Bicycle Parking

B3 Plan -16,500 Level

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WRITING & RECORDING, INTERACTIVE SCENARIO

The intention is to trigger active communication between articles of exhibition and audiences - to offer interactive and personal experience, rather than of traditional, detached, method of observation. These spaces themselves become stages to commence and exhibit such interactions.

OUTDOOR ART WORK, RECORDING THE WRITING OF VARIOUS NATIONS

INVITING DAILY NATURE

Open spaces of numerous scales are designed to invite in natural landscapes into the museum, offering audiences places of rest, and sometimes creating synergic or juxtaposing ambience with exhibiting programs.

THE DIMENSIONLESS DRAWING, DESCRIBING INTERSECTION OF PAGES & DAILY NATURE 19

INDOOR EXHIBITION SEQUENCE

The exhibition space carries sequential scenarios along the circulation. Walking along naturally curved walls in the 'PAGE's labyrinthine, the audience will meet variety of exhibition spaces. It is all different space that is enclosed with page recording it’s own narrative about writings.

Public access Public access, Grand hall Cafe, Shop Permanent Exhibit Special Exhibit

EXHIBITION SPACES

SQUARE PAGE FRAMES

Administrative programs encases main areas around the perimeters, its shape orthogonal to heighten tension with curvilinear shape of exhibition spaces, and are connected vertically and horizontally. Loading deck area is separated from public parking lot to secure sufficient ceiling height. It is located nearby Special exhibition space to ensure short and efficient service circulation. Multipurpose Hall is located between lobby and exhibition area as buffer zone, where lecture s and performances will take place. Education area, although is separated from exhibition circulation, can be easily accessed to offer various educational programs.

Staff access Office, Research space Education space Larchivium, Storage

EDUCATION, OFFICE, RESEARCH, SERVICE SPACE

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OUTDOOR EXHIBITION SEQUENCE, WRITING & RECORDING NATURE ON PAGES

These ‘PAGE’s, artless walls of white concretes, are composed in and around the site to enhance audience’s awareness around wind, water, and trees. These outdoor exhibition spaces aim to not overwhelm the existing context and write daily life & daily landscape atop, but to reconcile with, respecting the original design and culture of the park. Horizontal and vertical path, being created by the in between ‘PAGE’s weave together to create a dynamic and diverse perspective through all level of the museum.

Before designing all kind of narrative for outdoor exhibition spaces, a CFD simulation is preceded. The average westerly wind velocity of the site, during summer, is 4.9 m/s (Dust and loose paper raised. Small branches begin to move). Wind flowing along ‘PAGE’s stays around velocity of 0.49~2.54 m/s (Wind felt on exposed skin leaves rustle), creating comfortable as well as various atmosphere in between ‘PAGE’s. The total building energy consumption is expected to be reduced by min 9.5 ~ max 15% with the being buried mass in the earth and an efficient MEP system.

0.0

1.3

2.6

3.9

5.2

6.5(m/s)

ANALYSING WIND TO DESIGN VARIOUS ATMOSPHERE USING NATURALLY CURVED ‘PAGES’

SERENDIPITY

Tension and release of spatial volume prompt unanticipated sceneries and experiences. Through then, audiences will recognise everyday surroundings from newer perspective. Variety of daily events will be written on ‘PAGE’s and passed down through generations as a past records, past culture, and also dissemination of knowledge.

WRITING WATER ON ‘PAGES’ 23

LARCHIVIUM

Larchvium (Library + Archive + Museum) appears where library and storage area overlap. Opening up the ceiling of storage area enables visual connection to the exhibition above, and together with the library providing access to resources and information, the whole space becomes another new interactive exhibition.

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KMUA Korean Museum of Urbanism and Architecture 2020 INTERNATIONAL DESIGN COMPETITION FOR KOREAN MUSEUM OF URBANISM AND ARCHITECTURE

COLLABORATE WORK_with KIM JINHWA PROJECT DESIGNER

Five Thoughts: Design Composition :Described as an omnibus , not an epic or linear narrative

The omnibus-style is a way in which independent events converge into a single theme to create a movie, and the design of the National Museum of Urbanism and Architecture we propose consists of five independent concepts. However, independent concepts created causal relationships between each other, which eventually meant to be integrated into museum design.

The chapters express each topic. Most of them develop from the situation, and the historical, humanistic, and physical situations in which the NMUA(National Museum of Urban Architecture) is placed contain each theme as if it were a chapter in a book.

The way we propose design is more of a design convergence that can be recognized as integration or convergence than a design process recognized as a process.

fragments of the site

Sejong is a city that empties the center and is planned to be annular. The empty green space in the center is planned as a nature and park, providing urban breathing space. Roh Seonjoo's [Old Future], who was elected through an international contest in 2005, proposed a central idea of filling the empty open space in the center with farmland.

It was not just a green space, but it was shown to have created a [production landscape] by perpetuating the role of the land.

The National Museum Complex adjacent to such a central park resembles the idea of central park 15 years ago.

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Song of the Fields: The Landscape of Production.

The museum draws the surrounding horizontal landscape into the complex, and the layout pattern is seen as continuing the pattern of the central park. Also, each independent Archipelago-style museum within the complex seems to be aiming for a productive environment through a variety of exhibits and artifacts, not just classical museums with old things in their arms.

Perhaps the guidelines for the NMUA design competition [Living Museum] are intended to be a productive environment.There's something called [their song]. From ancient times, it refers to the sound of mochi, rice planting, and seaweed flounder that ancestors call while farming in the rice fields. The song of the fields, which can be seen as a kind of labor song, is expressed in musical sensibility by productive activities, such as the landscape of agricultural land in Millet's Curfew.

Like their songs, the NMUA is a "song-like museum" that can play a role in creating active awareness among citizens through cities and architecture while drawing beautiful scenery inside through a horizontal environment.

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Site Plan

Layer of relationship : Annual ring

The National Museum of Urbanism and Architecture is not intact by Mass alone in the center.

Mass in the center is wrapped in a green band, which we named [Layers of Relationship].

This [Layers of Relationship] makes you expect three roles:

First , the interaction with the surrounding environment. The museum becomes a landscape of communion that responds to the environment and time while responding to each other.

Second, do not define the appearance of the museum. The museum looks different depending on the four seasons and also depends on the weather. And it becomes an aging landscape over time.

The third is the space of possibility. The process of integrating into the museum from the city provides visitors with a kind of environmental change. The process implies a variety of possibilities. I look forward to various events such as leisure and walking, outdoor exhibition expansion, and meditation. The museum we are suggesting is not Mass in the center. Only then does the museum become intact when unchanging values and fluid landscapes attempt to communicate with each other. For example, the shape of "가" is the same as the combination of "ㄱ" and "ㅏ" to create meaning.

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Condensed lumps: Timeless Monolith.

There is a book that I came across earlier this year. Sigmund Baumann, a Polish sociologist, is a book called Lost Solitude. Baumann interprets one feature of modernity as a liquid. In other words, it means that the solid values are transformed into fluid values.

Baumann, who defines today as Liquid Modernity, understands that modern society is lost in its solid and long-lasting state. I can't understand 100% of what sociologists see, but I think there are definitely values that people and society are missing due to the rapidly changing and changing modern society.

NMUA is place to be lonely in a sense. I wanted to design the museum as a museum where visitors can think of the process of magnetizing themselves sufficiently, rather than being directly acquired by the skin without thinking.

To do so, the museum had to have a lot of space in many aspects (position, plane, section, mass, etc.). In order to propose a museum that can provide room for possibilities, not a space full of intended devices, we have placed a simple Mass at the heart of the land.

And I planned a simple margin at the center of Mass. The minimal system to make the audience aware of the margins is a structure that re-encloses the central space.

Chapter subheadings describe it as a "condensed mass" because they want the National Museum of Urban Architecture to be close to the essential. Through the process of minimizing and simplifying unnecessary elements for the sake of the essential, the museum becomes a place to contemplate without being sensitive to the trend of the times. I hope it will be a museum where you can accumulate stories about cities and architecture, responding aloof and heavy to changes.

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B1 Floor

17. Special Exhibition Room

18. Complex exhibition: Reading room

19. Workshop: Creative Production Studio / Children's Creation Class

20. Workshop: Equipment Machinery Workroom 21. Multipurpose Media Wrap

22. Storage Exhibition: Analog Archives

23. Exhibition hallways of the museum complex 24. Academic Research Laboratory

25. Academic Research: Conservation Science Laboratory, etc.

26. Office Operations 27. Kitchen

28. Restaurant

29. Storage exhibition: Temporary storage

30. Electric Room

31. Air Conditioning Room

1st Floor 1. Lobby

2. Information Box / Commodity Storage 3. Permanent Exhibition Room: Video Education Room

4. Permanent Exhibition Room: Introduction of exhibition

5. Multipurpose Conference Hall Foyer 6. Multipurpose Conference Hall 7. Cafeteria

8. Introduction to Special Exhibition 9. Music Up Shop

2nd Floor

3rd Floor

10. Permanent Exhibition Room: Exhibition Exhibition

14. Hall linked to permanent exhibition complex

management rooms for education

16. During an outdoor exhibition

11. Complex exhibition: A large lecture room for education 12. Complex exhibition: Small lecture rooms and lecture 13. Complex Exhibition Training Hall

exhibition

15. Permanent Exhibition Room: Main Exhibition

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House of All : Sfumato (Spumato) City and architecture are basically one of the [conscious], so they are one of the most fundamental themes of life. [Note] is a sign of a house, but I think it means an environment where people live comprehensively. In that sense, the National Museum of Urban Architecture intended not to be a space for a particular group, but a house for everyone. As [everyone's house], we thought about how to create a space atmosphere in this land.

There is an art technique called Spumato. Spumato comes from the Italian word "spumare" meaning "disappear like smoke", meaning a technique that prevents a boundary from being clearly distinguished, such as smoke disappearing from the air. In general, this technique creates a unique atmosphere for the painting as a whole, giving it a gentle and intimate feeling, through an atmosphere that disappears the outline of the object as if it were wrapped in fog.

Strong and solid lines create clear boundaries that harm the harmony between the landscape and the scene. Although it is an artistic expression, it seems that this kind of humanistic thinking can be applied to architecture.

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In the space of the National Museum of Urban Architecture, we tried to create ambiguous exterior and internal combustion through the shade of trees and skylights. Outside, there is a natural roof created by a layer called a forest. It provides all visitors with moderately brittle light and restful shadows. The sound of wind generated by the leaves hitting will also be an element that fills the space. Inside, we planned a skylight to properly distribute light and shadow on the roof. Shading in the sky wants to use pumpkin stones that come out through Gulto construction. I suggest using pumpkin stone as a layer between the sky and the exhibition hall, which was identified through the ground survey report you provided. The skylight design resembles the shade of the forest we met outside. Visitors can feel the atmosphere as if they are under the shade of the forest. Through this, the outside and inside become heavy space, blurring the inside and outside like a spumato. The way of expressing [everyone's house] is an architectural proposal for a comprehensive community.

Anthropological Path: Pre-history

Cities and architecture are sources of civilization, tools for recognizing people.

It basically contains life, so it defines the times and makes us guess the possibility of future generations. In that sense, I hope that the National Museum of Urban Architecture will serve as a vessel for history and future. We thought about how to express the material on the outside. What is the way to imply a long time like Earth and still exist in the present and the future?

Concrete (GFRC), the main material of the outer wall, was intended to be expressed in a form that was close to natural, not artificial. We want to pour concrete into soil or sand pits and treat it as a heterogeneous and uneven surface. This suggests a way to reverse the process of moving away from the natural environment and gradually [materializing]. This built-up physical environment is not meant to be sophisticated and ideal, but to create accidental and incomplete textures.

Through this, the National Museum of Urban Architecture expresses architecture, not architecture, before it was built. Since it is not tangible and the style has no clear direction, it creates a prehistoric and primitive atmosphere in the earth.

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INSIDE OUT DANGIN-RI POWER PLANT RENOVATION 2018 INTERNATIONAL DESIGN COMPETITON_2ND PRIZE

PROJECT DESIGNER

The Danginri Power Plant will be transformed into a venue for the arts while preserving its historical value as the first thermal power plant in Korea. Part of the equipment, which was brought in for a logical reason— to generate energy—will be replaced by arts. The old power plant will be emptied in a meaningful way : to create a cultural space to remember the past.

The boiler of the power plant is very unique in the eye of the architect: the outer structure implies the traits of the past, while it has vertical continuity for a space of culture. That is why we decided to empty the boiler of the old power plant, keeping its outer shape intact as a starting point of our design work.

We would like to propose Danginri Power Plant, a facility that has come to its end as an industrial function, to be a large void space for urban residents. This huge space will become void while maintaining the overall shape and form of the main plant facilities as it is.

Such void, bearing the traces of time, allows scalability and alterability through organic connection within the space. Rebooted by the energy of creation, this power plant will become a sustainable public cultural heritage.

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The void is composed of two parts. The first space is where the No. 4 boiler unit used to be installed at. The new and void space is renamed as Art Boiler. The Art Boiler to a large extent maintains its old traces, being reminiscent of the old boiler. The inside void of the remaining boiler structure creates dynamic ambience in this cultural space. A project room and exhibition space are located around the Art Boiler. It also holds the vertical core that penetrates the overall building.

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The second space Grand Turbine Hall is a huge hall, where an integrated turbine for both No. 4 and No. 5 boilers used to operate. Grand Turbine hall is intended for exhibitions, various events, and performances.

EXTENSION OF GRAND TURBINE HALL

The flexibility and scalability of this space allows it to accommodate functions of different sizes. We paradoxically emptied the space for the purpose of building a new cultural space. The space that is reminiscent of the past will be filled up again with the energy of art and reborn as a space of proliferation just like the old power plant.

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Turbine Café on B1 floor was displayed by moving turbines from Unit 4. The opening of the existing floor was utilized to secure a sense of space up to the second basement floor.

The archives and cafes on the second basement floor were visually connected to create a pleasant environment for underground space.

The Cloud Cafe on the second floor above the ground is located in the center of the exhibition hall and event hall, specializing in an environment where visitors can view large spaces.

Panorama restaurants and cafes on the fourth floor provide a dramatic view of the Han River. The restaurant is connected to the observatory at the top of the art boiler, offering a extraordinary experience.

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FBC KBS Future Boradcasting Center 2017 INTERNATIONAL DESIGN COMPETITON_

DESIGN ASSISTANT,DRAWING,DIAGRAM,SKETCHES

In preparation for this global era of broadcasting with multi channels, the KBS Future Broadcasting

Center (FBC) is a space where journalists,

entertainers and viewers communicate and interact with each other. Considering its need to

respond to rapidly changing media environment and unpredictable future with high flexibility,

the center would be more invaluable with one

comprehensively and organically linked shape

away from the conventional space division upon given functions.

Grilled Marshmallow

Soft but strong_ The FBC was designed to seamlessly merge open space,

which is available for viewers, and internal space, which is reserved for the professionals. This proposal suggests creating a new space where interactions

between journalists, entertainers and viewers are facilitated, and cooperation among different production units and teams is highly encouraged. The FBC is

to come as a new symbol representing the future-oriented KBS town to the outside world.

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Complete, New Beginning

A complete geometric frame symbolizing the dignity of KBS and the value of future broadcasting will be fused into one volume to realize the new identity of KBS Town. The main building of the 1970s, the beginning of the complex, records the past when authority and hierarchy were needed in symmetry and three stages, while the new building of the 90s, the expansion of the complex, was divided into functions and emphasized rationality and function. In addition, the entire master plan will be completed through KBS Future Broadcasting Center, which respects the entire complex and captures diversity and complexity of the future.

1976

1991

2020 53

Network of Public

The central square and sunken were planned to accommodate the flow of the walking-centered space of the KBS Town Master Plan. The Future Broadcasting Center was established to become a new center point and a facility layout plan was made in consideration of pedestrian patterns for each user. Users were induced to K-plaza and K-street.

The second Ground

The maximised use of available space and uplift of the land to the highest point provide an independent ground for the broadcasting professionals. Meanwhile, a land in a lower floor is reserved for a broadcasting space open to viewers and citizens. As such, the center can accommodate both open space for the public and comfortable working space for the professionals.

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One Body + Embracing People

This design suggests as KBS’s future icon one-body architectural shape, in which the public are highly considered, letting them move around and design the center’s shape by themselves. Put in another way, the center is shaped in accordance with its gesture toward the public.

FACADE

KBS Future Broadcasting Center consists of integrated mass, which is a volume from a long distance, but is made up of repeated combinations of modular units from a close distance. Each elevation provides an optimal indoor environment according to the function of each room.

In response to the city’s environment and users, it formed an elevation in which all sides were frontal.

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It provides a pleasant working environment with offices and business centers centered on Connecting Void. Press stations are connected through atrium centered on skylight space.

We propose a centralized integrated newsroom with minimal movement by annularizing the studio around future desk.

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WHAT I SUGGESTED

DESIGN DEVELOPE , SUPPORT

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COMPACT θ Gangil, Seoul Compact City 2020 International Design Competition _WINNER 2020 SDA _Winner Construction Documents Stage _Project Designer (to 2022)

PROJECT DESIGNER

In the past, the garage was the starting point of the bus. As the city expands and changes, the garage must contain the function of a hub connecting the region and the region, not the endpoint.

We planed an inclined site between the surrounding apartment complex and the garage to block the garage facilities linearly, and introduced various living friendly SOCs along with eco-friendly parks available to local people. The upper public housing maximizes the park area by minimizing the main area and becomes a park that represents a wide green area and contains everyday life of the city.

Urban landscape of Gang-il consists of a horizontal transportation infrastructure of tan0 ° and a vertical residential style of tan90 °. Various sloping parks that connect 0 ° and 90 ° create vitality in the movement, activity, and settlement space in the city center.

BrainStorming Idea

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This project proposes a new aspect of social and public goods by combining public rental housing in existing garages to solve complaints from local residents, expand living SOCs to improve quality of life, and solve housing problems.Currently, Gangil Garage has changed from END, a simple bus terminal located outside the city, to AND, a hub for connections as the city expands.

The function of this AND will be maximized by creating a horizontal integrated space away from the vertical disconnection of the existing stacked city by utilizing the sloped floor, not by stereoscopicization through vertical stacking.

Through this, it was able to be reborn as a Green Hub, which provides parks in the region, a SOC Hub that improves the quality of life for residents, a Living Hub with residents as a community of residents, and a Mobility Hub, which is the center of local transportation.The land is raised to a slope to place a garage at the bottom, and the upper part was created as a park directly connected to the ground, making it easily accessible to anyone, and in the meantime, SOC facilities were planned to become the center point of the region. It also attempted to overcome the limitations of existing rental housing by planning a happy house in the park.

SECTION PESPECTIVE OF COMPETION PHASE 1

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Urban En

Welcome plaza

nce tra

Mobility station

OUTDOOR F&B STAION Food bus, Outdoor cafeteria

OUTDOOR WORK STAION

Mobility station

Camping, picnic

OUTDOOR CULTURE STATION

OUTDOOR SPORTS STATION

Performance, Discussion

nce tra

Valleyball court, Tennis court

Mob ility En

OUTDOOR CARE STATION Urban farm, Playground

COMMERCIAL

C ccess n, A tio ni og

KID’S STATION Tire museum, Tayo gallery, Kid’s cafe

WORK STATION

Start-up, MaaS office

F&B STATION Retail street, Flea market

CULTURE STATION Library, Lecture room, Exhibition

SPORTS STATION

RESIDENTIAL

Swimming pool, Climbing, Gym

RESIDENTIAL

CARE STATION

Child & Senior care facility

EDUCATION

Urban

ility axis , Mob een Gr

Living SOC

Liv

ing

lth

lS

OC

C

C

SO

Job support

Garage worker

Religion

Education

Culture

&

Local resident

Transport

Newly married couple

Healthcare

Youth

Sharing

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Cu

Start-up support

tia

Leisure

en

Childcare

sid

Commercial

Re

a He

SO

Sport

Culture SOC

Residential SOC

The outer space was created as an event space linked to the indoor SOC program using the inclined terrain. In order to create an eco-friendly landmark representing the region, we plan a 30,000-square-meter green space that combines a lawn looking at the sky, a walkway through the forest and a playground running together.

Health SOC

Green park and outdoor sports facilities using artifi cial decks

Working SOC

Park

Not Prefer

Prefer Resident preference analysis

Living SOC

Vital space focused on residents and users

Sports Station

Work Station

Kid’s Station

F&B Station

Care Station

Culture Station

Living SOC HUB Sharing Station

In order to form infrastructure that contributes to the local community, the SOC program reflected user preference surveys and introduced bus-themed specialized facilities to improve the bad perception of existing Gangil garage.

Liv

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b Mo

Re

sid

en

ing

C SO

e&

tia

ur

lS

OC

lt Cu

C

OC

hS

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Garage Facilities

Center of local transportation system

The new Gangdong garage aims to become a regional TOD hub. It connects the city buses and personal mobility that span the Gangdong life zone. By introducing the MaaS center, we want to create an integrated platform that connects the means of transportation. As part of that, the outer ring road transit center will be promoted in the future. By proposing an additional connection deck connecting the new Gangil station.

SECTION PESPECTIVE OF COMPETION PHASE 2

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HOUSING

Considering that housing is within 35 floors of the highest floor, the number of buildings was minimized and the distance between the buildings was maximized. As a result, the sense of openness to the park was maximized and the northern generation secured the right to view the Hangang River. Considering the presence or absence of children of newlyweds and the living environment of single-person households, a modular system that can make a difference in overall width and actual depth will be applied to create a customized space with variability and scalability. The apartment building has a ramen structure centered on the central core, and is able to respond positively to future lifestyle changes. To compensate for the disadvantages of a small pyeong type of storage space, additional storage space was provided to the common area to increase the efficiency of the interior.

The community facilities were made into shared programs such as farm lounges, care cafes, open kitchens, and laundry cafes, considering everyday use.

In particular, it is not a single large space or a space divided by floors, but a three-dimensional street that is vertically connected and extended through stairs. The traditional road-centered village community has been restored. The community facilities were made into shared programs such as farm lounges, care cafes, open kitchens, and laundry cafes, considering everyday use. The special experience of belonging and bonding gained through the village community will be a great asset for young people and newlyweds.

Compact city should take into account the local population and the local environment at the same time. In order to minimize the number of buildings and reduce the impact of neighboring residential areas, the garage selects long-lived PMA flooring to ensure indoor air quality. Planting and exterior materials are selected to reduce particulate matter. We actively utilized natural lighting, natural ventilation, and excellent management to make it a low-management facility.

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2020.7

2020.9 - 2020.10

2020.10 -2021.4

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NEXT PLAYGROUND New Headquarter Building for Seoul Metropolitan Office of Education 2018 DESIGN COMPETITON_SELECTED

DESIGN ASSISTANT DIAGRAM

School playgrounds in the middle of the city have been playing a role as a stage for community beyond the mere educational purposes. The playground of our project has been used for a variety of events for students and residents of the neighborhood as a void (vacant lot) in the middle of the city for 100 years. However, when Sudo Girls’ High School moved to another place, the playground was left as a void in the middle of the city without any community function.

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CONNECTING VOID Since Japan and the U.S. Forces Korea turned Yongsan Yongsan into a military base, Yongsan Yongsan has not been completely a land for Seoul citizens. After 114 years since the Korea-Japan Protocol, Yongsan will return to Seoul citizens.

The historic absence of Yongsan Park, The metaphorical Void empties the center of the earth and brings citizens and educators from all walks of life fill with activities.

Through Void, Yongsan Park will be connected to the central development area on the north side of the site, and through Gwanghwamun Gwanghwamun Gate and City Hall, Yongsan Park will be connected to the Hangang River.

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future

present

PRESENT FUTURE

The aspect of unknown future is the accumulation of various moments of the present in the end. By introducing the surrounding city organizations of the vicinity with historical traces, the lower part will express the dynamics of small-scale aspects and the alley. Moreover, we will design Seoul Metropolitan Office of Education open anytime to any citizen, by prioritizing the placement of plaza for citizens and zoning main programs in the functional location. As for the superior part responding to a large-scale future development plan, the authoritarian working spaces will be divided into three masses to create harmony with the urban context. Through the gap space produced during this process, we will secure the view corridor connecting the Central Development District of the north and Yongsan Park and facilitate communication with citizens. Future .Present 79

NEXT PLAYGROUND

We pay attention to the function as a community means lost by the playground and try to recover the sense of place. We reconstruct the flat playground to transform it into a multi-layered “wrinkled” one, and this new structure will allow the users to have diverse events and a smoother communication. Through this, we propose a “Next Playground” adequate for future education capable of responding to the densified urban environment and respecting diversity of students and citizens.

RE-SCHOOLING

The main role of the Education Agency is to listen to the opinions of schools and families on education policy and educational reality and to come up with alternatives. Therefore, we need a work space where we can hear more voices and communicate. Change the vertical zoning of the existing work space to horizontal network zoning. Communicate with the public by segmenting the mass of the intimidating workspace. Business suitable for communication by inserting ‘In between spaces’ and listening to citizens’ voices at any time.

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WHAT I SUGGESTED

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FLY & SMILE KOREAN AIR T2 IOC 2019 NOMINATION DESIGN COMPETITON_WINNER UNER CONSTRUCTION PROJECT DESIGNER

Korean Air will build a state-of-the-art IOC with one basement and three ground floors in an area of 7,230 square meters near Terminal 2 at Incheon International Airport to improve the convenience of flight and cabin attendants.

Korean Air is planning to build an IOC in order to improve convenience by reducing travel distance while increasing efficiency of briefing tasks for flight and cabin crew.

Currently, Korean Air used the briefing room of Incheon Passenger Service Branch in Terminal 2 and the IOC of Inha International Medical Center located in the business complex near Terminal 1 for briefing flight and cabin crew, but there was inconvenience due to the small space or the distance to Terminal 2.

The new IOC plans to create an internal environment by analyzing patterns of use of buildings according to movements and work characteristics in order to make it more comfortable for flight and cabin attendants preparing for flights under the concept of “Fly & Smile,” as well as sophisticated designs. Korean Air plans to complete the construction permit approval and design process by June next year and open the new IOC in April 2022.

FLY & SMILE Travel is always a special experience away from everyday life. The airport and airplane are like a catalyst that raises travelers’ expectations. For flights, the excitement travelers feel is accompanied by vigilance of flight attendants. The IOC is where flight attendants prepare themselves before boarding. Our design started with an idea to make a space that can help effective communication and ease the tension for the flight attendants so they can best prepare for a flight.

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The new Korean Air Incheon Operation Center (IOC) will be 2.4km away from Incheon International Airport Terminal 2, which will take only 5 min. by shuttle bus. Since the location is visible from any transportation heading Terminal 2, the new IOC is expected to significantly contribute to Korean Air’s corporate image.IOC is where all cockpit and cabin crew of all routes need to stop by to prepare for the flight of the day. Although the size is a little over 14,500m2, this facility plays significant role in that it is used by 2,500 cockpit crews and 6,000 cabin crews 24/7. At IOC, flight crews check and review their physical condition and other important matters, get their minds ready, and prepare for the best before getting on to the plane.

Brainstorming in house CG

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The new IOC is also designed to provide various resting areas that are realistically usable by the building users, in order to ensure maximum convenience and relaxation for the crew members. Resting areas of different sizes and characters, from a pocket resting space to a rooftop garden, are allocated around the building, each at an optimal spot, allowing not only the crew members but also all users of the building to relax and reenergize themselves.

Brainstorming in house CG

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▲ in house CG ▼

The new IOC is composed of a transparent mass, creating a bright and cheerful ambience. Each one end of the two mass lines are curved towards the sky to symbolize a plane taking off as well as the pleasant smiles of Korean Air flight crew. Under the main design concept of Smile & Fly, the new IOC, while maintaining its fancy look, is configured and structured to ensure convenience of the flight crews as they prepare for their flight, by analyzing the usage pattern and workflow pattern of each job group.

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COLLAGE CITY UIA PAVILION 2017 COMPLETE(2017) UP-CYCLE(2018,2019) 2018 IDSA’s International Design Excellence Awards (IDEA) DESIGN ASSISTANT

SOUL of CITY - Visonary City

Roles of architects, in this context, seeking “SOUL OF CITY,” are indeed significant, delivering meaningful and diversified urban environments to life through the convergence of culture, nature and future. These efforts will be translated into UIA 2017’s academic programs by reflecting three sub-themes of Culture, Future and Nature, and other subjects including Passion and Human values.

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The map of Visionary City has been cut up from various areas and projects, which SAMOO has designed for the past 4 decades. The fragments of each city reveal our endeavor to find and respect the soul of each city. Through this fragmentation and reconfiguration, the cities and projects selected from the works of SAMOO, which are building new relations among cities and buildings, allowing diverse interpretations.

Furthermore, through multi-dimensional transformation, Visionary City was designed to visualize a new future for the next 40 years while appreciating SAMOO’s endeavors of the past 40 years.

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SAMOO WO RKS

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VISIONA RY CITY

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1/10 MODEL

MODEL STUDY 97

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KIA STYLE KIA MOTORS SI UPGRADE DESIGN COMPETITION_WINNER COMPLETE(2020) DESIGN ASSISTANT

This project was about re-designing the space identity of KIA Motors as a global brand. It was a new area beyond the general construction design and a new challenge for a construction designer.

As we face this challenge of a different area, we needed to think differently. We started by interpreting the design identity of the company, based on which we could filter out the essence of its design: i) Dynamic usage of oblique lines, rather than horizontal or vertical lines; ii) Accent red, as a more intense red color through dramatic background contrast; and iii) Openness and communication as a corporate value. We could build up our design preposition based on these three core elements of design identity.

In order for all spaces of KIA Motors around the globe to express a consistent brand identity, we needed to create the most basic unit of design that is visually complete and scalable. The design team, as a result, created a connected loop as the minimum basis for all design of KIA, which embraces all the core design elements that we have filtered out.

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KIA STYLE 1S

3S

Dynamic Line

1S

STAND ALONE

STAND ALONE

Accent Red

PLUG- IN

Connected Loop

KIA has been pursuing ‘The Power to Surprise’. Those who share this value, are ‘Young at Heart’. They are truly passionate, creative and innovative. RED for challenge and passion, CUBE for technology and innovation We aim to capture to the bold purity of the red cube through a new lens and the dynamic simplicity of the line. With KIA’s dynamic energy, the existing The Red Cube is to evolve from the static and closed entity into another level of a moving and changing one The domestically most widely used Plug-In type is mainly composed of loop, which goes through upper head and inside and outside. The diagonal exterior is to stand out in city streets of monotonous horizontal and vertical lines.

This core module has a nature of scalability and continuity, which makes it possible to be extended and applied to various sales spaces of different size and nature, from interior to exterior designs. By designing a space on the basis of this basic design unit, one will be able to feel the consistent brand identity in all of KIA spaces.

3s StandAlone

A continuous composition of the Core Modules fills the showroom exterior while visualizing motorcycle’s rhythms and speed. The exterior of showroom is to remind visitors of dynamic running cars. The exterior extends into the interior, incorporated into floor and ceiling. This brings Kia showroom a unique image of continuous communications between inside and outside.

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1s StandAlone

The overall exterior is composed of accumulated Core Modules while the red color is placed in the upper part for far-sight visibility. This is to secure KIA’s brand identity.

1s plug-in

The main graphic symbol is to be placed where people can recognize faraway where detailed texts such as Logos, dealership and location are to be placed in consideration of close recognition. Slogan ‘The Power to Surprise’ is to be placed in the upper canopy of the store entrance.

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고급형 고급형 Glass layer Glass + Met layer al + panel Met al panel

일반형 일반형 Perf oratPerf ed m orat et aled panel m et al panel

보급형 보급형 Print ed m Print et aledpanel m et al panel

The core aspect of SI design is to build a logical design process. One can find the major clue to come up with a right design through an in-depth exploration and thinking. An extensive series of brainstorming, discussion and idea sharing led to a concrete design process.

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REVERBRATION Thousands of imaginations crossing the Han River COMPLETE(2019)_SELECTED

Nodeul Island is an island located in the middle of the Han River Bridge connecting Dongjak-gu and Yongsan-gu.Nodeul Island, which was used as a resting place for citizens along the Han River until the 1960s, was left unattended for decades, repeating that many development projects, including the Han River Art Island, were established and scrapped. Nodeul Island will be reborn as a music-mediated complex cultural base in September 2019 through various public discussions with experts and citizens for years from 2012.

It wanted to maximize the recovery of everyday life by creating the reverberation of physical and acoustic echoes that would resonate on Noldeul. By adding new walking pleasure to the Han River Bridge, which is the first bridge of the Han River and has the potential to be a Nodeul Island, the Han River Bridge connects the city with daily life and connects the past and the present.

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IMAGE BY CHOI TAEJU

1940s

1950s

2020s

2030

32+1 = 32

There are 32 bridges connecting the Han River to the north and south in Seoul. The bridges of the Han River are bridges that start from the city and are located as a large part of the city’s organization. Our plan has a large direction of respecting, maintaining and supplementing the current bridge. The extension of the park_The function of Han River Park, which connects daily life and daily life, is growing and captures various daily lives, while bridges that directly connect Han River Park and Han River Park levels without going up and down, are hard to find other than diving bridges. We looked at the Han River in a respectful manner, adding a new level to the existing bridge that “directly connects parks and parks” and creating a playground to maximize it.

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The Han River Bridge has several hours of turn-on as it is the first bridge in the Han River. It was at the center of many businesses and controversies with Nodeul Island. Nodeul Island was a place of life and a place of play. Plans are underway for pedestrian bridges through the regeneration of everyday contexts and vertical links between the Han River Bridge. With historical memories of Nodeul Island and respect for its current plans, I would like to add a new light to Nodeul Island. In addition, we would like to restore the image of a pedestrian bridge at the waterfront level and the memory of the beach.

Bridge with three layers, rings with two layers.

The extended bridge in the park has three layers.

The existing vehicle-walking route, the 100’s bridge to be completed in 2021, and the walkway at the waterfront level, which has restored history, are vertically connected, adding to the joy of walking on the Han River Bridge.

The bridge surrounding Nordle Island has two levels. Following the natural slope along the extended bridge in the park, you will reach the upper loop where you can observe the Nodeul Island closely in contact with the level at the top of the Nodeul Island, and reach a platform that can accommodate various events. The deck on the first floor serves as a resting place and a place to look out from Nodeul Island, and various facilities will be built to supplement Nodeul Island’s programs.

The bridge to the park’s daily life leads to a wave of water that matches the shape of the Nodeul Island.

The bridge, which rings around the island, gives a new pleasure of looking around it from the outside, creating a new area between the island and the bridge. The space between the two has a function of restoration and exhibition management of the ferry and beach, which used to be an unusual play area, due to the change in the height of the water space.

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IMAGE BY CHOI TAEJU

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FLAT GROUND Thousands of imaginations crossing the Han River COMPLETE(2019)_SELECTED COLLABORATE (with SYA, PILOTIS) DESIGN ASSISTANT VISUALIZING

Twenty years from now you will be more disappointed by the things that you didn’t do than by the ones you did do.

So throw off the bowlines.

Sail away from the safe harbor.

Catch the trade winds in your sails.

Explore, Dream, Discover -Mark Twain-

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SECTION PERSPECTIVE

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Flat Ground

Timeless Layer

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IMAGE BY PARK SHINYOUNG

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HOUSING.5 LH Public remodeling rental housing DESIGN COMPETITION _ WINNER UNDER CONSTRUCTION COLLABORATE (with SYA , TOHO arachitcts) DESIGN ASSISTANT VISUALIZATION

Guen dong 532-6

Jowon dong 492-2

Cheoncheon dong 226-2

Guen dong 592-5

Younghwa dong 124-74 129

Guen dong 592-5

Jowon dong 492-2

Guen dong 532-6

Younghwa dong 124-74

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