JUNFENG WANG | SELECTED WORKS | 2003-2013
JUNFENG WANG | SELECTED WORKS | 2003-2013
GSD WORKS | 2011-2013
Gallery Addition
Ornamental Space
Knot Surfaces
Brooklyn Campus
Manhattan Grids
PRE-GSD WORKS | 2003-2011
Celebrity Museum
Pond Pavilion
Revolving House
OTHER WORKS
Research | Fabrication
Internship
Floating Yards
JUNFENG WANG | SELECTED WORKS | 2003-2013
GSD WORKS | 2011-2013
Gallery Addition
Brooklyn Campus
Ornamental Space
Knot Surfaces
Manhattan Grids
MULTIPLICATION & UNIFICATION ART GALLERY ADDITION PROJECT 2013 Spring Location: Winnipeg Art Gallery, Winnipeg, Canada Type: Option studio design, individual Tutor: Preston Scott Cohen
Geometric Motivation The starting point of the project is to identify a geometric system in the existing building and then take it as the motivation for generating the addition geometry, either by following or transgressing the system. By doing so, the new part of the building will be able to inherit the deep gene of the old one, thus a close geometric relationship generated between the old and the new. The addition area locates at the rear side of the existing building, which has two distinctive triangular tips. The addition takes these two tips and their intersection point as the main geometric motivation, creating a radial pattern that forms the basic plan shape for the addition. Each floor of the addition part follows this basic geometric system while they are interacting with the existing gallery space.
before
after
| Unified Multiplicity | Three Types of Spaces with a Unified Facade The basic idea of the studio is to create pedagogy which will address a certain or several theoretical conundrums of contemporary architecture. The pedagogy in this project tries to deal with the relationship between multiplication and unification in architecture, namely how to unify different elements in architecture while still preserving the diversity they have produced. The first task is to compose one faรงade, the geometry of which unifies the following spatial typologies from the ground floor up: semi-urban residual space, cellular galleries and open plan gallery space. The facade should not only unify these spaces, but also manifest their presence. In order to achieve that, the boundary of the floor changes from jagged to smooth while it arises, which generates the unified facade by sweeping these varied boundaries.
Third Floor Plan
THIRD FLOOR PLAN 1:200
First Floor Plan
FIRST FLOOR PLAN 1:200
Basement Floor Plan
BASEMENT FLOOR PLAN 1:200
Roof Plan
N
ROOF PLAN 1:200
Second Floor Plan
SECOND FLOOR PLAN 1:200
Ground Floor Plan
GROUND FLOOR PLAN 1:200
Skylight Rooftop
Open Plan Gallery Space
Cellular Galleries
Semi-urban Residual Space
Unified Facade
Spatial Typologies
steps (parallel)
skylight windows (parallel)
gallery (radial)
ROOF PLAN 1:200
N
connection (radial)
| Unified Multiplicity || Parallelism and Radialism Within Spiralism The second task is to add a strong and consistent formal order, a spiral or radial progression, to the building and force it to mutate by meeting other formal or programmatic demands. The mutation should produce composite forms of duality or even multiplicity. In the project, the open plan gallery and the skylight rooftop forms a continual spiral system, which meets different functional demands by mutating between parallel and radial composition. Specifically, the spiral system starts from the gallery space, which follows the radial pattern of the lower floors, then it mutates into parallel steps which merges with the existing steps on the roof. After that the system again changes into radial pattern in order to quickly arise to the skylight rooftop. The whole system ends at the parallel skylight window, which provides the ideal path for the natural light to come into the gallery.
Rooftop after the addition
|| Redeployment | Low Entrance Except the unified multiplication, the project also tries to form a close relationship between the old and new. The main solution is to identify either a distinctive or hidden formal element in the existing building and redeploy it in the new building by means of anothÂŹer formal language. One of the formal elements is the existing extremely low entrance. The entrance of the addition adopts such lowness, yet with a new curvy language, which seemingly sucks the outside into the lobby space. This new formal language also tackles the way the building touches the ground when it tries to create the first spatial typology, which is the urban residual space.
|| Redeployment || Monumental Chimney The other formal element to redeploy is the existing chimney. Its monumentality has been largely neglected because of its peripheral location. The new addition and the existing gallery form a courtyard space which surrounds the chimney and enables it to be a centrally dominant figure. By doing so, the monumentality is redeployed with a formal language change from peripheral to central, from trivial to dominant.
Neglected Figure
Interior View 1
Interior View 2
Interior View 3
Dominant Figure
ORNAMENTAL SPACE APARTMENT DESIGN 2012 Fall Location: Boston Type: Option studio design, individual Tutor: Christian Kerez
Ornamental Space | Ornamental Structure Ornamental space promotes others while sacrificing itself. The traditional spatial hierarchies vanish, the space becomes trivial. Space frames the structure discrepantly, creating a tension between the feeling of relevance and alienation, the normal structure suddenly becomes unfamiliar and mysterious which visually and experientially dominates, while the space itself fades away into nothing. Ornamental space is a place with no clear direction, no decisive perspective. Everything or nothing could happen, people no longer perceive them as merely users, but more importantly participators, constantly discovering or encountering new moments in the space.
concrete structure
private space
concrete walls
public space
3rd floor
bathroom
living room
bathroom
entrance
4th floor
bedroom
kitchen
kitchen bedroom
entrance living room
bedroom
bathroom
5th floor
living room
6th floor
bathroom
kitchen living room
bedroom
entrance
entrance
kitchen
living room
bedroom
kitchen
7th floor
entrance
bathroom
living room
entrance
living room
bedroom
7th floor
bathroom
entrance
kitchen
living room
bathroom
entrance
kitchen bedroom
kitchen
bathroom
bedroom
7th floor
8th floor
5
entrance 1 3
2
entrance 2
public space
view 2 4
1
view 3
view 4
view 5
staircase view 1
staircase view 2
staircase view 3
private space 1
private space 2
private space 3
public space 1
public space 2
public space 3
Structure Composition
decorative concrete 6.4m 0.2m
4m
reinforcing bars
6.4m
5th-8th floor structure
structure unit
0.4m
KNOT SURFACES
GENERATIVE GEOMETRY MODELING 2012 Fall Type: Course assignments, collaboration Collaborator: Yuan Zhan Contribution: Concept 50%, analysis 40%, 3D modeling 60%, rendering 50%, final presentation 30% Tutor: Andrew Witt
knot curve
projection to ellipsoid
construct curves on the project
knot curve
projection to ellipsoid
connect curves with the bottom
tion plane
construct guide curves to smoothly connect ellipsoid with knot surface
construct knot spanning surface
m side of projection lines
construct all necessary curves
construct knot spanning surface with thickness
knot curve
projection to ellipsoid
construct curves at where kont ove
knot curve
projection to ellipsoid
pull curves to ellipsoid
erlaped
construct knot spanning surface with internal projection curves
knot spanning surface
construct knot spanning surface with pulled curves
construct knot spanning surface with thickness
Small Scale Geometry: Base Unit and Parametric Behavior
Unit Powercopy
Openess Vairation
Unit Powercopy
0.85
Depth Vairation 1:3
Aggregation Knowledge Pattern
Aggregation Knowledge Pattern
Layer Multipication 1 layer
Unit Powercopy
Unit Powercopy
Unit Powercopy
Unit Powercopy
Aggregation Knowledge Pattern
Junfeng Wang, Yuan Zhan
Digital Media II | GSD 2224 Fall 2012
Openess Variation Openess Vairation 0.85
0.50
0.20
1:1
1:0.5
2 layers
3 layers
Depth Vairation Depth Variation 1:3
Layer Multipication Layer Multiplication 1 layer
Aggregation Knowledge Pattern
Aggregation Knowledge Pattern
Aggregation Knowledge Pattern
Aggregation Knowledge Pattern
One Layer
One Layer
Openness: 0.2, Depth: 1
Openness: 0.2, Depth: 1
Two Layers
Two Layers
Openness: 0.5, Depth: 0.3
Openness: 0.5, Depth: 0.3
Three Layers
Three Layers
Openness: 0.2, Depth: 2
Openness: 0.2, Depth: 2
Openness: 0.2, Depth: 0.3
Openness: Openness: 0.2, Depth: Openness: 0.3 0.5, 0.2, Depth: 0.3
Depth
Openness: 0.5, Depth: 1
Openness: 0.2, Depth: 2 Openness: 0.5, Depth: 1 Openness: 0.5,
Depth
Openness: 0.2, Depth: 0.3
Openness: 0.2, Depth: Openness: 0.3 0.8, Depth: 0.3 Openness: 0.2,
Depth
Openness: 0.8, Depth: 1
Openness: 0.2, Depth: 2 Openness: 0.8, Depth: 1 Openness: 0.8,
Depth
Openness: 0.2, Depth: 0.3
Openness: 0.2, Depth: Openness: 0.3 0.5, Depth: 0.3 Openness: 0.2,
Depth
Openness: 0.5, Depth: 1
Openness: 0.5, Depth: 1 Openness: 0.8, Depth: 1 Openness: 0.5,
Depth
Junfeng Wang, Yuan Zhan
Openness: 0.5, Depth: 0.3
Openness: 0.8, Depth: 0.3
Openness: 0.8, Depth: 1
Openness: 0.2, Depth: 2
Openness: 0.5, Depth: 2
Openness: 0.8, Depth: 2
Openness: 0.8, Depth: 0.3
Openness: 0.2, Depth: 1
Openness: 0.5, Depth: 1
Openness: 0.2, Depth: 2
Openness: 0.5, Depth: 2
Openness: 0.8, Depth: 2
Openness: 0.5, Depth: 0.3
Openness: 0.8, Depth: 0.3
Openness: 0.2, Depth: 1
Openness: 0.8, Depth: 1
Openness: 0.5, Depth: 2
Openness: 0.8, Depth: 2
Digital Media II | GSD 2224 Fall 2012
CAMPUS AS CITY REVITALIZING CONEY ISLAND’S GROUND 2011 Fall Location: Brooklyn, NYC Type: Urban design core studio, collaboration Collaborator: Yi Tu Contribution: Concept 40%, analysis 50%, 3D modeling 80%, rendering 90%, final presentation 40% Tutor: Anita Berrizbeitia
Population Density
Commercial Centers
Brooklyn is the most populous in New York City region, with nearly 2.6 million residents.
By overlapping the dense population centers and the locations of vibrant urban quarters with higher FAR, we could clearly figure out that these two populous areas has the potential for denser development.
Brooklyn’s Belt Parkway acts as a paradigmatic 20th century mobility infrastructure and one of the most significant urban interventions along Brooklyn’s southwestern edge. Conceived of by Robet Moses as a critical link in his larger metropolitan parkway network, the Belt Parkway -- constructed between 1939 and 1941 -- follows roughly 35 miles of Brooklyn's western shore edge from Owl's Head to Whitestone. Functioning as a hybrid corridor, the Parkway integrated vehicular circulation, pedestrian and bike paths, parks and other civic amenities within a singular urban structure. Through this overlay of urban systems, the project was one of the first to frame the urban as a landscape -- providing New Yorkers with the opportunity to experience the picturesque qualities of their city from an urban edge, primarily through the lens of the private vehicle. Today, as New York City at large, continues to renew the city’s relation to the water, the time is right to rethink the role of the “Parkway” in the city and conceptualize a more updated set of relationships between the water’s edge, mobility infrastructures and the city at large. Our site locates on Coney Island, the south end of Brooklyn. It has great mobility, about 30-min of car-ride to the airports in this region. Unlike Manhattan’s vertical urban image, Brooklyn has a feature of great horizontality. Brooklyn was an independent city until 1898, with a distinct culture, independent art scene, and unique architectural heritage. The figuration of Brooklyn is highly influenced by topography. Our site is one of the 7 big open spaces with an area of 55 hectares’, one fourth of the area of Prospect Park. Most open space had already become parks and cemeteries while our site is the last big vacant land that is available for development in Brooklyn.
Figuration
Most open space had already become parks and cemeteries; our site is the last big vacant land that is available for development in Brooklyn.
Open Space System
Adjacent to the Coney Island creek, the site locates in an important location in the large hydrological system. The center of the creek was filled in for construction of the Belt Parkway before World War II.
Out of Scale
External Traffic
Fragmentation
Field Force
Contamination
Connection
Challenges on Site
Site
Block Strategy By studying typical models of urban block typologies in our site, different types of urban block prototypes are used to measure the possibility of our strategies. According to the typical urban block scale on site, we choose the scheme of dividing the 450m x 250m super block into six 145m x 145m blocks, which occupies the ground of each public housing and creates new podiums for vibrant public activities. Existing subway infrastructure takes up a 400m length long side of the avenue, which is available to be divided into three 145m long urban blocks with better pedestrian permeability and more flexibility for embedding new programs. Those super-blocks on site will be transformed into open urban quarters via urbanistic approaches above. More street frontages will be created. Several new public spaces will be created and inter-connected into network. Extending and integrating this urbanistic action into adjacent public amenities would create significant anchor points; bring more pedestrian flows and activities over time.
Masterplan The campus, as one entity, connects the creek and beach. It builds interaction between two riverfronts. By reconstructing wetland, the new park will perform as a machine of processing and purifying waste water. New landforms will reduce the visual effect of belt parkway and provide stages for sculpture and temporary activities. A stripe of urban plazas formed by subway terminal and complex of outdoor theatre, institute and commercial, with wetland plaza and the new performance art park, builds pedestrian connection from the creek to the boardwalk. The linear neighbor park performs as corridor from the wetland to the amusement park. New podiums have different programs as museum, library, artist studio and retail. Galleries and new commercials will convert this corner into a new civic urban space.
Vehicular Circulation
Resident's Circulation
Visitor's Circulation
North South Section
Campus
4
3 2 1
3. Lawn + Theatre
4. Wetland + Pavilion Wetland + Pavilion
Lawn + Theatre
1. Plaza + Commercial
2. Lawn + Institute Lawn + Institute
Plaza + Commercial
Dec 08, 2011
Yi Tu, Junfeng Wang
Campus
5 6 7
8
5. Studio + Exhibition
8. Beach + Performance Park Beach + Performance Park
7. Plaza + Gallery Plaza + Gallery
Studio + Exhibition
6. Studio + Library Studio + Library
Dec 08, 2011
Yi Tu, Junfeng Wang
REDEFINE THE EDGE REDESIGN WATER EDGE OF THE MANHATTAN GRIDS 2012 Spring Location: Manhattan, NYC Type: Urban design option studio, collaboration Collaborator: Yi Tu Contribution: Concept 60%, analysis 50%, modeling 100%, final presentation 40% Tutor: Anita Berrizbeitia
1750
1856
1909
The port developed in a peace meal way
1856 Commission for the Preservation of the Harbor makes recommendations for the establishment of pier and bulkhead lines
1880 Chelsea Piers
1857 no one is allowed to build a pier without permission from the city 1870 the establishment of the NYC Department of Docks, to formulate a master plan for the waterfront and to oversee its systematic development 1880 Chelsea Piers
1880 Olmsted’s Riverside Park completed
1900s, NYC became one of the world’s major internation ports 1931 West Side Highway completed 1937 the Henry Hudson Parkway is completed
1930s shipping began to dis appear from western edge.
1880 Olmsted’s Riverside Park completed
Historical Evolution
Commision’s Plan
The Water edge | Grids Relation
Pier Begins
Railway
nal
s-
1960
2012
The deterioration of the piers began in 1950 and completed in 1960
1981, construction began at Battery Park City
1963 “Ebasco” (1962-2000)Plan, a comprehensive proposal for the entire Hudson River waterfront from Battery to West 72nd Street. 1966, the Lower Manhattan Plan
1992, The NYC Comprehensive Waterfront Plan released 1995, Hudson River Park Plan, three “nodes of development” 1996, the construction of Route 9A began
1973, the Miller Highway collapsed 1974, five proposals for the West Highway 1976, VSB proposed Westway Park; the landfilling for Battery Park City was completed
Elevated Highway
Expressway, Disappearing Piers
Current situation---Eight Lanes
01 Transforming the infrastructure for covinient passing through
Current Situation
Tunnel
current situation
02 Recycling ending points (piers) for continious visual and pedestrian access
Stock
Courtyard
Bar
Terrace
Deck
Landscape
tunnel
Bridge
bridge
Park
Principles
Three Testing Sites
transitional green space
03 Reconstructing ending points (piers) with low densesity, continuous fabric
04 Connecting the piers via pedestrian access
05
Waterfront Developments
Promenade
Building Developments
waterfront density
Platforms
promenade
Square
Open Space Network
Building
landscape node
building density
open space
waterfront activity
Landscape Nodes
Reorganizing adjacent blocks by small scale urbanistic interventions
open space netw
wwwvv Nodes
architecture
infrastructure nod
Site 1: Exhibition Spaces + Commercial
Site 2: Entertainment Complex
Conceptual Section | Site 1
Conceptual Section | Site 2
Model
Model
Site 3: Institution + Campus
Conceptual Section | Site 3
Model
JUNFENG WANG | SELECTED WORKS | 2003-2013
PRE-GSD WORKS | 2003-2011
Celebrity Museum
Pond Pavilion
Revolving House
Floating Yards
BURIED MEMORY CELEBRITY MUSEUM Sept. 2005 Location: Hangzhou, China Type: Studio design, individual Tutor: Associate Prof. Chen Xiang
DYNAMIC PATH POND PAVILION Aug. 2009 Location: Beijing, China Type: Parametric design workshop, collaboration Collaborators: Ma Zhiliang, Wu Liang, Sheng Bo Contribution: Concept 70%, analysis 30%, 3D modeling 50%, rendering 40%, final presentation 50% Tutor: Nikolaus Wabnitz
REVOLVING HOUSE RESIDENCE COMPETITION Nov. 2008 Location: Hypothetical graden city Type: Competition design, individual Tutor: Prof. Luo Qingping
FLOATING YARDS RESIDENCE DESIGN Sept. 2008 Location: Hangzhou, China Type: Studio design, individual Tutor: Associate Prof. Chen Fan
JUNFENG WANG | SELECTED WORKS | 2003-2013
OTHER WORKS
Research | Fabrication
Internship
RESEARCH | FABRICATION Project 1: Eco-Surface (2011 Fall, collboration with Lin Peng)
R
moss
1
rain collection
3
2
4
window
irrigation pipe
807 901 978 1037
r
1
2
3
4
water R 4 3
2
6.5
5
2
3.5
1
2 3.5 5 6.5
h
1
2
3
4
Aiming to improve the ability of the building surface to absorb the solar radiation and make the heat evenly distributed on the faรงade, a module is developed to populate on the building surface. The module has four variations with different ability of absorbing the radiation. The facade would be divided into units according to the thermograph that analyzed in Ecotect.The facade is connected by a network of irrigation pipes. The Eco-Surface, therefore, is an integrated system that reflects not only the heat accumulation on the building facade, but also the physical characteristic of the wall. Different ways of fabrication were applied to develop the Eco-Surface, including laser cutting, 3D Rapid prototyping and CNC milling. In the process, the possibility of different materials were also carefully examined in order to explore the potential of the design.
3D Rapid Prototyping
CNC Milling
3D Rapid Prototyping
Laser Cutting with Plexi Glass
12-35_39
Project 2: Manhattan Grids / Understanding Complexity (2012 Spring, collboration with Ashkan Sedigh) 12
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52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
42 41 40 39 38 37 36 35
42 41 40 39 38 37 36 35
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
33 32 31 30 29 28 27 26 25 24
33 32 31 30 29 28 27 26 25 24
33 32 31 30 29 28 27 26 25 24
23
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52 51 50 49 48 47 46 45 44 43 42
52 51 50
52 51 50
49 48 47 46 45 44 43 42
49 48 47 46 45 44 43 42
52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
33 32 31 30 29 28 27 26 25 24
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33 32 31 30 29 28 27 26 25 24
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39 38 52 37 51 36 50 35 49
39 38 52 37 51 36 50 35 49
48 34 47 33 32 46 31 45 30 44 29 43 28 42 27 41 26 40 25 39 24 38 23 37
48 34 47 33 32 46 31 45 30 44 29 43 28 42 27 41 26 40 25 39 24 38 23 37
36 35
36 35
36 35
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
52 51 50 49 48 47 46 45 44 43 42
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52 51 50
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41 40 39 38 37 36 35
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
34 33 32 31 30 29 28 27 26 25 24 23
DENSITY OF BLOCKS
TYPE 1
Building Area: 1000 ft 2 lot Area: 457788 ft 2 FAR: 0.00
TYPE 2
Building Area: 600006 ft 2 lot Area: 599210 ft 2 FAR: 1.00
TYPE 3
Building Area: 797608 ft 2 lot Area: 550512 ft 2 FAR: 1.45
TYPE 4
Building Area: 471247 ft 2 lot Area: 161386 ft 2 FAR: 2.92
0-3
TYPE 5
TYPE 6
TYPE 7
TYPE 8
TYPE 9
As part of the “Rethinking the Manhattan Grids” studio, the first research “Scanning: Plan versus Reality” on the right compares the current Manhattan plan to the 1811 Commissioner Plan to find out the physical differences between these two plans; the second research “Understanding Complexity” on the left analyzes one of the six topics which are infrastructure, topography, density, land use, demography and historical evolution. The study of the six topics was turned into the physical model through the effort of the whole studio members.
TYPE 1
TYPE 2
TYPE 3
TYPE 1
TYPE 2
TYPE 3
9-32.33
10-29.30
8-32.33
9-32.33
10-29.30
10-27.28
8-27.28
TYPE 4
TYPE 5
TYPE 6
8-32.33
11-40.41 11-44_46
2.3-35_37
2-27_29
TYPE 12
Building Area: 1518132 ft 2 lot Area: 411065 ft 2 FAR: 3.69
Building Area: 624122 ft 2
Building Area: 941937 ft 2
lot Area: 120797 ft 2 FAR: 5.17
lot Area: 170539 ft 2 FAR: 5.52
Building Area: 972045 ft 2 lot Area: 165828 ft 2 FAR: 5.86
Building Area: 601471 ft 2 lot Area: 101697 ft 2 FAR: 5.91
TYPE 11
8-27.28
10-27.28 6-41.42
9-41.42
2-27_29 10-32.33
9-41.42
10-32.33
7-38.39 2-41_44 11-36_39
TYPE 8
TYPE 5
3-6
TYPE 10
TYPE 12
TYPE 3
6-41.42
TYPE 14
2-24.25
2-38_40
9-27_29
2-31_33
TYPE 4
TYPE 10
TYPE 1
TYPE 2
4.5-43_46 2-24.25
TYPE 7
Building Area: 819413 ft 2 lot Area: 130895 ft 2 FAR: 6.26
Building Area: 1051177 ft 2 lot Area: 149213 ft 2 FAR: 7.04
Building Area: 1537340 ft 2 lot Area: 158000 ft 2 FAR: 9.73
TYPE 13
TYPE 14
9-24.25
6-49_51
11-31_33
TYPE 13
TYPE 9
11-23_30
9-27_29
2-31_33
TYPE 6
6-10
9-24.25
TYPE 11
11-31_33
1-50.51
FAR: 0~5
FAR: 5~10 FAR: 10~15 FAR: 15~20 FAR: 20~
12-35_39
Residential
Mixed Use Open Space & Outdoor Recreation
10-34_42
Commercial Institutions
Building Area: 2134736 ft 2 lot Area: 165200 ft 2 FAR: 12.92
Building Area: 3217609 ft 2 lot Area: 160666 ft 2 FAR: 20.03
Industrial
5-37.38
Parking Transportation & Utilities
10+
Vacant Lots
12-35_39
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52 51 50 49 48 47 46 45 44 43
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
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33 32 31 30 29 28 27 26 25 24
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52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
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33 32 31 30 29 28 27 26 25 24
33 32 31 30 29 28 27 26 25 24
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52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
52 51 50 49 48 47 46 45 44 43
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
42 41 40 39 38 37 36 35 34
33 32 31 30 29 28 27 26 25 24
33 32 31 30 29 28 27 26 25 24
33 32 31 30 29 28 27 26 25 24
23
23
23
23 37 36 35 34
23 37 36 35 34
TYPE 4
TYPE 5
TYPE 6
11-44_46
2.3-35_37
11-44_46
2.3-35_37
11-40.41 7-38.39 2-41_44 11-36_39
7-38.39 2-41_44 11-36_39 2-38_40
4.5-43_46 11-23_30
6-49_51
4.5-43_46 11-23_30
6-49_51 1-50.51
1-50.51 10-34_42 5-37.38
10-34_42
Grid Evolution
Topography
52 51 50 49 48 47 46 45 44 43 42 41 40 39 38 52 37 51 36 50 35 49 34 48
33 47 32 46 45 31 44 30 29 43 28 42 27 41 26 40 25 39 24 38
TYPE 5
5-37.38
1
42 41 40 39 38 52 37 51 36 50 35 49 34 48
TYPE 4
2-38_40
2
42 41 40 39 38 52 37 51 36 50 35 49 34 48
TYPE 6
Demography
1
52 51 50 49 48 47 46 45 44 43
42 41 40 39 38 37 36 35 34
11-40.41
Density
2
52 51 50 49 48 47 46 45 44 43
23 37 36 35 34
Land Use
1
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INTERNSHIP WORKS
JUNFENG WANG
11 Peabody Terrace, Apt 1301, Cambridge, MA 02138 (857) 600-5880 wjfarc@gmail.com
EDUCATION 2011-2013 2003-2011
Harvard University Graduate School of Design, US •Master of Architecture in Urban Design, May, 2013
Zhejiang University, China
•Master of Architecture, June, 2011 •Bachelor of Architecture, June, 2008
PROFESSIONAL EXPERIENCE 04-09/2010
06-08/2009
03-06/2008 05-08/2007
Intern
Studio Tiziano Pucci Architetto, Empoli, Italy
•Assisted with construction documents for the Real Villani Apartment project. •Assisted with interior design, modeling and rendering for the Disegno Baglieri House project. •Assisted with computer modeling for the Lantico Borgo House and the Le Tagliate Residence projects. •Assisted with detail survey of traditional Tuscany houses in Montorsoli
Architectural Design and Research Institute of Zhejiang University, Hangzhou, China Intern
•Assisted with concept design, modeling and rendering for the Training School of Government project.
Intern
Zone Architecture Design Corporation, Hangzhou, China
•Assisted with conceptual and detail design for a series of renovation projects.
South Architecture Design Co.Ltd., Hangzhou, China
Intern
•Assisted with concept development, CAD drawings of plans and sections for the Ningbo Aierni Complex project. •Assisted with concept design of community center for the Xian Olympic Residence project.
EXHIBITION & PUBLICATION 2012 2012 2011
Urban Design Student Work, Harvard GSD Website •Selected work: Redefine the West Water Edge of the Manhattan Grid
Elements of Urban Design 2011: Brooklyn
•Selected work: Campus as City: Revitalizing Coney Island’s Ground
Architecture & Culture Journal, 07/2011
•Published paper: Restoration and Maintenance of “Historical Expression” in Old Buildings’ Facade Renovation
HONORS 08/2007
Advanced Individual in Social Practice Award, Zhejiang University
2006-2007
3rd Prize for Excellent Academic Scholarship, Zhejiang University 3rd Prize for Excellent Undergraduate Scholarship, Zhejiang University Excellent All-Round Student Award, Zhejiang University
2004-2005
2nd Prize for Excellent Academic Scholarship, Zhejiang University ACTIVITIES & INTERESTS
02/2009 12/2008 08/2007 08/2007
Global Elite Leadership Training Program, Hong Kong
Trainee
•Selected by IAESTE China and Hong Kong Baptist University, successfully completed practical training and was highly praised for excellent teamwork.
IAESTE China, Shanghai
Assistant
•Recruited Chinese companies to offer oversea internships for foreign students. •Interviewed Chinese applicants to test their English proficiency.
Academic and Cultural Exchange Program, UCLA, LA
Trainee
•Selected for a student exchange program in California. Participated in language training and academic exchange for one month.
Volunteer, Beijing 2008 Olympics, UCLA, LA
Leader
•Organized activities with team members and local Americans to support 2008 Beijing Olympics. Awarded the title of “Advanced Individual in Social Practice” by Zhejiang University for active work in activities.
SKILLS Language
Chinese Mandarin (native), English (fluent in speaking and writing)
Software
Modeling •Proficiency in AutoCAD, ArchiCAD, SketchUp, Rhinoceros, Grasshopper, V-Ray
Graphics
•Proficiency in Photoshop, Illustrator, Indesign
Animation
•Proficiency in After Effects, Premiere, Soundbooth
Fabrication
•DeskArtes, Mastercam