Yunhwan_Portfolio

PORTFOLIO | 2014 - 2017

Yunhwan Jung

Master of Architecture I University of Pennsylvania | Penndesign

YUNHWAN JUNG architecture designer

Education

Master of Architecture yjung0804@gmail.com c. 424 241 8274 University of Pennsylvania | Graduate School of Design

University of Pennsylvania | Master of Architecture I December, 2017 Philadelphia, PA

Pratt Institute | Bachelor of Fine art as Interior Design December, 2012 Brooklyn, NY

Professional

SOM Junior Architectural Professional (14 months)

New York, United States, April.2018 - Current Projects | St. Sava, Journal Square, 415 Madison, Moynihan train station

NADAAA Freelance (3 weeks)

Boston, United States, Feb.2018 - March.2018 Projects | Seoul Cinematheque competition

SOM Architectural Intern (3 months)

Chicago, United States, June.2017 - August.2017 Projects | One Bangkok Signature tower

UN Studio Architectural Intern (3 months)

Amsterdam, Netherlands, Sep.2016 - Dec.2016 Projects | Lewisham tower

Kengo Kuma and associates Architectural Intern (3 months)

Tokyo, Japan, May.2016 - August.2016 Projects | KKAA Cafe

wHY-Architecture studio Architectural Intern (6 months)

Los angeles, United States, April.2013 - September.2013

Projects | Gold-coast competition, Broad Market, Broad Restaurant

Skills

3D Modelling and Rendering

Rhinoceros | Revit | Maya | 3ds Max | Grasshopper | Maxwell | V-ray | Keyshot

Graphics and Drafting

Auto CAD | Photoshop | Illustrator | Indesign | After Effects

Others

Hand-crafted | Microsoft Office

Honors

Pressing Matters VII | University of Pennsylvania Ambivalent Object

Pressing Matters VI | University of Pennsylvania Nostalgia

Dales Fellowship Portfolio Competition

3rd prize among entire M.Arch | Class of 2017

AMBIVALENT OBJECT

TRANSFORMATIVE TOWER

MICRO-BLUR

NOSTALGIA

ARTS AND AQUATIC CENTER

SIGNATURE TOWER

LEWISHAM TOWER

Academic | Individual project Location: Keflavik, Iceland Program: Data center, Geothermal power plant

Academic | Group project Location: 103 Charlton St, New York, NY Program: Car parking, Exhibition, Hotel, Office

Academic | Individual project Location: 45 Thompson street, New York, NY Program: Micro housing, Office

Academic | Group project Location: Nagoya, Japan Program: Bitcoin center, Bitcoin campus

Academic | Individual project Location: Philadelphia, PA Program: Water pool, Gallery, Retail

Professional works | SOM Location: Bangkok, Thailand Statues: In progress

Professional works | UN Studio Location: London, United Kingdom Statues: In progress

KKAA CAFE

Professional works | Kengo Kuma and Associates Location: Tokyo, Japan Statues: Built

112-EHRET

Professional works | H-Architecture Location: New jersey, United States Statues: In progress

GOLD-COAST ART CENTER

Professional works | wHY-Architecture Location: Gold-coast, Australia Statues: Competition

01 AMBIVALENT OBJECT Academic work | Individual project Data center & Geothermal power plant Instructor: Jason Payne Location: Keflavik, Iceland Software: Rhinoceros, Maya, V-ray, Key-shot, AutoCad, Photoshop, Illustrator

The project starts with understanding the Iceland mythology; Lyngbakur. This Icelandic folklore tells of a rare marine creature of enormous proportions, rivaling in scale the islands commonly found just offshore. Using these mythological facts, the project starts to blend with both Lyngbakur’s forms and the architectural tectonics. The building formation follows the site conditions, where the building get close to landscape, it remains as Lyngbakur (Loose up) and where the building get close to city, it starts to gain machinery envelops (Tight). Playing with these ambivalent exterior aspects, the project starts to gain life with Data Centers and Geothermal Plants.

Speculating what kind of architecture programs into this building is defining by exterior conditions of building.

Power distribution module

Generators White space

Transformer Water pipe

Busway

Main distribution panel

Video Surveillance

Air chillers

Turbo-Colling Units Extinguishing Gas

Main office Heat Exchanger

Geothermal power plant (detail)

Iceland’s new crop requires that we look past outmoded idstinctions between the natural and artificial worlds to see that what is poised to grow now in Iceland is not plant-based, but rather a strange fusion between hydrothermal dynamics and information architecture. Cultivating the Icelandic Geothermal server farm became starting point. Server farms in Iceland are tied in their development and rapid proliferation to limitless supplies of volcanic energy and the equally limitless growth of raw data in need of managed, secure storage.

01 | Ambivalent object

Photo collague (detail)

Data centers can be any size but increasingly are imagined an dbuilt as extraordinarily large in scale. It is worth pausing over this observation, spellbound as we are over all things massive in scale. The problem of form relative to extreme size in this building type remains tied to data engineer’s assumptions concerning spatical configurations most conducive to various efficiencies required for the warehousing the machines and infrastrcutures of information.

Yunhwan Jung

Satellite view (Zoom out)

William Gilpin, in developing a theory for seeing and expressing the natural landscape that would break with Classical tradition considered travel vital to the aethetic project. For our purposes, travel to Iceland using statellite view indeed the important, and some of this project’s most fundamental work foregrounds this vehicle and tool for design travel.

01 | Ambivalent object

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No-where view

(detail)

Cliff view (detail)

In-between view (detail)

Edge view (detail)

“hyperobjects - in our world that both natural and artificial at once, the two bound together so thoroughly as to form a new object that is neither and both simultaneously” Satellite view (Zoom in)

The distances and different formal languages is questioning why this Lyngbakur look like building sits on top of cliff and so close to the edge of the city. It will always use the water from ocean for cooling tower and became attraction area for the city. This building is not just building it has Icelandic people’s believes and architect’s believes of new type of Data center with Geothermal plants.

Yunhwan Jung

01 | Ambivalent object

Landscape integration Travelling through Iceland gave clear idea of how to integrate with landform architecture. The data center presents an extreme case, if not in terms of performance then in terms of composition, each system (white space and white box) its own cosmos of requirements, scales, and geometries that only really touch in the realm of atmospheric controls. A design methodology cognizant of this distance, while perhaps counterintuitive at first is likely the way to disentangle the demand for efficiency from its associations with rectangularity. It will always appear differently when it hits with Iceland cliff landscape, which is landscape integration to building.

Yunhwan Jung

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TIER 3 + COOLING TOWER TIER 2 + MECHANICAL GPS: 64.011188, -22.555101

Main core Entrance Resting area Geothermal power plant Tier 1 zone Tier 2 zone Tier 3 zone Ventilation tower Cooling tower Mechanical zone

400’

100’ 200’

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TIER 1 + VENTILATION TOWER

LEGEND 1 2 3 4 5 6 7 8 9 10

Yunhwan Jung

“...foamless is not only an adjective having a given meaning, but a term that serves to bring things down in the world, generally requiring that each thing have its form...affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit�

- Georges Bataille

Top perspective view (detail)

machinery envelope

circular core

cooling tower

ventilation tower

stair

Elevation view (detail)

01 | Ambivalent object

concrete panel

Interior view (detail)

“ambivalent - an oscillating movement from one to the other and back again - that allows inside and outside its own expression�

Section physical model

(12.5 x 26 x 9 inch)

Scale: 1/1000

Ambivalent object started from the engineering layout of current data center. Current data center has raised floor, cooling tower and ventilation tower; these are must engaged with data center because of cooling system of data farms. Keeping these regulations and guide-lines created ambivalent architecture from exterior to interior. Since this gigantic data center almost hit 1 million square feet area, dividing tiers with adding additional raised floor became key of interior design. From exterior, this will look like mysterious creature, but once machines and people engaged, it became ambivalent object data center.

Yunhwan Jung

02 TRANSFORMATIVE TOWER Academic work | Group project Car parking + Exhibition + Hotel + Office Instructor: Hina Jamelle Location: 103 Charlton St, New York, NY Software: Maya, Rhinoceros, Maxwell, AutoCad, Photoshop, Illustrator

The New York alternative carpark tower is an alternative building typology that is fitting for a city with limited land resources. At the same time, they are criticizing the current developments of most metropolitan cities, which are growing rapidly without vision and preparation for the future of mankind. Most cities still utilize the logic of 19th and 20th century design whereas this traditional urban/architecture logic does not involve consideration of sustainable strategies and socio-cultural interactions in a never-ending world. Not only does this car park become a testing field for us to pose out an alternative type of our city but also the tower segregates into five layers and laminates five open-air public platforms and dining areas. This kind of mixed-use and hybrid design could enrich the value of this building. The building no longer becomes a city of amenities, but, more or less, becomes a public precinct for people to live, enjoy, rest, and to celebrate. Mixed-use refers to an idea of space, alienated to the program and the natural environment, which contradicts the historical experience of constructed space and its known forms of classification. This is what we are challenging in this project: It is about contradicting with the circumstances, a contradiction between architecture and cities.

Yunhwan Jung

8.2

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Winter blossom

Summer blossom

Winter leaf

Summer leaf

Bulb

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5.1 Seed

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Transformation Diagram The design is inspired by the study of growing phases of gladiolus. By tracing the key features through the transformation of seed, bulb, sprout, stem, bud and blossom, the diagram translates the processes into a phasing mapping containing rich attributes transformed from left to right, top to bottom, frame into frame, soft to sharp and scale changes.

02 | Transformative tower

Dec.

Attributes _ Void / Fragile

Attributes _ Twisting / Bifurcating

Attributes _ Notching / Overlapping

Time

Attributes _ Interlocking / Layering

Attributes _ Merging / Stiching

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Attributes _ Framing / Folding / Peeling

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High Temperature

The attributions from transformation diagram depict how the design process starts from the beginning. Using the attributions of “Framing”, “Bifurcating” and “Interlocking” were the key design concept of this project. “Framing” describes the different layering systems of external and internal aspects; “Bifurcating” describes how the structures bifurcated from the bottom to top; and “Interlocking” describes how the facades interlock to massing to create the another spaces

Yunhwan Jung

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Primary Structure Secondary Structure

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Circulation public & private Shared Circulation

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Car Circulation

Circulation diagram

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Site diagram

Load path diagram

Programs of tower division New York is one of most problem city for car parking, so we tried to figure out this social problem from our highrise building. We wanted our building be separated by car and humans and these two separation needs to have strong research of circumstances of our site and give clear circulation for both car and humans.

02 | Transformative tower

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LEGEND 1 2 3 4 5 6 7 8 9 10

Entrance plaza Main entrance Exhibition + Automobile show Office entrance Retail Bar + Restaurant Hotel entrance Lounge Car entrance Car core

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Ground floor plan (1st floor)

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LEGEND 1 2 3 4 5 6 7 8 9 10

Car turntable Drop off area Car core Hotel lobby Cafe & Bar Fitness center Changing room Leisure pool 25m swimming pool Office

Hotel lobby floor plan (6th floor)

02 | Transformative tower

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Car turntable Drop off area Car core Elevator for office use Elevator for hotel use Fire lift Lounge Office

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Office floor plan (10th floor)

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Car turntable Drop off area Car core Elevator for office use Elevator for hotel use Fire lift Hotel room

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Hotel floor plan (14th floor)

Yunhwan Jung

02 | Transformative tower

Physical model

corian stainless-steel panel with pearl coated

water-pipe

concrete insulation

glazing stainless-steel panel

Chunk detail 3d section Two types of steel facade gives clear configuration of facade design; pearl steel was used for primary module of facade and stainless-steel was used for secondary module of facade. Compare to facade, the interior finished are simple, putting insulation between concrete with corian finish.

Yunhwan Jung

Frame into frame | Frame into void The attribution of the frame into frame and frame into void create the space of filling up the spaces with other elements. The first layer of frame goes into second layer of frame, which become another programs of the space such as car parking, office, or hotel. In addition to that, frame into another frame allows to get more views.

02 | Transformative tower

3d section perspective of parking and office Yunhwan Jung

+ 250’ - 0” 16th floor

+ 234’ - 0” 15th floor

penthouse

+ 222’ - 0” 14th floor

Hotel

+ 210’ - 0” 13th floor

Hotel

+ 174’ - 0” 12th floor

+ 162’ - 0” 11th floor

+ 150’ - 0” 10th floor

office

+ 138’ - 0” 9th floor

office lobby + 122’ - 0” 8th floor

+ 72’ - 0” 4th floor

car exhibition + 52’ - 0” 3rd floor

car exhibition + 32’ - 0” 2nd floor

+ 0’ - 0” 1st floor

main lobby

underground parking

02 | Transformative tower

Chunk section cut drawing

Physical model

Yunhwan Jung

03 MICRO-BLUR Academic work | Individual project Micro housing + Office Instructor: Kutan Ayata Location: 45 Thompson street, New york, NY Software: Rhinoceros, Grasshopper, V-ray, AutoCad, Photoshop, Illustrator

Blurring the typical housing was the main idea of this project. In order to blur the typical looking, the facade of the building and breaking the grid-lines of each levels became unique role.

Shifting the facade and merged to other units generated the final form. All the facade located differently and merged to others in order to destroying the typical looking of the housing project in New York city. These shifting and merging also helped to break the grid-lines of each levels. However, when the units merged together, they created the another objects to the building, it gives opportunity to put other functional programs such as balcony and an inner court. Lastly, small apertures from the side facade embraced more natural light to comer units since the most critical problem of the micro housing is not getting enough natural light.

Yunhwan Jung

Blurring the grid-line from facade

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Step 1 | Floors without facade

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Typical grid of facade

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Typical facade with typical depth of facade

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Step 2 | Attaching facade

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Merging the facade by up,down, and side

03 | Micro-blur

Giving different scales of each facade groups and locating differently

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Step 3 | Final mass

West elevation

Yunhwan Jung

Module types

03 | Micro-blur

module type

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Airplane Cabin Structure

Aging Copper

Sheating Drainage Mat

Steel Plate

Interior Wall Finish

Gypsum Board

Floor Finish

Module structure concept Since the module facade will be pre-fabricated and plug in to each slabs, the key concept of structure was how to make it light as much as possible. So the airplane cabin structure is strong and light enough to carry the weight of the sub-materials, this will be primary structure for the modules and wrapped with steel plate to fabricate the copper.

Yunhwan Jung

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Residential floor plan concept

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typical floor plan (7th floor)

Since the whole project was about how to divide the public space and private space within limiting size, what I’ve come up was putting all the unnecessary program to public area and make maximize space for private area. For the residential programs, all the bedrooms, kitchens and closets became private use only and dining area and living-room become public programs. For corner condition units, they have small living-room within their units since they get most large space of unit.

03 | Micro-blur

UP

Private object 1 3 4 6 7 9

One-bed unit with living-room Studio unit One-bed unit Studio unit One-bed unit One-bed unit with living-room

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Share bathroom for 1 and 3 Share bathroom for 4 and 6 Share bathroom for 7 and 9 Share living-room and hallway

Share object

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Office floor plan concept

typical office floor plan (16th floor)

Every floors have hallway and ramp at north side of the building. Each ramps give separation of where the public and private spaces are, Ramp are locating at the same level of where core is, and heading down to individual units or open space for office floors. Relating to ramp condition, ceiling has undulation too. These ceiling has same formal language of what ramp do because when ramp goes down then the ceiling also goes down.

03 | Micro-blur

Private object 1 Office module 3 Small conference room 4 Big conference room

Share object 2 5 6 7 8 9 10

Terrace Waiting area Open office area Bathroom Break area Kitchen Conference area

Conference area interior

Relationship between ramp and ceiling How to create full access office space was the main idea, all the office space are able to see each others. However, for the people who need private office area, they get small modules from the south side of the building and for the conference area, they use the hallway and some modules. To give little more of privacy all the modules are lifted up little bit so they are above from the public office spaces.

Yunhwan Jung

South view from Thompson street

03 | Micro-blur

+ 206’ - 0” Top floor

+ 196’ - 0” 19th floor

+ 186’ - 0” 18th floor

+ 176’ - 0” 17th floor

+ 166’ - 0” 16th floor

+ 156’ - 0” 15th floor

+ 146’ - 0” 14th floor

+ 136’ - 0” 13th floor

+ 126’ - 0” 12th floor

+ 116’ - 0” 11th floor

+ 106’ - 0” 10th floor

+ 96’ - 0” 9th floor

+ 86’ - 0” 8th floor

+ 76’ - 0” 7th floor

+ 66’ - 0” 6th floor

+ 56’ - 0” 5th floor

+ 46’ - 0” 4th floor

+ 36’ - 0” 3rd floor

+ 26’ - 0” 2nd floor

+ 16’ - 0” 1st floor

+ 0’ - 0” Ground floor

0’ 1’

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4’

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Section cut - South to North

Yunhwan Jung

Section cut - East to West

03 | Micro-blur

West view from Broom street

Yunhwan Jung

Physical model (2.8 x 9 inch) Using the different depth of each modules created the void spaces. These void spaces became outdoor spaces of the building.

03 | Micro-blur

04 NOSTALGIA Academic work | Group project Bitcoin campus & Bitcoin center Instructor: Homa Fajardi Location: Nagoya, Japan Software: Rhinoceros, Grasshopper, V-ray, Key-shot, AutoCad, Photoshop, Illustrator

Two different degrees of looking at infrastructure are either visible or invisible. Referring to Superstudio’s theories on accumulating and dissolving layers of architecture conditions, the main idea starts from Superstudio defining the architecture as “Architecture exists in time as salt exists in water”. The condition of park in Nagoya has been changed a lot due to earthquakes and nature impacts. It used to be flat grounds, but as time passed, it gained the deep hall in between two hills. So our projects from that concept, as time passed some portions of ground became higher and some portions of ground became lower. The higher conditions, we remained as visible and for lower conditions we made it as invisible. In these two different degrees, we achieved the idea of Bitcoin. Bitcoin center requires high security but on the other hands some portions need to be advertised to public. These two different degrees worked together as building foams and site conditions. Through this project we could re-analyze the Superstudio’s theory as of “Architecture exists in time as concrete exists in lands”

SUPERSTUDIO (The wife of Lot)

Superstudio was an architecture theory group, founded in 1996 in Italy by Adolfo Natalini and Cristiano Toraldo di Francia. Superstudio was a major part of the radical architecture movement of the late 1960s and still influencing a lot to many part of architecture. Their work of “The wife of Lot” demonstrates that their ideas of visible and invisible of architecture and objects. A drop of water continuously erodes the structures one after the other, revealing something hidden inside. Also, they said “Architecture exists in time as salt exists in water”, which gave us inspirations and guide-lines of project.

RENE MAGRITTE (Les idees claires)

(Castle of the Pyrenees)

(Voice of Spaces)

Rene Magritte was a Belgian surrealist artists, who was influenced by Superstudio as well. He often depicting ordinary objects in an unusual context, his work is known for challenging observer’s preconditioned perceptions of reality. Among all of his works, we choose “Les idees claires”. “ Castle of the Pyrenees” and “ Voice of Spaces”. All of these works demonstrates that daily objects are floating on the landscape, through this we understood the what is real.

Real is site conditions and floating space is the results from being real.

04 | Nostalgia

VISUALIZATION OF MEMORY Process of Memory with Space

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Visible Entity

Structural Grid

Cognitional Flow

Accumulated Time

Carved Memory

ESSENCE OF MONUMENT A certain object can be recognized and remembered in different ways.

Memory based on Time makes diverse perception of Space.

Selective Memory Visible Entity

Memory Spots

Remembered Form

Removed Entity Superficial Space

SPATIAL EXPANSION Traces Accumulated with Time While walking around with spatial imagination in the way of dowsing, geological exploration, accumulated history and archeological memory can be found underneath the cognitional ground level.

PLAN

SECTION

Spatial Boundary

Exposed Landscape

Cognitional Ground

Hidden Landscape

Remembered Form Cognitional Space

Superstudio’s idea that architecture exists in time as salt exists in water and reality exists in fiction. Based on the accumulation of time, visible entities can be seen differently. They are interpreted and remember in various ways depending on the perspective of the individual. These diverse constructs of memory create multiple meanings in the urban environment. The project creates a structures as a landform of urbanized nature.

Yunhwan Jung

+21.5 m

+18.5 m

+15.5 m

+12.5 m

+9.5 m

-12.5 m

Schematic void plan Accumulation of time and where the reality exists in fiction are defining by where is the continuous landscape goes. As it seeing two different degrees such as visible and invisible entities, they are organizing by site conditions. Site conditions were kept changing due to time passed, these schematic void plan are describing how site conditions changed and how it impacted to building forms.

04 | Nostalgia

300000 mm

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Top floor plan ( Bitcoin campus)

300000 mm

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04 | Nostalgia

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Yunhwan Jung

01 WAFFLE GRID Structure and Corridor

02 SPACE UNITS BLibrary, Education, and Recreation

03 VERTICAL LINK Structure, Core, and Cooling Tower

04 SPACE UNITS Bitcoin Center

05 WAFFLE GRID Adjusted for Ground and Corridor

06 GROUND 13M, Difference of Topography

Exploded axonometric

04 | Nostalgia

underground corridor main entrance

bitcoin data chillers inbetween corridor

stair vertical link

Chunk detail 3d section Different programs fit into two different situations, which are floating and underground situations. Underground space conditions have bitcoin data racks with cooling machines morelike private infrastructure. On the other hand, floating space conditions have library, offices and recreation morelike public spaces. The moment between floating and underground have continuous corridor from landscape.

Yunhwan Jung

Physical model

345000 mm

(22.4 x 6 inch)

Ideas of visible and invisible Top portion of project is visible and bottom portion of project is invisible, which demonstrates that high security and low security. Bitcoin mining became center of economics these days, Top portion of project is visible and bottom portion of project is invisible, which demonstrates that high security and low security. Bitcoin mining became center of economics these days, Top portion of project is visible and bottom portion of project is invisible, which demonstrates that high security and low security. Bitcoin mining became center of economics these days, Top portion of project is visible and bottom portion of project is invisible, which demonstrates that high security and low security. Bitcoin mining became center of economics these days.

04 | Nostalgia

Physical model (22.4 x 6 inch)

+ 21500 mm

+ 19500 mm

+ 16500 mm

+ 13500 mm

+ 12000 mm

+ 0 mm

- 4500 mm

-13000 mm

Longitudinal section

(Bitcoin campus & Bitcoin center)

Yunhwan Jung

5 different variations In order to connect floating spaces and underground spaces, there are 3 different vertical links, which works as structure, core and cooling towers. These vertical links create 5 different situations, which are functionally different but similar forms. So when people standing at inbetween spaces, they might get feeling of continuous landscapes and forests.

A | Floating situation

B | Elevator situation

C | Structure with cooling tower situation

D | Stair situation

E | Cooling tower situation

04 | Nostalgia

05 ARTS AND AQUATIC CENTER Academic work | Individual project Water pool + Gallery + Retail Instructor: Joshua Freese Location: 601 N. Christopher blvd, Philadelphia PA Software: Rhinoceros, Grasshopper, V-ray, Photoshop, Illustrator

The project starts with blending two images of pattern pictures. From the study of two dimensional pattern then studied about three dimensional patterns. These studies leaded each space unique and divided each zones clearly. All the patterns are folding into interior spaces from exterior spaces. These patterns redefined each programs where has erosion, stability, permeated, compress, and layering. Through the building, the patterns distinguished each programs very clearly. Some programs articulated the patterns as directionality of the circulations of the space, became acoustic paneling and supports the glazing areas. The patterns and space integration brings combination of graphic quality and architectural quality. These moments are happening all around the site conditions and building.

extruded masses by different view attractives

extruded massing section with patterns

extruded massing section with patterns

extruded masses by different view attractives

start erosion from the top floors

start erosion from the roof levels

mass development 1

mass development 2

mass development 3

Between the patterns and voids Developing the mass from the words, the mass added depends on view attractive points. Where has most attractive view points have most highest point of the building with series of the patterns. These patterns and height differences make unique position of the building. The patterns describe the programs of each spaces and where patterns permeated through building, they make their own void spaces. These voids functioned as small aperture of the spaces, they permeated the light and air. Also the patterns redefined each program through erosion, stability, permeation, compression, and layering. From the outside of the building, people easily distinguished the programs of the building.

05 | Arts and aquatic center

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Olympic pool Diving pool Leisure pool Spa Changing area Lobby Cafe Main gallery Restaurant Retail plaza Art sculpture area Theater Concessions

Steel coated with black White matte

Space frame

Truss Box - beams

Yunhwan Jung

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05 | Arts and aquatic center

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Outdoor object

Indoor object

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Parking

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Art sculpture area

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Main entrance

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Retail plaza

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Landscape

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Theater

Perspective 3d section

Yunhwan Jung

South elevation

North elevation

West elevation

Putting geometrical patterns to the massing gave opportunity to look at the massing differently. These patterns created another form of geometry depending on the height and width of the mass. By doing that every side of the elevation of the building became different to each other. When every side of massing become different they become more dynamic along to the site.

05 | Arts and aquatic center

water features mix-use gallery | retail | Theater

roof-level

Program diagram

Roof-level diagram

Access point diagram

Massing view from Delaware river

Yunhwan Jung

Main entrance

Patterns fold from building to site When the patterns folded on the building, the patterns also folded along the site of the project. When the patterns folded along the site, the patterns became paving of the site or showing the directions of each spaces. The characteristic of each patterns make the project variety.

05 | Arts and aquatic center

Outdoor leisure pool

Yunhwan Jung

Indoor leisure pool

05 | Arts and aquatic center

Physical model concept ( 16 x 9 inch) Subtracted patterns generate apertures of the building which generates the void spaces. Creating the void spaces depending on the patterns lead to variety of the patterns even though they are only one series of the pattern. The space where is large aperture became outdoor program of the project and small aperture functioned as structurally.

Yunhwan Jung

05 | Arts and aquatic center

Indoor olympic pool

Yunhwan Jung

PROFESSIONAL SOM | Chicago, United States Architectural Internship | 3 months Project: One Bangkok Signature Tower Software: Rhinoceros, V-ray, AutoCad, Photoshop

UN Studio | Amsterdam, Netherlands Architectural Internship | 3 months Project: Lewisham Tower Software: Rhinoceros, V-ray, Photoshop

Kengo Kuma and Associates | Tokyo, Japan Architectural Internship | 3 months Project: KKAA Cafe Software: Rhinoceros, 3ds max, V-ray, AutoCad, Photoshop, Illustrator

H - Architecture | New york, United States Architectural Internship | 3 months Project: 112-Ehret Software: Rhinoceros, 3ds max, V-ray, AutoCad, Photoshop, Illustrator

wHY - Architecture | Los Angeles, United States Architectural Internship | 6 months Project: Gold-Coast art center Software: Rhinoceros, V-ray, AutoCad, Photoshop, Illustrator

SIGNATURE TOWER Architecture Internship at SOM Location: Bangkok, Thailand Software: Rhinoceros, V-ray, AutoCad, Photoshop Statues: In progress

Surface A (Detail render & drawing)

Surface B (Detail render & drawing) SOM | 06

LEWISHAM TOWER Architecture Internship at UN Studio Location: London, United Kingdom Software: Rhinoceros, 3ds Max, V-ray, Photoshop Statues: In progress

01 BASIC MASSING

02 SUBDIVISION

03 SLENDERNESS

04 FINAL MASSING

Massive monolithic appearance

Emphasising the four foil shape by accentuating the split with shifting the volumes

Distinguished facade treatment for all for parts of the tower

Emphasising the slender appearance with colour gradient of the cladding

UN Studio | 07

KKAA CAFE Architecture Internship at Kengo Kuma and Associates Location: Tokyo, Japan Software: Rhinoceros, 3ds max, V-ray, AutoCad, Photoshop, Illustrator, Physical model Statues: Built

08 | Kengo Kuma and Associates

08 | Kengo Kuma and Associates

Kengo Kuma and Associates | 08

112-EHRET Architecture Internship at H-Architecture Location: New Jersey, United States Software: Rhinoceros, 3ds Max, V-ray, AutoCAD, Photoshop Statues: In progress

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GOLD-COAST ART CENTER Architecture Internship at wHY-Architecture Location: Gold-coast, Australia Software: Rhinoceros, V-ray, AutoCad, Photoshop, Illustrator Statues: Competition

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ARTSCAPE & RIVERWALKS Discovery Through Landscape, An Art Safari

GALLERY & PAVILIONS Grand Terrace At The Lagoon

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AMPHITHEATER & ISLAND SHORELINE Civic Celebration At The Water’s Edge

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LIVING ARTS CENTRE Maintaining Existing, Veiled With New Identity

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Nerang River front environment Artscape and outdoor sculpture elements Accessible boardwalk walkways through mounded riverfront landscape Intimate gathering spaces created by the mounding landscape allow for varied programming and functionality to occur throughout Re-establishment of native wildlife and vegetation

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Proposed New Arts Museum Adjacent outdoor gallery space and sculpture elements placed throughout great pedestrian loop Stone pavilion spaces allow for adjacent programming and outdoor functions to occur throughout Timber umbrella shade and rain water collection canopy system Proposed freshwater lagoon

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Living Arts Center with revamped skin Artscape and outdoor sculpture elements placed throughout proposed landscape Great Pedestrian Loop Proposed freshwater lagoon Establishment of native wildlife and vegetation ecosystems along shoreline and throughout lagoon

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Proposed amphitheater and stone break wall walkway along island shoreline Island stage for concerts and performances Constructed weirs of native planting and vegetation control flow and percolation of freshwater from lagoon into Nerang River Great Pedestrian Loop Personal boater quays placed throughout lagoon

he nding ound y

1 | Typical Gallery Programme

3 | Great Hall

2 | Decentralised Programme

4 | Axes, Circulation & Views

the ounding ground vity

1 | Typical Gallery Programme

ogies The Great Hall is non-directional, arcing across the Great typical gallery southeast of the Precinct, linking a series of pavilions typical program galleryportion program typical gallery program orks in an arrangement that is as much encompassing the garden as encompassed by it

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ologies The Great Hall is non-directional, arcing across the a Great typical gallery southeast of the Precinct, linking a series of pavilions typical program galleryportion program typical gallery program works in an arrangement that is as much encompassing the garden as encompassed by it

3 | Great Hall

2 | Decentralised Programme

The configuration affords enhancement of functionality, enabling operational autonomy fordecentralized the Museum within the decentralized decentralized program program program precinct and allowing community components of the program to be visible and functional as true community assets

gallery

gallery

Collections can be accessed sequentially via the Great Hall or individually via the garden during change-over of great hallgreat hall great hall temporary exhibits

4 | Axes, Circulation & Views circulation In its positioning at the lagoon edge, the Museum takes advantage of a critical footprint on the site, capturing dramatic sight-lines of Surfers Paradise to the east and the Nerang River to the south-east

gallery

The configuration affords enhancement of functionality, enabling operational autonomy fordecentralized the Museum within the decentralized decentralized program program program precinct and allowing community components of the program to be visible and functional as true community assets

Collections can be accessed sequentially via the Great Hall or individually via the garden during change-over of great hallgreat hall great hall temporary exhibits

circulation In its positioning at the lagoon edge, the Museum takes advantage of a critical footprint on the site, capturing dramatic sight-lines of Surfers Paradise to the east and the Nerang River to the south-east

wHY-Architecture | 10 gallery

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gallery

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Yunhwan Jung

Master of Architecture yjung0804@gmail.com c. 424 241 8274 University of Pennsylvania | Penndesign