UAL 倫敦藝術大學碩士合作論文／ 題目：好好生活（與其他設計師合作論文） / 作者：謝竣騏JUN QI XIE

Good Alive

好好 生活

Future portfolio

Table of contents Introduction Urban abstractions. （Black square） Painting and sketch by Future (Jun QI) Heather and Nicolo. Video by Future Heather and Nicolo

Centre of Infinity. （Library of Babel） Painting and sketch by Future (Jun QI). Final poster by Yamy

Just do Fake/Hype beast. (shanzhai culture)

By Future (Jun QI). Painting and sketch by Future (Jun QI)

Summary

By Future (Jun QI). Painting and sketch by Future (Jun QI)

References

Introduction This is an art direction portfolio. This collection will soon include the structural process and final results of three art or design works. First work is a work on the theme of abstraction. It is based on the modern art research of black square as the basis and development of the topic. This work is a group of three people to jointly produce the final product and result. Second will use the abstract or infinite concept of the book of barbell to structure the work, and develop a final result based on the same theme based on a two-person collaborative project. Third work is the topic of developing works with the theme of cottage, and developing this last work with different brands or social phenomena.

This is not just a standard collection of works, but more specifically, it is a work recording process of art direction, about the deconstruction, analysis and research of all works, and a more personal creation record. Organize and process some important works to show to all viewers who have the opportunity to watch this book. If the future is more important to each other, this set of records can leave you and me some value on art design.

A

This is the first project of the art director's collection, black square-urban abstraction. This project is developed based on the work of Russian artist balck square. This is a three-person group cooperation project. This artwork is mainly used for analysis. Our own theme.

Urban abstractions.

Black square Jun Qi Xie Future artwork, 2019 https://www.instagram.com/_mr.future_/

This is a work created in 1913. This work has been modified many times.

For example, the artist himself restored this work in 1945. Therefore, this work has many traces of history or time. It is a work belonging to the abstract system. The meaning is determined by the observer, so we develop our work from the so-called multi-viewing issues in the work. The abstract meaning is that a work may have different interpretations due to different people's perspectives, so we decided to create a quantity Body, mass body is a combination of many faces.

We believe that, as in this work, a form or a painting will see different meanings because of angles or people. In the discussion of the measuring body, we discuss how to construct this work. Some people propose image projection, and some people propose carving.

"It is from zero, in zero, that the true movement of being begins."

- Malevich modern art, abstract art

Abstraction depend on view points

artist lifestyle war ,social issues

This is also art?

policital ,prison,emotion or touch Fig. 1. Malevich's Black Square

The Last Futurist Exhibition 0,10 in 1915

1915 Black suqare red? white? suqare 1930

abstract development and thinkings points depend on different thinkings

three people copllration artwork central art space and deep central

destroy art , brake the one point, extent more way

artist creating artist lifestyle artist try destroy rules

process and research record https://www.instagram.com/_mr.future_/ Fig. 2. On my way to work Future artwork, 2019

process and research record https://www.instagram.com/_mr.future_/

we was setting our outcome how can show in the cube. we try to use different light or area we collected each people video

Fig. 4. On my way to work Future artwork, 2019

we do research about black square, and use projection to project video onto the cube because we wanted to show the cube represents the relationship between the outside and inside world, just like Malevich s Black square which is a flat painting but still includes deep meaning and many different levels. We created this cube and video installation as a modern day Black Square, which looks like a simple cube but has many different levels to illustrate our interpretation of abstraction.

Fig. 3. On my way to work Future artwork, 2019

outcome Fig.10. On my way to work Future artwork, 2019

https://www.instagram.com/_mr.future_/

Fig. 7. On my way to work Future artwork, 2019

Fig. 5. On my way to work Future artwork, 2019

Fig. 6. On my way to work Future artwork, 2019

different part of London different part of person different part in the same box

Fig. 8. On my way to work Future artwork, 2019

I propose that we should create our own sounds on the sides of the respective measuring bodies, whether it is video or illustration.

Wait, I think that this is closer to the so-called abstract issue. This is also the part that I think this work can improve. Our final result is to combine the London street scenes or images that we think of together and project them on the volume we made. But this combined video does not specifically distinguish each of our three.

But overall we still completed a very attractive work, we successfully locked everyone's eyes to understand our work, but I think our work should be able to More detailed links to the issues we want to talk about.

?

Fig.11. On my way to work Future artwork, 2019

(have video about this project in USB to support)

B Development

Centre of Infinity.

2019 London

Fig.12. On my way to work Jun Qi Xie Future artwork, 2019

The topic we want to brief is the centre of infinity. Why do we construct this theme? First, we explore the theme from the library of babel. We discover the elements of the infinite and complex world, so we began to think about infinity. Is there a center? When people understand the term finitely, they may first think about the so-called distance, or the end, but we try to think about another level, there is no limit to the end, what is the center. What is the beginning of infinity. This has become the beginning of our thinking. We will have their own opinions on the psychological and physical aspects, but we also believe that physics and psychology cannot be absolutely separated. In our respective works, there will be detailed descriptions of the works..

Fig.13. On my way to work Jun Qi Xie Future artwork, 2019

Try to paint what is space what is real how can destroy what is infinity

Fig.14. On my way to work Jun Qi Xie Future artwork, 2019

Fig.16. On my way to work artwork, 2019 Jun Qi Xie Future artwork, 2019

Fig.17. On my way to work artwork, 2019

Fig.18. On my way to work artwork, 2019

Centre of Infinity process of sketch

Fig.20. On my way to work artwork, 2019 https://www.instagram.com/_mr.future_/

Fig.21. On my way to work artwork, 2019

Fig.23. On my way to work artwork, 2019 Fig.22. On my way to work artwork, 2019

physical or psychological https://www.instagram.com/_mr.future_/ Jun Qi Xie Future artwork, 2019

Fig.24. On my way to work artwork, 2019 Fig.25. On my way to work artwork, 2019 Fig.26. On my way to work artwork, 2019

This time, my work I use painting to present my concept. Here is the process of my work. When I understand this topic, I try to study and explore some ideas about the center. So I drew some conceptual process diagrams, I think the center such as infinity, there is no absolute answer.

Whether it is physical or psychological, scientists use research to find the center of the world. Human beings are looking for their own physical or psychological things for a lifetime, so I can see that my painting has Many people at different levels and angles are displaced, etc.

I want to show that many different centers in space seem to be independent but also influence each other.

In the background of the work, I have seen some special symbols or shapes that are my creation of the unknown centre. I think there are still some centres in the world that I can't really explore or see, so I use this irregular state to present. There are many small people in the works, which are representative of the transformation of my centre. When you use different perspectives, etc., you may change your physical or psychological centre. Therefore, these different proportions of the villain are the meanings in the works. The above is my discussion of the infinite centre works. https://www.instagram.com/_mr.future_/

Fig.27. On my way to work artwork, 2019

Fig.39. Yami artwork, 2019

Fig.40. Yami artwork, 2019

Partner work

This is a collaborative project plan composed of two people. The two people discuss and analyze a theme together, but the final result is their independent development. In the process, they collaborate and understand each other's works. The last one is independent development. But there is a strong connection between each other. The theme of this project was developed with the Barber Library as the core, and the topic of this project was considered with unlimited subtitles. Our initial theme was unconscious cells. We believe that infinity is closely related to space, time, and life. Therefore, our first issue is to consider the relationship between life and space. For continuous analysis, we will study and analyze it as another theme. It is the infinite center, and the infinite center is our final theme.

We believe that there are so-called centers in both the physical and psychological parts. Although we cannot clearly see the center, we have set the so-called center in the physical and psychological people. What is the center is the value of our thinking, the definition of the center, the value of the center or the position of the center is the core of our work. The two members of our team approached this issue with different perspectives on physics and psychology. I expressed this work in the form of painting. I drew a lot of space objects to break the original definition of space. I also drew a lot of unknown forms to represent the indefinable parts of the infinity.

People come in different sizes, and seemingly unrelated people and people are actually interacting with each other. For example, physical and psychological seem to be two contrasting parts, but they are actually interacting and pulling. The inability to see with the naked eye does not mean that there is no relevance. And this is what we want to show, all the centers seem to have no relationship, but they are deeply related.

C JUST DO FAKE

HYPEBEAST ISSUES

Fig.28. On my way to photo and design, 2020

The third project is about Shanzhai culture. In this issue, I focus on the relationship between luxury brands and street culture. I study the meaning and value of brand and brand cooperation.

Why cooperation is needed.

The result of the cooperation is for commercial art. It is still design, and whether there is a real need for cooperation between brands is the concept I explore on this topic. Therefore, I proposed the lv supreme dior palace or kaws. The reason for choosing a brand is that I will continue to approach street culture for many luxury brands today. Street culture has become a very popular topic in the near future. All brands want to establish relationships with the street .

JUST DO FAKE UNDERGROUND

A hypebeast is a mostly derogatory slang word for someone, usually a man, who follows trends in fashion, particularly streetwear, for the purpose of making a social statement.

HYPEBEAST

Fig.29. Google search. 2020

HYPEBEAST FASHION = LOGO FASHION = LOGO ?

Fig.31. On my way to photo and design, 2020

POINTLESS ? MEANLESS ?

2020 FUTURE WORK ‘’HALF ‘’ Fig.30. On my way to photo and design, 2020

JUST DO FAKE

FUTURE POINTS

FUTURE POINTS

FASHION ----> UNDERGROUND

FORMAL ? INFORMAL ? LUXURY?

Fig.33. On my way to photo and design, 2020

Fig.32. On my way to photo and design, 2020

FASHION <---- UNDERGROUND 2020 FUTURE WORK ‘’HALF ‘’

JUST DO FAKE

BRAND =? FASHION ?

FUTURE POINTS

HYPEBEAST FASHION ? = ART & DESIGN ?

JUST DO FAKE Fig.34. On my way to photo and design, 2020

STREET WEAR =? FASHION

FUTURE POINTS

JUST DO FAKE

2020 FUTURE WORK ‘’HALF ‘’ Fig.35. On my way to photo and design, 2020

This project have video support that show i mix different work about this brief to discuss relationship between Luxury brand and street culture

Fig.36. On my way to photo and design, 2020

LOVELY TRENDY LOVELY LIE HALF UNDERGRIUBD HALF LUXURY OVER PRICE ??

Fig.37. On my way to photo in magazine System, 2020

Although many brands have nothing to do with street culture, just because it is popular, it ’s quite ‘violent’ to build a connection with the streets. For example, lv cooperated with supreme in 2017. I think the design factor is just the connection between the two logos. When this cooperative product appears, how should we define this product. Is this product a luxury brand or a street culture product? . The meaning of luxury may have to be close to the so-called perfection. In the world of luxury brands, there are some insistent customer groups and the existence of brands. There is even a certain standard and persistence in the business model.

Compared with street culture brands, they usually think more freely. The existence of street culture usually represents freedom.

The number of customers who care about the street is far less than that of luxury brands. Any brand wants to deepen the so-called business model. Things are still money. The significance of this project is to discuss the significance of cooperation between brands and brands in a role of aesthetics and design. With the development of logoism, everyone has only so-called symbols for the meaning and value of all brands.

No one is serious about design aesthetics.

People buy goods only for symbols. The existence of a designer seems to have no meaning.

Fig.38. On my way to photo in magazine System, 2020

This portfolio has collected three projects with different design guidance. There are team projects and individual independent development projects. Each case is completed through research, exploration and analysis to complete the final result. Each result has some areas that can continue to improve. For example, in the first part of the plan, the results should be able to make more detailed works that are connected to the theme, to clearly explain the relationship between the work and the concept itself.

But co-shooting and surveying with teams are very useful lessons learned in art direction.

The second project is for the two teams to develop their own work with a common set of questions. This is also a very interesting cooperation project. It breaks the previous teamwork and develops the results together, analyzes a topic together but handles its own results. I plan to use illustrations as the core to deal with my works. I think that in the analysis and the structure of the works The processing is still clear, but the part of the topic setting can be adjusted. The topic is too broad. It should be more targeted to deal with the project's issues, which will make the final work more connected and allow the viewer department.

You will be too confused about the relationship between results and concepts.

The third project focuses on the development of cottage culture.

The topic I am talking about is the blind pursuit of logos and the relationship between luxury brands and underground skateboarding brands. I think I am very happy with this project, but I also agree to obtain I think my results are too subjective. I should add more detailed research processes to my research process to deepen the connection between my results so that viewers can more clearly understand the connection between my work and concepts. relationship.

Fig.41. On my way to paint, 2020

Bibliography

Figure 1.Google search Malevich's Black Square Figure 2. Xie, J (2019) On my way to work [Photograph]

Figure 20. Xie, J (2019) On my way to work [Photograph]

Figure 3. Xie, J (2019) On my way to work [Photograph]

Figure 21. Xie, J (2019) On my way to work [Photograph]

Figure 4. Xie, J (2019) On my way to work [Photograph]

Figure 22. Xie, J (2019) On my way to work [Photograph]

Figure 5. Xie, J (2019) On my way to work [Photograph]

Figure 23. Xie, J (2019) On my way to work [Photograph]

Figure 6. Xie, J (2019) On my way to work [Photograph]

Figure 24. Xie, J (2019) On my way to work [Photograph]

Figure 7. Xie, J (2019) On my way to work [Photograph]

Figure 25. Xie, J (2019) On my way to work [Photograph]

Figure 8. Xie, J (2019) On my way to work [Photograph]

Figure 26. Xie, J (2019) On my way to work [Photograph]

Figure 9. Xie, J (2019) On my way to work [Photograph]

Figure 27. Xie, J (2019) On my way to work [Photograph painting]

Figure 10. Xie, J (2019) On my way to work [Photograph]

Figure 28. Xie, J (2020) Just do fake On my way to work [Photograph]

Figure 11. Xie, J (2019) On my way to work [Photograph]

Figure 29. Xie, J (2017) Google search supreme photo.

Figure 12. Xie, J (2019) On my way to work [Photograph]

Figure 30. Xie, J (2020) On my way to work [Photograph]

Figure 13. Xie, J (2019) On my way to work [Photograph]

Figure 31. Xie, J (2020) On my way to work [Photograph]

Figure 14. Xie, J (2019) On my way to work [Photograph]

Figure 32. Xie, J (2020) On my way to work [Photograph]

Figure 15. Xie, J (2019) On my way to work [Photograph]

Figure 33. Xie, J (2020) On my way to work [Photograph]

Figure 16. Xie, J (2019) On my way to work [Photograph]

Figure 34. Xie, J (2020) On my way to work [Photograph]

Figure 17. Xie, J (2019) On my way to work [Photograph]

Figure 35. Xie, J (2020) On my way to work [Photograph]

Figure 18. Xie, J (2019) On my way to work [Photograph]

Figure 36. Xie, J (2020) On my way to work [Photograph]

Figure 19. Xie, J (2019) On my way to work [Photograph]

Figure 37. On my way to photo in magazine System, 2020(2020) On my way to work [Photograph] Figure 38. Xie, J (2020) On my way to work [Photograph painting] Figure 39. YU, YAMIN (2020) art work Figure 40. YU, YAMIN (2020) art work Figure 41. Xie, J (2020) On my way to work [Photograph painting]