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HARLEM GODFATHER BUMPY JOHNSON
Photo Cred: Wikipedia
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Bumpy Johnson
Ellsworth Raymond “Bumpy” Johnson(October 31, 1905 – July 7, 1968) was an American mob boss and bookmaker in New York City’s Harlem neighborhood. He was the main Harlem associate of Charles “Lucky” Luciano and what later became known as the Genovese crime family, and his criminal career has inspired films and television. Johnson was born in Charleston, South Carolina on October 31, 1905. Johnson derived his nickname “Bumpy” from a bump on the back of his head. When he was 10, his older brother, Willie, was accused of killing a white man. Afraid of a possible lynch mob, his parents mortgaged their tiny home to raise money to send Willie up north to live with relatives. As Johnson grew older, his parents worried about his short temper and insolence towards whites, and in 1919 he was sent to live with his older sister Mabel in Harlem. Johnson was an associate of numbers queen Madame Stephanie St. Clair. By the summer of 1952, Johnson’s activities were being reported in the celebrity people section of Jet, an American weekly aimed at African American readers which was founded in 1951 by John H. Johnson of Johnson Publishing Company in Chicago, Illinois. That same year, Johnson was indicted in New York for conspiracy to sell heroin and was sentenced to fifteen years in prison. Two years later, Jet reported in its crime section that Johnson began his sentence after losing an appeal. He served the majority of that sentence at Alcatraz Prison in San Francisco Bay, California as inmate No. 1117, and was released in 1963. Johnson was arrested more than 40 times and served two prison terms for narcotics-related charges. In December 1965, Johnson staged a sit-down strike in a police station, refusing to leave, as a protest against their continued surveillance. He was charged with “refusal to leave a police station” but was acquitted by a judge. Johnson was under a federal indictment for drug conspiracy when he died of congestive heart failure on July 7, 1968, at the age of 62. He was at Wells Restaurant in Harlem shortly before 2 a.m., and the waitress had just served him coffee, a chicken leg, and hominy grits, when he keeled over clutching his chest. Friend Frank Lucas was there, and someone ran down the street to the Rhythm Club to get his childhood friend, Junie Byrd. When Byrd arrived, Lucas cradled Bumpy in his arms, and Johnson briefly opened his eyes and smiled, then fell into unconsciousness. He was taken, by ambulance, to Harlem Hospital where he was pronounced dead. He is buried in Woodlawn Cemetery in The Bronx, New York City.
HARLEM RENAISSANCE
Louis Armstrong
MODEL: TASHA TULSER PHOTO BY: GARY BOND tashatusler@gmail.com One of the most famous musicians of the Harlem Renaissance was Louis Armstrong. Having come from a poor family in New Orleans, Armstrong began to perform with bands in small clubs, and play at funerals and parades around town in New Orleans. He wasn’t a small band man for long, though. Louis Armstrong was invited in 1922 to move to Chicago, to play the second cornet in a Creole Jazz Band. However, just two years later, Armstrong moved to New York City, and began playing his music with the FLetcher Henderson Orchestra at the Roseland Ballroom. In 1929, he made his first appearance on the Broadway stage. In his recording of Ain’tMisbehavin, he used a pop song, however, interpreted it through jazz. This helped to set the stage for the acceptance of jazz music in the future. In 1942, he married a dancer from the Cotton Club, where his band had performed many times. All throughout the 1950’s and 60’s, Armstrong appeared in films and made many international tours. Louis Armstrong is one of the most appreciated jazz artists of the Harlem Renaissance, and of all times. People learned to appreciate both jazz, and African American music even more, because of this man. Although they continued to face discrimination of many sorts in the urban north as they did in the south, however it brought forth in close proximity some of the greatest minds of the day. Harlem brought notice to great works that might otherwise have been lost or never produced. The results were phenomenal. The artists of the Harlem Renaissance undoubtedly transformed African American culture. But the impact on all American culture was equally strong.
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