Architecture Portfolio - Justin Langenfeld by Justin Langenfeld

JUSTIN

LANGENFELD portfolio

JUSTIN LANGENFELD resume

EDUCATION

7112 South 139th Ave. Omaha, NE 68138 (402) 290-2174 jlang188@huskers.unl.edu

Bachelor of Science in Design from the University of Nebraska-Lincoln College of Architecture

2012

Graduated with Highest Distinction (1st in class) Superior Scholar awarded for making Deanâ&#x20AC;&#x2122;s List all four years of undergraduate program

Graduate school for Master of Architecture degree at the University of Nebraska-Lincoln

2012- present

Software: Autodesk Autocad, Autodesk Revit,

Autodesk 3DS Max, Rhinoceros 3D 4.0, V-Ray for Rhinoceros 3D, Adobe CS5.5 InDesign/ Illustrator/ Photoshop

AWARDS

David W. Broesder Scholarship

2013

HDR / Gary Spring Memorial Scholarship [Finalist] College of Architecture Friends Association Outstanding Student Award (only one awarded per discipline) Hemphill Memorial Scholarship

2013

Nebraska Concrete and Aggregates Association Scholarship Nebraska Concrete Masonry Association Architectural Fund Scholarship 1st place - 2011 Concrete Block Design Competition

2012 2012

Roger Schluntz Travel Scholarship

2011

Gary Lee Hansen Recognition Award

2010

Holland Basham Architects

2013

Teacherâ&#x20AC;&#x2122;s Assistant

2013

State Building Division of Nebraska Administrative Services

2012

Quito and the Galapagos Islands, Ecuador

2011

Boston, Massachusetts

2012

from UNL College of Architecture

sponsored by NCMA and UNL College of Architecture winning block design best exhibited potential architectural applications while maintaining the ability to be mass produced from UNL College of Architecture

from UNL College of Architecture recognizes exceptional promise for residential and personal design

WORK

Intern

Arch 331: Structures 1_ UNL College of Architecture Intern

TRAVEL

UNL Service Learning Trip - community park design Kim Wilson - faculty sponsor studio project presentation to Sasaki Associates Gina Ford - Sasaki Principal and visiting Hyde Chair of Excellence

2012 2012

2011

TABLE OF CONTENTS

1 2 3 4 5 6 7 8 9

SURROUNDINGS

ARCH / LARC 311 spring 2011

professors Jeffrey L. Day & Sarah Thomas

SPLIT

PERSONALITY HOME

ART

PAST PRESENT FUTURE

HYBRID

TAILGATING SURFACE

PATTERN

LANDSCAPE DEVELOPMENT

LAND

DEVELOPMENT MUSEUM

P1.3 photo montage TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei

QUARRY

ART and HISTORY MUSEUM

INNOVATION KNOWLEDGE ECOSYSTEM

FACETED

OPERABLE PANEL SYSTEM

MULTIPLEX

URBAN FRINGE RETAIL PROTOTYPE

1-2

Ted Ertl studio

3-4

Ted Ertl studio

5-6

Jeffrey L. Day, AIA / Sarah Thomas studio

7-8

Jeffrey L. Day, AIA / Sarah Thomas studio

9-10

Jeffrey L. Day, AIA / Sarah Thomas studio

11-12

Jeffrey L. Day, AIA studio

13-14

Gina Ford ASLA / David Karle studio

15-16

Daniel Fagerberg studio

17-18

Steve Hardy studio

JUSTIN LANGENFELD Portfolio

PERSONALITY HOME

How can 1 house accommodate 2 very different personalities?

SPLIT PERSONALITY HOME This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodate the outgoing personality of Pound. Two detached studies, in the side and back yard are more suitable for the introverted Cather.

view from across Van Dorn

N D

P U N D

P U

main floor plan

second floor plan

northeast elevation

Ted Ertl studio

southwest elevation

SPLIT PERSONALITY HOME

2-Bedroom Home Manse Ave. and Van Dorn Lincoln, NE

interior perspectives longitudinal section looking northwest

interior perspectives

The concept behind the form and material application of the home was inspired by the idea of pulling out programs from an initial two story volume. The kitchen, parlor, entrance, and bedrooms were all â&#x20AC;&#x2DC;pulled outâ&#x20AC;&#x2122; from the two story living room volume, like drawers from a dresser. The brick cladding represents the finished edge of the programmatic dresser metaphor and the wood cladding represents the unfinished wood that is revealed as the different programmatic spaces are pulled out.

University of Nebraska_College of Architecture

PAST PRESENT FUTURE

How can a museum be an expression of the very art it holds?

ART PAST PRESENT FUTURE DN

DN UP

Collection Storage

Artist Apartment

Art Studio

Auditorium

Offices

Meeting Room

Library

Robert Henri Gallery

Permanent Collection

W Bath

M Bath

Cafe

Ticket/ Gift Shop

first floor

second floor

fourth floor

The Robert Henri Museum exhibits artwork from the early 20th century artist and provides studio and apartment space for traveling artists. The museum design is meant to educate artists on styles of the past in order to enlighten their modern art process. The museum layout supports this concept, and gallery spaces are designed to resemble the city streetscapes Henri painted.

gallery hall

Meridian Museum

Avenue F

transverse section looking south

Hendee Hotel

East 8th Street

site plan Downtown Cozad

Ted Ertl studio

Rialto Theater

south elevation

ART PAST PRESENT FUTURE

Robert Henri Museum 3 galleries, auditorium, offices, artist studio, artist residence Cozad, NE

entrance hall longitudinal section looking east

gallery space

Upon entering the museum a grand four story open space is immediately revealed to you with a marble staircase leading you up a level to the entrance of the Gallery Hall. To enter the hall you must pass between two large three story wall faces. The wall faces when juxtaposed with the large marble staircase upon entry create the imagery of an ancient temple. It is symbolic in that the art in the museum is most valued and not only has it been elevated from the entrance level, but one must pass through the walls of the great temple to see it. It is truly a most valued treasure in this building.

University of Nebraska_College of Architecture

TAILGATE SURFACE

How do you turn a parking lot into a football field?

HYBRID TAILGATE SURFACE pedestrian bridge

field flexibility the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking the strength in the proposed system is its flexibility. the tailgate simultaneously. each vegetated park is designed to accomodate strip is an opportunity for a field programs of football and parking simultaneously. each vegetated to occur and defines the boundstrip is an opportunity for a field aries. The field can then “slide” to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game on a horizontal scale, and a game of football can be played virtually of football can be played virtually anywhere. a zone can be shut anywhere. a zone can be shut down for play, or can utlize parked down for play, or can utlize parked cars as obstacles. cars as obstacles. field flexibility

vegetated dividers

parking stalls

25 ft

20 ft

parking lanes

25 ft

20 ft

colored pavement yard lines

360 ft -

160 ft

Field Flexibility

360 ft

The task of this project was to create a tailgate park SURROUNDINGS which could be utilized not only as a parking lot but as 160 ft a playing surface for football. A systems approach was taken to create such a surface. A secondary focus of the project became the pedestrian bridge system in and around the site. -

ARCH / LARC 311 spring 2011

SURROUNDINGS

professors Jeffrey L. Day & Sarah Thomas

ARCH / LARC 311 spring 2011

P1.3 system flexibility

main circulation

TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei

site exploded axonometric

professors Jeffrey L. Day & Sarah Thomas

aerial view from stadium P1.2 existing site section SURROUNDINGS

ARCH / LARC 311 spring 2011

TEAM 2 professors Jeffrey L. Day & Sarah Thomas

Jeffery L. Day AIA / Sarah Thomas studio

Brad Howe, Justin Langenfeld, Tony Schukei

collaborative project with Brad Howe and Tony Schukei

Tailgate Park 120 parking stalls, 9 football fields Lincoln, NE

field flexibility the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking simultaneously. each vegetated strip is an opportunity for a field to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game of football can be played virtually anywhere. a zone can be shut down for play, or can utlize parked cars as obstacles.

25 ft

20 ft

N 8th St

field flexibility

P1.3 photo montage

The hybrid nature of this surface makes it suitable for parking as well as playing football. Different ARCH / LARC 311 spring 2011 fieldsSURROUNDINGS can be occupied for football while other sections of the lot are used for parking, and circulation is unaffected. Vegetated strips allow for first down recognition as well as boundary lines. t

N 6t

the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking simultaneously. each vegetated strip is an opportunity for a field to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game of football can be played virtually anywhere. a zone can be shut down for play, or can utlize parked cars as obstacles.

professors Jeffrey L. Day & Sarah Thomas

160 ft

25 ft

Arena Parking

20 ft

Brad Howe, Justin Langenfeld, Tony Schukei

N 8th St

I-1

e Vin

TEAM 2

360 ft

h St N 6t

Arena Parking

V St

Are

I-18

e Vin

Hay

360 ft

ke mar

SURROUNDINGS

St Memorial Stadium

ARCH / LARC 311 spring 2011

professors Jeffrey L. Day & Sarah Thomas

ian

estr

ed tP

ilro

Brid ge

160 ft

V St

lro

20 ft

Rai

Roa

Are

N 10th

25 ft

Nebraska Champions Club

HYBRID TAILGATE SURFACE

playing surface perspective

Proposed Pedestrian Bridge

Stadium Dr

P1.3 system flexibility a Aren

ARCH / LARC 311 spring 2011

professors Jeffrey L. Day & Sarah Thomas

TEAM 2

360 ft

Brad Howe, Justin Langenfeld, Tony Schukei

strian

Pede

SURROUNDINGS e Bridg

160 ft

Stadium Drive Parking Garage

P1.3 system flexibility

T St

N 8th St

SURROUNDINGS

ARCH / LARC 311 spring 2011

TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei

professors Jeffrey L. Day & Sarah Thomas

NSC Immigration

Manter Hall NSC Immigration

Richards Hall N 9th St

Haymarket Arena

US Post Office

existing site plan

501 Building

US Post Office

proposed site plan

N 8th St

University of Nebraska_College of Architecture

LANDSCAPE DEVELOPMENT

How can a pattern help define a landscape?

PATTERN LANDSCAPE DEVELOPMENT

aerial site perspective water from the river can flow without a major directional change because of the rotated pattern.

basic triangular unit = 1 acre basic triangular unit= 1 acre

facilitates design of programmed spaces and assists in the realization of scale.

facilitates design of programmed spaces and assists in the realization

sierpkinski triangle

pattern placement

serpenski triangle

pattern alteration and placement

the pattern of the serpenski triangle was chosen as the primary force

pattern was placed over the site boundary to provide the primary organizational element. the pattern was confined to the site boundary and rotated to allow more freedom for the proposed infrastructure.

fot the organization of design. each triangle facet is set at one acre to primary organizational pattern for site assist in the development of the site.

triangle rotated to better facilitate program of site

final proposal

final pattern proposal the pattern provides organization of proposed infrastructure on the 85 acre site.

the rotation facilitates the of theinto introduction water on site. allows for the introduction ofmethod water theofsite

The project was to develop an 85 acre waterfront property on the Council Bluffs side of the Missouri River. Most of the site lies in the flood zone and is bordered on each side by the cityâ&#x20AC;&#x2122;s levee system. The task was to create a park accessible to the near by communities of Omaha and Council Bluffs, with programs such as beaches, trails, an American Land Museum and a branch of the Bemis Art Center. The form for this development was to be influenced by a pattern. In this case, the Sierpinski triangular grid was chosen.

P2.3 organizational pattern SURROUNDINGS

ARCH / LARC 311 spring 2011

TEAM 1 professors Jeffrey L. Day & Sarah Thomas

Jeffery L. Day AIA / Sarah Thomas studio

Brad Howe, Justin Langenfeld, Tony Schukei

collaborative project with Brad Howe and Tony Schukei

existing site composition pedestrian path on levee creates an elevated level of pedestrian circulation on edge of site

Missouri Riverfront Community Park Beach, Boardwalk, Canals, Trail System Council Bluffs, Iowa

areas of dense tree cover limit views and are a source of major disturbance on site

areas of dense tree cover limit views and are a source of major disturbance

the levels of existing site many differe the land is u really only a

areas of dense tree cover limit views and are a source of major disturbance on site

or private. spaces near automotive and pedestrian circulation on the existing site separate themselves from areas that are not bisected by human circulation. the areas near circulation become private and the areas absent of circulation are private. the spaces on the site could also be described as densely vegetated versus open. the densely vegetated spaces would seem to be more private where as the open clearings lend themselves to more human interaction and conse-

large treeless clearings create opportunites for public, undisturbed spaces

existing site

pedestrian path on levee creates an elevated level of pedestrian circulation on edge of site

the levels of disturbances on the existing site are hard divide into many different segments. because the land is undeveloped, there are really only a few types of spaces

or private. s and pedestr existing site from areas t human circu circulation b areas absen vate. the sp also be desc etated versu vegetated sp be more priv clearings len human inter

large treeless clearings create opportunites for public, undisturbed spaces

areas of dense tree cover limit views and are a source of major disturbance

site disturbance existing site composition

pedestrian circulation on levee dense tree cover limits views clearing for public space

open green spaces are maintained

dense tree cover limits views

areas of dense tree cover limit views and are a source of major trees are cleared near the water’s disturbance edge to open up space for public beach access

intermediate

private

redefined edges of open green space

open green spaces are maintained

trees near river’s edge cleared for public beach

existing site composition

tation in orde

trees are cleared near the water’s edge to open up space for public beach access

proposed public vs. private

the site. in t private spac site, more in and the spac and private a meaningful w

proposed site composition

proposed site composition the proposed framework plan for the site would drastically alter the disturbance conditions on the site. to begin with the new placement of the levee not only frames views but it also separates a part of the site from the rest. this areas in the northeastern part of the site becomes one of the most private for this reason, along with the land furthest north on the site. areas that were once private near the river’s edge and in the interior of the site will be cleared of trees and will become more public areas. portions of the existing open space on the tation in order to more purposefully

wrapping the levee around this space establishes a greater connection to the residential neighborhood in council bluffs areas of the site near heavy circulation but that also have dense tree cover become semi private semi public

open green spaces are maintained

trees are cleared near the water’s edge to open up space for public beach access

the site. in the end, the much less private space exists on the new site, more intermediate areas exist and the spaces that become public and private are done so in a more meaningful way

estr

ped

ian

y entr

tree cover tree cover as much of the site’s original tree cover was maintained and in several instances more trees were added in order to help create spacial experiences, frame views, and to create privacy and shade

bemis center land museum prairie grass site parking boardwalk levee

Land Museum / Bemis Center both the museum and artist studios were designed with connections to the surrounding landscape in mind. the bemis center is hugged by the levee while the museum climbs and punctures it. both structures also frame views of the surrounding landscape

vehicul

ar entry

site parking

levy alteration

canal there are two parking lots on the site. a large lot is located at the main entrance to the site and in close proximity to the land museum. a smaller parking lot accommodates visitors that enter in the northern entrance connected to the surrounding residential area. this entrance is also utilized by the bemis center. geometries.

prairie grass

PATTERN LANDSCAPE DEVELOPMENT

public

heavy circulation and tree cover semi-private/public

areas of the site near heavy circulation but that also have dense tree cover become semi private semi public

the site. in the end, the much less private space exists on the new site, more intermediate areas exist and the spaces that become public and private are done so in a more meaningful way

existing public vs. private

the propose the site wou disturbance to begin with of the levee but it also se site from the northeastern comes one o this reason, thest north o were once p edge and in will be cleare come more of the existin

wrapping the levee around this space establishes a greater connection to the residential neighborhood in council bluffs

of the levee not only frames views or spaces near automotive butprivate. it also separates a part of the and pedestrian circulation on in the site from the rest. this areas the existing site separate themselves northeastern part of the site befrom areas aremost not bisected comes one that of the private forby human circulation. the the areas near this reason, along with land furcirculation become private and the thest north on the site. areas that areas absent of circulation priwere once private near the are river’s vate. and the spaces on theofsite edge in the interior thecould site also becleared described as densely will be of trees and willvegbeetatedmore versus open. the densely come public areas. portions vegetated spaces would seem to of the existing open space on the be more private where as the open clearings lend to themselves to more tation in order more purposefully human interaction and conse-

large treeless clearings create opportunites for public, undisturbed spaces

proposed site

levee move creates neighborhood connection

proposed site composition the levels of disturbances on the existing site are hard divide into the proposed framework plan for many different segments.alter because the site would drastically the the land is undeveloped, are disturbance conditions onthere the site. really only a few of spaces to begin with the types new placement

pedestrian path on levee creates an elevated level of pedestrian wrapping the levee around this circulation on edge of site space establishes a greater connection to the residential neighborhood bluffscover limit areasin ofcouncil dense tree views and are a source of major areas of the site near heavy circudisturbance on site lation but that also have dense tree cover become semi private semi public

boardwalk

prairie grass is used on the site to emphasize the connection of the building geometries to the landscape geometries.

beach promenade

bemis artist’s residences

pedestrian entry boardwalk system site. the boardwalk branches off the levee pedestrian walkway and spans across the site bringing pedestrians to the riverside beaches as well as down the canals

levee the levee path was altered in the design to create more diverse outdoor areas on the site as well as to frame views of the riverfront. the project is driven by the concept of man’s ability to manipulate the landscape. the levee plays a big part in making areas near the river safe and inhabitable. therefore it was important that we manipulate this element to best suit our site framework

clui land use museum

promenade beach

try n en

stria

pede

promenade

lar

icu

h ve

try en

this system of paths is reached by way of the boardwalk and brings visitors up close to the heavily manipulated landscape, whether it be

beach

designed open space

the hard edges that separates the rest of the site from the beach once again exhibit a very deliberate land manipulation. this gesture also creates riverfront recreation opportunities for visitors

land mass land mass the topography of the site maintains much of its original form. however, where it is changed it was done in very deliberate and drastic manors in order to emphasize the heavy manipulation of the site. topography around the levee was altered where the levee moves but also gentle curves that once existed in this site element were made sharp and more dynamic

canal system

canal system this system was put in place in order to become a microcosm of how man manipulates the larger river to which it is attached to. locks control the canal system just as man has redirected and controlled the system also allows for boat access to the site from the river and doc spaces are provided at strategic access points

site plan

site plan this image shows how all the systems look when they come together on the site

N 200’

400’

stri

de pe

0’

try en

site exploded axonometric

illustrative site plan

University of Nebraska_College of Architecture

600’

DEVELOPMENT MUSEUM

How can a landscape become architecture?

LAND DEVELOPMENT MUSEUM

w o use arrow (for cs5). is rrowhead is library for ee to

view up canal system view up canal system

after programmaticafter spaces programmatic have beenspaces layout have been layout out in relation to the outview in relation axes, the to the generalview axes, the generalized spaces can begin ized spaces to look to can thebegin trianguto look to the triangular grid for form influence lar grid for andform manipulation influence and manipulation

view axes create lines that begin to inform the formal and spatial relationships of the museum

2000 sq ft admin

7000 sq ft entry/connecting

manipulation ofmanipulation footprint using of grid footprint using grid

after identifying views, after identifying axes are identified views, axes are identified off of these viewsoff that of then thesebegin viewstothat inform then begin to inform how the spaces how and volumes the spaces of the and muvolumes of the museum programs are seum layed programs out andare interact. layed out and interact.

2000 sq ft admin 2500 sq ft gallery

entry/connecting 7000 sq ft gallery 2000

3600 sq sq ftft gallery gallery 2500

2000 sq ft gallery

program potential square footages 3600 sq program ft gallery square footages

identification ofidentification axes and spaces of axes and spaces

potential program square footages view of river

manipulation of footprint using grid

identification of axes/spaces

view of cove and river view of cove and river

sierpinski triangular grid used to influence and manipulate spaces of museum

view of river view axis view axis

view axis view off interstate view off interstate river crossing river crossing levy

2 acre museum site 2 acre museum site

levee

levy

preliminary museum preliminary footprint museum footprint after using the triangular after using gridthe to triangular alter the grid to alter the preliminary programmatic preliminary spaces programmatic of the mu-spaces of the museum, s desired gesture seum, of s desired three smaller gesture tribof three smaller tributaries combiningutaries into one combining larger river intoflow one larger river flow has taken shape. has alsotaken threeshape. distinct also gallery three distinct gallery spaces with three spaces definingwith views three of the defining land- views of the landscape has emerged. scape in between has emerged. these in galbetween these galleries, courtyard-like leries, spaces courtyard-like have materialspaces have materialized and could be ized utilized andas could outdoor be utilized exhibit as outdoor exhibit spaces . spaces .

preliminary footprint

isolating gallery views

result of exterior views, corresponding axes, and manipulation of form-giving triangular grid

isolating galleryisolating views gallery views

the American Landthe Museum American wasLand created Museum by thewas Center created for Land by theUse Center Interpretation for Land Use agency Interpretation and its aimagency is to create and its a dynamic aim is to contemporary create a dynamic potrait contemporary of the nations potrait landscapes. of the nations therelandscapes. are several there are several museum sites located museum across sites thelocated countryacross which the provide country regional whichprogramming provide regional for the programming area it represents. for the area this itmuseum represents. site is this located museum along sitethe is Missouri located along Riverthe andMissouri should therefore River andrelate should create therefore relate create exhibit spaces to study exhibitthe spaces river and to study analyze the how river man and analyze manipulates how and mancontrols manipulates it. byand identifing controls manipulated it. by identifing river conditions manipulated near river theconditions site the museum near theexhibit site theprogram museum can exhibit beginprogram to take shape. can begin to take shape. these programs then these canprograms begin to unfluence then can begin the form to unfluence of the museum. the formthe of the firstmuseum. exhibit space the first will describe exhibit space how man will describe alters thehow flowman of the alters river. theaflow viewoftothe theriver. canala system view to will the be canal evidence systemofwill this. be evidence of this. the second exhibitthe space second will describe exhibit space how man will describe manipulates how the manedge manipulates of the river. the aedge viewofofthe a manmade river. a view cove of across a manmade the river cove asacross well asthe view river of as thewell altered as view riverofedge the altered on the Iowa river side edgeare on two the Iowa side are two views to be experienced views to in be thisexperienced space. finally, in this a third space. gallery finally, will look a third at gallery how man willbypasses look at how theman river,bypasses and a view theofriver, the interstate and a view viaduct of the will interstate provideviaduct a strong willexample provide of a strong this. example of this.

The three gallery spaces have views to the river associated with their exhibit topics. exhibit 1: man alters the flow of the river- view the canal system. exhibit 2: man manipulates the edge of the river- view of man-made cove. exhibit 3: man bypasses the river- view the interstate viaduct.

P2.4 land museum P2.4 land footprint museum footprint TEAM 1

SURROUNDINGS SURROUNDINGS ARCH / LARC 311 ARCH spring / LARC 2011311 professors spring 2011 Jeffrey professors L. Day & Sarah Jeffrey Thomas L. Day & Sarah Thomas

TEAM 1

Justin Langenfeld Justin Langenfeld

Gallery

Admin Wing DN

Gallery

Entrance Lobby Multipurpose Space DN

Cafe

Gallery

Three different connections are made between the building and the levee. Visitors can progress up an exhibit, then pass outside to the levee, and finally down to the riverfront landscape.

975

Jeffery L. Day AIA / Sarah Thomas studio

individual project

American Land Museum 3 galleries, cafe, offices, outdoor connections Council Bluffs, Iowa The American Land Museum was created by the Center for Land Use Interpretation Agency and its aim is to create a dynamic contemporary portrait of the nationâ&#x20AC;&#x2122;s landscapes. There are several museum sites located across the country which provide regional programming for the areas they represent. This museum site is located along the Missouri and should create exhibit spaces to study the river and analyze how man manipulates and controls it.

model - north side

LAND DEVELOPMENT MUSEUM

glazing detail

north elevation

glazing detail

museum entrance view

reaction point

architecture from landscape

approach

reaction point

architecture from landscape

perspective looking northwest approach from parking lot

levee pedestrian path

plan

P2.4 land museum model

SURROUNDINGS

ARCH / LARC 311 spring 2011

TEAM 1 Justin Langenfeld

professors Jeffrey L. Day & Sarah Thomas

Misso

perspective looking northwest approach from parking lot

model - west side

Even tho River select ugh the stu ion de deadline s for admissiont aďŹ&#x20AC;airs com want to for the Tea n into the 2 mittee has chi no and nity to make sure tha ng Assistant 3 year M.A t nalized the com Ap please plete the t everyone plications rch programs ir wh ret ap is , These urn your ap plication. o is intereste March 15, the 201 ap If plic applic plication can ation to you are intered has the op 2. I ation. be sub me by 5p sted in portum mitted ap by e-m on March 15, plying, As I elu ail using de 201 will be d to in me the att 2. at the eting, ach ed DATO I am ask RY retreat so wo , as it is pa March 30-31 ing that yo rk is no rt of ini u t an exc tiation, st. This retrea all connrm tha I have use t given is complet t you you 4.5 ely MA Nweek s notic e

levee pedestrian path

exhibit 3: bypassing the river

SURROUNDINGS

ARCH / LARC 311 spring 2011

professors Jeffrey L. Day & Sarah Thomas

University of Nebraska_College of Architecture

P2.4 land museum

TEAM 1 Justin Langenfeld

ART and HISTORY COMPLEX

How can a man-made landscape inspire architecture?

QUARRY ART and HISTORY COMPLEX Ventilation fan Ventilation grill Granite roof panel

bird’s eye persp. looking southwest

Granite wall slab, 1’ Rigid insulation, 4” min Hollow core slab, 8”

Air Gap, 1” Insulation, 5 1/2” Vapor barrier Gypsum Board 3/4”

ctonics 4 2011

| The Wells-Lamson Quarry

cape alteration: pyramids, aqueducts, and deforestable by industries throughout the world, but we take ransformed by industry, particularly those that extract and.

act of the quarry.

Fine Gravel Large Gravel Drain

cture

Rigid Insulation, 2” min Water proof membrane Hollow core slab, 8” Steel beam

ubstantial marks on the earth?

M co

plex for an institution devoted primarily to visual, liter-

Hollow struc

Lowe

lock Field

Steel reinforced concrete beam

Cover

Block Breakdown ada residences

two units per block

artist residences

art studios

educational pavilion

3 3

rotate to 2 story 20’ height

2 literary 3

3 2 visual

smaller scattered solid blocks

variety of sizes produced from base block size

2 performing

2 landscape entrance

residences

two units per block

Landscape - controlled view of quarry

overlooks

main level plan upper level

View Manipulation

Drain Concrete slab, 4 1/2” Rigid insulation, 1 1/2” Sand filler

bookstore

rotate to 1 story 12’ 6” height

Visual - forground vs. background

Literary - restricted for inward thinking

1. Education Pavilion

2. Studios

3. Residences

Performing - expandable to outdoor space

17’

40’

kitchen/living area

30’

2 literary

2 visual kitchen/living area 2 landscape

wall section of studio space

lower level plan

Program Layout education studios pavilion

Hierarchy

residences

Views and Connections

Jeffery L. Day AIA studio

lower level

Open/Gathering Spaces

Page 01

Page 02

Cafe

40 20

feet

17’

40’

kitchen/living area

30’ 2 visual

2 literary

kitchen/living area 2 landscape

The resident artists have individual residences that are connect to one another and their studios via subterranean connections.

Program Layout education studios pavilion

residences

Hierarchy

2012 Lyceum Fellowship Competition Educational Pavilion, 4 Art Studios, 12 Artist Residences, Memorial Wells Lamson Quarry - East Barre, Vermont

Views and Connections

Page 01

Visitor Center

Studio

lower level

Open/Gathering Spaces

40 20

Page 02

ADA Studio

comm. stairs

Exploded Axon solid granite blocks

through the grid across two diagonal axes. One axis consists of 5’ by 5’ by 5’ granite blocks on which the names and memories of fallen quarry workers. The opposite axis consists of 5’ by 5’ by 5’ voids in the ground representing the void left by those fallen workers in the lives of their families.

building structures

memorial/ circulation axes

lower floor subtracted out of granite

Once visitors have reached the visitor center, they are able to not only experience views out toward both the East and the West quarry pits, but they also have the opportunity to be lowered into these deep spaces via elevator like crane baskets, similar to what was used on the site by quarry workers.

Memorial

Page 03

Page 04

Studio

Education Pavilion West Quarry Overlook

bird’s eye persp. looking east exterior view looking southwest

Educational PavilionWest Quarry Overlook

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The Wells Lamson Quarry in Vermont was the site for this multifaceted building program. Having studied the granite quarrying process, the concept behind the block field design was inspired. The base block size initially removed from the quarry is 30’ by 40’ by 17’. These dimensions could easily become a small building. With the idea of creating a field of blocks, some becoming architectural spaces, others staying solid granite, a hierarchy of program was identified, establishing the desired programmatic connections. The memorial disrupts the orthogonal grid of the block field by dissecting it via two diagonal axes. One axis consists of smaller granite blocks on which the names of fallen quarry workers would be displayed. The opposite axis consists of the voids in the ground representing the voids left in the lives of the fallen workers’ families.

art studio space

University of Nebraska_College of Architecture

QUARRY ART AND HISTORY COMPLEX

create an experience of discovery. They may discover new spaces, new vie or even new realizations about mankind’s interaction with the earth.

Residence

KNOWLEDGE ECOSYSTEM FRAMEWORK

How can planning and architecture help companies and cities grow?

Aviva vacany

INNOVATION INC. KNOWLEDGE ECOSYSTEM FRAMEWORK Office Office Vacancies Vacancies Office Vacancies CBD Silicon CBD Sixth Silicon Ave Sixth Ave

CBD Silicon Sixth Ave office Identified over 500,000 sq. ft. of vacant space to be occupied within framework plan Levels of Business Growth Tier 1: incubator Tier 2: own office space Tier 3: own building Tier 4: suburban park

stories: 12 stories: 12 floor typical floor size: typical 9,521 sq.ft. size: 9,521 sq.ft.

(housing) (open space) (retail)

space available:

floor size: 62,496 9,521 sq.ft. buidling size:typical 62,496 buidling sq.ft.size: sq.ft. buidling size: 62,4963,875 sq.ft. sq.ft. space available: space available: 3,875 sq.ft.

3,875 sq. ft.

Wellmark vacancy

Wellmark vacancy Wellmark vacany

Wellmark vacany

Wellmark vacancy

Retail/Housing

Liberty Building Liberty 418 Building 6th Ave 418 6th AveAve Liberty Building 418 6th Liberty Building 418 6th Ave stories: 12

space available: 3,875 sq.ft.

Tier 1 & 2

(incubator space) (open space)

C Bank of America BankBuilding of America 317Building Building 6th Ave 317 6th Ave 6th Avenue Bank of America 317 Bank15of America 317 6th Ave stories: stories:Building 15 (Wellmark vacancy) (Wellmark vacancy)

space available:

(Wellmark vacancy)

stories: 15 floor typical floor size: typical 10,472 sq.ft.size: 10,472 sq.ft. floor size: 157,080 10,472 sq.ft. buidling size:typical 157,080 buidling sq.ft. size: sq.ft.

44,072 sq. ft.

buidling size: 157,08044,072 sq.ft. sq.ft. space available: space available: 44,072 sq.ft. space available: 44,072 sq.ft.

Tier 3

(retail/housing) (open space) (office/parking)

Tier 4

(future development) (office/open space) Liberty Building Liberty 418 Building 6th Ave 206 418 6th6th Ave Avenue Midland Building Office Vacancies sq.ft. Office Vacancies sq.ft. Office Vacancies sq.ft. Silicon Sixth Office Silicon Vacancies Sixthsq.ft. Office Vacancies sq.ft.

office vacancies sq.ft.

Silicon 6th vacancies sq.ft.

Silicon Sixth Office Vacancies sq.ft.

ARCH / LARC 411 ARCH spring / LARC 2012 411 professors spring 2012 David W. professors Karle & Visiting David W. Hyde Karle Chair & Visiting Gina Ford Hyde Chair Gina Ford SYSTEM, STRATEGY, SYSTEM, STRATEGY, SITE: Des Moines SITE: Des Moines ARCH / LARC 411 spring 2012 professors David W. Karle & Visiting Hyde Chair Gina Ford SYSTEM, STRATEGY, SITE: Des Moines

Liberty 418 stories: 12 Building stories: 12 6th Ave stories: 12 floor typical floor size: typical 8,760 sq.ft. size: 8,760 sq.ft.

space available:

floor size: 86,052 8,760 sq.ft. buidling size:typical 86,052 buidling sq.ft.size: sq.ft. buidling size: 86,05219,413 sq.ft. sq.ft. space available: space available: 19,413 sq.ft.

19,413 sq. ft.

space available: 19,413 sq.ft.

Vacancy by Floor Vacancy by Floor Vacancy by Floor

Vacant Office Vacant SpaceOffice Space Vacant Office Space Industry

Industry

Justin Langenfeld, Michael Justin Langenfeld, Killeen Michael Killeen Industry Justin Langenfeld, Michael Killeen

6th Ave. framework plan

This framework sets up a corridor to develop start-up businesses in order to help diversify the downtown economy. It allows for close proximity of small business and keeps them in the downtown as they grow.

A mixed use block was proposed at the center of the framework plan to unify the start-up companies occupying office space along Sixth Avenue as well as to help aid in the creation of a live-work ecosystem within the downtown.

Gina Ford ASLA / David Karle studio

framework in collaboration with Michael Killeen SYSTEM, STRATEGY, SITE: Des Moines

ARCH / LARC 411 spring 2012

professors David W. Karle & Visiting Hyde Chair Gina Ford

Mixed-Use City Block Retail, Garage, Office, Residential Des Moines, IA

Along with retail, parking, and middle income housing, the block would contain office spaces designed to promote innovation and collaboration amongst small businesses through the use of shared meeting and â&#x20AC;&#x2DC;playâ&#x20AC;&#x2122; spaces. circulation diagram

office entrance atrium

existing site context

North-South axis

ground level through connection

shifted interior connection

play space

overlaps and connects T1-T2

atrium and play space circulation

exterior circulation atrium circulation play circulation

University of Nebraska_College of Architecture outdoor park space existing bank

INNOVATION INC. KNOWLEDGE ECOSYSTEM

office collaboration space

OPERABLE FACADE SYSTEM

How can a building facade be made beautiful as well as functional?

FACETED OPERABLE FACADE SYSTEM Cafe interior closed

Facade Detail Images

A folding timber panel system was developed during the semester that was both insulating and weatherproof. Through the application of this system, the objective of this urban high-rise design was to create a kinetic facade system that would allow for flexibility of indoor and outdoor space depending on the weather conditions. The operable panel would be used to create flexible indoor and outdoor dining in a restaurant application and open air living spaces for residential units. ACTUATOR ETFE pillow

composite concrete slab CLT panel floor ACTUATOR gas pump system

STRUCTURE CLT Panels Massivholzelemente 57 mm

VAPOR BARRIER AirGuard Smart 4 mm

RIGID INSULATION HomaTherm UD-Q11 Standard

200 mm

CLADDING 6 mm

HINGE

concrete slab CLT panel

operable panel layers

Daniel Fagerberg studio

high-rise structure system

glue-laminated columns

North Facade Solar Study

Mixed-Use High Rise Retail, Residential Kansas City, MO

high rise base plans

FEET

80 FEET

FEET

80 FEET

East Facade Solar Study

FEET

FACETED OPERABLE PANEL SYSTEM

South Facade Solar Study

It was also important that the facade respond to the amount of sunlight it received. Using analysis software, the annual solar heat gain of every building surface was determined, and from this data the ratio of solid to glazed facade was designed in an effort to reduce the amount of solar heat gain of the building as a whole. This strategy was intended to create a more sustainable high-rise structure.

Cafe exterior open

FEE

80 FEET

West Facade Solar Study

FEET

Cafe interior open 0

FEET

80 FEET

University of Nebraska_College of Architecture

URBAN FRINGE RETAIL P ROTOTYPE

How can architecture create a sense of place in the suburbs?

MULTIPLEX URBAN FRINGE RETAIL PROTOTYPE This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodates the outgoing personality of Pound. Two detached studies, in the side and back yard are more suitable for the introverted Cather. This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodates the outgoing personality of Pound. Two detached studies,

Exterior Perspectives

FULL FLOOR UNITS 2UNITS

DOUBLE L SHAPE 4 UNITS

120 FT BACK UNIT 6 UNITS

SPLIT UNTS 12 UNITS

UNIQUE to OPEN plan

OPEN plan

SPLIT plan 3 UNITS/ FOOLR 6 UNTIS

2 STORY UNTIS 3 UNITS

unit flexibility diagram

2 STORY L SHAPE 2 UNITS

FLIP L SHAPE 2 UNITS

street section

Steve Hardy studio

DOUBLE L SHAPE 4 UNITS

STACKED L SHAPE 4 UNITS

90 FT BACK UNIT 6 UNITS

SPLIT UNTS 10 UNITS

This project explores strategies for bringing multi-story retail to the urban fringe condition. Urban streets tend to create a strong sense of place for several reasons. Population density, building height, business diversity, and the relationship of sidewalk to storefront all play a role. Along the fringe of the urban condition and in the suburbs, lower densities and sprawling land development tend to create an automobile-centric environment that neglects to engage the pedestrian in the same way. But, what if it could be made cost effective for developers and affordable for tenants to build and occupy multistory buildings in urban fringe and suburban conditions?

This two-story retail prototype allows for tenant businesses of various sizes to operate under the same roof and share common entries and circulation spaces, utilities, and amenities. By sharing these elements, the retail leases become affordable and customers of all types are brought into the common space. The architectural scheme makes the loyal customer of one business a potential customer of all other businesses within the building.

common interior space An exterior courtyard exists at the front of the prototype. This courtyard is directly attached to the two story circulation hall on the interior. This courtyard not only pulls pedestrians off of the sidewalk into the â&#x20AC;&#x153;retail multiplexâ&#x20AC;? but in the summer, the curtain wall separating the two spaces can be opened, creating one large open air market or event space.

building section

2nd story interior

2nd story exterior

University of Nebraska_College of Architecture

MULTIPLEX URBAN FRINGE RETAIL PROTOTYPE

Commercial Multiplex Retail Lincoln, NE

JUSTIN LANGENFELD UNL ARCHITECTURE