portfolio
LANGENFELDESIGN
JUSTIN
JUSTIN LANGENFELD resume
EDUCATION
7112 South 139th Ave. Omaha, NE 68138 (402) 290-2174 jlang188@huskers.unl.edu
Bachelor of Science in Design from the University of Nebraska-Lincoln College of Architecture
2012
Graduated with Highest Distinction (1st in class) Superior Scholar awarded for making Dean’s List all four years of undergraduate program
Graduate school for Master of Architecture degree at the University of Nebraska-Lincoln
2012- present
Software: Autodesk Autocad, Autodesk Revit,
Autodesk 3DS Max, Rhinoceros 3D 4.0, V-Ray for Rhinoceros 3D, Adobe CS5.5 InDesign/ Illustrator/ Photoshop
AWARDS
David W. Broesder Scholarship
2013
HDR / Gary Spring Memorial Scholarship [Finalist] College of Architecture Friends Association Outstanding Student Award (only one awarded per discipline) Hemphill Memorial Scholarship
2013
Nebraska Concrete and Aggregates Association Scholarship Nebraska Concrete Masonry Association Architectural Fund Scholarship 1st place - 2011 Concrete Block Design Competition
2012 2012
Roger Schluntz Travel Scholarship
2011
Gary Lee Hansen Recognition Award
2010
Holland Basham Architects
2013
Teacher’s Assistant
2013
State Building Division of Nebraska Administrative Services
2012
Quito and the Galapagos Islands, Ecuador
2011
Boston, Massachusetts
2012
from UNL College of Architecture
from UNL College of Architecture
sponsored by NCMA and UNL College of Architecture winning block design best exhibited potential architectural applications while maintaining the ability to be mass produced from UNL College of Architecture
from UNL College of Architecture recognizes exceptional promise for residential and personal design
WORK
Intern
Arch 331: Structures 1_ UNL College of Architecture Intern
TRAVEL
UNL Service Learning Trip - community park design Kim Wilson - faculty sponsor studio project presentation to Sasaki Associates Gina Ford - Sasaki Principal and visiting Hyde Chair of Excellence
2012 2012
2011
TABLE OF CONTENTS
1 2 3 4 5 6 7 8 9
SURROUNDINGS
ARCH / LARC 311 spring 2011
professors Jeffrey L. Day & Sarah Thomas
SPLIT
PERSONALITY HOME
ART
PAST PRESENT FUTURE
HYBRID
TAILGATING SURFACE
PATTERN
LANDSCAPE DEVELOPMENT
LAND
DEVELOPMENT MUSEUM
P1.3 photo montage TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei
QUARRY
ART and HISTORY MUSEUM
INNOVATION KNOWLEDGE ECOSYSTEM
FACETED
OPERABLE PANEL SYSTEM
MULTIPLEX
URBAN FRINGE RETAIL PROTOTYPE
1-2
Ted Ertl studio
3-4
Ted Ertl studio
5-6
Jeffrey L. Day, AIA / Sarah Thomas studio
7-8
Jeffrey L. Day, AIA / Sarah Thomas studio
9-10
Jeffrey L. Day, AIA / Sarah Thomas studio
11-12
Jeffrey L. Day, AIA studio
13-14
Gina Ford ASLA / David Karle studio
15-16
Daniel Fagerberg studio
17-18
Steve Hardy studio
JUSTIN LANGENFELD Portfolio
PERSONALITY HOME
How can 1 house accommodate 2 very different personalities?
SPLIT PERSONALITY HOME This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodate the outgoing personality of Pound. Two detached studies, in the side and back yard are more suitable for the introverted Cather.
view from across Van Dorn
view from across Van Dorn
N D
P U N D
P U
main floor plan
second floor plan
northeast elevation
1
Ted Ertl studio
southwest elevation
SPLIT PERSONALITY HOME
2-Bedroom Home Manse Ave. and Van Dorn Lincoln, NE
interior perspectives longitudinal section looking northwest
interior perspectives
The concept behind the form and material application of the home was inspired by the idea of pulling out programs from an initial two story volume. The kitchen, parlor, entrance, and bedrooms were all ‘pulled out’ from the two story living room volume, like drawers from a dresser. The brick cladding represents the finished edge of the programmatic dresser metaphor and the wood cladding represents the unfinished wood that is revealed as the different programmatic spaces are pulled out.
University of Nebraska_College of Architecture
2
PAST PRESENT FUTURE
How can a museum be an expression of the very art it holds?
ART PAST PRESENT FUTURE DN
DN UP
UP
Collection Storage
Artist Apartment
Art Studio
Auditorium
Offices
Meeting Room
Library
Robert Henri Gallery
DN
Permanent Collection
DN
DN
UP
W Bath
M Bath
DN
UP
Cafe
Ticket/ Gift Shop
first floor
second floor
fourth floor
The Robert Henri Museum exhibits artwork from the early 20th century artist and provides studio and apartment space for traveling artists. The museum design is meant to educate artists on styles of the past in order to enlighten their modern art process. The museum layout supports this concept, and gallery spaces are designed to resemble the city streetscapes Henri painted.
gallery hall
Meridian Museum
Avenue F
transverse section looking south
Hendee Hotel
East 8th Street
site plan Downtown Cozad
3
Ted Ertl studio
Rialto Theater
south elevation
ART PAST PRESENT FUTURE
Robert Henri Museum 3 galleries, auditorium, offices, artist studio, artist residence Cozad, NE
entrance hall longitudinal section looking east
gallery space
Upon entering the museum a grand four story open space is immediately revealed to you with a marble staircase leading you up a level to the entrance of the Gallery Hall. To enter the hall you must pass between two large three story wall faces. The wall faces when juxtaposed with the large marble staircase upon entry create the imagery of an ancient temple. It is symbolic in that the art in the museum is most valued and not only has it been elevated from the entrance level, but one must pass through the walls of the great temple to see it. It is truly a most valued treasure in this building.
University of Nebraska_College of Architecture
4
TAILGATE SURFACE
How do you turn a parking lot into a football field?
HYBRID TAILGATE SURFACE pedestrian bridge
field flexibility the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking the strength in the proposed system is its flexibility. the tailgate simultaneously. each vegetated park is designed to accomodate strip is an opportunity for a field programs of football and parking simultaneously. each vegetated to occur and defines the boundstrip is an opportunity for a field aries. The field can then “slide” to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game on a horizontal scale, and a game of football can be played virtually of football can be played virtually anywhere. a zone can be shut anywhere. a zone can be shut down for play, or can utlize parked down for play, or can utlize parked cars as obstacles. cars as obstacles. field flexibility
vegetated dividers
parking stalls
25 ft
20 ft
parking lanes
25 ft
20 ft
colored pavement yard lines
360 ft -
160 ft
Field Flexibility
-
360 ft
The task of this project was to create a tailgate park SURROUNDINGS which could be utilized not only as a parking lot but as 160 ft a playing surface for football. A systems approach was taken to create such a surface. A secondary focus of the project became the pedestrian bridge system in and around the site. -
ARCH / LARC 311 spring 2011
SURROUNDINGS
professors Jeffrey L. Day & Sarah Thomas
ARCH / LARC 311 spring 2011
P1.3 system flexibility
main circulation
TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei
site exploded axonometric
professors Jeffrey L. Day & Sarah Thomas
aerial view from stadium P1.2 existing site section SURROUNDINGS
ARCH / LARC 311 spring 2011
5
TEAM 2 professors Jeffrey L. Day & Sarah Thomas
Jeffery L. Day AIA / Sarah Thomas studio
Brad Howe, Justin Langenfeld, Tony Schukei
collaborative project with Brad Howe and Tony Schukei
Tailgate Park 120 parking stalls, 9 football fields Lincoln, NE
field flexibility the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking simultaneously. each vegetated strip is an opportunity for a field to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game of football can be played virtually anywhere. a zone can be shut down for play, or can utlize parked cars as obstacles.
field flexibility the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking simultaneously. each vegetated strip is an opportunity for a field to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game of football can be played virtually anywhere. a zone can be shut down for play, or can utlize parked cars as obstacles.
25 ft
20 ft
N 8th St
field flexibility
P1.3 photo montage
The hybrid nature of this surface makes it suitable for parking as well as playing football. Different ARCH / LARC 311 spring 2011 fieldsSURROUNDINGS can be occupied for football while other sections of the lot are used for parking, and circulation is unaffected. Vegetated strips allow for first down recognition as well as boundary lines. t
hS
N 6t
the strength in the proposed system is its flexibility. the tailgate park is designed to accomodate programs of football and parking simultaneously. each vegetated strip is an opportunity for a field to occur and defines the boundaries. The field can then “slide” on a horizontal scale, and a game of football can be played virtually anywhere. a zone can be shut down for play, or can utlize parked cars as obstacles.
professors Jeffrey L. Day & Sarah Thomas
160 ft
25 ft
Arena Parking
20 ft
St
Brad Howe, Justin Langenfeld, Tony Schukei
N 8th St
80
I-1
e Vin
TEAM 2
360 ft
h St N 6t
Arena Parking
V St
na
Are
ad
Ro
I-18
e Vin
0
Hay
360 ft
ke mar
SURROUNDINGS
St Memorial Stadium
ARCH / LARC 311 spring 2011
professors Jeffrey L. Day & Sarah Thomas
ian
estr
ed tP
ad
ilro
Ra
Brid ge
160 ft
V St
ad
lro
20 ft
Rai
d
na
Roa
St
Are
N 10th
25 ft
Nebraska Champions Club
HYBRID TAILGATE SURFACE
playing surface perspective
Proposed Pedestrian Bridge
Stadium Dr
P1.3 system flexibility a Aren
ARCH / LARC 311 spring 2011
professors Jeffrey L. Day & Sarah Thomas
TEAM 2
360 ft
Brad Howe, Justin Langenfeld, Tony Schukei
strian
Pede
SURROUNDINGS e Bridg
160 ft
Stadium Drive Parking Garage
P1.3 system flexibility
T St
N 8th St
SURROUNDINGS
ARCH / LARC 311 spring 2011
TEAM 2 Brad Howe, Justin Langenfeld, Tony Schukei
professors Jeffrey L. Day & Sarah Thomas
NSC Immigration
Manter Hall NSC Immigration
Richards Hall N 9th St
Haymarket Arena
Haymarket Arena
US Post Office
existing site plan
501 Building
US Post Office
proposed site plan
N 8th St
University of Nebraska_College of Architecture
6
LANDSCAPE DEVELOPMENT
How can a pattern help define a landscape?
PATTERN LANDSCAPE DEVELOPMENT
aerial site perspective water from the river can flow without a major directional change because of the rotated pattern.
basic triangular unit = 1 acre basic triangular unit= 1 acre
facilitates design of programmed spaces and assists in the realization of scale.
facilitates design of programmed spaces and assists in the realization
sierpkinski triangle
pattern placement
serpenski triangle
pattern alteration and placement
the pattern of the serpenski triangle was chosen as the primary force
pattern was placed over the site boundary to provide the primary organizational element. the pattern was confined to the site boundary and rotated to allow more freedom for the proposed infrastructure.
fot the organization of design. each triangle facet is set at one acre to primary organizational pattern for site assist in the development of the site.
triangle rotated to better facilitate program of site
final proposal
final pattern proposal the pattern provides organization of proposed infrastructure on the 85 acre site.
the rotation facilitates the of theinto introduction water on site. allows for the introduction ofmethod water theofsite
The project was to develop an 85 acre waterfront property on the Council Bluffs side of the Missouri River. Most of the site lies in the flood zone and is bordered on each side by the city’s levee system. The task was to create a park accessible to the near by communities of Omaha and Council Bluffs, with programs such as beaches, trails, an American Land Museum and a branch of the Bemis Art Center. The form for this development was to be influenced by a pattern. In this case, the Sierpinski triangular grid was chosen.
P2.3 organizational pattern SURROUNDINGS
7
ARCH / LARC 311 spring 2011
TEAM 1 professors Jeffrey L. Day & Sarah Thomas
Jeffery L. Day AIA / Sarah Thomas studio
Brad Howe, Justin Langenfeld, Tony Schukei
collaborative project with Brad Howe and Tony Schukei
existing site composition pedestrian path on levee creates an elevated level of pedestrian circulation on edge of site
Missouri Riverfront Community Park Beach, Boardwalk, Canals, Trail System Council Bluffs, Iowa
areas of dense tree cover limit views and are a source of major disturbance on site
areas of dense tree cover limit views and are a source of major disturbance
the levels of existing site many differe the land is u really only a
areas of dense tree cover limit views and are a source of major disturbance on site
or private. spaces near automotive and pedestrian circulation on the existing site separate themselves from areas that are not bisected by human circulation. the areas near circulation become private and the areas absent of circulation are private. the spaces on the site could also be described as densely vegetated versus open. the densely vegetated spaces would seem to be more private where as the open clearings lend themselves to more human interaction and conse-
large treeless clearings create opportunites for public, undisturbed spaces
existing site
pedestrian path on levee creates an elevated level of pedestrian circulation on edge of site
the levels of disturbances on the existing site are hard divide into many different segments. because the land is undeveloped, there are really only a few types of spaces
or private. s and pedestr existing site from areas t human circu circulation b areas absen vate. the sp also be desc etated versu vegetated sp be more priv clearings len human inter
large treeless clearings create opportunites for public, undisturbed spaces
areas of dense tree cover limit views and are a source of major disturbance
site disturbance existing site composition
pedestrian circulation on levee dense tree cover limits views clearing for public space
open green spaces are maintained
dense tree cover limits views
areas of dense tree cover limit views and are a source of major trees are cleared near the water’s disturbance edge to open up space for public beach access
intermediate
private
redefined edges of open green space
open green spaces are maintained
trees near river’s edge cleared for public beach
existing site composition
tation in orde
trees are cleared near the water’s edge to open up space for public beach access
proposed public vs. private
the site. in t private spac site, more in and the spac and private a meaningful w
proposed site composition
proposed site composition the proposed framework plan for the site would drastically alter the disturbance conditions on the site. to begin with the new placement of the levee not only frames views but it also separates a part of the site from the rest. this areas in the northeastern part of the site becomes one of the most private for this reason, along with the land furthest north on the site. areas that were once private near the river’s edge and in the interior of the site will be cleared of trees and will become more public areas. portions of the existing open space on the tation in order to more purposefully
wrapping the levee around this space establishes a greater connection to the residential neighborhood in council bluffs areas of the site near heavy circulation but that also have dense tree cover become semi private semi public
open green spaces are maintained
trees are cleared near the water’s edge to open up space for public beach access
the site. in the end, the much less private space exists on the new site, more intermediate areas exist and the spaces that become public and private are done so in a more meaningful way
estr
ped
ian
y entr
tree cover tree cover as much of the site’s original tree cover was maintained and in several instances more trees were added in order to help create spacial experiences, frame views, and to create privacy and shade
bemis center land museum prairie grass site parking boardwalk levee
Land Museum / Bemis Center both the museum and artist studios were designed with connections to the surrounding landscape in mind. the bemis center is hugged by the levee while the museum climbs and punctures it. both structures also frame views of the surrounding landscape
vehicul
ar entry
3
site parking
levy alteration
canal there are two parking lots on the site. a large lot is located at the main entrance to the site and in close proximity to the land museum. a smaller parking lot accommodates visitors that enter in the northern entrance connected to the surrounding residential area. this entrance is also utilized by the bemis center. geometries.
prairie grass
PATTERN LANDSCAPE DEVELOPMENT
public
heavy circulation and tree cover semi-private/public
areas of the site near heavy circulation but that also have dense tree cover become semi private semi public
the site. in the end, the much less private space exists on the new site, more intermediate areas exist and the spaces that become public and private are done so in a more meaningful way
existing public vs. private
the propose the site wou disturbance to begin with of the levee but it also se site from the northeastern comes one o this reason, thest north o were once p edge and in will be cleare come more of the existin
wrapping the levee around this space establishes a greater connection to the residential neighborhood in council bluffs
of the levee not only frames views or spaces near automotive butprivate. it also separates a part of the and pedestrian circulation on in the site from the rest. this areas the existing site separate themselves northeastern part of the site befrom areas aremost not bisected comes one that of the private forby human circulation. the the areas near this reason, along with land furcirculation become private and the thest north on the site. areas that areas absent of circulation priwere once private near the are river’s vate. and the spaces on theofsite edge in the interior thecould site also becleared described as densely will be of trees and willvegbeetatedmore versus open. the densely come public areas. portions vegetated spaces would seem to of the existing open space on the be more private where as the open clearings lend to themselves to more tation in order more purposefully human interaction and conse-
large treeless clearings create opportunites for public, undisturbed spaces
proposed site
levee move creates neighborhood connection
proposed site composition the levels of disturbances on the existing site are hard divide into the proposed framework plan for many different segments.alter because the site would drastically the the land is undeveloped, are disturbance conditions onthere the site. really only a few of spaces to begin with the types new placement
pedestrian path on levee creates an elevated level of pedestrian wrapping the levee around this circulation on edge of site space establishes a greater connection to the residential neighborhood bluffscover limit areasin ofcouncil dense tree views and are a source of major areas of the site near heavy circudisturbance on site lation but that also have dense tree cover become semi private semi public
boardwalk
prairie grass is used on the site to emphasize the connection of the building geometries to the landscape geometries.
beach promenade
6
4
5
2
bemis artist’s residences
pedestrian entry boardwalk system site. the boardwalk branches off the levee pedestrian walkway and spans across the site bringing pedestrians to the riverside beaches as well as down the canals
levee the levee path was altered in the design to create more diverse outdoor areas on the site as well as to frame views of the riverfront. the project is driven by the concept of man’s ability to manipulate the landscape. the levee plays a big part in making areas near the river safe and inhabitable. therefore it was important that we manipulate this element to best suit our site framework
clui land use museum
promenade beach
try n en
stria
pede
promenade
lar
icu
h ve
try en
this system of paths is reached by way of the boardwalk and brings visitors up close to the heavily manipulated landscape, whether it be
beach
designed open space
6
1
the hard edges that separates the rest of the site from the beach once again exhibit a very deliberate land manipulation. this gesture also creates riverfront recreation opportunities for visitors
land mass land mass the topography of the site maintains much of its original form. however, where it is changed it was done in very deliberate and drastic manors in order to emphasize the heavy manipulation of the site. topography around the levee was altered where the levee moves but also gentle curves that once existed in this site element were made sharp and more dynamic
canal system
canal system this system was put in place in order to become a microcosm of how man manipulates the larger river to which it is attached to. locks control the canal system just as man has redirected and controlled the system also allows for boat access to the site from the river and doc spaces are provided at strategic access points
site plan
site plan this image shows how all the systems look when they come together on the site
N 200’
400’
an
stri
de pe
0’
try en
site exploded axonometric
illustrative site plan
University of Nebraska_College of Architecture
8
600’
DEVELOPMENT MUSEUM
How can a landscape become architecture?
LAND DEVELOPMENT MUSEUM
w o use arrow (for cs5). is rrowhead is library for ee to
view up canal system view up canal system
after programmaticafter spaces programmatic have beenspaces layout have been layout out in relation to the outview in relation axes, the to the generalview axes, the generalized spaces can begin ized spaces to look to can thebegin trianguto look to the triangular grid for form influence lar grid for andform manipulation influence and manipulation
view axes create lines that begin to inform the formal and spatial relationships of the museum
2000 sq ft admin
7000 sq ft entry/connecting
manipulation ofmanipulation footprint using of grid footprint using grid
after identifying views, after identifying axes are identified views, axes are identified off of these viewsoff that of then thesebegin viewstothat inform then begin to inform how the spaces how and volumes the spaces of the and muvolumes of the museum programs are seum layed programs out andare interact. layed out and interact.
2000 sq ft admin 2500 sq ft gallery
entry/connecting 7000 sq ft gallery 2000
3600 sq sq ftft gallery gallery 2500
2000 sq ft gallery
program potential square footages 3600 sq program ft gallery square footages
identification ofidentification axes and spaces of axes and spaces
potential program square footages view of river
manipulation of footprint using grid
identification of axes/spaces
view of cove and river view of cove and river
sierpinski triangular grid used to influence and manipulate spaces of museum
view of river view axis view axis
view axis view off interstate view off interstate river crossing river crossing levy
2 acre museum site 2 acre museum site
levee
levy
preliminary museum preliminary footprint museum footprint after using the triangular after using gridthe to triangular alter the grid to alter the preliminary programmatic preliminary spaces programmatic of the mu-spaces of the museum, s desired gesture seum, of s desired three smaller gesture tribof three smaller tributaries combiningutaries into one combining larger river intoflow one larger river flow has taken shape. has alsotaken threeshape. distinct also gallery three distinct gallery spaces with three spaces definingwith views three of the defining land- views of the landscape has emerged. scape in between has emerged. these in galbetween these galleries, courtyard-like leries, spaces courtyard-like have materialspaces have materialized and could be ized utilized andas could outdoor be utilized exhibit as outdoor exhibit spaces . spaces .
preliminary footprint
isolating gallery views
result of exterior views, corresponding axes, and manipulation of form-giving triangular grid
isolating galleryisolating views gallery views
the American Landthe Museum American wasLand created Museum by thewas Center created for Land by theUse Center Interpretation for Land Use agency Interpretation and its aimagency is to create and its a dynamic aim is to contemporary create a dynamic potrait contemporary of the nations potrait landscapes. of the nations therelandscapes. are several there are several museum sites located museum across sites thelocated countryacross which the provide country regional whichprogramming provide regional for the programming area it represents. for the area this itmuseum represents. site is this located museum along sitethe is Missouri located along Riverthe andMissouri should therefore River andrelate should create therefore relate create exhibit spaces to study exhibitthe spaces river and to study analyze the how river man and analyze manipulates how and mancontrols manipulates it. byand identifing controls manipulated it. by identifing river conditions manipulated near river theconditions site the museum near theexhibit site theprogram museum can exhibit beginprogram to take shape. can begin to take shape. these programs then these canprograms begin to unfluence then can begin the form to unfluence of the museum. the formthe of the firstmuseum. exhibit space the first will describe exhibit space how man will describe alters thehow flowman of the alters river. theaflow viewoftothe theriver. canala system view to will the be canal evidence systemofwill this. be evidence of this. the second exhibitthe space second will describe exhibit space how man will describe manipulates how the manedge manipulates of the river. the aedge viewofofthe a manmade river. a view cove of across a manmade the river cove asacross well asthe view river of as thewell altered as view riverofedge the altered on the Iowa river side edgeare on two the Iowa side are two views to be experienced views to in be thisexperienced space. finally, in this a third space. gallery finally, will look a third at gallery how man willbypasses look at how theman river,bypasses and a view theofriver, the interstate and a view viaduct of the will interstate provideviaduct a strong willexample provide of a strong this. example of this.
The three gallery spaces have views to the river associated with their exhibit topics. exhibit 1: man alters the flow of the river- view the canal system. exhibit 2: man manipulates the edge of the river- view of man-made cove. exhibit 3: man bypasses the river- view the interstate viaduct.
P2.4 land museum P2.4 land footprint museum footprint TEAM 1
SURROUNDINGS SURROUNDINGS ARCH / LARC 311 ARCH spring / LARC 2011311 professors spring 2011 Jeffrey professors L. Day & Sarah Jeffrey Thomas L. Day & Sarah Thomas
TEAM 1
Justin Langenfeld Justin Langenfeld
DN
Gallery
DN
Admin Wing DN
Gallery
DN
Entrance Lobby Multipurpose Space DN
Cafe
Gallery
Three different connections are made between the building and the levee. Visitors can progress up an exhibit, then pass outside to the levee, and finally down to the riverfront landscape.
DN
DN
975
9
Jeffery L. Day AIA / Sarah Thomas studio
individual project
American Land Museum 3 galleries, cafe, offices, outdoor connections Council Bluffs, Iowa The American Land Museum was created by the Center for Land Use Interpretation Agency and its aim is to create a dynamic contemporary portrait of the nation’s landscapes. There are several museum sites located across the country which provide regional programming for the areas they represent. This museum site is located along the Missouri and should create exhibit spaces to study the river and analyze how man manipulates and controls it.
model - north side
LAND DEVELOPMENT MUSEUM
glazing detail
north elevation
glazing detail
museum entrance view
reaction point
architecture from landscape
approach
reaction point
architecture from landscape
perspective looking northwest approach from parking lot
levee pedestrian path
plan
P2.4 land museum model
SURROUNDINGS
ARCH / LARC 311 spring 2011
TEAM 1 Justin Langenfeld
professors Jeffrey L. Day & Sarah Thomas
Misso
ur
perspective looking northwest approach from parking lot
model - west side
Even tho River select ugh the stu ion de deadline s for admissiont aairs com want to for the Tea n into the 2 mittee has chi no and nity to make sure tha ng Assistant 3 year M.A t nalized the com Ap please plete the t everyone plications rch programs ir wh ret ap is , These urn your ap plication. o is intereste March 15, the 201 ap If plic applic plication can ation to you are intered has the op 2. I ation. be sub me by 5p sted in portum mitted ap by e-m on March 15, plying, As I elu ail using de 201 will be d to in me the att 2. at the eting, ach ed DATO I am ask RY retreat so wo , as it is pa March 30-31 ing that yo rk is no rt of ini u t an exc tiation, st. This retrea all connrm tha I have use t given is complet t you you 4.5 ely MA Nweek s notic e
levee pedestrian path
exhibit 3: bypassing the river
SURROUNDINGS
ARCH / LARC 311 spring 2011
professors Jeffrey L. Day & Sarah Thomas
University of Nebraska_College of Architecture
P2.4 land museum
10
TEAM 1 Justin Langenfeld
ART and HISTORY COMPLEX
How can a man-made landscape inspire architecture?
QUARRY ART and HISTORY COMPLEX Ventilation fan Ventilation grill Granite roof panel
bird’s eye persp. looking southwest
Granite wall slab, 1’ Rigid insulation, 4” min Hollow core slab, 8”
Air Gap, 1” Insulation, 5 1/2” Vapor barrier Gypsum Board 3/4”
ctonics 4 2011
| The Wells-Lamson Quarry
cape alteration: pyramids, aqueducts, and deforestable by industries throughout the world, but we take ransformed by industry, particularly those that extract and.
act of the quarry.
Fine Gravel Large Gravel Drain
cture
Rigid Insulation, 2” min Water proof membrane Hollow core slab, 8” Steel beam
ubstantial marks on the earth?
M co
plex for an institution devoted primarily to visual, liter-
Hollow struc
Lowe
lock Field
Steel reinforced concrete beam
Cover
Block Breakdown ada residences
two units per block
3
artist residences
2
art studios
1
educational pavilion
3
3 3
3
3 3
3 3
rotate to 2 story 20’ height
2 literary 3
3 2 visual
smaller scattered solid blocks
3
variety of sizes produced from base block size
3
2 performing
3
3
2 landscape entrance
residences
two units per block
1
Landscape - controlled view of quarry
overlooks
main level plan upper level
View Manipulation
Drain Concrete slab, 4 1/2” Rigid insulation, 1 1/2” Sand filler
bookstore
rotate to 1 story 12’ 6” height
Visual - forground vs. background
Literary - restricted for inward thinking
1. Education Pavilion
2. Studios
3. Residences
Performing - expandable to outdoor space
17’
40’
kitchen/living area
30’
2 literary
2 visual kitchen/living area 2 landscape
wall section of studio space
1
lower level plan
Program Layout education studios pavilion
Hierarchy
residences
11
Views and Connections
Jeffery L. Day AIA studio
lower level
Open/Gathering Spaces
Page 01
Page 02
Cafe
10
40 20
60
feet
17’
40’
kitchen/living area
30’ 2 visual
2 literary
kitchen/living area 2 landscape
The resident artists have individual residences that are connect to one another and their studios via subterranean connections.
Program Layout education studios pavilion
residences
Hierarchy
2012 Lyceum Fellowship Competition Educational Pavilion, 4 Art Studios, 12 Artist Residences, Memorial Wells Lamson Quarry - East Barre, Vermont
Views and Connections
Page 01
Visitor Center
Studio
10
lower level
Open/Gathering Spaces
40 20
Page 02
ADA Studio
comm. stairs
Exploded Axon solid granite blocks
through the grid across two diagonal axes. One axis consists of 5’ by 5’ by 5’ granite blocks on which the names and memories of fallen quarry workers. The opposite axis consists of 5’ by 5’ by 5’ voids in the ground representing the void left by those fallen workers in the lives of their families.
building structures
memorial/ circulation axes
lower floor subtracted out of granite
Once visitors have reached the visitor center, they are able to not only experience views out toward both the East and the West quarry pits, but they also have the opportunity to be lowered into these deep spaces via elevator like crane baskets, similar to what was used on the site by quarry workers.
Memorial
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Studio
Education Pavilion West Quarry Overlook
bird’s eye persp. looking east exterior view looking southwest
Educational PavilionWest Quarry Overlook
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The Wells Lamson Quarry in Vermont was the site for this multifaceted building program. Having studied the granite quarrying process, the concept behind the block field design was inspired. The base block size initially removed from the quarry is 30’ by 40’ by 17’. These dimensions could easily become a small building. With the idea of creating a field of blocks, some becoming architectural spaces, others staying solid granite, a hierarchy of program was identified, establishing the desired programmatic connections. The memorial disrupts the orthogonal grid of the block field by dissecting it via two diagonal axes. One axis consists of smaller granite blocks on which the names of fallen quarry workers would be displayed. The opposite axis consists of the voids in the ground representing the voids left in the lives of the fallen workers’ families.
art studio space
University of Nebraska_College of Architecture
12
QUARRY ART AND HISTORY COMPLEX
create an experience of discovery. They may discover new spaces, new vie or even new realizations about mankind’s interaction with the earth.
Residence
KNOWLEDGE ECOSYSTEM FRAMEWORK
How can planning and architecture help companies and cities grow?
Aviva vacany
Aviva vacany
Aviva vacany
INNOVATION INC. KNOWLEDGE ECOSYSTEM FRAMEWORK Office Office Vacancies Vacancies Office Vacancies CBD Silicon CBD Sixth Silicon Ave Sixth Ave
CBD Silicon Sixth Ave office Identified over 500,000 sq. ft. of vacant space to be occupied within framework plan Levels of Business Growth Tier 1: incubator Tier 2: own office space Tier 3: own building Tier 4: suburban park
stories: 12 stories: 12 floor typical floor size: typical 9,521 sq.ft. size: 9,521 sq.ft.
(housing) (open space) (retail)
space available:
floor size: 62,496 9,521 sq.ft. buidling size:typical 62,496 buidling sq.ft.size: sq.ft. buidling size: 62,4963,875 sq.ft. sq.ft. space available: space available: 3,875 sq.ft.
3,875 sq. ft.
Wellmark vacancy
Wellmark vacancy Wellmark vacany
Wellmark vacany
Wellmark vacany
Wellmark vacancy
Retail/Housing
B
Liberty Building Liberty 418 Building 6th Ave 418 6th AveAve Liberty Building 418 6th Liberty Building 418 6th Ave stories: 12
A
space available: 3,875 sq.ft.
Tier 1 & 2
(incubator space) (open space)
C Bank of America BankBuilding of America 317Building Building 6th Ave 317 6th Ave 6th Avenue Bank of America 317 Bank15of America 317 6th Ave stories: stories:Building 15 (Wellmark vacancy) (Wellmark vacancy)
space available:
D
(Wellmark vacancy)
stories: 15 floor typical floor size: typical 10,472 sq.ft.size: 10,472 sq.ft. floor size: 157,080 10,472 sq.ft. buidling size:typical 157,080 buidling sq.ft. size: sq.ft.
E
44,072 sq. ft.
buidling size: 157,08044,072 sq.ft. sq.ft. space available: space available: 44,072 sq.ft. space available: 44,072 sq.ft.
F
Tier 3
(retail/housing) (open space) (office/parking)
Tier 4
(future development) (office/open space) Liberty Building Liberty 418 Building 6th Ave 206 418 6th6th Ave Avenue Midland Building Office Vacancies sq.ft. Office Vacancies sq.ft. Office Vacancies sq.ft. Silicon Sixth Office Silicon Vacancies Sixthsq.ft. Office Vacancies sq.ft.
office vacancies sq.ft.
Silicon 6th vacancies sq.ft.
Silicon Sixth Office Vacancies sq.ft.
ARCH / LARC 411 ARCH spring / LARC 2012 411 professors spring 2012 David W. professors Karle & Visiting David W. Hyde Karle Chair & Visiting Gina Ford Hyde Chair Gina Ford SYSTEM, STRATEGY, SYSTEM, STRATEGY, SITE: Des Moines SITE: Des Moines ARCH / LARC 411 spring 2012 professors David W. Karle & Visiting Hyde Chair Gina Ford SYSTEM, STRATEGY, SITE: Des Moines
Liberty 418 stories: 12 Building stories: 12 6th Ave stories: 12 floor typical floor size: typical 8,760 sq.ft. size: 8,760 sq.ft.
space available:
floor size: 86,052 8,760 sq.ft. buidling size:typical 86,052 buidling sq.ft.size: sq.ft. buidling size: 86,05219,413 sq.ft. sq.ft. space available: space available: 19,413 sq.ft.
19,413 sq. ft.
space available: 19,413 sq.ft.
Vacancy by Floor Vacancy by Floor Vacancy by Floor
Vacant Office Vacant SpaceOffice Space Vacant Office Space Industry
Industry
Justin Langenfeld, Michael Justin Langenfeld, Killeen Michael Killeen Industry Justin Langenfeld, Michael Killeen
6th Ave. framework plan
This framework sets up a corridor to develop start-up businesses in order to help diversify the downtown economy. It allows for close proximity of small business and keeps them in the downtown as they grow.
A mixed use block was proposed at the center of the framework plan to unify the start-up companies occupying office space along Sixth Avenue as well as to help aid in the creation of a live-work ecosystem within the downtown.
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Gina Ford ASLA / David Karle studio
framework in collaboration with Michael Killeen SYSTEM, STRATEGY, SITE: Des Moines
ARCH / LARC 411 spring 2012
professors David W. Karle & Visiting Hyde Chair Gina Ford
Mixed-Use City Block Retail, Garage, Office, Residential Des Moines, IA
Along with retail, parking, and middle income housing, the block would contain office spaces designed to promote innovation and collaboration amongst small businesses through the use of shared meeting and ‘play’ spaces. circulation diagram
office entrance atrium
1
existing site context
2
North-South axis
3
ground level through connection
4
shifted interior connection
5
play space
6
overlaps and connects T1-T2
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atrium and play space circulation
exterior circulation atrium circulation play circulation
University of Nebraska_College of Architecture outdoor park space existing bank
14
INNOVATION INC. KNOWLEDGE ECOSYSTEM
office collaboration space
OPERABLE FACADE SYSTEM
How can a building facade be made beautiful as well as functional?
FACETED OPERABLE FACADE SYSTEM Cafe interior closed
Facade Detail Images
A folding timber panel system was developed during the semester that was both insulating and weatherproof. Through the application of this system, the objective of this urban high-rise design was to create a kinetic facade system that would allow for flexibility of indoor and outdoor space depending on the weather conditions. The operable panel would be used to create flexible indoor and outdoor dining in a restaurant application and open air living spaces for residential units. ACTUATOR ETFE pillow
composite concrete slab CLT panel floor ACTUATOR gas pump system
STRUCTURE CLT Panels Massivholzelemente 57 mm
VAPOR BARRIER AirGuard Smart 4 mm
RIGID INSULATION HomaTherm UD-Q11 Standard
200 mm
CLADDING 6 mm
HINGE
concrete slab CLT panel
operable panel layers
15
Daniel Fagerberg studio
high-rise structure system
glue-laminated columns
North Facade Solar Study
Mixed-Use High Rise Retail, Residential Kansas City, MO
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high rise base plans
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East Facade Solar Study
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FACETED OPERABLE PANEL SYSTEM
0
South Facade Solar Study
It was also important that the facade respond to the amount of sunlight it received. Using analysis software, the annual solar heat gain of every building surface was determined, and from this data the ratio of solid to glazed facade was designed in an effort to reduce the amount of solar heat gain of the building as a whole. This strategy was intended to create a more sustainable high-rise structure.
Cafe exterior open
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West Facade Solar Study
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University of Nebraska_College of Architecture
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URBAN FRINGE RETAIL P ROTOTYPE
How can architecture create a sense of place in the suburbs?
MULTIPLEX URBAN FRINGE RETAIL PROTOTYPE This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodates the outgoing personality of Pound. Two detached studies, in the side and back yard are more suitable for the introverted Cather. This 1500 sq. ft. home was designed for two historic Nebraska figures, Louise Pound and Willa Cather. On a strange corner lot, this two bedroom house is meant to accommodate the personalities of both women. Expansive spaces and fluid circulation within the house accommodates the outgoing personality of Pound. Two detached studies,
Exterior Perspectives
FULL FLOOR UNITS 2UNITS
DOUBLE L SHAPE 4 UNITS
120 FT BACK UNIT 6 UNITS
SPLIT UNTS 12 UNITS
UNIQUE to OPEN plan
OPEN plan
SPLIT plan 3 UNITS/ FOOLR 6 UNTIS
2 STORY UNTIS 3 UNITS
unit flexibility diagram
2 STORY L SHAPE 2 UNITS
FLIP L SHAPE 2 UNITS
street section
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Steve Hardy studio
DOUBLE L SHAPE 4 UNITS
STACKED L SHAPE 4 UNITS
90 FT BACK UNIT 6 UNITS
SPLIT UNTS 10 UNITS
This project explores strategies for bringing multi-story retail to the urban fringe condition. Urban streets tend to create a strong sense of place for several reasons. Population density, building height, business diversity, and the relationship of sidewalk to storefront all play a role. Along the fringe of the urban condition and in the suburbs, lower densities and sprawling land development tend to create an automobile-centric environment that neglects to engage the pedestrian in the same way. But, what if it could be made cost effective for developers and affordable for tenants to build and occupy multistory buildings in urban fringe and suburban conditions?
This two-story retail prototype allows for tenant businesses of various sizes to operate under the same roof and share common entries and circulation spaces, utilities, and amenities. By sharing these elements, the retail leases become affordable and customers of all types are brought into the common space. The architectural scheme makes the loyal customer of one business a potential customer of all other businesses within the building.
common interior space An exterior courtyard exists at the front of the prototype. This courtyard is directly attached to the two story circulation hall on the interior. This courtyard not only pulls pedestrians off of the sidewalk into the “retail multiplex� but in the summer, the curtain wall separating the two spaces can be opened, creating one large open air market or event space.
building section
2nd story interior
2nd story exterior
University of Nebraska_College of Architecture
18
MULTIPLEX URBAN FRINGE RETAIL PROTOTYPE
Commercial Multiplex Retail Lincoln, NE
JUSTIN LANGENFELD UNL ARCHITECTURE