Justin Jones Portfolio Winter 2017

aARC r chhITi EtCTe cU Rt Eu/rDeESI / dG Ne sPORT i g n FOL p oIOr t f o l i o fWaI NT l lE R2 02 01 1 67 tin jones j U STIjN uJsONES

CURICULUM VITAE CURICULUM VITAE lo,, HHeelllo I’m Justin Justin Jones, Jones,aaa fourth fourth year year architecture student atat the the University UniversityatofofUniversity Waterloo I’m architecture student Waterloo I’m Justin Jones, recent graduate of the undergraduate program HSchool e l lo ,Architecture School ofofArchitecture in Cambridge, Ontario.

I am currently studying at Waterloo’s in Cambridge, Ontario. I am currently studying at Waterloo’s

EDUCATION EDUCATION EDUCATION EDUCATION 09/2012- PRESENT PRESENT 09/201209/2012- -PRESENT 09/2012 08/2017

Justin Jones Jones Justin justinrobjones@gmail.com justinrobjones@gmail.com Justin Jones CDN 905 920 2434 2434 CDN 905 920 justinrobjones@gmail.com IT +39 328 2368115 IT +39 328 2368115 CDN 905 920 2434 Skype justinrobjones Skype IT +39 justinrobjones 328 2368115 Skype justinrobjones

of Waterloo Schoola of Architecture in Cambridge, Ontario. following is a I’m Justin Jones, fourth year architecture student at the The University of Waterloo campusofininArchitecture Rome.

The that following collection mycurrently work that that reflects my passion campus Rome.

The following isis aamy collection my work reflects passion collection of my work reflects passionof and curiosity for architecture and School in Cambridge, Ontario.

Iof am studying atmy Waterloo’s and curiosity for architecture and design.

I hope to contribute the same passion and curiosity fortoarchitecture andsame I hopeof contribute samemy passion toto design.

I inhope contribute the passion totomy your firm.thatthe campus Rome.

The following isdesign. a collection work reflects passion your firm. your firm. for architecture and design. I hope to contribute the same passion to and curiosity your Thankfirm. you for your consideration, Thank you you for for your your consideration, consideration, Thank Thank you for your consideration, UNIVERSITY OF OFWATERLOO WATERLOO SCHOOL SCHOOL OF OFARCHITECTURE ARCHITECTURE UNIVERSITY Cambridge,OF Ontario, Canada SCHOOL Cambridge, Ontario, Canada UNIVERSITY WATERLOO UNIVERSITY OF WATERLOO SCHOOLOF OF ARCHITECTURE ARCHITECTURE Candidate Bachelors of Architectural Studies FourthYear Year Candidate Bachelors of Architectural Studies -- Fourth Cambridge, Ontario, Canada Cambridge, Ontario, Canada Bachelors of Architectural Studies Candidate - Bachelors of Architectural Studies - Fourth Year

PROFESSIONAL EXPERIENCE EXPERIENCE PROFESSIONAL PROFESSIONAL EXPERIENCE PROFESSIONAL EXPERIENCE 01/2016 -- 08/2016 08/2016 01/2016 01/2017 - 04/2017 01/2016 - 08/2016

05/2015 -- 08/2015 08/2015 05/2015 01/2016 08/2016 05/2015 - 08/2015 09/2014 -- 12/2014 12/2014 09/2014 09/2014 - 12/2014 05/2015 - 08/2015 01/2014 -- 04/2014 04/2014 01/2014 01/2014 - 04/2014 09/2014 - 12/2014 2013 -- 2014 2014 2013 2013 - 2014

01/2014 - 04/2014

SKILLS SKILLS SKILLS

CARSCADDEN STOKES MCDONALD MCDONALDARCHITECTS ARCHITECTS CARSCADDEN STOKES PLANT ARCHITECT Vancouver, British Columbia, Canada Vancouver, British Columbia, Canada Toronto, Ontario, Canada CARSCADDEN STOKES MCDONALD ARCHITECTS Architectural Intern working drawings, tender packages, packages, construction documents, presentations, site visits, visits, Architectural Intern -- working drawings, tender site Architectural Intern - Columbia, working drawings, presentations, designconstruction development,documents, competitionpresentations, and awards submissions, Vancouver, British Canada site review, client meetings, schematic design, code analysis site review, client meetings, schematic design, code analysis

client meetings, schematic deisgn, code analysis, 3D modelling - Vectorworks Architectural Intern - working drawings, tender packages, construction documents, presentations, site visits, site review, client meetings, schematic design, code analysis ATMOS STUDIO STUDIO ATMOS CARSCADDEN London,United UnitedSTOKES KingdomMCDONALD ARCHITECTS London, Kingdom ATMOS STUDIO Vancouver, British Columbia, Canada Architectural Intern design, fabrication drawings, drawings,visualization, visualization,3D 3D modelling, modelling,presentation, presentation,code code analysis analysis Architectural Intern -- design, fabrication London, United Kingdom Architectural Intern - working drawings, tender packages, construction documents, presentations, site visits, site review, Architectural Intern - design, fabrication drawings, visualization, 3D modelling, presentation, code analysis ARQUITECTONICAclient meetings, schematic deisgn, code analysis ARQUITECTONICA Miami,USA USA Miami, ARQUITECTONICA Architectural Intern -- working working drawings, drawings,renderings, renderings,presentation presentation boards, boards,detail detail drawings drawings Architectural Miami,STUDIO USA Intern ATMOS Architectural Intern - working drawings, renderings, presentation boards, detail drawings London, United Kingdom HICKS PARTNERSHIP PARTNERSHIP HICKS Architectural Intern - design, fabrication drawings, visualization, 3D modelling, presentation, code analysis Oakville,PARTNERSHIP Ontario,Canada Canada Oakville, Ontario, HICKS Architectural Intern 3D modelling, modelling,rendering, rendering,working working drawings, drawings,interiors, interiors,presentation presentation boards, boards,site site visits visits Architectural Intern -- 3D Oakville, Ontario, Canada Architectural Intern - 3D modelling, rendering, working drawings, interiors, presentation boards, site visits ARQUITECTONICA TOWNSHIP OFALGONQUIN ALGONQUIN HIGHLANDS HIGHLANDS TOWNSHIP OF Miami, USA Algonquin Highlands, Ontario, Canada Algonquin Highlands, Ontario, Canada Architectural Intern working drawings, renderings, presentation boards, detail drawings TOWNSHIP OF ALGONQUIN HIGHLANDS Head Swim Instructor scheduling and teaching lessions lessions ages ages 1-18, 1-18,bronze bronze courses, courses,first first aid aid Head Swim Instructor scheduling and Algonquin Highlands, Ontario, Canada teaching Head Swim Instructor - scheduling and teaching lessions ages 1-18, bronze courses, first aid HICKS PARTNERSHIP Oakville, Ontario, Canada Architectural Intern - working drawings, renderings, presentation boards, detail drawings

2D 2D 3D 2D Physical Physical 2D Physical

Rhinoceros 5.0, 5.0,V-ray, V-ray,Grasshopper, Grasshopper,T-Splines, T-Splines,Arduino, Arduino,Sketchup Sketchup Rhinoceros Rhinoceros 5.0, V-ray, Grasshopper, T-Splines, Arduino, Sketchup AutoCAD,Adobe Adobe Photoshop, Photoshop,Illustrator, Illustrator,InDesign InDesign AutoCAD, Rhinoceros 5.0, V-ray, Vectorworks, Grasshopper, T-Splines, Arduino, Sketchup AutoCAD, Adobe Photoshop, Illustrator, InDesign Lasercutting,3D 3D Printing, Printing,Woodworking, Woodworking,Hand Hand Modelling, Modelling,Hand Hand Drafting Drafting Lasercutting, AutoCAD, Vectorworkds, Adobe Photoshop, Illustrator, InDesign Lasercutting, 3D Printing, Woodworking, Hand Modelling, Hand Drafting

Physical

Lasercutting, 3D Printing, Woodworking, Hand Modelling, Hand Drafting

3D 3D

SKILLS 3D

0011 002 1

table of contents 04

leviathan

08

frame

10

atmos

14

carscadden

16

arquitectonica

18

desk

20

rise

21

cube

22

broch hof

03

LEVIATHAN 3B Studi o - Derek Rev in gt on 0 8 /2 0 1 5 Ca m b rid ge, ON

This studio began with experiments in light and form inspired by a natural movement of matter. I began by interpreting these forms into maquettes for light and form study.

These maquettes were gradually refined into architectural spaces and program all stemming from the initial inspiration.

This cultural institution stems from the deeply spritual and physical nature of the sublime and ultimately focuses on bringing the dichotomy of body and mind together in one place, Loosely based n the Greek Palaestra, this institution is a place for training the mind and body within a community of like. Providing spaces group or individual martial arts and fitness d eging plunging arctic intowathe intotraining, arctic the arctic wa- wa- debate research and contemng t, nestonnes now behind free behind it, now it,free now free plation in the heart of metropolitan or eilibrium. true equilibrium. sizeThe true The size true size es reaches surface. beginsbegins to surface. to surface. bs ir theof hold sea. the isTheir sea. Toronto Their hold is hold is lt, spray into rent spray andtosalt, and salt, rent to rent to

AN N

ounterpart part in and bobbles outbobbles in andinout and out nd eaks s its adds and own itscreaks own creaks and and ges rth.forth.

Top Left Column: Glacier rolling still images To p R i ght Column: Hand m a de m a q uet t e g hofhuman t the studies eauty. ofA the dwarfing A human dwarfing oflithe human ul ignificance.

The insignificance. inter- The interThe interBo tto m : Durational Sect ion Perspec t ive d thustra, zsche’s Nietzsche’s Zarathustra, Zarathustra, g Sisyphus, , void, or Camus’ or Camus’ Sisyphus, Sisyphus, Op p obutsi t e: uman whelmed cale scale is but overwhelmed is overwhelmed but Interior Atriu m Perspec t ive Ne xt Spread: Exterior Night Ren d er

nd sical ofphysical thenaturenature of theof the ether and bodymind and intotogether mind together into into tution for is traina place is a place for trainfor trainividuals. gls. a spaces Providing Providing a spaces a spaces bate, ntemplation and quiet and quiet contemplation contemplation ects ntensity he sublime the sublime of intensity intensity of of plexity ny the involved purinvolved in theinpurthe pur-

rtwined ricably inextricably with intertwined intertwined with with

enature ke al-like ” life” ia

is my the a” sea”

Ni g h t

Durational Section

Exterior Night Exterior Exterior NightNight

04

03

05

06

07

frame ROMA STUDIO JUSTIN JONES

P1 GRAFTING

20421475 4 A - Rom e St udio 1 0 /2 0 1 6 This stretch of the Acqua Claudia presents itself e, It a l y as a series of fragments. They hint at theRom previous

FRAME

PA R C O D I TORRE FISCALE

whole but today they stand individually, each a monument in its’ own right. The four arches on the chosen site are painted, drawn, photographed and observed by countless visitors toof the site due

This stretch thelikelyAcqua to its positionpresents close to a main parkas entrance and of Claudia itself a series the fairly unobstructed view of relatively “natural” fragments.

They hint at the previous landscape surrounding.

AC

SITE

AC

whole but today they stand individually, each a monument in it’s own The dwelling is positioned on the South West side right.

The the chosen of the aquaduct four as mostarches trails andon pathways run along are the North East side, providing the best views. site painted, drawn, photographed The building is meant to enhance the qualities and observed by countless visitors that make this particular fragment so special.

The to building emphasizes the siteprovides likelya blank due canvas to its that position close the a dramatic the ruin, calling every to main profile parkofentrance andoutthe fairly missing block, displaying the scars of time. unobstructed view of a relatively natural landscape and surroundings.

1:500

The dwelling is for new immigrants or refugees providing a home for a period of between 2 months to This is sizes positioned on can the 2 years. dwelling A variety of unit are provided and be built asWest occupancy to changing as South siderises, of adapting the aquaduct needs, with unoccupied bays used as common the trails pathways runenclosed along balcony spaces.and The units themselves are the side,spaces providing but theNorth circulationEast and balcony are only the enclosed by a white membrane, permeable best views of fabric the aquaduct fragment to air and light.

ROMA STUDIO JUSTIN JONES

QU

QU

A

A

FE

CL

LIC

AU

DI

E

A

P1 GRAFTING 20421475

FRAME

This stretch of the Acqua Claudia presents itself as a series of fragments. They hint at the previous whole but today they stand individually, each a monument in its’ own right. The four arches on the chosen site are painted, drawn, photographed and observed by countless visitors to the site likely due to its position close to a main park entrance and the fairly unobstructed view of relatively “natural” landscape surrounding.

4A Roma Studio udia presents itself as a series of fragments. They hint at the previous whole but against a inwhite background.

Thefour arches on the chosen site are painted, ch a monument it’s own right. The V I Eis W F RtoOenhance M V Iand A LacE APPIO CLAUDIO building meant Rome, Italy ved by centuate countless themake sitethis likely due to its position close to a main park the visitors qualities to that particular fragment so special. The cted view of relatively “natural” landscape surrounding.

The dwelling is positioned on the South West side building provides a blank canvas that 10/2016 of the aquaduct as most trails and pathways run emphasizes the dramatic profile of the ruin, calling out every missing block, South Westthe side of ofthe aquaduct as displaying scars time.

along the North East side, providing the best views.

The building is meant to enhance the qualities that make this particular fragment so special. The building provides a blank canvas that emphasizes the dramatic profile of the ruin, calling out every missing block, displaying the scars of time.

the most trails and pathways run along the SITE PLAN est views. building is meant to enhance the qualities that make this particular 1 : 2 0The 00 The dwelling is for new immigrants a blank canvas that emphasizes ofNthe ruin, calling :g5provides 00 S Othe U Tdramatic H E L Eprofile VAT I O 1or: refugees 5 0 0 providing a home for a period of between 2 months to 2 years. A variety of unit sizes are provided and can 5 ing1 the scars of time.10 be built as occupancy rises, adapting to changing

FRAME

meters

08

needs, with unoccupied bays used as common balcony spaces. The units themselves are enclosed but the circulation and balcony spaces are only enclosed by a white fabric membrane, permeable to air and light.

This stretch of the Acqua Claudia presents itself as a series of fragments. today they stand individually, each a monument in it’s own right. The four arc drawn, photographed and observed by countless visitors to the site likely du entrance and the fairly unobstructed view of relatively “natural” landscape su

The dwelling is positioned on the South West side of the aquaduct as mo SITE PLAN North East side, providing the best views. building is meant to enhance t 1 : 2 0The 00 fragment so special. The building provides a blank canvas that emphasizes t 5 out every missing block, displaying1 the scars of time.10 meters

08

GROUND PLAN

08

To p L e f t: Oblique Site Pl a n Center Left: Elevation with ruin shown in grey Bo tto m Lef t: Perspective f rom t ra il R i g h t: Cutaway A xonom et ric

09

Atmos

InInternship t ern ship custom woodwork projects. I was able to help the 05-08, 2015 ng, 3D modelling and working back and forth with the Kingdom NC file and fabrication drawings.

London ,London, Un itUnited ed Kin gd om

05-08/2015 eel, plywood core, solid timber treads and an intricate al stringer that forms a helix from the basement to the ‘ growing’ Atfeeling Atmos Studio I was able to stalks with a smooth of transition of high detail modelling of the steel work foronthe atolerances number of interesting cus10

tom woodworking projects. I worked with the team on a large staircase in Piccadilly participating in designing details, 3D modelling and working back and forth with the fabricators on translation the Rhino model into a mill-ready CNC file and fabrication drawings.

The spiral stair consists of a combination of structural steel, plywood core, solid timber treads and an intricate use of veneered lumber.

The stair cantilevers off of a central stringer that forms a helix from the basement to the first floor. The forms slowly morph into trads, railings and stalks with a smooth `growing`feeling of transition from component to component. The projects required a lot of high detail modelling for the tolerances between steel structure and CNC’ed wood cladding.

R i g h t: Stair Perspective f rom t op f l oor L e ft: Section Ne xt Spread Left: Groun d Fl oor Pl a n Ne xt Spread Right: Eleva t ion St a in Gra d ien t

10

09

11

1 212

11

13

CARscadden In t ern ship 01-08, 2016 Va n c ouver, BC

At Carscadden Stokes McDonald Architects I was able to work intimately with a number of projects at a variety of stages and scales. Galt Street Flats was a project that I had the opportunity to work on from the beginning of working drawings to issueing for tender, meeting and coordinating with clients, consultants and the City of Vancouver. The project is a four storey residential project, the first of it’s density in an area of single family homes. It was exciting to work in depth with the ongoing structural, mechanical, architectural and code considerations on this project as we developed the tender set.

I also worked at the conceptual design stage on two commercial projects, a residential renovation and a study pod at UBC, producing working drawings for office interiors and a number of community centres.

L e ft To p: Galt Street Model L e ft B ottom: Work ing Dra w in g Sec t ion R i g h t: Exit Stair Section

C A R S C A D D E N S T O K E S M C D O N A L14D A R C H I T E C T S

151 3

ARQUITECTONICA In t ern ship 09-12, 2014 Mia m i, U SA

I worked on a variety of large scale projects with a few different teams at Arquitectonica`s head office in Miami.

I spent a large part of my time working on Brickell City Centre, a mixed use complex covering four blocks in downtown Miami. I produced and edited a variety of working drawings including the interior detailing of luxury apartment suites.

I also worked on renders and visualizations such as the bathroom shown above as well as interior signage and details throughout offices and public areas.

On other arquitectonica projects I produced presentation boards and renders for client meetings.

To p L e f t: Exploded A xonom et ric Bo tto m & Right: Compl et ed Phot ogra phs

16

17

Desk Sel f In it ia t ed 07, 2013 Ha l ib ur t on , ON

Easy access storage area quently used items; pens,

I wanted to design and build a desk accomodating a wide range of shelving and storage needs and maintaining a clear work space without sacrificing the convinience of having many tools close at hand.

A two-tiered worktop was the solution to providing open storage for laptops, rulers, writing utensils and other small items. The lower shelving is for large and/or heavy items like a PC tower or books. The weight of the items aid in balancing the desks cantilevered top. The shelves are open on both sides making the form and construction of the desk apparent and when occupied will display the items from the front and rear. The desk has the flexibility to be placed against a wall or sit in the open and act as a center-piece to a room.

Storage area for larger more permanent items; books, computer tower

Base extended to counter the cantilevered top

DESK

I wanted to design and build a desk accomodating a wide range of shelving needs and maint space without sacrificing the convenience of having many tools close at hand.

A two-tiered top was used to provide open storage for laptops, rulers, pens and other small it shelving can be used for larger, heavier items like a PC tower or books. The weight of these item the desk. The shelves are open on both sides keeping the form of the desk very apparent and w create an interesting view of the items. The desk has the flexibility to be placed against a wall or serve as center piece to a room.

20

To p L e f t: Exploded A xonom et ric Bo tto m & Right: Compl et ed Phot ogra phs

18

19

19

rise ACADIA In st a l l a t ion 10, 2013 Ca m b rid ge, ON

The Centre for Information Technology and Architecture [CITA] built this installation with a workshop during the ACADIA conference in Cambridge. The concept of ‘The Rise’ was focused on a growing distributed structural system which can adapt and grow to suit different needs as opposed to a static traditional structure.

There are two distinct portions of this installation. There are modules, made out of lasercut acrylic and tensile rods of GFRP. The modules or ‘nodes’ serve as joining points for the tunsile members ‘grown’ in grasshopper.

THE RISE

The Centre for Information Technology and Architecture [CITA] ACADIA conference in Cambridge. The concept of ‘The Rise’ was which can adapt and grow to suit different needs as opposed to a

THE RISE

There are two distinct portions of this installation. There are m rods of GFRP. The modules or ‘ nodes’ serve as joining points for

During the workshop in which this installation was produced I w later on. The nodes were constructed of clear and mirrored acryli glass fiber rods were threaded through the nodes where the bund

During the workshop in which this installation was produced I worked with prototyping the ‘nodes’ and the build later on.

The nodes were constructed of clear and mirrored acrylic plates to create a highly reflective surface. The glass fibre rods were threaded through the nodes where the bundles would split to support other nodes T

The Centre for Information Technology and Architecture [CITA] built this installation with a workshop during the ACADIA conference in Cambridge. The concept of ‘The Rise’ was focused on a growing distributed structural system which can adapt and grow to suit different needs as opposed to a static traditional structure.

THE RISE

There are two distinct portions of this installation. There are modules, made out of lasercut acrylic and tensile for rods Information Technology Architecture [CITA] builtforthis with‘grown’ a workshop during the of GFRP. The modules orand ‘ nodes’ serve as joining points the installation tensile members in grasshopper.

ACADIA Installation

The Centre ACADIA conference in Cambridge. The concept of ‘The Rise’ was focused on a growing distributed structural system in which this installation was produced I worked with prototyping which can adapt andDuring grow the to workshop suit different needs as opposed to a static traditional structure.the ‘nodes’ and the build later on. The nodes were constructed of clear and mirrored acrylic plates to create a highly reflective surface. The To p : C ompleted Installa t ionrods were threaded through the nodes where the bundles would split to support other nodes. glass fiber There distinctss hopper portions of this installation. There are modules, made out of lasercut acrylic and tensile Mi ddle are Lef t:two Rhino/Gra Model 15 Mi ddle Right: Plexiglass Cut sheet s rods of GFRP. The modules or ‘ nodes’ serve as joining points for the tensile members ‘grown’ in grasshopper.

Bo tto m : Lasercut Plexi

THE RISE

During the workshop in which this installation was produced 20 I worked with prototyping the ‘nodes’ and the build

Cambridge ON 10/2013

ACADIA Installa

Cambridge

10/20

cube ACADIA In st a l l a t ion 10, 2013 Ca m b rid ge, ON

The Cube was F_RM LAB`s installation for ACADIA [Association for Computer Aided Design in Architecture] conference held in Cambridge. Using Arduino software kits and lasercut plexiglass, an interactive canopy was created to respond to the occupants position.

Motion sensors picked up the movement of the occupants and activated servo motors that would lift the canopy in response to an occupant, creating a reactive canopy.

Personally, I worked mainly with programming the Arduino boards that ran the servo motors and manufacturing the plexiglass components.

T

THE CUBE

THE CUBE

The Cube was F_RM LAB’s installation for ACADIA [Association for Computer Aided Design in Architecture conference held in Cambridge. Using Arduino software kits and lasercut plexi, an interactive canopy was crea The Cube was F_RM LAB’s installation for ACADIA [Association for Computer Aided Des respond to the occupants position.

conference held in Cambridge. Using Arduino software kits and lasercut plexi, an interactive respond the occupants position.of the occupants and activated servo motors that would lift the c Motion sensorsto picked up the movement

in response to an occupant, creating a reactive canopy.

Motion sensors picked up the movement of the occupants and activated servo motors t To p : C ompleted Installa t ion Mi ddle : Ser vo Motors and Pl ex i Mec ha n ic s Bo tto m : A rduino Board

Personally, I worked programming the Arduino boardings and manufacturing components in response to with an occupant, creating a reactive canopy.

Personally, I worked with programming the Arduino boardings and manufacturing compo

21

16

Broch hof 4A Stu dio - An d re w Lev it t 08, 2017 Ca m b rid ge, ON

broch - a halo round sun or moon. Probably a metaphorical use of Old Norse borg, a place of defence, the Orkney broch ; c.f. however Gaelic broth, lunar halo. hof - From Proto-Germanic *hufą “hill, house, temple” The prevalent meaning of hof in Old Norse literature is “temple, sanctuary”.

The Orkney Isles off the coast of Scotland had their own language, a variation of Old Norse known as Norrœna, or Norn. Remnants of the language can be clearly heard in the Orcadian dialect today.

In particular there is a plethora of words in the Orcadian dialect that describe in detail atmospheric and weather conditions that loom large in the Orkney imagination. The Isles are situated such that though they are in the North Atlantic they receive warm air and ocean currents from the gulf stream creating the unique climate. As a result of the geographic and climactic situation of the Isles the weather and atmospheres have produced a cultural imagination and memory that is present in the Orcadian dialect that stems from the Norrœna language spoken as early as AD 800.

T

broch - a halo round sun or moon.

fizz - to drizzle lightly

skreever - a very strong gale

ugsome - threatening, awe-inspiring stormy sky

glamsy - of the sky - glittering and stormy looking

skyuimy - dark spotted, dirty grey sky

hagger - a heavy drizzle

skare - bright , clear moonlight

L e ft To p: Ork ney dialec t v is ua l iz a t ion a n d g l o ssar y L e ft B ottom: Site Perspec t ive durin g a ga l e R i g h t Top: Rendered Sec t ion R i g h t Middle: Sun + Win d Dia gra m s R i g h t Bottom: Site Plan

22

The Brough is exposed on all sides to the wind and rain, especially on the south western edge where I have located the lodge to receive as much of the ever changing atmospheres as possible. The building is situated in a courtyard organization around a central dome or sky-space clad in weathering brass in order to deflect wind and rain from exterior circulations and gather rain water in cisterns for later use, taking advantage of the frequent precipiation. The majority of circulation is exterior but shielded enough make even extreme weather conditions occupyable when fully dressed but open enough to allow the sound and sight of rain, wind, mist, sea and sky to transform the experience of the architecture and site.

23

Programatically the building is divided into three levels. After entry through the skyspace at grade there is the kitchen, lounge, dining, and archive spaces with expansive views to the south and west. The office and reception are also found at the entry level. From grade one can ascend or descend on spiral ramps that circle the dome. Below, are the rainwater cisterns, unconditioned but shielded from the elements which serve as circulation for the sauna, hot pool and cold plunge pool. Above are the accommodations, lodge manager and artists residence joined by an exterior corridor that sheds rain to form the opposite wall.

L e ft To p: Upper Floor Pl a n L e ft Middle: Ground Floor Pl a n L e ft B ottom: Basement Fl oor Pl a n R i g h t Top: Exterior Ramp Pers pec t ive R i g h t Bottom: Spa/Ciste rn Perspec t ive

24

25

THANK YOU Justin Jones justinrobjones@gmail.com CDN 905 920 2434 IT +39 328 2368115 Skype justinrobjones

00