Melting point graduation exhibition 2014
Melting point graduation exhibition 2014
Melting point preface
graduation afgang financed by Kunstakademiets Designskole, Bornholm Stenbrudsvej 43 DK-3730 Nexø T: +45 41 70 19 70 bornholm@kadk.dk www.dkds.dk/bornholm
15. Juni Fonden Augustinus Fonden Aage og Johanne Louis-Hansen Fond Dansk Tennis Fond Otto Bruuns Fond ToYoTa-Fonden Nordea-fonden Sparekassen Bornholms Fond
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
Thinking through material, challenging and experimenting with its potentials and inherent properties, characterizes the work of this year’s glass and ceramics graduates from the Royal Danish Academy, School of Design Bornholm. Melting Point is the title of the exhibition, which refers to the common factor when in the process of working with glass and ceramics. The students have thorough understanding of materials and craft, but also keep an open mind toward the material’s sensuality as an underlying tool to make an artistic idea come to life.
At tænke gennem materialet, at udfordre og eksperimentere med dets potentiale og egenskaber, er det der kendetegner dette års glas og keramik afgangsstuderende fra Kunstakademiets Designskole Bornholm. Udstillingstitlen Melting Point, der henviser til smeltepunktet som fællesnævneren for forarbejdning af glas og keramik, vidner om habilt kendskab til materiale og håndværk, men også en særlig åbenhed over for materialernes sanselighed som grundlæggende redskab for at føre en kunstnerisk ide ud i livet.
The world of arts and craft is constantly undergoing change. It is working its way between the realm of design and art, in addition to taking advantage of the concepts from sculptural work. Design and art has its point of departure in materials and craft, experimenting, storytelling and creating form in three dimension.
Begrebet kunsthåndværk forandres hele tiden. Det bevæger sig i et spændfelt mellem design og kunst, og benytter sig af skulpturelle begreber. Fællesnævneren er udgangspunktet i materiale og håndværk, fokus på eksperimentet, fortællingen og det at skabe form.
The students use their field of work, in glass and ceramics, to ask questions, challenge tradition and to tell stories through materials and form. Works of art with different focuses are identified in the same category. Serial functional works of crafts, an installation created for a specific environment, or independent works of art and objects that have a reference to a function, or no functional reference at all. The graduate projects portray the diversity in the field of arts and craft very well. What ties them all together, is the choice of materials, aesthetic and artistic awareness and the ability to create form.
De studerende anvender deres fag til at stille spørgsmål, udfordre traditionen og begreberne, og fortælle en historie gennem materiale og form. Værker med forskellig fokus identificeres i samme kategori. Det serielle kunsthåndværk med en defineret brugsfunktion, en installation fremstillet til specifikke omgivelser, eller unika og objekter der blot har referencen, eller slet ingen brugsreference overhovedet. Afgangsprojekterne vidner netop om kunsthåndværkets forskelligartethed og diversitet. Det der binder dem sammen er valget af materialer, æstetisk og kunstnerisk bevidsthed og det at kunne skabe form.
S u s a n n e J ø k e r J o h n s e n curator & project leader european ceramic context 2014
Melting point graduation exhibition 2014
Melting point the graduates 2014
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the graduates
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
Erling Rolandsen Elisabeth Bondo Martin Maja Malene Bergenholz Johanne Jahncke Maja Frendrup Kristine Spore Kreutzmann Ea Staxen Madsen Kanami Takeda Trine Lyngsholm Eirin Bjørsland Hansen Liv Trudsø Mette Marie Lyng Nina Casson McGarva Bjørn Friborg Anna Bystrup Jensen Antonin Raphaël Funes Anne Lykke Katja de Neergaard Herand Morten Palmhøj Nielsen Trine Rytter Amalie Foldager Christensen
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
Melting point graduation exhibition 2014
Melting point look in-between the numbers
S C H OOL O F d e s i g n , b o r n h o l m glass
7
Erling Rolandsen Look in- b etween the Nu m b ers
C OUNTR Y O F ORIGIN norway
M ATERIAL S glass
Melting point look in-between the numbers
Melting point graduation exhibition 2014
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project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
Look in -between the Nu mber s
Erling Rolandsen
From the very beginning when I discovered glass as a material, its ability to let things happen in the interior made me start working with glass. This ability I salute in this project.
erlingland@gmail.com www.erlingland.com
M EA S URE M ENT S w: 13 cm x h: 27 cm
C OUNTR Y O F ORIGIN norway
Melting point graduation exhibition 2014
Melting point naturally
S C H OOL O F d e s i g n , b o r n h o l m ceramics
11
Elisabeth Bondo Martin Na tu ra l l y
C OUNTR Y O F ORIGIN denmark
M ATERIAL S black & white stoneware with glaze
Melting point naturally
Melting point graduation exhibition 2014
13
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Natu rally
Elisabeth Bondo Martin r2-d2saves_u@hotmail.com www.facebook.com/ebmartin1 T: +45 42 40 62 28
M EA S URE M ENT S w: 60 cm x h: 60 cm x l: 40 cm
Where is the nature? What is the nature?We have begun to spend a lot more time and energy on ways to avoid spoiling and destroying nature. But is nature by definition only the untouched landscapes where all the green and blue is seen or are big cities in reality also part of nature? We no longer see ourselves as natural beings because we destroy and misuse. But aren’t these just natural actions of the human being?
C OUNTR Y O F ORIGIN denmark
Melting point graduation exhibition 2014
Melting point beauty of decay
S C H OOL O F d e s i g n , b o r n h o l m ceramics
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Maja Malene Bergenholz B ea u ty o f D eca y
C OUNTR Y O F ORIGIN denmark
M ATERIAL S stoneware, luster & glaze
Melting point beauty of decay
Melting point graduation exhibition 2014
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project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Beau ty of Decay
Maja Bergenholz
Ceramic surfaces express the beauty of decay – aesthetically and contemporary. The field of tension between what once existed and what it has become adds to creating the mood of a room.
www.bergenholz.com maja@bergenholz.com
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
Melting point graduation exhibition 2014
Melting point imaginary evolution. theatre of the real world
S C H OOL O F d e s i g n , b o r n h o l m glass
19
Johanne Jahncke Ima g i na ry E vo l u ti o n Theatr e o f the R ea l W o rl d
C OUNTR Y O F ORIGIN denmark
M ATERIAL S glass, metals & minerals
Melting point imaginary evolution. theatre of the real world
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
Im agin ary E volu tion . Theatre of the Real World
Through this project I attempt to portray development: Development as an evolutionary process in the natural sciences. Development as an inner process reflecting the transformation I myself have gone through.
Johanne Jahncke
www.johannejahncke.dk johannejahncke@gmail.com T: +45 51 23 16 40
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
21
Melting point graduation exhibition 2014
Melting point ceramic details
S C H OOL O F d e s i g n , b o r n h o l m ceramics
23
Maja Frendrup C era m i c D eta i l s
C OUNTR Y O F ORIGIN denmark
M ATERIAL S stoneware fired in gas kiln
Melting point ceramic details
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Ceram ic Details
Maja Frendrup majafrendrup@gmail.com T: +45 30 24 62 57
M EA S URE M ENT S h: 20 cm – 35 cm
The ceramic surface communicates a story to the viewer using contrast, depth, structure and tactility. Unexpected details in the surface catch our attention and make us want to experience the surface closer.
C OUNTR Y O F ORIGIN denmark
25
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point translucent
Kristine Spore Kreutzmann
27
Tra ns l u c ent
C OUNTR Y O F ORIGIN greenland
M ATERIAL S porcelain & glaze
Melting point translucent
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Tran slu cen t
Kristine Spore Kreutzmann
kristinegrl@outlook.com www.kristineskreutzmann.com
M EA S URE M ENT S h: 15 cm
A mystery caught in a translucent porcelain vessel. The white porcelain contrasting the dark red ox-blood glaze. Translucency revealed by the glazed layer and the unglazed porcelain.
C OUNTR Y O F ORIGIN greenland
29
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
Melting point manifold
Ea Staxen Madsen
31
M a ni fo l d
C OUNTR Y O F ORIGIN denmark
M ATERIAL S glass & sand
Melting point manifold
Melting point graduation exhibition 2014
project statement M an ifold
S C H OOL O F d e s i g n , b o r n h o l m glass
33
Ea Staxen Madsen
In my work, glass is my inspiration and incentive. Through a curious and experimenting approach to glass, I have created a work challenging as well as enhancing the nature and expression of glass.
ea@staxenmadsen.dk
M EA S URE M ENT S w: 30 cm x h: 20 cm x l: 15 cm
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point bathing ceremony
Kanami Takeda
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B athi ng Cerem o ny
C OUNTR Y O F ORIGIN japan
M ATERIAL S various types of clay & glaze
Melting point bathing ceremony
Melting point graduation exhibition 2014
project statement Bathin g Cerem on y
S C H OOL O F d e s i g n , b o r n h o l m ceramics
37
Kanami Takeda
cargocollective.com/kanamitakeda/ kanamitakedaceramic@gmail.com
everyone should be spoiled in the bathroom leave your responsibilities with your clothes wash away your stress with water forget about the real world be yourself “Bathing Ceremony� is a series of functional pieces that displays a new concept of bathing. These pieces use unique aspects of the clay which appeal to your senses and lead you towards a poetic bathing experience.
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN japan
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point the taste of ceramics
Trine Lyngsholm
39
The Ta s te o f Cera m i c s
C OUNTR Y O F ORIGIN denmark
M ATERIAL S ceramics & food
Melting point the taste of ceramics
Melting point graduation exhibition 2014
project statement The Taste of Ceram ics
S C H OOL O F d e s i g n , b o r n h o l m ceramics
41
Trine Lyngsholm
mail@trinelyngsholm.dk www.trinelyngsholm.dk
The Taste of Ceramics’ is an explorative project where the experience of the food textures combined with the tactility of the ceramics is the underlying basis to create a different and intensified sensuous experience.
Maden er udviklet i samarbejde med Madkunstner Augusta Sørensen.
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
Melting point sort sol
Eirin Bjørsland Hansen
43
S o rt S o l
C OUNTR Y O F ORIGIN norway
M ATERIAL S glass, metal & mirrorizing
Melting point sort sol
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
Sort Sol
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Eirin Bjørsland Hansen
www.eirinbhansen.com eirinbhansen@gmail.com T: +47 99 57 88 70
M EA S URE M ENT S w: 120 cm x h: 160cm x l: 170 cm
Drawing inspiration from the natural phenomenon of starling murmuration, my work deals with the human relation to scale. Repetition and mirroring creates an interaction between the spectator, the sculpture, and the surroundings.
C OUNTR Y O F ORIGIN norway
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point perception of balance
Liv Trudsø
47
Perc ep ti o n o f Ba l a nc e
C OUNTR Y O F ORIGIN denmark
M ATERIAL S porcelain & inlaid clay
Melting point perception of balance
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
perception of balan ce
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Liv Trudsø
livpiv1@gmail.com T: +45 41 28 15 58
M EA S URE M ENT S w: 10 cm x h: 19 cm x l: 6,5 cm
Playing with form and pattern which may challenge the spectator’s perception of balance and imbalance, of symmetri and asymmetri.
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point relations
Mette Marie Lyng
51
R el a ti o ns
C OUNTR Y O F ORIGIN denmark
M ATERIAL S porcelain, glass, wood & leather
Melting point relations
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Relation s
Mette Marie Lyng
lyngpet@gmail.com memamemamema.tumblr.com
53
“Relations� is a series of light-objects, where the design reflects a relation that is experimental, playful and immediate. A symbiotic relationship where both parties are mutually dependent and the balance always is bordering right on imbalance.
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
Melting point my natural abstraction
Nina Casson McGarva 55
My na tu ra l Ab s tra cti o n
C OUNTR Y O F ORIGIN france & uk
M ATERIAL S glass, kiln casted & shaped hot
Melting point my natural abstraction
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
M y n atu ral Abstraction
Nina Casson McGarva
ninacassonmcgarva@gmail.com ninacassonmcgarva.wix.com/nina-casson-mcgarva
M EA S URE M ENT S w: 50 cm x h: 60 cm x l: 50 cm
I use a detail found in nature as inspirational base for an abstraction of my own, which I then build into a complex sculpture. Contrasts in translucency and texture enrich the natural glass qualities.
C OUNTR Y O F ORIGIN france & uk
57
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point struggling with an imitation of the force of nature
Bjørn Friborg 59
S tru ggl ing w i th a n Im i ta ti o n o f the F o rc e o f Na tu re
C OUNTR Y O F ORIGIN denmark
M ATERIAL S clay
Melting point struggling with an imitation of the force of nature
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Stru gglin g with an Im itati on of the F orce of Natu re
Bjørn Friborg
bjorn@friborg.org M: +45 21 33 23 34 T: +46 76 23 456 25
M EA S URE M ENT S variable sizes
Struggling within a process, no logic. Without choice in a paradox, there is nothing. Natures materials in a man-made environment, a work of art frozen in this time and culture.
C OUNTR Y O F ORIGIN denmark
61
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point simple complexity
Anna Bystrup Jensen 63
S imp l e c o m p l exi ty
C OUNTR Y O F ORIGIN denmark
M ATERIAL S clay
Melting point simple complexity
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Sim ple com plexity
With a focus on craft, technique and form I have created a series of vessels with individual personalities. The vessels and their separate parts are thrown on the potter’s wheel and then assembled.
Anna Bystrup Jensen
annabystrup@gmail.com T: +45 60 45 74 85
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MEASUREMENTS variable sizes between 40 cm – 70 cm
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
Melting point construction
Antonin RaphaĂŤl Funes 67
Co ns tru c ti o n
C OUNTR Y O F ORIGIN france
M ATERIAL S glass
Melting point construction
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
Con stru ction
Antonin RaphaĂŤl Funes
antoninfunes@hotmail.fr
My work is based on a construction technique that allows me to build forms from cut fragments of flat glass. These are then fused together, picked up and finished in the hot shop, to obtain the final version of the object. My inspiration comes from the glass material itself. The history, the characteristics and the aesthetic values of glass, are elements I choose to put forward into my work.
M EA S URE M ENT S w: 10 cm x h: 40 cm x l: 10 cm
C OUNTR Y O F ORIGIN france
69
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point a magical machinery
Anne Lykke 71
A ma g i ca l M a c hi nery
C OUNTR Y O F ORIGIN denmark
M ATERIAL S clay, metal, glass & wire
Melting point a magical machinery
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
A m agical M achin ery
Anne Lykke
artist@annelykkeceramics.com www.annelykkeceramics.com T: +45 31 23 55 25 I work within the realms of fantasy, visionary and surreal art. In my work, I strive to open a window to these realms for the spectator, providing impressions that stimulates the observer’s own senses and imaginative fantasy. ”A Magical Machinery” is a narrative of my exploration of ”The Land where spirit and matter meet”. They reflect my findings and discoveries in this universe.
73
M EA S URE M ENT S w: 40 cm x h: 60 cm
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point ceramic illusions
Katja de Neergaard Herand Cera m i c Il l u s i o ns
C OUNTR Y O F ORIGIN denmark
75
M ATERIAL S porcelain & glaze
Melting point ceramic illusions
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Ceram ic Illu sion s
Katja de Neergaard Herand
katdenher@gmail.com ”I will lead you into a universe, which I will offer you the opportunity to look into. What will happen when you take the time to look? It’s about standing at the right place” – A ceramic object, where the viewers have to create the full image on their own.
77
M EA S URE M ENT S w: 40 cm x h: 40 cm
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
Melting point the little inventor
Morten Palmhøj Nielsen The l i ttl e Invento r 79
C OUNTR Y O F ORIGIN denmark
M ATERIAL S glass & wood
Melting point the little inventor
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m glass
The little In ven tor
Morten Palmhøj Nielsen
chinzz@hotmail.com T: +45 29 90 77 38
My project is a mix of my own personality and manga. The expression is inspired by manga, and the mood, I went for, describes me well, as a person. So it’s a picture of the inside of my head, with a cartoony twist.
81
M EA S URE M ENT S w: 55 cm x h: 55 cm
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point fold
Trine Rytter Fold
83
C OUNTR Y O F ORIGIN denmark
M ATERIAL S porcelain
Melting point fold
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
F old
Trine Rytter
trinerytterceramics@gmail.com www.trinerytter.dk www.facebook.dk/trceramic T: +45 40 94 94 00
In my design I have developed a technique, where I use sharp paper folds which I have transferred into a functional coffee and tea set in porcelain. The set consists of; coffee pots, teapots, milk jugs, sugar bowls, mugs and cups. All parts can be combined as you wish.
85
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Melting point graduation exhibition 2014
Melting point iron
Amalie Foldager Christensen Iro n
87
C OUNTR Y O F ORIGIN denmark
M ATERIAL S iron glazes on light stoneware
Melting point iron
Melting point graduation exhibition 2014
project statement
S C H OOL O F d e s i g n , b o r n h o l m ceramics
Iron
Amalie Foldager Christensen
amaliefoldager@gmail.com Iron is heavy, shiny and strong. Iron is organic, flexible and porous. Iron is everywhere; it is brand new and age-old. Iron is here to stay!
89
M EA S URE M ENT S variable sizes
C OUNTR Y O F ORIGIN denmark
Melting point graduation exhibition 2014
Melting point post script – for the graduates
discipline disciplin
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
You know something no one else knows. You are capable of something special and very unique. You are familiar with the materials and know how to express yourself using these materials. You have challenged that knowledge and those expressions through the course of many different exam projects. You understand the world by using your curiosity and testing the flexible boundary of capabilities of the materials. You all have an individual artistic language that now will be tested in the real world.
I ved noget ingen andre ved. I kan noget helt specielt og meget unikt. I ved noget om materialer og om hvordan man bruger dem til at udtrykke sig gennem. I har udfordret den viden og disse udtryk gennem jeres mange forskellige eksamensprojekter. I forstår verden gennem jeres nysgerrighed og de flydende grænser for hvad der er muligt at gøre med materialer. I har alle et individuelt kunstnerisk sprog som nu skal ud og stå prøven i den virkelige verden.
A graduation has two sides, one pointing into the future and one into the past. The three year program has come to an end and the graduates will now disperse. You no longer have to take into consideration what your teacher believes to be the right thing to do. You are all anticipating what the exhibition might mean for your future career.
En afgang er dobbelt, den peger både bagud og fremad. Tre års studier er slut, gruppen af studerende opløses og I skal ikke længere høre på lærernes vejledninger i, hvad der er det rigtige at gøre. Fremad har I en forventning til hvad udstillingen kan få af betydning i jeres videre karriere.
You should continue to develop an independent, artistic language using long-term, experimental and in-depth ceramic and glass projects. Projects based on an understanding of glass and ceramics, using your own independent expression. Do not feel trapped in a narrow frame of mind in consideration to the world of arts and craft. Rather use the flexible boundaries of this field to broaden your opportunity – throw yourself into tasks, exhibitions and new constellations for your expression.
I skal fortsætte med at udvikle et selvstændigt, kunstnerisk sprog, gennem længerevarende, eksperimenterende, dybdegående keramik eller glas projekter. Projekter der er baseret på en samtidsforståelse for keramik og glas brugt som selvstændigt udtryksmiddel. I skal ikke føle jer fanget i en snæver ramme i forståelsen for kunsthåndværk, I skal se det flydende felt som mulighedernes land og kaste jer ud i opgaver, udstillinger og nye konstellationer for jeres udtryk.
Remember your strength – an in-depth understanding of material combined with a strong individual artistic expression. You need to believe that the language and expression you have constructed for yourself is of great value. Don’t follow the crowd. Do what feels right. And believe in it. Do something. Just do it – not everything must be understood. Listen to your heart and believe in yourself. This is your discipline.
Husk hvad din styrke er, nemlig en dyb materiale forståelse kombineret med et stærkt kunstnerisk individuelt udtryk. Du skal tro på at det sprog og udtryk du har opbygget og indeholder er værdifuldt. Følg ikke strømmen. Gør det der for dig føles rigtigt. Tro på det. Gør noget, bare gør! Det er ikke alt der kan forstås. Lyt til dig selv og tro på det du gør. Det er din disciplin.
n i n a E r i chs e n ceramic teacher, at the school of design, Bornholm
Melting point graduation exhibition 2014
Melting point graduation exhibition 2014
ceram ics & glass
Bornholms Kunstmuseum 21. juni – 10. august
the exhibitions
ceram ics & glass
Politikens Hus 14. august – 4. september ceram ics Ce ramic Conte xt 2 0 14
Svanekegaarden 12. – 28. september glass
Glasmuseet Ebeltoft 11. oktober – 30. november
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass
Melting point graduation exhibition 2014
Melting point graduation exhibition 2014
S C H OOL O F d e s i g n , b o r n h o l m ceramics
S C H OOL O F d e s i g n , b o r n h o l m glass
Melting point graduation exhibition 2014
made by Graphic design and concept : Paper beat rock www.paperbeatrock.dk
Photography : Ida CĂŚcilie Buss www.idabuss.com
Printing : thePrintlink www.theprintlink.com
S C H OOL O F d e s i g n , b o r n h o l m ceramics & glass