Ketaki Kulkarni Undergraduate Portfolio

KETAKI KULKARNI

CONTACT:

+91 7588432093

ketakigirishkulkarni@gmail.com

https://www.linkedin.com/in/ketaki-kulkarni-07ba5b1a5/

ABOUT ME

As a driven and creative architecture student in my fourth year at Dr Bhanuben Nanavati College Of Architecture in Pune, I am eager to apply my knowledge and talents to an internship in the profession. I am positive to explore new concepts and enhance my talents in a difficult and fascinating workplace since I have a strong work ethic and a passion to learning.

I have obtained a strong awareness of the significance of context and design sensitively from my courses and experiences. I am devoted to creating environments that are both useful and aesthetically pleasing.

EDUCATION:

- SSC-2017

Bal vidya mandir high school ,parbhani.

-HSC-2019

Bal vidya mandir high school ,parbhani.

-Bachelor of Architecture2019- 2024

Dr.Bhanuben Nanavati college of architecture, pune

SKILLS:

AUTODESK -autocad,revit.

ADOBE -photoshop,illustra tor,indesign.

3DMODELING -sketchup.

RENDERING - lumion,twinmotion

SOFT SKILLS:

- communication

- team work

- leadership

- adaptability

ARCHITECTURAL COMPETENCE:

Architectural drawings

Site Analysis

Space making

Design Development

Presentation graphics

Model Making

Sketching

Photography

ELECTIVES:

Contemprory Architecture

Environmental psychology

Graphic design

Architectural Conservation

Architecture and sociology

ACADAMIC COURSE WORK:

Bus stop design

Visitor center,Chettinad

Bunglow design

fine arts design institute

covid19 memorial of hope

highrise office

Rastapeth redevolopment

POSTS:

Operations head at UNFCC club

Graphics head at UNFCC club

Portfolio head for Student council

Volunteered for Millennium Fellowship

Organiser of the National Symposium on Sustainable Development

COMPETITIONS/WORKSHOPS:

-Hindawi Swarajya Stambha Design Competition Winner (2023)

-International Joint Studio- Manipal University (Dubai), BNCA(India)andPolytechnicUniversity(Phillipines)

COS’s Urban Studies Research Project

- Virtual Reality and Brainmapping

- NASA Destech Trophy 2021-22

INSTITUTE OF FINE ARTS

SEM 5 - CAMPUS DESIGN PROJECT

TYPE- EDUCATIONAL LOCATION- PUNE,INDIA. YEAR- 2021

BRIEF -

THE MAIN CHALLENGE OF THIS PROJECT WAS TO CREATE A INSTITUTE OF FINE ARTS Graduate courses to be offered -

applied arts

painting

sculpture .

North Section

south Section

North Elevation

SOUTH Elevation

MEMORIAL OF HOPE

BRIEF -

THE MAIN CHALLENGE OF THIS PROJECT WAS TO CREATE A A JOURNEY OF COVID LOCKDOWN AND THRUGH MEMORIAL ACTS AS A SPACE TO REMEMBER THE LOVED ONES IN GOOD MEMORIES. CREATING A SENSE OF SUPPORT TO PEOPLE WHO HAVE LOST THEIR CLOSE PEOPLE. PEOPLE WHO HAVE LOST THEIR LOVED ONES FUTURE GENERATIONS WHO WISH TO KNOW MORE ABOUT THE PANDEMIC TRAVELLERS FROM AROUND THE WORLD CURIOUS ABOUT INDIA‘S SITUATION DURING COVID.

CONCEPT

MEMORIAL IS DIVIDED INTO THREE BLOCKS CONFUSION

CONFUSION

FIRST BLOCK REPRESENTS THE CONFUSION AND RESTRICTION IN FIRST STAGE

SORROW AND PAIN

LARGE WATERBODY REPRENTS SOROW AND PAIN

ACCEPTANCE

THE MEMORIAL BLOCK REPRESENTS THE VOID WHERE NATURE EMERGES TO REMIND OF ITS OMNIPRESENT

PHASE 2

(SORROW AND PAIN)

• MEMORIAL HALL

• MEMORIAL WALL

• AMPHITHEATER

PHASE 1

(CONFUSION ANXIETY DENIAL)

• RECEPTION

• ADMIN

• LIBRARY

• MULTIPURPOSE HALL

• SHOP

• CAFÉ

• AV ROOM

PHASE 1

PHASE

PARKING

LANDSCAPING

RECREATIONAL PLACE

PHASE 3 (ACCEEPTANCE AND HEALING )

• COUNSILING AND THERAPY

• MEDITATION HALL

• QUARANTINE ART CENTER

• EXHIBITION CENTE

MEDITATION HUTS

PHASE 2

PHASE 3

SECTION BB’

LANDSCAPING

SOWING BEDS PLACE

co-working space

TYPE- COMMERCIAL LOCATION- PUNE,INDIA.

YEAR- 2021

BRIEF -

THE MAIN CHALLENGE OF THIS PROJECT WAS TO CREATE A OFFICE /COWORKING SPACE UNDERSTANDING STRUCTURAL SCHEMES OF MULTY STOREY BUILDINGS CREATIVE INNOVATIVE AND PRACTICLE BUILDING FASCADES DESIGNING EFFICIANT BASEMENTS AND INCORPORATE THERMAL COMFORT .

SUSTAINABLE MATERIALglass fiber reinforced concrete (GFRC)

SECTION -

renovation environmental friendly lightweight

HOUSING DENSITIES AND URBANFORM CASE OF RASTHAPETH.

TYPE- RESIDENCIAL LOCATION- RASTAPETH, PUNE,INDIA. YEAR- 2023

BRIEF -

The main challenge of this project To design a redevelopment project in a core area by evaluating appropriateness of various urban densities for a redevelopment project in core areas in conjunction with the principles of livablity parameters and to propose urban design guidelines for Urban Renewal Schemes in core areas.

DESIGN CONCEPT

Existing scenario- Rasta Peth

Low rise High Density

Mixed use typology development

Sense of safety

Redevelopment phaseRetaining existing roads, Socio-culturally important places , trees, green pockets etc. Places to socialize, street pattern

Formulating Building

- street relationship

Enhancing Pedestrian Linkages

Pedestrian friendly environment

Religious and social spaces

P roposed ScenarioHigh Rise- High Density

Adding Green open spaces and enhancing public infrastructure

FUNCTIONAL DIAGRAM

Socio-cultural significance

Retaining Old Temples and religious spaces and places with socio-cultural importance

Integrating Green SpacesRetaining Old full grown trees and Planning and maintaining hierarchy of open spaces to cater to different activities

designing block level and precinct level green open spaces.

Interlinking green spaces

Built- Unbuilt spacesActive ground floor with commercia use. Arcade on the ground floor tor safe pedestrian movement.

Linkages Of space-

Periphery-2 wheelers and 4 wheelers

Internal -2 wheelers and 4 wheelers

Pedestrian only- Central Diagonal Pathway

Landuse Of spaceGround floor activity- commercial, office spaces

Above podium level- Residential

Infrastructure- socio-cultural and religious spaces

Public open spaces- block level and precinct level

Space making for liveabilitySpace planning and redevelopment Preserving the essence of space.

Creating Hierarchy of public spaces

Promoting safe pedestrian friendly infrastructure

MARUTI MANDIR

APOLLO CHAWK

POWERHOUSE CHAWK

SHRI UNTADE MARUTI MANDIR

LAKHERYA MARUTI MANDIR

Proposed scenario- High Rise- High Density

Pedestrian Spine Connecting commercial activities

Socio-cultural spaces

Precinct level Open spaces

Vibrant Public Plaza

Physical and visual connection between open spaces

HOUSING J-BLOCK

BRIEF -

The main challenge of this project

To design a redevelopment project in a core area j block was challenging to design the block had two culturalally important landmarks synagogue and a church.

j block is designed considering open space and road frontage for commercial

unit blocks

TYPE- RESIDENCIAL LOCATION- RASTAPETH, PUNE,INDIA. YEAR- 2023

1BHK

STUDIO APT

j block I block

WORKING DRAWINGS

(TYD 2021)

BNCA

COMPETITION

-Hindawi Swarajya Stambha Design

TYPE- RESIDENCIAL LOCATION- RAIRESHWAR,BHOR. YEAR- 2023

BRIEF -

India is a mystical land with many ancient, beautiful temples spread across its landscape. Many temples carry with their legacy stories of courage and grit.

Raireshwar temple is also known for an interesting story related to Chatrapati Shivaji Maharaj and his oath. Moreover, the mystical Raireshwar temple is a witness to India’s early struggle for independence or SWARAJ.

The main challenge of this project To design a stambha representing legacy and symbolises history of swarajya .

CONCEPT DEVELOPMENT -

The initiation that began with the lightning inside the Havan kunda in the form of aahuti (sacrifice) symbolised the conquests won for Swaraj.

This aahuti continued to burn relentlessly until the last breath of Maharaj.

PLAN -

The stambha can be reached through two entrances from the ground level.

It also consists of a ramp that people can have a closer look towards the stambha so that the inscriptions.

The people who devoted their life as to keep the burning flame alive names of their gharanas would be carved/inscribed chronologically over the stambha .

Eight faces of stambha shows Asthapradhan Mandal of Swarajya which represents Maharajas transparency in his works.

And the rajmudra emblemed on the top face of the stambha as it symbolize as Kings final say.

MATERIALS-

Materials used would be stone masonry.

The kunda walls or parapet of the inner stage is to be built using the seven coloured soil found near Raireshwar

The element of a traditional hindu depastambha to h symbolize the historical events of paramount importance .

SKETCHES

+91 7588432093

ketakigirishkulkarni@gmail.com

https://www.linkedin.com/in/ketaki-kulkarni-07ba5b1a5/