不貧窮藝術節 X香港 Let's Be Together Arts Festival X Hong Kong 2021

「興起，發光！因為你的光已經來到，耶和華的榮耀發現照耀你。」̶ 以賽亞書60章1節 “Arise, shine, for your light has come, and the glory of the Lord has risen upon you.”̶ Isaiah 60:1

《不貧窮藝術節 X 香港》的特色 Little Things about Let’s Be Together Arts Festival X HK 《 不 貧 窮 藝 術 節 》對 香 港 藝 術 圈 而 言 是 一 個 非 常 獨 特 的 藝 術 節 。我 們 知 道 在 香 港 做 藝 術 很 不 容 易 ， 光是租用場地也所費不菲。所以我們稟承《不貧窮藝術節》的理念，以最實在的協助方法⸺免費提供場地、免費 基本器材、免費宣傳、印刷、票務及行政協助等等，讓藝術家能有一個專心和自由創作的空間和展現平台。 除此之外， 相對起台灣的藝術家需要無償演出，香港《不貧窮藝術節X香港》會把所有演出門票收入歸於該藝術家，以支持 藝術家的創作生活，讓作品得以延續和發展。 LBTAF X HK is a unique arts festival in Hong Kong. We understand it is not easy and unaffordable to be an artist in Hong Kong; therefore, LBTAF X HK happened. We heritage the vision of LBTAF, and provide all kinds of FREE support to artist including venues, basic technical equipment, marketing and promotion, printing, ticketing, and administration support. With such supports, artists could be able to focus on their creativity. Besides, all the ticket sales go to the artists to help the artists to sustain.

《不貧窮藝術節 X 香港》2021 的主題 The Main Theme of Let’s Be Together Arts Festival X HK 2021 二 零 二 一 年《 不 貧 窮 藝 術 節 》的 主 題 為「 給 藝 術 重 新 冠 冕 」，喻 意 藝 術 行 業 能 夠 重 新 得 到 應 有 的 尊 重 。 全 球 疫 情 爆 發 之 初 ，藝 術 行 業 首 當 其 衝 。藝 術 場 所 被 逼 關 閉 ，全 球 數 以 百 萬 計 的 藝 術 工 作 者 面 臨 失業 。大部份人難以理解為何藝術界需要援助，因他們從來都沒有視藝術工作為正常工種，有些人甚至 拋下一句： 「是 時 候 放 棄 夢 想，認 真 過 日 子 吧 。」疫 情 期 間，藝 術 工 作 者 只 能 默 默 堅 守 自 己 對 藝 術 的 愛 與 信念。日子艱難，所以他們當起巴士消毒員、蛋糕師傳，或者是產品推廣員；靜靜等候表演場地重開、藝術館重啟 的日子，期待能再以自己的作品為大眾說故事，講人生的時刻。

我們的上帝是最偉大的創造者和藝術家。我們深信上帝喜悅藝術行業，而在上帝眼中，每一位藝術家都是特別 的。我們感謝許多藝術家在這段日子仍然捉緊向人訴說生命美好，以及對社會發出思考提問的使命。今年 《不貧窮藝術節》再啟動，我們希望能透過藝術節尊榮這一群苦等了一個春夏秋冬的藝術家；尊榮他們愛藝術、 愛社區、愛人的心；希望透過觀眾的哭笑掌聲為他們重新冠晃。 讓我們繼續以藝術祝福世界、榮耀上帝。 The slogan of Let’s Be Together Arts Festival (LBTAF) 2021 is “Recrown the Art Industry,” a call to bring the respect back that the art industry deserves. When the pandemic started, art was the first thing to shut down. All theatres and galleries closed; millions of artists became unemployed.

Yet most people still cannot make sense of why the art industry needs aid and support, because they do not see art as a real job. Some say, “It’s time to give up your dream and take your life seriously.” Amid the pandemic, artists have stood firm in their faith in art and love. Barely able to survive, they became bus “disinfectionists,” bakers, or promoters, patiently waiting for the reopening when they could once again tell their story through their work.

LBTAF resumes this year, and we hope that we can honor artists through the festival, honoring their heart for art, community and humanity; we hope to recrown them through the laughs, tears and applause of the audiences. God is the greatest creator and artist in the world. We believe that God loves the art industry, and every artist is special in God’s eyes. The mission of artists is to tell of the goodness of the world, but at the same time ask questions to provoke critical thinking in response to the present time —— to bless the world and honor God.

不貧窮藝術節 LET S BE TOGETHER ARTS FESTIVAL

不貧窮藝術節 Let s Be Together Arts Festival

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「你們顯在這世代中， 好像明光照耀， 將生命的道表明出來， 叫我在基督的日子好誇我沒有空跑，也沒有徒勞。」̶ 腓立比書二章15b-16節 “You shine as lights in the world, holding fast to the word of life, so that in the day of Christ I may be proud that I did not run in vain or labor in vain.”̶ Philippians 2:15b-16

TO TO TO TO

關於晨刻藝術策劃有限公司 About Kairos Arts Development Company Limited 晨刻藝術策劃有限公司於2020年成立，為政府認可的慈善機構及正式註冊為非牟利有限公司。服侍對象主要為藝 術家及大眾。 前身為三木劇作*，因應公司由劇場製作轉型至藝術項目策展而成立。 *三木劇作於二零一一年四月成立，並於同年九月於香港正式註冊為非牟利劇團，致力於文字及戲劇創作。

為香港其中一個以基督教教義作為劇團宗旨的劇團。 劇團堅持以文本出發，以基督精神為基礎，以不同語言創作，並 不定期於歐洲、澳洲、香港、台灣及內地公演。希望於不同的演出形式中尋求新思維新路向，並致力發掘文字與劇場 之間更多的可能性。 慈善機構牌照號碼：91/ 17141

捐款銀行戶口：恆生銀行/ 晨刻藝術策劃有限公司/ 370-410599-883 如以支票捐款，抬頭請寫上「晨刻藝術策劃有限公司」及郵寄至

P.O. Box 660, Tsuen Wan Post Office, Tsuen Wan, N.T., Hong Kong。謝謝！ 捐款港幣100元或以上均可提供申報免稅收據，如欲索取，請將銀行存根電郵給我們以作安排，感謝你們的支持！

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城市藝術共生共存， 以基督的心服侍藝術家； 與藝術家並肩同行， 將所有榮耀都歸予上帝。

我們相信，只要堅持，有天必能轉化藝術生態。

Kairos Arts Development Company Limited is established in 2020 and has become an approved charitable donation undersection 88 of the Hong Kong Inland Revenue Ordinance. Our service target is mainly artists and the community. Our predecessor company was ThreeWoods Playwright,* and we have established Kairos because of the restructuring of the company from theatre producing to art curating. *Established in April 2011, which focuses on text-based theatre, admires the beauty of text and respects any text. In September 2011, ThreeWoods Playwright was officially registered as a non-profit theatre company in Hong Kong. We believe in GOD, humanity, and theatre. Our production can be seen in Europe, Australia, Hong Kong, Taiwan, and Mainland. We know this road is long and tough, but it is also fascinating to keep us moving on.

Approved Charity License: 91／17141 Donation Account: Hang Seng Bank／Kairos Arts Development Company Limited／ 370-410599-883 If by cheque, payable to Kairos Arts Development Company Limited and please post to P.O. Box 660, Tsuen Wan Post Office, Tsuen Wan, N.T., Hong Kong. Thank you!

We believe that if we insist, we would be able to transform the arts industry.

We can provide a donation receipt for HKD100 or above. If you would like to have a receipt, please email us with the picture of the bank deposit slip for further arrangement. Thank you for your support!

PROMOTE COEXISTENCE OF ART AND COMMUNITY SERVE ARTISTS WITH THE HEART OF JESUS WALK ALONGSIDE EVERY ARTIST GIVE BACK ALL THE GLORY TO GOD

共生 Coexistence

同行 Walk Alongside

我們希望能將我們所得的資源化成平台，與一眾藝術家一起分享，以達致藝術家能共生的生態環境。

我們希望能與藝術家同行，同喜同悲； 聆聽及理解藝術家的需要，從他們所需來訂立公司的發展方針。

服侍 Serve

榮耀上帝 Glory to God

我們本著神對我們的供應及愛，以同一份愛去服侍藝術家，盡我們所有去提供他們所需要的支持。

我們相信上帝，相信聖經，公司所有的工作都以榮耀上帝為基本。

We transform what we have as a platform to share with artists, so as to promote a healthy ecosystem in the art industry and to promote coexistence.

We serve with God’s love and abundance. And we try our best to accommodate the needs of artists.

We walk alongside artists, we share laughs and tears, we listen to and embrace artists’needs, and we make necessary adaptive changes to benefit artists in need.

我們的異象 OUR MISSION STATEMENT

主辦單位 THE ORGANISER

我們的異象 Our Mission Statement

主辦單位 The Organiser

We believe in God and the Bible. Our desire to glorify God is the foundation of our company.

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《不貧窮藝術節 X 香港》2021啟動禮 日期及時間：22/8/2021（星期日）14:00 ‒ 16:00 地點：Azito by Favilla

藝術總監：林倩嬌 Artistic Director: Cathy SK Lam-Patrie 監製（宣傳及節目）：陳小茵 Producer (Marketing & Programme): Angel SY Chan

LBTAF X HK 2021 Opening Ceremony Date & Time: 22/8/2021 (SUN) 14:00 - 16:00 Venue: Azito by Favilla

監製（場地及製作）：梁祺鈞 Producer (Venue & Production): Katherine Leung 製作經理及舞台監督：何月桂* Production Manager & Stage Manager: Pat Ho* 宣傳：陳筠而 Promotion: Chan Kwan Yee 文案：曾圓圓 Copywriting: Kennis Tsang

《不貧窮藝術節 X 香港》2021閉幕禮 日期及時間：19/9/2021（星期日）17:30 ‒ 18:30 地點：一拳書館

平面設計：Ocram Sheep Graphic Design: Ocram Sheep 宣傳片作曲：腔棘 Theme music composed by: Coelacanth

請留意晨刻藝術策劃公佈 Please follow us on Kairos Arts Development

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*承蒙明日藝術教育機構批准參與是次製作

*With the kind permission of Ming Ri Institute for Arts Education

Kairos.Arts.Development

LBTAF X HK 2021 Closing Ceremony Date & Time: 19/9/2021 (SUN) 17:30 - 18:30 Venue: Book Punch

Kairos.arts.development

*啟動禮及閉幕禮將同步於Facebook專頁直播，免費收看 *Opening and Closing Ceremony will be broadcast live on Facebook, Free admission.

啟動/閉幕禮 OPENING/CLOSING CEREMONY

製作團隊 PRODUCTION TEAM

《不貧窮藝術節 X 香港》製作團隊 Production Team of LBTAF X HK

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製作單位： Weak Chickens Limited（香港）

The Tears of a Clown"

Art group: Weak Chickens Limited (Hong Kong)

《透明牆》

節目長度 Duration

場地 Location

Transparent Wall"

16/9 (星期四 THU) 20:00； 17/9 (星期五 FRI) 20:00

4/9 (星期六 SAT) 20:00； 5/9 (星期日 SUN) 20:00

Approx. 60 mins

Approx. 60 mins

大埔藝術中心 ━ 黑盒

Tai Po Arts Centre ‒ Black Box

港幣$100

港幣$100

HK$100

HK$100

紀錄劇場

小丑/ 形體喜劇

Documentary Theatre

Clown/ Physical Comedy

AddOil Workshop

Weak_Chickens

適合 10 歲或以上人士觀賞 Suitable for ages 10 or above

含粗言穢語及成人情節 Coarse language & Contain adult elements

適合 6 歲或以上人士觀賞 Suitable for ages 6 or above

製作單位簡介 PROFILE

最好笑的喜劇來自痛苦和真摯。舞台上，小丑總在面對 人生最絕望的境況，並用上絕望而可笑的方法來拆解危 機；但就是這樣，令台下的觀眾心中苦澀卻不自覺捧腹 大笑。

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小丑的紅鼻子和面具以至表演都是超越文字和文化障 礙的最強武器，它神奇地讓我們卸下虛假外表、釋放最 真摯靈魂。小丑的創造力和感染力在於真實，但凡是真 實的，不論滑䅲靦腆趣怪尷尬害羞悲傷，都會讓人看得 會心微笑。笑，就是觀眾見證真實的證據。今天的我們， 可否接近真相多一點？

Weak Chickens 以戲劇融入不同創作企劃。 我們相信身體，並透 過身體訓練讓不同人說出自己的故事。同時策劃各類型創意工 作坊、錄像製作、專題網頁及企劃宣傳等，以多樣化的說故事方 式展現創意。 Weak Chickens integrates different creative projects with theatre elements. We believe in bodies, encourage people to unleash their souls and tell their own stories through different kinds of physical training. We also curate innovative campaigns and workshops, produce videos and webpages, with an emphasis on storytelling, playfulness and imagination.

製作團隊 PRODUCTION TEAM

演出內容簡介 CONTENT

導演 Director: 李頊珩 Hanks Li

一個不能隱藏心中所想的「透明人」 ，面對世界的殘酷與真實，會展開什麼不一樣的旅程？

創作 Creator: 陳筠而 Chan Kwan Yee

演員 Actors:

陳瑞琦 Chan Shui Ki、 何恩臨 Ho Yan Lam Grace、 葉嘉雯 Ip Ka Man Echo、 鄧尉均 Tang Wai Kwan

小丑的眼淚 小丑的眼淚

In theatres, the red nose and mask of a clown are the greatest weapons that transcend words and cultural barriers. It allows us to put away our fake faces and free all aspects of ourselves. The creativity and contagiousness of the clown lies in the truth. Therefore, we smile and laugh no matter it is hilarious, embarrassing or sorrowful, as long as they are true.

備註 Remark

約 60 分鐘

Book Punch

As the old saying goes, “comedy is only funny when there's real pains.” On stage, a clown always faces very desperate situations, and would use the most desperate and ridiculous methods to dismantle the crisis; and this is how he makes audience burst into laughter along the bitterness in heart.

社交媒體 Social media

Art group: AddOil Workshop (Hong Kong)

一拳書館

“Humour is the closest thing to truth we have; when you laugh at something, on some level you are recognising a moment of truth...”

形式 Form

製作單位： 加戲工作室（香港）

約 60 分鐘

演出內容簡介 CONTENT

票價 Ticket price

戲劇 THEATRE

戲劇 THEATRE

《小丑的眼淚》

日期及時間 Date and time

真理勝於一切？

光的本質是照亮，牆能否被光照射、滲入、重新塑造？ 旅程由此開始，由哪結束......

Truth is the most important?

A "transparent person" who can't hide what he thinks in his heart, in face of the cruelty and reality of the world, will he embark on a different journey?

The essence of light is to illuminate, but for nowadays world, can the wall be illuminated, penetrated, and reshaped by light?

The journey begins here, but where does it end...

製作單位簡介 PROFILE 「加戲工作室」提供藝術平台，讓不同背景、文化及階層的人參與，透過戲劇、音樂、舞蹈、視 覺藝術及其他藝術形式等，為人提供反思自己及改變世界的力量，能夠為社會帶來一點希 望及光彩。 「加戲工作室」走訪不同社區，進入中小學及不同社群，與婦女及老人家等，進行 不同類型的工作坊，例如： 戲劇教育、演員訓練、因應不同主題的過程戲劇、和諧粉彩、圓圈 畫、五感藝術治療、紀錄劇場、受壓迫者劇場、論壇劇場、一人一故事劇場等等。

製作團隊 PRODUCTION TEAM 5個演員 ＋ 1個導演 5 Actors and 1 Director

透明牆

“AddOil Workshop” provides art platform for people of different backgrounds and cultures to participate. Through drama, music, dance, visual arts and other art forms, it provides people the power to reflect on themselves and change the world, bringing hope and glory to society. “AddOil Workshop” provides different workshops for different communities, primary and secondary schools, women and the elderly, such as drama education, actors training, process drama in accordance with different themes, Nagomi pastel art, Circle paintings, five-sense art therapy, Documentary Theatre, Theatre of the Oppressed, forum theater and Playback Theatre, etc.

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Turning of Wrestling Table Series ‒ IT S OKAY"

Art group: Finding C Theatre (Hong Kong)

《轉吧．在與你道別之前》遺憾篇

Keep Rotating, Until the Day We Say Goodbye"

製作單位： 必需品劇團（台灣）

Art group: Necessity Theatrical Troupe (Taiwan)

3/9 (星期五 FRI) 20:00； 5/9 (星期日 SUN) 15:00

27/8 ‒ 19/9 Approx. 60 mins

約 60 分鐘

Approx. 60 mins

約 60 分鐘

大埔藝術中心 ━ 黑盒

網上節目

港幣$100

港幣$100

Online event

Tai Po Arts Centre ‒ Black Box

HK$100

HK$100

獨腳戲

編作劇場

One Man Show

Devising Theatre

NecessityTheatricalTroupe

Finding C Theatre

適合任何年齡人士觀賞 Suitable for all ages

適合 6 歲或以上人士觀賞 Suitable for ages 6 or above

普通話演出 Presented in Mandarin

請穿著輕便服裝及鞋履，以便參與活動 Causal dress code is required

演出內容簡介 CONTENT 我們每一個都曾經迷失在「性/別」這個框架之中，我們都曾經以 「也好It’s okay」去 努力迎合他們的標準答案，我們都曾經在旁 觀他人痛苦的時候以「也好It’s okay」去輕輕帶過，但心底裹吶 喊着的那句「It’s not okay」卻從來都沒有被正視。

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We all implied gender-bias once in a while, sometimes consciously, most of the time unconsciously. “IT’S OKAY” is used to fit in the norms pretending we do not understand; “IT’S OKAY” is used to dilute those awkward moments assuming you do not care. While the self lies beneath the social mask that screaming “it's okay not to be okay” silently, is desperate to be heard.

製作單位簡介 PROFILE 「甲乙丁劇團」成立於2019年， 「甲乙丁」一詞源於廣東話的一個歇後語：甲乙丁， 「欠炳」 （廣東話炳可解作揍）。 由一班不同範疇的藝術工作者組成，希望能在創作風格 上有更多的碰撞、創新與嘗試，因而起了「何不做一些『欠炳』的事情？」的想法。過去 我們以訪問、討論、編作及形體探索作為劇場創作的媒介去探索社會議題，現階段 正着力於性/別議題。 去年我們以探討「性別之中的權力關係」為本，策劃《轉枱中的角 力》系列。先於Anti-480反性暴力資源中心舉辦首個主題工作坊，並於2019年12月， 以編作劇場形式在香港製作三場演出。2020年以錄像演出《灰色的個體》參展台北 第六屆【愛自由當代書藝展】及製作兩場《轉枱中的角力》劇場體驗＋展演（香港）。 Finding “C” theatre established in 2019 spring. Finding the value of “C” is usually heard in solving equations. We are a group of troublesome “anonymous” who attempt to develop a culture of problem solving by making theatre. We believe that theatre is a space for trial and error, we gather and integrate to find the unknown “C”.

製作團隊 PRODUCTION TEAM 概念/ 導演 Concept/ Director: 陳家蔚 Kiwi Chan

編劇 Script Writer: 陳樂怡 Maxine Chan

節目將於整個藝術節節期播放，觀眾購票後可於48小時內隨時觀賞 The purchase include the whole festival period to start watching the video and 48 hours to finish once started.

演出內容簡介 CONTENT 在生命的長河裡，不時湧現種種湍急的暗潮⸺或許是親人的不理解，或許是來自旁人眼神中的 問號，更有可能，是我們自己心裡脆弱的回音…… 我們都曾經因為這些暗潮而受傷，甚至因而衍生一連串的缺憾。 很有可能，失去了前進的動力！

創作演員 Creative Performer: 林學賢 Isaac Lam、叶謹誠 Nicholas Yip

我們很想和您分享一個小小的秘密：這些傷痕可以被療癒，它雖暫時阻礙了我們，但若能溫暖地 擁抱它，生命的新篇章，將會在我們的眼前，峰迴路轉地展現新的美麗風景！

監製 Producer: 甲乙丁劇團 Finding C Theatre

In the long river of life, there are undercurrents everywhere – maybe it’s misunderstanding between you and your loved one; maybe it’s the confusion in the eyes of the people surrounding you; or maybe, it’s the delicate voice echoing in your heart….

錄像創作/ 平面設計 Video Work/ Graphic Design: 吳芷麟 Tsz-Lun Gaw

戲劇 THEATRE

戲劇 THEATRE

《轉枱中的角力系列 ━ 也好IT S OKAY》製作單位：甲乙丁劇團（香港）

We have all been hurt by these dark undercurrents, thus deriving a series of regret, even lost the motivation to move on.

I want to share a little secret with you: these wounds can be healed. They maybe haunting for now, but if you try to embrace them, you’re going to realise that the new chapter of you life will be revealed in front of you.

製作單位簡介 PROFILE 為何名為「必需品」？

我們認為劇場是我們生命中的必需品，就像在我 們身邊重要的陽光、空氣、水，它是這麼的簡單卻 又不可或缺。

完成付款後，閣下會收到一封由art-mate發出的確認通知和觀賞 連結電郵 After the payment has been made, you will receive an automatic email confirmation from art-mate with the video link of the performance.

我們希望藉由劇場，藉由我們的作品，來說出你 們與我們生命中共同的必需，也盼望你們給予我 們支持與鼓勵。

製作團隊 PRODUCTION TEAM

Theatre is the necessity of our life. It’s like the sun, the air, the water around us, so simple, so indispensable. Through our works, we want to share with you this necessity of life. We hope that you can give us your support and encouragement.

編劇 Playwright: 陳柯杰 Jie, Chen Ko、邱忠裕 Zhong Yu Chiu

創意發想/ 表演者 Concept/ Performer: 邱忠裕 Zhong Yu Chiu

現場伴奏/ 音樂設計 Live music/ Sound designer: 阿超 A-Chau 平面設計 Graphic designer: 頸鹿角設計工作室 GIRAFFE XXL Design Studio

監製 Producer: 曾志誠 Andrew Chih-Cheng Tseng

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製作單位： 之華（香港）

Voices of a Siren"

《下一秒！拍翼雙雙鳥》

Art group: Soraya Chau (Hong Kong)

節目長度 Duration

場地 Location

Hug You with Wings + Wings"

11/9 (星期六 SAT) 15:00； 12/9 (星期日 SUN) 15:00

11/9 (星期六 SAT) 10:30； 12/9 (星期日 SUN) 10:30

Approx. 60 mins

Approx. 45 mins

賽馬會創意藝術中心賽馬會黑盒劇場 JCCAC Jockey Club Black Box Theatre

港幣$100

港幣$100

HK$100

HK$100

戲偶兒童劇

音樂獨腳戲

Puppet Kids Show

Music Dance Theatre

ImproKids HK

Soraya_hope

適合 5 歲或以上人士觀賞 Suitable for ages 5 or above

請穿著輕便服裝及鞋履，以便參與活動 Causal dress code is required

適合 12 歲或以上人士觀賞 Suitable for ages 12 or above

畢業於英國倫敦音樂劇學院及皇家中央演講和戲劇學院音樂劇專業文憑及英國 諾桑比亞大學社會工作學士。 現為自由身舞台劇演員、歌手、舞者及歌唱導師。

如夢似幻，虛實相間之間，穿梭於三段時空，三段不同年代女性的自白。

以獨白、舞蹈和音樂頌唱，訴說傳統對女性的心靈的囚禁，與女性靈性成 長蛻變的歷程。 On a journey, I accidentally met the mystical creature, Siren

Soraya Chau trained at London School of Musical Theatre and Central School of Speech and Drama. She Obtained Bsc in Social work from Northumbria University (UK) She is an experienced theatre actress, dancer and vocalist in varieties styles.

編劇/ 導演/ 編舞/ 演員 Creative concepts/ Director/ Choreographer/ Performer: 之華 Soraya 執行舞台監督 Deputy Stage Manager: 林妤曼 Yammi Lam 舞台監督 Stage Manager: 陳祖儀 Chan Jo Yee

《下一秒 ！ 拍翼雙雙鳥》 《人魚的聲音》 《人魚的聲音》

Between dreams and illusions and reality, telling the tales of women from different ages while traveling through three periods of time and space.

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於傳統中國家庭成長，又受西方教育衝繫，豐富舞台表演及編作經驗，之華亦為瑜 伽導師，靈氣治療導師，手療、聲療及重生呼吸法執行者 。如欲了解更多可於 instagram: Soraya_hope與她聯絡。

製作團隊 PRODUCTION TEAM

Telling the story through monologues, dances and singing about the tradition of the imprisonment of women's hearts and the process of women's spiritual growth and transformation.

Soraya is also a yoga teacher, energy healer, Reiki Master teacher and Clarity Breathwork facilitator (Rebirthing). For more information, please contact her via instagram: Soraya_hope

燈光設計 Lighting Design: 譚建楠 Franky Tam

攝影/ 錄像設計 Photography/ Visual Design: Dann Wong 海報設計 Image Design: Chris Kazala

備註 Remark

約 45 分鐘

JCCAC Jockey Club Black Box Theatre

在一次旅程中，意外地遇上傳說中的人魚。

社交媒體 Social media

Art group: ImproKids (Hong Kong)

賽馬會創意藝術中心賽馬會黑盒劇場

製作單位簡介 PROFILE

形式 Form

製作單位： 孩子戲（香港）

約 60 分鐘

演出內容簡介 CONTENT

票價 Ticket price

偶戲 PUPPETRY

音樂劇場 MUSIC THEATRE

《人魚的聲音》

日期及時間 Date and time

製作單位簡介 PROFILE

演出內容簡介 CONTENT 這套兒童劇會有：巴勒斯坦傳統兒童劇場的 「飛凡奇遇故事盒」 （Wonder Box）。

透過華麗的箱子，讓孩子由箱子的眼孔中 偷看故事的發展。劇中角色會幻化成紙偶， 在神秘的箱子內活動，亦會走出舞台，以演員 角色與觀眾連繫 。這種充滿幻想及互動的 賞劇活動，一定讓大人小孩都興奮難忘！故事 講述一隻與生俱來有四隻翼的小鳥，從小受 盡嘲笑。小鳥媽媽安慰牠說： 「每隻鳥生來 都有其原因」 ，令到小鳥決心找出來這世界的 意義。在尋找的過程中，一隻單翅膀而沒法 飛翔的小鳥出現，這個有關愛與光的故事 就此展開……

This children's play will feature the famous Palestinian traditional "Wonder Box". Through this beautiful fancy box, children sneak a peek into the story through the holes of the box. The paper puppets will magically play around inside this mysterious box. And they will walk out of the box to interact with the audience. This play is all about interaction and imagination, it surely will bring everyone an exciting and unforgettable experience.

The story is about a little bird who was born with four wings. It has been teased and bullied by others for its difference. Mama bird always comforts and encourages this little bird by telling it that everyone is born with a purpose. With encouragement from mama bird, this little bird is determined to search for its life purpose.

During the searching, it meets a bird with one wing who cannot fly, and the story of love and caring begins……

《孩子戲》劇團的命名，是希望所有人能從戲劇裏找回「孩童的初心」。

《孩子戲》除了兒童劇，亦有不同類型的戲劇創作。 訓練幼兒、兒童及青 少年戲劇外，還開辦成人及傷健共融的戲劇培訓班。以戲劇喚醒人內 心的童真，純粹及喜悅的即興創作，讓人心連心的連繫起來。 We hope all people can find their inner child through theater.

We create children’s plays and different types of drama. We have courses for toddlers, children, teenagers, adults, and people with physical impairments. No matter what age you are, no matter who you are, drama can wake up your inner child. We improvise with pleasure and try to connect through mind and soul. We create a friendly environment for you to freely be yourself.

製作團隊 PRODUCTION TEAM 導演/ 編劇 Director/ Playwriter: 胡秀慧 Emily Wu

演員 Performer: 孩子戲劇團演員 ImproKids’ actors

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To Learn to Walk"

製作單位： 一才鑼鼓（香港）

Art group: The Gong Strikes One (Hong Kong)

《流浪回家》

製作單位： 麥瑞顯（香港）

drifting my way home"

Art group: Mak Sui Hin (Hong Kong)

2/9 (星期四 THU) 20:00； 4/9 (星期六 SAT) 15:00

18/9 (星期六 SAT) 15:00； 19/9 (星期日 SUN) 15:00

Approx. 45 mins

Approx. 50 mins

約 50 分鐘

約 45 分鐘

一拳書館

大埔藝術中心 ━ 黑盒

Book Punch

Tai Po Arts Centre ‒ Black Box

港幣$100

港幣$100

HK$100

HK$100

講故事/ 音樂/ 詩文朗誦

戲曲/ 互動

Storytelling/ Music/ Poetry

Chinese Opera/ Interactive

suihinmak

The Gong Strikes One

演出內容簡介 CONTENT

製作單位簡介 PROFILE

《學行》 這是一個以戲曲演員的腳部動作、重覆的樂句和 節奏構成的演出。

觀眾需在演出期間模仿演員的步法，一同參與演出。 歡迎穿著奇特的鞋履出席。

A performance of Chinese operatic footwork, repetitive melodic phrases and rhythms.

Audiences are invited to bring along their fancy shoes and follow the footwork of the performer during the performance.

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一才鑼鼓成立於 2012 年，專攻戲曲音樂。 其作品以音樂會、說唱、劇場、即興等各種表演形式呈現 戲曲之音樂感和戲劇感。其首個劇場作品《俺，武松》(2017)以無唱唸之獨腳戲探索戲曲形體與 音樂之極致。他們又常獲邀為特定活動和地點編撰南音；其中與非物質文化遺產辦事處合作之 「南音遊記」更為香港各區撰寫南音新曲，並於該區一特色地點演出。 最近，他們獲香港藝術發展 局「Arts Go Digital藝術數碼平台計劃」支持，製作網上項目「香港微音樂」。 Founded in 2012, The Gong Strikes One specializes in Chinese traditional theatre music, creating original works that preserve its musicality and theatricality. The group embraces various performance settings, such as concerts, story-telling concerts, theatre and improvisation. Its debut theatre work, “I, Wu Song” (2017) is a one-man Chinese Opera with no words, which sets out to explore the very essence of operatic movements and music. The group is also known for writing site/ occasion-specific Cantonese narrative songs; its collaboration with the Intangible Cultural Heritage Office, "Singing Nanyin as We Go", tours the city with original lyrics specifically written for each district. Recently, supported by the HKADC “Arts Go Digital Platform Scheme, the group has launched the online project, "Hong Kong Music Miniatures".

設演後座談會 With Post-performance Talk

製作團隊 PRODUCTION TEAM 監製 Producer: 李勁持 King-chi Lee 劇本 Script: 陳志江 Kong Chan

身段 Movement: 梁非同 Fei-tung Leung

maksuihin

適合任何年齡人士觀賞 Suitable for all ages 含少量英語 With some English

適合 6 歲或以上人士觀賞 Suitable for ages 6 or above 無語言演出 Non-verbal

講故事 STORYTELLING

戲曲 CHINESE OPERA

《學行》

製作單位簡介 PROFILE

演出內容簡介 CONTENT 有誰想到，留學和流浪竟然有關係呢？

初到雪梨，歷經重重波折才稍稍安定。學期完結 後，想 窮 遊 澳 洲 。豈 料 在 墨 爾 本 遇 劫，失 去 了 手機和電腦，孤獨漫步。用僅餘零錢穿梭大城 小鎮，苦尋每晚容身片瓦、日用乾糧，體會人情 冷暖、貧與富、安居與漂泊、制度和自由。 最後終於捱到機場，回到香港這個家。

不 如 找 一 天，一 個 人、一 支 結 他，和 你 聊 聊 在 旅遊熱點以外鮮為人知的澳洲。

Who knew studying abroad has anything to do with vagrant drifting?

It was a rough start in Sydney. Hin backpacked alone on a budget after the semester ends, but then got robbed in Melbourne. Without his phone and laptop, he was forced to go on a pilgrimage home. Living off the bunch of coins left, he drifted across cities and villages day by day, foraging and hunting for somewhere to stay overnight.

麥瑞顯畢業於港大園境建築，近年的創作交織影像和聲音藝術，希望 觀眾張開耳目，感受身邊的日常，反思現代社會和大地和自己的關係， 反思生活和流浪的意義。 詩文散見於本地報刊，實驗電影《tofu》在2019年於大英博物館放映。

製作團隊 PRODUCTION TEAM 概念/ 故事/ 詩文/ 作曲/ 演出 Concept/ Story/ Poetry/ Songwriter/ Performer: 麥瑞顯 Mak Sui Hin

《流浪回家》

Now he’s finally home in Hong Kong with his guitar, telling you a story about the lesser known side of Australia.

Mak Sui Hin graduated from HKU landscape architecture. His creative outputs in recent years weave images and sound art, hoping to persuade everyone to open their eyes and ears to feel everyday surroundings. He wishes to guide the audience to reflect on the relationship between the contemporary society, the land, and themselves, as well as the meaning of living and drifting. Sometimes he also contributes to local literary zines. In 2019, his experimental film “tofu” was screened at the British Museum.

13

Being and Becoming" Chapter One

製作單位： 両両製造聚團（台灣）

Art group: Double & Cross Theater Group (Taiwan)

《邊界線》

節目長度 Duration

場地 Location

The Borderline"

約 60 分鐘

Approx. 60 mins

網上節目

賽馬會創意藝術中心賽馬會黑盒劇場

Online event

JCCAC Jockey Club Black Box Theatre

港幣$100

港幣$100

HK$100

舞蹈劇場

HK$100

默劇/ 多媒體

Dance Theatre

doubleandcross

Mime/ Multi-media

Shinkayo Theatre

適合 18 歲或以上人士觀賞 Suitable for ages 18 or above 無語言演出 Non-verbal

含成人情節 Contain adult elements

適合任何年齡人士觀賞 Suitable for all ages

含裸露場面 Nudity

《花瓶與她的主人》 ，從花瓶作為乘載/裝飾性物件形容女性身體/存在出發，擁有「她」 的主人，如何放置、使用與欣賞「她」 ，模糊彼此，如同母職之於自己。 女人的身體在主體與客體之間轉換，不論是被植入的胚胎，或是被置入的異性生殖器， 或是嬰兒吸吮乳頭的原始，公與母的高潮來源，來自不同的接收模式；無論是獻祭 自己的過往，或是力抗狂瀾，最終總是因為身分的轉變而與自己重新相遇，爬梳自己的 靈魂，放入時光膠囊中埋葬。

14

Perhaps we all need to find a different way to realize who we truly are. In “Being and Becoming” we wish to search and discover more about female, a new definition to me. This is the story belongs to me, my children and all female person. Still I remember every little surprising and astonishing changes that happened to my body during pregnancy. The only choice is to get along with it though I was not totally willing to. On one very special day, when the darkness feeling almost gobbled me up for good. We stared at each other and just for one second, I have to choose to conquer the unknown power or to sin with my past. Meanwhile I realized, this is it.

両両製造擅長以劇場與設計元素揉合為創作核心，跨越表演 類型，製作呈現出不同主題內容與概念觀點，著重於議題與 戲劇元素的整合，透過多元的展演形式、手法，創造出讓觀眾 產生共鳴、感動、反思的觀戲體驗，使創作者、表演者、觀賞者 之間啟動形而上的對話與交流。在劇場裡，演出與觀看之間， 不再只是單方面地給予與接收，而是充滿了內觀的熱情、對 社會的細密觀察、彼此人生經驗的交互映照。 Double & Cross Theater Group was found in 2014, based in Kaohsiung. Focusing on crossing borders between issue discussion and theater productions.

Through our productions we hope to bring out the conversation between performers and audiences by the interaction and perspective exchanging in our performance. Not only giving and taking but also involve in social investigating and life experiencing.

完成付款後，閣下會收到一封由art-mate發出的確認通知和觀賞連 結電郵 After the payment has been made, you will receive an automatic email confirmation from art-mate with the video link of the performance.

製作團隊 PRODUCTION TEAM 製作人 Producer: 詹沛琪 Chan Pei Chi

編劇/ 導演/ 表演者 Playwright/ Director/ Performer: 左涵潔 Tso Han Chieh 技術統籌 Technical Coordinator: 邱劉亞婷 Chiu Liu Ya Ting 舞台裝置設計 Stage Designer: 張峻碩 Jhang Jyun Shou 音樂設計 Music and Sound: 張芮瑄 Rere Chang 特別演出 Special Guest: 高偉恩 Kao Wei En

備註 Remark

11/9 (星期六 SAT) 20:00； 12/9 (星期日 SUN) 20:00

Approx. 45 mins

製作單位簡介 PROFILE

社交媒體 Social media

Art group: Shinkayo Theatre (Hong Kong)

約 45 分鐘

演出內容簡介 CONTENT

形式 Form

製作單位： 聲覺遊列破（香港）

27/8 ‒ 19/9

節目將於整個藝術節節期播放，觀眾購票後可於48小時內隨時觀賞 The purchase include the whole festival period to start watching the video and 48 hours to finish once started.

票價 Ticket price

默劇/多媒體 MIME/ MULTI-MEDIA

舞蹈 DANCE

《花瓶與她的主人》第一章

日期及時間 Date and time

製作單位簡介 PROFILE

演出內容簡介 CONTENT 此獨幕劇改編自真人真事。 一名男子在入境處燒死職員後竟再度申請來港。 她－被燒死職員的同事兼 好友，看著那張殺人兇手的臉，得到的指令竟是要批准該男子移居來港。她陷於仇恨和紀律的狹縫之 間，卻要按捺著憤怒，盡她的本份，按規章去處理這一份申請，到底她的內心經歷了些什麼? 全劇沒有 對白，只憑演員細膩的動作，配合即場攝錄及放映，將平時劇場看不到的細節放大於觀眾眼前。此劇 希望借表達香港紀律部隊過往在掙扎中仍嚴謹秉持紀律的情操，探討今日社會風氣。

「聲覺遊列破」為香港多媒體實驗戲劇團體，以聲音與形體為主軸形式，揉合各 類藝術形式進入戲劇，探索劇場藝術新美學。 「聲」 ，以配音及音響設計去發掘 聲音在劇場的可能性。 「覺」 ，感覺外物內心，覺悟萬事本質，醒覺的人不要睡。 「遊」 ，遊戲時的認真專注，遊歷間吸收外在的事物，流動的、互動的。 「列」 ，凝聚 與糅合。 「破」 ，突破與創新。

This one-act play is based on a true story. A man from Mainland China had set fire, an officer of Hong Kong Immigration Department was died in the fire. After that he has successfully applied for a permanent residency in Hong Kong. The officer who was appointed to proceed his residency application, was a good friend of that victim. How could she cope with such an application under the tension between her hatred and anger towards the murderer, and complying by the law and discipline that a civil servant should do? This is a mime show with delicate body movements. And using live recording to project some detail that you can't see in normal theatre. By showing the struggle of discipline as a civil servant, to discuss the quality of society today.

Shinkayo Theatre is a Hong Kong-based multi-media experimental theatre group. We specialized in sound and movement, fusing various art forms, to experience the new beauty in theatre.

製作團隊 PRODUCTION TEAM 導演/ 創作概念 Director/ Concept: 展晴 Chin Ching

《邊界線》 ‘Sound’. Searching possibilities of sound in theatre, by dubbing and audio design. ‘Feeling’ with heart, ‘sensation and perception’ of the objective world, and ‘awareness’ about the truth of everything.

‘Adventure’ Every game is an adventure, fluid and interactive. It can train the concentration, thus, absorb everything you feel. ‘Array’ Array and reconstruct art elements. ‘Breakthrough’ and ‘Creative’.

編劇 Script: 林敏 Lam Man

演員 Performer: 方晴 Carlie

形體指導 Movement Instructor: 黃定邦 Michael Wong

舞台監督 SM/ DSM: 黎健楓 Melody

15

MON

二

TUE

三

WED

四

THU

五

FRI

六

日

一

二

三

四

五

FRI

SAT

21/8

22/8

30/8

31/8

1/9

2/9

3/9

4/9

SAT

14:00 《不貧窮藝術節 X 香港》 2021 啟動禮

Azito by Favilla

LBTAF X HK 2021 Opening Ceremony

網上講座

20:00 「後疫情時代的藝術生存戰」 講座

Online Live Streaming

“Post-Pandemic Era: The Survival War of Arts Industry”

23/8 Hōmu by Favilla

24/8

25/8

26/8

27/8

28/8

MON

SUN

16:30 羅馬藝穗節簡介說明會

TUE

WED

THU

日

SUN 5/9

「那裡也是天堂」視覺藝術展覽

Hōmu by Favilla

"Heaven Everywhere” Visual Art Exhibition

15:00 《學行》一才鑼鼓

“To Learn to Walk” The Gong Strikes One

大埔藝術中心 － 黑盒

Tai Po Arts Centre — Black Box

Introduction to Roma Fringe Festival

20:00 《轉枱中的角力系列 ⸺ 也好It’s Okay》甲乙丁劇團

20:00 《學行》一才鑼鼓

“To Learn to Walk” The Gong Strikes One

29/8

六

網上節目

“Turning of Wrestling Table Series – IT’S OKAY” Finding C Theatre

20:00 《透明牆》加戲工作室 “Transparent Wall” AddOil Workshop

15:00 《轉枱中的角力系列 ⸺ 也好It’s Okay》 甲乙丁劇團 “Turning of Wrestling Table Series – IT’S OKAY” Finding C Theatre

20:00 《透明牆》加戲工作室 “Transparent Wall” AddOil Workshop

《花瓶與她的主人》第一章 両両製造聚團

“Being and Becoming” Chapter One Double & Cross Theater Group

Online event

《轉吧．在與你道別之前》遺憾篇 必需品劇團

「那裡也是天堂」視覺藝術展覽

“Keep Rotating, Until the Day We Say Goodbye” Necessity Theatrical Troupe

“Heaven Everywhere” Visual Art Exhibition

15:00 TEFO真人圖書館 與應用戲劇工作者對談

香港教育劇場論壇工作室 Tefo (Hong Kong) Office

“TEFO Human Library” Conversations with Applied Theatre Practitioners

6/9

7/9

8/9

9/9

10/9

11/9

12/9

「那裡也是天堂」視覺藝術展覽

Hōmu by Favilla

“Heaven Everywhere” Visual Art Exhibition

10:30《下一秒！ 拍翼雙雙鳥》孩子戲

賽馬會創意藝術中心賽馬會黑盒劇場

“Hug You with Wings + Wings” ImproKids

15:00 《人魚的聲音》之華

JCCAC Jockey Club Black Box Theatre

“Voices of a Siren” Soraya Chau

20:00 原始聲音工作坊

The Ancient Sounds Workshop

Online Live Streaming

網上節目

Online event

“The Borderline” Shinkayo Theatre

“My Puppet Story” Workshop

Book Punch

網上講座

20:00《邊界線》聲覺遊列破

09:30、11:30 「故事牽手偶」工作坊

一拳書館

網上節目

14:30 雷鬼簡介及工作坊

《花瓶與她的主人》第一章 両両製造聚團

“Being and Becoming” Chapter One Double & Cross Theater Group

Online event

《轉吧．在與你道別之前》遺憾篇 必需品劇團

Introduction to Reggae

“Keep Rotating, Until the Day We Say Goodbye” Necessity Theatrical Troupe

20:00 「編作劇場： 當劇場不再 以文本開展」講座 “Devised Theatre: When Theatre is No Longer Starting from Script”

13/9 一拳書館

Book Punch

14/9

15/9

16/9

17/9

18/9 15:00 《流浪回家》麥瑞顯

20:00 《小丑的眼淚》

“drifting my way home” Mak Sui Hin

《轉吧．在與你道別之前》遺憾篇 必需品劇團

“Keep Rotating, Until the Day We Say Goodbye” Necessity Theatrical Troupe

15:00 《流浪回家》麥瑞顯

“drifting my way home” Mak Sui Hin

17:30 《不貧窮藝術節 X 香港》 2021 閉幕禮

“The Tears of a Clown” Weak Chickens Limited

《花瓶與她的主人》第一章 両両製造聚團

“Being and Becoming” Chapter One Double & Cross Theater Group

19/9

LBTAF X HK 2021 Closing Ceremony

網上節目

Online event

《花瓶與她的主人》第一章 両両製造聚團

“Being and Becoming” Chapter One Double & Cross Theater Group

《轉吧．在與你道別之前》遺憾篇 必需品劇團

“Keep Rotating, Until the Day We Say Goodbye” Necessity Theatrical Troupe

17:00 阿德萊德藝穗節 簡介說明會

Introduction to Adelaide Fringe Festival

節目一覽 PROGRAMME LISTING

節目一覽 PROGRAMME LISTING

一

節目長度 Duration

場地 Location

票價 Ticket price

形式 Form

社交媒體 Social media

備註 Remark

Heaven Everywhere

藝術家: MnMn森林（香港） Artist: MnMn Forest (Hong Kong)

主辦單位：《不貧窮藝術節 X 香港》 Host: Let s Be Together Arts Festival X Hong Kong

23/8-11/9 （請先查閱餐廳開放時間）

(Please check the operating hours of the venue before going)

Hōmu by Favilla 免費參觀#

Free Admission# 適合任何年齡人士觀賞 Suitable for all ages

藝術家會於每個星期六及日的下午時段，於餐廳內為觀眾講解作品 的創作理念和想法 The artists will be in the cafe on all Saturday and Sunday afternoons during the exhibition to tell you all about what has inspired their works.

#由於展覽設於餐廳內，為了支持餐廳的日常運作，入場人仕敬請 惠顧後才進行觀賞 #The exhibition is situated inside the café. In order to support the restaurant, the exhibition will be open to customers only.

節目內容簡介 CONTENT

有關展覽概念 IDEAS BEHIND THE EXHIBITION

藝術家簡介 PROFILE

爸爸和姐弟倆以小畫作記錄他們的日常歷險記。

林爸爸和姐弟一起用善良的心看世界。 他們偶然在路上碰上各種不同大小的怪獸，林爸爸會用他 的港爸港男小智慧和幽默，與孩子一同化險為夷。

八十後爸爸和一零後姐弟的小創作。

Using a canvas as a record, the daily adventures of a father, a daughter and a son.

In this exhibition, Marvel Lam and his kids want to invite the audience to see the world through a lens of kindness. In their adventure, sometimes they encounter different monsters; most of the time, the kids and Marvel have to use their humor and a little wisdom to save them from danger.

A father who was born in the 80’s, and a sister and brother who are Generation Alpha.

視覺藝術展覽 VISUAL ART EXHIBITION

「那裡也是天堂」

日期及時間 Date and time

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優先節目：「後疫情時代的藝術生存戰」

場地 Location

票價 Ticket price

形式 Form

社交媒體 Social media

備註 Remark

PRE-FESTIVAL EVENT:“Post-Pandemic Era: The Survival War of Arts Industry” 藝術家: 林倩嬌（香港）、吳維緯（台灣）、黃麗珍（馬來西亞）、 江佳蒨（日本）、松崎宏文（日本）、Frank Mihelich（美國） Artist: Cathy SK Lam-Patrie (Hong Kong)、Wei Wei Ng (Taiwan)、 Lay Chin Wong (Malaysia)、Chia-Chien Chiang (Japan)、 Hirofumi Matsuzaki (Japan)、Frank Mihelich (USA)

21/8（星期六 SAT) 20:00 約 90 分鐘

Approx. 90 mins

網上講座

主持： 陳御弼（台灣） Facilitator: Yu Pi Chen (Taiwan) 主辦單位： 《不貧窮藝術節》國際策展組 Host: Let’s Be Together Arts Festival (Curation International)

演出內容簡介 CONTENT 疫情下，全世界都被迫靜止。

藝術界首當其衝，無法前進亦無路可退。

香港、台灣、馬來西亞、日本及美國，疫下的五個平行時空，於策展及 製作上，分別有什麼覺悟？ 疫下疫後，業界應如何同行或共生？

The world is forced to shut down amid the pandemic.

Being the first and easy target, the arts industry is being casted away. It seems no way out and no way back for the artists.

The five parallel universes amid the COVID: Hong Kong, Taiwan, Malaysia, Japan and the United States. What have awakened us by the pandemic? How do we reimagine the industry to walk alongside each other, or, promote coexistence?

Online Live Streaming

免費登記

Free Registration 適合任何年齡人士觀賞 Suitable for all ages

以普通話、英語及日語進行，並設有少量廣東話翻譯 The event will be held in Mandarin, English and Japanese with limited Cantonese translation.

需預先登記，請於www.art-mate.net留座 Please register in advance at www.art-mate.com. 觀眾於網上登記後，請點擊電子門票上的鏈結參與 該鏈結將於活動開始前一星期生效 After registering, please click the event portal link on the e-ticket to participate. The link will be available one week before the event starts.

林倩嬌（香港）Cathy SK Lam-Patrie (Hong Kong) 晨刻藝術策展有限公司、不貧窮藝術節及三木劇作藝術 總監。 現為美國基督徒戲劇恊會及 Global Good Tree Advocacy 董事局成員。

現已隨丈夫定居於美國加州洛杉磯。並於福樂神學院修讀 道學碩士。

Artistic Director of Kairos Arts Development, LBTAF and ThreeWoods Playwright.

Board member of Christian in Theater Arts and Good Tree Advocacy.

Now resided with her husband in Los Angeles, and she is pursuing MDiv in Fuller Theological Seminary.

吳維緯（台灣）Wei Wei WU (Taiwan) 台北藝術大學劇場藝術研究所畢業。現為廣州星海音樂 學院藝術管理科系特聘講師、樹德科技大學表演藝術系 兼任助理教授、財團法人高雄市藝起文化基金會CEO、揚揚 創新科技ECD。目前從事劇場編導、舞台監督、演員、劇場 技術與設計、策展等工作。

藝術家簡介 PROFILE 黃麗珍 （馬來西亞）Lay Chin Wong (Malaysia)

台北藝術大學藝術學士，主修導演，師承「屏風表演班」已故李國修老師，專注於寫實 導演風格。曾任檳城表演藝術中心駐館導演與學院策劃。目前為新紀元大學學院戲劇 影像系合約講師以及Move Creativ藝術總監。

近年常把作品帶到世界各地演出，並進行文化交流工作坊。 2020年也憑《有故事的人： ……因為你是女人》獲得「第17屆戲炬獎年度最佳原創劇本獎」。 Passionate about drama, majored in Directing in the National Arts University of Taipei. She adores the performing arts, to the point of believing that it is a form of art reflecting human’s lives. She was a director-in-house / The Actor Studio Academy in-charge from 2012 to 2017 with Performing Arts Centre of Penang (penangpac). Now she is a lecturer in New Era University College and Artistic Director of Move Creativ. She created a monologue series “The Storyteller” had been traveled to Taiwan, the second series of The Storyteller “The Storyteller: …...because you are a woman” also had been invited to performed in Kaoxiong, Taipei and Macau. In 2020, “The Storyteller: …...because you are a woman” awarded “The best Original Script” in the 17th ADA Drama Award.

江佳蒨（日本) Chia-Chien Chiang (Japan)

藝術家簡介 PROFILE

關心表演藝術地方發展及藝術節策劃，2014年起，策展之 「不貧窮藝術節」以高雄出發身份，與台北、恆春、香港、北京 及澳洲亞德萊德等多城作民間合作，架設青年藝術家的 展演平台並創造青年城市交流。

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節目長度 Duration

Graduated from Taipei National University of Arts MA Theatre. Lecturer of Guangzhou Xinghai Music Academy Arts Management department, assistant professor in Shu-Te University Department of Performing arts, CEO of We ART Together Foundation, ECD of Young Square Createch Ltd. Currently working as a theatre director, playwright, actress, designer, curator. Curating Let’s Be Together Art Festival since 2014, has been collaborating with multiple cities worldwide, and to promote the artistic communication for young artists.

福岡糸島「翼宿」代表，長年提供藝術家駐村創作，致力推廣國際藝術交流。台北藝術 大學導演藝術學士、香港演藝學院導演藝術碩士。

近年翻譯劇本有： 《解憂雜貨店》、 《我們最快樂》、 《5月35日》。

President of Tsubasa international guesthouse, on Itoshima, Fukuoka.

She has provided artists in Tsubasa international guesthouse creation for many years and is committed to international arts exchange . Bachelor of Fine Arts in Directing from National Taipei University of the Arts, and Master of Fine Arts in Directing from Hong Kong Academy for Performing Arts. In recent years, she has translated scripts include: "Worry-free Grocery Store", "We are the Happiest", "May 35".

松崎宏文 （日本) Hirofumi Matsuzaki (Japan)

1979年出生於日本福岡縣。Studio Kura 的代表。糸島國際藝術祭委員會主席。 於2009年成立Studio Kura，以 「從糸島到世界，讓文化傳播」 為精神，從事駐地藝術家， 藝術教育與藝術創作。

講座 TALK

講座 TALK

日期及時間 Date and time

Born in 1979 in Fukuoka Prefecture, Japan. Artist, President of Studio Kura Co.,Ltd. The Chairman of the Committee for the Itoshima International Art Festival.

In 2009, he established an art company, Studio Kura Co., Ltd. with the motto "From Itoshima to the world, culture is transmitted" and is involved in artist-in-residence, art education and art production.

Frank Mihelich （美國) (USA) 居於南加洲。 演員、導演、監製及劇場教育工作。

畢業於美國歌倫比亞大學藝術（表演）碩士學位，畢業後主要於紐約及全國多個地區 當全職演員，包括: Two Rivers Theatre, New Jersey Repertory Company, The Shadowland Theatre, the Colorado Shakespeare Festival, the Arizona Repertory Theatre。 Mihelich 亦同時出演電影及廣告。 現於加州天主教大學擔任 講師及表演藝術系系主任。 Frank is an Inland Southern California based actor, director, producer, and theatre educator. Frank has worked extensively as an actor both in NYC and regionally.

He has also worked in both commercials and film. Frank has performed for such companies as the Two Rivers Theatre, New Jersey Repertory Company, The Shadowland Theatre, the Colorado Shakespeare Festival, and the Arizona Repertory Theatre. Frank is the founding Artistic Director of New Threads Theatre Company. Frank holds an MFA in Acting from Columbia University and currently is the performance professor in the theatre program at California Baptist University.

主持簡介 FACILITATOR PROFILE 陳御弼（台灣）Yu Pi Chen (Taiwan)

英國 East 15 Acting School MFA Theatre Directing 研究所畢業。 臺灣藝術大學戲劇研究所畢業。 現為國立臺南藝術大學通識中心兼任講師、樹德科技大學表演藝術系兼任講師、財團法人高雄市藝起 文化基金會AEO、老男孩劇團團長等。 身份遊走於編、導、演、教學、劇場翻譯、策展等，與各類型團隊多 有合作及交流。 作品橫跨音樂、舞蹈、戲劇等領域，曾赴北京、澳門等地方演出。 近年多將重心放在南部， 並成立老男孩劇團回饋鄉里。

Graduated from University of Essex MFA Theatre Directing, National Taiwan University of Arts in MA Theatre.

Currently work as lecturer of Tainan National University of Arts and Shu-Te University Department of Performing Arts, AEO of We ART Together Foundation, artistic director of Old Boy Theatre. And also work as a freelancer of director, playwright, actor, translator and curator, and collaborate with various artists.

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講座 TALK

優先節目： 羅馬藝穗節簡介說明會

PRE-FESTIVAL EVENT: Introduction to Roma Fringe Festival 藝術家 Artist: Raffaele Balzano (意大利 Italy) 主持： 林倩嬌（香港） Facilitator: Cathy SK Lam-Patrie (Hong Kong)

主辦單位：《不貧窮藝術節 》國際策展組 Host: Let s Be Together Arts Festival (Curation International)

22/8（星期日 SUN）16:30

有關羅馬藝穗節 ABOUT ROMA FRINGE FESTIVAL 始於二零一二年的羅馬藝穗節是意大利其中一個最能成功代表年青獨立藝術家，而又面向世界的藝術平台； 它作為一扇窗，為意大利劇場工作者打開了一對通往外界的門戶。羅馬藝穗節的成功有賴藝術業界、本地及外國 劇場愛好者的支持；還有各位劇場伙伴，包括Villa Ada, Castel Sant’Angelo, Villa Mercede, La Pelanda, Teatro Vascello, and Teatro Piccolo Eliseo等的無條件贊助。 The Roma Fringe Festival started in 2012, ever since it became one successful platform to represent aspiring independent artists to local and international audiences. The Roma Fringe Festival serves as a wide open window to the young Italian theatre artists.

約 60 分鐘

The success of the festival is due to the support from the arts industry, local audiences, and theatre lovers from all regions. Last but not the least, our venue sponsor: Villa Ada, Castel Sant’Angelo, Villa Mercede, La Pelanda, Teatro Vascello, and Teatro Piccolo Eliseo.

Approx. 60 mins

網上講座

藝術家簡介 PROFILE

Online Live Streaming

Raffaele Balzano（意大利 Italy）

免費登記

羅馬藝穗節執行藝術總監及物流經理； 導演、演員及作家。

Free Registration

Deputy artistic director and logistic manager of Roma Fringe Festival; Also, a director, actor and writer.

適合任何年齡人士觀賞 Suitable for all ages

以英語進行，並設有少量廣東話翻譯 The event will be held in English with limited Cantonese translation.

主持簡介 FACILITATOR PROFILE

需預先登記，請於www.art-mate.net留座 Please register in advance at www.art-mate.com.

觀眾於網上登記後，請點擊電子門票上的鏈結參與 該鏈結將於活動開始前一星期生效 After registering, please click the event portal link on the e-ticket to participate. The link will be available one week before the event starts.

林倩嬌（香港） Cathy SK Lam-Patrie (Hong Kong) 晨刻藝術策展有限公司、不貧窮藝術節及三木劇作藝術總監。

現為美國基督徒戲劇恊會及Global Good Tree Advocacy董事局成員。

Photo Credit: Roma Fringe Festival

現已隨丈夫定居於美國加州洛杉磯。 並於福樂神學院修讀道學碩士。

Artistic Director of Kairos Arts Development, LBTAF and ThreeWoods Playwright.

節目內容簡介 CONTENT

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一說起藝穗節，很多人只會想起愛丁堡或亞德萊德。又有多少人知道羅馬也有個很受歡迎而且歷史 非常悠久的藝穗節？

Whenever we talk about the fringe, we always think of Edinburgh and Adelaide. But do you know there is a fringe in Rome, and long enough that we all should know about it?

在今年的不貧窮藝術節，我們很榮幸邀請到羅馬藝穗節的執行藝術總監來為我們介紹藝穗節的特色 、解說報名詳情及申請資格，有興趣報名的你一定要留意！

This year at LBTAF, we’ve invited the deputy artistic director of Roma Fringe Festival to tell us all about the festival, how to apply and who is eligible to apply.

羅馬藝穗節除了是一個表演平台，同時是一個比賽。成功參加到藝穗節演出的團體均有機會被挑選 中，並獲資助到其他藝穗節演出。 甚至有機會赢取由Zona Indipendente 主辦的意大利巡迴演出資 格。 而獲選者並不限國籍及身份。

Roma Fringe Festival, besides being a curated fringe, is also a competition. Whoever enters the Roma Fringe receives a chance to be picked to be sponsored to join another fringe festival and have a chance to win a local tour hosted by “Zona Indipendente”.

Board member of Christian in Theater Arts and Good Tree Advocacy.

Now resided with her husband in Los Angeles, and she is pursuing MDiv in Fuller Theological Seminary.

27/8（星期五 FRI） 20:00 約 90 分鐘

Approx. 90 mins

一拳書館

主辦單位：《不貧窮藝術節 X 香港》 Host: Let s Be Together Arts Festival X Hong Kong 藝術家簡介 PROFILE 腔棘Coelacanth是一隊街頭民族音樂組合。常用樂器 包括澳洲吹管（Didgeridoo）、木箱鼓及囗弦等。名字 源於腔棘魚，是遠古魚類的一種。根據進化論，是有紀錄 來第一種走上陸地進化成爬蟲及兩棲類的魚類品種， 人類開始研究這物種時認為牠們早於6500萬年前絕種， 直到1938年在南非海域再次被發現。 腔棘Coelacanth的音樂與腔棘魚甚為相似，我們喜愛 的民族音樂被認定已經消亡，但現實上仍有不少人在 演奏。而我們希望腔棘Coelacanth的音樂能如腔棘魚 一樣能推動進化，從內在出發，得到快樂。

Book Punch

Coelacanth is a street ethnic music group which performs music with the didgeridoo, cajon, jaw harp, etc.

The name Coelacanth is inspired by an ancient order of fish, coelacanth.

According to the theory of evolution, coelacanth is the first species that landed and evolved into reptiles and amphibians.

The coelacanth was once known only from its fossils and so was thought to have gone extinct at least 65 million years ago until a recently-dead specimen was discovered by South African fishermen in 1938.

The nature of Coelacanth and the fish is similar. The ethnic music we love is considered obscure and absent, but in reality there are still some people performing it. And we hope our music can drive evolution as coelacanth did, gaining true happiness from inside.

28/8（星期六 SAT） 第一節 1st session：9:30 ‒ 11:00 *社企專場 • 不設公開售票 *NGO session,Not for public sale

第二節 2nd session: 11:30 ‒ 13:00 約 90 分鐘

Approx. 90 mins

備註 Remark

一拳書館

(Material cost included)

小故事・隨風飄

適合 4 歲或以上 Suitable for ages 4 or above

節目內容簡介 PROFILE

請穿著輕便服裝及鞋履，以便參與活動 Causal dress code is required

這是一個關於在文明世界裡尋找遺忘聲音的工作坊。透過澳州吹管和口弦 這兩種民族樂器，學習聲音與人，還有聲音與自然之間的關係。

每位小朋友必須要由一位家長／監護人陪同，方能參與 Minimum of 1 child accompanied by 1 parent/ guardian for each pair

This is a workshop that searches for forgotten sounds in the modern context. Through two ancient ethnic instruments, the didgeridoo and the Jew’s harp, we will learn how humanity and nature are connected with their ancient sounds.

如需額外增加人數，成人每位$50 For extra adult, HKD50 per person

＊查詢活動請致電：9414 0422 小故事・隨風飄 For enquiries, please contact: 9414 0422 Flying Story

有關澳州吹管及口弦 ABOUT DIDGERIDOO & JEW’S HARP

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製作單位: 小故事・隨風飄（香港） Art Group: Flying Story (Hong Kong)

社交媒體 Social media

HK$150 per pair per session

適合 16 歲或以上有興趣認識原始音樂之人仕 Suitable for ages 16 or above who is interested in getting to know ancient music

口弦又稱口簧、嘴琴和口簧琴，是一種古老的民間樂器，廣泛使用於亞洲 （特別是東南亞、南亞以及北亞）、美洲、大洋洲以及歐洲，非洲的記錄則相對 較少。口簧琴的樂器主體是一個一端固定於框式琴臺上，另一端可以自由 振動的簧片。演奏者吹奏時需要將琴臺置於雙唇之間，以撥動簧片或者拉扯

形式 Form

每節每對親子港幣$150（已包括材料費）

(Including material fee for instrument which can be taken home)

澳州吹管的起源可以追溯到4萬年之前。最初的時候它以被白螞蟻吃空的 桉樹樹乾製成，吹起來會發出嗡嗡聲，很多音樂學者認為這就是最古老的 樂器。我們演奏時，需要震動嘴唇，令口腔和樂器形成共鳴，發出的聲音就像 是來自大地深處一般深邃。

票價 Ticket price

Book Punch

港幣$250（包含樂器及材料費，樂器可自行帶回家） HK$250

場地 Location

My Puppet Story”

The Ancient Sounds Workshop 藝術家: 腔棘（香港） Artist: Coelacanth (Hong Kong)

節目長度 Duration

工作坊 WORKSHOP

工作坊 WORKSHOP

「故事牽手偶」

原始聲音工作坊

日期及時間 Date and time

一根繫附於琴臺上細繩的方式，使簧片振動發聲，並以演奏者的口腔共鳴產 生樂音。 The didgeridoo is a wind instrument made from hollow wood. The first didgeridoos were played by aboriginal peoples in northern Australia an estimated 40,000 years ago. The didgeridoo is both a pitched instrument and a percussion instrument. Each didgeridoo has one fundamental tone as well as a series of overtones that can be altered

by the lips of the player. The didgeridoo can also be played rhythmically, serving as both a bass and a time keeping instrument.

The Jew's harp, also known as jaw harp, mouth harp, gewgaw, guimbard, khomus, trump, Ozark harp, Galician harp, or murchunga, is a lamellophone instrument consisting of a flexible metal or bamboo tongue or reed attached to a frame. It is popular in Asia (especially Southeast Asia, South Asia and North Asia), America, Oceania and Europe, and has occasionally been found in Africa.。

節目內容簡介 PROFILE 親子一起製作自己的小手偶，並以手偶共同演繹日常小故事。 Parent and child make hand puppet together and use the puppet to present stories.

製作單位簡介 PROFILE 小故事・隨風飄由愛自然、愛繪本、愛故事、愛創作的人組成。

我們希望把我們喜愛的事情結合，以更多創新的方式，在自然的場地、輕鬆的氛圍中分享故事、共同創 作，把快樂、夢想與希望注入生活。 “Flying Story” is a group formed by people who love natural, books, stories and creation.

We want to combine all the things we love and present them in chill and relax places. Share Stories, Hope and Happiness to everyone.

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工作坊 WORKSHOP

雷鬼簡介及工作坊 Introduction to Reggae

藝術家： MouseFX 阿鼠（香港） Artist: MouseFX (Hong Kong) 助教： 熊經理（香港） Teaching Assistant: Bear Manager (Hong Kong)

主辦單位：《不貧窮藝術節 X 香港》 Host: Let s Be Together Arts Festival X Hong Kong

有關雷鬼 ABOUT REGGAE 雷鬼音樂（Reggae）源自牙買加，於現今世界流行音樂（尤其舞曲）有著極大的影響力，其影響力持續至今。雷鬼音樂與 牙買加的歷史及文化有著密不可分的關係。 雷鬼音樂其實與我們的生活息息相關。許冠傑、Beyond、軟硬、草蜢……八、九十年代的香港流行樂曾經流行過雷鬼曲風 風潮。嘻哈文化及說唱音樂的源頭都能追塑至雷鬼音樂，早期雷鬼的形成亦歸因於大量華人（廣東客家人）的參與，但當時 傳媒似乎沒有任何意欲推行雷鬼文化。

28/8（星期六 SAT）14:30

於這二十年間，香港雷鬼音樂在艱苦中成長。 雷鬼樂隊（Crazy Lion、 Sensi Lion）的不定期演出；Heavy Hong Kong、 True Skool 、HKISRF Ska/ Reggae 音樂節等雷鬼音樂推廣者及派對公司致力邀請各地雷鬼音樂人在香港演出，為的是促進本地 雷鬼音樂發展及交流。 慢慢地，香港開始對牙買加文化產生興趣。 跳舞團體如 Dancehall 等開始活躍起來。

約 90 分鐘

TReggae is a style of popular music that originated in Jamaica in the late 1960’s and quickly emerged as the country’s dominant music. By the 1980’s it had become an international style that was particularly popular all over the world, including Hong Kong, and has played an important role in the development of musical styles, including hip hop and rap.

Approx. 90 mins

The formation of early reggae is also attributed to the participation of a large number of Chinese (Cantonese Hakkas). Reggae music is inseparable from our lives. But the media at the time of its formation seemed to have no intention of promoting reggae culture, and Hong Kong reggae music has faced difficulties in gaining popularity over the last two decades. However, thanks to the persistence of the few, there are reggae bands like Crazy Lion and Sensi Lion with their irregular performances. And Heavy Hong Kong, True Skool, HKISRF Ska/Reggae Music Festival and other reggae music promoters and party companies are committed to inviting reggae musicians from all over to perform in Hong Kong, which is helping promote the development and exchange of local reggae music. Slowly, Hong Kong people have begun showing interest in Jamaican culture. Dancing groups such as Dancehall are emerging because of it.

一拳書館

Book Punch

免費登記

藝術家簡介 PROFILE

Free Registration

香港唱作音樂人MouseFX 阿鼠以 「雷鬼廣東歌」 而見稱； 其原創歌曲結合Roots Reggae 及其母語廣東話，貫徹這種源自牙買加 的音樂所宣揚的大愛與人文精神。

適合 16 歲或以上有興趣認識雷鬼之人仕 Suitable for ages 16 or above who is interested in getting to know reggae.

阿鼠自90年代開始便活躍於本地獨立音樂界，曾組織 Sensi Lion 等幾支雷鬼樂隊，另外在2015年開始以「MouseFX 阿鼠流動 音效」名義進行個人創作。

多年來，阿鼠的雷鬼說唱響遍南中國和海外各地，曾於英國 One Love Reggae & Ska Festival、 香港 SONAR、 Clockenflap、 Wow & Flutter 本地薑音樂節及越南AnBeng Reggae Beach Festival等音樂節演出。 除了與 Heavy Hong Kong合作無間， 阿鼠亦積極與本地和海外音樂人合作，當中包括Jstar（英國）、Charlie P（英國）、Macka B（英國）、Zion Train（英國）、 Vibronics（英國）、Brother Culture（英國）、DeDuBros（ 意大利）、House of Riddim（奧地利）、 Jiang Liang Sound（中國）、 Papaugee（日本）、 和 I Kong（牙買加）等。

需預先登記，請於www.art-mate.net留座 Please register in advance at www.art-mate.com.

登記時需繳交留位費$50，留位費將於工作坊當天出席時以現金 全數退回 When registering, you will be charged HKD50 for your reservation; the reservation fee will be fully refunded in cash when checking into the workshop.

2019年2月在牙買加期間，阿鼠獲當地唱片公司Skunga Records 邀請，灌錄一系列廣東話/牙式英語雷鬼作品，EP於2020年 9月4日以12"黑膠唱片推出。

Hong Kong singer-composer MouseFX is known for his Cantonese reggae; his songs combine Roots Reggae and his mother tongue, Cantonese, and promote the love and human spirit that are deeply rooted in Jamaican music.

MouseFX has been active in the local independent music industry since the 1990’s. He has organized several reggae bands such as Sensi Lion. In 2015, he began to create his own solo brand under the name of "MouseFX Ah Shu Mobile Sound Effects."

節目內容簡介 CONTENT 一場關於廣東話雷鬼的生涯淺淡；一場關於廣東話音樂人阿鼠與雷鬼 音樂的旅程見聞。

以本地香港人角度，配合互動形式及生鬼語言，深入淺出地介紹雷鬼音樂。

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我們邀請大家來聽聽故事和歌，學雷鬼節拍，認識雷鬼音樂。

From the perspective of a Hong Kong local, with a little bit of standup and interaction, he tells you all about reggae.

Over the years, MouseFX has performed his reggae rap throughout the region of southern China and abroad. He has performed in music festivals such as One Love Reggae & Ska Festival in the UK, SONAR in Hong Kong, Clockenflap, Wow & Flutter, and AnBeng Reggae Beach Festival in Vietnam. In addition to collaborating closely with Heavy Hong Kong, MouseFX is also actively collaborating with local and overseas musicians, including Jstar (UK), Charlie P (UK), Macka B (UK), Zion Train (UK), Vibronics (UK), Brother Culture (UK), DeDuBros (Italy), House of Riddim (Austria), Jiang Liang Sound (China), Papaugee (Japan), and I Kong (Jamaica), among others.

We sincerely invite you all to partake of this event, listen to some music, storytelling and rhythms, and learn about reggae.

During his stay in Jamaica in February 2019, he was invited by the local record company Skunga Records to record a series of Cantonese/ Japanese reggae works. The EP was released on September 4, 2020 as a 12" vinyl record.

A brief sharing about MouseFX’s career in Cantonese reggae, and the story of his journey in this musical style.

真人圖書館 HUMAN LIBRARY

TEFO真人圖書館―與應用戲劇工作者對談

TEFO Human Library ̶ Conversations with Applied Theatre Practitioners

藝術家: 潘璧雲、鄺文傑、鄧惠儀（香港） Artist: Pik Wan Poon、Man Kit Kwong、Wai Yee Tang (Hong Kong) 講座主持： 香港教育劇場論壇（香港） Facilitator: TEFO (Hong Kong)

29/8 (星期日SUN) 15:00 - 16:30 約 90 分鐘

Approx. 90 mins

香港教育劇場論壇工作室 TEFO (Hong Kong) Office

免費登記

Free Registration 適合任何年齡人士觀賞 Suitable for all ages

需預先登記，請於 www.art-mate.net留座 Pre-registration is needed, please reserve your seat at www.art-mate.net 請在報名表中，告訴我們一個你想問應用劇場工作者的問題 Please write down your question to applied theatre practitioners in your registration form. 座位有限，先到先得 Places are limited, first-come-first-served.

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主辦單位：《不貧窮藝術節 X 香港》 Host: Let s Be Together Arts Festival X Hong Kong

藝術家簡介 PROFILE 潘璧雲 Pik Wan Poon 璧雲天文化藝術統籌、舞台劇演員、編輯、創作人。香港嶺南大學中文系碩士，前為 香港話劇團全職演員，曾獲香港舞台劇獎。

有關香港教育劇場論壇 About TEFO (Hong Kong)

香港教育劇場論壇（TEFO）的使命是推動應用戲劇/戲劇教育的發展；讓社會大眾參與不同形式 的應用戲劇/戲劇教育活動，藉此接觸戲劇藝術，培育對戲劇的興趣。務求令到實踐者與參與者 透過戲劇藝術而得到充權，共同建構一個重視人文價值的社會。 The mission of Hong Kong Theatre/ Drama Education Forum (TEFO) is to bolster the development of applied theatre and drama education, allowing multiple sectors of society to participate in different forms of applied theatre and drama education activities, get in touch with the performing arts, and cultivate a passion for theatre.

TEFO also strives to empower practitioners and participants through theatre, together creating a society that cherishes every human being.

節目內容簡介 CONTENT 應用劇場容讓劇場走進社區、與非演員背景（社區人士、老師、學生等）參與其中。 應用劇場不單單 著重戲劇演出，還重視劇場的教學目標。 近年愈來愈多老師和社福界都引入應用劇場的手法進行 教學和社區活動，常見的應用劇場手法包括﹕一人一故事劇場、論壇劇場、教育劇場和過程劇等。 今次TEFO真人圖書館邀請了有不同經驗的應用劇場工作者成為「真人圖書」。每本「真人圖書」 都會因應參加者提出的問題，講述有關應用劇場工作者的故事。 Applied theatre is the art of applying the theatrical art form into multiple societal sectors, including social work, teaching, scholarship, etc. Thus, it expands the purpose of theatre beyond devising performance and re-shifts its focus to fulfilling educational goals through theatrical methods. In recent years, teachers and social workers have utilized applied theatre methods to conduct their events and activities - some of these methods are Playback Theatre, Forum Theatre, Theatre-in-Education (TIE), and Process Drama. For this event, we have invited applied theatre practitioners of diverse backgrounds to become “human books”. Every “human book” will be open to your questions, allowing you to listen to applied theatre practitioners' stories from their experiences across disciplines.

任香港話劇團經理（戲劇文學及項目發展）期間，主編多册刊物，並統籌多個新書 發佈會、國際戲劇研討會、讀劇會和首屆香港戲劇書展。2014 年憑其首篇小說《多惱 河上的午餐肉》獲香港中文文學創作獎（小說）。主編的《40對談－香港話劇團發展 印記 1977－2017》獲第二屆香港出版雙年獎藝術及設計類「出版獎」。

Pik Wan is the Artistic Coordinator of PWT Culture, a stage actress, editor and creator. She graduated from Lingnan University with a Masters of Arts in Chinese, then served as a full-time actor at the Hong Kong Repertory Theatre (HKRep), and was later awarded with the Hong Kong Drama Award for her achievements in the field of theatre. During her tenure as HKRep’s Manager for Theatre Literature and Project Development, she has edited many publications, as well as coordinated the publications of new books, international theatre conferences, play readings and Hong Kong’s first theatrical books fair.

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鄺文傑 Man Kit Kwong 你有想過演出是為了送一份禮物給其他人？作為一個一人一故事劇場的領航員及演 員，我認真聆聽及演繹分享者的故事。 你有想過戲劇可以探討一些社會禁忌？作為戲 劇教育及應用劇場實踐者，我曾在外展中心運用過程戲劇與年青人討論性。 你有想 過戲劇可以治療人的心靈？ 作為戲劇治療師，我曾經被一位戲劇治療師治療自己的 創傷；我亦選擇以自剖劇場作為我的畢業功課，治療自己，而作為中學社工，我也運 用戲劇治療於工作上。

Have you ever thought of performance as a gift? As a Playback Theatre leader and actor, I listen and perform stories to the people who share them with me. Have you thought of theatre as a way to talk about social taboos? As a drama educator and applied theatre practitioner, I’ve used process drama to discuss sex education with youth in outreach centers.

Have you ever thought of theatre as a way of healing? As a dramatherapist, I was once treated by another dramatherapist for my own trauma, and I chose Self-Revelatory Performance as my Capstone Project for my final year study in the US. This performance provided a platform for me to heal myself. Later, I would become a social worker at a high school, and I would incorporate dramatherapy into my work here as well.

鄧惠儀 Wai Yee Tang 我喜歡文字和創作。做了6年中學中文老師，發現自己適合教學，也喜歡跟年輕人 相處。修讀了戲劇教育碩士，發現戲劇用於教學的魅力與威力，於是辭了教席，離開 學校制度的框框，開展尋找應用劇場的各種可能......因緣際會，遇上了「小不點創作」 （一個兒童偶戲劇團） ，使我走進偶戲的萬千世界，更有機會當起操偶師來...

I've always loved writing and creativity. After being a high school Chinese teacher for 6 years, I discovered that I was suited for teaching, and I loved to work with youth. I then pursued a Masters in Drama Education, discovering the charm and power of drama for teaching, so then I decided to leave the teaching chair, eject myself from the school system, and start to explore the possibilities of applied theatre outside. By chance, I met Little Smudges Theatre (a children’s puppetry theatre troupe), which then let me stroll into the world of puppetry and have the chance to become a puppeteer…

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Devised Theatre: When Theatre is No Longer Starting from Script 藝術家：陳恆輝＠愛麗絲劇場實驗室（香港） Joseph Frost@The Floodlight Theatre Company （美國） Artist: Andrew Chan @Alice Theatre Laboratory（Hong Kong） Joseph Frost@The Floodlight Theatre Company（USA）

主持： 漫葉（香港） Facilitator: Man Ip (Hong Kong) 主辦單位：《不貧窮藝術節 X 香港》 Host: Let s Be Together Arts Festival X Hong Kong

29/8（星期日 SUN）20:00 約 60 分鐘

Approx. 60 mins

網上講座

Online Live Streaming

免費登記

Free Registration

Joseph Frost @The Floodlight Theatre Company （美國 USA）

愛麗絲劇場實驗室藝術總監。 畢業於香港演藝學院戲劇學院，主修導演，獲頒藝術學士 （榮譽）學位，並憑畢業作品《浮石傳》獲得校內傑出導演獎。2009年憑《卡夫卡的 七個箱子》獲得「第十八屆香港舞台劇獎」最佳導演獎（悲劇／正劇）及「第一屆香港 小劇場獎」最佳導演獎。2013年憑《終局》獲得「第五屆香港小劇場獎」最佳導演獎。 最新導演作品有穆勒《哈姆萊特機器》、 《 四情旅店》、 《 三生三世》、 《 香港三姊妹》及 《平庸的邪惡》。

得獎演員及作家，曾演出超過六十個劇場製作及導演多個演出，其中二十五個演出 為世界首演項目。 Joseph對於編作劇場的熱愛引領他主持多個工作坊及於多個國 家製作新演出，包括巡迴演出《the descent／lifted me》及《唐吉訶德》等。 他在 大學戲劇系擔任講師逾十六年，並曾於美國西北戲劇會議、密西西比戲劇恊會及 美國基督徒戲劇恊會出任董事局成員。

現任香港藝術發展局審批員（藝術評論、藝術教育、戲劇）。

An award-winning actor and writer, he has performed in over 60 productions, and directed dozens of plays, including 25 world premiere projects.

Andrew CHAN Hang-fai, Artistic Director of the Alice Theatre Laboratory, graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a BFA (Hons) in Directing and was awarded Outstanding Director from the Academy for his graduation production Woyzeck. In 2009, CHAN was awarded Best Director (Tragedy/ Drama) in the 18th Hong Kong Drama Awards and in the 1st Hong Kong Theatre Libre with Seven Boxes Possessed of Kafka. With 1001 Nights of Pasolini, CHAN was also nominated for Best Director in the 3rd Hong Kong Theatre Libre. In 2013, CHAN was awarded Best Director in the 5th Hong Kong Theatre Libre with Endgame.

He is recently nominated for the Best Director (Tragedy/ Drama) in the 27th Hong Kong Drama Awards with The Hong Kong Three Sisters.

Joseph’s passion for devised theatre has led him to teach workshops and create new work in several countries, including touring productions of the descent/lifted me and Don Quixote.

He has taught at the university level for 16 years, and has been a board member for the Southeastern Theatre Conference, the Mississippi Theatre Association, and Christians in Theatre Arts.

主持簡介 FACILITATOR PROFILE 漫葉（香港） Man Ip (Hong Kong)

以廣東話及英語進行，並設有少量廣東話翻譯 The event will be held in Cantonese and English with limited Cantonese translation.

畢業於香港理工大學，獲頒語文及商業學士（榮譽）學位。曾任愛麗絲劇場實驗室行政 經理，處理行政事務；擔任多個製作的執行監製與票務；處理多項計劃包含戲劇教育、 教育劇場、青年劇場與海外演出等行政事項。

需預先登記，請於www.art-mate.net留座 Please register in advance at www.art-mate.com.

過往曾為中小學編制及任教中英文戲劇課程；擔任展覽及公眾藝術導賞團的導賞員； 替社福機構編制戲劇課程及排練演出；參與演出及編導工作。 現為自由身工作者，接觸 範疇包括︰藝術行政、戲劇教育、演出，並於推廣舞台製作的網絡媒體 StageTV 擔任 節目主持。

Photo Credit: Alice Theatre Laboratory

Ip graduated from the Hong Kong Polytechnic University with a BA (Hons) in Language Studies with Business. Ip was Administrative Manager of the Alice Theatre Laboratory in Hong Kong, oversaw the administrative operations and involved heavily as Deputy Producer and Ticketing Officer in its productions.

節目內容簡介 CONTENT

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陳恆輝 ＠愛麗絲劇場實驗室 （香港） Andrew Chan @Alice Theatre Laboratory (Hong Kong)

Photo Credit: Floodlight Theatre Company

適合任何年齡人士觀賞 Suitable for all ages

觀眾於網上登記後，請點擊電子門票上的鏈結參與 該鏈結將於活動開始前一星期生效 After registering, please click the event portal link on the e-ticket to participate. The link will be available one week before the event starts.

藝術家簡介 PROFILE

講座 TALK

講座 TALK

編作劇場： 當劇場不再以文本開展

什麼是編作劇場？有人說編作劇場是即興創作、是集體探索、是劇場新詩。 東西方的編作劇場於取材及創作上有何分別？編作劇場將如何發展下去？ 編作劇場能否取代傳統劇場？ 兩位導演，一位香港，一位美國，一場關於編作劇場的對話。

What is devised theatre? Some say it is an improvisation, a communal exploration, a poet speaks by the theatre. What is the difference in between East and West on devised theatre? Would devised theatre replace the traditional theatre?

Two directors: one from Hong Kong, one from the United States.

One dialogue about devised theatre.

Ip works as a curator, arts administrator, drama educator, performer and a programme host of an online media for theatre productions “StageTV” recently.

編作劇場： 當劇場不再以 文本開展

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講座 TALK

阿德萊德藝穗節簡介說明會

Introduction to Adelaide Fringe Festival 藝術家：阿德萊德藝穗節藝術家及場地管理團隊（澳洲） Artist: The Artist and Venue team of Adelaide Fringe Festival (Australia) 主持： 林倩嬌（香港） Facilitator: Cathy SK Lam-Patrie (Hong Kong)

主辦單位：《不貧窮藝術節》國際策展組 Host: Let s Be Together Arts Festival (Curation International)

18/9（星期六 SAT）17:00

阿德萊德藝穗節是南半球最大型的藝術節。這是一個全民參與的城市盛事，接近一千三百個豐富的活動分佈於 整個阿德萊德。你除了能在各個劇場、酒店、藝廊、咖啡店和大會堂欣賞演出外，同時亦可以於公園、倉庫、車路、 甚至是整座空廢大樓裡參與藝術活動。阿德萊德藝穗節是一個開放式的藝穗節，所有的活動都是由藝術家獨立 製作，藝穗節只提供一個活動框架，而不會購買或者策劃任何演出。所以，我們非常歡迎世界各地的藝術人來到 這裡發揮你的創意，希望下一次能夠見到你！

約 60 分鐘

Approx. 60 mins

The Adelaide Fringe is the largest arts festival in the Southern Hemisphere, boasting an enormous program and reaching a broad demographic. Adelaide Fringe literally takes over the entire city with more than 1300 events staged in established venues such as theatres, hotels, art galleries, cafes and town halls as well as in pop up venues in parks, warehouses, lane-ways and empty buildings.

Adelaide Fringe is an open access festival. This means we do not curate a program or book any events, but rather provide a festival framework for independent artists and producers to present their work. If you would like to present work at Adelaide Fringe you may do so!

網上講座

Online Live Streaming

免費登記

阿德萊德藝穗節藝術家及場地管理團隊是你參加藝穗節期間的最佳指導! 不論是為你的演出尋找適合的表演場地、 關於報名和申請Visa的查詢、還是和宣傳有關的事宜，我們都非常樂意為你提供各種建議及協助！

適合任何年齡人士觀賞 Suitable for all ages

The Artist and Venue team are your guides to support you through your Adelaide Fringe journey. We offer advice and assistance in helping you find the best venue to suit your show, navigating registration and visas, finding your audience and to answer any question you may have about coming to Adelaide.

以英語進行，並設有少量廣東話翻譯 The event will be held in English with limited Cantonese translation.

需預先登記，請於www.art-mate.net留座 Please register in advance at www.art-mate.com.

主持簡介 FACILITATOR PROFILE Photo Credit: Rhino Room Late Show

阿德萊德藝穗節是世界上第二大的藝穗節，規模僅次於愛丁堡藝穗節。 三木劇作由2016年開始參加阿德萊德藝穗節。 不貧窮藝術節則於2020年開始與阿德萊德藝穗節正式成為合作伙伴，一起舉辦文化交流獎項。 阿德萊德藝穗節不單 為新晉藝術家提供了極佳的展演平台，每年亦有大量來自世界各地的監製和策展人齊集當地找尋有潛質的新星。 今年，不貧窮藝術節特別邀請了阿德萊德藝穗節的藝術家及場地管理團隊為我們介紹關於藝穗節的參加方法及注意 事項，如果你有興趣到澳洲演出，就不要錯過了！

林倩嬌（香港） Cathy SK Lam-Patrie (Hong Kong) 晨刻藝術策展有限公司、不貧窮藝術節及三木劇作藝術總監。

現為美國基督徒戲劇恊會及Global Good Tree Advocacy董事局成員。

節目內容簡介 CONTENT

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Digital Storytelling Solutions for

藝術家簡介 ARTIST PROFILE

Free Registration

觀眾於網上登記後，請點擊電子門票上的鏈結參與 該鏈結將於活動開始前一星期生效 After registering, please click the event portal link on the e-ticket to participate. The link will be available one week before the event starts.

有關阿德萊德藝穗節 ABOUT ADELAIDE FRINGE

The Adelaide Fringe is the world’s second biggest arts festival of the world after Edinburgh Fringe Festival. LBTAF has been partnering with Adelaide Fringe Festival for a reciprocal tour-ready fringe award since 2020, and Three Woods Playwright has been performing at Adelaide Fringe since 2016.

Adelaide Fringe provides not only a great platform for emerging artists, but also lots of networking resources that attract producers from all over the world seeking new talent.

This year at LBTAF, we’ve invited the Artist and Venue team of Adelaide Fringe Festival to tell us all about the festival, how to apply and who is eligible to apply.

現已隨丈夫定居於美國加州洛杉磯。 並於福樂神學院修讀道學碩士。

business development education social changes •Scripts •eBooks •Chatbots •Explainer Videos •Content Repurposing •Websites and Landing Pages

Artistic Director of Kairos Arts Development, LBTAF and ThreeWoods Playwright.

Board member of Christian in Theater Arts and Good Tree Advocacy.

Now resided with her husband in Los Angeles, and she is pursuing MDiv in Fuller Theological Seminary.

www.12-baskets.net | serve@12-baskets.net | (852) 5548-9957

網上購票 TICKET RESERVATION

art-mate將收取每張門票3%購票手續費及相關的電子支付服 務費。 art-mate levies a non-refundable service charge at 3% per ticket purchased and related electronic payment services fee.

節目查詢 PROGRAMME ENQUIRIES lbtafhk@gmail.com

� 不設劃位。 Free Seating.

� 票房收入全數撥歸參與的創作者們。 All ticket sales goes to the Artists.

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注意事項 NOTES

惡劣天氣安排 ADVERSE WEATHER ARRANGEMENTS

� 請於網上交易完成前查核門票資料。 Patrons are reminded to check their tickets before transaction completed.

� 如八號或更高之熱帶氣旋警告信號或黑色暴雨警告於節目 開始前3小時仍然生效，是次演出／活動將會取消。 If a black rainstorm warning or a typhoon signal no. 8 or above is in force three hours before the start of the event, the event will be cancelled.

� 不設退票。 No refund can be made once the ticket is sold.

www.art-mate.net

� 因應新型冠狀病毒疫情的發展，票務安排可能有所變更，請密 切留意晨刻藝術策劃有限公司／不貧窮藝術節Facebook專 頁及網站公佈。 In light of changing COVID-19 measures, ticketing arrangements may change. Please consult our latest updates on the Kairos Arts Development Company Limited/ Let’s Be Together Arts Festival Facebook page or official website.

節目場地資訊 VENUE INFORMATION

� 為免打擾台上演出及場內觀眾，遲到及中途離場人士須待適 當時候方可入座。因應部分場地需要，主辦單位有權不讓遲到 或中途離場人士進場。 To avoid interrupting the performers and audience, late-comers will NOT be admitted until a suitable break. The Organiser also reserves the right to refuse admission of any late-comers and audience members who leave the auditorium. � 節目如有更改，恕不另行通知。如有任何爭議，主辦單位保留 最終之決定權。 Programmes are subject to change without prior notice. The Organiser reserves the right to make the final decision regarding the arrangements.

� 請於節目當日留意晨刻藝術策劃有限公司網頁及 Facebook 公佈的最新消息。 Please pay attention to the latest news published on the website and Facebook of Kairos Arts Development Company Limited on the day of the show.

� 如因惡劣天氣等問題而需取消活動，我們將通知受影響的 觀眾有關改期或退回活動費用的安排，主辦單位保留一切 決定權。 For events cancelled due to extreme weather, we will contact audience the arrangement of rescheduling or refund, The Organiser reserves the right of final decision.

� 節目將嚴格遵守最新的健康及衛生防護指引，並採取有效的 社交距離措施。 The events will adhere to the latest health and safety regulations and enforce social distancing measures.

� 請遵守場地之健康及衛生防護指引，並保持適當的 社交距離， 多謝合作。 Please comply with the health and safety regulations for the venue and maintain appropriate social distancing with other people. Thank you for your cooperation. � 節目內容並不反映晨刻藝術策劃有限公司／不貧窮藝術節的 意見。 The content of this programme does not represent the views of Kairos Arts Development Company Limited/ Let’s Be Together Arts Festival.

節目場地資訊 VENUE INFORMATION

一般資料 GENERAL INFORMATION

一般資料 GENERAL INFORMATION

香港教育劇場論壇工作室 TEFO (Hong Kong) Office

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鳴謝機構 ACKNOWLEDGEMENT （排名不分先後 IN ARBITRARY ORDER）

資助 Supported by:

主辦 Organiser:

場地伙伴及資助 Venue Partners and Sponsors:

海外交流演出合作伙伴 Awards Partners:

藝術節贊助 Sponsors:

藝術節合作伙伴 Festival Partners:

Ticketing Partner

宣傳伙伴 Promotion Partners:

藝術節指定攝影及錄影 Offical Photography & Videography:

平面設計 Graphic Design:

藝術節技術支持 Technical Supports:

主題音樂創作 Theme Music:

特別嗚謝 Special Thanks to:

www.kairosartshk.com Kairos.Arts.Development kairos.arts.development KairosArtsHK Kairos Arts Development Limited - Copyright - All Rights Reserved 2021