Volume 106 Issue 67

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A K LEO

MONDAY, FEB. 6 to TUESDAY FEB. 7, 2012 VOLUME 106 ISSUE 67

Serving the students of the University of Hawai‘i at Mānoa.

V O I C E

hawaii.edu/parking

T H E

www.kaleo.org

Enduring traditions

NEWS

2

Kapa artist offers hands-on class experience DEIRDRE R IPPE Contributing Writer

Where: Lyon Arboretum, 3860 Mānoa Rd. When: Feb. 11, 9 a.m.-12:30 p.m. Cost: $20. Class size limited; registration required. Class fee $20. Contact: Call 988-0456 to register.

Ka‘iulani de Silva, kapa artist for more than 20 years, will be teaching a course on kapa at Lyon Arboretum this coming weekend. Kapa is a type of cloth made by pounding the bast fibers (thin inner layer of bark) of the wauke, or paper mulberry tree. Afterward, patterns are pounded in, printed or dyed onto the kapa, which is then used for a multitude of purposes such as clothing, tapestries and blankets. Kapa is not unique to Hawai‘i – tapa and siapo are similar cloths made in Oceania – but methods such as fermenting the fibers, allowing them to be softer and easier to pound together smoothly, are found only here. Silva learned the art of making Hawaiian kapa from the mother of one of the students in her hula hālau. “It’s not only the process,” she said on learn-

ing the art form, “but the values you learn while you’re spending the hours pounding; for large sheets of kapa, it can take eight to 15 hours, or more.” Regarding her upcoming class, she explained that since it’s only three and a half hours long, students will be producing a smaller piece. “The size of [the] piece students can take home depends on how well they can pound,” she said. The class will give an overview of the history of kapa in Oceania, introduce related stories and illustrate the myriad uses of kapa before getting to the activity portion. “It’s a very hands-on class,” Silva said. After taking a tour of the garden where their supplies come from, students will engage in preparing the bast fibers, pounding them and printing designs on their fi nished pieces to take home. Silva said that if there is enough interest, more classes, such as kapa dyeing and long-term kapa projects, may be offered.

90 YEARS OF NEWS

Ka Leo K Leo e rec receives eives i hhonorary ono resolution

FEATURES

5

ROCKIN’ RONDALLA

Music and talk story night shares culture

O P IN IO N S OPINIONS

6

WORDS,, WORDS,, WORDS

Politically correct is overrated

SSPORTS P OR T S

SHINICHI TOYAMA / KA LEO O HAWAI‘I

Samoan siapo, shown here, is made similarly to Hawaiian kapa, but printed with different patterns. The Feb. 11 class, held at Lyon Arboretum, will highlight some of the unique properties of the Hawaiian process.

847 McCully St. Honolulu, HI 96826 (808)952-9253 www.motosourcehawaii.com

Report

SCIENCE OF SPORTS

Finding a balance of chemistry

MONDAY Y N: W: S: E:

11

18 - 30+ f t. 10-20 f t. 0 -2 f t. 1- 3 f t.

TTUESDAY U E S DA N: W: S: E:

10 -20 f t. 8-15+ f t. 0 -2 f t. 1- 3 f t.


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News@kaleo.org | Kelsey Amos Editor | Emi Aiko Associate

News Want to

Ka Leo honored for 90 years of risk-taking

Be Next? Editor in Chief

HawaiÂśi Review

Literary Journal

The Board of Publications is now accepting applications for Summer 2012 - Spring 2013 Undergraduate and Graduate

Application Deadline: )ULGD\ )HEUXDU\ SP &RQWDFW -D\ +DUWZHOO ‡ ‡ KDUWZHOO#KDZDLL HGX

_

UH MANOA - KENNEDY THEATRE presents...

COURTESY OF SANDY MATSUI

On Feb. 2, the Legislature passed a resolution honoring Ka Leo’s 90th anniversary. Board of Publications and Ka Leo staff accepted the certificate on behalf of the organization. K ELSEY A MOS News Editor

Genteel Sabai Indonesian Randai Feb 3, 4, 9, 10, 11 at 8pm; Feb 12 at 2pm UHM STUDENT SPECIALS! (UHM validated Spring 12 ID required)

$5 to any performance Buy-One-Get-One-Free night: Feb 9 at 8pm; tickets available beginning at 5pm on day of show. Supported by Student Activity Fees.

Tickets available at 944-2697, at campus center, at etickethawaii.com and at Kennedy Theatre (956-7655) www.hawaii.edu/kennedy

In celebration of Ka L eo’s 90th anniversar y, Hamilton Librar y’s bridge galler y currently features an exhibit that chronicles some of the most controversial moments in Ka L eo’s histor y. The exhibit will be in place until May 11. In conjunction with the anniversary exhibit, State Representative K. Mark Takai passed a resolution last Thursday honoring Ka Leo as a training ground for future journalists, as well as an important voice in the university community and the state. “I actually believe that ‌ Ka Leo serves as the voice of the students, an important voice because they represent people on campus that matter. And in fact, it’s Ka Leo that typically stands up for the student perspective against the administration,â€? he said. Takai was an editor for Ka Leo in the early ’90s, long before his career as a lawmaker. He spoke about being sued by Hawai‘i Government Employees Association and University of Hawai‘i Professional Assembly during his time as an editor, but he said he had no regrets about taking risks as a student journalist. “[Ka Leo was] one of the best [experiences] so far in my whole life. We brought together about 80 people, we worked hard for almost no pay... we ran daily. It was just a lot of hard work,â€? said Takai. The exhibit at Hamilton Librar y highlights a few other risky moments in Ka L eo’s histor y.

These include controversy over last year’s swimsuit issue, a display that maps historical instances of crime and sexual assault on campus, and a series of articles from a 1990 exchange between then student Joey Carter and UH professor Haunani-Kay Trask. The two had different perspectives on the use of the term “haole.� In addition, the exhibit features a documentar y by Shinichi Toyama about the production of Ka L eo, as well as sections on sports and free speech. The curator of the exhibit, Erica L enentine, included over 70 articles, letters, editorials and commentaries. Visitors are encouraged to tweet in responses to the displays.

Remarks State Representative Tom Brower: “The city cannot have a good government unless it has a good newspaper.� State Representative Gene Ward: “86 percent of us have read Ka Leo, because 86 percent of us [representatives] are graduates of the University of Hawai‘i. So it has had an impact on all of us.�


News@kaleo.org | Kelsey Amos Editor | Emi Aiko Associate

Page 3 | Ka Leo | Monday, Feb. 6 2012

News

‘Raising flags’ about GMO’s EMI A IKO Associate News Editor As some Native Hawaiians and organic taro farmers continue to ďŹ ght genetically modiďŹ ed taro in the lab and ďŹ eld, agricultural activists have called for greater attention to the ongoing selection process for the new dean of the College of Tropical Agriculture and Human Resources. Whoever becomes dean may occupy a key position in the future of agriculture in Hawai‘i. “ W hen I was growing up, C TA HR was a holy word in Moloka‘i. But today, C TA HR scares the people of Moloka‘i because ever ything that they were teaching us was all bulls- - -,â€? said longtime Moloka‘i activist Walter R itte in a panel discussion entitled “Monsanto in Hawai‘i,â€? which took place in mid Januar y at the Hawai‘inuiakea Center for Hawaiian Studies. Ritte, a Hawaiian sovereignty and anti-GMO activist, mentioned CTAHR’s relationship with Monsanto. “They [CTAHR] turned around and became an industrial entity. I think they are so stupid because without the connection with the people, I don’t know how they are going to survive.â€? Pointing out the relationship with the biotechnology company, the speakers shared the story of CTA HR’s attempt in 2003 to patent taro. C TA HR, in conjunction with the Hawai‘i Agriculture Research Center, began genetically engineering three varieties of taro. Ritte explained that for Hawaiians, kalo (taro) expresses the spiritual and physical well-being of their heritage, and also represents environmental, social and cultural values. “First they took our kingdom, then they took our land, and now they are taking our mana,â€? said Ritte, speaking of the 2003 struggle. “They are trying to patent it and they want to own it, and sell it right back to us. If this isn’t the ultimate insult, then I don’t know what is. Without resources, we have no culture.â€? Patenting of the plant would have required farmers who want to purchase breeding stock to pay a royalty to the university. C TA HR asserted that developing a disease -resistant taro plant was a concern for farmers and would help them avoid losses. But months of protesting and letter writing by some locals led CTAHR to drop its patent on taro by 2006. “That is what happens when research and science move forward vacuously,â€? said Dr. Trisha

Kehaulani Watson of Honua Consulting, who was involved in consulting CTAHR’s kalo patent. “On one hand, you have the scientiďŹ c community contribute to science and research, but so disconnected from the community,â€? Watson said. But Watson said she was shocked to see that scientists were just as emotionally committed to GMO research. “What I learned from the kalo controversy is that there is genuine crisis on natural resources. This [kalo] disease still exists today, which has a high percentage of kalo being wiped out. [Seeking a] patent for taro was very legitimate,â€? she said. “The university is the place that should be fostering hard dialogues about this issue,â€? said Watson. “When people are raising ags about GMOs globally, it is absolutely a wrong direction [for the university] to go to. I don’t want to judge whose university it is, but I think it is worth a conversation.â€?

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KA LEO O HAWAI‘I ANNOUNCES AN ADVANCE SCREENING ;IHRIWHE] *IFVYEV] XL ˆ TQ Ward 16 Theatres

THIS VALENTINE’S DAY WEEKEND,

MAKE A DATE.

SCREEN GEMS AND SPYGLASSMUSIC ENTERTAINMENT PRESENT A BIRNBAUM/BARBER PRODUCTION “THE VOW� SAM NEILL SCOTT SPEEDMAN AND JESSICA LANGE SUPERVISOR RANDALL POSTER MUSICBY RACHEL PORTMAN MICHAEL BROOK PRODUCERSCO- CASSIDY LANGE REBEKAH RUDD J. MILES DALE AUSTIN HEARST SUSAN COOPERSTORYPRODUCEDBY ROGER BIRNBAUM GARY BARBER JONATHAN GLICKMAN PAUL TAUBLIEB SCREENPLAY BY STUART SENDER BY ABBY KOHN & MARC SILVERSTEIN AND JASON KATIMS DIRECTED BY MICHAEL SUCSY

EXECUTIVE PRODUCERS

No purchase necessary. Present your valid UH ID at the BOP Business Office after 1:00 pm Monday, February 6th to get your complimentary pass!

OPENS IN THEATRES February 10th Receive a special gift from

FILE PHOTO/ KA LEO O HAWAI‘I

while supplies last.

First come, first served. A valid UHM student ID is required--valid for SPRING 2012; NO EXCEPTIONS on day of giveaway. No phone calls. One pass per person. Supplies are limited. One pass admits two.


Page 4 | Ka Leo | Monday, Feb. 6 2012

Features@kaleo.org | Maria Kanai Editor |Alvin Park Associate

Features The gray area of art JESSIE BRISTOW Contributing Writer China, Mexico and Ghana are three countries separated by thousands of miles with different people, terrains and cultures. But Maui artists Vincent Goudreau and Javier Martinez use art and ďŹ lm to link these places and show a previously untold story through an alternative vision called “Compositions in Departure.â€? On Feb. 9, the artists will be on the University of Hawai‘i at MÄ noa campus for a viewing of their newly completed project, along with their other works. “They are really important Hawai‘i-based artists that are totally under-recognized,â€? Jaimey Hamilton, an associate professor of art history at UH MÄ noa, said of Goudreau and Martinez. “I think

the students would really beneďŹ t from interfacing with them.â€? “Compositions in Departureâ€? is a film installation shot in these two artists’ unique style. Goudreau and Martinez first met at the California Institute of the Arts, where they were both exposed to experimental work and different types of mediums. “We both got into school as painters, but then soon branched off into film and video, as well as other mediums,â€? said Goudreau in an email interview, “We work independently as well as collaboratively in whatever medium best represents the concept – through installation, sculpture, drawing, painting, animation, sound, etc.â€? Traveling through China on a corporate project for three years, the two came up with the idea of

their ďŹ lm, created a piece of it and then realized they needed more. They made their way to a music compound in Ghana that belonged to their former teacher, Sulley Imoro. In the meantime, they got another commercial project in Mexico. The two ďŹ nally completed their new style of art, describing it as “the grey area between experimental documentary and video art.â€? Goudreau and Martinez continue to stay busy with solo projects. Goudreau is currently working on a series of paintings based on world currency design, and Martinez recently moved to San Francisco to start his own apparel design company. Along with this, they continue to work on other ďŹ lm collaborations. Goudreau said, “We are currently in production and fundraising for

Where: Art Building Rm. 101 When: Feb. 9, 1:30p.m.-2:45p.m. Cost: Free Contacts: Vincent Goudreau vagoudreau @yahoo.com Jaimey Hamilton jaimeyhamilton @gmail.com

the next ďŹ lm, “Senses.â€? It is a collaboration between us and two other individuals, one visually impaired and the second hearing impaired.â€? The artists are looking forward to being on O‘ahu to be a part of this exhibition. Their advice to aspiring artists is simply to “keep making work.â€?

PHOTOS COURTESY OF GOUDREAU AND MARTINEZ

MANOA’S GOT TALENT! Applications are now available for Manoa’s Got Talent on Friday, February 24, 2012 at 7pm in the Campus Center Ballroom.

es G roup P riz 1st:

$300

2 : nd nd

$1 25 $75

3: rd rd

Applications are available at www.facebook.com/ccbevents. You may also pick up a hard copy application from the Ticket, Information, and ID Office in Campus Center 211. ALL #22.+%#6+105 #4' $; 4+&#;X '$47#4;X EK #6 H2/T Also, whoever wins the competition will be qualified to open for the bands of our next concert on Friday, March 2. But hey, if you don›t want to brave the stage, come for the show and see your fellow students perform! No admission cost. *+.' 2#46+%+2#065 /756 $' 8#.+&#6'& 567&'065X +5 9'.%1/' 61 #66'0&T

Solo Priz es

$ 175

1st:

$75 $5 0

22ndnd:: 33rdrd::

417)*6 61 ;17 $; #/275 '06'4 1#4& %6+8+6+'5 170%+. j k ˜ *10'U v(808) 956-4491 ˜ Email: ccbac@hawaii.edu ˜ Website: http://uhmccbac.weebly.com/index.html +-' 75 10 #%'$11-U 999T(#%'$11-T%1/f%%$'8'065 ˜ 4+'0& 75 10 #%'$11-U #01# %$ Interested in joining Activities Council and planning fun events like this one? Download an application from our website: http://uhmccbac.weebly.com/apply-to-ac.html


Features@kaleo.org | Maria Kanai Editor |Alvin Park Associate

Page 5 | Ka Leo | Monday, Feb. 6 2012

Features

‘Jus’ Us’ performance evokes legacy of the islands A NTON GLAMB Contributing Writer

“Jus’ Us,” a music and talk story presentation being given tonight by the Julian Yorong Rondalla Group, will present insight into what life was like a generation ago. “This event is to show an appreciation of what musicians must do for a living and the legacy of past Filipino musicians in Hawai‘i,” said Marvin Uehara, the organizer of the event. “Musicians might also gain some additional techniques.” The remaining members of the group will evoke the plantation period, foundations of the island’s economy and a melting pot for cultural exchange. The show will feature approximately 10 songs, about a third of which are Filipino, along with traditional Hawaiian and jazz standards. For a time, rondalla music was the island’s own hip-hop to the sock-hop move-

ment. During the first half of the 19th cenWith changing times and new musical tury, instead of b-boy, MC or DJ battles, genres constantly emerging, musicians rondalla music competitions provided lo- from the first half of the 20th century cal artists, performers and musicians the may struggle to maintain their relevance. opportunity to go head to head within the “Kids don’t take interest in things of the confines of a musical genre. These com- past,” Yorong said. “By performing around petitions brought people together from town, at least we get the music out there.” all over the island and allowed musicians Like a Lois-Ann Yamanaka translation to showcase their talent and observe the of French rave-rocker’s Justice, these techniques of others. Yet according to island boys’ presentation is fittingly Uehara, “Rondalla music is rarely played titled. ‘Jus’ Us’ is the experience of anymore in Hawai‘i.” these surviving historians. Originally formed in 1999, the rondalla group is down from five members to three. Still vibing in their 70s, Roland Aton, Joe Engbino and Julian Yorong stay true to rondalla roots while incorporating the sounds of their time. Jazz, kundiman, rock’n’roll and Hawaiian music permeate these performers’ technique as they play the aural history of their experience in the islands. VIRTUALERN/FLICKR

sic e mu of th o ht tp:// e l p t sam / j ur, go Fo r a w i l l h e a l l e c t i o n s o u /c yo t h a t h i ve s . o r g n g . h t m .m. c o r r a o l :30 p i y f e lian_ , 4 p.m.- 5 , Or vis b. 6 Ca m p u s n: Fe W h e : Mā n o a r i u m re to Wh e Au d i

Showings:

Campus Center Forum

2-10-12 Puss in Boots- 7PM, 8:45PM 3-9-12 Twilight Saga- Breaking Dawn Part 1- 7PM, 9:10PM 4-5-12 Sherlock Holmes 2- 7PM, 9:30PM 4-20-12 Mission Impossible: Ghost Protocol- 7PM, 9:30PM

-25 cent Subway sandwiches -25 cent Subway cookies -25 cent cotton candy -25 cent drinks (water & soda) -10 cent popcorn

For more information please contact the Campus Center Activities Council at ccbac@hawaii.edu or (808) 956-4491


Page 6 | Ka Leo | Monday, Feb. 6 2012

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Opinions@kaleo.org | Boaz Rosen Editor | Justin Francisco Associate

Opinions

Opinions     

           

                                                                                                                  

                                                   

                                                         

 

    



T H E

   

 

 



    

 

    





 

    

   

     

      

   

     

     

 

                                 

                    

   

2

S FEATUR E

 

T THE A SEM E STER N IA N I TH SO SM

         4                                                                                                                                                                                                                                                                                             ACK                  L FEE DB                      FI NA                                                                                                                                    5                                                                                                                                                                                                                                                                                                        IN S,                U N TA                    A TER FO                W W EA T                 ANDS              SU RF                                                                                                                                          8                                                                                                                                                                                                                                                                 P               W RA P-U                         I OR             W A RR                                                                                                                                                                                                                                                                                                                                              

O PINION

S

S CO MIC

SPORTS

                             

P R IC E G U A R AN L O WE ST AL S DE NTS E U P CI

TE D

ST a la k K a u a A v e . 16 10 9682 6 Hon o lu lu ,H I 0 8 -9 5 - 1 550 8

io la n i B lv d . 065Ka 3 p 68 26 on o H l u l u , HI 9 - 7 3 5 -5 9 9 5 80 8

w w w .m o p e

YSE R V IC E AS T F R F I E NDL I E S/ / ACCE E S S OR P A RT/ S E R V IC E TS / L OC KS HE L M

         

d p l u s .n e t

                      



     

                                

                     

    

 

                                                                                                                                                  NTS      KE ND E VE  W EE K                                                                                                             R RE VIE W                É CLA I                                                                                                                                                                                                   F THE                   B ATTL E O                                                     B UL GE                                                 3                                             NE WS                                                                                                                                                                                                                                                                                                                                      N D TH E U. S.                    IETN A M A                        V                                                                                                                                                                                                    5                                                                         F EAT URES                                                                                                                                                                                                                                  A !                K LAH O M                   O                                                                                                                                                                      8                                            OPINIONS                                                                                                                                                                                   JU ST IN :            TH IS                                                                           1        1             S PORTS                                                                                                              NES S      I G H TMA D        M I D N                                                                         

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The Board of Publications is now accepting applications

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                          

for Summer 2012 - Spring 2013  

                        

                

  

                       

 

                            



                           

               

   



Featuring KTUH DJ s:                                       

V O I C E

 





                     

 

  

  

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Be Next?

 

 

Words

Want to

                                  



Special Sneak Preview of

    



                                                

                                             

                       

                                                        

           

 

          


Page 8 | Ka Leo | Monday, Feb. 6 2012

Opinions@kaleo.org | Boaz Rosen Editor | Justin Francisco Associate

Opinions

LETTER TO THE EDITOR

SOME T HINGS A RE BE T T ER L EF T UNS A ID. Let me begin by clarifying: I have never had to write or publish an article for a newspaper. I can’t begin to say I understand fully what it must be like. On Jan. 30, Ka Leo published an article called “That’s it. Period.” in the opinions section. It was an article about menstruation, it was written by a man and it was terrible. Not to imply that any article written about ladies’ “time of the month” is automatically

going to be bad if it’s written by a man, it’s just that this man in particular couldn’t help but be sexist and a little vacuous. I won’t mention the name of the man in question, who is listed as associate opinions editor, but I will say I have no idea how he managed to get a title at a college paper because he doesn’t seem to have passed high school lit class. The article was badly written, jumped all over the place,

was offensive and lacked a point. We all have to deal with people who don’t know what they’re talking about and people who say things that can annoy us. However, one of the nice things you’re supposed to be able to enjoy about the news is that there are other people checking your work to make sure these opinions at least follow some common sense and don’t make the author look dumb. So how exactly did Ka L eo end up publishing such a terrible article? SAR AH M ASONER Graduate Student, Comm. Sciences & Disorders

S u b m i t yo u r l e t t e r s t o t h e e d i t o r,

email opinions@kaleo.org.

K A LEO T H E

Ka Leo O Hawai‘i

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EDITORIAL STAFF Editor in Chief Will Caron Managing Editor Jaimie Kim Chief Copy Editor Karleanne Matthews Design Editor Beth Shiner News Editor Kelsey Amos Features Editor Maria Kanai Opinions Editor Boaz Rosen

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Ka Leo O Hawai‘i is the campus newspaper of the University of Hawai‘i at Mānoa. It is published by the Board of Publications three times a week except on holidays and during exam periods. Circulation is 10,000. Ka Leo is also published once a week during summer sessions with a circulation of 10,000. Ka Leo is funded by student fees and advertising. Its editorial content reflects only the views of its writers, reporters, columnists and editors, who are solely responsible for its content. No material that appears in Ka Leo may be reprinted or republished in any medium without permission. The first newsstand copy is free; for additional copies, please visit the Ka Leo Building. Subscription rates are $50 for one semester and $85 for one year. ©2010 Board of Publications. ADMINISTRATION The Board of Publications, a student organization chartered by the University of Hawai‘i Board of Regents, publishes Ka Leo O Hawai‘i. Issues or concerns can be reported to the board (Ryan Tolman, chair; Ming Yang, vice chair; or Susan Lin, treasurer) via bop@hawaii.edu. Visit www.hawaii.edu/bop for more information.

Learn Strategies. Build Confidence. Discover Your Passion. The Post Baccalaureate Certificate in Special Education (PB-SPED) program at the University of Hawai‘i at Mānoa, College of Education, leads to teacher licensure at the pre-k -3, k-6, or 7-12 level. Applicants may choose between a mild/ moderate disabilities or severe disabilities/ autism emphasis. The PB-SPED will be offered statewide to those with a Bachelor degree in any field. Statewide Program Features • Stipends, partially covering air travel and overnight accommodations (double occupancy), will be provided for required (1-3) face-to-face meetings each semester. • Classes taught online, via interactive web-based course delivery, Blackboard, & Laulima, or during non-working hours.

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Comics@kaleo.org | Nicholas Smith Editor

Page 9 | Ka Leo | Monday, Feb. 6 2012

Comics


Page 10 | Ka Leo | Monday, Feb. 6 2012

Games

Los Angeles Times Daily Crossword Puzzle Edited by Rich Norris and Joyce Lewis

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6 7 4 Fill in the grid so that every row, every column, and every 3x3 box contains the digits 1 thru 9.

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Puzzles will become progressively more difficult through the week.

ka leo wants you!

Solutions, tips and computer program at www.sudoku.com

ANSWERS AT KALEO.ORG

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WWW.KALEO.ORG

Go to www.kaleo.org for this puzzle’s solution.

ACROSS 1 PC screens 5 Bumbling types 9 Washer or dryer: Abbr. 13 Banister 14 “Deck the Halls� syllables 15 Cuba, to Castro 16 *Start of a Jackie Gleason “Honeymooners� catchphrase 19 Capone associate Frank 20 Political satirist Mort 21 Pale 23 “Be right with you!� 25 Moe, Curly or Larry 28 Space-saving abbr. 29 *Vivaldi classic, with “The� 33 Pot-scrubbing brand 34 Fencing sword 35 King with a golden touch 36 *Cat’s blessing, so it’s said 39 Brainstorms 42 Company with a “swoosh� logo 43 “The Racer’s Edge� 46 *Tennessee Ernie Ford hit about coal mining 49 Musician’s asset 50 Big name in tea 51 New Orleans university 53 Orch. section 54 Coarse file 58 Pantyhose that came in a shell 59 What the starred answers start with 63 Upscale hotel chain 64 Potatoes’ partner 65 Post-Christmas retail event 66 Bog fuel 67 Hwy. accident respondents 68 Managed care gps.

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Sports@kaleo.org | Marc Arakaki Editor| Joey Ramirez Associate

Page 11 | Ka Leo | Monday, Feb. 6 2012

Sports

Recalibrating chemical reagents Rainbow Wahine softball recovering from injuries, lack of unity K EVIN FOX Staff Writer

“I’m going to be able to play, and I feel healthier than I have in two years,” said Majam. “I like to work hard, and getting cancer made me work even harder, knowing that I may not get to play tomorrow. I am very excited for this season and know that if I keep working hard, I’m capable of accomplishing a lot. I’m excited to see what happens.” Coolen will be depending on senior left-fielder Alex Aguirre, Ricketts, senior in-fielder Dara Pagaduan and fourth-year junior centerfielder Majam to lead his team this season.

Momentum is key in any sports team’s progress. Unfortunately for the Rainbow Wahine softball team, the momentum began to slow after WAC Freshman of the Year and ESPN and National Fastpitch Coaches Association AllAmerican Kelly Majam’s bout with thyroid cancer in 2010. After undergoing treatment, her body is cancer free, and the rest of the ’Bows are excited to get back into the swing of things. “ This year I think we’re just going to need to believe in ourselves more, not freak out whenever things go ROA D T O R E D E M P T I O N The Rainbow Wahine will open their seawrong, and just trust in each other as much as we trust in ourselves,” said senior pitcher Stephanie Ricketts. The son at home, in the Oceanrest of the team echoed the excitement of a new season. ic Time Warner Cable Par“Chemistry is the important ingredient,” said head adise Classic, with games RANK coach Bob Coolen. “There’s a lot going on with the chem- against Seattle, Missouri1 istry in order to make a team function as a team. Last year Kansas City and DePaul. 2 Hawai‘i will play Se we had a few people that only thought of themselves, and it 3 really brought us down as a team. Two years ago, we had a attle on T hursday at 6 4 chemistry where ... everything was working, all the moves p.m., and UMKC and 5 we made as coaches were the correct moves, all the players DePaul on Friday at T-6. accepted them, they accepted their roles – and those are the 6 p.m. and 8 p.m. T he T-6. things that need to happen. You have to have chemistry in tournament concludes order to make the strides we made two years ago, and it’s on Saturday with a 8 round-robin format. something we have to recapture.”

THE ʻBOWS PROGRE SSING PE DIGRE E • 16 returning letter winners from last year, including six position starters and three pitchers. • Made the NCAA tournament in three of its last six seasons (2007, 2008 and 2010) and made a Women’s College World Series appearance in 2010. • Ricketts (two-time WAC Pitcher of the Year), Aguirre, Majam and junior shortstop Jessica Iwata are prep season All-WAC selections. Iwata is also a two-time defending WAC player of the year.

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Page 12 | Ka Leo | Monday, Feb. 6 2012

Sports@kaleo.org | Marc Arakaki Editor | Joey Ramirez Associate

Sports

My-oh-Miah! JOEY R AMIREZ Associate Sports Editor 2- 4: Hawai‘i’s record in its first six games of the season. 11-5: Hawai‘i’s record since senior point guard Miah Ostrowski joined the team in early December. Following his last game as a wide receiver on the Warrior football team, Ostrowski quickly dusted off his basketball uniform and took to the hardwood eight days later to contribute to Hawai‘i’s 74 - 61 victor y over UC Davis on Dec. 11. Despite the stat, Ostrowski remained humble. “It ’s really a team game,” Ostrowski said. “I’ve got to credit my players, and we go down as a team – we win as a team.” Ostrowski has made plays not only on the hardwood during his tenure at UH, but also on the gridiron. In the 2011 football season, he totaled 65 re ceptions for 687 yards and five touchdowns for the Warriors. “I take a lot of pride in playing football too,” said Ostrowski. “Being out there is like being in another family.” With the immense workload carried by Division I athletics these days, two-sport athletes have joined telegrams and VHS tapes on the list of things found nearly only in the past. However, despite his accomplishments in both sports, Ostrowski refused to let his success distract him from his task at hand. “I haven’t [had] time to really sit back and look back upon things or enjoy the seasons yet because I’m really into the next one,” said Ostrowski. “I’m sure when I’m done playing here and my career is done, I’ll be able to look back and have memories for life.”

Not only does Ostrowski hold the distinction of being a dedicated teammate in both football and basketball, he has also become a fan favorite among UH faithful. Because he grew up in ‘Aiea, many fans of Hawai‘i athletics have been there throughout Ostrowski’s career ever since his days at Punahou School. “I take a lot of pride in where I come from. Not a lot of players come out of the islands to play Division I basketball,” Ostrowski said. However, it is not only the UH fan base that praised its point guard. “He’s a calming inf luence, and he knows what I want. He knows how to win, and that’s something that’s pretty special,” h Rainbow Warrior head coach Arn n old no d said. saii d. d. Gib Ar Arnold

At 5 feet 9 inches, Ostrowski is far from whatt d expect expe pe e ct c t when whe hen he n imagimag im ag-one would aske k tb ke tbal alll pl play ayer er. ining a starr bas basketball player. ows wsski h as d e ed the efi However, Ostrowski has defi ly y lleads eaads tthe eads he W estt odds and currently Westence in i b oth ot h asern Athletic Conference both over ratio. sists and assists/turnover he e end e nd of of As he reaches the wski ki h as his UH career, Ostrowski has hments ts:: a long list of accomplishments: rma man n, Two -year football letterman, c ur urbasketball team captain, curn rent top -five assist leader in the NCA A – and role model forr young Warrior fans. “I was always one growing up that looked up to other players,” said Ostrowski. “ To be able to hear that people look up to me or idolize me is a great feeling.”

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BRUCE DIRDEN/KA LEO O HAWAI‘I

Senior point guard Miah Ostrowski will lead the Rainbow Warriors as they host WAC leader Nevada on Thursday.


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