accentuate*, relatively louder than mf sfz sforzato* sffz sforzatissimo* bartok pizz* pizz with fingernail quasi pont.* key slap 100 tap the body of as fast as possible the instrument whistle tones change fingering Silence ca. 13sec
Συνεχές Continuum for Orchestra
Flute
ppp
Clarinet in Bb
Bassoon
Marimba
f
f
ppp
sfz
sfz
sfz
sfz
key slap
f
sfz
sfz
Violin 1.
key slap
ppp
sfz
f
ppp
3
2
key slap
Oboe
increasing density of attacks ca. 2sec key slap
sffz
tap body
ppp
f
pizz. sempre senza vibr.
sfz
pizz. sempre senza vibr.
Violin 2.
ppp
sfz
tap body
ppp
f
sfz
senza vibr. ppp f pizz. sempre
Violoncello 1.
f
pizz. sempre senza vibr.
Viola 2.
tap body
ppp
sfz
sfz
pizz. sempre senza vibr.
tap body
pizz. sempre senza vibr.
ppp f
Violoncello 2.
tap body
sfz
Double Bass
pizz. sempre
senza vibr.
tap body
ppp
f
all strings play pizz. throughout the piece * immediately continue mezzo piano, unless explicitly indicated Notation convention:
=
sfz
mp
5
sfz
con impeto
sfz mp
sfz
sfz
sfz
6
mp
mp
sfz
mp
con impeto
4
sfz
sfz
sfz
con impeto
f
sfz
tap body
Viola 1.
Orestis Karamanlis, Belfast March 2008
Tutti A Tempo
con impeto
mp
mp-sfz-mp
con impeto
mp
mf
mp
sfz
mp-sfz-mp
con impeto
mp
mp
2
Fl.
9
decreasing density of attacks
f
as if emerging from the decay of the marimba
p
21
10
Ob.
sfz
Cl.
Bsn.
5
as if emerging from the decay of the marimba
Vln.1
Vln.2
Vla.1
Vla.2
Vc.1
8
p
sffz
sffz
sffz
sffz
f
as if emerging from the decay of the marimba
mf
p
f
decreasing density of attacks
sfz
mf
sffz sffz
mf
mp
sffz
mp
sfp
sffz
sffz
sffz sffz
sffz
sffz
mp
sffz
mp
sffz
sffz
mp
sfz-mp
sffz mp
sffz mp
mp
sfz
sffz
sffz mp
sffzmp
sffz
mp
Db.
mp
mp
: Damp: after attack do not lift drumstick sffp mp sfz f
sffz
mp
Vc.2
11
decreasing density of attacks
7
Mar.
5
mp
sfz
sffz
sffz mp
mp
mp
sfz mf
sfz