Kartell è da oltre 65 anni una delle aziende leader del design internazionale, indiscusso pioniere nell’utilizzo delle materie plastiche nel settore dell’arredamento. Ambasciatrice di un “lusso democratico” che ha rivoluzionato il tradizionale concetto di arredo, Kartell ha reso la plastica un materiale prezioso, nobile, sofisticato eppure estremamente funzionale. L’evoluzione nella ricerca dei materiali plastici e di nuove tecnologie ha consentito a Kartell di sviluppare prodotti con proprietà funzionali ottimali quali resistenza ad agenti atmosferici e a shock termici, comfort, leggerezza, mobilità e flessibilità di utilizzo. L’approccio industriale consente inoltre di realizzare grandi numeri e andare incontro ad esigenze diversificate, in tempi brevi sia nella produzione che nella logistica. Ciò ha permesso all’azienda di rafforzare la propria presenza nelle forniture contract più disparate: Hotellerie (hotel, ristoranti, residence di lusso) Retail (flagship stores, concept store, boutique esclusive) Special Projects (musei, aeroporti, palazzi storici, campus universitari, sedi governative) Seating (auditorium, teatri, cinema, lounge, sale conferenza) Office (uffici pubblici e privati) Con le più recenti linee Kartell by Laufen e Kartell in Tavola inoltre l’azienda può affrontare progetti specifici di arredo bagno o per la tavola, con collezioni complete e trasversali. Dalle micro-forniture alle grandi commesse, Kartell può contare su un prodotto resistente, leggero e flessibile, completamente Made in Italy e firmato dai più noti designer internazionali.
Kartell has been a leading international design company and undisputed pioneer in the use of plastics for the furnishings sector for over 65 years. As an ambassador for the "democratic luxury" that has revolutionised traditional furniture design, Kartell has turned plastic into a high-end, artistic and sophisticated material that still retains its practicality. Developments in plastics research and new technologies have allowed Kartell to design highly functional products that are better able to withstand weathering and temperature changes while remaining comfortable, lightweight, mobile and versatile. The company's industrial approach also allows it to mass produce products and accommodate a vast range of needs in short spaces of time in terms of both manufacture and logistics. This has allowed it to strengthen its presence as a supplier in a variety of markets: Hospitality (hotels, restaurants, luxury residences) Retail (flagship stores, concept stores, exclusive boutiques) Special Projects (museums, airports, historic palaces, university campuses, government buildings) Seating (auditoriums, theatres, cinemas, lounges, conference halls) Offices (public and private offices) With its most recent Kartell by Laufen and Kartell in Tavola lines, the company is poised to take on specific bathware and tableware projects with full, multipurpose collections. From small-scale supplies to larger projects, Kartell can count on durable, lightweight and flexible products that are entirely made in Italy and endorsed by some of the most renowned international designers.
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EMBASSY OF ITALY PARIS/FRANCE - Chair MASTERS Design Philippe Starck with Eugeni Quitllet Table GLOSSY Design Antonio Citterio with Oliver Löw Tableware Collection JELLIES FAMILY Design Patricia Urquiola Plates I.D. Ish by D’O Design Davide Oldani Candelabra ABBRACCIAIO Design Philippe Starck with Ambroise Maggiar Vase I SHINE Design Eugeni Quitllet
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EMBASSY OF ITALY PARIS/FRANCE Chair MASTERS Design Philippe Starck with Eugeni Quitllet Table GLOSSY Design Antonio Citterio with Oliver Löw Tableware Collection JELLIES FAMILY Design Patricia Urquiola Plates I.D. Ish by D’O Design Davide Oldani Candelabra ABBRACCIAIO Design Philippe Starck with Ambroise Maggiar Vase I SHINE Design Eugeni Quitllet
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Torre Coccaro, Brindisi/Italy – Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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ALLE TERRAZZE PALERMO/ITALY Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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Armada de la LibertĂŠ Rouen/France Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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MASTERS design Philippe Starck with Eugeni Quitllet The Masters chair is a powerful tribute to the three chair-symbol, re-read and re-interpreted by the creative genius of Starck. The “Series 7” by Arne Jacobsen, the “Tulip Armchair” by Eero Saarinen and the “Eiffel Chair” by Charles Eames interweave their unmistakable silhouettes into a sinuous hybrid giving life to a fusion of original and engaging styles. On its four slim legs, the Masters chair is roomy and comfy. The back of the chair is naturally its most distinctive feature characterised by the fullnesses and empty spaces created by the curvaceous criss-crossing lines of three different backs which descend to meet together at the seat edge. The Masters is light, practical, comes in various colours and can be stacked and used outdoors as well. The Masters chair was honoured with the prestigious “2010 Good Design Award” presented by the Chicago Athenaeum - Museum of Architecture and Design and Red Dot Award 2013. Kartell also offers a stool version of the Masters chair. The legs are lengthened and the seat shrunk, but the frame’s unmistakable graphic look, created by the weave of the silhouettes of three iconic chairs, remains the same. Available in a range of vibrant colours, Masters Stool is ideal for both the home and contract sales, as well as outdoor use.
La Flor de Paraninfo, Zaragoza/Spain – Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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PALAZZO REALE, MILANO/ITALY – Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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Dem Karakoy, Istanbul/Turkey – Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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La Flor de Paraninfo, Zaragoza/Spain – Chair MASTERS Design Philippe Starck with Eugeni Quitllet
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MOULIN DE CUGY, CUGY/SWITZERLAND Chair MASTERS Table TOPTOP Design Philippe Starck with Eugeni Quitllet Lamp BLOOM Design Ferruccio Laviani
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RISTORANTE CHARLESTON, MILANO/ITALY Chair MASTERS Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Palazzo Reale, Milano/Italy – Chair VICTORIA GHOST Design Philippe Starck
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CASTELLO DI CALATABIANO CATANIA/ITALY Chair VICTORIA GHOST Design Philippe Starck Table TOPTOP Design Philippe Starck with Eugeni Quitllet Lamp BOURGIE Design Ferruccio Laviani Lamp GĂˆ Design Ferruccio Laviani
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PRET À DINER RESTAURANT, LONDON/UK – Chair VICTORIA GHOST Design Philippe Starck
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Torre Maizza, Brindisi/Italy – Chair VICTORIA GHOST Design Philippe Starck
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GINGER BOY RESTAURANT, MELBOURNE/AUSTRALIA – Stool CHARLES GHOST Design Philippe Starck
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CASTELLO SFORZESCO, MILANO/ITALY – Chair VICTORIA GHOST Design Philippe Starck
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CONVENTO DO BEATO, LISBOA/PORTUGAL – Chair VICTORIA GHOST Design Philippe Starck
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VILLA DI TIGLIANO, PONTASSIEVE/Italy – Armchair UNCLE JIM Sofa UNCLE JACK Design Philippe Starck
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Embassy of italy, paris/France – Armchair UNCLE JIM Sofa UNCLE JACK Stool LA BOHÈME Design Philippe Starck
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Embassy of italy, paris/France - Armchair UNCLE JIM Stool GNOMES Design Philippe Starck Lamp BOURGIE Design Ferruccio Laviani
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Sky Garden, London/United KingdOM – Sofa Bubble Club Design Philippe Starck
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Castello Monaci, Lecce/Italy – Sofa BUBBLE CLUB Design Philippe Starck Side table T-TABLE Design Patricia Urquiola
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PUERTO DEPORTIVO, SAN PEDRO DEL PINATAR/SPAIN Sofa BUBBLE CLUB Design Philippe Starck
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MUSEO DELL’ARA PACIS, ROMA/ITALY – Sofa and Side table BUBBLE CLUB Design Philippe Starck
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MOON FLOWER, MESSINA/ITALY Sofa and Armchair BUBBLE CLUB Design Philippe Starck
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MOON FLOWER, MESSINA/ITALY - Sofa and Armchair BUBBLE CLUB Design Philippe Starck
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HARU TEMAKERIA E SUSHI, SANTOS/BRAZIL Chair DR. YES Design Philippe Starck with Eugeni Quitllet
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XIRIAKO CAFETERIA, AZPEITIA/SPAIN – Chair DR. YES Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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ITEM, MILANO/ITALY – Chair DR. YES Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Straf, Milano/Italy – Stools ONE MORE, ONE MORE PLEASE Design Philippe Starck
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One More, One More Please design Philippe Starck If you want to sip a drink at the bar in peace and quiet, you need a comfortable tall stool with a back to lean against. Sometimes one drink is not enough - and you need "One more" and sometimes "One more please". The "Ghost" family, one of the absolute Kartell icons, multiplies its ranks with stools of different heights - 65 cm or 75 cm - and with backs, either oval or square, but always versatile, practical, coloured and sturdy.
Park Hyatt, Milano/Italy Stools ONE MORE, ONE MORE PLEASE Design Philippe Starck
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Wimbledon championship, London/United kingdom – Stools ONE MORE, ONE MORE PLEASE Design Philippe Starck
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Wimbledon championship, London/United kingdom Chair VICTORIA GHOST Design Philippe Starck
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CAFE CRAFT, PARIS/FRANCE – Chair AUDREY Design Piero Lissoni
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Audrey design Piero Lissoni Audrey, the eclectic seat combining aluminium and plastic and designed by Piero Lissoni is a versatile and contemporary chair which because of its simple, clean lines due to a special die-casting process is composed of only two parts and made without welding. With the arrival of Audrey Soft, a chair with 13 different shades to choose from and three different kinds of fabric (Kvadrat, Trevira and Lycra), Audrey becomes multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract with its wonderfully rich range of combinations. Eclectic and versatile, contemporary and elegant in the details of its finishes and materials, Audrey is a product created for collective areas. Its functionality together with its unmistakable Kartell style is complemented by the good price/quality ratio for a contract seat unique of its kind. This seats can also be used outdoors.
MMCA, SEOUL/SOUTH KOREA – Chair AUDREY Design Piero Lissoni
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EATALY, ROMA/ITALY – Chair THALYA Design Patrick Jouin
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FONTANA FREDDA GRILL GARDEN, SERRALUNGA D’ALBA/ITALY – Chair THALYA Design Patrick Jouin
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ELLE DECO CAFE PARIS/FRANCE Chair HI-CUT Design Philippe Starck with Eugeni Quitllet Stool STONE Design Marcel Wanders
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EATALY, ROMA/ITALY – Chair HI-CUT Design Philippe Starck with Eugeni Quitllet Stool MAUNA-KEA Design Vico Magistretti
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Hi-Cut design Philippe Starck Kartell presents the latest evolution in transparency, Hi-Cut, a chair offering perfect ergonomical seating combining flexibility and solidity, while the changing vertical stripes on the top’s structure add an attractive play of light and reflections. With its minimal and clean design, this chair is reminiscent of an art deco mood made eclectic and precious, bringing a touch of personality and originality to any ambiance. Available in many combinations, Hi-Cut comes in three versions - transparent, black and white - which can be combined with a range of colours for the top, whether bright (purple, red, green and orange) or soft (crystal and smoke grey). The design of the chair’s structure, made in a single mould, plays on curves and angles: the front legs are square, as is the front part of the chair, while the back legs and the backrest have a smoother, rounded line which becomes sharper at the top of the backrest.
CONCERT HALL THESSALONIKI/GREECE Chair HI-CUT Design Philippe Starck with Eugeni Quitllet
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ZASH COUNTRY BOUTIQUE HOTEL, CATANIA/ITALY – Sofa PLASTICS Design Piero Lissoni
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Volvo Ocean Race, Stockholm/Sweden Sofa PLASTICS Design Piero Lissoni DALI,BERLIN/GERMANY Sofa PLASTICS Design Piero Lissoni Lamp TOOBE Design Ferruccio Laviani Container OPTIC Design Patrick Jouin
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WOK AND SUSHI RESTAURANT, ISTANBUL/TURKEY Stool CHARLES GHOST Design Philippe Starck Chair DOLLY Design Antonio Citterio with Oliver Lรถw
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BYBLOS ART HOTEL, VERONA/ITALY – Chair ERO|S| Design Philippe Starck
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Ero|S| design Philippe Starck Ero|S| is a swivel armchair with an organic egg shape, a refined combination of finishes and an adept use of colour. The quality and richness of its component materials, both for the body and the base, make it particularly elegant and sophisticated. Ero|S| is ideal for the home, in dining or living rooms, but it also fits nicely into offices as a representative chair in the meeting room or in waiting areas. Two versions are available: the chair can rest on a glossy aluminium rotating base with central support or on a lightweight four-legged chrome structure. The choice of chromatic polycarbonate is generous in both transparent and solid variations.
ESTACIĂ“ DE SANTS, BARCELONA/SPAIN Chair ERO|S| Design Philippe Starck
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RESTAURANT AL DENTE, WASHINGTON DC/USA – Chair LIZZ Design Piero Lissoni with Carlo Tamborini
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Sandow media headquarter NEW YORK/USA Chair LIZZ Design Piero Lissoni with Carlo Tamborini
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ZASH COUNTRY BOUTIQUE HOTEL, CATANIA/ITALY – Chair LIZZ Design Piero Lissoni with Carlo Tamborini
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ALTAROMA, ROMA/ITALY Chair LIZZ Design Piero Lissoni with Carlo Tamborini
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CAFFÈ D’ESPRESSO, NEW YORK/USA Chair MR. IMPOSSIBLE Design Philippe Starck with Eugeni Quitllet
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IRIS RESTAURANT, BEIRUT/LEBANON Chair MR. IMPOSSIBLE Design Philippe Starck with Eugeni Quitllet LA MARTINE, LISBOA/PORTUGAL Chair MR. IMPOSSIBLE Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Item, Milano/Italy – Chair AMI AMI Design Tokujin Yoshioka Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Hotel Bauer, Venezia/Italy – Chair AMI AMI Design Tokujin Yoshioka Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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HOSPITAL SANTA JOANA, SANTOS/BRAZIL – Chair FRILLY Design Patricia Urquiola
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PARK HYATT HOTEL, MILANO/ITALY Sofa POP OUTDOOR Design Piero Lissoni with Carlo Tamborini Stool/side table ATTILA Design Philippe Starck
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Castello Monaci, Lecce/Italy Sofa POP OUTDOOR Design Piero Lissoni Chair LA MARIE Design Philippe Starck Lamp BOURGIE Design Ferruccio Laviani Stool STONE Design Marcel Wanders Side table INVISIBLE SIDE Design Tokujin Yoshioka
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SPIAGGIA OLIVI, RIVA DEL GARDA /ITALY Sofa POP OUTDOOR Design Piero Lissoni with Carlo Tamborini SCANDIC ØRNEN HOTEL, BERGEN/NORWAY Sofa FOLIAGE Design Patricia Urquiola RESIDENCE LOT, CURAÇAO/ANTILLES Sofa POP OUTDOOR Design Piero Lissoni with Carlo Tamborini
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HOTEL BAUER, VENEZIA/ITALY Sofa POP OUTDOOR Design Piero Lissoni with Carlo Tamborini Side table INVISIBLE TABLE Design Tokujin Yoshioka Stool LA BOHÉME Design Philippe Starck
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Torre Coccaro, brindisi/Italy – Chair COMBACK Design Patricia Urquiola
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Comback design Patricia Urquiola Kartell has fun revisiting a great classic and gives a new look to the Windsor chair. A return to the glorious past of England in the XVIII century for a "Comb Back" version of the chair with an opaque texture featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair
embodies functionality and ergonomics well-freighted with sentiment and memories. The use of plastic and the use of pastel colours on offer give a touch of lightness and the contemporary to the Comback chair. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
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ROBINS CAFÉ & RESTAURANT, ISTANBUL/TURKEY Chair COMBACK Design Patricia Urquiola
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Neotek Istanbul/Turkey Vase JELLY Design Patricia Urquiola
Fioraio Bianchi, Milano/Italy Vase SHANGHAI Design Mario Bellini Vase JELLY Design Patricia Urquiola Vase MATELASSĂˆ Design Patricia Urquiola
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Neotek, Istanbul/Turkey Vase MATELASSĂˆ Design Patricia Urquiola
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CALCIO CATANIA, CATANIA/ITALY – Sofa PLASTICS DUO Design Piero Lissoni
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ALLE TERRAZZE, PALERMO/ITALY Sofa PLASTICS DUO Design Piero Lissoni
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SAFILO SHOWROOM, MILANO/ITALY Table FOUR Design Ferruccio Laviani
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BRAMARAIS SHOWROOM, PARIS/FRANCE Table FOUR Design Ferruccio Laviani Chair MASTERS Design Philippe Starck with Eugeni Quitllet Armchair MADEMOISELLE Design Philippe Starck
MMCA, SEOUL/SOUTH KOREA - Table FOUR Design Ferruccio Laviani Chair AUDREY Design Piero Lissoni
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TopTop design Philippe Starck with Eugeni Quitllet The TopTop tables come in a version created specifically for office use, shock resistant and weatherproof. The transparent circular or square section legs have a faceted surface, metal core and melamine top and are available in different colours – white, black, aluminium and green, and the base is painted aluminium. The second TopTop table version is especially suited for indoor bar and restaurant use and always features the central transparent circular or square section leg with a pleated surface and metal core. The top is round or square laminate and the base is made of painted aluminium. The TopTop table line is distinguished by its polycarbonate leg which can be either a round or square transparent section with a faceted surface and metal core. This version is proposed to ideally furnish the home with a square or round glossy lacquered polyester top and chrome-plated aluminium base. The transparent central leg makes the structure agile while the faceted one is sophisticated and elegant.
GINGER BOY RESTAURANT, MELBOURNE/AUSTRALIA Chair VICTORIA GHOST Design Philippe Starck Table TOPTOP Design Philippe Starck with Eugeni Quitllet Stool CHARLES GHOST Design Philippe Starck
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Perla Verde Hotel, Milano Marittima/Italy – Table TOPTOP Design Philippe Starck Chair LOUIS GHOST Design Philippe Starck
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HOTEL DUDE, BERLIN/GERMANY – Chair PAPYRUS Design Ronan & Erwan Bouroullec
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PARK HYATT HOTEL, MILANO/ITALY - Armchair PAPYRUS Design Ronan & Erwan Bouroullec
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PARK HYATT HOTEL, MILANO/ITALY Armchair MADEMOISELLE À LA MODE Design Philippe Starck Lamp BOURGIE Design Ferruccio Laviani
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nursery, PADERNO DUGNANO/ITALY – Lamp FL/Y Design Ferruccio Laviani
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FL/Y design Ferruccio Laviani An essential lamp which is characterised by the “subtle interpretations of the theme". Made in transparent methacrylate in all the colours of the rainbow, the cover is not perfectly hemispherical but the cut-off is underneath the height of the diameter to collect the most light. What’s more, the special transparency of the material and the sheen of the colours bring to mind a soap bubble, iridescent with reflections of light. They are packaged singly, but also come in compositions that enhance their delicate chromatic variations.
PROYECTO CONTRACT CASAVIVA SPAIN Chair LOUIS GHOST Design Philippe Starck Lamp FL/Y Design Ferruccio Laviani
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BAITA LA GROLLA, COURMAYEUR/ITALY Chair LOUIS GHOST Chair LA MARIE Design Philippe Starck Lamp FL/Y Design Ferruccio Laviani
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KONG RESTAURANT, PARIS/FRANCE – Chair LOUIS GHOST Design Philippe Starck
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UFO RESTAURANT, BRATISLAVA/SLOVAKIA – Chair LOUIS GHOST Design Philippe Starck
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Opera House, Prague/Czech Republic – Chair LOUIS GHOST Design Philippe Starck
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MOULIN DE CUGY, CUGY/SWITZERLAND – Chair LOUIS GHOST Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Martini Gold by Dolce & Gabbana, Hamburg/Germany – Chair LOUIS GHOST Design Philippe Starck Vase MISSES FLOWER POWER Design Philippe Starck with Eugeni Quitllet
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CIRCOLO GOLF BOGOGNO, BOGOGNO/ITALY Chair LOUIS GHOST Design Philippe Starck Vase MISSES FLOWER POWER Design Philippe Starck with Eugeni Quitllet
Louis Ghost design Philippe Starck A comfortable armchair in transparent and coloured polycarbonate in the Louis XV style, it is the quintessence of baroque revisited to dazzle, excite and captivate. Louis Ghost is the most daring example in the world of injected polycarbonate in a single mould. Despite its evanescent and crystalline appearance, Louis Ghost is stable and durable, shock and weather resistant and can also be stacked six high. This article has great charm and considerable visual appeal and brings a touch of elegance and irony to any style of home or public area.
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CAVOLI A MERENDA restaurant, MILANO/ITALY – Chair LOUIS GHOST Design Philippe Starck
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EMBASSY OF ITALY, PARIS/FRANCE – Lamp BATTERY Design Ferruccio Laviani
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CANTERA SOCIAL CLUB, DUINO/ITALY – Lamp BOURGIE Design Ferruccio Laviani
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FIORAIO BIANCHI, MILANO/ITALY Lamp BOURGIE Design Ferruccio Laviani Chair VICTORIA GHOST Design Philippe Starck
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SPLENDOR HOTEL, PARIS/FRANCE – Applique É Design Ferruccio Laviani
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Lamp TAJ Design Ferruccio Laviani Chair HI-CUT Design Philippe Starck with Eugeni Quitllet
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TEATRO RESTAURANT, BOSTON/USA – Chair MAUI Design Vico Magistretti
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EATALY, ROMA/ITALY – Chair MAUI Design Vico Magistretti
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LA TRIENNALE, MILANO/ITALY – Chair MAUI Design Vico Magistretti
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Design Library, Milano/Italy Chair MAUI Design Vico Magistretti
Maui design Vico Magistretti Its elegant lines, sober colours and practical usage make Maui an extremely versatile chair, capable of satisfying the widest demands of the business and residential market. Maui chairs form a family rich in chromatic and formal variations, able to meet specific needs in communal areas, such as offices, workshops, waiting rooms, bars and restaurants, lecture and meeting halls, or in home environments, such as the dining room, the children' bedrooms and the study. The unitised polypropylene seat/back is attached to a chromed steel structure. In 2012 Kartell gave Maui new appeal style and price-wise and brought it back in a fabric-covered version (Kvadrat and Trevira) – with and without casters and arms thus increasing its rich family of colours and functions, able to satisfy the specific needs in the contract sector as well as in the home. Its elegant lines and practicality make the Maui chair an extremely versatile design, just as contemporary today as yesterday.
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ARCHIVIO BERTARELLI CASTELLO SFORZESCO MILANO/ITALY Table GLOSSY Design Antonio Citterio with Oliver Lรถw Chair MAUI Design Vico Magistretti
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ARCHIVIO BERTARELLI – CASTELLO SFORZESCO, MILANO/ITALY – Modular system ONE Design Piero Lissoni Table MAX Design Ferruccio Laviani
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Ravenna art museum Ravenna/Italy Armchair MAGIC HOLE Design Philippe Starck with Eugeni Quitllet
Enzo Ferrari museum Modena/Italy Sofa MAGIC HOLE Design Philippe Starck with Eugeni Quitllet
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Community Garden, New York/USA – Armchair MAGIC HOLE Design Philippe Starck with Eugeni Quitllet
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Hotel de Livry, Paris/France – Sofa and armchair MAGIC HOLE Design Philippe Starck with Eugeni Quitllet Side table INVISIBLE SIDE Design Tokujin Yoshioka
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Fioraio Bianchi caffé Milano/Italy Stool and Vase LA BOHÈME Design Philippe Starck Vase SHANGHAI Design Mario Bellini Vase JELLY Design Patricia Urquiola Lamp BLOOM Design Ferruccio Laviani Commode GHOST BUSTER Design Philippe Starck with Eugeni Quitllet
La Bohème design Philippe Starck Once again, Starck’s creative genius and Kartell's technology bring to life a revolutionary and fascinating design: La Bohème, a collection of stools in precious vase shapes. There are two designs: La Bohème 2 and La Bohème 3. Each design highlights a different aspect of the vase as an object, in terms of the delicate and precious appearance and the stable and functional seat. Only exclusive technology, used for the first time in the design sector by Kartell, could allow the creation of a completely transparent collection of stools whose shape has a remarkable aesthetic impact. La Bohème stools suit any place, in the living room and in the garden, on the balcony and in the kitchen. In addition to the stools, vases are also available in several colours. The elegance of the design, colours and material sets these vases apart, making them ideal for creative and original decoration and to personalise any setting.
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VILLA REALE, MONZA/ITALY Armchair MADEMOISELLE Design Philippe Starck Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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PARK HYATT HOTEL, MILANO/ITALY - Armchair MADEMOISELLE À LA MODE Design Philippe Starck Armchair PAPYRUS Design Ronan & Erwan Bouroullec
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RESTAURANT PALMA DE MALLORCA/SPAIN – Chair MADEMOISELLE À LA MODE Design Philippe Starck
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CAFFÈ MISSONI, MILANO/ITALY – Chair MADEMOISELLE À LA MODE Design Philippe Starck
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ECLIPSE, ATHENS/GREECE MADEMOISELLE À LA MODE Design Philippe Starck
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Orsa, Palermo/Italy - Chair SPOON CHAIR Design Antonio Citterio with Toan Nguyen Table FOUR Design Ferruccio Laviani Sofa PLASTICS Design Piero Lissoni
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BAITA LA GROLLA, COURMAYEUR/ITALY – Armchair FORM Design Piero Lissoni Side table TRAYS Design Piero Lissoni
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ANGOLA CONSULATE, LISBOA/PORTUGAL – Armchair FORM Design Piero Lissoni
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HRC, MOTO GP, Jerez de la Frontera/Spain – Chair HONEYCOMB Design Alberto Meda Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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RENAULT @ CASA DECOR, MADRID/SPAIN – Chair FPE Design Ron Arad
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Calle 54 Jazz club, Madrid/Spain – Chair FPE Design Ron Arad
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La marie design Philippe Starck The world’s first completely transparent chair made from a single polycarbonate mould, La Marie combines essential design with an exceptionally robust structure to produce the lightness and intangibility of its image. An ingenious combination of lightness and strength, the result of painstaking and meticulous research on its polycarbonate material, this item is shock resistant. In addition to the crystal version, the Marie is also available in three colours: fluorescent purple, light yellow and light orange.
Castello Monaci, Lecce/Italy – Chair La Marie Design Philippe Starck Sofa POP OUTDOOR Design Piero Lissoni with Carlo Tamborini Table TOPTOP Design Philippe Starck with Eugeni Quitllet
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Hennessy/FRANCE – Chair La Marie Design Philippe Starck
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certifications Leader in the industrial production and distribution of plastic accessories and design items, Kartell has always focussed on, and been dedicated to, research in avant-garde technologies and production processes. Quality, reliability, safety and respect for the environment have always been the company’s key values. From its creation in 1949 to today, Kartell has designed an incredible series of products, the fruit of creativity and of partnerships with the world’s greatest designers. The products are made using top-quality plastics, most of which are recyclable and environmentally friendly; the production processes are optimized to avoid excessive consumption and waste that harmful to the environment and resources. In 1996, Kartell received UNI EN ISO 9001 certification for its Corporate Quality Management System. In 2012, Kartell was also awarded UNI EN ISO 14001 certification for its efficient Corporate Management System. These certifications are proof that Kartell applies a careful control system that assesses and verifies the appropriateness of its technology, industrialization, quality and environment, in order to reconcile is industrial processes with the needs and expectations of the end consumer. And, reflecting its concern for protecting the health of the end consumer, Kartell is set to receive Greenguard certification for its collections in 2014. Greenguard was created in the United States in 2001 to develop a series of technical requirements to certify materials for indoor use. This certification attests to the quality of the air breathed in closed spaces furnished with Kartell products. The parameters used are very strict, requiring that the furniture used and the certificates respect very specific emission limits in order to protect consumers’ health, with particular regard to children. By buying a Greenguard certified item, customers can be sure they are purchasing an inspected and safe product that does not pollute. Greenguard is required by many certification boards for green buildings (LEED; CHPS; ASHRAE; Green Globes, NAHB; IgCC, CONSIP) worldwide. Kartell’s concern for the environment is reflected in its use of top-quality plastics that are clean, certified, environmentally friendly and mostly recyclable, along with packaging solutions that avoid waste. We take great care to guarantee recyclability throughout our production cycle, right from the earliest design stages. Recyclability is one of the strong points of Kartell’s products: at the end of their life, all of Kartell’s products plastic components can be recycled again and again. But is there an “end of life” for a Kartell product?
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Care To care for your Kartell products, protecting their original characteristics, you just need to keep a few simple things in mind. When cleaning plastic surfaces, use a damp, soft cloth with neutral liquid soap or cleanser, preferably diluted. Do not use ethyl alcohol or cleansers containing even the slightest amount of acetone, trichlorethylene, ammonia or solvents as these substances will permanently damage the plastic. In addition to the corrosive substances listed above, avoid abrasive substances, including powdered cleansers, abrasive creams and cleaning tools with coarse surfaces, such as steel wool or rough sponges.
Packaging All of the product’s packaging—cardboard, plastic wrap, paper—is 100% recyclable, based on generally applied criteria at the local level (recycling bins or recycling centres). This is the best way you can contribute to environmental sustainability: avoid waste and avoid “littering” the environment with excessive waste.
Quality Control Kartell uses various control systems in its production. The red “QUALITY CONTROL” label found inside each box is your guarantee that the product was checked by a Quality Control inspector before being packaged. The codes on the control label are used to trace essential data in the event there is a problem with the product.
CONTROLLO QUALITA’
品質管理
QUALITY CHECK
품질 관리
CONTRÔLE QUALITE QUALITÄTSKONTROLLE
КОНТРОЛЬ КАЧЕСТВА
CONTROL DE CALIDAD CONTROLO DE QUALIDADE
30 30
30 30
P P
P P
60 60
40 40 30 30
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index Abbracciaio design Philippe Starck with Ambroise Maggiar p. 2-3-4
Glossy design Antonio Citterio with Oliver Löw p. 2-3-4-120
Ami Ami design Tokujin Yoshioka p. 68-69
Hi-Cut design Philippe Starck with Eugeni Quitllet p. 52-53-54-55
Attila design Philippe Starck p. 73 Audrey design Piero Lissoni p. 48-49-91 Battery design Ferruccio Laviani p. 110-111 Bloom design Ferruccio Laviani p. 126 Bourgie design Ferruccio Laviani p. 20-32-74-75-112-113 Bubble Club design Philippe Starck p. 33-34-35-36-37-38-39 Charles Ghost design Philippe Starck p. 25-58-59 Comback design Patricia Urquiola p. 78-80-81 Dolly design Antonio Citterio with Oliver Löw p. 58-59 Dr Yes design Philippe Starck p. 40-41-42-43 È design Ferruccio Laviani p. 114-115
Mr. Impossible design Philippe Starck with Eugeni Quitllet p. 66-67
I.D.Ish by D’O design Davide Oldani p. 2-3-4
Max design Ferruccio Laviani p. 121
Invisible Side design Tokujin Yoshioka p. 74-75-124-125
One design Piero Lissoni p. 121
Invisible Table design Tokujin Yoshioka p. 77
One More, One More Please design Philippe Starck p. 44-45-46-47
Jellies Family design Patricia Urquiola p. 2-3-4-5 Jelly design Patricia Urquiola p. 82-126 Jolly design Paolo Rizzatto p. 57 La Bohème design Philippe Starck p. 31-77-126-127 La Marie design Philippe Starck p. 74-75-100-101-141-142 Lizz design Piero Lissoni with Carlo Tamborini p. 62-63-64-65 Louis Ghost design Philippe Starck p. 93-99-100-101-102-103-104-105-106107-108-109
FL/Y design Ferruccio Laviani p. 98-99
Mademoiselle design Philippe Starck p. 90-128
Foliage design Patricia Urquiola p. 76
Mademoiselle à la mode design Philippe Starck p. 97-129-130-131-132-133
Four design Ferruccio Laviani p. 88-89-90-91-135 FPE design Ron Arad p. 139-140 Frilly design Patricia Urquiola p. 70-71 Ghost Buster design Philippe Starck with Eugeni Quitllet p. 127
Misses Flower Power design Philippe Starck with Eugeni Quitllet p. 107-108
Honeycomb design Alberto Meda p. 138
Ero|S| design Philippe Starck p. 60-61
Form design Piero Lissoni p. 136-137
Mauna-Kea design Vico Magistretti p. 54
Magic Hole design Philippe Starck with Eugeni Quitllet p. 72-122-123-124-125 Masters design Philippe Starck with Eugeni Quitllet p. 2-3-4-5-6-7-8-9-10-11-12-13-14-15-1617-90 Matelassè design Patricia Urquiola p. 82-83 Maui design Vico Magistretti p. 116-117-118-119-120
Optic design Patrick Jouin p. 57 Papyrus design Ronan & Erwan Bouroullec p. 94-95-96-97 Plastics design Piero Lissoni p. 56-57-135 Plastics Duo design Piero Lissoni p. 84-85-86-87 Pop outdoor design Piero Lissoni with Carlo Tamborini p. 72-73-74-75-76-77-141 Shanghai design Mario Bellini p. 82-127 Spoon Chair design Antonio Citterio with Toan Nguyen p. 134-135 Stone design Marcel Wanders p. 74 T-Table design Patricia Urquiola p. 34 Taj design Ferruccio Laviani p. 115 Thalya design Patrick Jouin p. 50-51 Toobe design Ferruccio Laviani p. 57 TopTop design Philippe Starck with Eugeni Quitllet p. 14-15-20-21-41-42-43-67-68-69-92-93106-128-138-141
Trays design Piero Lissoni p. 136 U Shine design Eugeni Quitllet p. 2-3-5 Uncle Jack design Philippe Starck p. 30-31 Uncle Jim design Philippe Starck p. 30-31-32 Victoria Ghost design Philippe Starck p. 18-19-20-21-22-23-24-26-27-28-29-4792-113
CATALOGO CONTRACT 2015 – CREDITS 01. Photo by Giuseppe Brancato p. 30 02. Photo by Stefano Candito p. 2-3-4-5-31- 32-108-109 03. Photo by Nicola Castelli p. 48-52-115 04. Photo by Fabio Gambina p. 84-85 05. Photo by Alfio Garozzo p. 37-38-39-54-62 06. Photo by Samuel Kirszenbaum p. 46 07. Photo by Pinar Lauridsen p. 12 08. Photo by Franco Ortolani p. 67-75 09. Photo by Simona Pesarini p. 16-17-70 10. Photo by Sabrina Pierantozzi p. 107 11. Project by Teresa Sapey p. 137 12. Photo by L. Sorrentino p. 63 13. Photo by Rui Teixeira p. 40-41-66 14. Proyecto Contract Casaviva Spain – September 2008 p. 97
Project and Art Direction Studio Laviani Layout Giovanni Marazia
Printing O.G.M. SpA
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