Kash Lee, Chun Man
Architecture Portfolio 2001-2014
v
PERSONAL DETAIL Name: (english)
Lee Chun Man
(chinese)
Date of Birth:
8th May,1982
Nationality:
Email Address:
kash.1cm@gmail.com
李俊文
Sex:
Male
Chinese
EDUCATION & PROFESSIONAL QUALIFICATIONS
ARCHITECTURAL RELATED WORKING EXPERIENCE
Professional Qualifications: Years enrolled: from (mm/yy)
May 2008
to (mm/yy)
Organization:
Qualification Obtained:
Leadership in Energy & Environmental Design (LEED)
Accredited Professional
Institution:
Qualification Obtained:
The Hong Kong Polytechnic University
Bachelor of Arts in Design, Environmental with industrial
Higher Education: Years enrolled: from (mm/yy)
OCT 2003
SEP 2001
to (mm/yy)
DEC 2006
MAY 2003
School of Professional and Continuing Education Community College (SPACE)
The University of Hong Kong
(second class honours, division 1)
Professional Diploma in Architectural Studies
Employment Date:
Company:
Position:
March 2007 Current
HOK Asia Pacific Ltd.
Architectural Assistant
June 2005
Research Architecture Design (RAD)
Student Intern
from (mm/yy)
to (mm/yy)
August 2005
1
Professional Works -
∙LWK & Partner Ltd ∙Lane Crawford ∙HOK asia pacific
Selected Works
2
3
Academic Works -
Academic Works -
RMIT
Democracy Vestibules Club asphodel - Gateway to reborn FB is big - Inception Wonderstuff - MoTive
4
Academic Works -
POLYU 01 02 03 04
Teahouse Nilhilis Snap institute of Toys & Gifts Design Portal Muse
HKU SPACE 01 02 03 04
Serene Wharf Play Hong Kong Cultural Heritage Center
01 02 03
1
Professional Works -
LWK & PARTNER LTD
Selected Works
2014
Multi-Residential · Hong Kong · 2014 • Demolition and tendering stage • 7 residential towers, shopping mall and 5 Footbridges (82,000 sq m.) • Liaising with all stakeholders including, Contractors, engineers, consultants and client reps etc. • Preparation/Revision for government submission, • Respond to comment from various government department • Ensure compliance of all architectural guideline and standard • Facilitating Tender Queries and Tender interview
Date: Fri 11/21/14
TW5C Tentative Programme for Bored Pile Verification and Enhancement Works (3 sets of Drilling Rigs) ID
Task Name
1
Foundation Contract (CSFE - 9 nos. of Bored Piles)
Duration
Start
Finish
55 days
Fri 11/14/14
Thu 1/29/15
Predecessors
2
Submit the Enhancement Works Proposal
0 days
Fri 11/14/14
Fri 11/14/14
3
BD Review the Enhancement Works Proposal
7 days
Fri 11/14/14
Mon 11/24/14 2
4
Batch 1 (3 Nos. Bored Pile )
34 days
Tue 11/25/14
Fri 1/9/15 3
Tue 11/25/14
5
Full Core witnessed by BD Officer
7 days
6
Prepare Full Core Report
5 days
Thu 12/4/14 Wed 12/10/14 5
7
BD Review the Report and Pressure Grout Proposal
5 days
Thu 12/11/14 Wed 12/17/14 6
8
Pressure Grout of Bored Pile
5 days
Thu 12/18/14 Wed 12/24/14 7
9
Grout Cube Test Report (7 days strength)
7 days
Thu 12/25/14
Fri 1/2/15 8
10
BD Review the grout cube test report
5 days
Mon 1/5/15
Fri 1/9/15 9
34 days
Thu 12/4/14
Tue 1/20/15 Fri 12/12/14 5
11
Batch 2 (3 Nos. Bored Pile ) Full Core witnessed by BD Officer
7 days
Thu 12/4/14
13
Prepare Full Core Report
5 days
Mon 12/15/14
Fri 12/19/14 12
14
BD Review the Report and Pressure Grout Proposal
5 days
Mon 12/22/14
Fri 12/26/14 13
15
Pressure Grout of Bored Pile
5 days
Mon 12/29/14
Fri 1/2/15 14
16
Grout Cube Test Report (7 days strength)
7 days
Mon 1/5/15
Tue 1/13/15 15
17
BD Review the grout cube test report
5 days
Wed 1/14/15
Tue 1/20/15 16
Batch 3 (3 Nos. Bored Pile )
34 days Mon 12/15/14
Full Core witnessed by BD Officer
7 days
Mon 12/15/14
Tue 12/23/14 12
20
Prepare Full Core Report
5 days Wed 12/24/14
Tue 12/30/14 19
21
BD Review the Report and Pressure Grout Proposal
5 days Wed 12/31/14
Tue 1/6/15 20
22
Pressure Grout of Bored Pile
5 days
Wed 1/7/15
Tue 1/13/15 21
23
Grout Cube Test Report (7 days strength)
7 days
Wed 1/14/15
Thu 1/22/15 22
24
BD Review the grout cube test report
5 days
Fri 1/23/15
Thu 1/29/15 23
25 26
Foundation Contract (CSFE for other Bored Piles)
27
5 days Wed 12/24/14
Tue 12/30/14 19
28
5 days Wed 12/31/14
Tue 1/6/15 27
29
Grout Cube Test Report (7 days strength)
7 days
30 31
BA14 Application
10 days 0 days
33
BD Review the BA14
10 days
Thu 12/4/14 Wed 12/17/14 32
45 days
Fri 11/28/14
24 days
Fri 11/28/14 Wed 12/31/14
36 37
ELS Amendment and Consent Application (For Stage 1A Advance ELS works) ELS Consent Application (For Stage 1B)
24 days
16
19
22
25
Wed 12/3/14
Mon 12/29/14
December 2014 1 4 7
28
January 2015 10 13 16 19 22 25 28 31 3 6 Foundation Contract (CSFE - 9 nos. of Bored Piles)
9
12
15
18
21
24
27
30
February 2015 2 5
8
11
14
11/14 BD Review the Enhancement Works Proposal Batch 1 (3 Nos. Bored Pile ) Full Core witnessed by BD Officer Prepare Full Core Report BD Review the Report and Pressure Grout Proposal Pressure Grout of Bored Pile Grout Cube Test Report (7 days strength) BD Review the grout cube test report Batch 2 (3 Nos. Bored Pile ) Full Core witnessed by BD Officer Prepare Full Core Report BD Review the Report and Pressure Grout Proposal Pressure Grout of Bored Pile Grout Cube Test Report (7 days strength) BD Review the grout cube test report Batch 3 (3 Nos. Bored Pile ) Full Core witnessed by BD Officer Prepare Full Core Report BD Review the Report and Pressure Grout Proposal Pressure Grout of Bored Pile Grout Cube Test Report (7 days strength) BD Review the grout cube test report
Foundation Contract (CSFE for other Bored Piles) Assuming 3 Nos.Bored Pile Full Core for Other Bored Piles with BD Officer (Assume 3 nos. of drilling rigs) Grout the Core Hole & Prepare Full Core Report Grout Cube Test Report (7 days strength)
Wed 12/3/14 Wed 12/17/14
BA14 Resubmission
Main Contract
13
Thu 1/15/15 28
32
34 35
10
Thu 1/15/15
Assuming 3 Nos.Bored Pile Full Core for Other Bored Piles with BD Officer (Assume 3 nos. of drilling rigs) Grout the Core Hole & Prepare Full Core Report
Wed 1/7/15
November 2014 1 4 7
Thu 1/29/15
19
17 days Wed 12/24/14
29
Wed 12/3/14
12
18
26
BA14 Application
Wed 12/3/14 5
12/3 BD Review the BA14
Thu 1/29/15
Main Contract ELS Amendment and Consent Application (For Stage 1A - Advance ELS works)
Thu 1/29/15 33FF,24FF
ELS Consent Application (For Stage 1B)
Task
Progress
Summary
External Tasks
Split
Milestone
Project Summary
External Milestone
Deadline
Page 1
Rev.7
1
Professional Works -
Land Crawford
Selected Works
2011-2012
LAB Concept Queensway plaza · Hong Kong · 2012 • Concept Design to Completion stage • Site survey and inspection before and during demolition stage (4,650 sq m) • Engage in design, documentation, construction and site inspection • Manage planning and execution of proposed projects • Participate in team meeting and site meeting for coordination • Inform management about project updates and status • Manage project execution and delivery within approved timeline and budget • Interact with in-house department to implement their plans and goals in architectural project drawings (cosmetic, men’s/women, lifestyle) • Coordination with PM, contractors, consultants, suppliers
LANE CRAWFORD Carton Road • Alteration completed stage • Checking and record defect • Inform management about project updates
LAB Concept store Central · Hong Kong · 2012 • Concept stage • Evaluate site conditions and constraints for construction projects (1,500 sq m) • Collect design requirement for alterations • Manage, Support and guide designers involved in preparing drawings. 1/F | WOMENSWEAR
at
1
Professional Works -
HOK Asia Pacific
Selected Works
2007-2010
ŕŹšĎŽă¸Ťä—Łăžšŕł’ áŽšáąƒ Retail Street Perspective - Day View
2.33
Mixed-use Development project Zhuhai ¡ China ¡ 2010
Situated beside the Gongbei Customs, at the heart of the future ZhuhaiHong Kong-Macau transportation juncture, this project is a vital part of the Huafa New Town International Lifestyle Community. Such a prime geographical location imparts a distinct public persona and commercial prestige to Lot 6, Phase 3 of the Huafa New Town Development, ensuring considerable growth potential and international exposure upon completion of the retail and commercial complex. • Concept to Design Development stage • 2 Serviced apartment towers (40,000 sqm), Shopping mall (60,000 sqm), Shopping promenade (15,000sqm) and Leisure and lifestyle emporium (25,000 sqm) • Use Revit tool effectively to draft design drawings including 3D model • Review design requirements and determine the best design options for the project. • Modify and update designs based on review comment from client • Participate in Meeting with Client and consultants • Maintain all the documentation related to architectural design and construction condition # Retail Strategies - Anchors • Coordination with outsource renderer & model maker • Documentation (Plans, Elevations, Section, in-house rendering and diagrams) VanGuard Waterfront F&B
SPA Center Plaza
Plaza
Sunken Garden Drop off
Sunken Garden
! $
Sunken Garden
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" &% HuaFa New Town Phase 6 - Lot S3 , Architectural Schematic Design Interim Presentation 2009-12-03 Zhuhai, China
Shading 䙂䰇
Winter Wind ހᄷᄷ乼
Integrated PV panels for lighting ㌤ড়䱑㛑ሸᵓ
Summer Prevailing Wind ⲯ㸠亢
Summer Wind ᄷᄷ乼 Noise Barrier
N
䱨ໄࠊ
Rainwater collection 䲼∈ಲᬊ
Shading 䙂䰇
ൟ⠛ Model Images
Rainwater Collection 䲼∈ಲᬊ
Canopy Module ᐩऩܗ
ൟ⠛ Model Images
2.37
ढথᮄජ݁ᳳ 6 ഄഫᓎㄥὖᗉ䆒䅵 HuaFa New Town Phase 6 - Lot S3 , Architectural Final Concept Design 2009-10-16 Zhuhai, China
2.37
4
10 10M
25M
2
5
0
0
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Zhuhai, China
Zhuhai, China
10M
CORE Ḍᖗㄦ
DUPLEX 2 ROOM ᇣᓣϸ᠓ϸि
DUPLEX 1- 2 ROOM ᇣᓣϔ᠓বϸ᠓
3.4
ढথᮄජ݁ᳳ 6 ഄഫᓎㄥὖᗉ䆒䅵 HuaFa New Town Phase 6 - Lot S3 , Architectural Final Concept Design 2009-10-16
4
ศὐϔᷛޚᑇ䴶 催ሖ Tower 1 Typical Floor Plan - Upper Level
Zhuhai, China
2
SKY GARDEN ぎЁ㢅ು
CORE Ḍᖗㄦ
CIRCULATION 䍄ᒞ
DUPLEX 2 ROOM ᇣᓣϸ᠓ϸि
DUPLEX 1- 2 ROOM ᇣᓣϔ᠓বϸ᠓
3.3
3.2
ढথᮄජ݁ᳳ 6 ഄഫᓎㄥὖᗉ䆒䅵 HuaFa New Town Phase 6 - Lot S3 , Architectural Final Concept Design 2009-10-16
0
N
Garden View ು᱃ ศὐϔᷛޚᑇ䴶 Ԣሖ
Site Plan
Tower 1 Typical Plan - Lower Level
ഄᘏᑇ䴶
ศὐѠ ࠪ䴶 Tower 2 Section
Maximize South Facing फᳱ᳔࣪
N
ᮄජ݁ᳳ 6 ഄഫᓎㄥὖᗉ䆒䅵 HuaFa New Town Phase 6 - Lot S3 , Architectural Final Concept Design 2009-10-16
Dropoff Area 㨑ᅶऎ Entrance Plaza ᑓഎܹষ High Definition Media Screen 催⏙⬉㾚ሣᐩ VanGuard Entrance ढ⍺ଚϮܹষ VanGuard Retail ढ⍺ଚϮ
ढথᮄජ݁ᳳ 6 ഄഫᓎㄥὖᗉ䆒䅵 HuaFa New Town Phase 6 - Lot S3 , Architectural Final Concept Design 2009-1 Zhuhai,
Mixed-use Development Conceptual Design ¡ Zhuhai ¡ China ¡ 2010 • Involved in this project as a major designer • Using Sketchup, Revit throughout the whole design development • Meeting with Client and consultants • Coordination with outsource renderer & model maker • Production for presentation ( Plans, Elevations, Section, inhouse rendering and diagrams )
HuaFa New Town Phase 6 - Lot S3 , Architectural Schematic Design Interim Presentation 2009-12-03 Zhuhai, China
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Office Tower · Design Development · Shanghai · China · 2009 • Design Development Stage • Update design detail such as Curtain wall facade • Material sampling, lighting design and mechanical etc • Participate in team meeting and coordination meeting • Liaising with consultants, suppliers, client, renderer • Documentation (Plans, Elevations, Section and diagrams)
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Mixed-use Development Conceptual Design ¡ Nanjing ¡ China ¡ 2009 â&#x20AC;˘ Concept design stage â&#x20AC;˘ Involved in these project as a major architectural designer â&#x20AC;˘ Participate in team meeting to coordinate design options and ideas â&#x20AC;˘ Use software like Autocad, Revit and Sketchup throughout the whole design development â&#x20AC;˘ Execute all aspects of architectural processes and issues â&#x20AC;˘ Site analysis, feasibility study, massing study, and facade development â&#x20AC;˘ Coordination with renderer & model maker â&#x20AC;˘ Production for presentation (Plans, Elevations, Section and diagrams)
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Hexi CBD Mixed use development 路 China 路 2008 I was involved in this project as a major designer at HOK Asia Pacific co. through the conceptual design competition phase. I worked closely with the design director Jeff Kaeonil and Associate Dickson Mak on the overall design of the project. Situated in the greenbelt of the Nanjing Hexi CED,the mixed use development will house 256 hotel rooms over 95,000 sm of prime office space. A second 60,000 sm service apartment tower will be developed to the south. Both towers will be connected by a 40,000 sm retail podium. One of my main responsibilities was to design the form from rough sketch to 3D model for studying the light and formal qualities. The jagged edge facade on southern tower was inspired to maximize views on the soon-to-be-dense context,by using Sketchup, Autocad and Revit softwares. The form was refined into rationalized, constructible pieces that included balcony and bay window, which provided most comfort by responding to the eastern climate in China. The finished 3D model then sent to outsourced model maker and rendering company for the production of presentation models as well as the graphical representation of the project. I coordinated with both parties to maintain the sense of esthetic qualities.
2
RMIT_Final Project Democracy Vestibules
Supervisor: Michael Spooner & Peter Knight
01
SUPERVISORS: MICHAEL SPOONER & PETER KNIGHT The ambition of this project focuses on providing a ground for hope and a “new destination” for the people of hong kong to voice their frustration and resentment to the government. The project’s emphasis is on facilitating political protests while serving as public buildings. Political buildings are monumental structures that are often immediately identifiable as the seat of power, with singular programmatic purposes and are uninviting to the general public. This project attempts to dissolve this relationship and to rework the previously typologically independent entities into one where architecture, politics and the public co-exist in a non-hierarchical way.
democracy vestibules
Start
End
ute
st ro
Prote
2
RMIT - CLUB ASPHODEL Gateway to reborn 02
Tutors: Michael Spooner & Peter Knight
The Fountain The illusion of existing ground. Sound brings memory/emotion. It is also a stimulator for being alive.
outdoor walkway
comoterrace
A
Aâ&#x20AC;&#x2122;
Cafe
The Fountain Church bell
The Chapel Third Floor Plan
office multifunction rm
gym counselling rm
Section AAâ&#x20AC;&#x2122;
The outdoor pathway
The passages bringing the vistors up higher than the surrounding buildings. Extended from the existing terrace, the walkway is a journey to taste the nature and overlook the surrounding urban context.
2
RMIT - FB is BIG inception
Tutor: Simon Whibley
03
_inception
Fisherman’s Bend’s urban fabric consist mostly of industrial areas, manufacturing, wholesale trade and residential. According to Melbourne’s Metropolitan strategy, Port Philip is expected to have an addition of 90000 dwellings in it by 2030 and Fisherman’s Bend has the capacity to accomodate for that. The strategy for Fisherman’s Bend is to inject urban diversity while retaining the urban fabric. Programmes that are more community oriented are seeded into different zones in FB. These programmes are seeded into existing buildings on site. As Jane Jacobs stated “Old ideas might need new buildings. New ideas definitely need old buildings”. The intervention strategy determines the hybridization and execution of programmes into the buildings themselves. Grains are results of seeds and radial outwards from each seed. To accommodate for the speculated population in FB, residential typologies are placed into site and classified as the grey zones. Residential typologies are a respond to its existing seeds around it. Black zones are identified as uncontrollable zones that contain the qualities of Melbourne CBD. These zones are the areas where developers favor. The green zone acts as a connector between all these zones. The green zone is crucial in between the seeds and black zones as this would provide a buffer for these two contrasting qualities in the same site. Overall, the idea is to create a city that has very diverse programmes and everything is within walking prioximity. In the midst of that,parts of the urban fabric quality of FB will be retained and have new programmes injected into it.
MASTERPLAN 1:7500
WILLIAMSTOWN ST
SECTION 1:5000
JL MURPHY RESERVE
GREY ZONE
PLUMMER ST
ARTS PRECINCT
WOOLBOARD RD
GREEN ZONE
ARTS PRECINCT
PRINCES HIGHWAY
GREY ZONE
BLACK ZONE
MANUFACTURING PRECINCT
LORIMER ST
GREEN ZONE
2
RMIT - Wonderstuff MoTive
Tutor: Vivian Mitsogianni
04
3
Academic Works - POLYU Teahouse Nilhilis Snap institute of Toys & Gifts Design Portal Muse 2003-2006
01 02 03 04
01
Teahouse Teahouse, 36, Cochrane Street, Central, Hong Kong, 2004 Project Description
02
Nilhilis
Wanchai, Hong Kong, 2004
Project Description
03
SNAP Institute of Toys & Gifts Design China, 2005
Project Description In collaboration with the Cheung Kong (holdings) Limited, Guangzhou International Toys & Gifts Centre (GITGC) aimed at creating the world largest logistics center for toy and gift products. With its market orientation and its customer foremost business philosophy, the center is devoted to establish an educational research and design institute. Situated in one of the main entrance of the GITGC campus, the SNAP institute, which symbolized the nature of the toys and gift product design â&#x20AC;&#x201C; a joyful and playful experience. By collaborating different design disciplines (environmental, product and graphic student), this project not only focused on the spatial aspect but also promoted an comprehensive learning experience for the users. The architecture was composed of three distinguish modules with different form, color and material. For dividing a clearer zoning, the left wing is mainly for teaching and administration, while the right is for study and research. The central zone included a exhibition hall, a rooftop garden and a cafeteria, and acted as the circulation node. The open space above the exhibition hall served as a transition level, providing a gathering space for relaxation.
Snap Institute of Toys & Gifts Design
North Elevation
Level 4
South Elevation
West Elevation
Level 2
Section of the exhibition hall
Foucault’s Heterotopia theory · Inital Research Presentation · 2005
Development
Background >Starting from the theory of Foucault’s heterotopia, the location represents the juxta-positioning of various functionalspaces —commercial, transport and heritage.
The re-development of the interchange transport terminal near the Tsim Sha Tsui Ferry Pier provides the chance to re-iterate the uniqueness of the site.
History >The generation of the flow of the site evolved from the pre-designated directions established since 1950s at the Pier end of Tsim Sha Tsui, which used to be a railway station.
The Context
>Historical details and site analyses revealed a tri-directional flow of transport. These directions were choosen as entrance for the future atchitecture; as such, cross-sections were experimented and graphically illustrated by 2 over-lapping traiangles.
commerical
>Site natural
Cultural
The Concept >Truncating the vertices, a hexagonally shaped site was formed, where it encompassed the heterotopia with cultural area, natural environment and commercial site juxtaposing to each other
Portal Muses Contemporary art museum, Tsim Sha Tsui, Hong Kong, 2005-2006 Project Description This project intended to explore the built environment in the future. Starting from the theory of Foucault’s heterotopia, the site represents the juxta-positioning of commercial and cultural node. Situated next to Tsim Sha Tsui ferry pier, the redevelopment of the interchange transportation terminal has reiterated the uniqueness of the site. The pre-designated flow of the site was established since 1950s, evolving from the old railway station. By overlapping the flow with the existing circulation, it formed a hexagon network horizontally. The plane then extrapolated into the vertical layer, consisting of a 3 level mega structure, which allowed for exhibition purpose. To encompass the heterotopia with cultural area, existing heritage and commercial element, the architecture generates a tridirectional flow. The architecture is alive, dramatizing shifts in different conditions. With railing tracks installed upon the mega structure, the exhibition space will continually change according to varies programme. The movement are governed by computer monitoring. The metallic mesh facade permits the structural permeability between the exterior and interior space; it also enhances the internal mobility and movement of the architecture. By creating this “floating heterotopia”, the museum could establish more dialogue with the urban fabric. The aim of this project was to maximize the accessibility of cultural events into people daily routine that evoked a stronger bonding between culture, history and community.
The development >Site analysis generated 3 plausible orientations representing the entrances. Further development tested the multi-directional flow, forming a mesh. Such a horizontal plane concept was then extrapolated to the vertical plane. The tri-directional concept eventually expanded to form an 3-level building that consisted of multiple ‘3-system’ self-sustaining ‘floating’ untis.
The development
pallet
>The ‘3-system’ referred to the roof system, the pallet and the cargo container.
The Transformation >Development of the form of the ‘roof’ originated from the functional shape of cargo containers. Experimentally transforming the shape of container was then tested. Changes in shape were limited because of its rectangular form. Later, simply breaking down one side of the rectangle, greater number of transformation was possible from the resulting pentagon. Distortion of these pentagons resulted in a much higher degree of flexibility in terms of storage and compartmental effect at the vertical framework for on site development.
Design Finalized >Freedom of flow was considered. A mesh-like horizontal plane was constructed to represent the freedom of transport. Direction of flow was completed with rail-like tracks built upon such imaginary meshes. Floor layer at each level could be manipulated in designated directions as desired.
ttributed to the ‘rail-tracks’ and steel as so takes the advantage of adapting to the preserve the site’s history.
Diagram
A’ 23 24 18
23
02
B
01
08
Site
01
06 03
05
19
14 11
03 20
A
11
04 12 01
07
09 11
16
13 10
15
11 13
01
22 02
17
25 Contextual Optimization
The ground floor final configuration would be defined by the pedestrian’s flow of the existing context. A series of entrance and pathway would be allocated distinguishly in coporate to the direction of the signage systems. Along the path, there would be exhibitions, provision of public services and landscape to enhance the experiences of the visitors.
14
26 21
B’
GROUND FLOOR PLAN +4.2M EXHIBITION/CAFE/LIVE THEATRE
Key 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
Main Entrance Entrance to Temp exhibition Entrance lobby Reception Information Center Temporary exhibition(gallery) Temporary exhibition(Hong Kong calligraphy) Temporary exhibition(sculpture) Jade Market Flea Market Kiosk Storage for temp. exhibition Sitting area Pond Public Toilet Security guard Station Plant room Transportation drop-off area West Entrance gateway Flag Standing Entrance to Star Ferry Pier Exit of Star Ferry Pier Entrance to Star House East Entrance gateway Hong Kong Cultural Center Clock Tower
West Entrance View
Industrial mesh-like appearance is attributed to the ‘rail-tracks’ and steel as major materials of construction. It also takes the advantage of adapting to the pre-existing ‘on-ground’ facilities to preserve the site’s history.
SectionAA’
SectionAA’
SectionBB’ 1:100
SectionAA’
0m 1m
>The lifted multi-level structure maximize the public accessibility on ground floor .
Background >Starting from the theory of Foucault’s heterotopia, the location represents the juxta-positioning of various functionalspaces —commercial, transport and heritage.
The re-development of the interchange transport terminal near the Tsim Sha Tsui Ferry Pier provides the chance to re-iterate the uniqueness of the site.
Development
pment
The Context
>Historical details and site analyses >The generation of the flow of the site revealed a tri-directional flow of evolved from the pre-designated transport. directions established since 1950s at These directions were choosen as >The lifted multi-level structure maximize the public accessibility on ground floor . the Pier end of Tsim Sha Tsui, which entrance for the future atchitecture; as used to be a railway station. such, cross-sections were experimented and graphically illustrated by 2 over-lapping traiangles.
History
Background >Starting from the theory of Foucault’s heterotopia, the location represents the juxta-positioning of various functionalspaces —commercial, transport and heritage.
>Site
>Historical details and site analyses revealed a tri-directional flow of transport. These directions were choosen as entrance for the future atchitecture; as such, cross-sections were experimented and graphically illustrated by 2 over-lapping traiangles.
5m
10m
0m 1m
5m
view corner
void
void
void
void
Garden void
Compartmentalised view corner Flexibility void
voidvoid
view corner
void
void
void
void void
view corner
>Some pallets constitute a functional zone within the building, specifically equipped for a predefined purpose, such void as staff offices, meeting facilities, general utilities, control rooms, etc. However, flexibility is not void excluded.The aim is to allow programmes to proliferate and expand within the mesh-like structure. These compartments
void
void void
Garden
view Background void corner >Starting from the theory of Foucault’s void void void heterotopia, the location represents the view corner juxta-positioning of various functionalspaces view corner —commercial, transport andvoidheritage.
void
void
void
Garden
Closed
Closed
Closed
Start
Start Closed
Start
Start
Start
Start Start
Start Start
Start Start
>Various exhibitions could be held on the same level without infringement to each other by the use of lifting platforms nearby. Visitors would be able to observe the programmes next to the one they Programmed Mixing were currently participating but would not be >Various exhibitions able to cause interference. could be held on the same level without infringement to each other by the use of lifting platforms nearby. Visitors would be able to observe the programmes next to the one they were currently participating but would not be able to cause interference.
>Historical details and site analyses revealed a tri-directional flow of void transport. The roof These directions were choosen as The pallet entrance for the future atchitecture; as such, cross-sections were experimented The roof The pallet Moving patternand graphically illustrated by 2 over-lapping traiangles. Moving pattern
0m 1m
Distortion of these pentagons resulted in a much higher degree of flexibility in terms of storage and compartmental effect at the vertical framework for on site development.
1st FLOOR PLAN +9.66M EXHIBITION/CAFE/LIVE THEATRE
2nd FLOOR PLAN +14.66M LECTURE ROOM/INDOOR GARDEN/CONCERT/EXHIBITION
1st FLOOR PLAN +9.66M EXHIBITION/CAFE/LIVE THEATRE
2nd FLOOR PLAN +14.66M LECTURE ROOM/INDOOR GARDEN/CONCERT/EXHIBITION
while the roof is only movable for one direction.
Previous location
destination
Previous location
destination
The
roof plan roof plan
>The pallet is moving from all direction, horizonal and vertical, palletis is only moving from all for while>The the roof movable direction, horizonal and vertical, one direction.
Start
void
1st Floor typical layout plan
1st Floor typical layout plan
2nd Floor typical layout plan
10m
ROOF PLAN +19.66M
The Concept >Truncating the vertices, a hexagonally shaped site was formed, where it encompassed the heterotopia with cultural area, natural environment and commercial site juxtaposing to each other
>Site
5m
ROOF PLAN +19.66M
Start
void
10m
>Freedom of flow was considered. A mesh-like horizontal plane was constructed to represent the freedom of transport. Direction of flow was completed with rail-like tracks built upon such imaginary meshes. Floor layer at each level could be manipulated in designated directions as desired.
Experimentally transforming the shape of container was then tested. Changes in shape were limited because of its rectangular form. Later, simply breaking down one side of the rectangle, greater number of transformation was possible from the resulting pentagon.
Closed Closed
Start
Start
Start
Closed
Closed
Start
Start
Start
Closed
Start
Start
Start
Closed
Closed
Closed
Closed
Closed
needs.
Start Start
Closed
Start
5m
>Freedom of flow was considered. A mesh-like horizontal plane was constructed to represent the freedom of transport. Direction of flow was completed with rail-like tracks built upon such imaginary meshes. Floor layer at each level could be manipulated in designated directions as desired.
Design Finalized
>Development of the form of the ‘roof’ originated from the functional shape of cargo containers.
>The ‘3-system’ referred to the roof system, the pallet and the cargo container.
ThevoidContext voidvoid
Start
Start
pallet
>The generation of the flow of the site evolved from the pre-designated directions established since 1950s at the Pier end of Tsim Sha Tsui, which used to be a railway station.
Closed
Closed
the pallet, different Start ’ can be created. A >Relying on the flow of the pallet, different lest form. It controls Closed s to move in one combinations of ‘routes’ can be created. A single route is the simplest form. It controls e for the situation the circulation of visitors to move in one loyed the whole direction and is suitable for the situation be generated from that only one user employed the whole level. Other routes can be generated from he concept of Closed ver the mesh-like the two ends, fulfilling the concept of multi-directional flow over the mesh-like the building tracks as considered at the building nt, depending upon conceptual development, depending upon eld and the users’ the types ofStart function held and the users’
void void
usablefloor area is free to expand or to contract any part of its component. Apart from the horizontal plane of expansion, extra space could be got through vertical expansion from the immediate level above.
view corner
The Transformation
The development
Programmed Mixing
History
Closed
void The re-development of the interchange transport terminal near the Tsim Sha Tsui Ferry Start Pier provides the chance to re-iterate the uniqueness of the site. Circulation
>The mesh-like tracks provide a flexible structural void compartment to facilitate the expansion of the building capacity( max. 3264sqm Expansion Programmed void ---excluded 2 void space for inter-exchange of the pallet).Within the structure, the >The mesh-like usablefloor area is free to expand or to tracks provide a flexible structural Garden contract any part of compartment its component. Apartthe expansion of to facilitate from the horizontal plane of expansion, the building capacity( max. 3264sqm void extra space could be ---excluded 2 void space for inter-exchange got through vertical of the pallet).Within the structure, the expansion from the immediate level above.
10m
Distortion of these pentagons resulted in a much higher degree of flexibility in terms of storage and compartmental effect at the vertical framework for on site development.
>Site analysis generated 3 plausible orientations representing the entrances. Further development tested the multi-directional flow, forming a mesh. Such a horizontal plane concept was then extrapolated to the vertical plane. The tri-directional concept eventually expanded to form an 3-level building that consisted of multiple ‘3-system’ self-sustaining ‘floating’ untis.
Programmed Expansion
Experimentally transforming the shape of container was then tested. Changes in shape were limited because 0m of 1m its rectangular form. Later, simply breaking down one side of the rectangle, greater number of transformation was possible from the resulting pentagon.
5m
Design Finalized
>Development of the form of the ‘roof’ originated from the functional shape of cargo containers.
>The ‘3-system’ referred to the roof system, the pallet and the cargo container.
pallet
The development
void >The lifted multi-level structure maximize the public accessibility on ground floor .
The Transformation
The development
>Site analysis generated 3 plausible orientations representing the entrances. Further development tested the multi-directional flow, forming a mesh. Such a horizontal plane concept was then extrapolated to the vertical plane. The tri-directional concept eventually expanded to form an 3-level building that consisted of multiple ‘3-system’ self-sustaining ‘floating’ untis.
10m
The Concept >Truncating the vertices, a hexagonally shaped site was formed, where it encompassed the heterotopia with cultural area, natural environment and commercial site juxtaposing to each other
>Site
0m 1m
The development
The Concept >Truncating the vertices, a hexagonally shaped site was formed, where it encompassed the heterotopia with cultural area, natural environment and commercial site juxtaposing to each other
The Context
>The generation of the flow of the site evolved from the pre-designated directions established since 1950s at the Pier end of Tsim Sha Tsui, which used to be a railway station.
The re-development of the interchange transport terminal near the Tsim Sha Tsui Ferry Pier provides the chance to re-iterate the uniqueness of the site. void
talised
pallets zone within y equipped se, such as cilities, rooms, etc. ot allow ate and h-like artments
History
SectionBB’ 1:100
2nd Floor typical layout plan
AA’
SectionBB’SectionBB’ 1:100 1:100
10m
0m 1m
e development The development
>Site analysis generated >Site 3 plausible analysis generated 3 plausible orientations representing orientations the entrances. representing the entrances. Further development tested Further the development tested the multi-directional flow, forming multi-directional a mesh. flow, forming a mesh. Such a horizontal plane concept Such a was horizontal plane concept was pallet then extrapolated to the vertical then extrapolated plane. to the vertical plane. The tri-directional conceptThe eventually tri-directional concept eventually expanded to form an 3-level expanded buildingto form an 3-level building that consisted of multiple that ‘3-system’ consisted of multiple ‘3-system’ self-sustaining ‘floating’ untis. self-sustaining ‘floating’ untis.
The development The development
pallet
>The ‘3-system’ referred to the roof system, the pallet and the cargo container.
>The ‘3-system’ referred to the roof system, the pallet and the cargo container.
The Transformation The Transformation
>Development of the form>Development of the ‘roof’ originated of the form from of the the ‘roof’ originated from the functional shape of cargofunctional containers. shape of cargo containers. Experimentally transforming Experimentally the shape oftransforming container was the shape of container was then tested. Changes in shape then tested. were limited Changes because in shape of were limited because of its rectangular form. Later, itssimply rectangular breaking form. down Later, onesimply breaking down one side of the rectangle, greater sidenumber of the rectangle, of transformation greater number of transformation was possible from the resulting was possible pentagon. from the resulting pentagon. Distortion of these pentagons Distortion resulted of these in a much pentagons higherresulted in a much higher degree of flexibility in terms degree of storage of flexibility and in terms of storage and compartmental effect at the compartmental vertical framework effect at forthe on vertical site framework for on site development. development.
Roof (inclination) >The inclination area of the roof is another utilizable area as seatings or for display or exhibition. Through anchoring display platform or detachable seats, such an area formed a mini-plaza. These inclination areas provide a theatre-like sloping for easy display or as complementary sitting area for functions held at the pallet floor.
Lecture hall >It could set up according to the needs of users upon the pallet. With the use of the hanging system, exhibition panel or projection screen can be provided on demand.
5m 0m 1m
10m 5m
Design Finalized Design Finalized
10m
>Freedom of flow was considered. >FreedomAofmesh-like flow was considered. A mesh-like horizontal plane was constructed horizontal to plane represent was the constructed to represent the freedom of transport. Direction freedom of flow of transport. was Direction of flow was completed with rail-like tracks completed built upon with such rail-like tracks built upon such imaginary meshes. Floorimaginary layer at each meshes. level could Floor layer at each level could be manipulated in designated be manipulated directions as in desired. designated directions as desired.
Facade The faced is made from stainless steel cable weaved to form a metallic mesh curtain. This permits a structural permeability between the external environment and the internal atmosphere. Visitors would find their entries into the architecture as natural as simple diffusion. And the mesh, by its form, would have numerous holes that allowed natural ventilation and lighting at the same time. roof
With its high visibility, visitors indside and the pedestrians outside would have an enhanced ex ex-perience about the innate mobility and movement of the building. This would attract people visiting the museum as if their usual daily routines.
4
Academic Works - HKU SPACE Serene Wharf Play Hong Kong Cultural Heritage Center
2001-2003
01 02 03
01
Serene Wharf Museum on Lei Yue Mun Waterfront, Hong Kong, 2001 Project Description Situated in Lei Yue Mun, one of the oldest village in HK which is now well-known for seafood. This small fishing village located at the eastern entrance to the Hong Kong Harbour. With its unique topography, the site would compass the heritage of the existing architecture and the beautiful waterfront. The museum served as exhibition space and community space for the local resiresi dents and visitors. The Stacking form was inspired and responded to the surroundsurround ing vernacular architecture. It consisted of a series of individual low-rise massing which internally connected with bridges. The yard at the south end covered with local oyster shell acted as a open space and was linked to the Tin Hau temple. The programme emphasized on various vertical experience. Whilst maximizing the possibilities to implement natural lighting and ventilation, the museum provided breathing space for the programme and the city.
WEST ELEVATION
SECTION AA’
SECTION BB’
GROUND FLOOR PLAN SECTION CC’
SECTION DD’
SECTION EE’
SECTION FF’ SECOND FLOOR PLAN
SECTION GG’
PERSPECTIVE OF THE EXHIBITION HALL
ROOF PLAN
Section AA’
Section BB’
02
Play A Children’s Camp for Astronomical Observation, SaiKung, Hong Kong, 2002 Project Description Architecture is always related to the nature. This individual project explored such a possibility by designing a children camp. Located at the suburb area in Hong Kong, the site intended to pluck our new generation from the digitized lifestyle to an adventurous voyage. The studio work gave strong emphasis on the forms, spatial qualities and material. The maze-like circulation focused on allowing children to explore their imagination through a variety of artistic mediums, whilst being shown with a diverse approach to the natural environment throughout the journey. It comprised theme platforms throughout the site as part of the “GAME PLAYING”. The Treehouse designed for dormitories maximized natural lighting and ventilation. The rooftop could be utilized for astronomical observation.
a
b a’
b’
Boy’s Dormitories
adjacent Site
Girl’s Dormitories
The Square Observation Platform Changing Rooms Bridges
Activity Rooms Mud and Mangrove Playground
Grid and Mesh Platform
Cafeteria Information and resource Centre
Grid and Mesh Platform
Information and resource Centre
Cafeteria
Changing Room
Observation Platform
Boy’s Dormitories
Girl’s Dormitories
Evolution of the cultural object
Different actions, namely destruction, fusion, disposition and penetration, have been considered to apply on the development of the final desired cultural object. Destruction was first tested for the applicability on the façade development; the concept originated with the historical event of the Japanese attack to Hong Kong, in the 1950s. The resulted degree of invasion, however, hindered the plausibility in applying such during the experimental stage. Other principal actions were used; alternately with the introduction and application of the last feasible actionâ&#x20AC;&#x201D;Mutation.
Ground Level
Basement
Level 2 (Covered Plaza, Foyer and Retail)
Level 3 (Auditorium)
Level 4
03
Hong Kong Cultural Heritage Center
A corner site between Hollywood road and Aberdeen Street, Central, HK, 2003
Project Description The project was the final year program, signifying the completion of the course at HKU space. It was organized and supervised by an assigned professor - usually with one to three studio ran consecutively per week. It also represented an individualâ&#x20AC;&#x2122;s ongoing research about the theory and practice of architecture. The site was situated in Sheung Wan, a district preserving most of the historical building in Hong Kong. Located between Hollywood Road and Staunton Street, the former Police Married Quarters was designated to be revitalised and re-used as a community center. Historically, the transition of Hong Kong from a small fishing village to an international tertiary-service providing city had rendered a forceful combination of the two culture: the vernacular Chinese settlements and the Western colonial establishment, mainly the British. The enmeshment was disordered. Through 4 conceptual processes----fusion, mutation, disposition and penetration, the intentions of the project was to re-define the boundaries as so to generate the characteristic recognizable local Hong Kong culture. Aiming at that, a building would be preferably constructed using the above mentioned conceptual processes. The exhibition gallery played a key role in the design. The cantilevered glass box horizontally penetrated into the building, emphasizing the peculiarity of the Hong Kong culture - transparent, fragile and easily being intruded. The design also took into account to its surrounding fabric. The community space on lower levels offered a variety of programs such as cafe, post office, library, auditorium, art gallery, outdoor terrace and courtyard garden.
Level 5
Level 6 (Exhibition Hall lower floor)
Level 7 (Exhibition Hall upper floor)
Level 8 (Outdoor terrace)
Level 9-11
PENETRATION The lack of specificity is disadvantageous to the development of the unique local Hong Kong Culture ; instead it welcomed cultural invasion or â&#x20AC;&#x153;PENETRATIONâ&#x20AC;? of other countries. The cantilevered glass box horizontally penetrated into the building, emphasizing the peculiarity of the Hong Kong culture - transparent, fragile and easily being intruded.